Dawnland reveals the untold story of Indigenous child removal in the United States through the first government-endorsed truth and reconciliation commission (TRC) in the nation, tasked with investigating the devastating impact of Maine’s child welfare practices on Native American communities. With exclusive access to this groundbreaking process and never-before-seen footage, Dawnland bears witness to intimate, sacred moments of truth-telling and healing. Directed by Adam Mazo and Ben Pender-Cudlip, the film premieres on Independent Lens Monday, November 5, 2018, 10:00-11:00 PM ET (check local listings) as part of Native American Heritage Month programming on PBS.
For most of the 20th century, government agents systematically forced Native American children from their homes and placed them with white families. As recently as the 1970s, one in four Native children nationwide were living in non-Native foster care, adoptive homes, or boarding schools. Many children experienced shattering emotional and physical harm by adults who mistreated them and tried to erase their cultural identity. Now, for the first time, they are being asked to share their stories.
The historic investigation by the Maine Wabanaki-State Child Welfare Truth and Reconciliation Commission represented a groundbreaking moment in the history of tribal-state relations. From 2013 to 2015, Native and non-Native commissioners travelled across Maine, gathering testimony about the agonizing impacts of the state’s child welfare practices on families in Maliseet, Micmac, Passamaquoddy, and Penobscot tribal communities, which together comprise the Wabanaki people.
The TRC discovered that state power continues to be used to break up families, threatening the very existence of the Wabanaki people. Is it possible to right this wrong and turn around a broken child welfare system? Dawnland examines the immense challenges faced by the commission as it works toward truth, reconciliation, and the survival of all Indigenous peoples. By exploring what happened in Maine, the film also provides the opportunity to raise awareness about this nationwide issue, which continues to impact families and children.
Dawnland will be presented as part of the new season of Indie Lens Pop-Up, a neighborhood series that brings people together for free film screenings and community-driven conversations. Featuring documentaries seen on PBS’s Independent Lens, Indie Lens Pop-Up draws local residents, leaders, and organizations together to discuss what matters most, from newsworthy topics to family and relationships.
Dawnland
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DAWNLAND, Documentary on Impact of Native American Child Removal, to Debut on PBS [Trailer]
Dawnland reveals the untold story of Indigenous child removal in the United States through the first government-endorsed truth and reconciliation commission (TRC) in the nation, tasked with investigating the devastating impact of Maine’s child welfare practices on Native American communities. With exclusive access to this groundbreaking process and never-before-seen footage, Dawnland bears witness to intimate, sacred moments of truth-telling and healing. Directed by Adam Mazo and Ben Pender-Cudlip, the film premieres on Independent Lens Monday, November 5, 2018, 10:00-11:00 PM ET (check local listings) as part of Native American Heritage Month programming on PBS.
For most of the 20th century, government agents systematically forced Native American children from their homes and placed them with white families. As recently as the 1970s, one in four Native children nationwide were living in non-Native foster care, adoptive homes, or boarding schools. Many children experienced shattering emotional and physical harm by adults who mistreated them and tried to erase their cultural identity. Now, for the first time, they are being asked to share their stories.
The historic investigation by the Maine Wabanaki-State Child Welfare Truth and Reconciliation Commission represented a groundbreaking moment in the history of tribal-state relations. From 2013 to 2015, Native and non-Native commissioners travelled across Maine, gathering testimony about the agonizing impacts of the state’s child welfare practices on families in Maliseet, Micmac, Passamaquoddy, and Penobscot tribal communities, which together comprise the Wabanaki people.
The TRC discovered that state power continues to be used to break up families, threatening the very existence of the Wabanaki people. Is it possible to right this wrong and turn around a broken child welfare system? Dawnland examines the immense challenges faced by the commission as it works toward truth, reconciliation, and the survival of all Indigenous peoples. By exploring what happened in Maine, the film also provides the opportunity to raise awareness about this nationwide issue, which continues to impact families and children.
Dawnland will be presented as part of the new season of Indie Lens Pop-Up, a neighborhood series that brings people together for free film screenings and community-driven conversations. Featuring documentaries seen on PBS’s Independent Lens, Indie Lens Pop-Up draws local residents, leaders, and organizations together to discuss what matters most, from newsworthy topics to family and relationships.
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PBS’ Independent Lens Fall Season to Open with YOUNG MEN AND FIRE
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Young Men and Fire[/caption]
The award-winning PBS series Independent Lens opens its new season on Monday, October 29 with Young Men and Fire, a richly personal look at the lives of a western firefighting crew during one challenging season. Also on the fall schedule is Dawnland, which explores the devastating impact of the forced removal of Native American children from their families; The Judge, a look at the first woman appointed to the Middle East’s Shari’a (Islamic law) courts; The Cleaners, an eye-opening investigation into how Silicon Valley monitors online content; and Man on Fire, the story of an elderly Texas minister driven to a shocking act of protest.
Highlights of the soon-to-be-announced Winter/Spring 2019 season include two of the most acclaimed documentaries of this summer: Won’t You Be My Neighbor?, Morgan Neville’s moving portrait of children’s TV pioneer Fred Rogers, and Eugene Jarecki’s unique meditation on Elvis and America, The King. Also premiering in 2019 is RUMBLE: The Indians Who Rocked the World (January 28), a celebration of the Native American musicians who transformed blues, jazz and rock.
“Documentary film is soaring right now because it’s doing the deep work of telling stories about ordinary and extraordinary people from across the country—all kinds of people who hold different beliefs,” said Lois Vossen, Executive Producer of Independent Lens. “The news has become divisive, and we’re not the news. We’re newsworthy, character-driven stories. And because we’re public media we have exceptional reach with 394 stations across the United States — that gives us the ability to be both local and national every time we work with a film.”
Independent Lens will also present a new season of Indie Lens Pop-Up, a national series of free public events that bring community leaders, local residents and organizations together for discussions and screenings. Selections this year include Dawnland, RUMBLE, and Won’t You Be My Neighbor?; additional titles to be announced.
The Fall broadcast schedule follows; additional Winter/Spring titles and broadcast dates will be announced late fall.
Young Men and Fire by Kahlil Hudson and Alex Jablonski (Monday, October 29, 10-11 pm ET)
Forest and wildland fires are growing larger, more frequent, and deadlier every year, threatening millions of acres and thousands of lives. Meet a firefighting crew as they struggle with fear, loyalty, love and defeat over the course of a single wildfire season. What emerges is a quietly powerful story of a small group of men – their exterior world, their interior lives, and the fire that lies between.
Dawnland by Adam Mazo and Ben Pender-Cudlip (Monday, November 5, 10-11 pm ET)
Follow the first government-sanctioned truth and reconciliation commission in the U.S., which investigates the devastating impact of Maine’s child welfare practices on Native American communities. With exclusive access to this groundbreaking process and never-before-seen footage, the film reveals the untold narrative of Indigenous child removal in the U.S.
The Judge by Erika Cohn (Monday, November 12, 10:30 pm- 12 am ET)
When Kholoud Al-Faqih walked into the office of Palestine’s Chief Justice and announced she wanted to join the bench, he laughed at her. But just a few years later, Kholoud became the first woman judge to be appointed to the Middle East’s Shari’a (Islamic law) courts. The Judge offers a unique portrait of Kholoud’s brave journey and her tireless fight for justice for women while offering an unvarnished look at life for women under Shari’a.
The Cleaners by Moritz Riesewieck and Hans Block (Monday, November 19, 10-11:30 pm ET)
Meet some of the people hired by Silicon Valley leaders like Facebook and Google to do “digital cleaning.” Mostly located in the Philippines, these “content moderators” delete “inappropriate” content on the net, thereby influencing what people around the world see and think. The film charts social media’s evolution from a shared vision of a global village to a dangerous web of fake news, extremism and radicalization.
Man on Fire by Joel Fendelman (Monday, December 17, 10-11 pm ET)
On June 23, 2014, a 79-year-old white Methodist minister named Charles Moore drove to an empty parking lot in his old home town of Grand Saline, Texas, and set himself on fire. He left a note explaining that his act was his final protest against the virulent racism of the community and his country at large. Man on Fire goes back to Grand Saline — population 3,266 — to try to uncover the truth about the town’s ugly past and the fervor for God and justice that drove Moore to his shocking final act.
RUMBLE: The Indians Who Rocked the World by Catherine Bainbridge (Monday, January 28)
The acclaimed documentary explores how Native American musicians transformed American blues, jazz and rock — despite frequent attempts to ban, censor, and erase Indian culture. This eye-opening musical celebration features Robbie Robertson, Taj Mahal, George Clinton, Martin Scorsese, Slash, Jackson Browne, Taboo, Buffy Sainte-Marie, Steve Van Zandt, Quincy Jones, Tony Bennett, Iggy Pop, Steven Tyler, and many more.
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Provincetown International Film Festival Announces 2018 Lineup, Closes with MAPPLETHORPE
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MAPPLETHORPE[/caption]
The Provincetown International Film Festival (PIFF) announced their complete lineup of narrative, documentary and short films for the 20th anniversary edition. The festival will kick off with the New England premiere of WILD NIGHTS WITH EMILY, starring Molly Shannon. Written and directed by Madeleine Olnek, the film is a dramatic comedy about the secret life of Emily Dickinson. Ondi Timoner’s MAPPLETHORPE, starring Matt Smith, has been selected as the Closing Night film.
Additionally, acclaimed director Sean Baker will receive the “Filmmaker on the Edge” Award in conversation with John Waters, and actress Chloë Grace Moretz will be on hand to receive the festival’s Next Wave Award; Moretz’s latest film, THE MISEDUCATION OF CAMERON POST, is a Spotlight selection.
Said Artistic Director Lisa Viola, “For our 20th anniversary festival, we are absolutely thrilled to present a lineup featuring new work by a group of extraordinarily talented filmmakers, and we are especially proud that all five of our Spotlight films are directed by women!”
The Provincetown International Film Festival runs June 13 to 17, 2018 in Provincetown, MA.
2018 Provincetown International Film Festival Lineup
OPENING NIGHT
WILD NIGHTS WITH EMILY – directed by Madeleine Olnek (Wednesday, June 13)CLOSING NIGHT
MAPPLETHORPE – directed by Ondi Timoner (Sunday, June 17)SPOTLIGHT SELECTIONS
THE MISEDUCATION OF CAMERON POST – directed by Desiree Akhavan (Thursday, June 14) AND BREATHE NORMALLY – directed by Ísold Ugadóttir (Friday, June 15) LEAVE NO TRACE – directed by Debra Granik (Saturday, June 16)SPECIAL SCREENINGS/EVENTS
JOHN WATERS PRESENTS: I, OLGA – directed by Petr Kazda, Tomás Weinreb MODERN LOVE LIVE, presented by WBUR and The New York Times at the Provincetown Film Festival (Friday, June 15) FEMALE TROUBLE – directed by John Waters MIDNIGHT COWBOY – directed by John Schlesinger TANGERINE – directed by Sean BakerNARRATIVE FEATURES
1985 – directed by Yen Tan BLINDSPOTTING– directed by Carlos López Estrada THE CAKEMAKER – directed by Ofir Raul Graizer THE CHILDREN ACT – directed by Richard Eyre DON’T WORRY, HE WON’T GET FAR ON FOOT – directed by Gus Van Sant EIGHTH GRADE – directed by Bo Burnham THE GUILTY – directed by Gustav Möller HEARTS BEAT LOUD– directed by Brett Haley A KID LIKE JAKE – directed by Silas Howard LEMONADE – directed by Ioana Uricaru LOVELING – directed by Gustavo Pizzi MADELINE’S MADELINE – directed by Josephine Decker MARIO – directed by Marcel Gisler NIGHT COMES ON – directed by Jordana Spiro PUZZLE – directed by Marc Turtletaub WE THE ANIMALS – directed by Jeremiah ZagarDOCUMENTARY FEATURES
CHEF FLYNN – directed by Cameron Yates DAWNLAND – directed by Adam Mazo, Ben Pender-Cudlip EVERY ACT OF LIFE – directed by Jeff Kaufman A FINE LINE – directed by Joanna James GENERATION WEALTH – directed by Lauren Greenfield THE GOSPEL OF EUREKA – directed by Donal Mosher, Michael Palmieri JOHN McENROE: IN THE REALM OF PERFECTION – directed by Julien Faraut LIFE IN THE DOGHOUSE – directed by Ron Davis McQUEEN – directed by Ian Bonhôte, Peter Ettedgui THE PRICE OF EVERYTHING – directed by Nathaniel Kahn ROBIN WILLIAMS: COME INSIDE MY MIND – directed by Marina Zenovich SCIENCE FAIR – directed by Cristina Costantini, Darren Foster SCOTTY AND THE SECRET HISTORY OF HOLLYWOOD – directed by Matt Tyrnauer THE SENTENCE – directed by Rudy Valdez STUDIO 54 – directed by Matt Tyrnauer THREE IDENTICAL STRANGERS – directed by Tim Wardle TIME FOR ILHAN – directed by Norah Shapiro WESTWOOD: PUNK, ICON, ACTIVIST – directed by Lorna Tucker WYETH – directed by Glenn HolstenSHORTS
AFTER PROM – directed by Nona Schamus BABS – directed by Celine Held & Logan George BECAUSE YOU’RE HERE – directed by Mike Syers BRAINWORM BILLY – directed by Emily Hubley THE DARE PROJECT – directed by Adam Salky, written by David Brind EDWARD HOPPER & MARSHALL’S HOUSE – directed by Bob Burnett FEVAH – directed by Randall Dottin GIRL FRIEND – directed by Chloe Sarbib HEATHER HAS FOUR MOMS – directed by Jeanette L. Buck JUDITH LOVES MARTHA – directed by Anna Gaskell KEEPER – directed by Marnie Crawford Samuelson & Shane Hofeldt KHOL (OPEN) – directed by Faroukh Virani LANDLINE – directed by Matt Houghton THE LAYOVER – directed by Joe Stankus LONESOME WILLCOX – directed by Ryan Maxey & Zack Wright MARGUERITE – directed by Maria Gracia Turgeon MAUDE – directed by Anna Margaret Hollyman MEN DON’T WHISPER – directed by Jordan Firstman MOTHER MOTHER – directed by Robert Machoian & Rodrigo Ojeda-Beck NEGATIVE SPACE – directed by Ru Kuwahata & Max Porter NEUTRAL – directed by Nathan Barnatt PAID FOR BY – EPISODE 2 – DIANE BUSCH’S WOMEN’S ISSUE AD – directed by Dawn Smith SET ME AS A SEAL UPON THINE HEART – directed by Omer Tobi SHE IS JUICED: SLICE ONE – JO HAY – directed by Lois Norman SLEEPOVER – directed by Jimi Vall Peterson SUPER 8 DAZE – directed by Rob Hampton & John Morgan WOULD YOU LOOK AT HER – directed by Goran Stolevski WORLD OF TOMORROW EPISODE 2: THE BURDEN OF OTHER PEOPLE’S THOUGHTS –directed by Don Herzfeldt WREN BOYS – directed by Harry Lighton
