THE PARTING GLASS[/caption]
Artistic Director Mark Adams today unveiled details of the program for the upcoming Edinburgh International Film Festival (EIFF), taking place next month between 20 June to 1 July. This year the Festival will screen around 121 new features, including 21 world premieres, from 48 countries across the globe.
Highlights include the long-anticipated Disney-Pixar animation INCREDIBLES 2, Q&A and IN PERSON events with guests including the award-winning English writer and director David Hare, the much-loved Welsh comedian Rob Brydon and star of the compelling Gothic drama THE SECRET OF MARROWBONE, actor George MacKay, as well as the Opening and Closing Gala premieres of the previously announced PUZZLE and SWIMMING WITH MEN. This year’s People’s Gala will be the World Premiere of Stephen Moyer’s directorial debut, THE PARTING GLASS, starring Melissa Leo, Cynthia Nixon, Denis O’Hare, Anna Paquin (who also produces), Rhys Ifans and Ed Asner.
Mark Adams, EIFF Artistic Director, said: “EIFF prides itself on offering films and events that entertain, challenge, provoke, illuminate and excite and 2018 is no exception! From the best of up-and-coming British filmmakers to striking new cinema from around the world, we offer something for everyone: from rare access to filmmakers, live events to experience and the opportunity to see films that may never appear in the country again. We remain one of the world’s most venerable and acclaimed film festivals and are delighted to be able to offer audiences the chance to see some of the most exciting and innovative new film talent, in a setting steeped in history.”
This year’s BEST OF BRITISH strand includes exclusive world premieres of Simon Fellows’ thriller STEEL COUNTRY, featuring a captivating performance from Andrew Scott as Donald, a truck driver turned detective; comedy classic OLD BOYS starring Alex Lawther; the debut feature of writer-director Tom Beard, TWO FOR JOY, a powerful coming-of-age drama starring Samantha Morton and Billie Piper; oddball comedy-drama EATEN BY LIONS; striking debut from writer and director Adam Morse, LUCID, starring Billy Zane and Sadie Frost; Jamie Adams’ British comedy SONGBIRD, featuring Cobie Smulders and Haifaa al-Mansour’s MARY SHELLEY, with Elle Fanning taking on the role of Mary Wollstonecraft Godwin. Audiences can also look forward to a special screening of Mandie Fletcher’s delightfully fun rom-com PATRICK.
This year the AMERICAN DREAMS strand will offer audiences the chance to delve deep into some of the very best new films from American independent cinema including: UNICORN STORE, the directorial debut of Oscar-winning actress Brie Larson in which she stars alongside Samuel L. Jackson and Joan Cusack; the heart-warming HEARTS BEAT LOUD starring Nick Offerman; glossy noir thriller, TERMINAL, starring and produced by Margot Robbie; the engaging comedy HUMOR ME from Sam Hoffman, starring Jemaine Clement and Elliott Gould; IDEAL HOME in which Paul Rudd and Steve Coogan play a bickering gay couple who find themselves thrust into parenthood; 1980s set spy thriller starring Jon Hamm, THE NEGOTIATOR; and PAPILLON, starring Charlie Hunnam and Rami Malek.
The EUROPEAN PERSPECTIVES strand, supported by James and Morag Anderson, will feature a wonderful selection of new films that are powerfully visionary and passionate about storytelling. Notable features include touching drama NEVER LEAVE ME highlighting how young Syrian lives have been affected by war; freewheeling Euro romp TULIPANI: LOVE, HONOUR AND A BICYCLE; actor-turned-director Mélanie Laurent’s fourth feature DIVING, the thought-provoking WHAT WILL PEOPLE SAY by writer-director Iram Haq; the wonderfully weird CHARLIE AND HANNAH’S GRAND NIGHT OUT; French ensemble comedy C’EST LA VIE! and the brooding and atmospheric drama THE SECRET OF MARROWBONE starring George MacKay, Anya Taylor-Joy, Charlie Heaton, Mia Goth and Matthew Stagg.
This year’s WORLD PERSPECTIVES strand offers audiences a fascinating snapshot of developing world-cinema themes and styles from talented filmmakers from around the world. Highlights include acclaimed epic Chinese drama AN ELEPHANT SITTING STILL; award-winning South American drama THE HEIRESSES; powerful political drama NO. 1 CHUNG YING STREET; GIRLS ALWAYS HAPPY, an unflinching but darkly funny tale of a Chinese mother and daughter and Brazilian comedy LOVELING. For lovers of the land down under there’s also raucous Aussie comedy FLAMMABLE CHILDREN (SWINGING SAFARI) starring native icons Kylie Minogue and Guy Pearce; THE BUTTERFLY TREE starring Melissa George and Ben Elton’s THREE SUMMERS starring Robert Sheehan and set at an Australian folk music festival.
This year’s EIFF program features a diverse selection of new DOCUMENTARIES which reflect the ability of documentary film to inspire and challenge audiences. There is a strong musical theme that runs through this year’s films from WHITNEY, the much-anticipated documentary about the life and times of superstar Whitney Houston; GEORGE MICHAEL: FREEDOM – THE DIRECTOR’S CUT narrated by George Michael himself and ALMOST FASHIONABLE: A FILM ABOUT TRAVIS directed by Scottish lead-singer Fran Healy. Audiences will be inspired by the creativity of Orson Welles in Mark Cousins’ THE EYES OF ORSON WELLES; HAL, a film portrait of the acclaimed 1970s director Hal Ashby; LIFE AFTER FLASH, a fascinating exploration into the life of actor Sam J. Jones the topical POSTCARDS FROM THE 48% will also screen followed by a Q&A with director David Wilkinson, who travelled the UK to meet people from all sides of the BREXIT debate.
As the sun sets, audiences will be able to journey into the dark and often downright strange side of cinema, with a selection of genre-busting edge-of-your-seat gems including: the gloriously grisly psychosexual romp PIERCING starring Mia Wasikowska; the world premieres of Matthew Holness’ POSSUM and SOLIS staring Steven Ogg as an astronaut who finds himself trapped in an escape pod heading toward the sun; dark and bloody period drama THE MOST ASSASSINATED WOMAN IN THE WORLD and the futuristic WHITE CHAMBER starring Shauna Macdonald.
The country focus for the Festival’s 72nd edition will be Canada and is supported by Telefilm Canada. FOCUS ON CANADA will allow audiences to take a cinematic tour of the country and its culture, offering insight as well as entertainment, from filmmakers new and already established. Selected by EIFF’s 2018 Young programrs are also a range of titles that explore the experiences of First Nations youth including INDIAN HORSE in which a young boy becomes a star ice-hockey player and KAYAK TO KLEMTU where a determined young girl, played by the charismatic Ta’kaiya Blaney, sets off to kayak the Inside Passage in British Colombia. The strand will also showcase a number of shorts in SPOTLIGHT ON CONTEMPORARY CANADIAN SHORT FILMS, a powerful combination of short fiction, documentary and animated films that focus on the central social, political and ethical issues prevalent within contemporary Canada.
Audiences are also invited to attend a number of talks in the Festival’s free lecture stand, Reel Talk, including: INTRODUCTION TO FILM STUDIES: FEMALE DIRECTORS IN AMERICAN CINEMA that will shine a spotlight on the acclaimed and ground-breaking female directors who shaped American cinema; Frank Cogliano and David Silkenat of the University of Edinburgh will record a live episode of their show Whiskey Rebellion, offering context for the history of paranoia in American politics and film, before answering questions from the audience in PARANOIA AND POLITICS IN AMERICAN FILM and FROM ROMERO TO GET OUT, OR: HOW HORROR HELPED WAKE ME UP TO THE AMERICAN NIGHTMARE which will explore the power and importance of the horror genre.
Audiences can look forward to four programs of short animation as part of the Festival’s dedicated ANIMATION strand, supported by Emperor and the Culture & Business Fund Scotland. The McLaren Award for Best New British Animation will return once again with two varied programs showcasing some of the most highly-anticipated new short animations from the UK and there will also be a special retrospective of unique talent Elizabeth Hobbs, the award-winning indie animator running as part of Anim18, a celebration of British animation taking place across the UK.
The world of experimental film is once again uncovered in the Festival’s ever-popular BLACK BOX strand. A selection of short and feature-length films that push the boundaries of visual communication will screen including the world premiere of PIG FILM, taking a look at the future of film, and a range of experimental short films from Canada that foreground the material properties of 16mm. Also, as part of this year’s FOCUS ON CANADA, the BLACK BOX strand will feature a special screening of short films by Joyce Wieland.
This year’s EIFF SHORTS will offer a thrilling showcase of the finest brand-new short films from across the globe including DREAM IMAGES; OPTICS; RESISTANT BODIES; SPECTRES; FIRECRACKER, celebrating the vibrant state of UK shorts; KALEIDOSCOPE drawn from the thriving Scottish short film scene and THE YOUNG & THE WILD, handpicked by the EIFF Young programrs. New in 2018 will be the inaugural NEW VISIONS program, introducing glowing new voices aged 14-25 from across Scotland to submit their newest works to EIFF’s newly developed short film competition for young people.
A number of special events will take place throughout the Festival including JAWS in Concert, a screening of Steven Spielberg’s seminal blockbuster with John Williams’ iconic score played live by the RSNO,a screening of the much-loved LOCAL HERO followed by a Q&A with writer director Bill Forsyth in conversation with Royal Lyceum Theatre Edinburgh’s Artistic Director, David Greig as well as an early preview of the upcoming season of the popular BBC Alba series BANNAN. Prior to the Festival on 27 May audiences will also have the chance to experience the vampire underworld in EIFF PLAY: BLADE, an immersive cinema experience built around a screening of the trailblazing comic-book adaptation of BLADE, in partnership with Hidden Door andThe List, in collaboration with New Media Scotland, and supported by Sir Ewan and Lady Brown. Continuing RETROSPECTIVE LIVE! – MONTEREY POP, DA Pennebaker’s brilliant concert film, will be played as if it were a real live gig as part of Summerhall’s brand new 10-day series, Southern Exposure.
Specially selected to showcase the very best in world cinema for younger audiences and the young at heart, FILM FEST JUNIOR boasts two UK Premieres, VITELLO and ZOMBILLENIUM as well as an exclusive preview of PRINCESS EMMY. As previously announced, the Festival’s expanded youth strand, The Young & the Wild will offer a range of masterclasses offering careers advice for filmmakers aged 15-25 years old, along with events and screenings for schools, as part of Scotland’s Year of Young People 2018 celebrations and supported by Baillie Gifford. The 2018 EIFF Young programrs, a group of 15-19 year olds who have curated their own shorts strand, The Young & the Wild, have also selected a number of films within this year’s program which are badged accordingly in the Festival brochure.Indian Horse
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Edinburgh International Film Festival Reveals Full 2018 Program incl. World Premiere of THE PARTING GLASS
[caption id="attachment_29393" align="aligncenter" width="1200"] THE PARTING GLASS[/caption]
Artistic Director Mark Adams today unveiled details of the program for the upcoming Edinburgh International Film Festival (EIFF), taking place next month between 20 June to 1 July. This year the Festival will screen around 121 new features, including 21 world premieres, from 48 countries across the globe.
Highlights include the long-anticipated Disney-Pixar animation INCREDIBLES 2, Q&A and IN PERSON events with guests including the award-winning English writer and director David Hare, the much-loved Welsh comedian Rob Brydon and star of the compelling Gothic drama THE SECRET OF MARROWBONE, actor George MacKay, as well as the Opening and Closing Gala premieres of the previously announced PUZZLE and SWIMMING WITH MEN. This year’s People’s Gala will be the World Premiere of Stephen Moyer’s directorial debut, THE PARTING GLASS, starring Melissa Leo, Cynthia Nixon, Denis O’Hare, Anna Paquin (who also produces), Rhys Ifans and Ed Asner.
Mark Adams, EIFF Artistic Director, said: “EIFF prides itself on offering films and events that entertain, challenge, provoke, illuminate and excite and 2018 is no exception! From the best of up-and-coming British filmmakers to striking new cinema from around the world, we offer something for everyone: from rare access to filmmakers, live events to experience and the opportunity to see films that may never appear in the country again. We remain one of the world’s most venerable and acclaimed film festivals and are delighted to be able to offer audiences the chance to see some of the most exciting and innovative new film talent, in a setting steeped in history.”
This year’s BEST OF BRITISH strand includes exclusive world premieres of Simon Fellows’ thriller STEEL COUNTRY, featuring a captivating performance from Andrew Scott as Donald, a truck driver turned detective; comedy classic OLD BOYS starring Alex Lawther; the debut feature of writer-director Tom Beard, TWO FOR JOY, a powerful coming-of-age drama starring Samantha Morton and Billie Piper; oddball comedy-drama EATEN BY LIONS; striking debut from writer and director Adam Morse, LUCID, starring Billy Zane and Sadie Frost; Jamie Adams’ British comedy SONGBIRD, featuring Cobie Smulders and Haifaa al-Mansour’s MARY SHELLEY, with Elle Fanning taking on the role of Mary Wollstonecraft Godwin. Audiences can also look forward to a special screening of Mandie Fletcher’s delightfully fun rom-com PATRICK.
This year the AMERICAN DREAMS strand will offer audiences the chance to delve deep into some of the very best new films from American independent cinema including: UNICORN STORE, the directorial debut of Oscar-winning actress Brie Larson in which she stars alongside Samuel L. Jackson and Joan Cusack; the heart-warming HEARTS BEAT LOUD starring Nick Offerman; glossy noir thriller, TERMINAL, starring and produced by Margot Robbie; the engaging comedy HUMOR ME from Sam Hoffman, starring Jemaine Clement and Elliott Gould; IDEAL HOME in which Paul Rudd and Steve Coogan play a bickering gay couple who find themselves thrust into parenthood; 1980s set spy thriller starring Jon Hamm, THE NEGOTIATOR; and PAPILLON, starring Charlie Hunnam and Rami Malek.
The EUROPEAN PERSPECTIVES strand, supported by James and Morag Anderson, will feature a wonderful selection of new films that are powerfully visionary and passionate about storytelling. Notable features include touching drama NEVER LEAVE ME highlighting how young Syrian lives have been affected by war; freewheeling Euro romp TULIPANI: LOVE, HONOUR AND A BICYCLE; actor-turned-director Mélanie Laurent’s fourth feature DIVING, the thought-provoking WHAT WILL PEOPLE SAY by writer-director Iram Haq; the wonderfully weird CHARLIE AND HANNAH’S GRAND NIGHT OUT; French ensemble comedy C’EST LA VIE! and the brooding and atmospheric drama THE SECRET OF MARROWBONE starring George MacKay, Anya Taylor-Joy, Charlie Heaton, Mia Goth and Matthew Stagg.
This year’s WORLD PERSPECTIVES strand offers audiences a fascinating snapshot of developing world-cinema themes and styles from talented filmmakers from around the world. Highlights include acclaimed epic Chinese drama AN ELEPHANT SITTING STILL; award-winning South American drama THE HEIRESSES; powerful political drama NO. 1 CHUNG YING STREET; GIRLS ALWAYS HAPPY, an unflinching but darkly funny tale of a Chinese mother and daughter and Brazilian comedy LOVELING. For lovers of the land down under there’s also raucous Aussie comedy FLAMMABLE CHILDREN (SWINGING SAFARI) starring native icons Kylie Minogue and Guy Pearce; THE BUTTERFLY TREE starring Melissa George and Ben Elton’s THREE SUMMERS starring Robert Sheehan and set at an Australian folk music festival.
This year’s EIFF program features a diverse selection of new DOCUMENTARIES which reflect the ability of documentary film to inspire and challenge audiences. There is a strong musical theme that runs through this year’s films from WHITNEY, the much-anticipated documentary about the life and times of superstar Whitney Houston; GEORGE MICHAEL: FREEDOM – THE DIRECTOR’S CUT narrated by George Michael himself and ALMOST FASHIONABLE: A FILM ABOUT TRAVIS directed by Scottish lead-singer Fran Healy. Audiences will be inspired by the creativity of Orson Welles in Mark Cousins’ THE EYES OF ORSON WELLES; HAL, a film portrait of the acclaimed 1970s director Hal Ashby; LIFE AFTER FLASH, a fascinating exploration into the life of actor Sam J. Jones the topical POSTCARDS FROM THE 48% will also screen followed by a Q&A with director David Wilkinson, who travelled the UK to meet people from all sides of the BREXIT debate.
As the sun sets, audiences will be able to journey into the dark and often downright strange side of cinema, with a selection of genre-busting edge-of-your-seat gems including: the gloriously grisly psychosexual romp PIERCING starring Mia Wasikowska; the world premieres of Matthew Holness’ POSSUM and SOLIS staring Steven Ogg as an astronaut who finds himself trapped in an escape pod heading toward the sun; dark and bloody period drama THE MOST ASSASSINATED WOMAN IN THE WORLD and the futuristic WHITE CHAMBER starring Shauna Macdonald.
The country focus for the Festival’s 72nd edition will be Canada and is supported by Telefilm Canada. FOCUS ON CANADA will allow audiences to take a cinematic tour of the country and its culture, offering insight as well as entertainment, from filmmakers new and already established. Selected by EIFF’s 2018 Young programrs are also a range of titles that explore the experiences of First Nations youth including INDIAN HORSE in which a young boy becomes a star ice-hockey player and KAYAK TO KLEMTU where a determined young girl, played by the charismatic Ta’kaiya Blaney, sets off to kayak the Inside Passage in British Colombia. The strand will also showcase a number of shorts in SPOTLIGHT ON CONTEMPORARY CANADIAN SHORT FILMS, a powerful combination of short fiction, documentary and animated films that focus on the central social, political and ethical issues prevalent within contemporary Canada.
Audiences are also invited to attend a number of talks in the Festival’s free lecture stand, Reel Talk, including: INTRODUCTION TO FILM STUDIES: FEMALE DIRECTORS IN AMERICAN CINEMA that will shine a spotlight on the acclaimed and ground-breaking female directors who shaped American cinema; Frank Cogliano and David Silkenat of the University of Edinburgh will record a live episode of their show Whiskey Rebellion, offering context for the history of paranoia in American politics and film, before answering questions from the audience in PARANOIA AND POLITICS IN AMERICAN FILM and FROM ROMERO TO GET OUT, OR: HOW HORROR HELPED WAKE ME UP TO THE AMERICAN NIGHTMARE which will explore the power and importance of the horror genre.
Audiences can look forward to four programs of short animation as part of the Festival’s dedicated ANIMATION strand, supported by Emperor and the Culture & Business Fund Scotland. The McLaren Award for Best New British Animation will return once again with two varied programs showcasing some of the most highly-anticipated new short animations from the UK and there will also be a special retrospective of unique talent Elizabeth Hobbs, the award-winning indie animator running as part of Anim18, a celebration of British animation taking place across the UK.
The world of experimental film is once again uncovered in the Festival’s ever-popular BLACK BOX strand. A selection of short and feature-length films that push the boundaries of visual communication will screen including the world premiere of PIG FILM, taking a look at the future of film, and a range of experimental short films from Canada that foreground the material properties of 16mm. Also, as part of this year’s FOCUS ON CANADA, the BLACK BOX strand will feature a special screening of short films by Joyce Wieland.
This year’s EIFF SHORTS will offer a thrilling showcase of the finest brand-new short films from across the globe including DREAM IMAGES; OPTICS; RESISTANT BODIES; SPECTRES; FIRECRACKER, celebrating the vibrant state of UK shorts; KALEIDOSCOPE drawn from the thriving Scottish short film scene and THE YOUNG & THE WILD, handpicked by the EIFF Young programrs. New in 2018 will be the inaugural NEW VISIONS program, introducing glowing new voices aged 14-25 from across Scotland to submit their newest works to EIFF’s newly developed short film competition for young people.
A number of special events will take place throughout the Festival including JAWS in Concert, a screening of Steven Spielberg’s seminal blockbuster with John Williams’ iconic score played live by the RSNO,a screening of the much-loved LOCAL HERO followed by a Q&A with writer director Bill Forsyth in conversation with Royal Lyceum Theatre Edinburgh’s Artistic Director, David Greig as well as an early preview of the upcoming season of the popular BBC Alba series BANNAN. Prior to the Festival on 27 May audiences will also have the chance to experience the vampire underworld in EIFF PLAY: BLADE, an immersive cinema experience built around a screening of the trailblazing comic-book adaptation of BLADE, in partnership with Hidden Door andThe List, in collaboration with New Media Scotland, and supported by Sir Ewan and Lady Brown. Continuing RETROSPECTIVE LIVE! – MONTEREY POP, DA Pennebaker’s brilliant concert film, will be played as if it were a real live gig as part of Summerhall’s brand new 10-day series, Southern Exposure.
Specially selected to showcase the very best in world cinema for younger audiences and the young at heart, FILM FEST JUNIOR boasts two UK Premieres, VITELLO and ZOMBILLENIUM as well as an exclusive preview of PRINCESS EMMY. As previously announced, the Festival’s expanded youth strand, The Young & the Wild will offer a range of masterclasses offering careers advice for filmmakers aged 15-25 years old, along with events and screenings for schools, as part of Scotland’s Year of Young People 2018 celebrations and supported by Baillie Gifford. The 2018 EIFF Young programrs, a group of 15-19 year olds who have curated their own shorts strand, The Young & the Wild, have also selected a number of films within this year’s program which are badged accordingly in the Festival brochure.
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GREGOIRE, LIVING PROOF, INDIAN HORSE Win Top Awards at 2017 Calgary International Film Festival
[caption id="attachment_24871" align="aligncenter" width="1200"]
INDIAN HORSE[/caption]
Gregoire, the first feature-length film from Alberta filmmaker Cody Bown won the Best Canadian Narrative Feature Prize at the 2017 Calgary International Film Festival. In the dark coming-of-age film, four young adults in Fort McMurray, Alberta, struggle to deal with the consequences of their actions and how it affects their friends and families.
The documentary Living Proof, in which Calgary filmmaker Matt Embry meets fellow sufferers of multiple sclerosis and investigates treatment options, was voted winner of the Audience Favorite, Alberta Feature.
2017 Calgary International Film Festival Award Winners
JURY AWARDS
BEST CANADIAN NARRATIVE FEATURE GREGOIRE directed by Cody Bown Jury Statement: For its authenticity of story and performance, uncompromising commitment to detail, carefully calibrated aesthetic and ultimately for its freshness of character and situation, the jury unanimously awards the award for Best Canadian Narrative Feature to Cody Bown for GREGOIRE. https://www.youtube.com/watch?v=F7qrxzWNCdM SPECIAL JURY MENTION: MAN PROPOSES, GOD DISPOSES directed by Daniel Leo Jury Statement: For its audacious visual style, innovative mise-en-scene and intuitive storytelling rhythm, the jury awards a Special Jury Mention to Daniel Leo for MAN PROPOSES, GOD DISPOSESBEST OF SHORTS
Best Overall Short (Live Action or Animated): SKIN FOR SKIN directed by Carol Beecher and Kevin Kurytnik. SKIN FOR SKIN, the winner of the Best Overall Short Film (Live Action or Animated) Award, qualifies for Academy Award consideration, as part of our accredited status. Best Alberta Short: BREATHING THROUGH A STRAW directed by Leigh Rivenbark Best Documentary Short: AFTER LIFE directed by Prisca Bouchet and Nick MayowAUDIENCE AWARDS
Audience Favorite, Alberta Feature – LIVING PROOF, directed by Matt Embry https://www.youtube.com/watch?v=8kaa6ZoNpfs Audience Favorite, Narrative Feature – INDIAN HORSE, directed by Stephen Campanelli Audience Favorite, Documentary Feature – MIGHTY GROUND, directed by Delila Vallot Audience Favorite, Alberta Short – SKIN FOR SKIN, directed by Carol Beecher and Kevin Kurytnik Audience Favorite, Narrative Short (Live Action or Animated) – LA MADRE BUENA, directed by Sarah Clift Audience Favorite, Documentary Short – STATE OF (THE) ART, directed by Chris Dowsett
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WHEN THEY AWAKE, Documentary on Canadian Indigenous Musical Artists, to Open Calgary International Film Festival
[caption id="attachment_24249" align="aligncenter" width="1200"]
When They Awake[/caption]
When They Awake, an uplifting, energetic documentary about the groundswell of exciting, critically acclaimed indigenous musical artists in Canada, will open the 2017 Calgary International Film Festival. The film is directed by PJ Marcellino and Herman Farahi.
The Festival revealed the remaining 65 feature films officially selected to screen at this year’s festival, one third of this year’s films are from a first-time feature filmmaker, and one third of the selected films are also from a female director.
“This year we had more submissions than ever before – over 2,700 – up by almost 600 over last year,” said Steve Schroeder, the Executive Director of the Calgary International Film Festival. “The quality of the films, the special Behind the Screen events we have lined up, and our biggest Opening Gala party ever are combining to bring the festival to a new level.”
“The film that begins our festival was an unsolicited submission, meaning it came to us through our open submission process, which is really what film festivals are all about,” continued Steve. “Finding those previously unheralded gems, and giving talented filmmakers the chance to shine.”
Some of the festival’s most buzzworthy films include Indian Horse, directed by Stephen Campanelli. This Canadian narrative feature tells the story of an Ojibway boy raised in a residential school who grows up to be a hockey player, but is haunted by his past. In addition to the director, attending guests will be include Sladen Peltier, Forrest Goodluck, Ajuawak Kapashesit and Edna Manitowabi.
After winning the Palme d’Or at Cannes 2017, Swedish director Ruben Östlund brings The Square to the festival’s World Cinema Series. The Square was partly inspired by Östlund’s own experiences at one of his own art installations in the city of Värnamo. The Florida Project, directed by Sean Baker (the follow-up to his 2015 break-through film Tangerine), tells the story of a six-year-old living in the shadows outside Disney World with her unconventional family. With a cast that includes Willem Dafoe and newcomer Brooklynn Prince and a festival career that includes Cannes, Toronto and New York, this film promises big buzz.
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45 Films from Fresh Filmmakers on Toronto International Film Festival 2017 Discovery Program
[caption id="attachment_24001" align="aligncenter" width="1200"]
A Fish Out Of Water (上岸的魚) Lai Kuo-An[/caption]
The Toronto International Film Festival debuted the 2017 Discovery program lineup with 45 first and second feature films by up-and-coming filmmakers from around the world. Good news for the future of global cinema: this is the biggest Discovery program to date, with 25% more titles than the 2016 roster and two-thirds of the selection World Premiering at TIFF.
“Uncovering new talent is one of the key roles of the Festival,” said Piers Handling, Director and CEO of TIFF. “The Discovery programme allows us to carve out a space for emerging filmmakers to be seen by the international film industry and has helped launch the careers of award-winning filmmakers like Maren Ade, Barry Jenkins, Steve McQueen, Christopher Nolan, and Dee Rees.”
The films, produced or co-produced in 35 different countries, include fresh, experimental and compelling voices. Life in small, rural communities is portrayed in Miracle, Ravens and The Swan, while families dealing with crises and conflict are addressed in Apostasy, Shuttle Life and Suleiman Mountain. LGBTQ+ themes run through several of the Discovery titles, including Montana, Soldiers. Story from Ferentari and The Poet and the Boy, while teen sexuality is explored in Disappearance, Kissing Candice and Princesita.
“If you don’t support the future of filmmaking, you fall behind. So we’re always looking for new talent,” said Cameron Bailey, Artistic Director of TIFF. “The fact that the Discovery programme continues to grow is deeply encouraging, and speaks to the fact that there are a lot of people that want to make films when it is often increasingly more difficult to do so.”
The Toronto International Film Festival also announced an additional title to the Docs program: Sighted Eyes/Feeling Heart, a documentary about Lorraine Hansberry, a black writer, communist, feminist, lesbian and outspoken trailblazer at the height of the Civil Rights Movement.
The 42nd Toronto International Film Festival runs from September 7 to 17, 2017.
Toronto International Film Festival 2017 Discovery program
1% Stephen McCallum, Australia World Premiere ¾ (Three Quarters) Ilian Metev, Germany/Bulgaria North American Premiere A Fish Out Of Water (上岸的魚) Lai Kuo-An, Taiwan World Premiere A Worthy Companion Carlos Sanchez, Jason Sanchez, Canada World Premiere All You Can Eat Buddha Ian Lagarde, Canada World Premiere Apostasy Daniel Kokotajlo, United Kingdom World Premiere AVA Sadaf Foroughi, Iran/Canada/Qatar World Premiere Black Cop Cory Bowles, Canada World Premiere The Butterfly Tree Priscilla Cameron, Australia International Premiere Cardinals Grayson Moore, Aidan Shipley, Canada World Premiere Disappearance (Napadid Shodan) Ali Asgari, Iran/Qatar North American Premiere Five Fingers For Marseilles (Menoana e Mehlano ea Marseilles) Michael Matthews, South Africa World Premiere The Future Ahead (El futuro que viene) Constanza Novick, Argentina World Premiere The Garden (Sommerhäuser) Sonja Maria Kröner, Germany International Premiere The Great Buddha+ (大佛普拉斯) Huang Hsin-Yao, Taiwan International Premiere The Lady From Holland Marleen Jonkman, Netherlands/Germany World Premiere Gutland Govinda Van Maele, Luxembourg/Germany/Belgium World Premiere High Fantasy Jenna Bass, South Africa World Premiere Human Traces Nic Gorman, New Zealand North American Premiere Discovery Closing Film. I am not a Witch Rungano Nyoni, United Kingdom/France North American Premiere I Kill Giants Anders Walter, United Kingdom World Premiere Indian Horse Stephen Campanelli, Canada World Premiere Killing Jesus (Matar a Jesús) Laura Mora, Colombia/Argentina World Premiere Kissing Candice Aoife McArdle, Ireland World Premiere Luk’Luk’I Wayne Wapeemukwa, Canada World Premiere Mary Goes Round Molly McGlynn, Canada World Premiere Miracle (Stebuklas) Egle Vertelyte, Lithuania/Bulgaria/Poland World Premiere Montana Limor Shmila, Israel World Premiere Never Steady, Never Still Kathleen Hepburn, Canada World Premiere Oblivion Verses (Los Versos del Olvido) Alireza Khatami, France/Germany/Netherlands/Chile North American Premiere Oh Lucy! Atsuko Hirayanagi, USA/Japan North American Premiere The Poet and the Boy (Si-e-nui Sa-rang) Kim Yang-hee, South Korea International Premiere Princesita Marialy Rivas, Chile/Argentina/Spain World Premiere Ravens Jens Assur, Sweden World Premiere Scaffolding (Pigumim) Matan Yair, Israel/Poland North American Premiere Shuttle Life (分貝人生) Tan Seng Kiat, Malaysia North American Premiere Simulation Abed Abest, Iran North American Premiere Soldiers. Story from Ferentari (Soldaţii. Poveste din Ferentari) Ivana Mladenovic, Romania/Serbia/Belgium World Premiere Suleiman Mountain Elizaveta Stishova, Kyrgyzstan/Russia World Premiere The Swan (Svanurinn) Ása Helga Hjörleifsdóttir, Iceland World Premiere Discovery Opening Film. Tigre Silvina Schnicer, Ulises Porra Guardiola, Argentina World Premiere Valley of Shadows (Skyggenes Dal) Jonas Matzow Gulbrandsen, Norway World Premiere Village Rockstars Rima Das, India World Premiere Waru Briar Grace-Smith, Ainsley Gardiner, Renae Maihi, Casey Kaa, Awanui Simich-Pene, Chelsea Cohen, Katie Wolfe, Paula Jones, New Zealand International Premiere Winter Brothers (Vinterbrødre) Hlynur Pálmason, Denmark/Iceland North American PremiereTIFF DOCS
Sighted Eyes/Feeling Heart Tracy Heather Strain, USA World Premiere
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Mina Shum’s MEDITATION PARK Starring Sandra Oh to Open Vancouver International Film Festival
[caption id="attachment_23847" align="aligncenter" width="1200"]
Meditation Park[/caption]
Mina Shum’s Meditation Park will be showcased as the Opening Night Gala Film of the 2017 Vancouver International Film Festival. On the heels of her critically acclaimed 2015 documentary, Ninth Floor, Shum makes a triumphant return to narrative filmmaking with this bittersweet comedy about a devoted Chinese-Canadian wife and mother (Cheng Pei Pei) who is shaken out of her isolation and stupor by suspicions that her husband (Tzi Ma) has been untrue. Shum makes fantastic use of East Vancouver and Chinatown locations and draws fantastic performances from an all-star cast that also includes Sandra Oh and Don McKellar.
VIFF will present Movie Nights Across Canada as part of its opening night festivities on September 28, 2017.
The festival also revealed 18 additional Canadian feature films in the True North stream and Future//Present film series, which celebrate the extraordinary creativity and craft being demonstrated by Canadian storytellers from coast to coast.
Opening Gala
Meditation Park
DIR. MINA SHUM
Maria (Cheng Pei Pei) has spent decades of devoted marriage dutifully excusing the prejudices and vices of her husband (Tzi Ma). But when she discovers another woman’s thong in his pocket, she embarks on some unintentionally comic sleuthing which soon introduces her to new East Vancouver communities and ultimately sets her on the course to self-discovery. Mina Shum makes an inspired return to narrative feature filmmaking with this richly detailed, emotionally rewarding and unmistakably Vancouver story.
True North Stream
Indian Horse DIR. STEPHEN CAMPANELLI In this moving adaptation of Richard Wagamese’s novel, Stephen Campanelli condemns Canada’s most deplorable transgression while celebrating our national game’s transcendent power. Languishing in a residential school, Saul Indian Horse finds salvation on a sheet of ice. But while a preternatural hockey sense lets him slip bodychecks with a dancer’s grace, he can’t evade the ramifications of past abuses. Saul’s strength in this struggle is a testament to the Indigenous peoples’ indomitable spirit. Infiltration DIR. ROBERT MORIN This dark thriller brings us into the carefully constructed world of narcissistic plastic surgeon Dr. Louis Richard (Christian Bégin) as it comes crashing down around him. Director Robert Morin delivers a voyeuristic and claustrophobic experience. His camera parallels the control-freak doctor’s state of mind as his sense of authority over his wife, his son and his career slips away. A beautifully shot and lit travelogue of a journey into isolation and madness. Like a Pebble in the Boot DIR. HÉLÈNE CHOQUETTE Against the picturesque backdrop of Brunelleschi’s Dome of Santa Maria del Fiore in Florence, Senegalese migrants peddle Chinese trinkets and selfie sticks to tourists – but only if they’re lucky. People are often racist, street vending is illegal and many of the vendors are undocumented. It’s frustrating, and they’re barely scraping by, but their families in Africa depend on them. Filmmaker Hélène Choquette turns her empathetic eye on these harassed peddlers, resilient victims of global inequality. Rebels on Pointe DIR. BOBBI JO HART For over 40 years, the all-male drag troupe Les Ballets Trockadero de Monte Carlo has been delighting audiences around the world. In size 11 toe shoes, the Trocs send up the high art and formality of classical ballet. Director Bobbi Jo Hart shares the rich archival history of this New York collective, born in the wake of the Stonewall Riots, and their progress from preposterous to phenomenal. Best of all, we get to know the international ballerinos while enjoying their satiric wit and outré virtuosity. A Skin So Soft DIR. DENIS CÔTÉ Iconoclastic director Denis Côté is at his playful best with this equally awe-inspiring and amusing profile of bronzed, inked and bulging-at-the-sinews bodybuilders. While there’s abundant absurd comedy courtesy of the surreal sight of these man-mountains negotiating suburban homes or labouring to meet their caloric needs, Côté’s inquisitive camera reverentially appraises the astonishing frames that their devotion has wrought, while also revealing glimpses of vulnerability lurking in these Goliaths’ eyes. Suck It Up DIR. JORDAN CANNING Determining that Ronnie (Grace Glowicki), her hot mess of a besty, is in desperate need of a change of scenery, obsessive-compulsive Faye (Erin Carter) whisks her away to placid Invermere. However, the best laid recovery program derails into debauchery as the two fall prey to ill-advised hookups and bowling under the influence. And that’s before the MDMA kicks in. Jordan Canning’s wickedly funny, BC-set buddy comedy shirks sentimentality in favour of a barbed sincerity that leaves a lasting mark. Tattoos DIR. PASCAL PLANTE Crossing post-gig paths with Mag (Rose-Marie Perreault), Théo (Anthony Therrien) is all scowling swagger until she calls him on the fake tattoo he’s brandishing. As he sheepishly drops his defences, Pascal Plante’s “punk rock romance” likewise abandons brashness in favour of character-centric drama reminiscent of Richard Linklater’s Before trilogy. Demonstrating a remarkable gift for eliciting naturalistic performances, Plante traces the formative experiences that will shape Mag and Théo’s adult lives. Unarmed Verses DIR. CHARLES OFFICER At the cusp of adolescence and facing forced relocation, Francine has a lot on her mind. And while this Toronto ‘tween possesses a way with written words, she has yet to develop the necessary confidence to express herself in full voice. Charles Officer’s luminous, poignant documentary charts this marginalized yet magnetic young woman’s determination to make herself and her community heard. “Like [Jim Jarmusch’s] Paterson, Unarmed Verses is both about poetry and a work of poetry in itself.” – RogerEbert.com Worst Case, We Get Married DIR. LÉA POOL Léa Pool’s 13th film is not for the faint of heart. Working from a novel by Sophie Bienvenu, Pool tells the disturbing, poignant story of 14-year-old Aïcha (a luminous Sophie Nélisse), who spends most of the time roaming around her Montréal neighbourhood. She lives with her distracted mother Isabelle (Karine Vanasse) and the memory of her turfed stepfather. When she encounters Baz (Jean-Simon Leduc), a sympathetic twenty-something musician, she falls hard for him, and teenage fantasy rules. You’re Soaking in It DIR. SCOTT HARPER Advertising is no longer the arcane territory of a few well-lubricated characters. The creative leaps of Mad Men have been replaced by precise, targeted surveillance rooted in complicated computer modelling. The data collected is often very personal information, and it is used to design advertising that influences you at the precise moment you are most ready to spend. Scott Harper documents this chilling shift and introduces us to corporate execs who proudly let us know how much they know about us.Future//Present Series
Black Cop DIR. CORY BOWLES With tension growing and Black Lives Matter putting the heat on law enforcement, a black police officer is torn between his affinity for the badge and the colour of his skin. He decides to take matters into his own hands and changes the priority of his targets from black to white, embarking on a spree of vengeance. With its provocative use of dash-cam and chest-cam footage, Cory Bowles’ film is as stylistically bold as it is politically charged, standing pointedly between the satirical and the dead serious. Fail to Appear DIR. ANTOINE BOURGES Isolde is a caseworker adjusting to the challenges of her new job when she is assigned to a man charged with theft and facing an upcoming court hearing. She does her best to help, but when the two meet she struggles to connect. Antoine Bourges’ film is many things at once: a portrait of those who fall through the cracks and the few who try to help them, a studious analysis of the systems in place and how they operate, and a poignant reflection on the difficulty of human connection across social strata. Forest Movie DIR. MATTHEW TAYLOR BLAIS A young woman dreams of the forest. Upon waking she texts a friend, cancelling their plans. She packs up, compelled to head into the woods. The deeper she moves into the forest, the more it begins to take on a life of its own. What waits for her there? Hypnotic, deceptively simple, and graced with strikingly sensual cinematography, Matthew Taylor Blais’ Forest Movie is a liberating experience that plays like a call to embrace nature, slow down, pay attention and get in touch with your thoughts. In the Waves DIR. JACQUELYN MILLS In Jacquelyn Mills’ impressionistic documentary, her grandmother Joan Alma Mills is struggling to come to terms with the death of her younger sister and searching for answers in the natural beauty that surrounds her coastal village home. With a delicate attention to detail, spoken musings on mortality and meaning are intricately interwoven with elegiac imagery. This is a soulful rumination on the passage of time–its ebbs, flows and eternal mysteries. Maison du bonheur DIR. SOFIA BOHDANOWICZ 2016’s Emerging Canadian Director award-winner Sofia Bohdanowicz (Never Eat Alone) returns with the colourful documentary Maison du bonheur. When asked to make a film about her friend’s mother, a widowed Parisian astrologer named Juliane, the director sets off for Montmartre and produces a lovingly made portrait of an infectiously exuberant personality and the lovely pre-war apartment she’s called home for 50 years. Shooting gorgeously on 16mm, Bohdanowicz again transforms quotidian details into beauty. Mass for Shut-Ins DIR. WINSTON DEGIOBBI Amidst poverty in New Waterford, Cape Breton, 25-year old Kay Jay is sleeping on his grandfather’s couch. Without much of anything, the two sit around eating 5-cent candies, drinking pop and watching movies. This film looks squarely at a type of comatose living in which the aging residents are dwindling away and the futures of the young are dim at best. Director Winston DeGiobbi bends the mundane slightly towards the surreal, distilling the directionless daily existence of his characters into poetry. PROTOTYPE DIR. BLAKE WILLIAMS From experimental filmmaker Blake Williams comes this ambitious 3D sci-fi film, which reimagines the Galveston Hurricane of 1900 and its aftermath with the presence of a mysterious, futuristic televisual device. Then the cultural centre of Texas, Galveston was devastated by the storm. PROTOTYPE moves from stereoscopic pictures of the city to an awesome visceral conjuring of the storm and then into further sense-engaging abstraction, interrogating notions of origin and historical memory. Still Night, Still Light DIR. SOPHIE GOYETTE An existential meditation on longing, loss and memory, Sophie Goyette’s lyrical drama seamlessly moves between three characters and three distinct locations. Haunted by the death of her parents, Eliane leaves her Montreal home to teach piano in Mexico City. Her student’s father Romes is coping with midlife disappointment. Lastly, Pablo’s father harbours memories of a lost love. Each character is processing their past and unsure about how to move into the future.