The Latino Entertainment Journalists Association announced the winners for the 2019 Latino Entertainment Film Awards where “Parasite” won the most awards with five, including Best Picture, Director (Bong Joon-Ho), Original Screenplay (Bong Joon-Ho and Jin Won Han), International Feature (for the country of South Korea), and Film Editing (Yang Jinmo).
Netflix’s gangster epic “The Irishman” leads the nominations for the Latino Entertainment Journalists Association (LEJA)’s second annual Latino Entertainment Film Awards with 10 nominations. “Monos” picked up seven nominations, and six nominations went to “Parasite,” “The Two Popes” and “Marriage Story.”
Former president Barack Obama shared his list of favorite movies of 2019 which included American Factory, a film from his own production company, Higher Ground, that was recently shortlisted for an Oscar. The list features primarily some of the most critically acclaimed indie films and documentaries of 2019 including Amazing Grace, Apollo 11, Ash Is Purest White and The Last Black Man in San Francisco.
Greta Gerwig’s adaptation of Little Women leads the nominations for the Chicago Indie Critics fourth annual film awards with eight nominations. The Irishman, Marriage Story, 1917, and Parasite followed with seven nominations.
Cinema Tropical, the non-profit media arts organization leading presenter of Latin American cinema in the United States, announced its Third Annual Shortlist, comprising 25 Latin American films from eight different countries plus six U.S. Latinx productions that the New York–based organization has selected as the best of the year.
The 15th edition of the Zurich Film Festival (ZFF) which runs September 26 through October 6, will shine a light on Colombian cinema. The program will highlight a new generation of filmmakers whose work reflects on the country’s recent history.
Birds of Passage, a viscerally stunning epic on the origins of the Colombian narcotics trade directed by Cristina Gallego and Ciro Guerra, won the $40,000 Knight MARIMBAS Award, the top Grand Jury prize of the 36th season of Miami Dade College’s Miami Film Festival.
This Changes Everything, a pivotal documentary examining historic and contemporary gender inequity in the American film and television industries, will open the 36th edition of Miami Dade College’s acclaimed Miami Film Festival, on Friday, March 1st at the historic Olympia Theater. Appearing on camera are leading Hollywood women Meryl Streep, Geena Davis, Sandra Oh, Rosario Dawson, Zoe Saldana, Jessica Chastain, Taraji P. Henson, Cate Blanchett, Amandla Stenberg, Natalie Portman, Reese Witherspoon, Shonda Rhimes, Jill Soloway and many more advocating for meaningful change.
The Academy of Motion Picture Arts and Sciences today announced shortlists in consideration for the 91st Oscars® in nine categories: Documentary Feature, Documentary Short Subject, Foreign Language Film, Makeup and Hairstyling, Music (Original Score), Music (Original Song), Animated Short Film, Live Action Short Film and Visual Effects.
The 30th annual Palm Springs International Film Festival (PSIFF) will open with All is True directed by Kenneth Branagh on Friday, January 4, and close with Ladies in Black, directed by Bruce Beresford on Sunday, January 13. The Festival will screen 223 films from 78 countries, with a focus on cinema from France, India and Mexico, Premieres, Talking Pictures, Book to Screen, Special Presentations, FLOS: Foreign Language Oscar Submissions, Gay!La, Local Spotlight, Modern Masters, True Stories, World Cinema Now, a 30-film retrospective of selections from past festivals and more.
In All is True, Kenneth Branagh, Judi Dench and Ian McKellen star in Branagh’s intimate, revelatory portrait of William Shakespeare in the last act of his life. His career over, he returns to his home in Stratford-upon-Avon to encounter old ghosts, old loves, and his resentful family. Branagh is expected to attend.
Ladies in Black, set in Sydney in 1959, Oscar®-nominated writer/director Bruce Beresford takes us back to the heyday of glamorous upscale department stores, when a concierge met you at the door and clerks wore gloves. The film from Lumila Films stars Julia Ormond, Angourie Rice, Rachael Taylor, Ryan Corr, Shane Jacobson and Alison McGirr. Beresford, Ormond, Taylor and McGirr are expected to attend.
Beats, a film by Brian Welsh[/caption]
Beats, a film by Brian Welsh about an unlikely friendship set against a backdrop of illegal raves in the 90s will world premiere at the 2019 International Film Festival Rotterdam (IFFR). Beats is part of IFFR’s Limelight program, which features the cinematic highlights of the year. Emmy Award-winning fimmaker Clara van Gool’s The Beast in the Jungle and Martin de Vries’s Camino, A Feature-length Selfie also world premiere within Limelight.
Beats is a raw, black-and-white portrait of a bankrupt United Kingdom in which music and drugs are the only things of interest. In summer 1994, with rave culture on the rise in a Scottish village, teens Johnno and Spanner have a final night out together before each going their own way in life.
In addition to Beats, IFFR’s Limelight program boasts two other world premieres, both by Dutch filmmakers: The Beast in the Jungle by Clara van Gool is a poetic adaptation of Henry James’s 1903 novella with a major role for dance and movement; and Camino, a Feature-length Selfie is Martin de Vries’s account of his hike to Santiago de Compostela.
Four Limelight titles were previously supported by IFFR: A Land Imagined by Yeo Siew Hua, Rojo by Benjamín Naishtat and Rafiki by Wanuri Kahiu were supported by IFFR’s Hubert Bals Fund and Birds of Passage by Cristina Gallego and Ciro Guerra was presented at IFFR’s CineMart.
Other confirmed Limelight titles include Gaspar Noé’s Climax, Brady Corbet’s Vox Lux, Alice Rohrwacher’s Happy as Lazzaro and Hamaguchi Ryūsuke’s Asako I & II.
All confirmed 2019 International Film Festival RotterdamLimelight titles to date
Un amour impossible/An Impossible Love, Catherine Corsini, 2018, France
Asako I & II, Hamaguchi Ryūsuke, 2018, Japan/France
Ash Is Purest White, Jia Zhangke, 2018, China/France
The Beast in the Jungle, Clara van Gool, 2019, Netherlands/Luxembourg, world premiere
Beats, Brian Welsh, 2019, UK, world premiere
Birds of Passage, Cristina Gallego/Ciro Guerra, 2018, Colombia/Denmark/Mexico
Camino, een feature-length selfie/Camino, A Feature-length Selfie, Martin de Vries, 2019, Netherlands, world premiere
Capharnaüm/Capernaum, Nadine Labaki, 2018, LebanonClimax, Gaspar Noé, 2018, France
Donbass, Sergei Loznitsa, 2018, Germany/Ukraine/France/Netherlands/Romania
A Land Imagined, Yeo Siew Hua, 2018, Singapore/France/Netherlands
Lazzaro felice/Happy as Lazzaro, Alice Rohrwacher, 2018, Italy/Switzerland/France/Germany
Leto/Summer, Kirill Serebrennikov, 2018, Russia/France
Rafiki, Wanuri Kahiu, 2018, Kenya/South AfricaRojo, Benjamín Naishtat, 2018, Argentina/Brazil/France/Netherlands/Germany
Vox Lux, Brady Corbet, 2018, USA
At Eternity’s Gate[/caption]
From November 30 to December 8, 2018, festival-goers and cinema-lovers alike will discover no fewer than 80 films coming from 29 different countries at the 17th Marrakech International Film Festival (FIFM). The Festival with open with At Eternity’s Gate directed by Julian Schnabel, the remarkable biopic that depicts the most celebrated period of the life and works of Vincent Van Gogh will open the Festival.
The line-up is divided into several sections, the main ones including the Official Competition; Gala Screenings; Special Screenings; The 11th Continent; Moroccan Panorama; Jamaa El-Fna Square Screenings; Audio-described Cinema; and a Tribute section. International Film Festival.
Fourteen (14) films, six directed by women, are in the running to win the Marrakech Etoile d’Or (or, the Gold Star), in the Official Competition. Tributes will be made to four great names in cinema, namely: Robert De Niro, Jillali Ferhati, Agnès Varda, and Robin Wright.