Beyond the Bolex[/caption]
DOC NYC kicks off this weekend and the lineup is bursting with titles. Here are a few interesting documentary films to give you a sense of the programming and inspire a reason to get out and watch something nice, or at least fun.
63 Boycott
63 Boycott
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8 Documentaries to Watch at 2018 DOC NYC
[caption id="attachment_32158" align="aligncenter" width="1200"] Beyond the Bolex[/caption]
DOC NYC kicks off this weekend and the lineup is bursting with titles. Here are a few interesting documentary films to give you a sense of the programming and inspire a reason to get out and watch something nice, or at least fun.
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More Films -THE LEARS, Trudie Styler’s FREAK SHOW, CALL ME BY YOUR NAME Added to Virginia Film Festival
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The Lears[/caption]
The 2017 Virginia Film Festival has added more films and special guests including actor Anthony Michael Hall, who will come in for a screening of his film The Lears. Other highlighted guests include director Trudie Styler, who will discuss her film Freak Show; actor Noel Fisher, who will take part in a panel discussion about the acclaimed new National Geographic Channel Iraq War series The Long Road Home; and actor Nick Robinson, who joins writer/director/actor William H. Macy for a screening of Macy’s new film Krystal. The Festival’s Closing Night Film will be Luca Guadagnino’s coming-of-age love story Call Me by Your Name.
The Lears is a quirky black comedy that stars Bruce Dern as Davenport Lear, a world-renowned architect who summons his dysfunctional children to a weekend family retreat to test their love in a modern-day derivative of Shakespeare’s classic King Lear. Actor, producer, and director Anthony Michael Hall, who plays Davenport’s son Glenn Lear in the film, first burst on the film scene in the 1980s with a string of unforgettable turns in the John Hughes classics including Sixteen Candles, National Lampoon’s Vacation, The Breakfast Club, and Weird Science. His other film credits include Out of Bounds, Edward Scissorhands, and Six Degrees of Separation. Hall also played the lead role in the popular USA Network series The Dead Zone from 2002-2007.
Noted actor and producer Trudie Styler makes her directorial debut with Freak Show, based on the 2007 New York Times bestselling Young Adult novel by James St. James about a gay and eccentric teenage boy who reacts to an incident of insidious bullying by deciding to run for homecoming queen. The campaign draws wide attention to Billy’s advocacy for all teenagers letting their freak flag fly. The film, which features a stellar cast including Abigail Breslin, Alex Lawther, and Bette Midler, recently had its world premiere at the Berlin Film Festival. Trudie Styler has a long and successful track record as a producer, including Lock, Stock & Two Smoking Barrels and Snatch from director Guy Ritchie; Girl Most Likely, which stars Kristen Wiig; Filth, starring James McAvoy; Ten Thousand Saints, starring Ethan Hawke; and American Honey, which stars Shia LaBeouf and won the Jury Prize at the Cannes Film Festival in 2016. Styler will be joined by the film’s producer Celine Rattray for a post-screening discussion.
Nick Robinson, known to many for his role as Zach in Jurassic World, most recently starred in the Warner Bros. and MGM drama Everything, Everything. He also just wrapped production on Strange But True, where he leads an all-star cast including Amy Ryan, Brian Cox, and Greg Kinnear. Other credits include Kings of Summer and an unforgettable guest spot on HBO’s Boardwalk Empire. He will attend the Festival for a post-screening discussion for his role in William H. Macy’s Krystal.
The Virginia Film Festival also announced Call Me by Your Name as its Closing Night Film. Based on the acclaimed novel by André Aciman, this transcendent story of first love, set against the backdrop of northern Italy in the summer of 1983, follows Elio Perlman (Timothée Chalamet), a highly-cultured teenager whose sophistication about music and literature is juxtaposed with his naivety about love. Upon meeting American scholar Oliver (Armie Hammer), his father’s charming intern, the two form an undeniable bond that grows vulnerably and passionately toward young, new love. The film by director Luca Guadagnino displays a raw portrait of a kind of love and sexual awakening that blossoms without fear or consequences.
’63 Boycott – The latest from famed documentarian Gordon Quinn about the 1963 boycott of Chicago schools by more than 200,000 students in protest of racial segregation.
Beetlejuice – Award-winning cinematographer Tom Ackerman will discuss his work on this groundbreaking Tim Burton film.
The Last Stop – Director Todd Nilssen’s exposé on the troubled teen reform industry.
Mood and Memory – In a series of eleven photo films, young authors, media artists, and media specialists from Austria and Germany approach a variety of stories and themes ranging from a young girl in Aleppo, a Somali farmer, and more.
My Art – Artist Laurie Simmons’ makes her feature film debut, also starring alongside daughters Lena and Grace Dunham in the story of an artist with a stable job and life, but an endless yearning for respectability in the art world. Simmons will participate in a post-screening discussion.
Roll With Me – A paraplegic former drug addict sets out to become the first person to push an ordinary wheelchair from California to New York.
Sammy Davis, Jr.: I’ve Gotta Be Me – The first major documentary about one of the most fascinating careers in the history of entertainment, this film follows the legendary singer, dancer, and actor’s rise to stardom, and a life lived across flashpoints of American society from the Depression through the 1980s.
The Science of Pixar – Masterclass senior scientist and lead of the Research Group at Pixar Animation Studios Tony DeRose will work in tandem with Sara Maloni (Department of Mathematics), Earl Mark (School of Architecture), and Light House Studio to offer a free masterclass for their students and the general public. The workshop will focus on physical simulation and the mathematics of surface modeling that DeRose developed at Pixar, as well as a discussion of his career path.
Short Films – More than 50 short films screened before feature screenings and in different packages based on similar themes and genres, including narrative, documentary, experimental, and animated.
Thelma (from Norway) – Rounding out the list of now ten spotlight films recently submitted by their countries for consideration in the “Best Foreign Language Film” category at the 2018 Academy Awards, Thelma is about a college student who starts to experience seizures as a result of supernatural abilities.
Tonsler Park – Internationally renowned artist and UVA cinematography professor Kevin Everson uses 16mm black-and-white film to observe the democratic process at Charlottesville voting precincts on November 8th, 2016, providing a portrait of the working-class African-American public officials who ran the polls, while enabling citizens to vote in a democracy that has systematically abused them.
Voices Beyond the Wall: Twelve Love Poems From the Murder Capital of the World – Rescued from the streets of Pedro Sula, Honduras, seventy girls at Our Little Roses orphanage find their voices in poetry about love, family, and betrayal as they heal from the traumas of their past, while transitioning into an uncertain future.
Wild Honey – An offbeat, romantic comedy about an unsuccessful phone-sex operator who is unhappy, aimless, and living at home with her mother until she hits it off with a mysterious caller and impulsively flies across the country to meet him.
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Chicago Film Festival will Honor Sir Patrick Stewart and Alfre Woodard + Announces Black Perspectives Program
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Sir Patrick Stewart and Alfre Woodard[/caption]
Film and theater legend Sir Patrick Stewart, and actress Alfre Woodard will be honored with Career Achievement Awards at the 53rd Chicago International Film Festival.
Sir Patrick Stewart will be honored with the Gold Hugo Career Achievement Award, and Alfre Woodard will be honored with a Career Achievement Award as part of the 21st edition of the Festival’s Black Perspectives Program. The “Tribute to Alfre Woodard” and “Tribute to Patrick Stewart” will feature an onstage discussion, showcasing clips highlighting their decades-spanning career.
The Black Perspectives Program was founded in 1997 in collaboration with Spike Lee to showcase excellence in African American filmmaking. Since the Festival began its annual Black Perspectives Tribute, Cinema/Chicago has consistently honored actors and filmmakers of the highest caliber, including Sidney Poitier, Halle Berry, Ruby Dee, Forest Whitaker, Morgan Freeman, Viola Davis, and Steve McQueen, among others. By arranging select screenings and panel discussions, the Festival creates a unique environment in which audiences can gain valuable insights into the challenges and triumphs of African American filmmakers and actors.
This year’s Black Perspectives Program will present 13 compelling programs, including feature films, documentaries, short films, a film industry panel and a master class with Oscar-nominated director Sam Pollard. Among this year’s exciting lineup: the Sundance hit and award-season contender Mudbound; the French comedy Chateau; two documentaries about celebrated black artists, Sammy Davis, Jr. and Lorraine Hansberry; the world premiere of Kartemquin Films’ founder and Chicago filmmaker Gordon Quinn’s ‘63 Boycott, to be shown on the October 22nd anniversary of the famous Chicago public school march; and other highly anticipated and acclaimed films.
Other films and events included in the Festival’s 2017 Black Perspectives Program include:
Black Cop — Dir. Cory Bowles, Canada
It’s not easy being a black cop: Your community doesn’t trust you and your colleagues are wary of you. But for one officer, the tension between duty and moral obligation eventually pushes him over the edge, and he sets out, vigilante-style, to exact a twisted kind of vengeance on the white and privileged in his city. Timely and bitingly funny, Black Cop is an unapologetic, confrontational satire about racial tension today. 91 min.
Can’t Turn Back: Edith + Eddie and ‘63 Boycott
From Chicago-based Kartemquin Films (Hoop Dreams) comes two new powerful half-hour documentaries about interracial harmony, conflict, and societal injustice. In Laura Checkoway’s award-winning Edith and Eddie, America’s oldest interracial newlyweds, ages 96 and 95, find their happy union threatened by a family feud. ‘63 Boycott, by Gordon Quinn (Golub), chronicles the Chicago Public School Boycott of Oct. 22, 1963 when more than 200,000 Chicagoans, mostly students, marched to protest segregationist policies. 60 min. With 30-minute post-screening discussion.
Chateau (La Vie de Château) — Dirs. Modi Barry and Cédric Ido, France
In the Château d’Eau district, a bustling African neighborhood in the heart of Paris, the always natty, fast-talking Charles (Jacky Ido) works the streets trying to lure clients into local hair salons. At odds with other hustlers, Charles sees the rise in competition as a sign that he needs to leave, but can he realize his own entrepreneurial dreams? This smart, fast-paced comedy brings wit and heart to the immigrant tale of trying to stay ahead of the game and out of the way of the law. French with subtitles. 81 min.
Félicité — Dir. Alain Gomis, France/Belgium/Senegal
Single mother and chanteuse Félicité ekes out a living performing in a rough Kinshasa bar. Her fiercely guarded independence is threatened after her son is involved in a life-altering accident, and she must find a way to pay for his care. A love letter to persistence and the power of song, Félicité is buoyed by one woman’s irrepressible spirit in the face of overwhelming odds. Lingala, French with subtitles. 123 min.
For Ahkeem — Dirs. Jeremy S. Levine and Landon Van Soest, U.S.
Daje Shelton, a 17-year-old girl from St. Louis, just wants to do the right thing. But growing up in a tough neighborhood, she can’t catch a break: she’s struggling in school; she’s distracted by boys; and she’s surrounded by a culture of violence and brutality. The fatal shooting of Michael Brown Jr. provides a powerful backdrop for this masterfully crafted portrait of working-class urban life. 90 min.
Mudbound — Dir. Dee Rees, U.S.
This powerful epic set in the 1940s follows the entangled lives of two families—one white, one black—on a single farm in rural Mississippi. Based on the bestselling novel, the film focuses on the unlikely friendship forged between each of the family’s oldest sons—both WWII veterans—and its catastrophic consequences. Featuring committed performances from Carey Mulligan, Garrett Hedlund, Mary J. Blige, and Jason Mitchell, Mudbound is a monumental and resonant tale about race in America. 134 min.
The Rape of Recy Taylor — Dir. Nancy Buirski. U.S.
From the director of the highly acclaimed The Loving Story comes another dramatic tale of racial conflict. In 1944, six young white men raped 24-year-old mother Recy Taylor in Alabama. Rather than stay silent, Taylor spoke up against her attackers. With the help of the NAACP and its chief investigator Rosa Parks, Taylor waged a battle for justice that is powerfully brought to life through archival footage, early “race films,” and heartbreaking personal interviews. 91 min.
Sammy Davis, Jr.: I’ve Gotta Be Me — Dir. Sam Pollard, U.S.
Singer, dancer, and actor; “Rat Pack” legend; civil rights activist; Jewish convert; and Nixon supporter—the life of Sammy Davis, Jr. defies expectations and easy categorization. Charting the performer’s surprising journey across the major flashpoints of contemporary American history, Oscar-nominated filmmaker Sam Pollard interviews such luminaries as Billy Crystal, Jerry Lewis, and Whoopi Goldberg and culls together an array of electric performances for this captivating exploration of the man, his talents and the struggle for identity. 100 min.
Sighted Eyes/Feeling Heart — Dir. Tracy Heather Strain, U.S.
The title of her posthumous autobiography To Be Young, Gifted and Black only partly sums up the trailblazing life of Southside Chicago playwright Lorraine Hansberry. Although best known for her landmark 1959 play A Raisin in the Sun, Hansberry forged an expansive path as an African-American female artist and activist—while also wrestling with self-doubt and questions about her sexual identity. 118 min.
The Work — Dirs. Jairus McLeary and Gethin Aldous, U.S.
Imposing men break down in tears; convicts embrace each other in emotional catharsis. Such is “the work” that takes place within the walls of Folsom State Prison’s Inside Circle, an intense four-day group therapy program where offenders interact with troubled individuals from the outside hoping to exorcise their own demons. This eye-opening, award-winning documentary chronicles the surprising moments of healing and camaraderie that can occur when confronting the darkest moments of one’s past. 87 min.
Shorts 7 – Another Country: Black Perspectives
A family grapples with the consequences of close-quarters racism in New Neighbors (U.S.). Fastest Man in the State (U.S.) examines the deep-seated racial divides embedded in the history of the University of Virginia. A bathroom attendant working the Night Shift (U.S.) in a Los Angeles nightclub attempts to get his life back on track. Waiting for Hassana (Nigeria) is a haunting recollection of a violent Boko Haram attack. A police Sketch (U.S) artist assumes he has solved a crime when he thinks he encounters a suspect from one of his renderings. Skull & Bone (U.S.) chronicles the costume-clad efforts of a New Orleans group to curb the threat of gun violence. Macho (U.S.) explores ideas of manhood and masculinity as a community reels from the recent murder of a transgender woman.
Industry Days Panel – The Moonlight Effect: The Expanding of Black Cinema – Or Not?
After black cinema triumphs Moonlight and Get Out, is the film industry expanding its definition of what African-American cinema is and can be? Join this provocative discussion about whether the industry is changing. Or are these films the exception and not the new rule?