• Tribeca 2017: COPWATCH Profiles WeCopwatch whose Mission is to Film Police Activity and Brutality | Trailer

    COPWATCH Copwatch, directed by Camilla Hall, is a true story of WeCopwatch, an organization whose mission is to film police activity as a non-violent form of protest and deterrent to police brutality.  The documentary will premiere at the 2017 Tribeca Film Festival on Sunday, April 23rd. The Copwatch documentary profiles several WeCopwatch members – revealing how their mission to film police activity and brutality has impacted their lives. “Copwatch is not about what happened in front of the cameras, but it’s about those who stood behind them. It’s about a sense brotherhood that developed through the shared trauma of standing up to police brutality,” shares Camilla. Some of the people featured in the documentary include: Jacob Crawford (co-founder) who has spent the last 15 years with a camera in his hand documenting police activity. David Whitt (co-founder) a young father who lived in Ferguson and started filming after Michael Brown’s “Hands Up” shooting. Kevin Moore (Baltimore) awoke to the screams of his friend and neighbor Freddie Gray. He grabbed a camera and ran outside, filming as police dragged the injured young man into the back of a paddy wagon. Freddie Gray would die from the injuries and Kevin’s video, like those before his, were shown to the entire world by news broadcast and online. Like Ramsey, Kevin became a target for making his voice heard and was arrested shortly after he filmed the video while attending a protest. Ramsey Orta who captured Eric Garner’s final words “I Can’t Breathe” on his cell phone in currently incarcerated, however we’re looking into phone opportunities for him.  Capturing Garner’s death was life changing for Ramsey, the only person from the scene of the fatal Staten Island arrest to go to jail. The director Camilla Hall explains the inspiration for Copwatch: “The idea for COPWATCH came out of a call I had with an ex-cop some time ago. He told me how it was normal to go after people who had filmed the police, whether looking up warrants or enforcing traffic stops, anything possible to harass people who had tried to film them. I had been reading about Ramsey Orta and Kevin Moore, who had both been arrested after they filmed their videos. I tried to get in contact with Ramsey, only to be shut down by his lawyers, but refused to give up and managed to reach him through Jacob Crawford, the founder of WeCopwatch. Those initial conversations started a bigger conversation about how to tell the story of the group as a whole. I couldn’t understand why no one was telling the story behind people who film the police. I started to raise the money from friends and family to scrape through shoots with a young DP, Adriel Gonzalez. We’d borrow lavalier mics and anything we could to make sure we didn’t miss a moment. The story moved very fast but we had to keep shooting. Bow and Arrow Entertainment jumped on board and helped us to take the film to the next level.” “In many ways, I am an unlikely director for this film, but at the time, there were no other options. I spent weeks at the start looking for others to direct but the story moved faster and faster; the story mattered more to me than the role. I had the access and, for whatever reason, the group trusted me as I was willing to go through hell to shoot what I needed to get. We were shot at on numerous occasions, spent a week without running water, and dealt with situations where we had no idea what was going to play out. In many ways, I became a confidant for each person in WeCopwatch, they opened up and revealed themselves in a way that seemed to be part of a process for them. I was drawn to them because they had allowed me to understand – for the first time – what it was like to grow up hounded and harassed by the cops because of where they’d been born or what they looked like. As a journalist, I knew that if they were communicating this to me, then others would also be able to learn from them.”

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  • Tribeca 2017: Watch a Clip from THE PUBLIC IMAGE IS ROTTEN Documentary on Sex Pistols’ John Lydon | Trailer

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    [caption id="attachment_21995" align="aligncenter" width="1200"]The Public Image Is Rotten John Lydon in THE PUBLIC IMAGE IS ROTTEN. Photographer: Yamit Shimonovitz.[/caption] The documentary The Public Image Is Rotten directed by Tabbert Fiiller on John Lydon formerly of Sex Pistols is World Premiering tonight, Friday April 21, at the 2017 Tribeca Film Festival. After the breakup of the Sex Pistols, John Lydon (a.k.a. Johnny Rotten), formed Public Image Ltd (PiL)- his groundbreaking band which has lived on nearly ten times as long as his first one. He has struggled to keep the band alive ever since, through personnel and stylistic changes, fighting to constantly reinvent new ways of approaching music, while adhering to radical ideals of artistic integrity. John Lydon has not only redefined music, but also the true meaning of originality. Former and current bandmates, as well as fellow icons like Flea, Ad-Rock and Thurston Moore, add testimony to electrifying archival footage (including stills and audio from the infamous Ritz Show). With his trademark acerbic wit and unpredictable candor, Lydon offers a behind-the-scenes look at one of music’s most influential and controversial careers.

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  • Tribeca 2017: THE SUITCASE Inspired by FBI Investigation of 9/11 Ringleader Muhammed Atta’s Suitcases | Trailer

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    [caption id="attachment_21991" align="aligncenter" width="1200"]The Suitcase Mojean Aria as Joe Franek in THE SUITCASE. Photo credit: Jon Keng.[/caption] The Suitcase directed by Abi Damaris Corbin is a short film inspired by the FBI investigation of one of the 9/11 hijackers and ringleader Muhammed Atta’s suitcases  left at Logan International Airport. The film will premiere at the 2017 Tribeca Film Festival on Saturday, April 22nd. Stuck in the minutia of life Joe Franek, a Boston-bred baggage handler, fears he’ll never amount to anything. Being a pilot is his goal, but the dream seems far off as financial pressures mount. When tasked with transferring an incoming bag, Franek cracks and steals from the case owned by Mohammad Atta and destined for American Airlines Flight 11 on September 11th, 2001. The suitcase misses Flight 11, forcing Franek to re-tag it for later departure. Franek’s world is turned upside down when Flight 11 crashes into the World Trade Center. All air traffic is grounded, and the chaotic airport is locked down. Tortured by his careless actions, Franek becomes obsessed with tracking down the bag he delayed. Risking his job and sacrificing his security, Franek becomes a suspect, but his act of courage turns him into an unlikely hero and gives him the legacy for which he longed.

    Some facts about the film

    1. The Suitcase is based on a declassified Review of Investigation Conducted by the FBI of [Mohammed] A2a’s Suitcases at Boston, MA. 2. There are numerous conspiracy theories surrounding the 9/II hijackers’ suitcases that did board the connecting flight from Boston Logan International Airport (BOS). 3. The original letter discovered in Muhammed A]a’s suitcase is displayed at the 9/II Memorial & Museum in NYC. The props team created an exact hand-written replica for the film. 4. The prop master spent nearly two months searching the suitcase for the starring role. 5. Airport scenes were shot at San Bernardino International Airport, which is the only airport in Southern California where film crews can access an operational baggage handling system. 6. The Suitcase is a graduate thesis film sponsored by the prestigious Studio Innovation Grant out of George Lucas’ Entertainment Technology Center at USC. 7. The Studio Innovation Grant was created for Abi Damaris Corbin and is the only project out of USC to be sponsored by major studios: Disney, Universal Pictures, Amazon, and technology partners like Equinix, Wipro, and Google. 8. 17 of the top Hollywood film and tech companies collaborated to make this film. 9. This is the first USC film captured and finished in HDR. 10. Abi Damaris Corbin attended college at the age of 14. 11. The crew members for the film represent 10 different countries. https://www.youtube.com/watch?v=cz_3Gwpimhc

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  • Watch Trailer for Steamy Lesbian Drama BELOW HER MOUTH Opening April 28th

    [caption id="attachment_21988" align="aligncenter" width="1200"]Below Her Mouth Below Her Mouth[/caption] April Mullen’s Below Her Mouth tells the story of an unexpected romance between two women.  The film, an official selection of the 2016 Toronto International Film Festival, will be released theatrically in NY and LA, along with VOD on April 28th. Jasmine (Natalie Krill) is a successful fashion editor living with her fiancé, Rile (Sebastian Pigott). On a night out in the city with her best friend, she meets Dallas (Erika Linder), a roofer recently out of a relationship. Jasmine is taken by surprise when Dallas confidently hits on her; she turns Dallas down, but can’t get her out of her head. Dallas continues her cool, self-assured advances. In a matter of days, Jasmine succumbs and the two women embark on a steamy affair. It feels like a fantasy world compared to Jasmine’s life and plans with Rile, but soon reality rears its head, and she will have to face the profound changes their sudden romance has wrought in her. Stephanie Fabrizi’s screenplay powerfully and honestly explores what happens when two women fall hard for each other, and Mullen brings the story to the screen with uninhibited flair and assurance, showing us how love can arise from some of the messiest times in our lives. You may recognize star Erika Linder, the androgynous supermodel famous for starring in Katy Perry’s video “Unconditionally” and being famously booked to model for men’s campaigns, which made headline news. At the time, she was one of the first female models in the mainstream eye to be cast as a male model.  Below Her Mouth is her first starring role. Below Her Mouth is a rarity in more than one way: it’s a narrative shot with an entirely female crew, and it’s an uncommonly frank look at the all-encompassing nature of attraction — the good, the bad, the ugly, and the transcendent. https://www.youtube.com/watch?v=yWLnMX5ZfOw

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  • ENDLESS POETRY and DOLORES Win San Francisco International Film Festival Audience Awards

    [caption id="attachment_21985" align="aligncenter" width="1200"]Endless Poetry Endless Poetry[/caption] The 60th San Francisco International Film Festival wrapped after screening 181 films from 51 countries, and the audience voted Endless Poetry and Dolores their favorite narrative and documentary feature films. The Audience Award for Best Narrative Feature went to Alejandro Jodorowsky’s Endless Poetry (Chile/Japan/France), with Geremy Jasper’s Patti Cake$ (USA) also scoring highly with Festival audiences. The Audience Award for Best Documentary Feature went to Peter Bratt’s Dolores (USA), a 2016 SFFILM Documentary Film Fund winner for postproduction, while Rina Castelnuovo-Hollander and Tamir Elterman’s Muhi – Generally Temporary (Israel/Germany) also resonated with Festival audiences. The festival hosted 249 screenings of 181 films from 51 countries, which were attended by some 200 filmmakers and industry guests from 15 countries. Over two weeks, the 60th SFFILM Festival showed 66 narrative features, 36 documentary features, two New Visions features, two television series, and a total of 75 short films. Nearly $40,000 in prizes was awarded by Golden Gate Awards juries. “What an amazing year,” said Noah Cowan, SFFILM Executive Director. “Through partnerships local, national and global, we were able to create a special birthday celebration for the city of San Francisco, Bay Area audiences, and our followers online. We are grateful to the many people who took this journey with us, and we can’t wait to do it again!”

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  • Uma Thurman Named President of Un Certain Regard Jury at 2017 Cannes Film Festival

    Uma Thurman Actress Uma Thurman will preside over the Un Certain Regard Jury at the 2017 Cannes Film Festival.  The second competition of the Official Selection, the Un Certain Regard program showcases works which offer a unique perspective and aesthetic. A member of the Jury headed by Robert De Niro in 2011, Uma Thurman will continue this year the experience of watching films from all around the world as President of the Un Certain Regard Jury. In a career spanning more than 20 years, the American actress has made some daring choices and enjoyed taking risks. She made her debut aged 17, in Stephen Frears’ Dangerous Liaisons and in Terry Gilliam’s The Adventures of Baron Munchausen. She became Quentin Tarantino’s muse, playing in Pulp Fiction (Palme d’or winner, 1994) and in Kill Bill (volumes 1 & 2), both presented at the Festival de Cannes. Since then, Uma Thurman has worked with many directors, including Andrew Niccol (Gattaca); Woody Allen (Sweet and Lowdown); Roland Joffé (Vatel) and Ethan Hawke (Chelsea Walls). She recently joined the cast of Lars von Trier’s new project, The House that Jack Built, alongside Matt Dillon and Bruno Ganz. Her filmography encompasses everything from action films to science fiction; intimate dramas to light comedies. This wide variety is a testament to her free and independent spirit, nurtured by her childhood in a hippy family. Whether playing crazy, sexy or dominant, the woman whose namesake is the Hindu goddess of beauty and light has definitely entered the pantheon of movie greats, with several of her scenes attaining cult status.

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  • Tribeca 2017: CLIVE DAVIS: THE SOUNDTRACK OF OUR LIVES Kicks Off Fest and will Debut on Apple Music

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    [caption id="attachment_20367" align="aligncenter" width="1200"]CLIVE DAVIS: THE SOUNDTRACK OF OUR LIVES CLIVE DAVIS: THE SOUNDTRACK OF OUR LIVES[/caption] The 2017 Tribeca Film Festival officially kicked off last night with the World Premiere of the documentary Clive Davis: The Soundtrack Of Our Lives. The screening was followed by a special concert featuring performances by Aretha Franklin, Jennifer Hudson, Earth, Wind & Fire, Dionne Warwick, Carly Simon and Barry Manilow. Based on Davis’ 2013 bestselling autobiography, CLIVE DAVIS: THE SOUNDTRACK OF OUR LIVES is a riveting profile of the legendary music man, who is a five-time Grammy winner, Rock and Roll Hall of Fame inductee and recipient of The Recording Academy’s Lifetime Achievement Award. The film chronicles the historic influence of “The Man with the Golden Ears,” who rose from humble beginnings, and in a compelling journey, became one of the music industry’s most iconic figures. Davis’ career spans a remarkable five-decade career, providing an incredible tour of the most sensational music of the cultural revolution, from the ’60s to the rise of hip-hop. Davis has signed, influenced and driven the careers of many of the most important music artists of the 20th and 21st Centuries including Bruce Springsteen, Whitney Houston, Santana, Aretha Franklin, Barry Manilow, Patti Smith, Alicia Keys, Sean “Puffy” Combs, and a great many more who attest to Davis as, in Aretha Franklin’s words, “the greatest record man of all time.” This amazing film is definitive, fascinating and ceaselessly entertaining proof. Just before the premiere Apple announced that film is headed exclusively to Apple Music. “Apple is a global innovator that has revolutionized the distribution of music,” said Davis. “It is a touching honor to share the music and unique stories that have shaped my career with millions of Apple Music subscribers around the world. I am overjoyed to work with them to continue this incredible journey!” Davis added: “It is an incredible milestone to have a film about my life premier on opening night of the Tribeca Film Festival in an iconic venue such as Radio City Music Hall. It will be a moving celebration of music and artistry that hopefully will touch everyone.”

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  • Tribeca 2017: Watch a Clip from Justin Benson and Aaron Moorhead’s THE ENDLESS

    [caption id="attachment_21965" align="aligncenter" width="1200"]The Endless Justin Benson as Justin and Aaron Moorhead as Aaron in THE ENDLESS. Photographer: William Tanner Sampson.[/caption] Here is a clip from Justin Benson and Aaron Moorhead’s The Endless, which will make its World Premiere this Friday April 21st at the 2017 Tribeca Film Festival. The film directed byJustin Benson andAaron Moorhead also stars Justin Benson and Aaron Moorhead, along with Tate Ellington, James Jordan, Shane Brady and Kira Powell. THE ENDLESS is the story of two brothers who return to the deal cult from which they fled a decade ago, to find that there might be some truth to the group’s otherworldly beliefs. Tribeca Film FestivalScreenings: Friday, April 21st | 9:00 PM | Cinepolis Chelsea -07 – World Premiere Saturday, April 22nd | 10:00 PM | Cinepolis Chelsea-09 Saturday, April 22nd | 1:45 PM | Cinepolis-01 – P&I Sunday, April 23rd | 7:45 PM | Cinepolis Chelsea-01 Tuesday, April 25th | 1:45 PM | Cinepolis-01 – P&I Wednesday, April 26th | 8:45 PM | Cinepolis-04

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  • THE LAST GOODBYE, First Holocaust Survivor Testimony in Room-Scale VR to World Premiere at Tribeca Film Festival

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    THE LAST GOODBYE Billed as the first-ever Holocaust survivor testimony in room-scale VR, THE LAST GOODBYE will world premiere on Friday, April 21 at the 2017 Tribeca Film Festival. In The Last Goodbye, powerful personal testimony of the Holocaust is preserved for the first time in poignant, room-scale VR, as survivor Pinchas Gutter takes audiences with him on his final visit to Majdanek, the Nazi German concentration and extermination camp where his parents and sister were murdered during World War II. “Today when I see suffering of genocide victims and refugees, I feel their pain. I want my testimony to speak to the world to help avoid that pain. If my testimony can be a warning to the world, it would make my sharing of my own pain worthwhile,” Gutter said. The photoreal experience presents an entirely new way of capturing truth for the future, encouraging viewers to explore the spaces depicted. USC Shoah Foundation will archive Gutter’s testimony in support of their mission to use testimony as a compelling voice for education and action. “Just as USC Shoah Foundation forged new frontiers by collecting the world’s largest searchable archive of video testimony from genocide survivors, so too are we proud to be a part of this pioneering project with HERE BE DRAGONS, MPC VR and OTOY Inc.,” USC Shoah Foundation Executive Director, Stephen Smith said. “Every generation needs to bear witness to these atrocities, but our tools for learning and preservation change. We felt that doing the first Holocaust survivor testimony in roomscale VR, for education and preservation purposes, would engage our audience in understanding that the Nazi concentration camp system was highly developed where the SS authorities could kill targeted groups of real or perceived enemies of Nazi Germany. The consequences of such human behavior continue, and the best way to understand it and prevent it from happening again it is to gaze an unflinching eye upon it.” In late 2016, the team traveled with Gutter to Poland to capture hours of 3D video and tens of thousands of photos on site, to create an experience that enables viewers to virtually walk with Gutter as he revisits the railway car, gas chamber, shower room and barracks of Majdanek. The groundbreaking collaboration of the industry’s top talent integrated a capture pipeline created by OTOY with HERE BE DRAGONS’ 3D video testimony, and brought to life with dozens of photogrammetry artists and engineers from MPC. Tim Dillon, Head of VR & Immersive Content at MPC said, “Our ambition has been to create entirely an entirely new grammar for what’s possible within a narrative and room scale mix, in a documentary format. We’ve faithfully recreated the rooms of the Majdanek camp so you can inhabit them with Pinchas, you can feel his story by being there with him, eye to eye.” “It was important that we go beyond spherical 360 video for this particular piece and allow viewers to explore Majdanek with real agency,” said Patrick Milling Smith, president and co-founder, HERE BE DRAGONS. “This freedom of movement contributes to an even more powerful sense of presence while heightening the emotional impact.” To transport the viewers to Majdanek, the experience will be screened within a custom installation created by acclaimed scenic and production designer, David Korins. “The ultimate goal of the experience was to build-in a contemplative pulse that people could naturally attach to their own personal landscape; to connect, not only with the atrocity of concentration camps, but grasp how inhumane man can be against man when hate is paramount and emerge as a more enlightened individual.” said Korins. THE LAST GOODBYE was co-created by award-winning filmmaker Gabo Arora and Ari Palitz, produced by Stephen Smith, Executive Director of USC Shoah Foundation, and co-produced by USC Shoah Foundation, HERE BE DRAGONS, MPC VR and OTOY. An original soundtrack was helmed by audio director Dražen Bošnjak of Q Department. Spatial sound powered by Mach1. 3D stereo stitching by 3D paint\FX.

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  • Poster + Watch the Trailer to Yiddish-Language Hit MENASHE

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    menashe poster A24 has released the poster and trailer for the critically-acclaimed, Yiddish-language hit Menashe. The film is directed by ​Joshua Z. Weinstein and stars Menashe Lustig and Ruben Nyborg.  Menashe opens in theaters on July 28. Set within the New York Hasidic community in Borough Park, Brooklyn, Menashe follows a kind but hapless grocery store clerk trying to maintain custody of his son Rieven after his wife, Lea, passes away. Since they live in a tradition-bound culture that requires a mother present in every home, Rieven is supposed to be adopted by the boy’s strict, married uncle, but Menashe’s Rabbi decides to grant him one week to spend with Rieven prior to Lea’s memorial. Their time together creates an emotional moment of father/son bonding as well as offers Menashe a final chance to prove to his skeptical community that he can be a capable parent. Shot in secret entirely within the Hasidic community depicted in the film, and one of the only movies to be performed in Yiddish in nearly 70 years, Menashe is a warm, life affirming look at the universal bonds between father and son that also sheds unusual light on a notoriously private community. Based largely on the real life of its Hasidic star Menashe Lustig, the film is a strikingly authentic and deeply moving portrait of family, love, connection, and community. https://www.youtube.com/watch?v=83UoZcdX__Y

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  • Nuns Gone Wild in Red Band Trailer for Sundance Hit THE LITTLE HOURS

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    [caption id="attachment_19933" align="aligncenter" width="1200"]The Little Hours Alison Brie, Kate Micucci and Aubrey Plaza appear in The Little Hours by Jeff Baena, an official selection of the Midnight program at the 2017 Sundance Film Festival. © 2016 Sundance Institute.[/caption] The Little Hours directed by Jeff Baena has released the red band trailer, and immediately you will see why Bill Donohue, of the Catholic League proclaimed “It is trash. Pure trash.” Good funny trash, that is.  The film which premiered earlier this year at the 2017 Sundance Film Festival will be release in select cities on June 30th, followed by a national rollout. In The Little Hours, medieval nuns Alessandra (Alison Brie), Fernanda (Aubrey Plaza), and Ginevra (Kate Micucci) lead a simple life in their convent. Their days are spent chafing at monastic routine, spying on one another, and berating the estate’s day laborer. After a particularly vicious insult session drives the peasant away, Father Tommasso (John C. Reilly) brings on new hired hand Massetto (Dave Franco), a virile young servant forced into hiding by his angry lord. Introduced to the sisters as a deaf-mute to discourage temptation, Massetto struggles to maintain his cover as the repressed nunnery erupts in a whirlwind of pansexual horniness, substance abuse, and wicked revelry. The film also stars Molly Shannon, Fred Armisen, Jemima Kirke, Adam Pally and Nick Offerman. https://www.youtube.com/watch?v=FYycHr4RsJw

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  • Watch Official Trailer for Sundance Award-Winning Syrian Documentary LAST MEN IN ALEPPO

    [caption id="attachment_19914" align="aligncenter" width="1200"]Last Men in Aleppo Last Men in Aleppo[/caption] The official trailer is released for the Syrian documentary Last Men In Aleppo, winner of the 2017 Sundance Film Festival – World Documentary Grand Jury Prize.  Last Men In Aleppo will open theatrically on May 3rd in New York at the Metrograph, and May 18th in Los Angeles at Laemmle’s Music Hall, followed by a nationwide rollout. Nowhere is the human toll of Syria’s ongoing civil war more brutally manifest than in the lives of Aleppo’s “White Helmets”—first responders to the devastating bombing and terrorist attacks that have pushed this city to the brink of collapse. Volunteers Khaled, Mahmoud, and Subhi rush toward bomb sites while others run away. They search through collapsed buildings for the living and dead. Contending with fatigue, dwindling ranks, and concerns for their families’ safety, they must decide whether to stay or to flee a city in ruins. An unforgettable portrait of reluctant heroes, Last Men in Aleppo employs a strict vérité approach but unfolds like a classical tragedy. Directed by Syrian filmmaker Feras Fayyad in collaboration with the Aleppo Media Center, it’s a patchwork of resonant moments—some horrifying (pulling lifeless infants from the rubble), others improbably hopeful (playing a makeshift soccer game, building a fishpond, driving kids to a playground during a ceasefire). Together they are a testament to mankind’s capacity for unspeakable atrocity and an ode to courage and compassion.

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