The Florida Project[/caption]
The Bahamas International Film Festival (BIFF), celebrating its 14th edition this year, kicks off today Sunday, December 10th with Sean Baker’s drama “The Florida Project” starring Willem Dafoe. BIFF 2017 will run through Sunday, December 17th.
For the sixth consecutive year, BIFF will be headed to Harbour Island on December 10-13 and concluding in Nassau from December 14-17, showcasing more than 82 films from 28 different countries including twelve world premiere, 4 international premieres, 57 Caribbean premieres, and all are Bahamian premieres.
The four competition categories at BIFF are Spirit of Freedom: Narrative; Spirit of Freedom: Documentary; New Visions; and Short Film. Additional categories out of competition are World Cinema; Special Screenings; Environmental and Oceans Spotlight and non-Jury Short Films.
REBELS ON POINTE
REBELS ON POINTE
NAME OF FILM: REBELS ON POINTE
DIRECTOR(S): Bobbi Jo Hart
GENRE: Documentary Film
SYNOPSIS: A globetrotting profile of NYC’s beloved Les Ballets Trockadero de Monte Carlo, an all-male dance troupe that fuses camp humor with classical ballet performed in drag.
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BLACK BEACH/WHITE BEACH, GINGER NATION, KNIFE SKILLS, Among Docs Featured at Cucalorus Festival
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Black Beach/White Beach: A Tale of Two Beaches[/caption]
The 23rd Cucalorus Festival takes over downtown Wilmington, North Carolina, from November 8 to 12 and will feature more than 70 documentaries, including the world premiere of Ricky and Cherie Kelly’s racially-charged motorcycle doc “Black Beach/White Beach: A Tale of Two Beaches” and the international premiere of Shawn Hitchins’ fiery, flamboyant stage show-doc “Ginger Nation.”
One of many films crossing the divide between Cucalorus Film and Cucalorus Connect is Thomas Lennon’s “Knife Skills,” about a French restaurant staffed entirely by men and women just out of prison. Lennon shared, “I knew Cucalorus was a creative festival. What I didn’t know is how deep its roots run in its community, its passion to connect each film to an audience in a way that packs the biggest possible punch. They really go the extra mile, which makes the festival even more exciting for us.”
Other documentary debuts include the U.S. premiere of “Forbidden Games: The Justin Fashanu Story” by Jon Carey and Adam Darke, chronicling the complex and troubled story of a talented (and openly gay) British soccer player. “The Power of Glove,” from Andrew Austin and Adam Ward, presenting the legacy of the notoriously “bad” Nintendo Power Glove, and “True Conviction” from Jamie Meltzer, depicting a detective agency run by exonerated men to free innocent people, both make their southeast U.S. premieres. “ACORN and the Firestorm,” directed by Reuben Atlas and Sam Pollard, will have it’s North Carolina premiere and documents the amateur journalists who posed as a pimp and prostitute hoping to expose America’s largest grassroots community organizing group via hidden-camera.
Cucalorus also includes 55 short documentaries, including the world premiere of Joanne Hock’s “Martin Hill: Camera Man,” honoring a curator of cameras that shot some of the most iconic films in Hollywood’s past. Other key short docs include “Water Warriors” by Michael Premo, “Under the Mask” by Alex Hoelscher, and “Lonnie Holley: The Truth of Dirt” by Marco Williams.
Feature Docs
“No Dress Code Required (Etiqueta no rigurosa),” Cristina Herrera Borquez “True Conviction,” Jamie Meltzer “Rebels on Pointe,” Bobbi Jo Hart “ACORN and the Firestorm,” Reuben Atlas, Sam Pollard “Working In Protest,” Michael Galinsky, Suki Hawley, David Beilinson “The Power of Glove,” Andrew Austin & Adam Ward “Forbidden Games: The Justin Fashanu Story,” Jon Carey and Adam Darke “Motherland,” Ramona S. Díaz “What Lies Upstream,” Cullen Hoback “Knife Skills,” Thomas Lennon “The Road Movie,” Dmitrii Kalashnikov “Ginger Nation,” Shawn Hitchins, Mitch Fillion “Liberation Day,” Morten Traavik, Ugis Olte “The Work,” Gethin Aldous and Jairus McLeary “Purple Dreams,” Joanne Hock “Black Beach/White Beach: A Tale of Two Beaches,” Ricky Kelly
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Napa Valley Film Festival Unveils 2017 Lineup, Opens with THE UPSIDE
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The Upside[/caption]
The seventh annual Napa Valley Film Festival (NVFF) returns this fall with its five-day festival showcasing the year’s best new independent films from November 8 to 12, 2017. The festival’s official opening night film is The Weinstein Company’s The Upside, directed by Neil Berger and starring Bryan Cranston, Nicole Kidman and Kevin Hart. Closing the festival will be the Molly’s Game, directed by Aaron Sorkin and starring Jessica Chastain, Kevin Costner and Idris Elba in the true story of Molly Bloom, an Olympic-class skier who ran the world’s most exclusive high-stakes poker game and became an FBI target.
This year’s line-up of Celebrity Tributes that salute the highest levels of cinematic achievement includes Charles Krug Legendary Filmmaker Nancy Meyers (It’s Complicated, The Intern), Raymond Vineyards Trailblazer Michael Shannon (The Current War, The Shape of Water), and Spotlight Tribute honoree Michael Stuhlbarg (Call Me By Your Name; The Shape of Water). New this year, The Jameson Animal Rescue Ranch Humanitarian Tribute will be presented to Nikki Reed (Twilight, Ian Somerhalder Foundation) and Ian Somerhalder (The Vampire Diaries, Ian Somerhalder Foundation). The Celebrity Tributes program will take place on Thursday, November 9 at the Lincoln Theater in Yountville and will include video highlight reels and intimate on-stage conversations with Access Hollywood’s Natalie Morales.
In addition to the Celebrity Tributes program, Will Ferrell (Anchorman; Daddy’s Home 2) will be honored with the Caldwell Vineyards Maverick Tribute on Friday, November 10, and the first annual Rising Star Showcase at Materra | Cunat Vineyards on Saturday, November 11 will honor a handful of young talent including Ana de Armas (War Dogs; Blade Runner 2049), Odeya Rush, (Lady Bird, Goosebumps), Austin Stowell (Battle of the Sexes, Bridge of Spies), Gregg Sulkin (Runaways, Faking It) and Alex Wolff (My Friend Dahmer; Jumanji: Welcome to the Jungle).
NVFF will kick off with their Sneak Preview Night on Tuesday, November 7 with a special presentation of Fox Searchlight Pictures’ The Shape of Water. The film, directed by Guillermo del Toro and starring Sally Hawkins, Michael Shannon, Octavia Spencer and Michael Stuhlbarg, is an other-worldly tale of Elisa whose life is changed forever when she and a co-worker Zelda discover a secret classified experiment at the hidden high-security government laboratory where they work.
The festival will also play host to an incredible selection of films, including many of this year’s award-contenders, such as:
78/52 – (IFC) An unprecedented look at the iconic shower scene in Alfred Hitchcock’s Psycho (1960), the “man behind the curtain,” and the screen murder that profoundly changed the course of world cinema. Directed by Alexandre O. Philippe.
Call Me By Your Name – (Sony Pictures Classics) In 1983, the son of an American professor is enamored by the graduate student who comes to study and live with his family in their northern Italian home. Together, they share an unforgettable summer full of music, food, and romance that will forever change them. Directed by Luca Guadagnino and starring Timothée Chalamet, Armie Hammer and Michael Stuhlbarg. Michael Stuhlbarg is expected to attend.
Chappaquiddick – (Entertainment Studios) Ted Kennedy’s life and political career become derailed in the aftermath of a fatal car accident in 1969 that claims the life of a young campaign strategist, Mary Jo Kopechne. Directed by John Curran and starring Jason Clarke, Bruce Dern, Ed Helms and Kate Mara.
Crown Heights – (Amazon Studios) When Colin Warner is wrongfully convicted of murder, his best friend Carl King devotes his life to proving Colin’s innocence. Directed by Matt Ruskin and starring Nnamdi Asomugha and Lakeith Stanfield. Nnamdi Asomugha is expected to attend.
The Current War – (The Weinstein Company) The dramatic story of the cutthroat race between electricity titans Thomas Edison and George Westinghouse to determine whose electrical system would power the modern world. Directed by Alfonso Gomez-Rejon and starring Benedict Cumberbatch, Tom Holland, Nicholas Hoult, Michael Shannon and Katherine Waterston. Michael Shannon is expected to attend.
Film Stars Don’t Die in Liverpool – (Sony Pictures Classics) A romance sparks between a young actor and a Hollywood leading lady. Directed by Paul McGuigan and starring Jamie Bell and Annette Bening.
I, Tonya – (Neon) Competitive ice skater Tonya Harding rises among the ranks at the U.S. Figure Skating Championships, but her future in the sport is thrown into doubt when her ex-husband intervenes. Directed by Craig Gillespie and starring Allison Janney, Margot Robbie and Sebastian Stan.
LA 92 – (NatGeo) A look at the events that led up to the 1992 uprising in Los Angeles following the Rodney King beating by the police. Directed by Daniel Lindsay and T.J. Martin.
The Leisure Seeker – (Sony Pictures Classics) A runaway couple go on an unforgettable journey in the faithful old RV they call The Leisure Seeker, traveling from Boston to The Ernest Hemingway Home in Key West. They recapture their passion for life and their love for each other on a road trip that provides revelation and surprise right up to the very end. Directed by Paolo Virzì and starring Helen Mirren and Donald Sutherland.
The rest of the NVFF film line-up is as follows:
Core Competitions
Narrative Features:
American Folk, Directed by David Heinz The Boy Downstairs, Directed by Sophie Brooks The House of Tomorrow, Directed by Peter Livolsi I Can I Will I Did, Directed by Nadine Truong People You May Know, Directed by Shewin Shilati The Sounding, Directed by Catherine Eaton Stuck, Directed by Michael Berry Tater Tot & Patton, Directed by Andrew Kightlinger The Year of Spectacular Men, Directed by Lea ThompsonDocumentary Features:
ACORN and the Firestorm, Directed by Reuben Atlas and Samuel D. Pollard Catching Sight of Thelma & Louise, Directed by Jennifer Townsend Coyote, Directed by Thomas Simmons A Fine Line, Directed by Joanna James The Gateway Bug, Directed by Johanna B. Kelly Laddie: The Man Behind the Movies, Directed by Amanda Ladd-Jones Mighty Ground, Directed by Delila Vallot Skid Row Marathon, Directed by Mark Hayes The Untold Tales of Armistead Maupin, Directed by Jennifer M. KrootThe Lounge
Features:
Amanda & Jack Go Glamping, Directed by Brandon Dickerson Class Rank, Directed by Eric Stoltz Coup d’etat, Directed by Lisa Addario and Joe Syracuse Entanglement, Directed by Jason James A Happening of Monumental Proportions, Directed by Judy Greer Izzy Gets the F*ck Across Town, Directed by Christian Papierniak Life Hack, Directed by Sloan Copeland Quest, Directed by Santiago Rizzo The Relationtrip, Directed by Renée Felice Smith and C.A. GabrielSpecial Presentations
40 Years in the Making – The Magic Music Movie, Directed by Lee Aronsohn The Ataxian, Directed by Zack Bennett and Kevin Schlanser Back to Burgundy, Directed by Cédric Klapisch Bernard and Huey, Directed by Dan Mirvish Breakable You, Directed by Andrew Wagner California Typewriter, Directed by Doug Nichol Constructing Albert, Directed by Laura Collado and Jim Loomis Dog Years, Directed by Adam Rifkin Don’t Shoot the Zebra Pony, Directed by Kathryn Lauritzen Ella Brennan: Commanding the Table, Directed by Leslie Iwerks Fermented, Directed by Jon Cianfrani Food Evolution, Directed by Scott Hamilton Kennedy Happening: A Clean Energy Revolution, Directed by Jamie Redford Liyana, Directed by Aaron Kopp and Amanda Kopp Man In Red Bandana, Directed by Matthew Weiss Michelin Stars: Tales from the Kitchen, Directed by Rasmus Dinesen New Chefs on the Block, Directed by Dustin Harrison-Atlas Poisoning Paradise, Directed by Keely Shaye Brosnan Rebels On Pointe, Directed by Bobbi Jo Hart Served Like a Girl, Directed by Lysa Heslov Taming Wild: A Girl and a Mustang, Directed by Elsa Sinclair To the Edge of the Sky, Directed by Todd Wider and Jedd Wider Wasted! The Story of Food Waste, Directed by Anna Chai, Nari Kye
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Mina Shum’s MEDITATION PARK Starring Sandra Oh to Open Vancouver International Film Festival
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Meditation Park[/caption]
Mina Shum’s Meditation Park will be showcased as the Opening Night Gala Film of the 2017 Vancouver International Film Festival. On the heels of her critically acclaimed 2015 documentary, Ninth Floor, Shum makes a triumphant return to narrative filmmaking with this bittersweet comedy about a devoted Chinese-Canadian wife and mother (Cheng Pei Pei) who is shaken out of her isolation and stupor by suspicions that her husband (Tzi Ma) has been untrue. Shum makes fantastic use of East Vancouver and Chinatown locations and draws fantastic performances from an all-star cast that also includes Sandra Oh and Don McKellar.
VIFF will present Movie Nights Across Canada as part of its opening night festivities on September 28, 2017.
The festival also revealed 18 additional Canadian feature films in the True North stream and Future//Present film series, which celebrate the extraordinary creativity and craft being demonstrated by Canadian storytellers from coast to coast.
Opening Gala
Meditation Park
DIR. MINA SHUM
Maria (Cheng Pei Pei) has spent decades of devoted marriage dutifully excusing the prejudices and vices of her husband (Tzi Ma). But when she discovers another woman’s thong in his pocket, she embarks on some unintentionally comic sleuthing which soon introduces her to new East Vancouver communities and ultimately sets her on the course to self-discovery. Mina Shum makes an inspired return to narrative feature filmmaking with this richly detailed, emotionally rewarding and unmistakably Vancouver story.
True North Stream
Indian Horse DIR. STEPHEN CAMPANELLI In this moving adaptation of Richard Wagamese’s novel, Stephen Campanelli condemns Canada’s most deplorable transgression while celebrating our national game’s transcendent power. Languishing in a residential school, Saul Indian Horse finds salvation on a sheet of ice. But while a preternatural hockey sense lets him slip bodychecks with a dancer’s grace, he can’t evade the ramifications of past abuses. Saul’s strength in this struggle is a testament to the Indigenous peoples’ indomitable spirit. Infiltration DIR. ROBERT MORIN This dark thriller brings us into the carefully constructed world of narcissistic plastic surgeon Dr. Louis Richard (Christian Bégin) as it comes crashing down around him. Director Robert Morin delivers a voyeuristic and claustrophobic experience. His camera parallels the control-freak doctor’s state of mind as his sense of authority over his wife, his son and his career slips away. A beautifully shot and lit travelogue of a journey into isolation and madness. Like a Pebble in the Boot DIR. HÉLÈNE CHOQUETTE Against the picturesque backdrop of Brunelleschi’s Dome of Santa Maria del Fiore in Florence, Senegalese migrants peddle Chinese trinkets and selfie sticks to tourists – but only if they’re lucky. People are often racist, street vending is illegal and many of the vendors are undocumented. It’s frustrating, and they’re barely scraping by, but their families in Africa depend on them. Filmmaker Hélène Choquette turns her empathetic eye on these harassed peddlers, resilient victims of global inequality. Rebels on Pointe DIR. BOBBI JO HART For over 40 years, the all-male drag troupe Les Ballets Trockadero de Monte Carlo has been delighting audiences around the world. In size 11 toe shoes, the Trocs send up the high art and formality of classical ballet. Director Bobbi Jo Hart shares the rich archival history of this New York collective, born in the wake of the Stonewall Riots, and their progress from preposterous to phenomenal. Best of all, we get to know the international ballerinos while enjoying their satiric wit and outré virtuosity. A Skin So Soft DIR. DENIS CÔTÉ Iconoclastic director Denis Côté is at his playful best with this equally awe-inspiring and amusing profile of bronzed, inked and bulging-at-the-sinews bodybuilders. While there’s abundant absurd comedy courtesy of the surreal sight of these man-mountains negotiating suburban homes or labouring to meet their caloric needs, Côté’s inquisitive camera reverentially appraises the astonishing frames that their devotion has wrought, while also revealing glimpses of vulnerability lurking in these Goliaths’ eyes. Suck It Up DIR. JORDAN CANNING Determining that Ronnie (Grace Glowicki), her hot mess of a besty, is in desperate need of a change of scenery, obsessive-compulsive Faye (Erin Carter) whisks her away to placid Invermere. However, the best laid recovery program derails into debauchery as the two fall prey to ill-advised hookups and bowling under the influence. And that’s before the MDMA kicks in. Jordan Canning’s wickedly funny, BC-set buddy comedy shirks sentimentality in favour of a barbed sincerity that leaves a lasting mark. Tattoos DIR. PASCAL PLANTE Crossing post-gig paths with Mag (Rose-Marie Perreault), Théo (Anthony Therrien) is all scowling swagger until she calls him on the fake tattoo he’s brandishing. As he sheepishly drops his defences, Pascal Plante’s “punk rock romance” likewise abandons brashness in favour of character-centric drama reminiscent of Richard Linklater’s Before trilogy. Demonstrating a remarkable gift for eliciting naturalistic performances, Plante traces the formative experiences that will shape Mag and Théo’s adult lives. Unarmed Verses DIR. CHARLES OFFICER At the cusp of adolescence and facing forced relocation, Francine has a lot on her mind. And while this Toronto ‘tween possesses a way with written words, she has yet to develop the necessary confidence to express herself in full voice. Charles Officer’s luminous, poignant documentary charts this marginalized yet magnetic young woman’s determination to make herself and her community heard. “Like [Jim Jarmusch’s] Paterson, Unarmed Verses is both about poetry and a work of poetry in itself.” – RogerEbert.com Worst Case, We Get Married DIR. LÉA POOL Léa Pool’s 13th film is not for the faint of heart. Working from a novel by Sophie Bienvenu, Pool tells the disturbing, poignant story of 14-year-old Aïcha (a luminous Sophie Nélisse), who spends most of the time roaming around her Montréal neighbourhood. She lives with her distracted mother Isabelle (Karine Vanasse) and the memory of her turfed stepfather. When she encounters Baz (Jean-Simon Leduc), a sympathetic twenty-something musician, she falls hard for him, and teenage fantasy rules. You’re Soaking in It DIR. SCOTT HARPER Advertising is no longer the arcane territory of a few well-lubricated characters. The creative leaps of Mad Men have been replaced by precise, targeted surveillance rooted in complicated computer modelling. The data collected is often very personal information, and it is used to design advertising that influences you at the precise moment you are most ready to spend. Scott Harper documents this chilling shift and introduces us to corporate execs who proudly let us know how much they know about us.Future//Present Series
Black Cop DIR. CORY BOWLES With tension growing and Black Lives Matter putting the heat on law enforcement, a black police officer is torn between his affinity for the badge and the colour of his skin. He decides to take matters into his own hands and changes the priority of his targets from black to white, embarking on a spree of vengeance. With its provocative use of dash-cam and chest-cam footage, Cory Bowles’ film is as stylistically bold as it is politically charged, standing pointedly between the satirical and the dead serious. Fail to Appear DIR. ANTOINE BOURGES Isolde is a caseworker adjusting to the challenges of her new job when she is assigned to a man charged with theft and facing an upcoming court hearing. She does her best to help, but when the two meet she struggles to connect. Antoine Bourges’ film is many things at once: a portrait of those who fall through the cracks and the few who try to help them, a studious analysis of the systems in place and how they operate, and a poignant reflection on the difficulty of human connection across social strata. Forest Movie DIR. MATTHEW TAYLOR BLAIS A young woman dreams of the forest. Upon waking she texts a friend, cancelling their plans. She packs up, compelled to head into the woods. The deeper she moves into the forest, the more it begins to take on a life of its own. What waits for her there? Hypnotic, deceptively simple, and graced with strikingly sensual cinematography, Matthew Taylor Blais’ Forest Movie is a liberating experience that plays like a call to embrace nature, slow down, pay attention and get in touch with your thoughts. In the Waves DIR. JACQUELYN MILLS In Jacquelyn Mills’ impressionistic documentary, her grandmother Joan Alma Mills is struggling to come to terms with the death of her younger sister and searching for answers in the natural beauty that surrounds her coastal village home. With a delicate attention to detail, spoken musings on mortality and meaning are intricately interwoven with elegiac imagery. This is a soulful rumination on the passage of time–its ebbs, flows and eternal mysteries. Maison du bonheur DIR. SOFIA BOHDANOWICZ 2016’s Emerging Canadian Director award-winner Sofia Bohdanowicz (Never Eat Alone) returns with the colourful documentary Maison du bonheur. When asked to make a film about her friend’s mother, a widowed Parisian astrologer named Juliane, the director sets off for Montmartre and produces a lovingly made portrait of an infectiously exuberant personality and the lovely pre-war apartment she’s called home for 50 years. Shooting gorgeously on 16mm, Bohdanowicz again transforms quotidian details into beauty. Mass for Shut-Ins DIR. WINSTON DEGIOBBI Amidst poverty in New Waterford, Cape Breton, 25-year old Kay Jay is sleeping on his grandfather’s couch. Without much of anything, the two sit around eating 5-cent candies, drinking pop and watching movies. This film looks squarely at a type of comatose living in which the aging residents are dwindling away and the futures of the young are dim at best. Director Winston DeGiobbi bends the mundane slightly towards the surreal, distilling the directionless daily existence of his characters into poetry. PROTOTYPE DIR. BLAKE WILLIAMS From experimental filmmaker Blake Williams comes this ambitious 3D sci-fi film, which reimagines the Galveston Hurricane of 1900 and its aftermath with the presence of a mysterious, futuristic televisual device. Then the cultural centre of Texas, Galveston was devastated by the storm. PROTOTYPE moves from stereoscopic pictures of the city to an awesome visceral conjuring of the storm and then into further sense-engaging abstraction, interrogating notions of origin and historical memory. Still Night, Still Light DIR. SOPHIE GOYETTE An existential meditation on longing, loss and memory, Sophie Goyette’s lyrical drama seamlessly moves between three characters and three distinct locations. Haunted by the death of her parents, Eliane leaves her Montreal home to teach piano in Mexico City. Her student’s father Romes is coping with midlife disappointment. Lastly, Pablo’s father harbours memories of a lost love. Each character is processing their past and unsure about how to move into the future.
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2017 QDoc, Portland’s LGBTQ Doc Fest, to Open with THE UNTOLD TALES OF ARMISTEAD MAUPIN
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THE UNTOLD TALES OF ARMISTEAD MAUPIN[/caption]
QDoc, the only film festival in the United States (and one of only two in the world) devoted exclusively to LGBTQ documentaries kicks of Thursday, May 18 at the historic Hollywood Theatre in Portland, Oregon with THE UNTOLD TALES OF ARMISTEAD MAUPIN and continues through May 21 with 11 additional films, broadly exploring LGBTQ history, culture and politics.
Thursday, May 18 at 7:30pm: THE UNTOLD TALES OF ARMISTEAD MAUPIN
The Untold Tales Of Armistead Maupin examines the life and work of one of the world’s most beloved storytellers. The film follows Armistead Maupin’s evolution from a son of the Old South — at one time even a staffer for arch-conservative Senator Jesse Helms — into a gay rights pioneer whose novels (Tales of the City) have inspired millions to claim their own truth. Filmmaker and two-time QDoc alum Jennifer Kroot captures the playful, poignant and laugh-out-loud funny perspective of a literary legend. Subject Armistead Maupin, director Jennifer Kroot and co-director/editor Bill Weber will be in attendance.
Friday, May 19 at 6:30pm: JEWEL’S CATCH ONE
Jewel Thais-Williams helped changed laws, save lives and influence communities across Los Angeles at her legendary nightclub, a home for LGBTQ people of color for 42 years. Through interviews with clubgoers Sharon Stone, Sandra Bernhard and Bonnie Pointer, among others, director C. Fitz draws a portrait of a determined entrepreneur who overcame the challenges of being black, female, poor and lesbian to create a lasting legacy in the community. Subject Jewel Thais-Williams and director C. Fitz will be in attendance.
Friday, May 19 at 8:45pm: BAYARD & ME (short)
Iconic U.S. civil rights leader Bayard Rustin and his longtime partner, Walter Naegle, wanted to legally marry in the 1980s, but that was not possible. Still wanting legal protection for their union, Bayard adopted Naegle, who was 30 years his junior. In this intimate love story, Naegle remembers Bayard and a time when same-sex marriage was inconceivable. He reflects on the little-known phenomena of intergenerational gay adoption and its connection to the civil rights movement.
Friday, May 19 at 8:45pm A GIANT’S LOVE (immediately following Bayard & Me) Leonardo Munoz was born in 1943 in Argentina. At the age of 14, Leonardo became Mariela. Being transgender under a right-wing military dictator was not without complication. A loved and loving woman, Mariela welcomed, fostered and raised 17 abandoned children in her lifetime, and became the first transgender person ever to obtain legal documents, thus setting a precedent in Argentina. Through the testimonies of her children and others close to her, A Giant’s Love traces the fight for the recognition of Mariela’s identity in a country under military junta and highlights her commitment to the protection of the oppressed. Director Maria Audras will be in attendance.
Saturday, May 20 at 1pm: MY WONDERFUL WEST BERLIN
My Wonderful West Berlin offers a brilliant homage to hedonism, the story of 1960s West Berlin and the righteous freedom of the gay community of the era. Weaving archival material with contemporary footage, director Jochen Hick offers a bittersweet tribute to a city whose bars, cruising, radical bookstores and left-wing politics paved the way for new German attitudes toward liberation. Director Jochen Hick will be in attendance.
Saturday, May 20 at 3:30pm: THE DEATH AND LIFE OF MARSHA P. JOHNSON Who killed Marsha P. Johnson? When the beloved, self-described “street queen” of New York’s Christopher Street was found floating in the Hudson River in 1992, the NYPD called her death a suicide. Protests erupted, but the police remained impassive and refused to investigate. Now, 25 years on, Oscar-nominated director and journalist David France (How to Survive a Plague) re-examines the death of a beloved icon of the trans world while celebrating the story of two landmark pioneers of the trans rights movement.
Saturday, May 20 at 6:30pm: CHAVELA
According to The Guardian, legendary Mexican singer Chavela Vargas is “probably Donald Trump’s ultimate nightmare: a Mexican lesbian diva who can wring your very soul.” The Hollywood Reporter calls her “a trailblazing free spirit whose appetite for tequila and women was as legendary as her soul-stirring vocals.” Through its lyrical structure, Chavela takes viewers on an evocative, thought-provoking journey through the life of this iconoclastic, game-changing artist. Director/producer Catherine Gund will be in attendance.
Saturday, May 20 at 9pm: THE FABULOUS ALLAN CARR
For someone who spent most of his Hollywood career behind the scenes, Allan Carr lived a lavish lifestyle that was made for the spotlight. A producer, manager and marketing genius, Carr built his bombastic reputation amid a series of successes including the mega-hit musical film Grease, until it all came crashing down when he produced the 1989 Academy Awards, a notorious debacle. Directed by Jeffrey Schwarz (past QDoc favorites I Am Divine, Tab Hunter Confidential, Vito), The Fabulous Allan Carr brings this complex character to life through cheeky animated sequences and heartfelt interviews. Director Jeffrey Schwarz in attendance.
Sunday, May 21 at noon: CONVERSATIONS WITH GAY ELDERS
QDoc co-founder and filmmaker David Weissman (The Cockettes and We Were Here) returns with a recently completed Conversation featuring Portland resident Kerby Lauderdale, who has been active in Portland’s LGBT community since the early 1980s. The father of Pink Martini founder Thomas Lauderdale, Kerby’s story differs from others in the series because he was in a heterosexual marriage for many years. The editor of this piece is Michiel Thomas, who directed the 2015 QDoc opening night film, Game Face. Director David Weissman, subject Kerby Lauderdale, and editor Michiel Thomas will be in attendance.
Sunday, May 21 at 2:30pm SMALL TALK
In Taiwanese culture, questioning a mother’s love is taboo. But as filmmaker Hui-chen Huang sets out on a journey with her mother, such an inquiry forms the basis for an intimate exploration of a complex and nuanced relationship. Huang seeks to understand her mother, Anu, who took the radical step in the 1970s of leaving her violent husband and raising her two children alone, forging an unusual path in which her female lovers have all shared her profession as a Taoist priestess and professional mourner. Through often-unresolved conversations with her mother, as well as interviews with her mother’s siblings and ex- lovers, Huang reveals the complex and changing landscape for Taiwanese women. Teddy Award winner for Best Documentary at the Berlinale film festival.
Sunday, May 21 at 4:30pm THE LAVENDER SCARE
With the United States gripped in the panic of the Cold War, President Dwight D. Eisenhower deemed homosexuals to be “security risks” and ordered the immediate firing of any government employee discovered to be gay or lesbian. It triggered a vicious witch-hunt that lasted for 40 years and ruined thousands of lives, while thrusting an unlikely hero into the forefront of what would become the modern LGBT rights movement. The Lavender Scare is a compelling story of one man’s fight for justice — and a chilling reminder of how easy it can be, during a time of fear and uncertainty, to trample the rights of an entire class of people in the name of patriotism and national security. Josh Howard, 24-time Emmy- winning producer and director of the film, will be in attendance.
Sunday, May 21 at 7:30pm REBELS ON POINTE
Exploring universal themes of identity, dreams, family, loss and love, filmmaker Bobbi Jo Hart’s Rebels on Pointe is the first-ever documentary celebrating the world-famous Les Ballets Trockadero de Monte Carlo. The notorious all-male, comic ballet troupe was founded more than 40 years ago in New York City on the heels of the Stonewall riots, and has a passionate cult following around the world. The film blends intimate, behind-the- scenes access with rich archives and history, engaging character-driven stories and live performances. Rebels on Pointe is a creative mix of gender-bending artistic expression, diversity, passion and purpose. A story that ultimately proves that a ballerina is not only a woman dancing — but an act of revolution in a tutu. Subject Bobby Carter will be in attendance.

Eric Clapton: Life in 12 Bars[/caption]
DOC NYC announced the full lineup of over 250 films and events for its eighth edition, running November 9 to 16 at the IFC Center in Greenwich Village and Chelsea’s SVA Theatre and Cinepolis Chelsea.
Special Events include Closing Night Film, the NYC premiere of
Downsizing[/caption]
The