John McEnroe: In the Realm of Perfection

  • 165 Films Documentary Feature Films Submitted for 2018 Oscar Race

    [caption id="attachment_28784" align="aligncenter" width="1200"]Robin Williams: Come Inside My Mind Robin Williams: Come Inside My Mind[/caption] One hundred sixty-six features have been submitted for consideration in the Documentary Feature category for the 91st Academy Awards®.  Several of the films have not yet had their required Los Angeles and New York qualifying releases. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules in order to advance in the voting process. This year, for the first time, films that have won a qualifying award at a competitive film festival or have been submitted in the Foreign Language Film category as their country’s official selection, are also eligible in the category. A shortlist of 15 films will be announced on December 17. Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture. Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019. The 91st Oscars® will be held on Sunday, February 24, 2019, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide. The submitted features, listed in alphabetical order, are: “Above and Beyond: NASA’S Journey to Tomorrow” “Active Measures” “Amazing Grace” “American Chaos” “Andy Irons: Kissed by God” [caption id="attachment_25696" align="aligncenter" width="1200"]Antonio Lopez 1970: Sex Fashion & Disco Antonio Lopez 1970: Sex Fashion & Disco[/caption] “Antonio Lopez 1970: Sex Fashion & Disco” “Avicii: True Stories” “Bali: Beats of Paradise” “Bathtubs over Broadway” “Be Natural: The Untold Story of Alice Guy-Blaché” “Believer” “Better Angels” “Bill Coors: The Will to Live” “Bisbee ’17” “The Bleeding Edge” “Boom for Real: The Late Teenage Years of Jean-Michel Basquiat” “Breaking Point: The War for Democracy in Ukraine” “Call Her Ganda” “Charm City” “Chef Flynn” “The China Hustle” “Christian Audigier The Vif” “The Cleaners” “Communion” “Crime + Punishment” “Dark Money” “Daughters of the Sexual Revolution: The Untold Story of the Dallas Cowboys Cheerleaders” “The Dawn Wall” “The Distant Barking of Dogs” “Divide and Conquer: The Story of Roger Ailes” “Drug$” “Eating Animals” “Eldorado” “Fahrenheit 11/9” “Fail State” “Family in Transition” “Far from the Tree” “Filmworker” “The First Patient” “Foreign Land” “40 Years in the Making: The Magic Music Movie” “Free Solo” “Garry Winogrand: All Things Are Photographable” “Generation Wealth” “Ghost Hunting” “Ghosthunter” “The Gilligan Manifesto” “The Gospel According to André” “Grace Jones: Bloodlight and Bami” “Graves without a Name” “The Great Buster: A Celebration” “Hal” “Hale County This Morning, This Evening” “Half the Picture” “The Heart of Nuba” “Hillbilly” “The Homeless Chorus Speaks” “Hondros” “Howard” “In Search of Greatness” “In the Land of Pomegranates” “Inventing Tomorrow” “Invisible Hands” “Itzhak” “Jane Fonda in Five Acts” “John McEnroe: In the Realm of Perfection” “The Judge” “Kangaroo: A Love Hate Story” “Killer Bees” “The King” “King in the Wilderness” “Kusama – Infinity” “The Last Race” “Leaning into the Wind: Andy Goldsworthy” “Letter from Masanjia” “Licu, a Romanian Story” “Living in the Future’s Past” “Liyana” “Lots of Kids, a Monkey and a Castle” “Love & Bananas: An Elephant Story” “Love, Cecil” “Love, Gilda” “Love Is Tolerance – Tolerance Is Love – Make Tolerance Great Again!” “Making The Five Heartbeats” “Maria by Callas” “Matangi / Maya / M.I.A.” “McQueen” “Minding the Gap” “Monrovia, Indiana” “The Most Unknown” “New Moon” “93Queen” “Nossa Chape” “Of Fathers and Sons” “Of Love & Law” “On Her Shoulders” “Opera about Poland” “The Opera House” “The Oslo Diaries” “The Other Side of Everything” “The Panama Papers” “Path of Blood” “People’s Republic of Desire” “Philosopher King – Lee Teng-hui’s Dialogue” “Pick of the Litter” “Piripkura” “Police Killing” “Pope Francis – A Man of His Word” “The Price of Everything” “The Price of Free” “Qiu (Inmates)” “Quincy” “RBG” “The Rachel Divide” “The Raft” “Recovery Boys” “Restoring Tomorrow” “Reversing Roe” “The Road Movie” “Robin Williams: Come inside My Mind” “Ruben Blades Is Not My Name” “Samouni Road” “Saving Brinton” “Say Her Name: The Life and Death of Sandra Bland” “Science Fair” “Scotty and the Secret History of Hollywood” “Searching for Ingmar Bergman” “Seeing Allred” “The Sentence” “Shirkers” “Shot in the Dark” “The Silence of Others” “Sisters of the Wilderness” “A Son of Man” “Songwriter” “Stan” “Studio 54” “Summer in the Forest” “Tea with the Dames” “That Summer” “That Way Madness Lies…” “They Fight” “They’ll Love Me When I’m Dead” “This Is Congo” “This Is Home: A Refugee Story” “Three Identical Strangers” “To Be Continued” “Transformer” “Travel Ban” “The Trial” “Triumph: The Untold Story of Perry Wallace” “Trust Machine” “Under the Wire” “United Skates” “Unknown Distance” “Up Down and Sideways” “The Waldheim Waltz” “We Could Be Heroes” “Weed the People” “What Haunts Us” “What Lies Upstream” “Whitney” “Wonderful Losers: A Different World” “Won’t You Be My Neighbor?” “Yellow Is Forbidden” “Yellowing”

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  • FREE SOLO Leads Nominations for 3rd Critics’ Choice Documentary Awards

    [caption id="attachment_32176" align="aligncenter" width="1200"]FREE SOLO FREE SOLO[/caption] Free Solo leads the nominees for this year’s  third annual Critics’ Choice Documentary Awards with six nominations and one honor, including Best Documentary, Jimmy Chin and Elizabeth Chai Vasarhelyi for Best Directors, Best Sports Documentary, Most Innovative Documentary, Best Cinematography, Best Editing and a Most Compelling Living Subject of a Documentary honor for Alex Honnold. Recognized with five nominations are Minding the Gap and Wild Wild Country. The nominations for Minding the Gap are Best Documentary, Best Sports Documentary, Bing Liu for Best Director and for Best First Time Director, and Best Cinematography. The nominations for Wild Wild Country are Best Documentary, Chapman Way and Maclain Way for Best First Time Directors, Most Innovative Documentary, Best Cinematography, and Best Limited Documentary Series. Recognized with four nominations are Dark Money, Hitler’s Hollywood and Won’t You Be My Neighbor? The nominations for Dark Money are Best Documentary, Kimberly Reed for Best Director, Best Political Documentary and Best Editing. The nominations for Hitler’s Hollywood are Best Documentary, Best Political Documentary, Rüdiger Suchsland for Best Director, and Most Innovative Documentary. The nominations for Won’t You Be My Neighbor? are Best Documentary, Morgan Neville for Best Director, Most Innovative Documentary and Best Editing. Three Identical Strangers received three nominations and an honor, including Best Documentary, Tim Wardle for Best Director, Best Editing and an honor for David Kellman and Bobby Shafran for Most Compelling Living Subjects of a Documentary. At the gala ceremony, filmmaker Stanley Nelson will be presented with the Critics’ Choice Impact Award, and multi award-winning filmmaker Michael Moore will be honored with the Critics’ Choice Lifetime Achievement Award. For the first year, the Critics’ Choice Documentary Awards has introduced the Catalyst Sponsorship, a program for industry leaders to support the event. The inaugural sponsors include Focus Features, National Geographic Documentary Films, Netflix, Curiosity Stream, and others. “We are thrilled to celebrate this year’s outstanding documentary work at the upcoming event,” said Broadcast Film Critics Association President Joey Berlin. “The year 2018 has been called ‘The Year of the Documentary’ and we are so happy to give these films and shows the recognition and high praise that they deserve.” The winners will be presented their awards at a gala event, hosted by science educator and television personality Bill Nye, on Saturday, November 10 at BRIC in Brooklyn, New York. The nominees for the third annual Critics’ Choice Documentary Awards are:

    BEST DOCUMENTARY

    Crime + Punishment – Director: Stephen Maing (Hulu) Dark Money – Director: Kimberly Reed (PBS) Free Solo – Directors: Jimmy Chin, Elizabeth Chai Vasarhelyi (National Geographic Documentary Films) Hal – Director: Amy Scott (Oscilloscope) Hitler’s Hollywood – Director: Rüdiger Suchsland (Kino Lorber) Minding the Gap – Director: Bing Liu (Hulu) RBG – Directors: Julie Cohen, Betsy West (Magnolia Pictures, Participant Media) Three Identical Strangers – Director: Tim Wardle (Neon, CNN Films) Wild Wild Country – Directors: Chapman Way, Maclain Way (Netflix) Won’t You Be My Neighbor? – Director: Morgan Neville (Focus Features)

    BEST LIMITED DOCUMENTARY SERIES

    America to Me (Starz) Dirty Money (Netflix) Elvis Presley: The Searcher (HBO Documentary Films, Sony Pictures Television) Flint Town (Netflix) One Strange Rock (National Geographic) The Fourth Estate (Showtime Networks) The Zen Diaries of Garry Shandling (HBO) Wild Wild Country (Netflix)

    BEST ONGOING DOCUMENTARY SERIES

    30 for 30 (ESPN) American Masters (PBS) Anthony Bourdain: Parts Unknown (CNN) Frontline (PBS) Independent Lens (PBS) Making a Murderer (Netflix) POV (PBS) The History of Comedy (CNN)

    BEST DIRECTOR

    Jimmy Chin and Elizabeth Chai Vasarhelyi – Free Solo (National Geographic Documentary Film) Bing Liu – Minding the Gap (Hulu) Morgan Neville – Won’t You Be My Neighbor? (Focus Features) Kimberly Reed – Dark Money (PBS) Rüdiger Suchsland – Hitler’s Hollywood (Kino Lorber) Tim Wardle – Three Identical Strangers (Neon, CNN Films)

    BEST FIRST TIME DIRECTOR

    Cristina Costantini and Darren Foster – Science Fair (National Geographic Documentary Films) Heather Lenz – Kusama – Infinity (Magnolia Pictures) Bing Liu – Minding the Gap (Hulu) Stephen Nomura Schible – Ryuichi Sakamoto: Coda (MUBI) Rudy Valdez – The Sentence (HBO Documentary Films) Chapman Way and Maclain Way – Wild Wild Country (Netflix)

    BEST POLITICAL DOCUMENTARY

    RBG – Directors: Julie Cohen, Betsy West (Magnolia Pictures, Participant Media) Dark Money – Director: Kimberly Reed (PBS) Fahrenheit 11/9 – Director: Michael Moore (Briarcliff Entertainment) Flint Town – Directors: Zackary Canepari, Drea Cooper, Jessica Dimmock (Netflix) Hitler’s Hollywood – Director: Rüdiger Suchsland (Kino Lorber) John McCain: For Whom the Bell Tolls – Directors: George Kunhardt, Peter W. Kunhardt, Teddy Kunhardt (HBO) The Fourth Estate – Directors: Liz Garbus, Jenny Carchman (Showtime Networks)

    BEST SPORTS DOCUMENTARY

    Andre the Giant – Director: Jason Hehir (HBO) Being Serena (HBO) Free Solo – Directors: Jimmy Chin, Elizabeth Chai Vasarhelyi (National Geographic Documentary Film) John McEnroe: In the Realm of Perfection – Director: Julien Faraut (Oscilloscope Laboratories) Minding the Gap – Director: Bing Liu (Hulu) The Workers Cup – Director: Adam Sobel (Passion River)

    BEST MUSIC DOCUMENTARY

    Bad Reputation – Director: Kevin Kerslake (Magnolia Pictures) David Bowie: The Last Five Years – Director: Francis Whately (HBO Documentary Films) Elvis Presley: The Searcher – Director: Thom Zimny (HBO Documentary Films, Sony Pictures Television) Lynyrd Skynyrd: If I Leave Here Tomorrow – Director: Stephen Kijak (Showtime Networks) Quincy – Directors: Alan Hicks, Rashida Jones (Netflix) Ryuichi Sakamoto: Coda – Director: Stephen Nomura Schible (MUBI) Whitney – Director: Kevin Macdonald (Roadside Attractions, Miramax)

    MOST COMPELLING LIVING SUBJECT OF A DOCUMENTARY

    (ALL LISTED IN THE CATEGORY WILL BE HONORED AT THE EVENT) Scotty Bowers – Scotty and the Secret History of Hollywood (Greenwich Entertainment, Kino Lorber, Starz!) Ruth Bader Ginsburg – RBG (Magnolia Pictures, Participant Media) Alex Honnold – Free Solo (National Geographic Documentary Film) Joan Jett – Bad Reputation (Magnolia Pictures) Quincy Jones – Quincy (Netflix) David Kellman and Bobby Shafran – Three Identical Strangers (Neon, CNN Films) John McEnroe – John McEnroe: In the Realm of Perfection (Oscilloscope Laboratories) Leon Vitali – Filmworker (Kino Lorber)

    MOST INNOVATIVE DOCUMENTARY

    306 Hollywood – Directors: Elan Bogarin, Jonathan Bogarin (PBS, El Tigre) Free Solo – Directors: Jimmy Chin, Elizabeth Chai Vasarhelyi (National Geographic Documentary Film) Hitler’s Hollywood – Director: Rüdiger Suchsland (Kino Lorber) Ryuichi Sakamoto: Coda – Director: Stephen Nomura Schible (MUBI) Wild Wild Country – Directors: Chapman Way, Maclain Way (Netflix) Won’t You Be My Neighbor? – Director: Morgan Neville (Focus Features)

    BEST CINEMATOGRAPHY

    306 Hollywood – Cinematographers: Elan Bogarin, Jonathan Bogarin, Alejandro Mejía (PBS, El Tigre) The Dawn Wall – Cinematographer: Brett Lowell (The Orchard) Free Solo – Cinematographers: Jimmy Chin, Clair Popkin, Mikey Schaefer (National Geographic Documentary Film) Minding the Gap – Cinematographer: Bing Liu (Hulu) Pandas – Cinematographer: David Douglas (Warner Brothers) Wild Wild Country – Cinematographer: Adam Stone (Netflix)

    BEST EDITING

    Dark Money – Editor: Jay Arthur Sterrenberg (PBS) Filmworker – Editor: Tony Zierra (Kino Lorber) Free Solo – Editor: Bob Eisenhardt (National Geographic Documentary Film) John McEnroe: In the Realm of Perfection – Editor: Julien Faraut (Oscilloscope Laboratories) Three Identical Strangers – Editor: Michael Harte (Neon, CNN Films) Won’t You Be My Neighbor? – Editors: Jeff Malmberg, Aaron Wickenden (Focus Features)

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  • WILDLIFE Starring Carey Mulligan, Jake Gyllenhaal to Open 2018 Melbourne International Film Festival

    [caption id="attachment_29567" align="aligncenter" width="1259"]Wildlife, Carey Mulligan, Jake Gyllenhaal Wildlife[/caption] The first films of the 2018 Melbourne International Film Festival (MIFF) were revealed today along with big announcement that the 67th edition will open with the Australian premiere gala screening of Paul Dano’s directorial debut Wildlife – starring Carey Mulligan, Jake Gyllenhaal and Australia’s Ed Oxenbould. The First Glance selection of 32 films demonstrating MIFF’s expansive reach was also uncovered. Based on the 1990 Richard Ford novel of the same name, Dano’s debut directorial outing (co-written by Zoe Kazan, seen alongside Dano at MIFF’s 2012 Ruby Sparks) tells a tender and empathetic story about a teen dealing with his family falling apart in 1960s Montana. A hit at Sundance and Cannes, Wildlife is a bittersweet and elegant debut that represents a major coming-of-age – both off screen and on – for Oxenbould, an actor who broke out in MIFF 2014’s Paper Planes and last year’s MIFF Premiere Fund-supported The Butterfly Tree. Buoyed by exquisite cinematography from Diego Garcia (Neon Bull, MIFF 2016; Cemetery of Splendour, MIFF 2015) the film’s fine-tuned attention to period detail underscores its exceptional performances. https://www.youtube.com/watch?v=4gSi0Qvki3o “We are thrilled to announce Wildlife for this year’s Opening Night Gala. Paul Dano’s debut as a director provides a glimpse into a successful shift in his career from on screen to off, and the cast including Australia’s very own Ed Oxenbould (a special name here at MIFF) is an impressive way to kick off proceedings,” said MIFF’s Artistic Director Michelle Carrey. “This in addition to the sneak peek of the rest of the program is an exciting time. Finally we can start talking about the most important thing…the films!” This year’s MIFF program will feature more than 500+ screenings, including: Ethan Hawke features with both on and off-screen contributions: he portrays a troubled priest experiencing a ‘crisis of faith’ in cinematic legend Paul Schrader’s latest feast of brooding menace, First Reformed; in Blaze, Hawke directs a daringly unconventional biopic of an unsung country music legend, featuring newcomer Benjamin Dickey in the title role (which won him a Sundance acting award) and Alia Shawkat. Chloë Grace Moretz turns in a career-best performance in Desiree Akhavan’s sophomore feature The Miseducation of Cameron Post, winner of the Sundance Grand Jury Prize (US Dramatic); Cannes 2017 best actor winner Joaquin Phoenix features in Lynne Ramsay’s vengeance feature You Were Never Really Here, playing a war vet and ex-FBI agent whose new job includes rescuing children from paedophile rings; meanwhile, Bodied is the result of an unlikely pairing between Grammy-winning director Joseph Kahn and rapper turned producer Eminem who present their satirical story about an accidental battle-rap star. In a variety of filmmaking firsts, acclaimed TV director Michael Pearce makes his feature debut in the sly, unsettling Beast – an impressive British crime drama love story wrapped in an intriguing psychosexual thriller; veteran slow-cinema auteur Tsai Ming-liang makes his debut foray into virtual reality with The Deserted, a 55-minute experience with a wordless, near-feature length tale of ghosts, grief and fish; and a little closer to home, Nash Edgerton’s TV series directorial debut Mr Inbetween brings The Magician’s charismatic killer-for-hire Ray Shoesmith back to our screens. MIFF will screen all six episodes before its television premiere on Foxtel’s Showcase channel. The 2018 program delves deep into three iconic names spanning fashion, sport and Hollywood, starting with McQueen, a flamboyant portrait of one of the world’s most revered designers, Alexander McQueen – a man who once said “My shows are about sex, drugs and rock’n’roll. It’s for the excitement and the goosebumps. I want heart attacks. I want ambulances.” This biographical documentary by Ian Bonhôte and Peter Ettedgui represents nothing less. Julien Faraut’s John McEnroe: In the Realm of Perfection serves up a fascinating combination of instructional clips and exquisite 16mm footage of tennis bad boy John McEnroe at the height of his career at the 1984 French Open; and looking into the life of another legend, Tommy Avallone’s Bill Murray Stories: Life Lessons Learned from a Mythical Man follows the trail of the star’s alleged appearances musing on the interconnection of pop culture and ordinary life. An Elephant Sitting Still takes us on a four-hour journey as Hu Bo paints a compelling, empathetic portrait of contemporary China in this FIPRESCI Prize-winning debut; and winner of SXSW’s Grand Jury Prize for documentary, People’s Republic of Desire is Hao Wu’s unsettling and fascinating look into the online world of live-streaming, social media and virtual relationships. Turning impending loss into a poignant, poetic dreamscape, The Seen and Unseen is the second feature from Indonesia’s Kamila Andini and winner of best youth film at the 2017 Asia Pacific Screen Awards; Tigers Are Not Afraid is a stunning contemporary fairytale that does for Mexico’s drug war what Guillermo del Toro did for the Spanish Civil War. Praised by Stephen King, the film saw Issa López become the first woman to win Fantastic Fest’s Best Horror Director award. Denmark’s Gustav Möller makes his directorial debut with the Sundance and Rotterdam award-winning The Guilty, an edge-of-your-seat psychological thriller told entirely in real time. The UK’s Daniel Kokotajlo makes a devastating debut with Apostasy, a daring study of an all-female Jehovah’s Witness family riven by religious conflict starring Siobhan Finneran (Downton Abbey and Happy Valley); Babis Makridis proves he is coming into his own as a star with a second feature, Pity. A follow up to L (MIFF 2012), the quintessentially bleak and absurdist Greek New Wave comedy from the co-writer of The Lobster and Dogtooth was co-written with Yorgos Lanthimos’ key collaborator Efthymis Filippou (The Killing of a Sacred Deer, MIFF 2017). Irreverent Iranian director Mani Haghighi (A Dragon Arrives! MIFF 2016) presents his latest meta-comedy magic, Pig – a riotous Iranian film industry satire about a serial killer; and Vivian Qu continues to interrogate crime, corruption and control in modern-day China in Angels Wear White, which won her the Best Director award at the Golden Horse Film Festival. Based on Anna Seghers’ WWll novel of the same name, Transit is the slow-burn thriller from revered auteur Christian Petzold – a discomfiting fable of trans-European displacement that channels both Hitchcock and Casablanca; and one of contemporary cinema’s most esteemed directors Lucrecia Martel makes her long-awaited return with the historical fiction Zama, centred on an 18th-century Spanish magistrate marooned in a far-flung South American outpost where he’s losing touch with civilization and sanity. Spaghetti Western, ’70s Euro-pulp and delirious psychedelia collide in Let the Corpses Tan – a glorious homage to cinema’s seedier retro fringes from genre connoisseurs Hélène Cattet and Bruno Forzani; audiences will step back in time to the French fashion scene with legendary fashion photographer William Klein’s award-winning black and white mockumentary that is now a groovy cult classic, Who are you, Polly Maggoo? and nominated for Best Foreign Film at the 2018 Academy Awards, The Insult is the multi-award winning new work from Lebanese visionary Ziad Doueiri (The Attack, MIFF 2012). Delving into the complex emotions of passionate pop-music appreciation, emerging local director Jessica Leski presents I Used to be Normal: A Boyband Fangirl Story – an empathetic documentary exploring why we hold pop music so dear to our hearts. The NSFA-restored The Cheaters offers viewers a rare big-screen treat of a pioneering silent-era classic. A major landmark of Australian cinema, this is not just one of our earliest feature films – it’s one of the first by women filmmakers, the McDonagh sisters. The remaining fragments of the sisters’ popular first feature Those Who Love will screen alongside. An exhilarating debut feature from Australian director Jason Raftopoulos, the Venice-premiering West of Sunshine stars Pawno’s Damian Hill alongside his real-life step-son Ty Perham and Offspring’s Kat Stewart (Sucker, MIFF 2015). Shot in Melbourne, it explores fatherhood, trauma and second chances. Director Jeremy Sim’s (Last Cab to Darwin, Beneath Hill 60) Wayne is a must-see for moto-GP fans. Here, Sims explores a defining piece of Australian sporting history that saw Wayne Gardner conquer the world of motorcycle racing and return home a hero; while Island of the Hungry Ghosts takes audiences on a unique and moving cinematic journey through the intersection of Christmas Island’s migrating land crabs, lost souls caught in limbo and political detainees. Sundance award-winner, Stephen Loveridge digs deep into the life of his good friend Mathangi ‘Maya’ Arulpragasm in MATANGI / MAYA / M.I.A, demonstrating her pull-no-punches personality and focus on political activism, and how this caused her career to suffer; and rounding up the First Glance lineup, directors Dyana Winkler and Tina Brown dive wholeheartedly into the African-American roller rink scene, circling around racial profiling, the roots of rap and communities in crisis with Tribeca Film Festival Audience Award winner, United Skates.

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  • John McEnroe Documentary Among First Confirmed Films + Events for 2018 Las Vegas Film Festival

    [caption id="attachment_27742" align="aligncenter" width="1200"]John McEnroe: In the Realm of Perfection John McEnroe: In the Realm of Perfection[/caption] The 11th Annual Las Vegas Film Festival, partnered with CineVegas, announced this morning the initial programming lineup for the 2018 Festival, to be held at Brenden Theatres and Palms Casino Resort June 6 to 10.The lineup includes a mix of feature films and documentaries that have been favorites on the international festival circuit, as well as new additions to this year’s Festival – live discussions and live comedy. 2018 also marks the first year with seasoned film festival programming veteran Mike Plante serving as the Festival’s Captain of Strategy.

    FEATURE FILMS

    Clara’s Ghost / U.S.A. (Director and Screenwriter: Bridey Elliott; Producer: Sarah Winshall) — Ted Reynolds, an aging comedian, lives a quiet life in rural Connecticut with his wife Clara. When they invite their two daughters home to celebrate the family dog’s birthday, the vodka-loving clan devolves into a drunken mess, and Clara finds herself face-to-face with a supernatural spirit only she can see. Cast: Paula Niedert Elliott, Chris Elliott, Abby Elliott, Bridey Elliott, Haley Joel Osment Damsel / U.S.A. (Directors and Screenwriters: David Zellner, Nathan Zellner; Producers: Nathan Zellner, Chris Ohlson, David Zellner) — Samuel Alabaster (Robert Pattinson), an affluent pioneer, ventures across the American Frontier to marry the love of his life, Penelope (Mia Wasikowska). As Samuel traverses the Wild West with a drunkard named Parson Henry (David Zellner) and a miniature horse called Butterscotch, their once-simple journey grows treacherous, blurring the lines between hero, villain and damsel. Cast: Robert Pattinson, Mia Wasikowska I Am Not a Witch / United Kingdom – (Director and Screenwriter: Rungano Nyoni; Producers: Juliette Grandmont and Emily Morgan) When eight-year-old Shula turns up alone and unannounced in a rural Zambian village, the locals are suspicious. A minor incident escalates to a full-blown witch trial, where she is found guilty and sentenced to life on a state-run witch camp. There, she is tethered to a long white ribbon and told that if she ever tries to run away, she will be transformed into a goat. As the days pass, Shula begins to settle into her new community, but a threat looms on the horizon. Soon she is forced to make a difficult decision – whether to resign herself to life on the camp, or take a risk for freedom. Cast: Maggie Mulubwa, Henry B.J. Phiri, Nancy Mulilio Nancy / U.S.A. (Director and Screenwriter: Christina Choe; Producers: Amy Lo, Michelle Cameron, Andrea Riseborough) – NANCY is a provocative psychological thriller about love, intimacy, and trust – and what happens when lies become truth. Craving connection with others, Nancy creates elaborate identities and hoaxes under pseudonyms on the internet. When she meets a couple whose daughter went missing thirty years ago, fact and fiction begin to blur in Nancy’s mind, and she becomes increasingly convinced these strangers are her real parents. As their bond deepens, reasonable doubts give way to willful belief – and the power of emotion threatens to overcome all rationality. Cast: Andrea Riseborough, J. Smith-Cameron, Steve Buscemi, Ann Dowd, John Leguizamo Sadie / U.S.A. (Director: Megan Griffiths; Producers: Lacey Leavitt and Jennessa West; Executive Producer: Eliza Shelden) – While her father is away serving in the military, Sadie (Sophia Mitri Schloss) battles to preserve his place on the home front when her mother, Rae (Melanie Lynskey,) takes an interest in a new man, Cyrus (John Gallagher, Jr.) When Sadie sees the relationship developing, she pledges to come between them, whatever it takes. Cyrus becomes the enemy, and if she’s learned nothing else from the world she inhabits, it’s that the enemy deserves no mercy. Cast: Sophia Mitri Schloss, Melanie Lynskey, John Gallagher, Jr., Danielle Brooks, Tony Hale The Unicorn / U.S.A. (Director: Robert Schwartzman; Screenwriters: Will Elliott & Kirk C. Johnson & Nicholas Rutherford; Producer: Russell Wayne Groves) – When an engaged couple, Caleb and Malory are forced to go to Palm Springs for a weekend to celebrate Malory’s parents’ 25th wedding vow renewal, they discover the secret to their happy marriage—threesomes. Horrified but intrigued, and determined to properly celebrate their own ‘re-engagement,’ they set out on a wild night in search of a threesome of their own. Cast: Lauren Lapkus, Nick Rutherford, Lucy Hale, Beck Bennett, Dree Hemingway When She Runs / U.S.A. (Directors: Robert Machoian and Rodrigo Ojeda-Beck; Producer: Laura Heberton) – A young mother of limited means puts everything on the line to pursue her dream of becoming a competitive runner. Her marriage failing, exhausted and broke, Kirstin has left her husband, Ivan, and their very young son, Jonah, seeking refuge across town. When She Runs follows Kirstin through the last day before the trial that could change her life forever. Cast: Kirstin Anderson, Ivan Gehring, Jonah Graham

    DOCUMENTARY FILMS

    John McEnroe: In the Realm of Perfection / U.S.A. (Director and Screenwriter: Julien Faraut; Producers: William Jehannin and Raphaelle Delauche) – Written and directed by Faraut and narrated by Mathieu Amalric, John McEnroe: In the Realm of Perfection revisits the rich bounty of 16-mm-shot footage of the left-handed tennis star John McEnroe, at the time the world’s top-ranked player, as he competes in the French Open at Paris’s Roland Garros Stadium. Close-ups and slow motion sequences of McEnroe competing, as well as instances of his notorious temper tantrums, highlight a “man who played on the edge of his senses.” Far from a traditional documentary, Faraut probes the archival film to unpack both McEnroe’s attention to the sport and the footage itself, creating a lively and immersive look at a driven athlete, a study on the sport of tennis and the human body and movement, and finally how these all intersect with cinema itself. Minding the Gap / U.S.A. (Director and producer: Bing Liu, Producers: Diane Quon and Joshua Altman) – First-time filmmaker Bing Liu’s documentary Minding the Gap is a coming-of-age saga of three skateboarding friends in their Rust Belt hometown hit hard by decades of recession. In his quest to understand why he and his friends all ran away from home when they were younger, Bing follows 23-year-old Zack as he becomes a father and 17-year-old Keire as he gets his first job. As the film unfolds, Bing is thrust into the middle of Zack’s tumultuous relationship with his girlfriend and Keire’s inner struggles with racial identity and his deceased father. While navigating a complex relationship between his camera and his friends, Bing explores the gap between fathers and sons, between discipline and domestic abuse, and ultimately that precarious chasm between childhood and becoming an adult. Cast: Zack Mulligan, Keire Johnson, Bing Liu, Nina Bowgren, Kent Abernathy Narcissister Organ Player / U.S.A. (Director: Narcissister) — American performance artist Narcissister takes a smart, sassy, spectacle-rich approach to exploring the kinds of sexual fetishism that notoriously fix racial and gender stereotypes. She combines unabashed eroticism, humor, and poignancy to stretch viewers’ sensibilities and achieve surprising psychic effects. Narcissister Organ Player is originally a Bessie Awards–nominated performance that takes place in a metaphorical restaurant where Narcissister, unsated by a few spinach leaves, tries to eat the restaurant furniture and ends up “consuming herself” by entering and traveling through her own body, represented by an enormous onstage puppet. As the performance plays out on stage, in real life, her mother’s long-term illness brings on a decline that ends in death. The artist’s loss provokes an exploration of how her own complex, interracial family history has compelled her to create the masked, erotic performance character Narcissister. Sammy Davis Jr.: I’ve Gotta Be Me / U.S.A. (Director: Sam Pollard; Screenwriter and Co-Producer: Laurence Maslon; Executive Producer and Producer: Michael Kantor; Producer: Sally Rosenthal) – Sammy Davis, Jr.: I’ve Gotta Be Me is the first major film documentary to examine Davis’ vast talent and his journey for identity through the shifting tides of civil rights and racial progress during 20th-century America. Featuring new interviews with such luminaries as Billy Crystal, Norman Lear, Jerry Lewis, Whoopi Goldberg and Kim Novak, with never-before-seen photographs from Davis’ vast personal collection and excerpts from his electric performances in television, film and concert, Sammy Davis, Jr.: I’ve Gotta Be Me explores the life and art of a uniquely gifted entertainer whose trajectory blazed across the major flashpoints of American society from the Depression through the 1980s.

    LIVE EVENTS

    Bobcat Goldthwait and Friends Live – Veteran film director Bobcat Goldthwait first came to CineVegas with Windy City Heat in 2004 and brought his first film Shakes the Clown to the Las Vegas Film Festival two years ago. Now he returns to the stage in Vegas for some much-needed comedy. Christine Vachon in Conversation with Mary Ann Marino – The Black Mountain Institute will sponsor a live discussion with acclaimed producer Christine Vachon, who co-founded Killer Films with Pamela Koffler in 1995. Since then, they have produced over 100 films including: Carol (nominated for six Academy Awards), Far From Heaven (nominated for four Academy Awards), Still Alice (Academy Award winner), Boys Don’t Cry (Academy Award winner), and I’m Not There (Academy Award nominated). Killer also produced Z: The Beginning of Everything for Amazon Studios, as well as Todd Haynes’ latest film, Wonderstruck. Mary Ann Marino is a longtime producer and current head of physical production for Amazon Studios. An Evening With Don Hertzfeldt / U.S.A. (Director and Screenwriter: Don Hertzfeldt) — The highly anticipated follow-up to Don Hertzfeldt’s “World of Tomorrow” finds Emily Prime swept inside the brain of an incomplete back-up clone of her future self, who’s on a mission to reboot her broken mind. Continuing the tradition of the first film, “World of Tomorrow Episode Two” was written entirely around candid audio recordings of Hertzfeldt’s five-year-old niece. Cast: Julia Pott and Winona Mae The Rudy Casoni Boozebag Revue – The Rudy Casoni Boozebag Revue returns to Las Vegas. Sinatra’s Singing Bastard brings his drunken and dangerous lounge act to Fremont Street. See him croon the standards and selected punk covers with his swing band as his show of comedians and low rent, dumdum, variety acts, careens off the rails and slams headfirst into a rat pack nightmare. Cast: Toby Huss, Mark Fite, Billy the Mime, Pat Healy, and the Dago5 Band and featuring mostly nude dancers who are mostly women.

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  • Provincetown International Film Festival Announces 2018 Lineup, Closes with MAPPLETHORPE

    [caption id="attachment_28780" align="aligncenter" width="1200"]MAPPLETHORPE MAPPLETHORPE[/caption] The Provincetown International Film Festival (PIFF) announced their complete lineup of narrative, documentary and short films for the 20th anniversary edition. The festival will kick off with the New England premiere of WILD NIGHTS WITH EMILY, starring Molly Shannon. Written and directed by Madeleine Olnek, the film is a dramatic comedy about the secret life of Emily Dickinson. Ondi Timoner’s MAPPLETHORPE, starring Matt Smith, has been selected as the Closing Night film. Additionally, acclaimed director Sean Baker will receive the “Filmmaker on the Edge” Award in conversation with John Waters, and actress Chloë Grace Moretz will be on hand to receive the festival’s Next Wave Award; Moretz’s latest film, THE MISEDUCATION OF CAMERON POST, is a Spotlight selection. Said Artistic Director Lisa Viola, “For our 20th anniversary festival, we are absolutely thrilled to present a lineup featuring new work by a group of extraordinarily talented filmmakers, and we are especially proud that all five of our Spotlight films are directed by women!” The Provincetown International Film Festival runs June 13 to 17, 2018 in Provincetown, MA.

    2018 Provincetown International Film Festival Lineup

    OPENING NIGHT

    WILD NIGHTS WITH EMILY – directed by Madeleine Olnek (Wednesday, June 13)

    CLOSING NIGHT

    MAPPLETHORPE – directed by Ondi Timoner (Sunday, June 17)

    SPOTLIGHT SELECTIONS

    THE MISEDUCATION OF CAMERON POST – directed by Desiree Akhavan (Thursday, June 14) AND BREATHE NORMALLY – directed by Ísold Ugadóttir (Friday, June 15) LEAVE NO TRACE – directed by Debra Granik (Saturday, June 16)

    SPECIAL SCREENINGS/EVENTS

    JOHN WATERS PRESENTS: I, OLGA – directed by Petr Kazda, Tomás Weinreb MODERN LOVE LIVE, presented by WBUR and The New York Times at the Provincetown Film Festival (Friday, June 15) FEMALE TROUBLE – directed by John Waters MIDNIGHT COWBOY – directed by John Schlesinger TANGERINE – directed by Sean Baker

    NARRATIVE FEATURES

    1985 – directed by Yen Tan BLINDSPOTTING– directed by Carlos López Estrada THE CAKEMAKER – directed by Ofir Raul Graizer THE CHILDREN ACT – directed by Richard Eyre DON’T WORRY, HE WON’T GET FAR ON FOOT – directed by Gus Van Sant EIGHTH GRADE – directed by Bo Burnham THE GUILTY – directed by Gustav Möller HEARTS BEAT LOUD– directed by Brett Haley A KID LIKE JAKE – directed by Silas Howard LEMONADE – directed by Ioana Uricaru LOVELING – directed by Gustavo Pizzi MADELINE’S MADELINE – directed by Josephine Decker MARIO – directed by Marcel Gisler NIGHT COMES ON – directed by Jordana Spiro PUZZLE – directed by Marc Turtletaub WE THE ANIMALS – directed by Jeremiah Zagar

    DOCUMENTARY FEATURES

    CHEF FLYNN – directed by Cameron Yates DAWNLAND – directed by Adam Mazo, Ben Pender-Cudlip EVERY ACT OF LIFE – directed by Jeff Kaufman A FINE LINE – directed by Joanna James GENERATION WEALTH – directed by Lauren Greenfield THE GOSPEL OF EUREKA – directed by Donal Mosher, Michael Palmieri JOHN McENROE: IN THE REALM OF PERFECTION – directed by Julien Faraut LIFE IN THE DOGHOUSE – directed by Ron Davis McQUEEN – directed by Ian Bonhôte, Peter Ettedgui THE PRICE OF EVERYTHING – directed by Nathaniel Kahn ROBIN WILLIAMS: COME INSIDE MY MIND – directed by Marina Zenovich SCIENCE FAIR – directed by Cristina Costantini, Darren Foster SCOTTY AND THE SECRET HISTORY OF HOLLYWOOD – directed by Matt Tyrnauer THE SENTENCE – directed by Rudy Valdez STUDIO 54 – directed by Matt Tyrnauer THREE IDENTICAL STRANGERS – directed by Tim Wardle TIME FOR ILHAN – directed by Norah Shapiro WESTWOOD: PUNK, ICON, ACTIVIST – directed by Lorna Tucker WYETH – directed by Glenn Holsten

    SHORTS

    AFTER PROM – directed by Nona Schamus BABS – directed by Celine Held & Logan George BECAUSE YOU’RE HERE – directed by Mike Syers BRAINWORM BILLY – directed by Emily Hubley THE DARE PROJECT – directed by Adam Salky, written by David Brind EDWARD HOPPER & MARSHALL’S HOUSE – directed by Bob Burnett FEVAH – directed by Randall Dottin GIRL FRIEND – directed by Chloe Sarbib HEATHER HAS FOUR MOMS – directed by Jeanette L. Buck JUDITH LOVES MARTHA – directed by Anna Gaskell KEEPER – directed by Marnie Crawford Samuelson & Shane Hofeldt KHOL (OPEN) – directed by Faroukh Virani LANDLINE – directed by Matt Houghton THE LAYOVER – directed by Joe Stankus LONESOME WILLCOX – directed by Ryan Maxey & Zack Wright MARGUERITE – directed by Maria Gracia Turgeon MAUDE – directed by Anna Margaret Hollyman MEN DON’T WHISPER – directed by Jordan Firstman MOTHER MOTHER – directed by Robert Machoian & Rodrigo Ojeda-Beck NEGATIVE SPACE – directed by Ru Kuwahata & Max Porter NEUTRAL – directed by Nathan Barnatt PAID FOR BY – EPISODE 2 – DIANE BUSCH’S WOMEN’S ISSUE AD – directed by Dawn Smith SET ME AS A SEAL UPON THINE HEART – directed by Omer Tobi SHE IS JUICED: SLICE ONE – JO HAY – directed by Lois Norman SLEEPOVER – directed by Jimi Vall Peterson SUPER 8 DAZE – directed by Rob Hampton & John Morgan WOULD YOU LOOK AT HER – directed by Goran Stolevski WORLD OF TOMORROW EPISODE 2: THE BURDEN OF OTHER PEOPLE’S THOUGHTS –directed by Don Herzfeldt WREN BOYS – directed by Harry Lighton

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  • FSLC Announces 5th Art of the Real Lineup, Opens with Premiere of ‘John McEnroe: In the Realm of Perfection’

    John McEnroe: In the Realm of Perfection
    John McEnroe: In the Realm of Perfection

    The Film Society of Lincoln Center today announced the fifth edition of Art of the Real, an essential showcase for the most vital and innovative voices in nonfiction and hybrid filmmaking, taking place April 26 to May 6. The 2018 lineup features a host of brilliant new works and exciting artist spotlights, including one world premiere, eight North American premieres, and seven U.S. premieres, with many of the filmmakers in person.

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