Inmates in Virginia attempt to transcend the cycle of recidivism through an unlikely artistic collaboration behind bars with Grammy-winning hip hop artist Todd ‘Speech’ Thomas.
Directed by Sam Bathrick
Starring Speech Thomas, Garland T. Carr, Tennyson Jackson
Genre(s) Documentary Film
The Richmond International Film Festival (RIFF), brings more than 135 award-winning film premieres from 20 countries, plus panels, 35+ bands, mixers, and daily events at venues across Richmond, Virginia. The festival kicks off Tuesday, April 21st and concludes Sunday, April 26th.
One hundred fifty-nine features have been submitted for consideration in the Documentary Feature category for the 92nd Academy Awards®. Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture.
This Changes Everything, a pivotal documentary examining historic and contemporary gender inequity in the American film and television industries, will open the 36th edition of Miami Dade College’s acclaimed Miami Film Festival, on Friday, March 1st at the historic Olympia Theater. Appearing on camera are leading Hollywood women Meryl Streep, Geena Davis, Sandra Oh, Rosario Dawson, Zoe Saldana, Jessica Chastain, Taraji P. Henson, Cate Blanchett, Amandla Stenberg, Natalie Portman, Reese Witherspoon, Shonda Rhimes, Jill Soloway and many more advocating for meaningful change.
Breslin and Hamill: Deadline Artists[/caption]
DOC NYC, America’s largest documentary festival, returns for its ninth edition with 135 feature-length documentaries among over 300 films and events overall. The festival takes place November 8 to 15 at in New York at the IFC Center in Greenwich Village and Chelsea’s SVA Theatre and Cinepolis Chelsea.
Special Events include Closing Night Film, the world premiere of HBO’s Breslin and Hamill: Deadline Artists, about the beloved New York City journalists Jimmy Breslin and Pete Hamill, directed by Jonathan Alter, John Block and Steve McCarthy; and the festival’s Centerpiece presentation, the world premiere of Original Cast Album: Co-op, an episode in the upcoming season of IFC’s Documentary Now! series inspired by D.A. Pennebaker’s Original Cast Album: Company, followed by a conversation with creators Seth Meyers and Rhys Thomas, director Alex Buono, writer and star John Mulaney, and star Renee Elise Goldsberry (Hamilton). The NYC premiere of John Chester’s Telluride and Toronto hit The Biggest Little Farm will open the festival.
World premieres at the festival include Lady Parts Justice in the New World Order, following The Daily Show co-creator Lizz Winstead on a “Vagical Mystery Tour” to fight for reproductive rights; New Homeland, the newest film from two-time Academy Award winner Barbara Kopple, following refugee boys to a summer camp; Cracked Up, a revealing portrait of Saturday Night Live alumnus Darrell Hammond; Olympia, on Academy Award winning actress Olympia Dukakis; Buzz, about Friday Night Lights author Buzz Bissinger; Afterward, a candid exploration of complex tensions between Germans, Jews and Palestinians; Creating a Character: The Moni Yakim Legacy, on the legendary Juilliard drama teacher who trained Meryl Streep and Viola Davis among countless other talents; Beyond the Bolex, a personal history of the iconic camera; and The Show’s the Thing: The Legendary Promoters of Rock, which reveals an untold chapter of rock history.
Among this year’s U.S. premieres are Screwball, a hilarious exposé of Alex Rodriguez’s doping scandal; The Insufferable Groo, on a prolific low-budget filmmaker who recruits Jack Black for his latest opus; Evelyn, Oscar-winner Orlando von Einsiedel’s reckoning with a family tragedy; Rudeboy: The Story of Trojan Records, the fascinating tale about the popularization of Jamaican music worldwide; Barbara Rubin & the Exploding NY Underground, on an influential but little-recognized member of the 1960s film and art world; and The Artist & the Pervert, on the controversial relationship between a world renowned composer and a sex educator.
The festival is curated in 21 sections that include five new strands:
Series Showcase, offering world premieres of new episodic programs, including Showtime’s Enemies: The President, Justice & the FBI, exploring the contentious relationship between U.S. presidents and the FBI; and SundanceTV’s Jonestown: Terror in the Jungle, commemorating the 40th anniversary of the Jonestown Massacre.
Photography on Film, which includes the world premiere of Last Stop Coney Island: The Life and Photography of Harold Feinstein, on the seven-decade career of the NYC photographer.
Portraits, which presents the world premieres of The Great Mother, a profile of a woman serving as the legal guardian for 2,000 children of undocumented immigrants; and Welcome to the Beyond, the surprising story of a fashion model and a cult.
In the System, offering an inside look at institutions, including sexism in the restaurant world in The Heat: A Kitchen (R)evolution; and the financial industry on the cusp of the economic recession in Inside Lehman Brothers.
True Love, which presents the world premiere of Dennis and Lois, about a punk rock-loving older couple; and the U.S. premiere of China Love, which explores China’s $80 billion pre-wedding photo industry.
In the festival’s two feature competition sections, nine films appear under the Viewfinders section for distinct directorial visions. They include the world premieres of Cooked: Survival by Zip Code, a radical reframing of natural disasters and their link to poverty; Out of Omaha, a coming-of-age story executive produced by musician J. Cole; The Smartest Kids in the World, an exploration of the shortcomings of the U.S. education system; and The Kleptocrats, an investigation of the Malaysian financial scandal that helped finance The Wolf of Wall Street.
In the Metropolis competition section, seven films are dedicated to stories set in New York City. They include the world premieres of Jay Myself, about acclaimed photographer Jay Maisel; Decade of Fire, on the notorious series of fires that devastated the Bronx in the 1970s; See Know Evil, about a young photographer who left an indelible mark on fashion in the 1990s; and The Candidates, which follows an elaborate mock U.S. presidential election at a Queens high school.
Other returning sections include high-profile Special Events; national and global takes inAmerican Perspectives and International Perspectives; and thematic sections Centerstage (on performance), Jock Docs (on sports), Science Nonfiction (on science and technology), Wild Life (on animals), Modern Family (on unconventional families), Behind the Scenes (on filmmaking), Fight the Power (on activism), Sonic Cinema (on music) and Docs Redux (revisiting classic nonfiction). Short-form content (92 films in total) is represented by the festival’s Shorts Competition and DOC NYC U (showcasing student work), selected by Programmer Opal H. Bennett.
These sections join the Short List: Features titles, highlighting 15 of the year’s award contender documentary features; Short List: Shorts, an inaugural list of 12 of the year’s leading nonfiction shorts; and the eight-day DOC NYC PRO conference, doubled in size from 2017, focusing on panels and masterclasses.
DOC NYC will welcome over 500 filmmakers and special guests in attendance for Q&As after most screenings and for DOC NYC PRO panels. Among the notable guests expected to appear in person are Jakob Dylan for Echo in the Canyon, Darrell Hammond for Cracked Up, Jeffrey Wright for We Are Not Done Yet, Sandra Lee for RX: Early Detection, J.Cole for Out of Omaha, Christo for Walking on Water, Alex Sharp for Creating a Character, Lizz Winstead for Lady Parts Justice in the New World Order and more to be announced in the coming weeks.
For this year’s Short List section of awards season frontrunners, filmmakers presenting their work in person at the festival include Rashida Jones and Alan Hicks (Quincy), Wim Wenders (Pope Francis: A Man of His Word), Michael Moore (Fahrenheit 11/9), Morgan Neville (Won’t You Be My Neighbor?), Elizabeth Chai Vasarhelyi and Jimmy Chin (Free Solo), Betsy West and Julie Cohen (RBG), Rudy Valdez (The Sentence), Ricki Stern and Annie Sundberg (Reversing Roe), Susan Lacy (Jane Fonda in Five Acts), Bing Liu (Minding the Gap), Tim Wardle (Three Identical Strangers), Sandi Tan (Shirkers), Alexandria Bombach (On Her Shoulders), RaMell Ross (Hale County This Morning, This Evening) and Stephen Maing (Crime + Punishment). Filmmakers will also take part in the Short List Day of panel conversations on Nov. 9 at DOC NYC PRO.
Notable documentarians will also be honored at the Visionaries Tribute Awards event on Nov. 8: Wim Wenders and Orlando Bagwell will receiveLifetime Achievement Awards while Elizabeth Chai Vasarhelyi and Jimmy Chin will receive the Robert and Anne Drew Award for observational filmmaking. Tabitha Jackson, director of the Documentary Film Program at Sundance Institute, will receive theLeading Light Award for distinguished service to documentary in a role outside filmmaking.
The following is a breakdown of programming by section:
The Front Runner[/caption]
The Virginia Film Festival returns to Charlottesville from November 1 to 4, with a deep and diverse program of more than 150 films and special guests including legendary actor, writer, and filmmaker Peter Bogdanovich; director and producer Allen Hughes, noted activist Martin Luther King III; and more than 100 filmmakers from around the world.
The 2018 Virginia Film Festival will open with Green Book, the powerfully dramatic feature debut for director Peter Farrelly, inspired by a true friendship that transcended race, class, and the 1962 Mason-Dixon Line. The film is the story of world-class black pianist Don Shirley (Mahershala Ali), who hires New York bouncer Tony Lip (Viggo Mortensen) to drive him on a concert tour from Manhattan to the Deep South. The pair must rely on the “Green Book” to guide them to the few establishments that were safe for African-Americans. Confronted with racism and danger – as well as unexpected humanity – they are forced to set aside differences to survive and thrive on the journey of a lifetime.
The Festival will present Roma as the Centerpiece Film. Perhaps the most acclaimed and discussed film on the 2018 major film festival scene, Roma is director Alfonso Cuarón’s (Gravity) most personal work to date – a loving and lovely tribute to the unsung woman who raised him and to so many domestic workers like her. Both intimate in emotion and epic in scope, Roma follows Cleo, a domestic worker in Mexico City in the 1970s, and the upper-middle class family that she cares for. As her personal life and the political climate of Mexico City grow more and more tumultuous, Cleo remains on the sidelines, observing and absorbing the chaos and pain around her. First time actor, Yalitza Aparicio, plays Cleo with a quiet sensitivity. Vanity Fair has said of Roma, “Cuarón shows us wonders to remind us of the aching wonder of it all, how careless we are to not stop and assess everything, to not madly ask every stranger the detail of their lives, because in each may be a story we might come to bitterly regret not knowing.”
From director Jason Reitman comes the Closing Night Film, The Front Runner, a look back at a story that in so many ways set the stage for the political climate we live in today. Gary Hart (Hugh Jackman) came into the 1988 presidential election season as a can’t-miss prospect, combining boyish good looks and an easy charm with a political set of skills honed by a surprisingly successful 1984 campaign. When accusations of an extramarital affair set off an unprecedented media investigation of Hart’s personal life, a new era was born that changed the parameters of what is personal, what is public, and what it means for the way we choose our leaders. The film boasts a stellar cast including Vera Farmiga as Hart’s wife Lee, J.K. Simmons as his embattled campaign manager, and Alfred Molina as Ben Bradlee in this highly-touted adaptation of campaign veteran Matt Bai’s memoir All the Truth is Out.
L-R: Michelle Rodriguez, Viola Davis, and Elizabeth Debicki star in Twentieth Century Fox’s WIDOWS. Photo Credit: Courtesy Twentieth Century Fox.[/caption]
Widows – From visionary director Steve McQueen (12 Years a Slave) comes Widows. After their criminal husbands die in an explosion, a group of women, led by Academy Award winner Viola Davis, must pull off their spouses’ next planned heist in order to pay off the crime boss that their recently departed partners owe.
Science Fair directed by Cristina Costantini and Darren Foster[/caption]
The Festival will present a trio of heralded documentaries from National Geographic. They include: Science Fair, which follows nine high school students from disparate corners of the globe as they navigate rivalries, setbacks, and hormones on their quest to win the international science fair; Free Solo, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold, as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock, Yosemite’s 3,000-foot El Capitan, without a rope; and Into the Okavango, the directorial debut of National Geographic photographer Neil Gelinas, who accompanied researchers on this stunning expedition down the Okavango River to discover how or why the river — which is the source of Africa’s wildlife lifeline — is drying up.
Divide and Conquer: The Story of Roger Ailes[/caption]
Divide and Conquer – Alexis Bloom delivers this tale of the long rise and sudden fall of the late, disgraced media industry giant Roger Ailes, from his days in the Nixon and Bush White Houses to his time at the helm of Fox News, and his ignominious ouster at the dawn of the Me Too movement.
Karenina and I -Norwegian actress Gørild Mauseth is challenged by the almost impossible task of playing Anna Karenina in a language she never spoke and in the author’s home country. She embarks on a journey throughout Russia to discover the real reasons why Tolstoy (Liam Neeson) wrote the novel. What Gørild does not know is that Anna Karenina will become the role of her life and change her forever.
The Last Race – The last surviving stock car track on Long Island, once home to over thirty, is the weekend retreat to many working-class stock car racers and enthusiasts. Director Michael Dweck documents the local enthusiasts as outside land developers begin to encroach.
Revolutionizing Dementia Care – Directed by Mason Williams and produced by the Community Idea Stations, this film reveals innovative approaches in memory care communities that are improving the well-being of patients and allowing them to live full and meaningful lives based on their abilities rather than their disabilities.
Run While You Can – Sam Fox attempts to run the Pacific Crest Trail, spanning from the Canadian to the Mexican border, in sixty days, beating the previous record. As the trail begins to take its toll on his mind and body, Fox begins to understand what his mother, who has Parkinson’s disease, goes through on a daily basis.
[caption id="attachment_28858" align="aligncenter" width="1200"]
Studio 54[/caption]
Studio 54 – Using footage from its heyday and interviews with two of the original owners, Studio 54 takes a look at the quick rise and fall of the most famous night club in the world. The club would usher in a new era of celebrity culture and glamour, while highlighting the legendary excesses of the era.
I AM NOT A WITCH[/caption]
I Am Not a Witch (United Kingdom) – In Rungano Nyoni’s directorial debut, a young girl in Zambia is sent to witch camp. Threatened that she will turn into a goat if she attempts escape, she must decide if freedom is worth the risk.
Never Look Away (Germany) – Directed by Academy Award winner, Florian Henckel von Donnersmarck, Never Look Away tracks an artist’s career and relationships during the rise and fall of Nazi occupied Germany.
No Date, No Signature (Iran) – A forensic pathologist, Dr. Nariman, hits a motorcycle carrying a family in an accident. He urges them to take their son to a hospital, but they refuse and disappear into the night. When Dr. Nariman sees the boy has arrived deceased at his hospital and the cause of death ruled as food poisoning, he goes on a hunt for the truth.
Sunset (Hungary) – From László Nemes, the director of Son of Saul, comes this story of a woman searches for a connection to her family in 1913 Budapest and finds little help along the way.
Woman at War (Iceland) – An environmental activist plans her final demonstration after learning that she will soon become a mother.
Other films include our Centerpiece Film Roma (Mexico), and Spotlight Films,Birds of Passage (Colombia), El Angel (Argentina).
Antonio Lopez 1970: Sex Fashion & Disco[/caption]
Antonio Lopez 1970: Sex, Fashion and Disco – A native of Puerto Rico and raised in the Bronx, Antonio Lopez gained international recognition as one of the most influential fashion illustrators of his time. His artistic vision and commitment to diversity revolutionized the fashion world, and his natural charisma allowed him to help launch the careers of icons like Grace Jones, Jessica Lange, and Jerry Hall.
Coby – When a 23-year-old transgender Ohio woman transitions, his physical and spiritual transformation affects the lives of all who love him, and inspires them to change their perspectives.
El Angel (Argentina) – Based on the true story of Argentina’s most infamous serial killer, Carlos Rubedo Puch, who began his life of crime at seventeen. The extremity of his crimes is a stark contrast with his handsome, charming demeanor.
Jason and Shirley – A fictional retelling of the making of the influential documentary, Portrait of Jason, from the perspective of the film’s subject, hustler and cabaret performer, Jason Holliday.
Good Manners – A Brazilian fairytale that finds two women from different classes coming together over the impending birth of a supernatural child under a full moon.
Narcissister Organ Player – Through her unabashedly erotic and often humorous performances, Narcissister showcases her approach to explorations of race, gender, and sexuality. From growing up as a mixed-race child, to her complex relationship with her mother, she addresses how these circumstances compelled her to create her performance character.
[caption id="attachment_29915" align="aligncenter" width="1199"]
Rafiki[/caption]
Rafiki – Two women fall in love in Kenya, despite their father’s political rivalry, and Kenya’s laws against homosexuality.
Sauvage – 22-year-old Leo works in Strasbourg as a prostitute. Working mostly on a quiet road in a wooded area, he belongs to a group of men that service the motorist clientele. Leo seems to not know or desire any other kind of life, despite friends and doctors questioning his lifestyle. Leo prizes his freedom and never lets go of his ability to love and be loved.
Spider Mites of Jesus: The Dirtwoman Documentary – Richmond, Virginia natives recount their experiences with Donnie “Dirtwoman” Corker, a drag queen and pillar of the counterculture, and their influence on the community.
Sorry Angel – Arthur, an eager 22-year-old student, meets 35-year-old Jacques, a writer living in Paris with his young son. Embracing his sexual awakening, Arthur wishes to throw himself into their relationship without reservations. Jacques is hesitant to invest himself, as he struggles to come to terms with an AIDS diagnosis. The physical reality of Jacques’ illness complicates the fate of their romance, as both men realize that Arthur’s journey is just beginning as Jacques’ starts to close.
Octavio Is Dead![/caption]
The 10th DTLA Film Festival, taking place October 17 to 21, announced today the 11 documentary and 17 narrative feature-length movies in the 2018 line-up, under the of women’s empowerment, a nod to the #metoo and #timesup movements. In keeping with the theme, 18 of the 27 (65%) of the new feature films screening at the festival are by women directors.
In separate ceremonies, Rosanna Arquette and Malcolm McDowell are to be honored with the festival’s Independent Film Pioneer Award for their body of work in independent cinema. Arquette appears in two films in competition at the festival. She stars in Amanda Sthers’ “Holy Lands” as a matriarch attempting to hold her family together even as she must confront her own mortality. The film, co-starring James Caan, Tom Hollander and Jonathan Rhys Meyers, will screen as the festival Centerpiece presentation. Arquette also co-stars in Sook-Yin Lee’s “Octavio Is Dead!” a contemporary ghost story. In a career spanning four decades, Arquette has appeared in many signature roles, including “Desperately Seeking Susan” (1985), for which she earned a Best Actress Golden Globe Nomination, “Pulp Fiction” (1994), “After Hours” (1985) and “The Whole Nine Yards” (2000). Over the past year, she has become a public face of the #metoo movement.
McDowell stars in the festival’s Los Angeles premiere screening of director Kayla Tabish’s “Culture of Fear,”a dystopian suspense thriller. Forever known for his iconic starring role as Alex in Stanley Kubrick’s “Clockwork Orange” (1971), he would go onto star in “O Lucky Man” (1973), based on his concept and the script that he co-wrote, Paul Schrader’s “Cat People” (1982), “The Caller” (1987) “Gangster No. 1” (2000), Robert Altman’s “The Company (2003), “The Employer” (2013) and literally dozens of other independent and studios releases spanning six decades.
In the festival’s tradition of presenting an archival movie to conclude the festival, this year’s Closing Night Film will be a special 20th anniversary screening of director Kevin Rodney Sullivan’s “How Stella Got Her Groove Back”(1998) with appearances by the cast and crew.
In “A Tuba To Cuba” filmmaker T.G. Herrington profiles a cultural institution, The Preservation Hall Jazz Band of New Orleans, as they journey to Cuba in search of musical camaraderie and historical root. In “Underdogs,”first-time director Téo Frank also is in search of musical origins but with the focus on hip-hop, as he travels from his native Paris to New York. Hip hop plays another leading role in Sam Bathrick’s “16 Bars,”the third documentary in the festival’s music series. The film follows three inmates as they collaborate with Grammy -Award-winning artist Speech of Arrested Development, discovering painful elements of their past in the process.
Three inmates are also the subject of Tamara Perkins’ inspirational documentary “Life After Life”as they set out to prove their success on the other side. The theme of overcoming challenges permeates two films about veterans. In “Surviving Home,” co-directors Jillian Moul and Matthew Moul document the lives of four generations of warriors after returning from war. In Anita Sugimura Holsapple’s “Battlefield Home – Breaking The Silence,”a Vietnam era military child exposes the unflinching impact of war on family dynamics.
A battle of another kind is the subject of filmmakers Tricia Russo’s and Craig E. Shapiro’s “Love Always, Mom,”an inspirational documentary about a stage-4 cancer survivor’s journey to build a family after diagnosis. Family is also the focus of Ensar Altay “Guardian of the Angels,”a documentary profile of a widower who continues to find his wife’s love in his care of their child with special needs. In co-directors Liza Meak’s and Kathryn Basiji’s documentary “The Edge of Success,”it’s youth who take matters into their own hands when their high school is plagued by suicide clusters.
Social justice is manifested in myriad ways in fiction and nonfiction films screening at the festival. In Sally Colón-Petree’s documentary “Women Like Us,”three American women are inspired by the powerful women they encounter in Kenya, who against all odds are successfully confronting a host of social injustices from female genital mutilation to child prostitution. In “Give Us This Day”co-directors Michael Zimbalist and Jeff Zimbalist track a year in East St. Louis, the city with the highest homicide rate in the United States. Told from the perspectives of both police officers and residents, a community plagued by gun violence experiences complex challenges, heartbreak and hope.
Also screening at the festival are two dramas that tackle social injustice. In Laura Somers’ “Rich Kids,”economic class divide is the backdrop as a group of teens from a low-income community break into a mansion to enjoy the good life if only for a day. Class divides also figures into the theme of Collin Schiffli’s dramatic feature “All Creatures Here Below,”about a destitute couple struggling to find refuge for themselves and a stolen infant.”
The impact of crime is explored in Wes Miller’s “River Runs Red,”about a hardened detective (John Cusack) and a grieving father (George Lopez) who take the law into their own hands when police violence spirals out of control. Taye Diggs co-stars. Jay Francisco Lopez’s “Love, Cecy”is based on a true crime story of a promising high school student whose brutal murder was chronicled by the media nationwide. In Richard Levien’s “Collisions,”a 12-year-old must turn detective when she returns home with her younger brother to find their house ransacked and their immigrant mother missing.
Searching for a lost loved one is also the theme of Ilana Rein’s suspenseful “Perception,” the story of a successful businessman who comes to believe that a small-time psychic has the power to reconnect with his dead wife. Psychological thrills freefall in Angela Matemotja’s “Elevate,” a set of intertwining stories about people trapped in elevators who must face their greatest fears. In Amanda Kramer’s “Paris Window,” adult siblings Julian and Sunny are caught in a trap of their own making as they maneuver hallucinatory paranoia and sinister conspiracies in their otherwise lovely pied-à-terre.
Comedy and drama blur in several films screening at the festival. Director Sean McGinly uses a light touch to explore profound questions about life, love, friendship and family in “Silver Lake.”Wendy McColm’s “Birds Without Feathers”also navigates the shoals of human connections in her black comedy about six broken individuals on their quest for love. Nancy Goodman’s rom-com “Surprise Me”is a seemingly light-hearted story of an event planner but with a darker undercurrent about eating disorders. Jean Lee throws cautionto the wind in her absurdist comedy “Original Sin,”which follows the consequences to the marriage of a respectable couple when an enfant terrible artist pays a visit.
Lines blur as well in Joy Shannon’s genre-bending “My Dead Selfie,”a ghostly horror story that tackles head-on issues of racism and racial identity in America. In Anne-Sophie’s “Ballet Blanc,” the innocence of childhood reveals itself as a bloody terror in a unsuspecting small town.
Ask The Sexpert[/caption]
DocLands Documentary Film Festival unveiled the lineup for the 2nd annual Festival, taking place May 3 to 6, 2018; and that includes 43 documentary films from 10 countries, the inaugural DocLands Honors award presentation to award-winning filmmaker and photographer Louie Psihoyos (The Cove, Racing Extinction, The Game Changers), along with special programs.
DocLands will host the World Premieres of 16 Bars with director Sam Bathrick, and film subjects Todd “Speech” Thomas of hip-hop group Arrested Development (Tennessee, Mr. Wendell), Teddy Kane and Loretta Simmons-Jackson attending, and Olompali: A Hippie Odyssey with filmmakers director Gregg Gibbs and producer Maura McCoy attending.
Additional films premiering at the Festival include the US Premiere of DugOut; the North American Premiere of Have You Heard from Johannesburg: Oliver Tambo with director Connie Field in attendance; and the California Premieres of Anote’s Ark with director Matthieu Rytz and former president of Kiribati/film subject Anote Tong; The Guardians with directors Tessa Moran and Ben Crosbie attending; Into Twin Galaxies: A Greenland Epic; and Shiners with director Stacey Tenebaum and film subject Kealani Lada attending.
Festival Sections include The Great Outdoors, films that transport us outside to truly appreciate, explore, and ultimately compel us to save and conserve our environment and the wilds of our one precious and precarious planet; Wonderlands, films that lift our spirits through stories of joy, wonder and possibility; and Art of Impact, films that engage and spark action by sharing stories that open our eyes to the global community and its disparate cultures, politics, personal narratives and biographies.
Additionally, the Festival is host to DocLife, an interactive industry forum consisting of three programs, DocPitch a program designed to connect filmmakers and their ideas to funders, distributors, philanthropists, fellow filmmakers and future audiences, DocTalk an intimate conversation focusing this year on the story enhancing power of music, and an experiential workshop, Metamorphosis Journey, that explores transformation in the face of planetary emergency.
Big Nights – Opening | Closing | DocLand Honors Award
Opening Night
ANOTE’S ARK – California Premiere
Former president of Kiribati and film subject Anote Tong joins director Martthieu Rytz for the Festival’s Opening Night film Anote’s Ark. Climate change is no abstraction to the people of Kiribati, a series of low-lying atolls in the central Pacific Ocean that are being swallowed by the rising sea. Photographer-ethnologist Matthieu Rytz’s exquisitely shot film portrays the slow, dignified demise of an entire culture—soon to be global refugees. Rytz and Tong will take part in an on-stage conversation and audience Q&A following the screening.
Opening Night Party following screening and onstage conversation will be held at the San Rafael Elks Lodge.
Closing Night
16 BARS – World Premiere
In Sam Bathrick’s transformative film, Todd “Speech” Thomas of hip-hop group Arrested Development is involved with a unique rehabilitation program in Richmond, Virginia, helping prisoners write and record their own songs. The filmmaker lovingly follows four inmates battling cycles of incarceration and addiction. Through superbly produced recording sessions, the men reach out from behind bars to bring their poignant stories to life through music.
Director Sam Bathrick will be joined on-stage by film subjects Todd “Speech” Thomas of hip-hop group Arrested Development (Tennessee, Mr. Wendell), Teddy Kane and Loretta Simmons-Jackson following the premiere of 16 Bars for an on-stage Q&A and special performance featuring Speech and Kane.
Closing Night Party following the screening, onstage conversation, and special performance will be held at Art Works Downtown.
DocLands Honors Award
Presented to a filmmaker in recognition of exceptional storytelling within the documentary genre, an artist whose films resonate universally, emphasizing our common humanity – no matter the subject.
The inaugural DocLands Honors Award is presented to iconic photographer and award-winning filmmaker Louie Psihoyos (The Cove, Racing Extinction, The Game Changers) for his dogged determination and tenacity in exposing wrongs and expanding awareness. We also show our appreciation for his astounding efforts in outreach, bringing some of our most pressing environmental and social issues to a worldwide audience.
Anote’s Ark[/caption]
Now in its second year, the 2018 edition of DocLands Documentary Film Festival kicks off Thursday, May 3 with the California Premiere of Anote’s Ark; director Matthieu Rytz and former president of Kiribati/film subject Anote Tong will be in attendance. The four-day festival will showcase 43 films from 10 countries, with 50 filmmakers in attendance. The Festival will close with the World Premiere of 16 Bars with director Sam Bathrick and film subjects Todd “Speech” Thomas of hip-hop group Arrested Development (Tennessee, Mr. Wendell) and Teddy Kane attending.
Showcasing documentary film in a variety of genres and with a diversity of content, while exploring three main programming sections (Art of Impact, The Great Outdoors, and WonderLands) and highlighting films that transcend the traditional definition of the documentary—films that break form in terms of creativity and entertainment. DocLands is a non-competitive, inclusive festival dedicated to fostering connections and partnerships that will invigorate the business and art of nonfiction filmmaking. Through public screenings, engaged conversations, and grassroots networking events, the Festival aims to build an active, involved, and fully supportive community around documentary film, with organizational goals that include gender equality and zero waste.