Keep the Change

  • 2018 Seattle Jewish Film Festival Salutes Israel’s 70th Birthday, Announces Lineup. Opens with Mob Caper MAKTUB

    [caption id="attachment_27182" align="aligncenter" width="1200"]Maktub Maktub[/caption] Under the theme “isREEL Life,” this year’s 2018 Seattle Jewish Film Festival is particularly special, as the Festival salutes Israel’s 70th birthday.  The 23rd edition of the Seattle Jewish Film Festival will run from March 8 to March 18 at venues around Seattle and on Mercer Island with a special Eastside Expansion on April 14 to April 15 at Regal’s Cinebarre Issaquah 8, showcasing four additional films. This festival is an important part of Seattle’s cultural mosaic, offering a diverse spectrum of films that celebrate Jewish and Israeli life, culture, history, and cinema. Oded Raz, Isreaeli director, will feature the funny and touching mob caper Maktub on Seattle’s Opening Night, and SJFF’s new Eastside Opening Night kicks off with the illuminating and entertaining documentary Shalom Bollywood, about Indian-Jewish screen legends. The final Eastside film will be Across the Waters: a gripping story of survival and rescue.

    SJFF 2018 SCREENINGS AND PROGRAMS

    Opening Night Film Maktub | Director: Oded Raz | Comedy/Drama | Israel Two Jerusalem mob enforcers turn into unlikely secret angels after surviving a bombing at a resaurant they were shaking down. They fulfill writers’ wishes in purloined notes from the Western Wall while evading their suspicious boss in this funny and touching caper. Land of Milk and Funny | Director: Avi Liberman | Documentary | USA/Israel LA funnyman Avi Liberman takes fellow stand-up comedians on tours of Israel, capturing their keen and comical insights onstage and off. Guest (and stand-up performer): Comedian Dwight Slade. Trezoros: The Jews of Kastoria | Directors: Lawrence Russo & Larry Confino | Documentary | Greece A coastal city renowned for its idyllic beauty, Kastoria was once home to a harmonious and vibrant population of Greek Jews and Christians. Never-before-seen archival footage and interviews stitch together a compelling portrait of this unique and dynamic Jewish community. Guests: Director Lawrence Russo and Professor Devin Naar, UW Sephardic Studies. Keep the Change | Director: Rachel Israel | Romantic Comedy | USA Winner of Best Narrative Feature at this year’s Tribeca Film Festival, this romantic comedy about people with autism navigating the difficulties of a relationship is charming, authentic and is “as funny as it is sweet” (Variety). Preceded by short film: The Gravedigger’s Daughter. Recommended for ages 15+; $5 tickets for TeenTix Members. Itzhak | Director: Alison Chernick | Documentary | USA Widely considered one of the world’s greatest living violinists, Itzhak Perlman’s mastery of the violin catapulted a child with polio from Tel Aviv and the son of Polish survivors onto the world’s most prominent stages. The Cakemaker | Director: Ophir Raul Graizer | Drama | Gemany/Israel Devastated by the sudden death of his Israeli boyfriend, shy Berlin baker Thomas journeys to Jerusalem, where he secretly infiltrates the lives of his lover’s widow and son, and helps revive her fledgling café with his tantalizing German confections. How long can he keep this secret as the pair becomes deeply enmeshed? Guest: Sara Michelle Fetters, Lead Film Critic for Seattle Gay News. Mandala Beats | Director: Rebekah Reiko | Documentary | Canada/India/Israel Known as the Jimi Hendrix of Israeli, musician Yossi Fine has collaborated with artists across the globe including Lou Reed, David Bowie, and Madonna. The son of a European Jew and a black Parisian mom, he learns that his grandfather was Indian, and departs on an “instrumental” journey of rediscovery. Guest: Director Rebekah Reiko. Longing | Director: Savi Gabizon | Drama | Israel Director Savi Gabizon (Nina’s Tragedies, SJFF 2005) muses on aging and second chances in this tale of a father haunted by a son he never knew existed. Preceded by short film: Holes. Praise the Lard | Director: Chen Shelach | Documentary | Israel The untold story of the pork industry in Israel, from Zionist movement and kibbutz pig farms to current identity struggles, freedoms, and new immigrant penchants, in spite of fierce resistance from religious Jews. Preceded by short  film: Our Brothers. An Act of Defiance | Director: Jean van de Velde | Drama | South Africa Ten men in Nelson Mandela’s inner circle—some black, some Jewish—are arrested for conspiring to commit sabotage against the South African apartheid state. Their courageous lawyer risks career and freedom to defend them and conceal his own sedition in this nail-biting political thriller and spectacular courtroom drama. 1945 | Director: Ferenc Török | Drama | Hungary In the immediate aftermath of WWII, the arrival of an elderly Orthodox Jew and his son in a small Hungarian town triggers the townsfolk’s collective fear and guilt. Shelter | Director: Eran Riklis | Drama/Thriller | Germany/Israel/France In this suspenseful, neo-noir drama and psychological thriller, Mossad agent Naomi is sent to protect Mona, a Lebanese collaborator, in a German safe house. Their uneasy relationship develops into an unexpected bond, while threat levels outside rise. Sammy Davis Jr.: I’ve Gotta Be Me | Director: Sam Pollard | Documentary | USA A toe-tapping, star-studded homage to the immensely-talented Black-Jewish entertainer and Rat Pack legend who navigated the shifting tides of civil rights and racial progress in mid-20th century America. The Testament | Director: Amichai Greenberg | Drama/Thriller | Austria/Israel Yoel, a meticulous historian leading a significant debate against Holocaust deniers, discovers that his mother carries a false identity. Is he willing to risk everything to discover the truth? Guest: Actor Ori Pfeffer. Bombshell: The Hedy Lamarr Story | Director: Alexandra Dean | Documentary | USA Alert, hipsters: Hedy Lamarr is the new Nikolai Tesla. Watch this film about her stranger-than-fiction life and amazing inventions so you can be into her before everyone else catches on. $5 tickets for Seniors 65+. Refreshments will be served at this screening. The History of Love | Director: Radu Mihaileanu | Drama | France/Belgium/Canada/Romania Two lives intersect in New York City in this masterful adaptation of Nicole Krauss’s bestselling novel starring Elliot Gould and Sir Derek Jacobi. An Israeli Love Story | Director: Dan Wolman | Drama | Israel Aspiring young actress Margalit falls for dashing fighter Eli in pre-independence Palestine, setting the stage for a true love story that mixes idealism, romance, sacrifice, and tragedy during a turbulent and momentous period. A cash bar at The J Cafe accompanies this screening. Vitch | Director: Sigal Bujman | Documentary | USA/Australia/France/Germany/Israel/Poland This documentary illuminates the moral conundrum of Eddie Vitch, a Polish Jewish caricaturist, mime and comedian, who stayed alive by entertaining Nazi elite and Gestapo officers. The film traces his daughter’s efforts to uncover the truth about his activities and motives. Guests: Director Sigal Bujman and Director of Photography Marc Pingry; Producers Yaffa and Paul Maritz. A special Event in the J Café accompanies this film, featuring a Brown Derby Eddie Vitch caricature exhibit and cake reception Cuba’s Forgotten Jewels | Directors: Robin Truesdale and Judy Kreith | Documentary | USA For a few short years in the 1940s, Jewish refugees from war-torn Europe turned the tropical island of Cuba into a global diamond center. This little-known, colorful, and uplifting story is set to an original soundtrack of Jewish melodies and pulsating Cuban music, featuring Seattle’s own Clave Gringa who will perform after the screening. Guests: Directors Robin Truesdale and Judy Kreith; Ann Reynolds, and Clave Gringa Latin jazz band. There will also be a a performance by Seattle’s Clave Gringa, who is featured on the film’s soundtrack. Closing Night Centerpiece Tiffany Shlain’s “Spoken Cinema | Director Tiffany Shlain | Documentary Shorts Program | USA This year’s SJFF REEL Difference Award recipient is Emmy-nominated filmmaker, author, public speaker, and internet pioneer, Tiffany Shlain, whose Let it Ripple film studio makes impactful films and creates global social initiatives (Character Day, 50/50 Day) that explore the intersection of technology, (Jewish) identity, and connection that shape our lives. She will take us on an exhilarating tour of her acclaimed films and present a new, interactive, documentary art form she calls “Spoken Cinema”—a live narration of her film as the soundtrack plays in the background. Guest: Filmmaker and SJFF 2018 REEL Difference Award recipient Tiffany Shlain. Eastside Opening Night Shalom Bollywood | Director: Danny Ben-Moshe | Documentary | Australia Who knew that Jews—specifically Jewish women—dominated Bollywood for the first half of its 100-year history? This entertaining documentary, featuring rich and rare archival clips, profiles six legends of the Indian silver screen who made Bollywood what it is today: the largest and one of the most progressive, cutting-edge film industries in the world. This screening will include free popcorn and a beverage for ticket holders. Ben-Gurion, Epilogue | Director: Yariv Mozer | Documentary | Israel Two filmmakers scoured the globe for the last David Ben-Gurion interview, before finding it in the Israeli desert—a rivetingly intimate documentary that captures both the vision and humility of Israel’s founding father. Your Honor | Director: Roni Ninio | TV Drama/Thriller (4 episodes) | Israel Binge watch Israel’s new, award-winning Breaking Bad-esque television drama, Your Honor, about a rising-star judge and his well-meaning family who become ensnared in Israel’s underworld. (Four episodes shown, with the rest of season one coming at a later date.) Across the Waters | Director: Nicolo Donato | Drama | Denmark Unsure of whom they can trust, a Jewish musician and his family make a frantic escape from Nazi-occupied Denmark. A gripping story of survival and rescue.

    Read more


  • Kino Lorber to Release Tribeca Film Festival Award-Winning Romantic Comedy KEEP THE CHANGE

    Keep The Change The New York-set award-winning romantic comedy Keep The Change, written and directed by Rachel Israel, and starring newcomers Brandon Polansky (as David) and Samantha Elisofon (as Sarah), centers around David and Sarah’s unexpected encounter and ensuing romance.   Jessica Walter (Arrested Development, Archer), Tibor Feldman (The Devil Wears Prada), Sondra James (Royal Pains), and Johnathan Tchaikovsky (The Wolf of Wall Street) round up the cast. While David struggles to come to terms with his own high-functioning autism, he unexpectedly falls for Sarah, a quirky and outgoing woman whose lust for life both irks and fascinates him. As David and Sarah’s relationship evolves, Keep The Change blossoms into a refreshingly off-kilter story about the ups-and-downs of romantic love – and the rewards of acceptance, self-love and mutual trust. Painting an honest portrait of a community seldom depicted on the big screen, Keep The Change is based on the award-winning short film developed by Rachel Israel and lead actor Brandon Polansky that was inspired by Polansky’s experiences at Adaptations, a community for adults on the autism spectrum that meets at the Jewish Community Center (JCC) of Manhattan. Film Director Rachel Israel cast Keep The Change with non-professional actors from Adaptations, and she worked closely with them to create fictional versions of themselves for the film. Keep The Change premiered at the 2017 Tribeca Film Festival, where it won two of the festival’s most coveted awards: Best U.S. Narrative Feature and Best New Narrative Director. It also received Special Mention for the Nora Ephron Prize. At last summer’s Karlovy Vary International Film Festival, the film won the Best Debut and FIPRESCI awards. Keep The Change will be released by Kino Lorber and opens in New York on March 16, following its prominent berth as opening night feature of the 2018 ReelAbilities Film Festival in March. A national expansion will follow. Director Rachel Israel wrote in a prepared statement: “Keep The Change has been a labor of love for all involved, from our cast to our crew, our producers, and our community partners at the JCC’s Center for Special Needs. We made a unique, risk-taking film and it is wonderful to see it come to light on the big screen. We are absolutely thrilled to be partnered with Kino Lorber, and to have their exceptional taste and reputation behind the film.” https://www.youtube.com/watch?v=PKyivROX8MI

    Read more


  • 28th Stockholm International Film Festival Announces Lineup, THE SHAPE OF WATER, DOWNSIZING and More

    [caption id="attachment_25167" align="aligncenter" width="1200"]The Shape Of Water Sally Hawkins and Octavia Spencer in the film THE SHAPE OF WATER.[/caption] 150 films from 60 different countries have been selected to be screened at the 28th Stockholm International Film Festival that takes place from the November 8th to the 19th. A third of the films in this year’s festival program are directed by first-time filmmakers, the festival is also joined by legends such as this year’s Lifetime Achievement Award-winner Vanessa Redgrave. After a long and successful Hollywood-career 80 year old Vanessa Redgrave makes her debut as a director with the documentary Sea Sorrow. The film focuses on the global refugee crisis and is a part of this years Spotlight – Change. This years Visionary Award recipient is the director Pablo Larraín. Larraín is the director behind the Academy Award-nominated Jackie (2016); he is now attending the Stockholm Film festival with his latest film Neruda. The premiere movie of this year’s film festival is the critically acclaimed film The Shape Of Water by the director behind the Academy Award-winning Pan’s Labyrinth Guillermo del Toro. Del Toro also won the Gold Lion at the Venice Film Festival earlier this year. A selection of other films that will be screened are: Thelma by Joachim Trier, Call Me By Your Name by Luca Guadagnino, The Party by Sally Porter, Three Billboards Outside Ebbing, Missouri by Martin McDonagh and last but not least Downsizing by Alexander Payne.

    Stockholm International Film Festival – Program 2017

    Stockholm XXVIII Competition

    A Ciambra by Jonas Carpignano (Italy, France, USA, Germany, 120 min) Ava by Léa Mysius (France, 106 min) Beach Rats by Eliza Hittman Co (USA, 95 min) Beast by Michael Pearce (Great Britain, 107 min) Falling by Marina Stepanska (Ukraine, 105 min) Gabriel And The Mountain by Fellipe Gamarano Barbosa (Brazil, France, 127min) God’s Own Country by Francis Lee (Great Britain, 104 min) I Am Not A Witch by Rungano Nyoni (Great Britain, France, 92 min) Insyriated by Philippe Van Leeuw (Belgium, France, Liban, 85 min) Jeune Femme by Léonor Serraille (France, 97 min) King Of Peking by Sam Voutas (USA, Australia, China, 88 min) La familia by Gustavo Rondón Córdova (Venezuela, Chili, Norway, 82 min) Los Perros by Marcela Said (Chile, France, 94 min) No Date, No Signature by Vahid Jalilvand (Iran, 100 min) One Thousand Ropes by Tusi Tamasese (New Zealand, 98 min) The Rider by Chloé Zhao (USA, 105 min) Son of Sofia by Elina Psikou (Bulgaria, France, Greece, 105 min) Where The Shadows Fall by Valentina Pedicini (Italy, 95 min)

    Stockholm XXVIII Documentary Competition

    A Gray State by Erik Nelson (USA, 93 min) Copwatch by Camilla Hall (USA, 99 min) For Ahkeem by Jeremy S. Levine and Landon Van Soest (USA, 89 min) The Force by Peter Nicks (USA, 93 min) Lots of Kids, A Monkey, And A Castle by Gustavo Salmerón (Spain, 90 min) The New Radical by Adam Bhala Lough (USA, 120 min) Step by Amanda Lipitz (USA, 83 min) Tarzan’s Testicles by Alexandru Solomon (Romania, France, 107 min) This is Congo by Daniel McCabe (Democratic Republic of Congo, USA, Canada, 91 min) This Is Everything: Gigi Gorgeous by Barbara Kopple (USA, 91 min) True Conviction by Jamie Meltzer (USA, 84 min) The Venerable W by Barbet Schroeder (France, Switzerland, 100 min)

    Stockholm Impact

    Cardinals by Grayson Moore and Aidan Shipley (Canada, 84 min) The Last Verse by Ying`Ting Tseng (Taiwan, 100 min) My Pure Land by Sarmad Masud (Great Britain, 92 min) Searing Summer by Ebrahim Irajzad (Iran, 83 min) Wild Roses by Anna Jadowska (Poland, 89 min)

    Open Zone

    A Fantastic Woman by Sebastián Lelio (Chile, USA, Germany, Spain, 104 min) A Man Of Integrity by Mohammad Rasoulof (Iran, 117 min) Amant Double by François Ozon (France, 110 min) April’s Daughter by Michel Franco (Mexico, 102 min) Based On A True Story by Roman Polanski (France, 110 min) Call Me By Your Name by Luca Guadagnino (Italy, France, 130 min) Free And Easy by Jun Geng (Honk Kong, 97 minutes) Gisslan by Rezo Gigineishvili (Russian Federation, Georgia, Poland, 103 min) Have A Nice Day by Liu Jian (China, 75 min) Ice Mother by Bohdan Sláma (Czech Republic, Slovakia, France, 105 min) Mr. Long by Sabu (Japan, Hong Kong, China, Taiwan, Germany, 129 min) On The Beach At Night Alone by Hong Sang`Soo (South Korea, 101 min) Our Time Will Come by Ann Hui (Honk Kong, 130 min) Radiance by Naomi Kawase (Japan, France, 101 min) Thelma by Joachin Trier (Norway, France, 109 min) The Shape Of Water by Guillermo del Toro (USA, 119 min) The Wandering Soap Opera by Raúl Ruiz and Valeria Sarmiento (Chile, 80 min) The Workshop by Laurent Cantet (France, 113 min)

    American Independents

    Band Aid by Zoe Lister`Jones (USA, 94 min) The Boy Downstairs by Sophie Brooks (USA, 91 min) Brigsby Bear by Dave McCary (USA, 100 min) Crown Heights by Matt Ruskin (USA, 99 min) The Endless by Aaron Moorhead, Justin Benson ( USA, 111 min) The Florida Project by Sean Baker (USA, 115 min) Gemini by Aaron Katz (USA, 93 min) Ingrid Goes West by Matt Spicer (USA, 97 min) Kings by Deniz Gamze Ergüven (France, Belgium, 86 min Life And Nothing More by Antonio Méndez Esparza (USA, 113 min) The Lovers by Azazel Jacobs (USA, 98 min) Keep The Change by Rachel Israel (USA, 94 min) Most Beautiful Island by Ana Asensio (USA, Spain, 80 min) Permanent by Colette Burson (USA, 97 min) Sollers Point by Matthew Porterfield (USA, France, 101 min) Who We Are Now by Matthew Newton (USA, 99 min)

    Icons

    Battle Of The Sexes by Jonathan Dayton and Valerie Faris (Great Britain, USA, 121 min) Breathe by Andy Serkis (Great Britain, 117 min) Downsizing by Alexander Payne (USA, 135 min) The Final Journey by Nick Baker`Monteys (Germany, 100 min) Final Portrait by Stanley Tucci (USA, 90 min) Hannah by Andrea Pallaoro (France, 80 min) The Hero by Brett Haley (USA, 96 min) Let The Sunshine In by Claire Denis (France, 94 min) The Party by Sally Potter (Great Britain, 71 min) Reinventing Marvin by Anne Fontaine (France, 115 min) Rodin by Jacques Doillon (France, 119 min) Suburbicon by George Clooney (USA, 105 min) Three Billboards Outside Ebbing, Missouri by Martin McDonagh (USA, UK, 115 min) You disappear by Peter Schønau Fog (Denmark, 118 min) Wonder Wheel by Woody Allen (USA, 101 min)

    Discovery

    Axolotl Overkill by Helene Hegemann (Germany, 94 min) Daybreak by Gentian Koçi (Albania, Greece, 85 min) Disappearance by Ali Asgari (Iran, Qatar, 88 min) Don’t Swallow My Heart, Alligator Girl! by Felipe Bragança (Brazil, Netherlands, France, Paraguay, 108 min) If You Saw His Heart by Joan Chemla (France, 86 min) Killing Jesus by Laura Mora (Colombia, Argentina, 100 min) Menashe by Joshua Z Weinstein (USA, 82 min) Oh Lucy! by Atsuko Hirayanagi (Japan, USA, 97 min) The Testament by Amichai Greenberg (Israel, 88 min) Vazante by Daniela Thomas (Brazil, Portugal, 116 min)

    Documania

    Chavela by Catherine Gund and Daresha Kyi (USA, 90 min) Dina by Dan Sickles and Antonio Santini (USA, 101 min) Hondros directed by Greg Campbell (USA, 93 min) The Paris Opera by Jean`Stéphane Bron (France, 110 min) Return Of A President – After The Coup In Madagascar by Lotte Mik`Meyer (Denmark, South Africa, France, Madagascar, 78 min) Rumble: The Indians Who Rocked The World by Catherine Bainbridge and Alfonso Maiorana (Canada, 103 min) Ryuichi Sakamoto: Coda by Stephen Nomura Schible (USA, 102 min) Served Like A Girl by Lysa Heslov (USA, 93 min) Shadowman by Oren Jacoby (USA, 83 min) Take Every Wave: The Life Of Laird Hamilton by Rory Kennedy (USA, 118 min) Walk with me by Max Pugh and Marc J. Francis (Great Britain, 94 min)

    Twilight Zone

    A Day by Sun`Ho Cho (South Korea, 90 min) Blade Of The Immortal by Takashi Miike (Japan, 140 min) The Cured by David Freyne (Ireland, Great Britain, France, 95 min) Double Date by Benjamin Barfoot (Great Britain, 90 min) Les Affamés by Robin Aubert (Canada, 100 min) Jailbreak by Jimmy Henderson (Cambodia, 92 min) Lowlife by Ryan Prows (USA, 98 min) The Merciless by Sung`Hyun Byun (South Korea, 120 min) Ugly Nasty People by Cosimo Gomez (Italy, France, 87 min) The Villainess by Byung`Gil Jung (South Korea, 129 min)

    Spotlight

    An Inconvenient Sequel: Truth to Power by Bonni Cohen and Jon Shenk (USA, 99 min) Human Flow by Ai Wei Wei (Germany, 140 min) More by Onur Saylak (Turkey, 115 min) This Is Our Land by Lucas Belvaux (France, Belgium, 118 min) Wasted! The Story Of Food Waste by Anna Chai and Nari Kye (USA, 85 min) Zagros by Sahim Omar Kalifa (Belgium, 100 min)

    Stockholm XXVIII Short Film Competition

    A Gentle Night by Qui Yang (China, 15 min) Aria by Myrsini Aristidou (Cyprus, France, 14 min) Atelier by Elsa María Jakobsdóttir (Denmark, 30 min) Bonboné by Rakan Mayasi (Lebanon, Palestine, 15 min) Hombre by Juan Pablo Arias Muñoz (Chile, 21 min) Into the Blue by Antoneta Kusijanovic (Croatia, Slovenia, 22 min) Kudzu by Connor Simpson (USA, 15 min) Lost Property Office by Daniel Agdag (Australia, 10 min) Marlon by Jessica Palud (France, Belgium, 19 min) The Ogre by Laurène Braibant (France, 10 min) Retouch by Kaveh Mazaheri (Iran, 20 min) Signature by Kei Chikaura (Japan, 13 min) Superpower Girl by Soo`Young Kim (South Korea, 24 min) Time To Go by Grzegorz Mołda (Poland, 15 min) You Will Be Fine by Céline Devaux (France, 15 min)

    Special Event

    Neruda by Pablo Larraín (Chile, Argentina, France, Spain, USA, 107 min) Varg by Frida Kempff and Erik Andersson (Sverige, 11 min) Sea Sorrow by Vanessa Redgrave (Great Britain, 74 min) Surprise film

    1 Km Film

    Förebilder by Elin Övergaard (Sweden,13 min) In Love by Ville Gideon Sörman (Denmark, 29 min) Intercourse by Jonatan Etzler (Sweden, 10 min) Mephobia by Mika Gustafsson (Sweden, 24 min) Min Homosyster by Lia Hietala (Sweden,15 min) Push It by Julia Thelin (Sweden, 8 min) Skuggdjur by Jerry Carlsson (Sweden, 21 min) Stay Ups by Joanna Rytel (Sweden, 11 min) Stranded by Viktor Johansson (Sweden, 11 min) Turkkiosken by Bahar Pars (Sweden, 7 min) Image: Sally Hawkins and Octavia Spencer in the film THE SHAPE OF WATER. Photo courtesy of Fox Searchlight Pictures. © 2017 Twentieth Century Fox Film Corporation All Rights Reserved

    Read more


  • LITTLE CRUSADER Wins Best Film at 52nd Karlovy Vary International Film Festival

    [caption id="attachment_23047" align="aligncenter" width="1200"]Director Václav Kadrnka, photo credit: Jan Handrejch Director Václav Kadrnka, 52nd Karlovy Vary IFF[/caption] The awards were presented at the closing ceremony of the 52nd Karlovy Vary IFF, and the fatherhood drama Little Crusader by Václav Kadrnka was awarded the Grand Prize – Crystal Globe and $25,000. The directing prize was won by Slovak filmmaker Peter Bebjak, who was presenting his film The Line at the festival. In the competition East of the West, the road movie How Viktor “the Garlic” took Alexey “the Stud” to the Nursing Home by Russian director Alexander Hant won that award. The award for best feature-length documentary went to the Spanish film Lots of Kids, a Monkey and a Castle. And the Právo Audience Award was awarded to the American crime drama taking place on a Native American reservation Wind River starring Jeremy Renner. The 53rd Karlovy Vary IFF will be held from June 29th to July 7th, 2018.

    OFFICIAL SELECTION – COMPETITION

    GRAND PRIX – CRYSTAL GLOBE (25 000 USD) The financial award is shared equally by the director and producer of the award-winning film. Little Crusader Directed by: Václav Kadrnka Czech Republic, Slovak Republic, Italy, 2017 SPECIAL JURY PRIZE (15 000 USD) The financial award is shared equally by the director and producer of the award-winning film. Men Don’t Cry Directed by: Alen Drljević Bosnia and Herzegovina, Slovenia, Croatia, Germany, 2017 BEST DIRECTOR AWARD Peter Bebjak for the film The Line Slovak Republic, Ukraine, 2017 BEST ACTRESS AWARD Jowita Budnik and Eliane Umuhire ex-aequo for their roles in the film Birds Are Singing in Kigali Directed by: Joanna Kos-Krauze, Krzysztof Krauze Poland, 2017 BEST ACTOR AWARD Alexander Yatsenko for his role in the film Arrhythmia Directed by: Boris Khlebnikov Russia, Finland, Germany, 2017 SPECIAL JURY MENTION For the best First Feature Film Keep the Change Directed by: Rachel Israel USA, 2017 SPECIAL JURY MENTION For the Best Newcomer Voica Oltean, actress Breaking News Directed by: Iulia Rugin Romania, 2017 EAST OF THE WEST – COMPETITION EAST OF THE WEST GRAND PRIX (15 000 USD) The financial award is shared equally by the director and producer of the award-winning film. How Viktor “the Garlic” Took Alexey “the Stud” to the Nursing Home Directed by: Alexander Hant Russia, 2017 EAST OF THE WEST SPECIAL JURY PRIZE (10 000 USD) The financial award is shared equally by the director and producer of the award-winning film. Dede Directed by: Mariam Khatchvani Georgia, Qatar, Ireland, Netherlands, Croatia, 2017 DOCUMENTARY FILMS – COMPETITION GRAND PRIX FOR BEST DOCUMENTARY FILM (5 000 USD) The financial award goes to the director of the award-winning film. Lots of Kids, a Monkey and a Castle Directed by: Gustavo Salmerón Spain, 2017 DOCUMENTARY SPECIAL JURY PRIZE Atelier de conversation Directed by: Bernhard Braunstein Austria, France, Liechtenstein, 2017 PRзVO AUDIENCE AWARD Wind River Directed by: Taylor Sheridan USA, 2016 CRYSTAL GLOBE FOR OUTSTANDING ARTISTIC CONTRIBUTION TO WORLD CINEMA Ken Loach, United Kingdom CRYSTAL GLOBE FOR OUTSTANDING ARTISTIC CONTRIBUTION TO WORLD CINEMA Paul Laverty, United Kingdom CRYSTAL GLOBE FOR OUTSTANDING ARTISTIC CONTRIBUTION TO WORLD CINEMA James Newton Howard, USA FESTIVAL PRESIDENT’S AWARD Uma Thurman, USA FESTIVAL PRESIDENT’S AWARD Casey Affleck, USA FESTIVAL PRESIDENT’S AWARD Jeremy Renner, USA FESTIVAL PRESIDENT’S AWARD FOR CONTRIBUTION TO CZECH CINEMATOGRAPHY Václav Vorlíček, Czech Republic NON-STATUTORY AWARDS AWARD OF INTERNATIONAL FILM CRITICS (FIPRESCI) Awarded by The International Federation of Film Critics (FIPRESCI). Keep the Change Directed by: Rachel Israel USA, 2017 THE ECUMENICAL JURY AWARD The Cakemaker Directed by: Ofir Raul Graizer Israel, Germany, 2017 FEDEORA AWARD Awarded by the Federation of Film Critics of Europe and the Mediterranean (FEDEORA) to the best film from the East of the West – Competition Mariţa Directed by: Cristi Iftime Romania, 2017 Special Mention Blue Silence Directed by: Bülent Öztürk Turkey, Belgium, 2017 EUROPA CINEMAS LABEL AWARD For the best European film in the Official Selection – Competition and in the East of the West – Competition. Men Don’t Cry Directed by: Alen Drljević Bosnia and Herzegovina, Slovenia, Croatia, Germany, 2017 THE WINNERS OF WORKS IN PROGRESS AWARD AND EURIMAGES LAB PROJECT AWARD @ KVIFF WORKS IN PROGRESS AWARD @ KVIFF At the 14th edition of Works in Progress @KVIFF, eight selected projects (plus one out of competition) were presented from a total of 77 submissions from Central and Eastern Europe, the Balkans, Turkey, Greece and post-Soviet territories. The 2017 award, with a total value of EUR 100,000, includes post-production services at UPP and Soundsquare and a EUR 10,000 cash award from Barrandov Studio. Censor 80 min, Slovak Republic Directed by: Peter Kerekes Cast: Irina Alexandrovna, Jura Car, Ljubov Vassilina EURIMAGES LAB PROJECT AWARD @ KVIFF The Karlovy Vary IFF is one of four international festivals to present this award. The final eight projects were selected from 45 submitted projects from Eurimages countries that are currently in production or post-production, are being made outside the traditional filmmaking framework, and involve international co-operation. The best project receives an award of EUR 50,000. The Stand-In 70 min, Italy, France, Morocco Directed by: RК di Martino Scriptwriter: RК di Martino Producer: Marco Alessi Camera: Gianclaudio Giacomini, Giulio Squillacciotti, Hasnae el Ouarga Cast: Valeria Gollino, Filippo Timi, Corrado Sassi, Younes Bouad, Nadia Kounda, Nisrine Adam Image: Director Václav Kadrnka, photo credit: Jan Handrejch

    Read more


  • Karlovy Vary International Film Festival Announces 2017 Competition Lineup

    [caption id="attachment_22496" align="aligncenter" width="1200"]Birds Are Singing in Kigali Birds Are Singing in Kigali[/caption] The 52nd Karlovy Vary International Film Festival today announced the lineup for the competition sections: Official Selection – Competition, East of the West – Competition and Documentary Films – Competition. The films in the festival’s main section will include Birds Are Singing in Kigali. The last film of the deceased Krzysztof Krauze is depicting painful consequences of the Rwandan genocide and was completed by his co-director and wife Joanna Kos-Krauze. Three years after receiving the KVIFF‘s Crystal Globe for Corn Island George Ovashvili is returning to Karlovy Vary with no less unmistakably directed Khibula, an archetypal story inspired by journey of the newly independent Georgia’s first president. Competition will also present Boris Khlebnikov’s new drama Arrhythmia, Václav Kadrnka’s medieval cinematic pilgrimage Little Crusader, Peter Bebjak’s criminal thriller The Line, American unconventional romantic comedy about (ab)normality in love Keep the Change, remarkable debuts Ralang Road from India and Israeli-German Cakemaker, and More, the first directorial attempt by Turkish actor Onur Saylak. This year, the East of the West – Competition will open with remarkable Azerbaijani drama Pomegranate Orchard by Ilgar Najaf. Eight of the dozen of premieres are debut films, including two strong films by female directors – Marina Stepanska will bring to Karlovy Vary Falling, fragile love story and a strong statement of the current young Ukrainian generation, while Mariam Khatchvani in Dede will take the audience to the rough Svanetia, region from which she comes from. Juraj Lehotský will return to KV after successful fiction debut Miracle with Slovak-Czech intimate drama Nina. Three World premieres – The White World According to Daliborek by Vít Klusák, Lots of Kids, a Monkey and a Castle by Gustavo Salmerón and Another News Story by Orban Wallace – will be presented to Karlovy Vary audience in the Documentary Films – Competition. Tarzan’s Testicles, a Romanian essay about a decrepit institute in Abchazia is also included among eleven selected films.

    Official Selection – Competition

    Arrhythmia / Arrhythmia / Arytmie Director: Boris Khlebnikov Russia, Finland, Germany, 2017, 90 min, International premiere Oleg is heading for his thirties. He works as a paramedic and, after a hard shift, he likes to take a few swigs. His wife Katya is also a doctor, working in the hospital’s emergency department. But her patience with Oleg is running thin, so she announces one day that she wants a divorce… One of the most intriguing filmmakers on the Russian scene today, Boris Khlebnikov returns to the big screen with a meticulous piece of direction. Along with precise performances from the cast, the film examines a relationship experiencing an arrhythmia similar to that affecting the hearts of the patients Oleg treats in his job as a paramedic. Breaking News / Breaking News / Breaking News Director: Iulia Rugină Romania, 2017, 81 min, International premiere A difficult assignment awaits TV reporter Alex. He must film a memorial portrait for a coworker who died in a tragic accident they both experienced but that only he survived. His colleague’s daughter becomes his guide, although her relationship to her father was more than complicated. Alex becomes an involuntary witness to the girl’s handling of her father’s death, and he also comes to believe that chronicling a person’s life involves more than just a short news report… The Cakemaker / The Cakemaker / Cukrář Director: Ofir Raul Graizer Israel, Germany, 2017, 104 min, World premiere After the death of his lover, Thomas heads to Israel – the birthplace of the man he adored. Despite prejudice at his German origins he becomes the pastry chef at a local café owned by the widow of the deceased Oran. Yet she hardly suspects that the unnamed sorrow that connects her to the stranger is for one and the same man. Čiara / The Line / Čára Director: Peter Bebjak Slovak Republic, Ukraine, 2017, 108 min, World premiere Adam Krajňák is head of the family and also boss of a gang of criminals smuggling cigarettes across the Slovak-Ukrainian border. The failure of one of the transports triggers an avalanche of consequences that compels him to question his own boundaries, none of which he had planned on crossing until now. Corporate / Corporate / Korporace Director: Nicolas Silhol France, 2016, 95 min, International premiere The life of an uncompromising HR manager named Emilie changes the instant she witnesses the suicide of one of the staff. The investigation of the case becomes a moral test for a woman whose actions, although motivated by her unlimited devotion to work, have caused grief for many an employee. Daha / More / Ještě víc Director: Onur Saylak Turkey, 2017, 115 min, World premiere Fourteen-year-old Gaza lives with his father Ahad on the shores of the Aegean Sea. The intelligent kid would like to continue his studies, but Ahad sees his son’s future differently. He gets Gaza to help with his side business – smuggling refugees from the Mideast. A directing tour de force, this disturbing psychological study of an adolescent boy’s transformation under the influence of those around him bears dark tidings about the contemporary world. Keep The Change / Keep The Change / Drobné si nechte Director: Rachel Israel USA, 2017, 94 min, International premiere Stylish but apathetic, David meets bundle of energy Sarah at a support group. While he’s just fulfilling a court-ordered obligation, she is thrilled to be there. But as they move past their initial conflicts, they become participants in an uncommon romance that won’t yield to convention. Keep the Change is a different kind of romantic comedy about people who are not the same – like most of us. Khibula / Khibula / Chibula Director: George Ovashvili Georgia, Germany, France, 2017, 98 min, World premiere Shortly after the first democratically elected president of Georgia came to power he was ousted in a military coup. He sets out for the mountains with a group of loyalists to regroup with his supporters. Set against an imposing Caucasus backdrop, we witness a man fighting for power while waging an internal struggle as he heads to meet his fate. The winner of KVIFF 2014 returns with an archetypal story told with light melancholy and an unmistakable visual poetic. Křižáček / Little Crusader / Křižáček Director: Václav Kadrnka Czech Republic, Slovak Republic, Italy, 2017, 90 min, World premiere Little Jan, the only descendant of the knight Bořek (Karel Roden), has run away from home. His anxious father sets out to find him but his despair at the fruitless search gradually starts to overpower him. Václav Kadrnka has turned out a stylistically well-contoured adaptation of the poem by Jaroslav Vrchlický, where he employs a taciturn film form in order to encourage our imagination to engage in a poetic, cinematic pilgrimage. Muškarci ne plaču / Men Don’t Cry / Chlapi nepláčou Director: Alen Drljević Bosnia and Herzegovina, Slovenia, Croatia, Germany, 2017, 98 min, World premiere When a diverse group of veterans gathers at a remote mountain hotel to undergo days of therapy less than two decades since the war ended in Yugoslavia, it’s hard to expect absolute harmony. This brilliantly directed drama, about the ability to forgive others only after we have forgiven ourselves, presents the pinnacle of the Balkan male acting scene. Ptaki śpiewają w Kigali / Birds Are Singing in Kigali / Ptáci zpívaji v Kigali Director: Joanna Kos-Krauze, Krzysztof Krauze Poland, 2017, 120 min, World premiere We meet ornithologist Anne in 1994 just as genocide is raging in Rwanda, perpetrated by the majority Hutus against the Tutsis. Anne manages to save the daughter of a colleague whose family has been murdered, and she takes her to Poland. But the woman returns to Rwanda to visit the graves of her loved ones. The director originally worked on the movie with her husband Krzysztof Krauze (My Nikifor – Crystal Globe, KVIFF 2004), but after his death in 2014 she eventually finished this challenging picture alone. Ralang Road / Ralang Road / Cesta do Ralangu Director: Karma Takapa India, 2017, 112 min, World premiere The stories of four individuals intertwine in a maze of Himalayan countryside, village buildings, and the local social microcosm. With a captivating internal rhythm and the stylistic elements taken firmly in hand, the film presents a narratively courageous look at the region’s social web and the influence of cultural immigration on local life.

    East of the West – Competition

    Absence blízkosti / Absence of Closeness / Absence blízkosti Director: Josef Tuka Czech Republic, 2017, 65 min, World premiere After another failed relationship Hedvika takes her three-month-old daughter Adélka and her dog to stay with her mother and her mum’s boyfriend. Hedvika doesn’t get on all that well with her mother, nor are her feelings towards Adélka as maternal as they could be. One day she finds some diaries that her late father left behind… This small-scale psychological drama by debutant Josef Tuka is shored up by its realistic characters, an understated performance from Jana Plodková, and perceptive, discreet lensing. Blue Silence / Blue Silence / Modré ticho Director: Bülent Öztürk Turkey, Belgium, 2017, 93 min, International premiere After his release from the military hospital where he was receiving treatment for a past trauma, Hakan tries to resume a normal life and form a proper relationship with his daughter. Excelling for its mature performances and its stylisation of image and sound, the film foregrounds Hakan’s wounded soul and underlines his vehement efforts to break free from his own private prison. Dede / Dede / Dede Director: Mariam Khatchvani Georgia, United Kingdom, 2017, 97 min, World premiere It’s 1992. Young Dina lives in a remote mountain village where life is strictly governed by centuries of tradition. Is it possible to defy the firmly established order? And, if it is, what price must a person pay for doing so? Debut director Mariam Khatchvani set her first film in Svaneti, the stark mountainous region in northwestern Georgia where she herself was born, and she presents us with an authentic portrayal of a number of customs and traditions associated with this province. Kak Vitka Chesnok vez Lecha Shtyrya v dom invalidov / How Viktor “the Garlic” took Alexey “the Stud” to the Nursing Home / Jak Víťa Česnek vezl Ljochu Vrtáka do důchoďáku Director: Alexander Hant Russia, 2017, 90 min, World premiere This inventive road movie about a son and father finding their way to one another has none of the sentiment normally associated with this kind of subject matter. The film introduces an ensemble of wild characters from the lowest social strata, viewed through a lens that finds a balance between the work’s profoundly human dimension and its stylishly ironic commentary on contemporary society. Keti lõpp / The End of The Chain / Konec řetězce Director: Priit Pääsuke Estonia, 2017, 81 min, World premiere Have you ever had a bad day? Well, it would be difficult to top the catastrophe facing a waitress at a fast-food outlet, where people come not for a quick meal but simply to have a good cry. This high-spirited comedy, about the worst that can happen when you’re slaving from dawn to dusk, also examines existential dilemmas, unconcealed selfishness, and the essential desire for compassion. Mariţa / Mariţa / Mariţa Director: Cristi Iftime Romania, 2017, 100 min, World premiere Thirty-year-old Costi decides to spend a few days with his family. His parents have long since divorced, but Costi thinks it would be a great idea to arrange a surprise reunion, and he persuades his father to travel with him to meet up with his mother and siblings. Taking the old family car, affectionately known as Mariţa, they head out on a journey that will ultimately help to heal past wounds and allow Costi to finally understand not only his parents, but also himself. Minu näoga onu / The Man Who Looks Like Me / Muž, který vypadá jako já Director: Katrin Maimik, Andres Maimik Estonia, 2017, 100 min, World premiere Music critic Hugo is going through a post-divorce crisis and just wants some peace to finish writing his book. When his bohemian father suddenly appears on his doorstep, it becomes clear that the new life he has chosen for himself is about to go in quite a different direction. A tragicomic tale about parents and children and their shared mistakes and complexes. Nar baği / Pomegranate Orchard / Sad granátovníků Director: Ilgar Najaf Azerbaijan, 2017, 90 min, World premiere Gabil returns home to the humble family farmstead, surrounded by an orchard of venerable pomegranate trees; since his sudden departure twelve years ago he was never once in contact. However, the deep emotional scars he left behind cannot be erased from one day to the next. A private drama set in a picturesque landscape which tells of wrongdoings simmering below the surface of seeming innocence. Nina / Nina / Nina Director: Juraj Lehotský Slovak Republic, Czech Republic, 2017, 86 min, World premiere Nina is twelve years old and her world has just been shattered to smithereens: Her parents’ marriage has broken down and they are getting a divorce. After his internationally successful debut Miracle Juraj Lehotský now brings us an intimate drama in which the viewer looks upon the world and the selfish, visionless behaviour of adults through the eyes of a 12-year-old girl. A girl who is resilient and belligerent, but also vulnerable and just as fragile as the miniature world she creates for herself in the garden shed. Strimholov / Falling / Střemhlav Director: Marina Stepanska Ukraine, 2017, 105 min, World premiere Anton and Katia happen upon one another in night-time Kiev. Both are trying to find their bearings in life, and their encounter changes everything… This psychological drama by debuting Marina Stepanska offers up both a fragile love story and a strong statement on the current young generation as it searches for its place in post-revolutionary Ukraine. T’padashtun / Unwanted / Nechtění Director: Edon Rizvanolli Kosovo, Netherlands, 2017, 85 min, World premiere Teenager Alban lives in Amsterdam with his mother Zana, who left Kosovo during the war in the Balkans. When he starts going out with the sensitive Ana, neither of them has any idea that unresolved injustices and shadows from the past will make their way to the surface. This insightful, mature debut by a Kosovan director reminds us how difficult forgiveness and reconciliation can be. Taş / The Stone / Kámen Director: Orhan Eskiköy Turkey, 2017, 96 min, International premiere Emete would swear that the young man seeking refuge in her home is the son she lost long ago. But in her isolated, wasteland village it’s almost impossible to differentiate real hope from self-delusion. Especially since the only way to survive is to throw in with the collective myths and seek comfort in cold stone.

    DOCUMENTARY FILMS – COMPETITION

    Another News Story / Another News Story / Další čerstvá zpráva Director: Orban Wallace United Kingdom, 2017, 90 min, World premiere In today’s chaotic era, what is the “who, how, and why” of news spewed forth on world conflicts and crises? A young British director turns his camera lens on the journalists sent by their employers to the Mediterranean to cover the unfolding humanitarian tragedy. When faced with immeasurable suffering, do they maintain a fundamental sensitivity or do they fall back on sensationalized treatments of human misfortune? Atelier de conversation / Atelier de conversation / Lekce francouzské konverzace Director: Bernhard Braunstein Austria, France, Lichtenstein, 2017, 72 min, International premiere One room, twelve red chairs, and a common language. Foreigners from all corners of the world meet each week for free lessons to hone their French. This formally minimalist documentary captures the fleeting moments in which grammatical fumblings or the painstaking search for the right word inadvertently open a window into the human soul. Avant la fin de l’été / Before Summer Ends / Než skončí léto Director: Maryam Goormaghtigh Switzerland, France, 2017, 80 min, International premiere Even after studying in France for five years, Arash hasn’t completely gotten used to the place, so he decides to return home to Iran. But friends Hossein and Ashkan are determined not to accept the loss of their closest pal. This documentary comedy, about a goodbye road trip across France, boasts beer chugging and French girls, but it’s also about cultural differences and the natural need to find and hold onto kindred spirits when living in a foreign land. A Campaign of Their Own / A Campaign of Their Own / Kampaň Director: Lionel Rupp Switzerland, 2017, 74 min, International premiere Partaking of the Direct Cinema documentary style, A Campaign of Their Own tells the story of the loyal supporters of democratic socialist Bernie Sanders, who lost to Clinton in the Democratic primaries. Subtly engagé and skillfully incorporated into a stylistic frame, the film lifts the lid on a newly-inflamed radical skepticism towards political representation in the United States and the general frustration at the breakdown of representative democracy itself. Land of the Free / Land of the Free / Země svobodných Director: Camilla Magid Denmark, Finland, 2017, 95 min, International premiere In the economically depressed neighborhoods of South Central Los Angeles it’s far too easy to get on the wrong side of the law. One fateful day 42-year-old Brian, who has just been released from serving a long prison sentence, experiences it firsthand. The vicious cycle of social determination, however, also begins to effect the lives of teenager Juan and seven-year-old Gianni. The debuting director immerses herself in the depths of human vulnerability in order to draw out fragments of hope. A Memory in Khaki / A Memory in Khaki / Vzpomínky v barvě khaki Director: Alfoz Tanjour Qatar, 2016, 108 min, European premiere A Syrian director dusts off memories of the past, when people were persecuted for their political beliefs. A poetic portrait of people whose homes have been turned to rubble, and a story that tells us that a free life can never be monochromatic, let alone khaki. Moj život bez zraka / My Life without Air / Život bez vzduchu Director: Bojana Burnać Croatia, 2017, 72 min, European premiere The most important moments in the life of Goran, a Croatian free diving record-holder, take place exclusively underwater. This portrait of an extreme athlete features intentional dramatic minimalism in order to guide the viewer toward a shared physical experience of performances that push the boundaries of what is humanly possible. Between each inhalation and exhalation we experience an endless emotional fall into the depths of the deep blue sea. Muchos hijos, un mono y un castillo / Lots of Kids, a Monkey and a Castle / Spousta dětí, opice a zámek Director: Gustavo Salmerón Spain, 2017, 90 min, World premiere Julita always wanted lots of kids, a monkey, and a castle. After finally realizing these wishes, however, her family loses their property in the economic crisis. But they have not lost the disarming ease and kindheartedness that mark their domestic squabbling. A film chronicle with elements of absurd humor that serves as a madcap allegory for the contemporary situation in Spain. Ouăle lui Tarzan / Tarzan’s Testicles / Tarzanova varlata Director: Alexandru Solomon Romania, France, 2017, 105 min, International premiere A research center in Sukhumi, the capital of today’s Abkhazia. Legend has it that it was built at the end of the 1920s to create a hybrid between man and monkey. The hypothetical creature never saw the light of day, but people and primates, like sad relics of the past, live together in the derelict wings of the medical institute to this very day. Richard Müller: Nespoznaný / Richard Müller: Unknown / Richard Müller: Nepoznaný Director: Miro Remo Slovak Republic, Czech Republic, 2016, 90 min, International premiere This uncompromising, sometimes painfully revealing but always deeply insightful portrait presents the life of Richard Müller from a fresh perspective. We get to know the famous Slovak singer as a still uncommonly charismatic man who has become exhausted by his struggles with addiction, mental illness, and the demands of show business. Svět podle Daliborka / The White World According to Daliborek / Svět podle Daliborka Director: Vít Klusák Czech Republic, Poland, Slovak Republic, United Kingdom, 2017, 105 min, World premiere A stylized portrait of an authentic Czech neo-Nazi, who hates his life but doesn’t know what to change. Corrosively absurd and starkly chilling in equal measure, this tragicomedy investigates the radical worldview of “decent, ordinary people.” And just when it seems that its message can’t get any more urgent, the film culminates in a totally uncompromising way.

    Read more


  • INGRID GOES WEST Starring Aubrey Plaza, Elizabeth Olsen, to Close LA Film Festival

    [caption id="attachment_19910" align="aligncenter" width="1371"]Ingrid Goes West Ingrid Goes West[/caption] Matt Spicer’s Ingrid Goes West starring Aubrey Plaza, Elizabeth Olsen, O’Shea Jackson Jr., Wyatt Russell, Billy Magnussen and Pom Klementieff will close the 2017 LA Film Festival on Thursday, June 22. And, on June 17 there will be a World Premiere Gala Screening of Ric Roman Waugh’s Shot Caller starring Nikolaj Coster-Waldau, Omari Hardwick, Lake Bell, Jon Bernthal, Emory Cohen, Jeffrey Donovan and Benjamin Bratt. The festival also revealed the films selected to screen in  the Premiere and Buzz categories, as well as the Film Independent Member Screening of Jeff Baena’s The Little Hours starring Alison Brie, Dave Franco, Kate Micucci, Aubrey Plaza, John C. Reilly and Molly Shannon. USA Network will also screen the West Coast Premiere of series The Sinner starring Jessica Biel, Bill Pullman and Christopher Abbott at the LA Film Festival.   The LA Film Festival takes place June 14 to 22, 2017 headquartered at ArcLight Cinemas Culver City, with additional screenings at ArcLight Hollywood, ArcLight Santa Monica and more. Closing Night Film Ingrid Goes West, dir. Matt Spicer, USA, Los Angeles Premiere Ingrid Thorburn is an unhinged social media stalker who moves to LA to befriend her latest obsession, the boho chic social media influencer, Taylor Sloane. NEON will release Ingrid Goes West on August 11. Gala Screening of Shot Caller Shot Caller, dir. Ric Roman Waugh, USA, World Premiere A newly released prison gangster is forced by the leaders of his gang to orchestrate a major crime on the streets of Southern California. Buzz Non-competitive showcase of curated favorites from other film festivals. The Big Sick, dir. Michael Showalter, USA, LA Premiere Bill Nye: Science Guy, dir. David Alvarado, Jason Sussberg, USA, LA Premiere Lady Macbeth, dir. William Oldroyd, UK, LA Premiere Maudie, dir. Aisling Walsh, Ireland/Canada, LA Premiere My Friend Dahmer, dir. Marc Meyers, USA, LA Premiere Patti Cake$, dir. Geremy Jasper, USA, LA Premiere Keep the Change, dir. Rachel Israel, USA, LA Premiere Whitney: Can I Be Me, dir. Nick Broomfield, Rudi Dolezal, USA, LA Premiere Premieres World premieres of fiction and documentary films featuring noteworthy talent. The Bachelors, dir. Kurt Voelker, USA, World Premiere CounterPunch, dir. Jay Bulger, USA, World Premiere A Crooked Somebody, dir. Trevor White, USA, World Premiere The Female Brain, dir. Whitney Cummings, USA, World Premiere Humor Me, dir. Sam Hoffman, USA, World Premiere The Keeping Hours, dir. Karen Moncrieff, USA, World Premiere Living on Soul, dir. Cory Bailey, Jeff Broadway, USA, World Premiere The Song of Sway Lake, dir. Ari Gold, USA, World Premiere Submission, dir. Richard Levine, USA, World Premiere Sun Dogs, dir. Jennifer Morrison, USA, World Premiere Film Independent Members Screening The Little Hours, dir. Jeff Baena, USA, LA Premiere A young servant fleeing from his master takes refuge at a dysfunctional convent in medieval Tuscany. Additional Festival Event The Sinner, West Coast Premiere The Sinner follows a young mother who commits a startling act of violence, which launches an inverted and utterly surprising crime thriller whose driving force is not the “who” or the “what” — but the “why.” The show premieres August 2 on USA Network.

    Read more


  • Tribeca 2017: KEEP THE CHANGE, SON OF SOFIA, and BOBBI JENE Win Top Juried Awards

    [caption id="attachment_22103" align="aligncenter" width="1200"]Keep the Change Brandon Polansky as David Cohen and Samantha Elisofon as Sarah Silverstein in KEEP THE CHANGE. Photographer: Giacomo Belletti.[/caption] Keep the Change, Son of Sofia and Bobbi Jene won the top competition awards at the 16th Tribeca Film Festival award ceremony earlier tonight. Keep the Change won the award for Best U.S. Narrative, Son of Sofia won for Best International Narrative, and Bobbi Jene won for Best Documentary. For the fifth year, Tribeca awarded innovation in storytelling through its Storyscapes Award for immersive storytelling, which went to TREEHUGGER: WAWONA. “It is more important than ever to celebrate artists both in front of and behind the camera who have the unique ability to share different viewpoints to inspire, challenge and entertain us,” said Jane Rosenthal, Executive Chair and Co-Founder, Tribeca Film Festival. “The winning creators from across the Festival program shared stories that did exactly that, and we are honored to recognize them tonight. And how wonderful is it that the top awards in all five feature film categories were directed by women.” This year’s Festival included 97 feature length films, 57 short films, and 30 immersive storytelling projects from 41 countries.

    The winners of awards of the 2017 Tribeca Film Festival

    U.S. NARRATIVE FEATURE COMPETITION CATEGORIES:

    The Founders Award for Best Narrative Feature – Keep the Change, written and directed by Rachel Israel. Jury Comment: “For her heartwarming, hilarious and consistently surprising reinvention of the New York romantic comedy, which opens a door to a world of vibrant characters not commonly seen on film, the U.S. Narrative Jury gives the Founders Award to Rachel Israel for Keep the Change.” Best Actor in a U.S. Narrative Feature Film – Alessandro Nivola in One Percent More Humid. Jury Comment: “For his raw, complex and deeply human portrayal of middle-aged teacher and writer who tries to rekindle his creativity by plunging into an ill-advised affair with a student, the award for Best Actor goes to Alessandro Nivola, in Liz W. Garcia’s One Percent More Humid.” Best Actress in a U.S. Narrative Feature Film – Nadia Alexander in Blame. Jury Comment: “For her powerful, multilayered and risky portrayal of a troubled teenager in Quinn Shepard’s accomplished directorial debut Blame, the award for Best Actress goes to Nadia Alexander.” Best Cinematography in a U.S. Narrative Feature Film – Cinematography by Chris Teague for Love After Love. Jury Comment: “For creating a visual style that beautifully mirrors the fraught and messy landscape of grief, the cinematography award goes to Love After Love, shot by Chris Teague.” Best Screenplay in a U.S. Narrative Feature Film – Abundant Acreage Available written by Angus MacLachlan. Jury Comment: “For its portrayal, both universal and intimate, of two families who meet, clash and ultimately discover what it means to call a place home, the best screenplay award goes to Abundant Acreage, written and directed by Angus MacLachlan.”

    INTERNATIONAL NARRATIVE FEATURE COMPETITION CATEGORIES:

    The Best International Narrative Feature – Son of Sofia (O Gios tis Sofias) written and directed by Elina Psykou (Greece, Bulgaria, France). Jury Comment: “When we were watching these movies we were looking for something we hadn’t seen before. We unanimously agree that one film challenged us to see in a new way, and we were seduced by the surprising humanity of its difficult characters. The direction was assured, and its tone unique, and we look forward to seeing Elina Psykou’s next work. The Best International Narrative Feature Award goes to Son of Sofia.” Best Actor in an International Narrative Feature Film – Guillermo Pfening in Nobody’s Watching (Nadie Nos Mira) (Colombia, Argentina, Brazil, USA, Spain). Jury Comment: “For a performance of extraordinary vulnerability and commitment that anchored the film, the Best Actor Award goes to Guillermo Pfening for Nobody’s Watching.” Best Actress in an International Narrative Feature Film – Marie Leuenberger in The Divine Order (Die göttliche Ordnung) (Switzerland). Jury Comment: “For a performance that is patient, intelligent and graceful, that captured the liberation of a young woman the Best Actress Award goes to Marie Leuenberger for The Divine Order.” Best Cinematography in an International Narrative Feature Film – Cinematography by Mart Taniel for November (Estonia, Netherlands, Poland). Jury Comment: “We were particularly impressed by the high level of the cinematography of the films we’ve just seen which had very different styles and demands. One film was particularly audacious and showed supreme command of its visual language. The Best Cinematography Award goes to Mart Taniel for November.” Best Screenplay in an International Narrative Feature Film – Ice Mother (Bába z ledu) written by Bohdan Sláma (Slovakia, France). Jury Comment: “A screenplay can create a world. With warmth and humor, this movie leads us into a specific and eccentric world driven by an unlikely love story. The Best Screenplay Award goes to Bohdan Sláma for Ice Mother.”

    DOCUMENTARY COMPETITION CATEGORIES:

    Best Documentary Feature – Bobbi Jene, directed by Elvira Lind (USA, Denmark, Israel). Jury Comments: “In a diverse field of worthy films, one work captivated our jury with its exquisite blend of emotional depth and rigorous craft. Fulfilling the promise of classic cinema verite, where camera serves as both observer and provocation, this film connected two artists, filmmaker and subject, pushing nonfiction intimacy to bold new places. Our winner documents the deeply personal process of a brilliant woman finding her voice – paired with a director whose own artistic vision dances elegantly with that of her subject. We the jury give the Best Documentary Feature to Elvira Lind’s Bobbi Jene.” Best Documentary Cinematography – Cinematography by Elvira Lind for Bobbi Jene (USA, Denmark, Israel). Jury Comments: “For the film’s extraordinary relationship to an artist who is willing to go bare not only in performance but in stunningly intimate scenes that are poetic, honest and moving, seemingly without barriers between camera and subject, we give Best Cinematography to Elvira Lind for Bobbi Jene.” Best Documentary Editing – Editing by Adam Nielson for Bobbi Jene (USA, Denmark, Israel). Jury Comments: “For a film whose precise economy of construction creates space for the rich sensual palette of a committed artist going through a life change, and whose internal rhythms mirror the art it portrays, we give Best Editing to Adam Nielson for Bobbi Jene.” Special Jury Mention – True Conviction. “For its compelling storytelling and for introducing us to three heroic characters who transform the injustice they suffered into active change, we give a Special Jury Mention for Best Documentary Feature to Jamie Meltzer’s True Conviction.”

    BEST NEW NARRATIVE DIRECTOR COMPETITION:

    Best New Narrative Director – Rachel Israel, director of Keep the Change (U.S.). Jury Comments: “For this award, we were looking for a filmmaker with a fearless, authentic voice. Our decision was unanimous. This filmmaker created a world full of vibrant characters often under-represented in cinema. It is a unique, yet universal love story told in a way we’ve never seen. We anxiously await to see what this filmmaker does next. We are so thrilled to present the award for Best New Narrative Director to Rachel Israel for Keep the Change.”

    BEST NEW DOCUMENTARY DIRECTOR COMPETITION:

    Albert Maysles New Documentary Director Award – Sarita Khurana and Smriti Mundhra for A Suitable Girl (U.S./India). Jury Comments: “For the top prize we chose a film that helped us to rethink the dynamics of love through a moving portrayal of a cultural tradition. With incredible access, heartfelt scenes and it’s strong verite style, The Albert Maysles Prize for first documentary feature goes to A Suitable Girl.” Special Jury Mention – Hondros. “In considering a wide range of subjects in our category we were moved by two different kinds of love stories. The film we decided to honor with a special mention delves into the fractured worlds of chaos and violence and the interconnectedness of humanity. A childhood friend carries on his legacy to show the enduring power of love. The special mention goes to Hondros.”

    THE NORA EPHRON PRIZE

    The Nora Ephron Prize: Petra Volpe, writer/director of The Divine Order (Switzerland). Jury Comments: “For its intrepid and compassionate storytelling, beautiful cinematography (DP-ed by a woman), complex characterization of the female experience, seamless navigation of both drama and comedy, and true embodiment of the personal being political, we award the Nora Ephron Prize to Petra Volpe for her film The Divine Order.” Special Jury Mention: Keep the Change

    SHORT FILM COMPETITION CATEGORIES:

    Best Narrative Short – Retouch, directed by Kaveh Mazaheri (Iran). Jury Comments: “For its message of choice, liberty, and renewal where the lines of morality and honesty are blurred, leaving the audiences own projection of the events open for discussion and introspection. We appreciated the unification of the aesthetic and the ethical. The winner of the Best Narrative Short goes to Retouch.” Best Animated Short – Odd is an Egg (Odd er et egg) directed by Kristin Ulseth (Norway). Jury Comments: “We found the story of this animated short sweet and moving. We were also very impressed with beautiful visuals, which were artistic, cool and haunting. The filmmaker shows great promise. Best Animated Short goes to Kristin Ulseth for her film, Odd is an Egg.” Best Documentary Short – The Good Fight directed by Ben Holman (U.S., UK, Brail). Jury Comments: “An unflinching portrait of finding hope in a world of danger; a journey of perseverance in the face of tragedy; an uplifting and visually compelling story of redemption. The winner of the Best Documentary Short is The Good Fight.” Special Jury Mention – Resurface: “Shedding light on the struggle for normalcy, hope, and recovery that US Veterans face every day, this is the story of reviving the human spirit through connecting with something deeply powerful and larger than the self: the Natural World.” Student Visionary Award – Fry Day directed by Laura Moss (U.S.). Jury Comments: “For its success in balancing an immersive coming of age experience with relevant social commentary in a historically specific context; compelling performances and expert filmmaking, the student visionary award goes to Fry Day.” Special Jury Mention – Dive: “Visceral, deeply moving meditative and exquisitely constructed / A nuanced examination of love and moving on after grief. Dive receives a Special Jury Mention.”

    STORYSCAPES AWARD

    Storyscapes Award: TREEHUGGER: WAWONA created by Barnaby Steel (Co-Founder, Creative Director), Ersin Han Ersin (artist, Creative Director) and Robin McNicholas (Co-founder, Creative Director) of Marshmallow Laser Feast . Jury Comments: “The project we chose exemplifies the highest standards of artistry and inventiveness. It explores the potential for new visual forms and investigates unique modes of storytelling that allow us to tap into aspects the world and our lived experience that are intuitively known but seldom articulated. Through its use of poetic abstraction, embodiment, and the viewer’s own imagination and interpretation, we are able to unlock new ways of understanding and experiencing the world around us. We’ve selected this piece because we hope it will inspire others to start creating in ways that take risks and use the limitations of technology to revamp story and experience. The Storyscapes Award goes to TREEHUGGER: WAWONA.” The Festival’s competition categories continue to incorporate storytelling in all its forms with two awards that were given out earlier in the week. The Tribeca X Award is a juried section recognizing the intersection of advertising and entertainment and Tribeca also presented the first Tribeca Snapchat Short Award, a new official category

    TRIBECA X AWARD

    Tribeca X Award: Chris Fonseca: Keep It Moving by 72andSunny for Smirnoff Ice. Directed by Zachary Heinzerling

    TRIBECA SNAPCHAT SHORTS

    Tribeca Snapchat Short award: Magic Show directed by Annie Hubbard.

    Read more


  • 2017 Tribeca Film Festival Announces Exiciting Feature Film Line Up

    [caption id="attachment_21224" align="aligncenter" width="1200"]Ice Mother (Bába z ledu) Zuzana KrÛnerov· as Hana in ICE MOTHER.[/caption] The Tribeca Film Festival today unveiled an exciting slate of films that will premiere at the 2017 festival. The Festival announced the feature films across the following programs: Competition, including U.S. Narrative, Documentary, and International Narrative categories; Spotlight, a selection of anticipated premieres from major talent; Viewpoints, which recognizes distinct voices in international and American independent filmmaking; and the popular Midnight Section, featuring the best in psychological thriller, horror, sci-fi, and cult cinema. The 16th Tribeca Film Festival takes place April 19 to 3, 2017. To honor Earth Day, which falls during the Festival, the programmers chose to highlight documentaries that focus on critical and timely issues that have an impact on our planet, including climate change, food waste, and animal extinction. Each of these films will screen on Earth Day, April 22, as well as throughout the Festival. This will be reflected in other sections of the festival programming as well, including VR and Tribeca N.O.W. The films selections are as follows:

    U.S. Narrative Competition

    Aardvark, directed and written by Brian Shoaf. (USA) – World Premiere. While battling her own anxieties, therapist Emily Milburton (Jenny Slate) spends her time listening to other people’s problems. Her professional and personal worlds collide when Emily’s newest patient, Josh Norman (Zachary Quinto), walks through her door. Mentally ill and experiencing hallucinations, Josh harbors complex feelings for his estranged brother, Craig (Jon Hamm). Things begin to get interesting when Emily falls for Craig. With Sheila Vand, Tonya Pinkins, Marin Ireland. Abundant Acreage Available, directed and written by Angus MacLachlan. (USA) – World Premiere. Still reeling over the recent death of their father, siblings Jesse (Terry Kinney) and Tracy (Amy Ryan) are attempting to settle into their new lives in his absence. Their simple existence is unexpectedly disrupted by the sudden arrival of three mysterious brothers, camping on their land and possessing a surprising connection to their family farm. With Max Gail, Francis Guinan, Steve Coulter. Blame, directed and written by Quinn Shephard. (USA) – World Premiere. Abigail (Quinn Shephard) is an outcast who seeks solace in fantasy worlds. When high school drama teacher Jeremy (Chris Messina) casts her in Arthur Miller’s ‘The Crucible,’ Abigail’s confidence blooms. But soon her relationship with Jeremy begins to move beyond innocent flirtation, and it in turn fuels a vengeful jealousy that quickly spirals out of control and brings about a chain of events that draws parallels to Salem. With Nadia Alexander, Tate Donovan, Trieste Kelly Dunn, Tessa Albertson. The Endless, directed by Justin Benson and Aaron Moorhead, written by Justin Benson. (USA) – World Premiere. Years after escaping a cult as teenagers, brothers Aaron and Justin return to their former home after receiving a mysterious message. While Aaron is quickly drawn back into the fold, Justin remains uneasy. However, neither can deny it when strange events begin happening that seem to mirror the cult’s unusual axioms. Following their Tribeca breakout, Resolution, Justin Benson and Aaron Moorhead direct and star in another intensely original genre hybrid. With Tate Ellington, Callie Hernandez, James Jordan, Lew Temple. Flower, directed by Max Winkler, written by Alex McAulay, Max Winkler, Matt Spicer. (USA) – World Premiere. Rebellious and quick-witted, 17-year-old firecracker Erica Vandross (Zoey Deutch) kills time with her friends gawking at older men in bowling alleys and sexually scheming guys out of their money. However, her biggest scheme is still to come when her mother asks her boyfriend and his troubled, fresh-out-of-rehab son to move in with them in this biting dark comedy. With Kathryn Hahn, Adam Scott, Tim Heidecker, Joey Morgan, Dylan Gelula. Keep the Change, directed and written by Rachel Israel. (USA) – World Premiere. In a support group for adults living with autism, David—a smooth talker struggling to hide his disability—meets a woman with similar learning challenges, and they quickly forge an intimate bond. Starring a cast of nonprofessional actors on the autism spectrum, Keep the Change details an underrepresented community with authenticity, optimism and humor. With Brandon Polansky, Samantha Elisofon, Nicky Gottlieb, Will Deaver, Jessica Walter, Tibor Feldman. Love After Love, directed by Russell Harbaugh, written by Russell Harbaugh, Eric Mendelsohn. (USA) – World Premiere. The world of a mother and her two adult sons feels emotionally untethered following the death of their family’s patriarch. Andie MacDowell, Chris O’Dowd, and James Adomian deliver searing performances in this absorbing story of a family losing and regaining their equilibrium in the wake of loss. With Juliet Rylance, Dree Hemingway, Gareth Williams. One Percent More Humid, directed and written by Liz W. Garcia. (USA) – World Premiere. Catherine (Julia Garner) and Iris (Juno Temple) are childhood friends home from college for a hot New England summer. As they attempt to enjoy parties and skinny-dipping and the usual vacation hijinks, a shared trauma in their past becomes increasingly difficult to suppress. As the wedge between the friends grows, they each pursue forbidden affairs to cope. With Alessandro Nivola, Maggie Siff, Philip Ettinger, Mamoudou Athie. Saturday Church, directed and written by Damon Cardasis. (USA) – World Premiere. 14-year-old Ulysses is a shy and effeminate teen being raised in the Bronx by his strict Aunt Rose. He finds escape in a rich fantasy life of music and dance, and soon with a vibrant transgender youth community called Saturday Church. Damon Cardasis’ directorial debut is a rousing celebration of one boy’s search for his identity.With Luka Kain, Margot Bingham, Regina Taylor, Marquis Rodriguez, MJ Rodriguez, Indya Moore, Alexia Garcia. Thirst Street, directed by Nathan Silver, written by Nathan Silver, C. Mason Wells. (USA, France) – World Premiere. There’s a fine line between lust and obsession—and for flight attendant Gina (Lindsay Burdge), that line is often difficult to see. Grieving over a lover’s suicide, Gina loses her grip on reality after falling for a suave Parisian bartender. Tribeca alum Nathan Silver (Actor Martinez) takes cues from ‘70s Euro erotic psychodramas in this gorgeously retro and piercingly intimate look at one-sided love. With Damien Bonnard, Esther Garrel, Lola Bessis, Jacques Nolot, Françoise Lebrun. In English, French with subtitles.

    International Narrative Competition

    The Divine Order (Die göttliche Ordnung), directed and written by Petra Volpe. (Switzerland) – International Premiere. Political leaders in Switzerland cited ‘Divine Order’ as the reason why women still did not have the right to vote as late as 1970. Director Petra Volpe explores this surprising history through the story of Nora, a quiet housewife from a quaint village searching for the fierce suffragette leader inside her. With Marie Leuenberger, Max Simonischek, Rachel Braunschweig, Sibylle Brunner, Marta Zoffoli, Bettina Sucky. In Swiss-German with subtitles. Holy Air (Hawa Moqaddas), directed and written by Shady Srour. (Israel) – World Premiere. Desperate to care for his pregnant wife and ailing father, Adam (writer/director Shady Srour) embarks on his latest, riskiest business venture: selling bottled holy air. A sharp comedy set in modern-day Nazareth, Holy Air examines the complicated emotions that go into living as a modern, progressive, Christian family on the world’s most spiritual ground. With Laëtitia Eïdo, Shmulik Calderon, Tareq Copti, Dalia Okal, Bian Anteer. In Arabic, English, French, Hebrew, Italian with subtitles. Ice Mother (Bába z ledu), directed and written by Bohdan Sláma. (Czech Republic, Slovakia, France) – International Premiere. Hana lives alone in a big villa with only weekly visits from her two belligerent sons and their families to look forward to. While on a stroll with her grandson one day, she rescues Brona, an elderly ice swimmer with a hen for a best friend, from drowning. This encounter invigorates Hana, introducing her to a new hobby and unexpected romance. With Zuzana Kronerová, Pavel Nový, Daniel Vízek, Václav Neužil. In Czech with subtitles. King of Peking, directed and written by Sam Voutas. (China, USA, Australia) – World Premiere. Big Wong and his son Little Wong are traveling film projectionists, screening Hollywood movies for local villagers. Faced with losing custody of his son, Big Wong starts making and selling illegal bootleg DVDs out of the old movie theater where he works, despite Little Wong’s objections. More than a father-son story, King of Peking is a love letter to cinema. With Zhao Jun, Wang Naixun, Han Qing, Si Chao, Geng Bowen, Yi Long. In Mandarin with subtitles. Newton, directed by Amit V Masurkar, written by Mayank Tewari, Amit V Masurka. (India) – North American Premiere. India, the world’s largest democracy, is preparing for an election—and with more than 800 million voters, this is a logistical puzzle of epic proportions. With disarming charm, this film probes the nature of democracy as Newton, a young, idealistic office worker, becomes the torch bearer for political fairness when he volunteers to head up a polling station in the deepest jungle for 76 remote voters. With Rajkummar Rao, Anjali Patil, Pankaj Tripathi, Raghubir Yadav. In Hindi with subtitles. Nobody’s Watching (Nadie Nos Mira), directed by Julia Solomonoff, written by Julia Solomonoff, Christina Lazaridi. (Colombia, Argentina, Brazil, USA, Spain) – World Premiere. After giving up a successful soap opera career in his native Argentina for a chance to make it in New York, Nico finds himself staying afloat with odd jobs bartending and babysitting. In a moving depiction of the vibrant city, Nobody’s Watchingquestions who is watching and how we adjust ourselves accordingly. With Guillermo Pfening, Rafael Ferro, Paola Baldion, Elena Roger, Cristina Morrison, Kerri Sohn, Marco Antonio Caponi. In English, Spanish with subtitles. November, directed and written by Rainer Sarnet. (Estonia) – International Premiere. Dive into the cold, snowy landscape of 19th-century Estonia, where werewolves and spirits roam free, and Jesus co-exists with kratts, the farmers’ mythological helpers made of tools and bones. Farmer girl Liina’s doomed romance with local boy Hans is at the center of director Rainer Sarnet’s pagan, black and white world, where the characters search for meaning in their surroundings and ponder the existence of the soul. With Rea Lest, Jörgen Liik, Arvo Kukumägi, Katariina Unt, Taavi Eelmaa, Dieter Laser. In Estonian with subtitles. Sambá, directed by Laura Amelia Guzmán and Israel Cárdenas, written by Ettore D’Alessandro, Carolina Encarnacion. (Dominican Republic) – World Premiere. Cisco has his back against the ropes. After spending 15 years in an American jail, he’s returned to the Dominican Republic yet is unable to get a job, a problem compounded by his mother’s ailing health and his younger brother’s delinquent habits. To make money, he’s resorted to illegal street fighting. But Cisco finds a possible salvation in Nichi, an Italian ex-boxer who sees dollar signs in Cisco’s gritty fighting skills. With Algenis Pérez Soto, Ettore D’Alessandro, Laura Gómez, Ricardo A. Toribio. In Spanish with subtitles. Son of Sofia (O Gios tis Sofias), directed and written by Elina Psykou. (Bulgaria, France, Greece) – World Premiere. Set during the 2004 Summer Olympic Games, 11-year-old Misha is travelling from Russia to live with his mother in Athens in the home of an elderly Greek man she works for. When he learns this man is actually his new father, Misha runs away but doesn’t have the stomach for life on the streets. Returning to his new home, he clings to the stories he grew up with, melding them with reality to create a dark urban fairytale. With Viktor Khomut, Valery Tcheplanowa, Thanasis Papageorgiou, Artemis Havalits, Christos Stergioglou, Iro Maltezou. In Greek, Russian with subtitles. Tom of Finland, directed by Dome Karukoski, written by Aleksi Bardy. (Finland, Sweden, Denmark, Germany) – International Premiere. This is the true story of cult artist Touko Laaksonen, better known as Tom of Finland, and the events that influenced his iconic homoerotic drawings. From Finnish army uniforms to motorcycle leathers, Tom finds inspiration in his European post-war surroundings, even as conservative Finland is not quite ready for his transgressive work. Eventually Tom and his art make their way to dazzling Los Angeles in time for the sexual revolution and its aftermath. With Pekka Strang, Lauri Tilkanen, Werner Daehn, Jessica Grabowsky. In Finnish with subtitles.

    World Documentary Competition

    Bobbi Jene, directed by Elvira Lind, written by Elvira Lind, Adam Nielsen. (Denmark, Israel, USA) – World Premiere. In her moving and cinematic documentary, Elvira Lind follows American dancer Bobbi Jene Smith as she makes the decision of a lifetime. Bobbi returns to the U.S., leaving behind a loving boyfriend and a successful 10-year run as a star dancer of the famous Israeli dance company Batsheva. Lind intimately portrays Bobbi’s rigorous creative process as she starts fresh in San Francisco, while still working to maintain a long-distance relationship. Copwatch, directed by Camilla Hall. (USA) – World Premiere. In 1990, a California citizen journalist began recording police interactions with the public. A one-man operation, he titled his work “Copwatch.” Now, decades later, the initiative has expanded to cities around the country, including New York, where Ramsey Orta filmed Eric Garner’s fatal arrest. In her feature film debut, director Camilla Hall crafts an intriguing and timely profile of citizen-journalist-activists who seek to disrupt the ever-present challenge of police violence. The Death and Life of Marsha P. Johnson, directed by David France, written by David France, Mark Blane. (USA) – World Premiere. Featuring never-before-seen footage and rediscovered interviews, Academy Award nominee David France (How to Survive a Plague) follows a new investigation into the mysterious death of self-described “street queen” Marsha P. Johnson. Credited as one of the courageous black transgender activists who instigated the Stonewall Riots of 1969, thereby spearheading the modern gay civil rights movement. The Departure, directed by Lana Wilson. (USA) – World Premiere. Lana Wilson follows up her award-winning film, After Tiller, with this profile of Ittetsu Nemoto, a Buddhist priest renowned for saving the lives of countless suicidal people. But Nemoto, suffering from heart disease and supporting his wife and young son, risks his life carrying the heavy emotional load to support those who no longer want to live. When saving others takes such a toll, can he find the resiliency to save himself? In Japanese with subtitles. No Man’s Land, directed by David Byars. (USA) – World Premiere. “We are patriots,” utters one of the characters in David Byars’ detailed, on-the-ground account of the standoff between ranchers occupying Oregon’s Malheur National Wildlife Refuge and federal authorities. That statement—believed to be true by the armed occupiers—underlines the film, which unspools in measured pace and slowly unpacks its loaded meaning. The Reagan Show, directed by Pacho Velez and Sierra Pettengill, written by Josh Alexander, Pacho Velez. (USA) – World Premiere. Constructed entirely through 1980s network news and videotapes created by the Reagan administration itself, Velez and Pettengill’s prescient documentary presents Ronald Reagan as the first made-for-TV president—a man whose experience as a performer and public relations expert made him a unique match for an emerging modern political landscape, and for his chief rival: charismatic Soviet leader Mikhail Gorbachev. A River Below, directed by Mark Grieco. (Colombia, USA) – World Premiere. Deep in the Amazon, a renowned marine biologist and a reality TV star are each working to save the indigenous pink river dolphin from being hunted to extinction. When a scandal erupts, ethical questions are raised as murky as the waters of the Amazon River. Mark Grieco’s (Marmato) surprising documentary digs into the ethics of activism in the modern media age. In English, Portuguese, Spanish with subtitles. Earth Day Screening The Sensitives, directed by Drew Xanthopoulos. (USA) – World Premiere. Meet the Sensitives, people who are debilitatingly sensitive to modern life—electricity, chemicals, you name it. Their symptoms and coping mechanisms might vary, but they all face the unusual and heartbreaking choice of either living in dangerous and uncertain conditions with their loved ones, or in physical and technological isolation. Director Drew Xanthopoulos captures their lives in cinematic verite style. Shadowman, directed and written by Oren Jacoby. (USA) – World Premiere. In the early 1980s, Richard Hambleton was New York City’s precursor to Banksy, a rogue street artist whose silhouette paintings haunted the sides of Manhattan buildings. Like so many other geniuses of his time, he fell victim to drug addiction, even as his work continued to rise in both demand and value. Shadowman doubles as both a time capsule of a forgotten New York City era, and a redemption story. A Suitable Girl, directed by Smriti Mundhra and Sarita Khurana. (USA, India) – World Premiere. Dipti, Amrita, Ritu and Seema are all young, modern women in India looking to get married—some desperately, some reluctantly. A Suitable Girl follows them over the course of four years as they juggle family, career and friends, intimately capturing their thoughts on arranged marriage, giving them a voice, and offering a unique perspective into the nuances of this institution. In English, Hindi, Kannada, Marathi with subtitles. True Conviction, directed by Jamie Meltzer, written by Jamie Meltzer, Jeff Gilbert. (USA) – World Premiere. There’s a new detective agency in Dallas, Texas, started by three exonerated men, with decades in prison served between them, who look to free innocent people from behind bars. True Conviction follows these change-makers with no small task in front of them as they rebuild their lives and families, learn to investigate cases, work to support one another, and try and fix the criminal justice system. When God Sleeps, directed and written by Till Schauder. (USA, Germany) – World Premiere. “My songs didn’t make me famous. The fatwa did.” And so we embark on the journey of rapper Shahin Najafi, whose bold style and transgressive lyrics put him in the crosshairs of religious clerics in his native Iran. When God Sleeps tells the story of this tireless artist-activist against the backdrop of the 2015 Paris terrorist attacks and the European right-wing backlash against Middle Eastern refugees. In English, Farsi, German with subtitles.

    SPOTLIGHT NARRATIVE

    The Boy Downstairs, directed and written by Sophie Brooks. (USA) – World Premiere. Zosia Mamet exhibits winsome charm as Diana, navigating the rite of passage of every single New Yorker: the search for an apartment. She seemingly finds a jewel of a home until realizing her downstairs neighbor is her ex whose heart she broke. Like a true New Yorker, she keeps the apartment. With Matthew Shear, Deirdre O’Connell, Sarah Ramos, Diana Irvine. Buster’s Mal Heart, directed and written by Sarah Adina Smith. (USA) – New York Premiere. A fugitive hotly pursued by rangers reviews the pathway to his present circumstances and finds conflicting stories. A spellbinding Rami Malek (Mr. Robot) brings impressive range to Sarah Adina Smith’s sophomore feature: a twisting, mind-bending thriller in which the typical rules don’t apply, least of all to a man who cannot be certain of anything he’s done. With DJ Qualls, Kate Lyn Sheil, Sukha Belle Potter, Lin Shaye. A Well Go USA release. Chuck, directed by Philippe Falardeau, written by Jeff Feuerzeig, Jerry Stahl. (USA) – US Premiere. Chuck is the true story of Chuck Wepner (Liev Schreiber), the man who inspired the billion-dollar film seriesRocky—a liquor salesman from New Jersey who went 15 rounds with Muhammad Ali. Wepner suffered numerous losses, knockouts, and broken noses in his ten years in the ring, and lived an epic life of drugs, booze, and wild women outside of it. With Elisabeth Moss, Ron Perlman, Naomi Watts, Jim Gaffigan, Michael Rapaport. An IFC Films release. The Clapper, directed and written by Dito Montiel. (USA) – World Premiere. Ed Helms stars as Eddie Krumble, a professional audience member who gains unwanted notoriety when a late-night talk show turns his life into a national obsession, threatening his budding relationship with gas station attendant Judy (Amanda Seyfried). Directed by Dito Montiel (Boulevard, Tribeca ‘14), The Clapper is a heartfelt comedy featuring Tracy Morgan, Adam Levine, Russell Peters, PJ Byrne, and appearances from Rob Gronkowski, Mark Cuban and the late Alan Thicke. Dabka, directed and written by Bryan Buckley. (USA) – World Premiere. When rookie journalist Jay Bahadur (Evan Peters) has an inspiring chance encounter with his idol (Al Pacino), he uproots his life and moves to Somalia looking for the story of a lifetime. Hooking up with a local fixer (Barkhad Abdi), he attempts to embed himself with the local Somali pirates, only to find himself quickly in over his head. Based on the true story of one reporter’s risk-taking adventure that ultimately brought the world an unprecedented first-person account of the pirates of Somalia. With Melanie Griffith. In English, Somali with subtitles. The Dinner, directed and written by Oren Moverman. (USA) – North American Premiere. Two brothers, congressman Stan and caustic former teacher Paul, are locked in sibling rivalry and are forced to come head to head over a dinner with their wives. As the two couples (Richard Gere, Laura Linney, Steve Coogan and Rebecca Hall) sit down to dine, their dark family secrets are drudged on to the table along with the main course, in this adaptation of the Herman Koch bestseller. With Chloe Sevigny. An Orchard release. Literally, Right Before Aaron, directed and written by Ryan Eggold. (USA) – World Premiere. Still reeling from his breakup with college sweetheart Allison (Cobie Smulders), Adam’s (Justin Long) world is thrown into further chaos when he’s surprisingly invited to attend her wedding. Over a surreal weekend, he stumbles through a nightmarish rehearsal dinner and drinks his way through the reception as he thinks back on where it all went wrong with the one that got away. Ryan Eggold directs this refreshingly unconventional romantic comedy. With John Cho, Luis Guzman, Kristen Schaal, Leah Thompson, Ryan Hansen. The Lovers, directed and written by Azazel Jacobs. (USA) – World Premiere. Years into a dispassionate marriage, a long-married couple, both seriously involved with other people, resolve to call it quits. To their surprise, their decision reignites a dormant spark that leads to an impulsive affair. Broadway legend Tracy Letts and the always-luminous Debra Winger shine in writer/director Azazel Jacob’s (Terri) latest. With Debra Winger, Tracy Letts, Melora Walters, Aiden Gillen, Tyler Ross, Jessica Sula. An A24 release. Manifesto, directed and written by Julian Rosefeldt. (Germany) – New York Premiere. All current art is fake. Nothing is original. These are some of the statements exposed in artist Julian Rosefeldt’s stunning piece. Starring Cate Blanchett, we witness a series of vignettes which draw upon artist manifestos that question the true nature of art. A chameleonic Blanchett gives a tour-de-force performance as she transforms in each segment like never before. A FilmRise Release. Permission, directed and written by Brian Crano. (USA) – World Premiere. Anna (Rebecca Hall) and Will (Dan Stevens) are the definition of long-term monogamy, and with great careers, an impending marriage, and a potential new home, things couldn’t be better. But after a close friend’s joke about her non-existent sexual experience hits too close to home, Anna proposes to Will an experiment to broaden their horizons without sabotaging their relationship: to try an open relationship—together. With Gina Gershon, Francois Arnaud, Morgan Spector, David Joseph Craig, Jason Sudeikis. Rock’n Roll, directed by Guillaume Canet, written by Guillaume Canet, Rodolphe Lauga, Philippe Lefebvre. (France) – International Premiere. Real-life couple Guillaume Canet and Marion Cotillard play themselves in this satirical comedy about a couple dealing with aging in the limelight. After Guillaume gets told by a co-star that he’s just not that cool anymore, he goes to increasingly extreme lengths to prove her wrong, putting his happy domestic life to the test. With Gilles Lellouche, Philippe Lefebvre, Camille Rowe, Yvan Attal. In French with subtitles. Sweet Virginia, directed by Jamie Dagg, written by The China Brothers. (USA) – World Premiere. Jon Bernthal, Rosemarie DeWitt, Imogen Poots, Odessa Young, and a spectacular Christopher Abbott star in this gritty neo-Western with echoes of the early Coen Brothers: a burglary-homicide rattles the residents of a small Alaska town. Jamie Dagg’s sophomore feature is a haunting drama about the predator in each of us, and the prices we pay to start over. Take Me, directed by Pat Healy, written by Mike Makowsky. (USA) – World Premiere. Ray is in the boutique simulated abduction business. It’s an understandably threadbare market, so he jumps at the chance when a mysterious call contracts him for a weekend kidnapping with a handsome payday at the end. But the job isn’t all that it seems. A black comedy that threads the needle between crime thriller and slapstick farce, Take Me is as twisty as it is funny. With Taylor Schilling, Pat Healy, Alycia Delmore, Jim O’Heir. Thumper, directed and written by Jordan Ross. (USA) – World Premiere. This suspenseful crime drama follows Kat Carter (Eliza Taylor), the troubled new girl in a school harboring a deep secret. When she attracts the attention of the volatile gang leader Wyatt (a menacing Pablo Schreiber), Kat’s own hidden secrets threaten to put her life in danger. Executive Produced by Cary Fukunaga, the film features raw supporting turns from Lena Headey, Daniel Webber, Ben Feldman, and Grant Harvey. The Trip to Spain, directed by Michael Winterbottom. (U.K.) – World Premiere. Steve Coogan and Rob Brydon reunite with director Michael Winterbottom for another chapter in their hilarious road trip series. This time taking their wit and appetites on a tour through picturesque Spain’s finest fine dining, Coogan and Brydon trade celebrity impressions and witty banter over paella and gazpacho, their comic observations on fame and friendship as dry as the finest Spanish wine. With Marta Barrio, Claire Keelan, Margo Stilley. An IFC Films release.

    SPOTLIGHT DOCUMENTARY

    ACORN and the Firestorm, directed and written by Reuben Atlas and Sam Pollard. (USA) – World Premiere. For 40 years, the community-organizing group ACORN advocated for America’s poorest communities, while its detractors accused it of promoting government waste and the worst of liberal policies. Riding high on the momentum of Barack Obama’s presidential victory in 2008, ACORN was at its social zenith when a hidden-camera video sparked a national scandal and brought it all crashing down. AlphaGo, directed by Greg Kohs. (USA) – World Premiere. With simple rules but a near-infinite number of possible outcomes, the ancient Chinese board game Go has long been considered the holy grail of artificial intelligence. Director Greg Kohs’ absorbing documentary chronicles Google’s DeepMind team as it takes on one of the world’s top Go players in a weeklong tournament, pitting man against machine in a competition that reveals as much about the workings of the human mind as it does the future of AI. In English, Korean with subtitles. Blurred Lines: Inside the Art World, directed and written by Barry Avrich. (Canada) – World Premiere. Barry Avrich’s in-depth and eye-opening documentary pulls back the curtain on the behind-the-scenes dealings revolving around the contemporary art world. Reputable artists, critics, auctioneers and collectors demystify the often illusive and complex relationship between art and commerce in this film, which features extraordinary access to industry players. ELIÁN, directed by Tim Golden, Ross McDonnell. (USA) – World Premiere. Thanksgiving, 1999: Two fishermen on the Florida Straits find a young Cuban boy, Elián González, floating alone in an inner tube. Their discovery evolves into a custody battle between Elián’s Cuban father and his Miami-located relatives that brings the conflict between Cuba and the U.S. to the forefront. Eighteen years later, ELIÁN, executive produced by Alex Gibney, gives the now grown-up Elián the chance to tell his own side of the story. In English, Spanish with subtitles. Frank Serpico, directed and written by Antonino D’Ambrosio. (USA) – World Premiere. With unprecedented access to a notoriously reclusive subject, Antonino D’Ambrosio creates a powerful portrait of Frank Serpico, the former NYPD officer who in the 1970s blew the whistle on the corruption and payoffs running rampant in the department. The true story that inspired Sidney Lumet’s American crime classic that bears his name. Get Me Roger Stone, directed and written by Dylan Bank, Daniel DiMauro, Morgan Pehme. (USA) – World Premiere. With his bespoke suits and collection of Nixon memorabilia, political firebrand and noted eccentric Roger Stone has been a fixture of Republican politics since the 1970s, yet at the same time has always been an outsider. Despite its success, his brand of confrontational (some would say “dirty”) politics was always publicly rejected by the conservative mainstream, though with the shocking ascendancy of his longtime pet project Donald Trump (interviewed in the film), Stone—the ultimate political trickster—would likely say he was just ahead of his time. A Netflix release. Gilbert, directed by Neil Berkeley, written by Neil Berkeley, James Leche. (USA) – World Premiere. Legendary comedian Gilbert Gottfried has had quite a career. Rocketing to fame in the 1980s, he was thrust into the public consciousness almost immediately thanks to his brash personality, unique worldview, and off-kilter comic timing. Now, foul-mouthed and unapologetic after decades of flying solo in both his work and in his personal life, Gilbert has shockingly reinvented himself…as a family man. With Jay Leno, Bill Burr, Jeff Ross, Whoopi Goldberg, Howie Mandel. A Gray State, directed by Erik Nelson. (USA) – World Premiere. Christmas, 2014: filmmaker, veteran and charismatic up-and-coming voice of alt-right politics David Crowley and his family are killed in their suburban Minnesota home. Their shocking deaths quickly become a cause célèbre for conspiracy theorists. Executive produced by Werner Herzog, A Gray State combs through Crowley’s photographs, videos and recordings to investigate what happens when an ideology becomes an all-consuming obsession. Hell on Earth: The Fall of Syria and the Rise of ISIS, directed by Sebastian Junger and Nick Quested, written by Mark Monroe. (USA) – World Premiere. Chronicling Syria’s descent into unbridled chaos, this gripping and insightful work captures the Syrian war’s harrowing carnage, political and social consequences, and, most importantly, its human toll. From personal stories of family survival and tragedy to keen insight from top experts from around the world, acclaimed filmmaker and author Sebastian Junger and Nick Quested create an informative and comprehensive documentary, as the story continues to unfold. In English, French, Arabic, Kurdish with subtitles. A National Geographic release. Hondros, directed by Greg Campbell, written by Greg Campbell, Jenny Golden. (USA) – World Premiere. Beginning with the war in Kosovo in 1999, award-winning photographer Chris Hondros served as a witness to conflict for over a decade before being killed in Libya in 2011. In Hondros, director and childhood friend Greg Campbell creates a portrait of a man with not only great depth and sensitivity, but a passion for his craft, and an unending talent for creating breathtaking imagery. Executive produced by Jake Gyllenhaal. In Arabic, English with subtitles. I Am Evidence, directed by Trish Adlesic and Geeta Gandbhir. (USA) – World Premiere. Every year in cities around the United States, it is estimated that hundreds of thousands of rape kits are left untested in police storage facilities. Produced by Mariska Hargitay, I Am Evidence exposes this shocking reality, bringing attention to the way in which police have historically processed sexual assault cases. Through an exploration of survivors’ accounts, the film sheds light on these disturbing statistics, and shows what can be achieved when evidence—and the individuals it represents—are treated with the respect we all deserve. An HBO Documentary Film release. LA 92, directed by Daniel Lindsay, TJ Martin. (USA) – World Premiere. Few images are seared into the American consciousness with the anger and clarity of the beating of Rodney King and the riots following his abusers’ acquittal. Twenty-five years later, Academy Award-winning directors Daniel Lindsay and TJ Martin draw on archival news images and unseen footage to paint an in-depth portrait of those riots and the tempestuous relationship between Los Angeles’ African-American community and those charged with protecting it. A National Geographic release. No Stone Unturned, directed by Alex Gibney. (USA, Northern Ireland) – World Premiere. In 1994, six men were gunned down and five wounded in a pub while watching a World Cup soccer match in Loughinisland, Northern Ireland. With a police investigation that was perfunctory at best, the case remained unsolved. In this non-fiction murder mystery, Academy Award-winning documentarian Alex Gibney reopens the original case to investigate why no culprit was ever brought to justice. WASTED! The Story of Food Waste, directed by Anna Chai and Nari Kye. (USA) – World Premiere. Each year, $218 billion—or 1.3 billion tons—of food is thrown out. With nearly a billion people worldwide facing starvation, food conservation is a more urgent issue than ever before. Executive produced by Anthony Bourdain, Chai and Kye’s fast-paced and forward-thinking food doc takes viewers on a tour of inventive new ideas for recycling waste and maximizing sustainability from innovative chefs like Massimo Bottura, Dan Barber and Danny Bowien, who turn scraps into feasts before our eyes. Earth Day Screening Whitney. “can I be me,” directed by Nick Broomfield and Rudi Dolezal, written by Nick Broomfield. (U.K.) – World Premiere. Whitney Houston was the most awarded female recording artist of all time, with more consecutive number one hits than The Beatles, and on top of that she was America’s Sweetheart. Yet despite her fame, talent, and success, she died tragically at the age of 48. Featuring largely never-before-seen footage and Broomfield and Dolezal’s moving documentary tells the story of the girl behind the voice. A Showtime release. Year of the Scab, directed by John Dorsey. (USA) – World Premiere. During the 1987 NFL strike, teams scrambled to assemble temporary replacements to fill in for their boycotting players. The Washington Redskins were notable for their “scabs,” a collection of cast-offs who nonetheless rode a surprising wave of momentum against all odds. “Year of the Scab” revisits this ultimate underdog story and the men whose ordinary lives were interrupted. Those so-called “scabs” helped break the strike and bring their team to victory, only to struggle for their place in the sports history books.  An ESPN Films release.

    VIEWPOINTS

    City of Ghosts, directed by Matthew Heineman. (USA) – New York Premiere, Documentary. The fearless citizen-journalists of “Raqqa is Being Slaughtered Silently” (RBSS) risk their lives on a daily basis to document and expose the atrocities of the Islamic State in their home city of Raqqa, Syria. Academy Award-nominee Matthew Heineman (Cartel Land) returns to Tribeca with an immersive and deeply personal documentary chronicling the lives of these activists. In Arabic with subtitles. An Amazon Studios release. Dog Years, directed and written by Adam Rifkin. (USA) – World Premiere, Narrative. Vic Edwards (Burt Reynolds) was one of the biggest movie stars in the world, known for his mustachioed good looks and cocky swagger. With his Hollywood glory a distant memory, the now-octogenarian Vic is prompted to reassess his life with the passing of his beloved dog and the arrival of an invitation to receive a lifetime achievement award from the (fictional) International Nashville Film Festival. With Ariel Winter, Chevy Chase, Clark Duke, Ellar Coltrane, Juston Street. The Family I Had, directed by Katie Green and Carlye Rubin, written by Tina Grapenthin, Katie Green, Carlye Rubin. (USA) – World Premiere, Documentary. In The Family I Had, a mother recalls how her seemingly brilliant teenage son came to shatter their idyllic family through one horribly violent and shocking act. Now, left to pick up the pieces, the survivors test the boundaries of their newly defined reality in this moving true crime exploration of the nature and limits of familial love. The Farthest, directed and written by Emer Reynolds. (Ireland) – International Premiere, Documentary. On the 40th anniversary of Voyager’s eleven-billion-mile flight (and counting), experience a comprehensive behind-the-scenes account from those who built and nurtured this unprecedented deep space achievement. Emer Reynolds creates a vivid celebration of curiosity and exploration for the most audacious project in human history, and one of humankind’s greatest successes. Flames, directed and written by Zefrey Throwell and Josephine Decker. (USA) – World Premiere. Filmed over five years, Flames follows real-life couple Josephine Decker and Zefrey Throwell from the white-hot passion of first love to the heartbreak of breaking up. But for these two filmmakers, the end of the relationship wasn’t the end of the story. As they continue filming, reconstructing what happened and where it went wrong, lines begin to blur between what was real and what was “the film”—if there’s even a difference anymore. With Hollis Witherspoon, Michael Melamedoff, Joe Swanberg, Matthew Levy. For Ahkeem, directed by Jeremy S. Levine and Landon Van Soest. (USA) – North American Premiere, Documentary. Beginning one year before the events in Ferguson, Missouri, Levine and Van Soest’s intimate and cinematic For Ahkeem is the coming of age story of 17-year-old Daje Shelton in neighboring North St. Louis. Falling in love and fighting with mom, Daje struggles with typical teen growing pains, but also must increasingly combat the institutional and social roadblocks that keep black teens like her from succeeding in America. The Last Animals, directed by Kate Brooks, written by Kate Brooks and Mark Monroe. (USA) – World Premiere, Documentary. Photojournalist Kate Brooks turns her lens from war zones to a new kind of genocide in this sweeping and sobering film. As the single-digit population of the Northern White Rhino ticks closer to extinction, Brooks exposes the epidemic of highly effective poachers and trafficking syndicates, and the heroic efforts of conservationists, park rangers, and scientists to protect these majestic creatures. In Czech, English, French, Lingala with subtitles. Earth Day Screening Mr Long, directed and written by SABU. (Japan, Hong Kong, China, Taiwan R.O.C., Germany) – North American Premiere, Narrative. Following an assignment gone wrong in Tokyo, professional Taiwanese hitman Mr. Long (Chang Chen) finds himself stranded without a passport in a run-down Japanese village. So naturally Long does what any cold-hearted killer would do in his situation: befriend the locals and open a wildly popular noodle cart. Moving artfully between scenes of slickly choreographed violence and charming, whimsical drama, Japanese director SABU’s latest is a refreshing twist on the gangster genre, offering a surprisingly tender and heartwarming fable of redemption. In Japanese, Mandarin, Taiwanese with subtitles. My Art, directed and written by Laurie Simmons. (USA) – North American Premiere, Narrative. For cultured artist Ellie (Laurie Simmons), age really isn’t anything but a number. Unhappy with where her career has gone, the single New York City socialite flees upstate to recharge her creative spark away from the big city’s various distractions. There, she attracts the romantic interests of three men and figures out what she wants from life—even though she’s 65 years old. With Lena Dunham, Robert Clohessy, John Rothman, Josh Safdie, Parker Posey, Blair Brown, Barbara Sukowa. My Friend Dahmer, directed and written by Marc Meyers. (USA) – World Premiere, Narrative. Before Jeffrey Dahmer became one of the most notorious serial killers of all time, he was a teenage loner. Conducting grisly experiments in a makeshift backyard lab, Jeff was invisible to most, until his increasingly bizarre behavior unexpectedly attracted friends. Based on the cult graphic novel, My Friend Dahmer chronicles the origins of the man, the monster…the high school senior. With Ross Lynch, Anne Heche, Dallas Roberts, Alex Wolff, Tommy Nelson, and Vincent Kartheiser. Pilgrimage, directed by Brendan Muldowney, written by Jamie Hannigan. (USA, Ireland) – World Premiere, Narrative. In 13th-century Ireland, a cadre of monks travel through the war-torn countryside on a mission to bring their land’s most sacred relic to Rome. But other forces are gaining on them, as the true significance of the relic becomes dangerously apparent. A period drama crossed with an action/adventure road movie, Pilgrimage delivers a profound lesson on religious fervor and the savagery of soldiers with a cause. With Tom Holland, Richard Armitage, Jon Bernthal, John Lynch, Stanley Weber. A Thousand Junkies, directed and written by Tommy Swerdlow. (USA) – World Premiere, Narrative. Three heroin addicts crisscross Los Angeles in search of relief in this comedy balanced on the fine line between reliance and dependence. With a sensitive eye and gift for the absurd, writer/director/co-star Tommy Swerdlow crafts both the inevitable and the wholly unexpected: a drug movie that struggles to find any drugs, and a road movie that drives in circles. With TJ Bowen, Blake Heron, Bill Pullman, Steven Weber, Dinarte de Freitas. The Wedding Plan (Laavor et HaKir), directed and written by Rama Burshtein. (Israel) – New York Premiere, Narrative. Spirited bride-to-be Michal is dumped by her fiancé a month before their wedding. Undeterred, she keeps her wedding date, leaving it to fate to provide a suitable groom. With invitations sent, venue booked, and the clock counting down to the big day, Michal goes to increasingly elaborate lengths in her search for Mr. Right, in writer-director Rama Burshtein’s (Fill the Void) funny and poignant romantic comedy. With Noa Kooler, Amos Tamam, Oz Zehavi. In Hebrew with subtitles. A Roadside Attractions release.

    MIDNIGHT

    Devil’s Gate, directed by Clay Staub, written by Peter Aperlo, Clay Staub. (Canada, USA) – World Premiere, Narrative. Struggling to overcome a recent professional tragedy, a tough-as-nails FBI agent (Amanda Schull) relocates to a small North Dakota town to investigate the disappearance of a local woman and her young son. The search leads to the missing woman’s husband’s (Milo Ventimiglia) secluded farm, on which answers, new mysteries, and God-fearing terrors await. Not to mention, something locked and caged down in the basement. With Shawn Ashmore, Bridget Regan, Jonathan Frakes. Dumb: The Story of Big Brother Magazine, directed by Patrick O’Dell. (USA) – World Premiere, Documentary. Dumb: The Story of Big Brother Magazine charts the rise and fall of the irreverent, boundary-pushing “Big Brother Magazine”, whose taboo-breaking stunts and unapologetically crass humor spawned MTV’s Jackass and a generation of skaters. Featuring a trove of original footage and interviews with the magazine’s major players, Dumb celebrates the lowbrow legacy of this touchstone of 90’s counterculture. With Johnny Knoxville, Spike Jonze, Steve Rocco, Bam Margera, Steve-O, Tony Hawk, Chad Muska. A Hulu release. Hounds of Love, directed and written by Ben Young. (Australia) – New York Premiere, Narrative. Dark forces lurk behind the sunny façade of an unassuming Australian suburb in Ben Young’s stylish directorial debut. This ‘80s-set true crime thriller follows 17-year-old Vicki on the night she’s abducted by a disturbed couple. While bound to a bed inside of the kidnappers’ home and subjected to psychological and physical torture, Vicki must find a way to drive a wedge between her unhinged captors and escape by any means necessary. With Emma Booth, Ashleigh Cummings, Stephen Curry, Susie Porter, Damian de Montemas, Harrison Gilbertson. A Gunpowder & Sky release. Presented in partnership with Venice Days. Psychopaths, directed and written by Mickey Keating. (USA) – World Premiere, Narrative. Over the course of one excessively blood-soaked night, multiple serial killers’ paths cross, leaving a trail of bodies and begging the question: Which psychopath will live to see morning? One of the most exciting and unclassifiable new voices in indie horror, Mickey Keating delivers his wildest ride yet with this ultra-stylish and uber-violent descent into madness. With Ashley Bell, James Landry Hébert, Mark Kassen, Angela Trimbur, Larry Fessenden, Jeremy Gardner, Sam Zimmerman. Super Dark Times, directed by Kevin Phillips, written by Ben Collins, Luke Piotrowski. (USA) – North American Premiere, Narrative. Teenagers Zach and Josh have been best friends their whole lives, but when a gruesome accident leads to a cover-up, the secret drives a wedge between them and propels them down a rabbit hole of escalating paranoia and violence in Kevin Phillips’ atmospheric ‘90s-set mystery-thriller. With Owen Campbell, Charlie Tahan, Elizabeth Cappuccino, Max Talisman, Sawyer Barth, Amy Hargreaves. Tilt, directed by Kasra Farahani, written by Jason O’Leary, Kasra Farahani. (USA) – World Premiere, Narrative. There’s something off about Joe. Although his pregnant girlfriend, Joanne, supports him as he devotes more and more time to his passion project, a sprawling documentary about America’s “golden age,” both the film and Joe are becoming increasingly unhinged. Joanne is growing worried about Joseph’s odd behavior…but not as worried as she should be. With Joseph Cross, Alexia Rasmussen, Kelvin Yu, Jessy Hodges, CS Lee.

    Read more