
Sundance Film Festival announced the 16 jurors granting awards along with the five jury members who present the Alfred P. Sloan Feature Film Prize at the upcoming festival.

Sundance Film Festival announced the 16 jurors granting awards along with the five jury members who present the Alfred P. Sloan Feature Film Prize at the upcoming festival.

Indie films Booksmart, and Rafiki are among the winners of the 31st GLAAD Media Awards held for the first time as a virtual ceremony. Booksmart won the award for Outstanding Film – Wide Release and Rafiki won for Outstanding Film – Limited Release. The award for Outstanding Documentary went to State of Pride.

GLAAD announced the 176 nominees in 30 categories for the 31st Annual GLAAD Media Awards honoring ‘media for fair, accurate, and inclusive representations of LGBTQ people and issues.’

Ashland Independent Film Festival will showcase 13 independent feature films and one short film program from 11 countries, including Bulgaria, Siberia, France, Mexico, Paraguay, Denmark, Kenya, Iceland, Israel, Egypt, and the USA for the 30th annual Varsity World Film Week running Oct. 4 through Oct. 11 at the Varsity Theatre in downtown Ashland.

The Athena Film Festival (AFF) at Barnard College will open its 2019 edition on Thursday, February 28, with the New York premiere of “Fast Color.” The film, directed by Julia Hart and written by Hart and Jordan Horowitz, stars Gugu Mbatha-Raw as a hero forced to run when her superhuman abilities are discovered. Years after abandoning her family, the only place she has left to hide is home. Lorraine Toussaint and David Strathairn co-star.
Beats, a film by Brian Welsh[/caption]
Beats, a film by Brian Welsh about an unlikely friendship set against a backdrop of illegal raves in the 90s will world premiere at the 2019 International Film Festival Rotterdam (IFFR). Beats is part of IFFR’s Limelight program, which features the cinematic highlights of the year. Emmy Award-winning fimmaker Clara van Gool’s The Beast in the Jungle and Martin de Vries’s Camino, A Feature-length Selfie also world premiere within Limelight.
Beats is a raw, black-and-white portrait of a bankrupt United Kingdom in which music and drugs are the only things of interest. In summer 1994, with rave culture on the rise in a Scottish village, teens Johnno and Spanner have a final night out together before each going their own way in life.
In addition to Beats, IFFR’s Limelight program boasts two other world premieres, both by Dutch filmmakers: The Beast in the Jungle by Clara van Gool is a poetic adaptation of Henry James’s 1903 novella with a major role for dance and movement; and Camino, a Feature-length Selfie is Martin de Vries’s account of his hike to Santiago de Compostela.
Four Limelight titles were previously supported by IFFR: A Land Imagined by Yeo Siew Hua, Rojo by Benjamín Naishtat and Rafiki by Wanuri Kahiu were supported by IFFR’s Hubert Bals Fund and Birds of Passage by Cristina Gallego and Ciro Guerra was presented at IFFR’s CineMart.
Other confirmed Limelight titles include Gaspar Noé’s Climax, Brady Corbet’s Vox Lux, Alice Rohrwacher’s Happy as Lazzaro and Hamaguchi Ryūsuke’s Asako I & II.
All confirmed 2019 International Film Festival RotterdamLimelight titles to date
Un amour impossible/An Impossible Love, Catherine Corsini, 2018, France
Asako I & II, Hamaguchi Ryūsuke, 2018, Japan/France
Ash Is Purest White, Jia Zhangke, 2018, China/France
The Beast in the Jungle, Clara van Gool, 2019, Netherlands/Luxembourg, world premiere
Beats, Brian Welsh, 2019, UK, world premiere
Birds of Passage, Cristina Gallego/Ciro Guerra, 2018, Colombia/Denmark/Mexico
Camino, een feature-length selfie/Camino, A Feature-length Selfie, Martin de Vries, 2019, Netherlands, world premiere
Capharnaüm/Capernaum, Nadine Labaki, 2018, LebanonClimax, Gaspar Noé, 2018, France
Donbass, Sergei Loznitsa, 2018, Germany/Ukraine/France/Netherlands/Romania
A Land Imagined, Yeo Siew Hua, 2018, Singapore/France/Netherlands
Lazzaro felice/Happy as Lazzaro, Alice Rohrwacher, 2018, Italy/Switzerland/France/Germany
Leto/Summer, Kirill Serebrennikov, 2018, Russia/France
Rafiki, Wanuri Kahiu, 2018, Kenya/South AfricaRojo, Benjamín Naishtat, 2018, Argentina/Brazil/France/Netherlands/Germany
Vox Lux, Brady Corbet, 2018, USA
At Eternity’s Gate[/caption]
From November 30 to December 8, 2018, festival-goers and cinema-lovers alike will discover no fewer than 80 films coming from 29 different countries at the 17th Marrakech International Film Festival (FIFM). The Festival with open with At Eternity’s Gate directed by Julian Schnabel, the remarkable biopic that depicts the most celebrated period of the life and works of Vincent Van Gogh will open the Festival.
The line-up is divided into several sections, the main ones including the Official Competition; Gala Screenings; Special Screenings; The 11th Continent; Moroccan Panorama; Jamaa El-Fna Square Screenings; Audio-described Cinema; and a Tribute section. International Film Festival.
Fourteen (14) films, six directed by women, are in the running to win the Marrakech Etoile d’Or (or, the Gold Star), in the Official Competition. Tributes will be made to four great names in cinema, namely: Robert De Niro, Jillali Ferhati, Agnès Varda, and Robin Wright.
The Day I Lost My Shadow[/caption]
As the 48th edition of International Film Festival Rotterdam (IFFR) fast approaches, the festival is announcing the first 26 confirmed titles, including new films by Claire Denis, Jia Zhangke and Garin Nugroho. IFFR 2019 will take place from January23 to February 3, 2019.
The confirmed titles include the world premiere of Simona Kostova’s Dreissig and the international premiere of Fabienne Godet’s Nos vies formidables. Other filmmakers on the selection list so far are Nadine Labaki with her new film Capernaum and Khalik Allah with his Black Mother, a piercing reflection on Jamaican identity which won the Yellow Robin Award at Curaçao IFFR in April 2018. BNK48: Girls Don’t Cry, a European premiere, is a remarkable documentary feature by Nawapol Thamrongrattanarit chronicling the intense lives of a group of pop singers living together in Bangkok. And with I diari di Angela – Noi due cineasti Yervant Gianikian has created a moving portrait of his partner in cinema Angela Ricci Lucchi, who passed away in 2018.
Three of the films selected so far received support from IFFR’s Hubert Bals Fund (HBF) in previous years: The Day I Lost My Shadow by Soudade Kaadan and Rafiki by Wanuri Kahiu in 2016, The Load by Ognjen Glavonić in 2013.
IFFR celebrates film art from all over the world and presents its program within four sections, each with its own distinct character: Bright Future (including the Tiger Competition and the Ammodo Tiger Short Competition), Voices, Deep Focus and Perspectives. Short films are strongly represented throughout all sections.
Festival director Bero Beyer: “We’re delighted to present an appealing and rich first selection of titles to screen at our upcoming festival. There are names we’ve seen before in Rotterdam, and ones that are brand new. Together they exemplify the type of bold and daring cinema we like to celebrate at IFFR.”
HAPPY AS LAZARRO[/caption]
The 54th Chicago International Film Festival hosted its Awards Ceremony and taking home the top prize, the Gold Hugo for Best Film, in the International Feature Film Competition, is director Alice Rohrwacher’s Happy as Lazzaro, a film the jury recognized for its poetic cinematic language and formal rigor. The Silver Hugo for Best Director was awarded to Jia Zhangke for Ash Is Purest White and the Silver Hugo Special Jury Prize was awarded to Joy, directed by Sudabeh Mortezai.
Director Ash Mayfair took home top honors in the New Directors Competition with a Gold Hugo for The Third Wife and the Silver Hugo was awarded to Joël Karekezi for The Mercy of the Jungle. The Roger Ebert Award, presented to an emerging filmmaker with a fresh and uncompromising vision, was awarded to directors Andréa Bescond and Eric Métayer for Little Tickles, and the Chicago Award was presented to Michael Paulucci for Hashtag Perfect Life. The Founder’s Award, given to one film across all categories that captures the spirit of the Chicago International Film Festival for its unique and innovative approach to the art of the moving image, was presented to Felix van Groeningen’s Beautiful Boy.
“Each year, the films presented in our competitions represent the excellence and diversity of filmmaking from around the world, and this year was no exception,” said Festival Artistic Director Mimi Plauché. “We are proud to honor these extraordinary films from around the world and here at home, saluting a diverse lineup of singular filmmakers and their work.”
Tito and the Birds / Tito e os Pássaros[/caption]
The third edition of My First Film Fest, a weekend-long showcase of classic and new cinematic works that speak to the experiences and curiosity of young people, returns November 9 to 11, presented by the Film Society of Lincoln Center.
My First Film Fest is the Film Society’s home for the next generation of movie lovers, nurturing the sense of discovery, excitement, and education of the film festival experience while shining a light on the indelible significance of the moving image. This year’s slate includes premieres of outstanding recent offerings from around the world alongside repertory classics that exemplify turning points in film history. Featuring free educational screenings as well as in-cinema discussions and introductions, this is an opportunity for children, teenagers, and young adults alike to actively engage with our growing film culture.
Highlights of this year’s festival include the New York premiere of Gustavo Steinberg, Gabriel Bitar, and André Catoto’s dazzling animated film Tito and the Birds, with Steinberg in person; richly human documentary A Polar Year, a fish-out-of-water tale of a young man who leaves his family farm to teach Danish in remote Greenland, with director Samuel Collardey in person for the New York premiere; Wanuri Kahiu’s Rafiki, a tender tale of young love and acceptance shot on the streets of Nairobi, Kenya; Naoko Yamada’s A Silent Voice, based on the manga by Yoshitoki Oima; and a selection of clever and thought-provoking narrative, documentary, experimental, and animated short films for audiences 13 and up. Featured repertory titles include Yasujirô Ozu’s Good Morning, a playful, loose remake of the director’s silent classic I Was Born, But…; Don Siegel’s mid-century sci-fi classic Invasion of the Body Snatchers, presented on 35mm; Czech animator Jiri Trnka’s A Midsummer Night’s Dream, in a special encore screening from FSLC’s Trnka retrospective The Puppet Master; and the captivating, visually stunning Porco Rosso, from Japanese animation master Hayao Miyazaki.
FILMS & DESCRIPTIONS
A Polar Year / Une année polaire
Samuel Collardey, France, 2018, 94m
Inuktitut and Danish with English subtitles
New York Premiere
In search of adventure, 28-year-old Anders leaves his family farm in Denmark to teach Danish in a remote village of Greenland. Cue cultural whiplash, as the bewildered Anders finds himself an outsider in a forbidding tundra where his rambunctious students would rather be dog-sledding than stuck in school. But gradually, as he immerses himself in the traditions of the Inuit community—and bonds with a boisterous 8-year-old boy—Anders discovers his place in the village. Showcasing the dazzling, otherworldly beauty of Greenland’s arctic vistas, this richly human documentary celebrates our capacity for cross-cultural connection.
Ages 11 and up
Friday, November 9, 6:30pm (Q&A with director Samuel Collardey)
https://www.youtube.com/watch?v=830ginDdFTE
Rafiki
Wanuri Kahiu, Kenya, 2018, 83m
English and Swahili with English subtitles
Strikingly shot on the streets of Nairobi, this tender tale of young love and acceptance is a vibrant, hopeful look at growing up gay in contemporary Kenya. Though their fathers are political rivals, Kena and Ziki—spirited, ambitious young women determined to make something of their lives—forge a connection that leaves their friends and neighbors gossiping. As their friendship deepens into a romance, they must withstand the virulent homophobia that surrounds them while remaining true to themselves and their love. Suffused with gorgeously expressive light, color, and music, Rafiki is a bold statement of compassion from one of Kenyan cinema’s brightest talents.
Ages 15 and up
Friday, November 9, 9:00pm
https://www.youtube.com/watch?v=GGAWuMuumDQ
A Midsummer Night’s Dream / Sen noci svatojanske
Jiri Trnka, Czechoslovakia, 1959, 35mm, 72m
English version
Revered as the pioneer of a remarkable new genre of animation that utilized puppets, Czech animation master Jiri Trnka had enormous impact on the development of animation in his country, and he inspired the careers of an entire generation of filmmakers around the globe. In this bewitching adaptation of Shakespeare’s romantic fairy tale—perhaps Trnka’s masterpiece—the love lives of mortals and forest sprites mingle during one magical moonlit evening. For his final feature, Trnka deploys the full force of his imagination and technical wizardry to evoke the story’s enchanted-woodlands setting, a garlanded, pastel dreamscape awash in starry-night atmosphere, colorful festoons of flowers, and exquisitely wrought fantasy creatures.
All ages
Saturday, November 10, 5:00pm
Encore screening selected from our April retrospective The Puppet Master: The Complete Jiri Trnka.
Tito and the Birds / Tito e os Pássaros
Gustavo Steinberg, Gabriel Bitar & André Catoto, Brazil, 2018, 73m
Portuguese with English subtitles
New York Premiere
As a pandemic of (literally) paralyzing mass hysteria sweeps over his city—fueled by fear-mongering corporations, TV news, and politicians—one brave boy, 10-year-old Tito, sets out to stop the madness. Could the secret to saving his community really lie with the pigeons with whom he’s formed a unique bond? What could the birds be trying to tell humanity? Dazzlingly animated in a bold, painterly style, this child’s-eye parable for our anxiety-ridden times issues a much-needed reminder: we are infinitely stronger when we refuse to let fear divide us. A Shout Factory release.
Ages 11 and up
Saturday, November 10, 6:45pm (Q&A with director Gustavo Steinberg)
https://www.youtube.com/watch?v=9aMR9dWWar0
Porco Rosso / Kurenai no buta
Hayao Miyazaki, Japan, 1992, 94m
Japanese with English subtitles
The great Hayao Miyazaki brings his wondrous visual imagination to this rip-roaring blend of comic strip thrills, classic Hollywood-style romance, and boisterous comedy. In a storybook vision of 1930s Italy, the eponymous porcine aviator soars across the skies as he tangles with bumbling air pirates, takes on a spirited young woman as his sidekick, and vies with an upstart rival for ultimate daredevil bragging rights. Interweaving rollicking action with heartfelt pro-feminist, anti-fascist themes, Porco Rosso is a captivating, one-of-a-kind aerial adventure as only Studio Ghibli could dream up.
All ages
Saturday, November 10, 8:45pm
Good Morning / Ohayô
Yasujirô Ozu, Japan, 1959, 35mm, 94m
Japanese with English subtitles
Graced with an impish wit and endearing sweetness, this charmer from Yasujirô Ozu is a playful look at the often humorous misunderstandings between adults and children. A loose remake of the director’s silent classic I Was Born, But…, Good Morning tells the story of two brothers who find creative ways to rebel when their parents refuse to buy them a television set—a simple premise that yields rich insights into intergenerational family dynamics. Boasting glorious color cinematography and unabashedly silly gags, Good Morning makes for a perfect introduction to one of cinema’s consummate masters.
Ages 11 and up
Sunday, November 11, 2:00pm
A Silent Voice / Koe no katachi
Naoko Yamada, Japan, 2017, 130m
Japanese with English subtitles
From one of Japan’s most fascinating and daring young animators comes a poignant film about challenges of teenage life. Based on the manga by Yoshitoki Oima and winner of the Japanese Movie Critics Award for Best Animation, A Silent Voice follows deaf sixth grader Shoko and her classmate Shoya, who, years later, has to make amends for the time he spent bullying her. Naoko Yamada’s thoughtful coming-of-age story is both gorgeously hand-drawn and emotionally engaging to firmly establish the filmmaker as an auteur to follow for many years to come.
Ages 13 and up
Sunday, November 11, 6:00pm
https://www.youtube.com/watch?v=nfK6UgLra7g
Invasion of the Body Snatchers
Don Siegel, USA, 1956, 35mm, 80m
This mid-century sci-fi classic was produced on a famously small budget with minimal practical effects, yet sixty-plus years later it retains its power to thrill and chill young and older audiences alike. A near-palpable sense of uncanny dread looms over the story of Miles Bennell (Kevin McCarthy), a young doctor who gradually discovers that the inhabitants of his sleepy California town are being replaced with mysteriously inhuman replicates. Adapted from a serialized novel, Siegel’s film would spawn several Hollywood remakes over the decades—a testament to its enduring legacy as an influential landmark.
Ages 11 and up
Sunday, November 11, 8:30pm
Shorts Program (TRT: 84m)
This collection of clever and thought-provoking narrative, documentary, experimental, and animation films is sure to captivate viewers of ages 13 and up.
Sunday, November 11, 4:00pm
The Tesla World Light
Andrew Rankin, Canada, 2017, 8m
New York Premiere
Inspired by actual events in Nikola Tesla’s life, this electrifying short draws as much from the conventions of experimental film as it does from animated documentary.
Who’s Who in Mycology
Marie Dvorakova, Czech Republic/USA, 2017, 15m
Czech with English subtitles
New York Premiere
Marie Dvorakova’s Student Academy Award–winning film is a visually exhilarating and funny flight of fancy about a young trombone player whose humdrum night takes a turn for the bizarre.
Nada
Gabriel Martins, Brazil, 2017, 27m
Portuguese with English subtitles
U.S. Premiere
A high school senior (Clara Lima) boldly questions the conventional wisdom of her parents and peers in this refreshing coming-of-age story about what it means to live a meaningful life.
War of the Worlds
Manuel Brito, Portugal, 2018, 14m
North American Premiere
Using a bizarre cutout animation style, Manuel Brito offers an uncanny interpretation of Orson Welles’s infamous War of the Worlds radio play.
Familiar Tale / Relato Familiar
Sumie García, Mexico/Japan, 2018, 20m
New York Premiere
This moving documentary about memory and loss documents the life of Yukio Saeki, an 86-year old photographer who has been living in Mexico since 1955.
Elisabeth Moss in HER SMELL[/caption]
Highlighting rising feature film directors and the best of independent filmmaking, the American Film Institute announced today the films that will be featured in the New Auteurs and American Independents sections at AFI FEST 2018 presented by Audi.
New Auteurs is the festival’s platform for upcoming filmmakers from all over the world to showcase their new films. This year, the section is comprised of 18 films, with 12 helmed by female filmmakers.
The American Independents section represents the best of independent filmmaking this year. Pushing boundaries of form and content across narrative and documentary cinema, this section includes 10 films — half of which are directed by women — from both new voices and filmmakers returning to AFI FEST.
“The New Auteurs and American Independents sections are where you will find some of the boldest and most experimental work in the festival,” said Lane Kneedler, Director of Programming, AFI Festivals. “We encourage audiences to explore these unique films, and become acquainted with the emerging and provocative voices of their directors.”
AFI FEST takes place November 8–15, 2018, in the heart of Hollywood. Screenings, Galas and other events will be held at the TCL Chinese Theatre, the TCL Chinese 6 Theatres, the Egyptian Theatre and The Hollywood Roosevelt. The Opening Night Gala will be the World Premiere of ON THE BASIS OF SEX (directed by AFI Conservatory alumna Mimi Leder) and the Closing Night Gala will be the World Premiere of MARY QUEEN OF SCOTS (directed by Josie Rourke).