Ninety-three countries have submitted films for consideration in the International Feature Film category for the 92nd Academy Awards®. An international feature film is defined as a feature-length motion picture (more than 40 minutes) produced outside the United States with a predominantly non-English dialogue track. Ghana, Nigeria and Uzbekistan are first-time entrants.
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The Slamdance Film Festival today announced the Narrative and Documentary Feature Film Competition programs, as well as the lineup for its new Breakouts section, for their 25th edition, taking place January 25-31, 2019 in Park City.
The feature competition lineup boasts 18 premieres, including 10 World, 4 North American, and 4 U.S. debuts. In addition to the United States, films come to Slamdance from countries around the globe, including Argentina, Belarus, Brazil, Germany, India, Italy, Kenya, Poland, South Africa, and the United Kingdom. All competition films are feature length directorial debuts with budgets of less than $1 million USD, and without US distribution. Featured films were selected by a team of Slamdance alumni via a blind submission process and are programmed democratically. Films in both categories are also eligible for the Audience Award and Spirit of Slamdance Award, the latter of which is voted upon by filmmakers at the festival.
“When it comes to discovering talent, Slamdance has consistently shown that its artist led community can do it themselves,” said Slamdance Co-founder and President, Peter Baxter. “In a milestone year, our competition lineup symbolizes this ongoing endeavor. It’s full of incredible talent representing a global diversity that we believe will play a significant role in our cultural future.”
In addition, the 2019 festival will see the return of the Russo Fellowship — a $25,000 prize launched in 2018 by celebrated festival alumni Anthony and Joe Russo (Captain America: Civil War, Captain America: The Winter Soldier, Avengers: Infinity War) to enable a deserving filmmaker the opportunity to continue their journey with mentorship from the filmmaking duo. Presented by AGBO Films in partnership with the festival, the inaugural fellowship was awarded to filmmaker Yassmina Karajah for her narrative short Rupture.
Also announced today is the lineup for the festival’s all-new Breakouts section. Breakouts are films by non-first-time-feature directors who demonstrate a determined vision of filmmaking that is instinctively becoming their own. These artists continue to push boundaries in genre and form, and are beacons of light that predict the future of film. Slamdance’s goal is to help daring and resilient filmmakers connect with bigger audiences and take their well-deserved place on the world cinema stage. The 2019 Breakouts feature the work of several Slamdance alumni, including Steven Soderbergh, who executive produced Beats,and Canadian filmmaker Alexandre Franchi who received the Audience Award for best Narrative Feature at the 2010 festival for The Wild Hunt.
“Our newly minted Breakouts section celebrates a group of experienced directors, including some Slamdance alumni, who are genuinely intent on taking bigger risks with their storytelling and career paths,” said Paul Rachman, Slamdance co-conspirator and Breakouts programmer. “These are films from around the world that deliver a bold vision from filmmakers with drive and intent to establish their unique cinematic voices.”
Established in 1995, Slamdance is dedicated to discovering and supporting new talents in independent filmmaking. In addition to the Russo Brothers, notable Slamdance alumni include: Christopher Nolan (Dunkirk), Oren Peli (Paranormal Activity), Bong Joon Ho (Okja), Lena Dunham (Girls), Ari Aster (Hereditary), Gina Prince-Blythewood (Shots Fired), and Sean Baker (The Florida Project).
Olmo Omerzu, Jiří Konečný, Ada Solomon, Radu Jude (Film Servis Festival Karlovy Vary)[/caption]
“I Do Not Care If We Go Down in History as Barbarians” from Romanian film director Radu Jude won the Crystal Globe for Best Feature Film at the 53rd Karlovy Vary International Film Festival. In the film Radu Jude takes up a massacre perpetrated by the Romanian Administration through the Romanian Army on the Eastern Front in 1941, an actual event that a young activist artist decides to stage. “As we are in the Czech Republic and my film was made with the Czech co-production, I would like to thank all the Czech people involved, primarily Jiří Konečný”, said Radu Jude.
Barry Levinson received the Právo Audience Award for his thirty-year old movie Rain Man. Levinson also received the Crystal Globe for Outstanding Artistic Contribution to World Cinematography at the Closing Ceremony. “This is really a wonderful festival and an incredible experience for us. And also an extraordinary honour for a boy from Baltimore to be now granted an award for outstanding artistic contribution to world cinema here in the Czech Republic. Film is an artistic form that interconnects the whole world. While differing feelings drive us apart, we should bear in mind that we are in fact all quite similar,” the director expressed his gratitude.
https://www.youtube.com/watch?v=jv4q3sWs8wE
The 54th Karlovy Vary IFF will be held from June 28th to July 6th, 2019.
I Do Not Care If We Go Down In History As Barbarians[/caption]
Ten world and two international premieres will compete at this year’s 53rd Karlovy Vary IFF including the latest by leading Romanian filmmaker Radu Jude “I Do Not Care If We Go Down In History As Barbarians”, an original exploration of the subject of nationality and a nation coming to terms with the traumatic moments of its own past. Respected Argentinian director Ana Katz presents a mixture of subtle melancholy with light humor in her family drama Sueño Florianópolis, and we find a no less complex look at the question of male-female relationships in The Fireflies Are Gone, the story of a rebellious yet charismatic teenager directed by Canadian filmmaker Sébastien Pilote.
A harrowing performance by actor Caleb Landry Jones dominates Peter Brunner’s dark Austro-American drama To the Night. Two other filmmakers previously recognized at KVIFF present equally original though noticeably more poetic new films: the Russian director of the popular Zoology, Ivan Tverdovsky, presents Jumpman, while Israeli director Joseph Madmony is presenting his third premiere at KVIFF, the subtly moving drama Redemption, co-directed by cinematographer Boaz Y. Yakov.
Domestic cinema will be represented by Olmo Omerzu’s road movie about the force of boyhood friendship Winter Flies and by debut filmmaker Adam Sedlák’s claustrophobic minimalist study of the slow decline of body and mind, Domestique. Other debuts are from the Dominican Republic and Spain (Natalia Cabral and Oriol Estrada’s nuanced story of an adolescent girl, Miriam Lies), Poland (Paweł Maślona’s dark comedy Panic Attack) and Turkey (Ömür Atay’s moving drama Brothers). The selection, which spans a wide range of styles and genres, is rounded out by talented Slovenian director Sonja Prosenc’s poetic tale of female coming-of-age History of Love.