
Truman, I Am Not Your Negro, My Life as a Zucchini, and Incendio were awarded the top prizes at the 40th Portland International Film Festival.

Truman, I Am Not Your Negro, My Life as a Zucchini, and Incendio were awarded the top prizes at the 40th Portland International Film Festival.
Patti Cake$[/caption]
The 60th San Francisco International Film Festival‘s Centerpiece film will be Patti Cake$ (USA 2016), first-time feature director Geremy Jasper’s dynamic and inspiring film which tells the story of Patricia “Patti Cake$” Dombrowski, a big girl with a big mouth and big dreams of hip-hop superstardom. Patti Cake$ was a Spring 2014 SF Film Society / KRF Filmmaking Grant winner.
The celebratory Centerpiece screening will take place on Wednesday, April 12, 7:30 pm at the historic Castro Theatre.
In addition to Patti Cake$, three documentary features, one narrative feature, one narrative short and three documentary shorts-all of which received funding or creative support through various SF Film Society artist development programs-will be included in this year’s Festival lineup.
San Francisco native Peter Bratt’s feature documentary Dolores and Oakland-based filmmaker Peter Nicks’ feature documentary The Force both received Documentary Film Fund Awards. Directing and screenwriting team Alex and Andrew Smith’s Walking Out was a SF Film Society / KRF Filmmaking Grant winner, and Andrew Smith is a current FilmHouse Resident. Joe Talbot, director of the narrative short American Paradise, is a current FilmHouse Resident and the feature film expansion of his short recently won a SF Film Society / KRF Filmmaking Grant. Mohammad Gorjestani, director of the documentary shorts Happy Birthday Mario Woods and The Boombox Collection: Zion I, and Mario Furloni and Kate McLean, co-directors of the documentary short Gut Hack, were all FilmHouse Residents during the development of their films. McLean’s FilmHouse residency also included the development of Festival documentary feature Bill Nye: Science Guy, on which she is a producer.
SAN FRANCISCO FILM SOCIETY-SUPPORTED FILMS IN THE FESTIVAL PROGRAM
Centerpiece: Patti Cake$ (Geremy Jasper, USA)
The unqualified breakout hit of this year’s Sundance Festival, Geremy Jasper’s debut feature erupts with head-nodding beats from the opening scene and features the dynamic and stirring performance of Danielle Macdonald as the title character, a young woman who uses her lyrics to escape, daring to dream of something better outside of her New Jersey working class life. She gathers an emotionally damaged multi-racial motley crew around her to create funny and invigorating musical sequences.
Spring 2014 SF Film Society / KRF Filmmaking Grant winner for packaging
Bill Nye: Science Guy (David Alvarado, Jason Sussberg, USA)
The effortlessly charming, bow-tie sporting scientist Bill Nye is beloved by all generations who grew up watching his show Bill Nye the Science Guy, but vilified by climate change deniers and religious fundamentalists. Skilled documentarians (and fans!) David Alvarado and Jason Sussberg travel along with Nye as he works tirelessly to make the world a better place through science advocacy and education and reflects on his life and career as one of America’s most famous science minds.
Kate McLean, a producer on the film, was a SF Film Society FilmHouse Resident during its development.
Dolores (Peter Bratt, USA)
Lifelong community organizer Dolores Huerta founded the United Farm Workers with Cesar Chavez in 1962 and directed the decisive national boycott of Delano grapes. San Francisco native Peter Bratt’s vibrant historical documentary revisits those landmark accomplishments and Huerta’s tireless activism against poverty, pesticides, racism, and injustice. Huerta’s myriad battles and sacrifices as the lone woman on the UFW board and the mother of 11 children are integral to her story, and to the times.
2016 SF Film Society Documentary Film Fund winner for postproduction
The Force (Peter Nicks, USA)
For the powerful second chapter in his projected trilogy of films centered on the relationship between public institutions and community, Pete Nicks takes a powerful, immersive look at the Oakland Police Department. Filming from 2014-2016 with unprecedented access, Nicks captures a particularly turbulent time at the agency. Intended as a catalyst for conversation and change, Nick’s empathetic observational style avoids easy generalizations and upends expectations resulting in a rich, thought-provoking depiction of what policing looks like at a watershed moment.
2015 SF Film Society Documentary Film Fund winner for postproduction
Walking Out (Alex Smith, Andrew Smith, USA)
A moose hunting trip into Montana’s mountains, meant as a rite of passage and to bridge a growing divide between a divorced dad (Matt Bomer, A Normal Heart) and his young teenage son (Josh Wiggins, Hellion, Festival 2014), takes a dangerous turn under wintry conditions in Alex and Andrew Smith’s haunting adaptation of David Quammen’s short story, a thrilling, deceptively simple drama that packs an emotional wallop and features some of the year’s best performances.
Andrew Smith is a current SF Film Society FilmHouse Resident
Fall 2016 SF Film Society / KRF Filmmaking Grant winner for postproduction
SHORT FILMS
American Paradise (Joe Talbot, USA)
A desperate man plans a bank heist and comes up against the stark realities of white privilege in this extraordinary story inspired by true events.
Joe Talbot is a current SF Film Society FilmHouse Resident
Fall 2016 SF Film Society / KRF Filmmaking Grant for packaging of the feature film expansion of American Paradise
The Boombox Collection: Zion I (Mohammad Gorjestani, USA)
In this intimate portrait and performance piece, Oakland resident Stephen Gaines, frontman of underground hip-hop duo Zion 1, reflects on his legacy and the question of artistic integrity vs. mainstream success.
Mohammad Gorjestani was a SF Film Society FilmHouse Resident during the development of this film.
Gut Hack (Mario Furloni, Kate McLean, USA)
To treat his chronic gastro-intestinal problems, Josiah devises a bold biological experiment that involves the exchange of bodily excretions.
Mario Furloni and Kate McLean were SF Film Society FilmHouse Residents during the development of this film.
Happy Birthday Mario Woods (Mohammad Gorjestani, USA)
A bereaved mother in Oakland, CA, tends the grave of her son and remembers his life.
Mohammad Gorjestani was a SF Film Society FilmHouse Resident during the development of this film.
Throw[/caption]
After screening nearly 100 films in six days, the Flagstaff Mountain Film Festival has announced the winners of the 15th Anniversary edition. Voyagers Without Trace directed by Ian McCluskey was awarded the prize for Best Feature, and Throw directed by Darren Durlach and David Larson won the People’s Choice award.
Voyagers Without Trace[/caption]
Best Feature: Voyagers Without Trace
Director(s): Ian McCluskey
With the help of a few friends, filmmakers Alex Gorosh and Wylie Overstreet did exactly that. Using the dry lakebed of Black Rock Desert in Nevada and an earth the size of the marble, they constructed the first complete model of the solar system, measuring over seven miles wide.
Do you know those stories where a kid finds a hidden treasure map in an attic or a lost letter in an old book? Growing up, I always dreamed someday I’d find a mysterious clue that set me on an adventure.
In the remote southwest corner of Wyoming, I came across a curious historic marker. On the sign was a faded photograph: two handsome men and a fetching blonde. They didn’t look like the rugged mountain men or explorers of the American West that I’d seen before on historic signs. Instead, they seemed like they could have been my friends. The sign hinted at an incredible voyage.
In the summer of 1938, newlyweds Genevieve and Bernard de Colmont and their friend, Antoine de Seynes, set off from France on the biggest adventure of their lives. They had a bold, perhaps even foolhardy plan: be the first to take kayaks down the mighty Green and Colorado rivers. They launched from Green River, Wyoming, and emerged 900 miles and two months later in Lee’s Ferry, Arizona, with their travels vividly documented on 16 millimeter color film—a year before Hollywood’s first color movie.
And Genevieve, just age 21, would become the first woman to paddle her own boat on these rivers. A vanguard of recreational adventurers, the French Trio’s journey offers a unique and previously unseen window into a transitional moment in America: the last chapter of the Wild West, and the first chapter of the Modern era.
What led an explorer, his new bride, and his best friend halfway around the world, on the eve of World War II? What ever happened to them? And what did these “Voyagers Without Trace” leave to be found? To go further on this search meant one unavoidable thing: I had to go down the river. There was just one problem: I didn’t know how to kayak! But that hadn’t stopped the French Trio; they weren’t professional kayakers, but just beginners. So I assembled my own trio, with acclaimed adventure athlete Paul Kuthe and his fiancée, Kate.
We set off down the dangerous whitewater to search for any remaining traces of this journey. What I found was more than I could have expected: the original color film documenting their 1938 trip, unseen photos, a diary… and even one of the original kayaks, held in a 16th century fortress in the peaks of the Pyrenees, with an unexpected connection to the French Resistance.
From my discoveries emerged a story more remarkable than I could have imagined, revealing the possibilities that free-spirited risk-taking offers to all.
Best Short: Dodo’s Delight
Director(s): Sean Villanueva-O’Driscoll, Josh Lowell, Nick Rosen, Peter Mortimer
Jump on board a madcap sailing adventure to the biggest rock walls in the Arctic Circle with a team of elite climbers as zany as they are talented. Sean Villanueva, Nico Favresse, Olivier Favresse and Ben Ditto have made cutting edge first ascents in remote mountain ranges around the world — climbing hard, making music and goofing off thousands of feet in the air. Now they embark on their greatest expedition yet, voyaging to the massive walls of Greenland and Baffin Island on the good ship Dodo’s Delight, skippered by the spry 79-year old Captain Bob Shepton. Amongst rough seas, falling rocks and freezing temperatures, this hilarious and badass gang of adventurers forge bold new routes and have the time of their lives.
Newtown[/caption]
Kim A. Snyder’s documentary Newtown that tells the story of the aftermath of the deadliest mass shooting of schoolchildren in American history will air on Independent Lens on PBS April 3.
On December 14, 2012, a disturbed young man committed a horrific mass shooting in Newtown, Connecticut, that took the lives of 20 elementary school children and six educators. Kim A. Snyder’s searing new documentary Newtown, filmed over the course of nearly three years, uses deeply personal, never-before-heard testimonies to relate the aftermath of the deadliest mass shooting of schoolchildren in American history. Through raw and heartbreaking interviews with parents, siblings, teachers, doctors and first responders, Newtown documents a traumatized community still reeling from the senseless tragedy, fractured by grief but driven toward a sense of purpose.
Newtown premieres on Independent Lens Monday, April 3, 2017, 10:00-11:30PM ET (check local listings) on PBS.
There are no words of compassion or reassurance that can bring back those who lost their lives during the shooting at Sandy Hook Elementary School. Instead, Snyder delves into the lives and homes of those who remain, all of whom have been indelibly changed by the events. They speak candidly about their grief, anger and disbelief over what occurred and their disappointment that nothing has truly changed with regard to the country’s legal response to gun violence. Newtown bears witness to their profound grief and allows it to reverberate within our collective conscience, exploring what happens to a community after it becomes the epicenter of a national discussion and what it must cope with after the cameras leave.
“Working with Kim on this film has been a deeply rewarding experience,” said Lois Vossen, Independent Lens executive producer. “The team was committed to making a film that was incisive without being exploitative. Newtown shows the impact of trauma on a community, the grief gun violence causes and how we begin to heal and move forward.”
THE VOID[/caption]
The 19th Boston Underground Film Festival returns to Harvard Square with what the festival describes as a “smorgasbord of phantasmagoria, dark comedy, thrillers, killers, and chillers” from March 22nd through the 26th, 2017.
Veteran actress, co-writer of 2012’s Sightseers, and first-time director/writer/star Alice Lowe’s bloody British baby bump (off) slasher comedy Prevenge will open the festival on Wednesday March 22nd, and filmmaking triple-threat director/writer/actor Marianna Palka’s delightfully disturbing dive into dissociative doggone delirium, Bitch will close out the festival on March 26th.
Bubbling up from down-under, also coming to Boston fresh from SXSW 2017, is not-to-be-missed Aussie crime thriller Hounds of Love, a masterful feat of tension, terror, and restraint from Perth-based, wildly talented first-time feature filmmaker Ben Young. In stark contrast to some of BUFF’s darker fare, prepare to meet your new obsession with first-time filmmaker Bill Watterson’s Slamdance 2017 standout Dave Made a Maze, which will beguile and a-maze with its hilarious odyssey through one man’s intricately crafted, booby trapped, living room box fort labyrinth; awe-inspiring stop-motion animation and strong lulz await.
BUFF will also host the East Coast Premiere of 68 Kill from mad genius Trent Haaga, director of BUFF’s 2011 Director’s Choice Award-winner Chop and writer of 2013’s Cheap Thrills & 2008’s Deadgirl. Haaga’s highly anticipated punk rock heist film unites BUFF regulars AnnaLynne McCord & Matthew Gray Gubler in the ultimate highway to hell road film.
Dim The Fluorescents – director Daniel Warth and producer Josh Clavir,[/caption]
Dim The Fluorescents, the feature film debut of director Daniel Warth and producer Josh Clavir, and winner of the 2017 Slamdance Film Festival Grand Jury Prize will be released in Canada by Films We Like. The film will have a cross-Canada fall theatrical release, followed by a wide digital release targeting SVOD, streaming and airline services.
FWL has been following the film since before its debut at Slamdance Film Festival, and shortly after the fest, finalized the deal.
Dim the Fluorescents tells the story of struggling actor Audrey (Claire Armstrong) and aspiring playwright Lillian (Naomi Skwarna), who pour all of their creative energy into the only paying work they can find: corporate role-playing demonstrations. When they book the biggest gig of their careers at a hotel conference, work commences on their most ambitious production to date, and the ensuing tensions threaten to derail both the production and their friendship.
As wryly funny as it is unexpectedly poignant, Dim the Fluorescents is a one-of-a-kind portrait of the artistic life and process in the unlikeliest of settings. A labour of love painstakingly constructed over the course of four years, the film was written by Daniel Warth and Miles Barstead – who also composed the score – and produced by Josh Clavir.
“I honestly can’t think of a better Canadian home for Dim the Fluorescents than Films We Like,” said Warth. “They have put out so many of my favorite films of the new century: Tabu, Berberian Sound Studio, Like Someone in Love, and far too many others to mention. I am beyond excited for this partnership, and I know they’re going to do an incredible job bringing the film to Canadian audiences.”
Little Boxes[/caption]
Rob Meyer’s LITTLE BOXES starring Melanie Lynskey (“Togetherness”), Nelsan Ellis (GET ON UP), Armani Jackson (THE LAST WITCH HUNTER), Oona Laurence (Broadway’s MATILDA), and Janeane Garofalo, will be released in theaters on April 14th by Gunpowder & Sky Distribution.
It’s the summer before 6th grade, and Clark (Jackson) is the new biracial kid in a very white town. Discovering that to be cool he needs to act ‘more black’, he fumbles to meet expectations. Meanwhile, his urban intellectual parents Mack (Ellis) and Gina (Lynskey) try to adjust to small-town living. Accustomed to life in New York, the tight-knit family is ill-prepared for the drastically different set of obstacles that their new community presents. They soon find themselves struggling to understand themselves and each other in this new context.
Written by Annie J. Howell, LITTLE BOXES premiered at the 2016 Tribeca Film Festival, where it received a warm reception from critics. IndieWire praised Lynskey’s performance as “radiantly real” and called Howell’s script “knowing and perceptive”, noting approvingly that the film “addresses delicate questions about how our national conversations shape and seep into younger generations.” Variety concurred, hailing Ellis and Lynskey as “warm, funny and credible” and the film’s gentle touch on “issues of race, class and privilege”.
“LITTLE BOXES is as heartwarming as it is timely,” said Gunpowder & Sky Distribution’s Jake Hanly. “Rob unpacked a very complex issue in a way any audience can understand and relate to.”
Director Rob Meyer said, “It’s a thrill and an honor to team up with Gunpowder & Sky Distribution for the theatrical and VOD release. They distribute the kind of movies that I want to watch.” Producer Jared Ian Goldman added, “The Gunpowder & Sky team love the heart, humor and commentary of LITTLE BOXES as much as those of us who made it. They understand the timeliness and nuance to the mix-ups, misunderstandings, and stereotyping that the story utilizes so successfully.”
Adele Romanski, Berry Jenkins, and Jeremy Kleiner accept the Oscar® for Best motion picture of the year, for work on “Moonlight” with host Jimmy Kimmel during the live ABC Telecast of The 89th Oscars® at the Dolby® Theatre in Hollywood, CA on Sunday, February 26, 2017.[/caption]
And the Academy Award for Best Picture goes to La La Land. Oops sorry, Moonlight. That’s pretty much how it went last night at the 2017 Oscars. Warren Beatty and Faye Dunaway were presenting the best-picture award when Faye Dunaway announced that La La Land was the winner. The La La Land team excitedly accepted the award and the speeches began, before one of the film’s producer realized the mixup and announced that Moonlight was instead the winner.
PricewaterhouseCoopers, the accounting firm that tallies the Oscars voting, told ABC News in a statement that presenters Faye Dunaway and Warren Beatty were given the wrong envelope when they went on stage to announce the winner of the coveted best picture award.
PricewaterhouseCoopers issued a statement shortly after apologizing, “We sincerely apologize to “Moonlight,” “La La Land,” Warren Beatty, Faye Dunaway, and Oscar viewers for the error that was made during the award announcement for Best Picture. The presenters had mistakenly been given the wrong category envelope and when discovered, was immediately corrected. We are currently investigating how this could have happened, and deeply regret that this occurred. We appreciate the grace with which the nominees, the Academy, ABC, and Jimmy Kimmel handled the situation.”
RUN starring Stephen Baldwin[/caption]
The new faith-based feature film, RUN, starring Stephen Baldwin, will premiere on March 9, 2017 at the Palladium IMAX in San Antonio, TX before expanding to select cities nationwide.
The faith-based dramatic thriller stars Stephen Baldwin (The Usual Suspects; Bio-Dome; Born on the Fourth of July), Taylor Murphy (Scream: The TV Series; The Middle; MTV’s Awkward) and Josiah Warren (The Prophet’s Son; Scarlett; In Over My Head) who also directs the film. RUN follows Levi (Warren), a young businessman who marries a passionate journalist who reports on human trafficking and fights to expose it. On their wedding night, Natalie (Murphy) is kidnapped and sold into sex slavery. Levi goes on the hunt for his wife chasing clues wherever he can find them, leading him to Jeff Conners (Baldwin) – a crime lord with no mercy. Will Levi be able to find his wife before she is moved out of the country? Only with the help of God can Levi find the strength to fight.
Numerous anti-human trafficking organizations will be participating in the RUN premiere including Alamo Area Coalition Against Trafficking (AACAT), Embassy of Hope, Freedom Youth Project, Rape Crisis Center, Alamo Youth Center, Ransomed Life, A21 Freedom Chasers, Path Now Global, Heidi Search Center, No Strings Attached and New Life Refuge Ministries.
Bill Paxton in Haywire[/caption]
TMZ is reporting that actor and director Bill Paxton died on Saturday February 25, 2017, due to complications of surgery. He was 61 years.
He appeared in a number of films, including The Terminator (1984), Weird Science (1985), Aliens (1986), Predator 2 (1990), True Lies (1994), Apollo 13 (1995), Twister (1996), and Titanic (1997).
The family released a statement “It is with heavy hearts we share the news that Bill Paxton has passed away due to complications from surgery.” The family accurately describes his “illustrious career spanning four decades as a beloved and prolific actor and filmmaker. Bill’s passion for the arts was felt by all who knew him, and his warmth and tireless energy were undeniable.”
Paxton was married to Louise Newbury, and the father of two children.
100 YEARS: ONE WOMAN’S FIGHT FOR JUSTICE[/caption]
The 2017 Big Sky Documentary Film Festival announced the winning films, awarding the Big Sky Award to 100 YEARS: ONE WOMAN’S FIGHT FOR JUSTICE by Melinda Janko.
Says Festival Director Rachel Gregg: “We’re extremely proud to have been able to share these incredibly accomplished films with the people of Montana and all our visiting guests. We’re thrilled to provide an opportunity for these movies to find an even larger audience thanks to the reach of these prestigious awards. Thanks to our juries for making the hard decisions!”
With over 200 films in the festival, the following competition films have been given awards in the four categories.
Big Sky Award: Presented to one film that artistically honors the character, history, tradition and imagination of the American West
WINNER: 100 YEARS: ONE WOMAN’S FIGHT FOR JUSTICE
Melinda Janko, 2016, USA, 76 minutes / Montana Premiere
100 Years is the David vs. Goliath story of Elouise Cobell’s courageous fight for justice for 300,000 Native Americans whose mineral rich lands were mismanaged by the United States Government. For 30 years Elouise Cobell fought “the good fight.” This is the compelling true story of how she prevailed and made history.
Big Sky Artistic Vision Award
WINNER: OYATE
Dan Girmus , 2016, USA, 73 minutes / World Premiere
OYATE is a film about life on the Pine Ridge Indian Reservation in southwestern South Dakota. It follows two families as they go about their daily activities over the course of a single summer. They attend rodeos, shoot clay pigeons, and participate in pow wows. Family members get married, have children, and celebrate the 4th of July. All the while, the difficult, often intractable realities of modern reservation life threaten to encroach upon them.
Jury statement: In recognition of the film’s artistic merit, approach and cinematography, the jury presents Dan Grimus’s OYATE the Artistic Vision Award for its cinematic eye, observational gaze, and ability to capture the beauty in the everyday.
Mini-Doc Competition – films 15 minutes and under
WINNER: THE FOURTH KINGDOM
Alex Lora, Adan Aliaga, 2017, Spain, USA, 14 minutes / World Premiere
The Fourth Kingdom is the kingdom of plastics, a redemption center in NY for immigrants and underdogs where the American Dream becomes possible indeed.
Short Competition – films between 15 and 40 minutes in length
WINNER: KAYAYO: THE LIVING SHOPPING BASKETS
Mari Bakke Riise, 2016, Norway, 32 minutes / North American Premiere
In the capital of Ghana, 10,000 girls from the ages of 6 work as real life shopping baskets – called Kayayo, carrying heavy loads on their head (from 130 to 220 pounds), earning very little and some end up in prostitution to make ends meet. This documentary is about Bamunu, an 8-year old girl who hasn’t seen her family since she was sent away from home two years ago to work as a Kayayo to support her family. We follow her incessant longing to get away from the harsh markets, her journey back home and what awaits there.
Shorts Competition Artistic Vision Award
WINNER: THE RAIN WILL FOLLOW
Eugene Richards, 2016, USA — 15 minutes / Northwest Premiere
Though confined to a nursing home, 90-year-old Melvin Wisdahl lives an interior life, filled with images of the war he fought in, the struggles of the early Norwegian settlers of North Dakota, his ghost town of a home, his love of the ever-evolving and threatened land.
Jury Statement: The jury presents an Artistic Vision Award to THE RAIN WILL FOLLOW, which beautifully marries internal and external landscape imagery in a way that infuses the whole film with a third complete and powerful through line.
Feature Competition – films over 40 minutes in length
WINNER: CRADLE OF CHAMPIONS
Bartle B Bull, 2017, USA, 100 minutes / Northwest Premiere
Fighting for your life in the city of dreams. Three extraordinary young people battle to change their lives through the three-month odyssey of the New York Daily News Golden Gloves—the biggest, oldest, most important amateur boxing tournament in the world.
Feature Competition Artistic Vision Award
WINNER: LET THERE BE LIGHT
Mila Aung-Thwin, 2017, Canada, 100 minutes / World Premiere
LET THERE BE LIGHT follows the story of dedicated scientists working to build a small sun on Earth, which would unleash perpetual, cheap, clean energy for mankind. After decades of failed attempts, a massive push is now underway to crack the holy grail of energy.
Jury Statement – In recognition of the film’s artistic merit and educational value, the jury presents LET THERE BE LIGHT with an Artistic Vision Award for its cinematic eye, innovative animation, and engaging (passionate) investigation into the future of fusion (clean energy).