LEAN ON PETE

  • National Board of Review Announces 2018 Film Honorees, GREEN BOOK Named Best Film of the Year

    [caption id="attachment_32616" align="aligncenter" width="1200"]“Green Book” directed by Peter Farrelly “Green Book” directed by Peter Farrelly[/caption] The National Board of Review named Green Book as Best Film of the Year, Bradley Cooper as Best Director of the Year for A Star is Born,  Viggo Mortensen as Best Actor of the Year for his performance in Green Book, and Lady Gaga as Best Actress of the Year for her performance in A Star is Born. NBR President Annie Schulhof said, “We are proud to honor Green Book as our best film – it is a warm and heartfelt look at a remarkable friendship, brought to the screen at a moment where its story of love, compassion, and shared humanity deeply resonates. We are also thrilled to award Bradley Cooper as our best director – he is an extraordinary talent behind the camera, bringing a fresh and modern perspective, as well as superb craftsmanship and tremendous heart, to the classic story of A Star is Born.” The 2018 awards continue the NBR’s tradition of recognizing excellence in filmmaking, going back 109 years. This year 261 films were viewed by this select group of film enthusiasts, filmmakers, professionals, academics, and students, many of which were followed by in-depth discussions with directors, actors, producers, and screenwriters. The National Board of Review’s awards celebrate the art of cinema, with categories that include Best Picture, Best Director, Best Actor and Actress, Best Original and Adapted Screenplay, Breakthrough Performance, and Directorial Debut, as well as signature honors such as Freedom of Expression and the William K. Everson Film History Award. The honorees will be feted at the NBR Awards Gala, hosted by Willie Geist, on Tuesday, January 8, 2019 at Cipriani 42nd Street.

    2018 National Board of Review Award WInners

    Best Film: GREEN BOOK Best Director: Bradley Cooper, A STAR IS BORN Best Actor: Viggo Mortensen, GREEN BOOK Best Actress: Lady Gaga, A STAR IS BORN Best Supporting Actor: Sam Elliott, A STAR IS BORN Best Supporting Actress: Regina King, IF BEALE STREET COULD TALK Best Original Screenplay: Paul Schrader, FIRST REFORMED Best Adapted Screenplay: Barry Jenkins, IF BEALE STREET COULD TALK Best Animated Feature: INCREDIBLES 2 Breakthrough Performance: Thomasin McKenzie, LEAVE NO TRACE Best Directorial Debut: Bo Burnham, EIGHTH GRADE Best Foreign Language Film: COLD WAR Best Documentary: RBG Best Ensemble: CRAZY RICH ASIANS William K. Everson Film History Award: THE OTHER SIDE OF THE WIND and THEY’LL LOVE ME WHEN I’M DEAD NBR Freedom of Expression Award: 22 JULY NBR NBR Freedom of Expression Award: ON HER SHOULDERS Top Films (in alphabetical order) The Ballad of Buster Scruggs Black Panther Can You Ever Forgive Me? Eighth Grade First Reformed If Beale Street Could Talk Mary Poppins Returns A Quiet Place Roma A Star Is Born Top 5 Foreign Language Films (in alphabetical order) Burning Custody The Guilty Happy as Lazzaro Shoplifters Top 5 Documentaries (in alphabetical order) Crime + Punishment Free Solo Minding the Gap Three Identical Strangers Won’t You Be My Neighbor? Top 10 Independent Films (in alphabetical order) The Death of Stalin Lean on Pete Leave No Trace Mid90s The Old Man & the Gun The Rider Searching Sorry to Bother You We the Animals You Were Never Really Here  

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  • THE FAVOURITE Starring Emma Stone and Rachel Weisz Leads 2018 British Independent Film Awards Nominations

    [caption id="attachment_30988" align="aligncenter" width="1200"]The Favourite The Favourite[/caption] The Favourite, Yorgos Lanthimos’s black comedy about the 18th century court of Queen Anne, leads the list of nominations for the 2018 British Independent Film Awards (BIFAs) with 13 noms including Best British Independent Film, Best Director and Best Screenplay.  The Favourite also sweeps the technical categories, newly introduced for the 2017 awards, with nominations for seven of the nine awards, including Best Production Design, Best Cinematography supported by Blackmagic Design, Best Make-up & Hair Design and Best Costume Design. The Best British Independent Film nominees are American Animals – with 11 nominations, Beast – with 10 nominations, Disobedience – with 5 nominations, You Were Never Really Here – with 8 nominations, and The Favourite. The nominations list demonstrates a record year for female representation, with over 40% of the individual nominations recognizing women in the industry across directing, writing, producing, performance and craft. Female nominees make up over 50% of the talent nominated for Best British Independent Film and dominate both Most Promising Newcomer and Breakthrough Producer supported by Creativity Media, with four out of five nominations for each award. Over 140 British films were submitted for consideration and 37 different British feature films have been nominated across the BIFA categories.

    BEST BRITISH INDEPENDENT FILM

    AMERICAN ANIMALS BART LAYTON / KATHERINE BUTLER / DIMITRI DOGANIS / DERRIN SCHLESINGER / MARY JANE SKALSKI BEAST MICHAEL PEARCE / KRISTIAN BRODIE / LAUREN DARK / IVANA MACKINNON DISOBEDIENCE SEBASTIÁN LELIO / REBECCA LENKIEWICZ / ED GUINEY / FRIDA TORRESBLANCO / RACHEL WEISZ THE FAVOURITE YORGOS LANTHIMOS / DEBORAH DAVIS / TONY MCNAMARA / CECI DEMPSEY / ED GUINEY / LEE MAGIDAY YOU WERE NEVER REALLY HERE LYNNE RAMSAY / PASCAL CAUCHETEUX / ROSA ATTAB / JAMES WILSON / REBECCA O’BRIEN

    BEST SCREENPLAY

    AMERICAN ANIMALS BART LAYTON BEAST MICHAEL PEARCE DISOBEDIENCE SEBASTIÁN LELIO / REBECCA LENKIEWICZ THE FAVOURITE DEBORAH DAVIS / TONY MCNAMARA YOU WERE NEVER REALLY HERE LYNNE RAMSAY

    BEST DIRECTOR

    AMERICAN ANIMALS BART LAYTON BEAST MICHAEL PEARCE THE FAVOURITE YORGOS LANTHIMOS LEAN ON PETE ANDREW HAIGH YOU WERE NEVER REALLY HERE LYNNE RAMSAY

    BEST BRITISH SHORT

    THE BIG DAY DAWN SHADFORTH / KELLIE SMITH / MICHELLE STEIN BITTER SEA FATEME AHMADI / EMMA PARSONS THE FIELD SANDHYA SURI / BALTHAZAR DE GANAY / THOMAS BIDEGAIN POMMEL PARIS ZARCILLA / SEBASTIAN BROWN / IVAN KELAVA TO KNOW HIM TED EVANS / KELLIE SMITH / JENNIFER MONKS / MICHELLE STEIN

    BEST ACTOR

    THE HAPPY PRINCE RUPERT EVERETT LEAN ON PETE CHARLIE PLUMMER A PRAYER BEFORE DAWN JOE COLE STAN & OLLIE STEVE COOGAN YOU WERE NEVER REALLY HERE JOAQUIN PHOENIX

    BEST ACTRESS

    BEAST JESSIE BUCKLEY DISOBEDIENCE RACHEL WEISZ THE ESCAPE GEMMA ARTERTON THE FAVOURITE OLIVIA COLMAN FUNNY COW MAXINE PEAKE

    BEST SUPPORTING ACTOR

    AMERICAN ANIMALS EVAN PETERS AMERICAN ANIMALS BARRY KEOGHAN COLETTE DOMINIC WEST DISOBEDIENCE ALESSANDRO NIVOLA LEAN ON PETE STEVE BUSCEMI

    BEST SUPPORTING ACTRESS

    APOSTASY MOLLY WRIGHT DISOBEDIENCE RACHEL MCADAMS THE FAVOURITE EMMA STONE THE FAVOURITE RACHEL WEISZ STAN & OLLIE NINA ARIANDA

    MOST PROMISING NEWCOMER

    APOSTASY MOLLY WRIGHT BEAST JESSIE BUCKLEY BEEN SO LONG MICHAELA COEL JELLYFISH LIV HILL OBEY MARCUS RUTHERFORD

    THE DISCOVERY AWARD

    THE DIG ANDY TOHILL / RYAN TOHILL / STUART DRENNAN / BRIAN J. FALCONER IRENE’S GHOST IAIN CUNNINGHAM / REBECCA MARK-LAWSON / DAVID ARTHUR / ELLIE LAND A MOMENT IN THE REEDS MIKKO MAKELA / JAMES WATSON SUPER NOVEMBER DOUGLAS KING / JOSIE LONG VOYAGEUSE MAY MILES THOMAS

    THE DOUGLAS HICKOX AWARD (DEBUT DIRECTOR)

    APOSTASY DANIEL KOKOTAJLO BEAST MICHAEL PEARCE CALIBRE MATT PALMER PILI LEANNE WELHAM RAY & LIZ RICHARD BILLINGHAM

    DEBUT SCREENWRITER

    AMERICAN ANIMALS BART LAYTON APOSTASY DANIEL KOKOTAJLO BEAST MICHAEL PEARCE CALIBRE MATT PALMER THE PARTY’S JUST BEGINNING KAREN GILLAN

    BEST DOCUMENTARY

    BEING FRANK: THE CHRIS SIEVEY STORY STEVE SULLIVAN EVELYN ORLANDO VON EINSIEDEL / JOANNA NATASEGARA ISLAND STEVEN EASTWOOD / ELHUM SHAKERIFAR NAE PASARAN FELIPE BUSTOS SIERRA UNDER THE WIRE CHRIS MARTIN / TOM BRISLEY

    BREAKTHROUGH PRODUCER

    APOSTASY MARCIE MACLELLAN BEAST KRISTIAN BRODIE CALIBRE ANNA GRIFFIN RAY & LIZ JACQUI DAVIES STAN & OLLIE FAYE WARD

    BEST INTERNATIONAL INDEPENDENT FILM

    CAPERNAUM NADINE LABAKI / JIHAD HOJEILY / MICHELLE KESERWANI / KHALED MOUZANAR / MICHEL MERKT COLD WAR PAWEL PAWLIKOWSKI / JANUSZ GLOWACKI / EWA PUSZCZYNSKA / TANYA SEGHATCHIAN THE RIDER CHLOÉ ZHAO / MOLLYE ASHER / SACHA BEN HARROCHE / BERT HAMELINCK ROMA ALFONSO CUARÓN / GABRIELA RODRIGUEZ / NICOLÁS CELIS SHOPLIFTERS HIROKAZU KOREEDA

    BEST CASTING

    AMERICAN ANIMALS AVY KAUFMAN APOSTASY MICHELLE SMITH BEAST JULIE HARKIN THE FAVOURITE DIXIE CHASSAY STAN & OLLIE ANDY PRYOR

    BEST CINEMATOGRAPHY

    AMERICAN ANIMALS OLE BRATT BIRKELAND THE FAVOURITE ROBBIE RYAN LEAN ON PETE MAGNUS NORDENHOF JØNCK A PRAYER BEFORE DAWN DAVID UNGARO YOU WERE NEVER REALLY HERE TOM TOWNEND

    BEST COSTUME DESIGN

    COLETTE ANDREA FLESCH AN EVENING WITH BEVERLY LUFF LINN ALYSSA TULL THE FAVOURITE SANDY POWELL PETERLOO JACQUELINE DURRAN STAN & OLLIE GUY SPERANZA

    BEST EDITING

    AMERICAN ANIMALS NICK FENTON / JULIAN HART / CHRIS GILL THE FAVOURITE YORGOS MAVROPSARIDIS HAPPY NEW YEAR, COLIN BURSTEAD BEN WHEATLEY A PRAYER BEFORE DAWN MARC BOUCROT YOU WERE NEVER REALLY HERE JOE BINI

    BEST MAKE-UP & HAIR DESIGN

    COLETTE IVANA PRIMORAC THE FAVOURITE NADIA STACEY PETERLOO CHRISTINE BLUNDELL A PRAYER BEFORE DAWN STACEY LOUISE HOLMAN STAN & OLLIE MARK COULIER / JEREMY WOODHEAD

    BEST MUSIC

    AMERICAN ANIMALS ANNE NIKITIN BEAST JIM WILLIAMS FUNNY COW RICHARD HAWLEY ISLAND OF THE HUNGRY GHOSTS AARON CUPPLES YOU WERE NEVER REALLY HERE JONNY GREENWOOD

    BEST PRODUCTION DESIGN

    COLETTE MICHAEL CARLIN THE FAVOURITE FIONA CROMBIE PETERLOO SUZIE DAVIES RAY & LIZ BECK RAINFORD STAN & OLLIE JOHN PAUL KELLY

    BEST SOUND

    AMERICAN ANIMALS ANDREW STIRK THE FAVOURITE JOHNNIE BURN A PRAYER BEFORE DAWN SÉVERIN FAVRIAU TIME TRIAL CJ MIRRA YOU WERE NEVER REALLY HERE PAUL DAVIES

    BEST EFFECTS

    DEAD IN A WEEK (OR YOUR MONEY BACK) MATTHEW STRANGE / MARK WELLBAND EARLY MAN HOWARD JONES PETERLOO GEORGE ZWIER / PAUL DRIVER

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  • 42nd Atlanta Film Festival to Feature Lineup of Record +200 Films, ‘EIGHTH GRADE’ ‘BLINDSPOTTING’ ‘TULLY’ and More

    [caption id="attachment_27761" align="aligncenter" width="1200"]Eighth Grade Eighth Grade[/caption] The 42nd Annual Atlanta Film Festival (ATLFF), less than a month away, announced the full lineup of films includes 58 feature length films and 150 short films from 56 countries, along with special programming, that will take place from April 12 to April 22, 2018. Director Bo Burnham, the comedian known for his popular stand-up routines and YouTube career, will attend the Closing Night presentation of his new film EIGHTH GRADE at the Plaza Theatre on Saturday, April 21. EIGHTH GRADE joins ATLFF’s previously announced Opening Night and Marquee presentations, including BLINDSPOTTING from ‘Hamilton’ actor and Tony Award-winner Daveed Diggs and TULLY from the Academy Award® -nominated director Jason Reitman. “The growth of the Atlanta Film Festival reflects the rising importance of Georgia’s film industry, and we’re proud to showcase that connection by hosting a record 49 films with Georgia ties,” ATLFF Executive Director Christopher Escobar said. “We are 100 percent committed to providing a unique festival experience that honors our roots and creates a diverse opportunity for filmmakers of all levels, while also displaying an important role that our city represents in the film and television community.” The Atlanta Film Festival is pleased to showcase diverse feature and short films that connect audiences to filmmakers from around the world. This year, ATLFF will host the world premiere of seven feature-length films and more than 50 short films during the 2018 festival. In addition, 68 percent of this year’s selected submissions were directed by either a woman or filmmaker of color.

    OPENING NIGHT PRESENTATION

    BLINDSPOTTING Directed by Carlos López Estrada USA, 2018, English, 95 minutes Collin (Daveed Diggs) must make it through his final three days of probation for a chance at a new beginning.  He and his troublemaking childhood best friend, Miles (Rafael Casal), work as movers and are forced to watch their old neighborhood become a trendy spot in the rapidly gentrifying Bay Area. When a life-altering event causes Collin to miss his mandatory curfew, the two men struggle to maintain their friendship as the changing social landscape exposes their differences. Lifelong friends Daveed Diggs and Rafael Casal co-wrote and star in this timely and wildly entertaining story about friendship and the intersection of race and class set against the backdrop of Oakland.  Bursting with energy, style and humor, “Blindspotting,” boldly directed by Carlos López Estrada in his feature film debut, is a provocative hometown love letter that glistens with humanity. Actors/Writers/Producers Daveed Diggs & Rafael Casal are scheduled to attend. Prior to the film, Daveed Diggs will be presented with the ATLFF Innovator Award.

    CLOSING NIGHT PRESENTATION

    EIGHTH GRADE Directed by Bo Burnham USA, 2018, English, 94 minutes Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school—the end of her thus far disastrous eighth grade year—before she begins high school.

    MARQUEE FILMS

    AMERICAN ANIMALS Directed by Bart Layton USA, 2018, English, 117 minutes The unbelievable but true story of four young men who mistake their lives for a movie and attempt one of the most audacious art heists in US history. #Marquee HEARTS BEAT LOUD Directed by Brett Haley USA, 2018, English, 97 minutes Frank (Nick Offerman) and his daughter Sam (Kiersey Clemons) form a songwriting duo shortly before she leaves for college. As they grow closer through their music, Frank must come to terms with letting go of his daughter. Toni Collette, Ted Danson, Sasha Lane and Blythe Danner also star. #Marquee LEAN ON PETE Directed by Andrew Haigh UK/USA, 2017, English, 121 minutes Fifteen-year-old Charley Thompson (Charlie Plummer) arrives in Portland, Oregon with his single father Ray (Travis Fimmel), both of them eager for a fresh start after a series of hard knocks. While Ray descends into personal turmoil, Charley finds acceptance and camaraderie at a local racetrack where he lands a job caring for an aging Quarter Horse named Lean On Pete. The horse’s gruff owner Del Montgomery (Steve Buscemi) and his seasoned jockey Bonnie (Chloë Sevigny) help Charley fill the void of his father’s absence—until he discovers that Pete is bound for slaughter, prompting him to take extreme measures to spare his new friend’s life. Charley and Pete head out into the great unknown, embarking on an odyssey across the new American frontier in search of a loving aunt Charley hasn’t seen in years. They experience adventure and heartbreak in equal measure, but never lose their irrepressible hope and resiliency as they pursue their dream of finding a place they can call home. #Marquee LEAVE NO TRACE Directed by Debra Granik USA, 2018, English, 108 minutes Will (Ben Foster) and his teenage daughter, Tom (Harcourt McKenzie), have lived off the grid for years in the forests of Portland, Oregon. When their idyllic life is shattered, both are put into social services. After clashing with their new surroundings, Will and Tom set off on a harrowing journey back to their wild homeland. #NewMavericks, #Marquee A PRAYER BEFORE DAWN Directed by Jean-Stéphane Sauvaire France/Thailand/UK, 2017, English/Thai, 116 minutes “A Prayer Before Dawn” is the remarkable true story of Billy Moore, a young English boxer incarcerated in two of Thailand’s most notorious prisons. He is quickly thrown into a terrifying world of drugs and gang violence, but when the prison authorities allow him to take part in the Muay Thai boxing tournaments, he realizes this might be his chance to get out. Billy embarks on a relentless, action-packed journey from one savage fight to the next, stopping at nothing to do whatever he must to preserve his life and regain his freedom. Shot in a an actual Thai prison with a cast of primarily real inmates, “A Prayer Before Dawn” is a visceral, thrilling journey through an unforgettable hell on earth. #Marquee RBG Directed by Betsy West, Julie Cohen USA, 2018, English, 97 minutes U.S. Supreme Court Justice Ginsburg has created a breathtaking legal legacy for women’s rights while becoming an unexpected pop culture icon. The personal journey of this diminutive, quiet warrior’s rise to the nation’s highest court during a hostile time for women, is revealed in this inspiring and multidimensional portrait. Now 84, Ginsburg refuses to relinquish her passionate duty, continues to have vigorous dissenting opinions and her exercise workouts. #NewMavericks, #Marquee SUMMER 03 Directed by Becca Gleason USA, 2018, English, 96 minutes Inspired by true events, “Summer 03” centers on Jamie, a 16-year-old girl (Joey King) and her extended family who are left reeling after her calculating grandmother (June Squibb) unveils an array of family secrets on her deathbed. Jamie is left to navigate her nascent love life and maintain her closest friendships in the midst of this family crisis. #Georgia, #NewMavericks, #Marquee TULLY Directed by Jason Reitman USA, 2018, English, 94 minutes A new comedy from Academy Award-nominated director Jason Reitman (“Up in the Air”) and Academy Award-winning screenwriter Diablo Cody (“Juno”). Marlo (Academy Award-winner Charlize Theron), a mother of three including a newborn, is gifted a night nanny by her brother (Mark Duplass). Hesitant to the extravagance at first, Marlo comes to form a unique bond with the thoughtful, surprising, and sometimes challenging young nanny named Tully (Mackenzie Davis). #Marquee WON’T YOU BE MY NEIGHBOR? Directed by Morgan Neville USA, 2018, English, 94 minutes Academy Award®-winning filmmaker Morgan Neville’s latest documentary takes an intimate look at America’s favorite neighbor: Mister Fred Rogers. A portrait of a man whom we all think we know, this documentary is an emotional and moving film that takes you beyond zip-up cardigans and the land of make-believe, and into the heart of a creative genius, who inspired generations of children with compassion and limitless imagination. #FamilyFriendly, #Marquee YOU WERE NEVER REALLY HERE Directed by Lynne Ramsay UK/France/USA, 2017, English, 85 minutes A traumatized veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, Joe’s nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening. #Marquee

    NARRATIVE FEATURES

    LOS AÑOS AZULES (THE BLUE YEARS) Directed by Sofía Gómez-Córdova Mexico, 2017, Spanish, 103 minutes Four young adults as different as the four seasons have managed to craft a home for themselves in the shattered relic of a once beautiful house. When a new tenant throws a wrench into their precariously balanced dynamic, the group will both grow closer and drift apart as they journey into adulthood. #CineMás  I’M HERE Directed by Noor Gharzeddine USA/Lebanon, 2018, Arabic/English, 83 minutes Kirsten, brazen American post-grad, befriends her next-door neighbor, Nadine, an intelligent mother relegated to full-time Beirut housewife. The greater the unlikely friendship grows, the harder it becomes for the women to dismiss the obvious abuse and neglect of Nadine’s husband. As the final days of Kirsten’s life in Beirut draw to a close, Nadine must face her husband and settle things once and for all. #NewMavericks, #WorldPremiere CABEZA MADRE (MOTHER’S HEAD) Directed by Edouard Salier Cuba/France, 2017, Spanish, 89 minutes John, a first-generation American, travels to visit his estranged mother in her home country of Cuba for the first time in years. Upon his arrival John is shocked to learn that not only was his mother mixed up with a checkered group of criminals, but she has died in incredibly extreme circumstances. Desperately seeking answers, John will be forced to reckon with the realities of his mother’s life and answer to his own responsibility in her fate. #CineMás CARDINALS Directed by Grayson Moore, Aidan Shipley Valerie has just returned home from a prison sentence served for a drunk driving accident that cost her neighbor his life. All Valerie wants is to return to a normal life with her husband and two daughters, but when her victim’s son shows up at her door it becomes clear that the past is not behind her. His lingering suspicions cast doubt on her motivations – was his father’s death an accident after all? #Competition CLARA’S GHOST Directed by Bridey Elliott USA, 2018, English, 93 minutes Clara Reynolds is the under-appreciated matriarch of a family in the spotlight. Her husband is an aging comedian that is beginning to recognize his career may be behind him and her daughters are a pair of former child stars attempting to claim a place in the industry as adults. When the family reunites at their home in rural New England, Clara’s long tradition of being relegated to the sidelines drives her to a breaking point. Desperate for connection, Clara finally finds it with the ghost of a woman who only has eyes for her. #NewMavericks DEAD PIGS Directed by Cathy Yan China, 2017, Chinese/English, 132 minutes A Chinese farmer loses his livelihood when pigs mysteriously die across the country. An eccentric woman fights to save her family home from encroaching gentrification, as an American expat architect spearheads the same project in order to make a name for himself in a new land. A young man scraping by as a busboy in a glitzy Shanghai restaurant enters a complicated relationship with a young socialite seeking something outside of her privileged upbringing. As the government struggles to explain the dead pig crisis, each of these stories interconnects in surprising ways as our motley cast of characters searches for a meaningful life. #Competition DISAPPEARANCE Directed by Ali Asgari Iran/Qatar, 2017, Persian, 88 minutes When a young virgin decides to sleep with her boyfriend, she finds herself under threat from her conservative society. Desperate for a solution, the couple travels from hospital to hospital searching for help and finds their relationship tested in the face of the consequences of their actions. #Competition FACADES Directed by Nathalie Basteyns, Kaat Beels Belgium, 2017, Dutch/French, 91 minutes Alex’s world is turned upside down when her mother abruptly abandons her dementing father. But when Alex moves home to care from him, she finds herself forced to confront a traumatic incident from her childhood and the things she should not have seen. The journey to reckon with her past will find Alex addressing the ways her parents’ marriage has shaped her own relationships, most importantly with her adulterous husband. In order to move forward, Alex must confront the reality of her past. #Competition, #NewMavericks FAT TUESDAY Directed by Jorge Torres-Torres USA, 2017, English, 80 minutes Caught up in the glitz and pageantry of Mardi Gras, a group of friends find themselves enamored with the infamous city of New Orleans. However, as their celebratory night draws to a close, a sinister presence begins to prey upon the unsuspecting tourists. IN THE SHADOWS Directed by Dipesh Jain UK/India, 2017, Hindi, 117 minutes A reclusive shopkeeper spends his life isolated from the outside world, interacting with his home of Old Delhi solely through hidden closed-circuit cameras. Meanwhile, a boy struggles to protect his mother and younger brother from the harsh sting of his father’s hands. When the shopkeeper overhears this abuse he must break free from his self-imposed prison in order to help the boy, discovering a shocking truth along the way. IT’S A PARTY Directed by Weldon Wong Powers USA, 2018, English, 78 minutes Successful Atlanta rap artist Cory Masters is late for his own surprise birthday party. While his friends anxiously await his arrival, each one individually addresses their own existential crisis. As the night drags on, hilarity ensues amongst the party-goers as they ponder life, careers, and relationships with Cory. Get yo’ a** to the party. #Georgia LAMP LIGHT Directed by Mason Rey USA, 2018, English, 90 minutes Crippled by insecurity and doubt, Don Gos struggles with a stilted career and dating life. As he contemplates his failures while driving home one evening, a tunnel collapses on top of him. Buried alive with no hope of rescue, he is unsure of whether or not he will survive and he ceremoniously bids adieu to the rest of his life. #Georgia, #WorldPremiere MELOCOTONES (PEACHES) Directed by Hector Valdez Dominican Republic/UK, 2017, Spanish/English, 80 minutes In the retrofuture, Diego attempts to salvage his relationship with girlfriend Laura by taking her to the hotel where they once vacationed as a happy couple. But when they arrive, the hotel is no longer in business and Laura’s ex-boyfriend shows up, demanding to have her back. In an attempt to rectify the situation, Diego accidentally traps himself and Laura in a continuous time loop. #CineMás NEVER STEADY, NEVER STILL Directed by Kathleen Hepburn Canada, 2017, English, 111 minutes Living in a remote part of Canada, Judy battles daily with the pain and inconvenience of Parkinson’s Disease. After her husband dies suddenly, Judy’s world is turned upside down, leaving her with the daunting task of caring for herself. Judy’s son Jamie has recently left home at his father’s insistence to find work on the harsh Canadian oil fields. In the face of his mother’s illness, Jamie will grapple with balance between his responsibility to her and his mother’s desire to see him forge his own life. #NewMavericks POOR JANE Directed by Katie Orr USA, 2017, English, 89 minutes Jane is a stay at home mom who has just realized she doesn’t love her husband anymore. She decides to bid her family adieu for the holidays and spends her time reconnecting with herself by dating other men, reconnecting with old flames, and writing poetry. When the holidays are over, Jane must choose between her new life or the one she left behind. #Georgia, #NewMavericks PRISON LOGIC Directed by Romany Malco USA, 2018, English, 93 minutes Two college students film a documentary on larger-than-life, chain-smoking inmate Tijuana Jackson, who is currently serving time in prison. After he is released, Tijuana arrives back home where he is met with the demands of both his family and his parole officer. He leaves home and embarks on a road trip to follow his dreams of becoming a life coach and motivational speaker, but is met with some surprises along the way. RESTOS DE VIENTO (WIND TRACES) Directed by Jimena Montemayor Loyo Mexico, 2017, Spanish, 93 minutes In the wake of losing their father and patriarch, a family drifts aimlessly through life. The mother, Carmen, struggles with depression and the task of caring for her children in the wake of her abandonment. Disappointed by the adults in her life, oldest daughter Ana shuts down while her brother opens himself up to the mysterious otherworldly figure that has suddenly appeared in his life. Together, the family will have to grow and let go of their fears in order to survive. #Competition, #CineMás, #NewMavericks SAVAGE YOUTH Directed by Michael Curtis Johnson USA, 2018, English, 97 minutes Elena, an aspiring young artist, meets and falls in love with Jason, a horrorcore rapper. Suddenly engrossed in his world, Elena finds herself binging drugs and alcohol as her young love quickly fizzles. Driven into a friendship with drug dealer Gabe, Elena tries to find herself within this new world. But when a robbery in the midst of a house party goes terribly wrong, Elena will be thrust into a much more violent and dangerous confrontation. STILL Directed by Takashi Doscher USA, 2018, English, 88 minutes When Lily (Madeline Brewer) loses her way on a hike through the Appalachian wilderness, she finds rescue in the form of a peculiar married couple, Ella (Lydia Wilson) and Adam (Nick Blood), who have completely isolated themselves from the outside world. As the couple nurses Lily back to health, she begins to discover evidence of a dark and dangerous secret a century in the making. As Ella and Nick’s mystery begins to unravel, Lily comes to understand the couple’s desperation to keep themselves hidden from the world. #Georgia, #WorldPremiere STRANGE COLOURS Directed by Alena Lodkina Australia, 2017, English, 85 minutes When Milena learns her estranged father has fallen ill, she travels to the remote opal mining community he calls home. Crossing paths with many of the fellow male miners, Milena discovers the opals themselves are not nearly the most colorful facet of this freedom oasis. As the bond between father and daughter strives to mend, Milena discovers that the “here and now” may be far more valuable than any unearthed gem. #Competition, #NewMavericks T-JUNCTION Directed by Amil Shivji Tanzania, 2017, Swahili, 106 minutes When her estranged father suddenly passes, Fatima finds herself struggling to mourn a person to which she had no connection. As she helps her grieving mother collect records from the nearby hospital, she meets Maria, a patient with a complex past and mysterious injuries. Maria begins to tell Fatima a story of her home, T-Junction, and the family that she found amongst its colorful residents. As the two women bond, Fatima begins to come to terms with the complexity of her own home, family, and life. TELL ME YOUR NAME Directed by Jason DeVan USA, 2018, English, 89 minutes Abused by her father and abandoned by her mother as a young child, Ashley is sent to live with her estranged Aunt Tanya.  During her stay, she becomes obsessed with investigating the disappearance of her mother and she calls upon the spirit world to answer her questions.  In her quest, she is ensnared by a powerful demon who refuses to leave its host. #Georgia THY KINGDOM COME Directed by Eugene Richards USA, 2018, English, 42 minutes A priest visits the residents of a small town and demonstrates the healing power of listening. From prisons to living rooms, the priest compassionately listens to people from all walks of life openly reveal their deepest secrets, hopes and dreams as they struggle to reconcile their past with their present. #Competition TIGRE Directed by Silvina Schnicer, Ulises Porra Guardiola Argentina, 2017, Spanish, 92 minutes Sixty-five year old Rina visits her home in the Tigre Delta accompanied by her forty-something friend Elena. They await the arrival of their estranged children, hoping that the island sanctuary will create a space for reconnection. Instead, they find that the home is threatened by encroaching industrialization and their children feel more distant than ever. The two women struggle to hold onto a way of life that may be already out of reach. #Competition, #CineMás, #NewMavericks VENUS Directed by Eisha Marjara Canada, 2017, English, 95 minutes Having recently embraced her own identity, Sid, a transgender woman, finds herself tangled in a complex web of expectations and aspirations when she discovers she has a 14-year-old son. With new relationships adding to the struggle of culture, religion, and romance in Sid’s journey to acceptance, everyone’s in for a wild ride. #PinkPeach WHEN SHE RUNS Directed by Robert Machoian, Rodrigo Ojeda-Beck USA/Denmark, 2018, English, 71 minutes Kirstin, a young wife and mother, competes for a spot in the the Olympic trials. In her quest to win, she sacrifices it all as she moves out of her house and leaves behind her husband and young son. While her marriage and finances suffer, she trains obsessively, embarking on a strict diet, exercise and motivational plan she hopes will bring her to Olympic gold. YAMASONG: MARCH OF THE HOLLOWS Directed by Sam Koji Hale USA, 2017, English, 95 minutes In a futuristic world filled with fantastical, mechanized creatures, one automaton girl joins forces with a tortoise warrior and a band of outlaws to defeat a sinister army bent on world domination. Their only hope? A perilous journey to find a legendary relic with the power to save them all. Starring Nathan Fillion, Abigail Breslin, Whoopi Goldberg, Malcolm McDowell, Bruce Davison, Freida Pinto, George Takei, Peter Weller and Ed Asner, “Yamasong: March of the Hollows” is the first feature length non-muppet puppetry film in over a decade. #FamilyFriendly, #WorldPremiere

    DOCUMENTARY FEATURES

    ABU Directed by Arshad Khan Canada/Pakistan, 2017, English/Urdu/Hindi, 80 minutes Using home videos and classic Bollywood films, a filmmaker crafts an intimate portrait of his Pakistani-Muslim family grappling with the realities of having a gay son in a modern world. Torn between sexuality and religion, tradition and migration, a gay son and his father test the boundaries of love, home, and the meaning of family. #PinkPeach ARMED WITH FAITH Directed by Geeta Gandbhir, Asad Faruqi USA/ Pakistan, 2017, Pashto/Urdu, 74 minutes Hidden within the mountainous border of Pakistan and Afghanistan are some of the most violent homegrown terrorist groups. For years, Al-Qaeda and the Taliban have attacked local Pakistani residents with improvised explosive devices in a bid to control the region. Operating on a low budget and scarce resources, the Khyber Pakhtunkhwa Bomb Disposal Unit risk their lives daily to counter this terrorism and safeguard their neighbors with their unparalleled faith and courage. BLACK MEMORABILIA Directed by Chico Colvard USA/China, 2018, English/Chinese, 64 minutes In the history of racism in the United States, one major physical manifestation of oppression has survived into the present, wrapped in the protective embrace of antiquity and historical preservation—black memorabilia. What was once a brand of trinket that played on racial stereotypes for the delight of white buyers, finds itself suspended in a limbo of race and time. As different forces in the United States fight to preserve, consume, and reclaim black memorabilia, the journey to address present day racism is only further complicated by industrialization in China and a desire to save cultural context for future generations. #Competition COCAINE PRISON Directed by Violeta Ayala Bolivia/Australia/France/USA, 2017, Spanish, 77 minutes In a world dominated by drug trade and ineffectual police forces, it is often the lowest, replaceable workers in the hierarchy who find themselves imprisoned. Enter the claustrophobic world of Bolivia’s infamous San Sebastian prison. This detailed look at a broken system of arrests and jail time follows the story of one young cocaine mule, Hernan, as he suffers the same fate a countless other disposable workers. At the same time, his sister, Deisy, treds a careful line between freeing her brother and avoiding entanglement in the same cocaine trade that destroyed his life. #CineMás FREEDOM FOR THE WOLF Directed by Rupert Russell Hong Kong/Tunisia/India/USA/Germany, 2018, English/Mandarin/Arabic/Hindi, 89 minutes What is a democracy? Across the globe, this heralded form of government is under attack by the very leaders it elected. In this groundbreaking documentary, we follow the crisis of faith in five different countries. From Hong Kong, to Tunisia, to India, to Japan, and even to the so called birthplace of democracy—the United States of America—what was once believed to be the pinnacle of human society is being torn at by hungry wolves seeking power and status for themselves. In the face of threats that come in the guise of friendly leaders, what can the people do to save their democratic freedoms? Can the tides be turned back, or is “freedom for the wolf” destined to bring “death for the sheep?” #Competition INGRID Directed by Morrisa Maltz USA, 2018, English, 52 minutes Ingrid, a successful fashion designer and mother, dropped everything to create a new life for herself in the middle of the woods. Since then, she has carved out an isolated existence, surviving off her own wit and labor while creating art from the land she now calls home. But as Ingrid’s past is uncovered in this meditative documentary, the question of what drives someone to leave a life of ordinary comforts to pursue a life spent in solitude comes to light. #Competition, #NewMavericks ISLAND SOLDIER Directed by Nathan Fitch USA/Federated States of Micronesia/Afghanistan, 2017 English/Kosraean, 85 minutes Every year, young Micronesian citizens leave their families and island homes on military deployment—as United States soldiers fighting for the American dream. Torn between the failing economics of their native country and a complicated historical relationship with the United States, these young islanders become the pieces is larger puzzle that pits jobs and security against the reality of fighting for a country you neither belong to nor have any rights in. #Georgia LIYANA Directed by Aaron Kopp, Amanda Kopp USA/Swaziland, 2017, English/siSwati, 77 minutes Five orphaned children living in Swaziland collectively weave a cathartic tale of love, hope, and bravery through a fictional character they create named Liyana. When Liyana’s parents die and her brothers are kidnapped, she embarks on a perilous journey to face her darkest fears and reclaim her family’s future. While the children immerse themselves in the imaginary, the viewer catches an intimate glimpse of a truer paralleled reality and the childlike wonder that persist through it all. #Georgia, #FamilyFriendly MAN MADE Directed by T Cooper USA, 2018, English, 93 minutes At the world’s only all-transgender bodybuilding competition, four male bodybuilders take the stage. What precedes this triumphant moment are a set of personal and diverse journeys taken on the path to self-identity and empowerment. Told through the intimate and honest lens of a trans filmmaker, this documentary intertwines the nuances of manhood, the drive for social justice, and the competitive desire to forge our own paths and be our personal best. #Competition, #Georgia, #PinkPeach, #WorldPremiere MAN ON FIRE Directed by Joel Fendelman USA, 2017, English, 54 minutes Grand Saline seemed like your average small town in Texas until the day when Charles Moore, an elderly white preacher, publicly set himself on fire to protest the town’s long history of racism. Catapulted to the spotlight by this powerful act of self-harm, the ordinary small town of Grand Saline was asked to address its storied past. What was recorded instead is a town’s deeply rooted internal divisions and an overwhelming attempt to ignore and vehemently deny any wrongdoing by many members of Grand Saline’s mostly white population. MAYNARD Directed by Sam Pollard USA, 2017, English, 99 minutes In 1970, Maynard Jackson Jr. was elected as mayor of the city of Atlanta, sparking a revolution in the black community. As the first black mayor elected in a major Southern city, his campaign ignited African American voter turnout and his service in office paved the way for the creation of diversity and inclusion norms, still practiced and revered in present day. #Georgia MERMAIDS Directed by Ali Weinstein USA/Canada, 2017, English, 76 minutes All throughout the United States, there exists a vibrant and mythical subculture dedicated to the existence of real life mermaids. In the exploration of the history and present of this peculiar passion, Mermaids takes us on a journey into the lives of five incredible women who spend their free time, and sometime work hours, donning full-size tails at pools, beaches, and bars. In watching them transform into the sea-creatures of their dreams, we gain beautiful insight into the complicated lives of women who differ in every way but are drawn to the same ideal of unearthly beauty and freedom. #NewMavericks, #PinkPeach NOS LLAMAN GUERRERAS (THEY CALL US WARRIORS) Directed by Jennifer Socorro, Edwin Corona Ramos, David Alonso Venezuela/USA/Mexico/Jordan, 2018, Spanish/English, 81 minutes In a country torn apart by political and economic upheaval, a team of young women finds refuge in a sport that rises above their personal poverty and gendered social status. But when this new soccer team goes undefeated in all of South America, these women find themselves in the position to win Venezuela’s first World Cup and gain a new acceptance and voice in their home country. #Competition, #CineMás, #WorldPremiere NOTHING WITHOUT US: THE WOMEN WHO WILL END AIDS Directed by Harriet Hirshorn Burundi/France/Spain/Nigeria/USA, 2017, English/French, 67 minutes For the past 30 years, women around the world have been on the move to tear down the forces that would silence them. Forgotten and overlooked in the global fight against HIV/AIDS, these women, particularly women of color, are fighting to destroy the myths and stigmas that surround this disease. Following the lives of present day activists around the world, this documentary charts the fight of women living with HIV/AIDS while also exploring the historical blind eye turned toward women during this long epidemic. Through education, medical and emotional support, and government action, these women will not stop until their voices are heard and HIV/AIDS is eradicated. #Georgia, #NewMavericks ONIBO Directed by Julien Mauranne, Victor Guillon France/Peru, 2017, Spanish/Shipibo, 60 minutes Curious about urban life outside of their rural Peruvian village, two teenage brothers of the Amazonian Shipibo Indians leave for Lima to chase their dreams. Aware of the sage advice and dutiful hesitation of their parents, the boys arrive only to discover that dark realities are hiding inside a booming metropolis. Together, they’ll have to make their own way and reconcile their desire for modernity with an ancestral knowledge that is soon to be theirs. #Competition, #CineMás SILAS Directed by Anajli Nayar, Hawa Essuman Canada/South Africa/Kenya/Liberia, 2017, English, 80 minutes Faced with environmental destruction and governmental corruption, Liberian activist Silas Siakor is fighting back to save the country he loves. In this stunning ode to grassroots resistance, Silas highlights how the power of an individual and the use of modern technology empowers local communities to rise up and lead the environmental struggle on a global scale. #Competition TAKE LIGHT Directed by Shasha Nakhai Nigeria/Canada, 2018, Pidgin English, 78 minutes When it comes to power and electricity, Nigeria is a country in crisis. Torn between its desire to enter the global stage and its inability to provide one of the major first world utilities, the country lives in limbo. Through the door to door travellings of an optimistic electrician and a hesitant power company representative, the complicated dynamics of a country’s ineffectual energy structure and the havoc it wreaks begins to unfold. 306 HOLLYWOOD Directed by Elan Bogarín, Jonathan Bogarín USA/Italy/Hungary, 2018, English/Italian, 94 minutes After the loss of their grandmother, a brother and sister foray into the depths of magical realism to excavate and appreciate the home she left behind. Their journey examines an individual’s microcosmic universe and the physical and emotional weight that indelibly carries on after a life ends. In this documentary, the ordinary becomes the extraordinary and a New Jersey home becomes a classical ruin to be revered by archaeologists, archivists and scientists alike. #Competition WAITING FOR DAVID Directed by Emelie Svensson, Karin Oleander USA/Sweden, 2018, English, 41 minutes April 19, 1993. After a grueling 51-day standoff between the FBI and the Branch Davidian cult in Waco, Texas, over 70 members of the cult perished when their compound went up in flames. Now 25 years later, survivor Clive Doyle is still waiting for cult leader and messiah David Koresh to resurrect alongside Clive’s own deceased daughter. #WorldPremiere

    SHORT FILMS

    CARBON COPY Filaments of connection floating in projector light. Documentary, 95 minutes The Last Tape | directed by Cyprien Clément-Delmas & Igor Kosenko, Ukraine/Germany, 12:12 A young man and a veteran meet for the last time before the Ukraine war separates them. Charming Strangers | directed by Weichao Xu, USA, 22:24 Through the lens of a vintage film camera, a Chinese photographer and his 8-year-old students rediscover their experience as immigrants in the United States. #Competition Dengê min Hilgirt (Carry My Voice) | directed by Hasan Demirtas, USA/Turkey, 19:02 A personal story of love and separation against the backdrop of an episode of Kurdish history with profound consequences to this day. Hallo Salaam (Hello Salaam)| directed by Kim Brand, The Netherlands/Greece, 15:07 Two young boys visit a refugee camp on the Greek island of Lesbos. First encounters of handing out food and careful greetings soon become playful gatherings and good conversations. All The Leaves Are Brown | directed by Daniel Robin, USA, 11:00 A short film about memory, loss, family, and a sugar maple tree. #Competition, #Georgia Oma | directed by Bill Kirstein, USA, 15:24 A rich discovery in a dusty attic raises long forgotten questions for a centenarian facing the loss of her short-term memory. An exploration of memory, secrets and living to be 100. HARD WORLD FOR SMALL THINGS Portraits of young minds and steel spines. Narrative, 102 minutes Chandler | directed by Julia Kennelly, USA, 9:14 Feeling ignored on an important day, a 12-year-old girl seeks attention from an unexpected source. #NewMavericks وقت نهار  (Lunch Time) | directed by Alireza Ghasemi, Iran, 15:57 A 16 year old girl goes to the hospital to identify the body of her mother.  But age, bureaucracy, and culture might prevent her from seeing her mother one last time. Varg (Wolf) | directed by Frida Kempff & Erik Andersson, Sweden, 11:41 In the shadow of a violent threat, a young woman must decide whether or not to take action to save her family’s way of life. Marlon | directed by Jessica Palud, France, 19:50 Marlon, 14 years old, is visiting her mother in jail for the first time since her imprisonment. Protected by her family, she stubbornly believes that her mother is still her childhood heroine… #NewMavericks 茧 (Cocoon) | directed by Mei Liying, China, 25:41 When Qingqing questions her mom’s odd relationship with a female friend, she discovers a secret that will unravel her peaceful family life and her burgeoning conceptions of love, sex, and female desire. #NewMavericks, #PinkPeach San Miguel | directed by Cris Gris, Mexico/USA, 19:30 In order to help heal her grieving mother, Ana, a devout 9 year old girl, pushes her faith to its limit in hopes of divine intervention. #Competition, #CineMás, #NewMavericks IMAGINARY FLYING MACHINES Renderings of an animated technicolor world. Animation, 102 minutes Tête à Tête | directed by Natasha Tonkin, United Kingdom, 7:41 One family’s search for connection in a digital world. #Competition, #NewMavericks Negative Space | directed by Max Porter & Ru Kuwahata, France, 5:30 My dad taught me how to pack. Tokri (The Basket) | directed by Suresh Eriyat, India, 14:22 Two insignificant lives lost and found in time. Two Balloons | directed by Mark C. Smith, USA, 9:08 Two travelers return to a place crossed by stars and clouds where love is at the beginning of everything. #Competition Heaven | directed by Miguel Anaya, Mexico, 11:19 In the late 40’s, a pilot, who visits isolated communities to bring them food and rescue the sick, loses his brother who wanted to be like him. #Competition, #CineMás Railment | directed by Shunsaku Hayashi, Japan, 9:40 In a continuous scenery, his physical movement stays in the same position. #Competition Ming | directed by Danski Tang, USA, 3:07 A Chinese woman’s experience as a live figure model while abroad. #Competition, #NewMavericks 10 | directed by Yu-Ting Cheng, USA, 3:38 An autistic 5-year-old with leukemia suffering both physically and mentally in the darkness of pain. INN | directed by Zion Chen, USA, 4:26 A strange girl draws a young man’s attention in the inn. And the Moon Stands Still | directed by Yulia Ruditskaya, Belarus/Germany/USA, 10:47 The presence of the moon affects all under its glow. The film explores the lunar cycle and the energies invoked by its radiance. #Competition SOG | directed by Jonatan Schwenk, Germany, 10:14 A people of humanlike creatures lash out viciously against a shoal of fish that had unintentionally entered their desolate land. #Competition The Box | directed by Dušan Kastelic, Slovenia, 12:12 The Box is full of miserable creatures. One of them doesn’t belong there. He’s thinking outside the box… #Competition KABOOM Unicorns, Rasputin, Sharknado – oh my! Puppets and clay that will blow your mind. Puppetry & Stop Motion Animation, 64 minutes You Can’t Play With Us | directed by Jason Rhein & Serene Bacigalupi, USA, 15:44 When an inquisitive dinosaur happens upon some musical unicorns at Marshmallow Mountain, they aren’t as friendly as he expects. TubeHeads – Haie im Weltraum (TubeHeads – Sharks in Space) | directed by Henning Ricke & Daniel Raboldt, Germany, 5:18 A puppet sketch comedy for the generation Y, ‘TubeHeads’ is a wired and wonderful joyride through pop- and high culture with nerdy humor and general mischief. Quarters | directed by FIG House, Canada, 5:00 A flippantly animated portrait of typical flat denizens who live together, yet apart. To Be | directed by Farzaneh Omidvarnia, Iran/Denmark, 6:01 Seeking refuge, a group of migrants must brave unknown perils and one unfriendly climate after the next. #NewMavericks Nevada | directed by Emily Ann Hoffman, USA, 12:07 A young couple’s romantic weekend getaway is interrupted by a birth control mishap in this stop-motion animated comedy. #Competition, #NewMavericks The Legend of Rasputin | directed by Jamie Shannon, Canada, 12:40 A dark historical comedy about the first tabloid star Grigori Rasputin, presenting a chapter in his life through puppets. Don’t Think of a Pink Elephant | directed by Suraya Raja, United Kingdom, 7:20 A teenage girl fights her intrusive thoughts. #NewMavericks LAST LIFE IN THE UNIVERSE Glimpses beyond the veil of time and space. Narrative, 110 minutes Arlo Alone | directed by Nicole Dorsey, Canada, 16:28 A futuristic drama that follows a young woman as she comes to terms with her own loneliness in a world where in-person contact has become a rarity. #Competition, #NewMavericks Expire (Exhale) | directed by Magali Magistry, France, 13:12 In a world blanketed by toxic fog, one young woman, alone in the world, tries to connect despite the inherent danger in stepping outside. #NewMavericks Low Tide | directed by Joseph Sackett, USA, 10:05 A queer supernatural break-up album about a woman who falls in love with an angel. #PinkPeach Paleonaut | directed by Eric McEver, China/Japan/USA/Singapore, 15:51 A scientist studying the first human time traveller falls in love with her subject. But if her research succeeds they will become separated by eons of history… The Emissary | directed by Bryan Tan, USA, 21:17 Liv Laika embarks on a solitary mission to a distant planet in search of her ancestors who fled the earth nearly a century prior. #Georgia After Her | directed by Aly Migliori, USA, 14:39 A wayward teenage girl goes missing and her friend is haunted by her disappearance. An atmospheric sci-fi about first love and the lost girl. Souls of Totality | directed by Richard Raymond, USA, 18:44 A relationship story about the sacrifices we make, the things we don’t say, and love’s seemingly supernatural ability to conquer all. LAUGHTER Humorous collisions of circumstance and character. Narrative, 77 minutes Sticky | directed by Richard Turley, United Kingdom, 13:06 A suburban tale of lust, chewing gum and first class stamps. My Lethal Weapon | directed by Hope Leigh, USA, 9:24 A young blonde must navigate treacherous power dynamics when she’s pulled over late at night by a “friendly” cop. #Georgia, #NewMavericks The Homestay | directed by Priyanka Mattoo, USA, 11:48 A sheltered Indian couple visits their son in the U.S. for the first time and bungles their apartment rental, ending up in close quarters with their hosts, a gay couple and their dogs. #PinkPeach Offstage | directed by Andrei Huțuleac, Romania, 25:15 A famous Romanian actor is kidnapped by the obsessed mother of his biggest fan. Hail Mary Country | directed by Tannaz Hazemi, USA, 18:09 Macho Grandmother Irene Dandy has to defend her family of football fanatics when they are robbed by Nora, a cocky thief with an all male posse. #NewMavericks MADEINUSA Broad stripes and bright stars, the American ethos. Documentary, 99 minutes Footprint | directed by Sara Newens, USA, 17:05 A purely observational meditation on how different people engage with the World Trade Center Memorial, exploring the ways we choose to commemorate tragedy in the age of technology, social media, and changing attitudes toward patriotism. #Competition Shot. | directed by Aemilia Scott, USA, 9:30 Footage from every police shooting over the last two years, taken unedited, and aligned ⎯⎯⎯ synchronised to the moment of the first gunshot. #Competition Nuuca | directed by Michelle Latimer, USA/Canada, 12:58 The oil boom in North Dakota has brought tens of thousands of new people to the region and with that has come an influx of drugs, crime and sex trafficking. #Competition, #NewMavericks Socks on Fire: Uncle John and the Copper Headed Water Rattlers | directed by Bo McGuire, USA, 15:05 A failed poet takes up cinematic arms when he returns home to Hokes Bluff, Alabama to discover his homophobic aunt has locked his drag queen uncle out of the family home. #Competition, #PinkPeach The Fourth Kingdom | directed by Adan Aliaga & Alex Lora, Spain/USA, 14:21 The kingdom of plastics, a redemption center in NY for immigrants and underdogs where the American Dream becomes possible indeed. Brooklynn | directed by Charlie Mysak, USA, 12:14 A deeply personal look into how gun violence impacts a family long after the media spotlight fades away. Towards the North | directed by Jessica Chermayeff & Joshua Bennett, Mexico/USA, 17:48 With their sights set on the U.S., mother and daughter cover the length of Mexico, facing immigration officials and taking selfies along the way – only to arrive in Tijuana where the US border suddenly becomes a dark reality. #CineMás NOBODY’S WOMAN Painstaking accounts of lives led, loved, and lost. Narrative, 103 minutes Pas Papa (Not Daddy) | directed by Tamara Vittoz, France, 24:24 Anna doesn’t feel like an ordinary girl. Her violent father has gone for what seems like forever, and her mom keeps pushing her to forget he exists. Still, she dreams of meeting him. #NewMavericks, #PinkPeach Ράγες (Tracks) | directed by Elina Fessa, Greece, 12:08 A student on her way to class. A mother trying to cope. One accident where they’ll learn what they’re made of. #NewMavericks Nevada | directed by Emily Ann Hoffman, USA, 12:07 A young couple’s romantic weekend getaway is interrupted by a birth control mishap in this stop-motion animated comedy. #Competition, #NewMavericks هایلایت (Highlight) | directed by Shahrzad Dadgar, Iran, 23:42 The reflection of sexual issues such as virginity, abortion and sex reassignment surgery in lives of three women spending an afternoon in a beauty salon in Tehran, Iran. #NewMavericks, #PinkPeach Counterfeit Kunkoo | directed by Reema Sengupta, India, 15:00 In a city that houses millions, Smita finds herself fighting beasts of a different kind as she discovers a strange prerequisite to renting a house in middle-class Mumbai. #Competition, #NewMavericks Ming Wang Shin Tu (To Pluto) | directed by Yen-Ju Lee, Taiwan/United Kingdom, 15:58 A nurse who finds herself stuck in her current job and a dying long-distance relationship meets a cancer patient who is trying to find the family he abandoned before it is too late. #NewMavericks OF ONE BLOOD Family ghosts of the past, present, and future. Narrative, 99 minutes Pantheon | directed by Ange-Régis Hounkpatin, France, 24:35 Cut off from his family roots, Solomon is about to donate his deceased father’s Voodoo costume to a museum when a young street-dancer reminds him that the ancestral soul still remains. #Competition Forgive Me | directed by Besim Ugzmajli, Kosovo, 15:00 Manipulated into joining a terrorist group, Bujar tries to convince his brother Agron to help his wife Mimosa join him in Syria. Upset Body | directed by Delphine Le Courtois, Canada, 20:30 Gabrielle, a young independent woman, must face difficult questions when unexpected news comes hurtling into her life. #NewMavericks Ke | directed by Jun Chong, Singapore, 13:05 An elderly Taiwanese lady goes to Singapore’s only Hakka cemetery to try and find her late grandfather’s grave before the cemetery is relocated. Një Muaj (A Month) | directed by Zgjim Terziqi, Kosovo, 26:19 The real life story of a blind woman with no home and her four sisters’ pact to keep her at their respective residences for a month each. THE PLACE PROMISED IN OUR EARLY DAYS Meditations on weathered hands and patient hearts. Narrative, 104 minutes For Nonna Anna | directed by is Luis De Filippis, Canada, 13:17 A trans girl cares for her Italian grandmother. She assumes that her Nonna disapproves of her – but instead discovers a tender bond in their shared vulnerability. #Competition, #PinkPeach Saturday Night Special | directed by Esteban Garcia Vernaza, USA, 12:00 In a fit of anger, young Wesley embarks on a journey through the dangerous streets in search of some food for his baby sister. Khane Sefid (White House) | directed by Madeh Arastoo Mafakheri, Iran, 20:00 A brand new religious leader, searching for identity, finds himself in over his head and isolated during his first rural village assignment. Emergency | directed by Carey Williams, USA, 11:40 Faced with an emergency situation, a group of young Black and Latino friends carefully weigh the pros and cons of calling the police. Altmuligmand (Odd Job Man) | directed by Marianne Blicher, Denmark, 22:00 An old man struggling with life gets the chance to pursue a dusty dream. #PinkPeach Magic ‘85 | directed by Annika Kurnick, USA, 25:00 During the height of the AIDS epidemic in LA, Gabriel, a lonely hospice worker, helps lead his patients to a conscious death. #Competition, #PinkPeach REBELS OF THE NEON GOD Turbulent intersections of love and tech. Narrative, 96 minutes Wyrm | directed by Christopher Winterbauer, USA, 19:45 Wyrm has two days to complete his Level 1 Sexuality Requirement, typically osculation (aka kissing), or he’ll be held back as part of the school district’s No Child Left Alone program and forced to wear his My.E.Q. Electronic Monitoring Collar through high school. #Competition They Wait For Us | directed by Lukas Schrank & George Thomson, United Kingdom, 21:48 In a near-future end-of-life care facility, a reclusive hospital worker starts to believe a coma patient is secretly communicating with him. 基石 (Fundamental) | directed by ShihChieh Chiu, Taiwan, 7:10 A story of a teenager who discovers the strange and terrifying reality behind fundamentalism. #Competition STHLM HUNTERS | directed by Tor Helmstein, Sweden, 17:11 Amateur vigilantes Bibi and Kenneth must prove that the man they’ve taken hostage really is the internet pedophile they’re looking for. Long Bueno | directed by Abílio Dias, Brazil, 29:57 Mauro runs and runs, but Long Bueno remains far far away. #CineMás SPRING IN MY HOMETOWN Films and filmmakers grown in Georgia clay. Narrative (Local), 85 minutes M.A.F.I.A. | directed by Frances Chang, USA, 4:45 Discouraged by online dating, these women have turned to a new app, M.A.F.I.A., to find love. #Georgia Something Bigger | directed by Chris Anthony Hamilton, USA, 8:57 Teea confides in her best friend about her existential crisis when an ominous visitor interrupts their moment of connection. #Georgia Jukebox Girl | directed by Alex Richard Thomas, USA, 9:32 The mayor’s daughter, Brenda moonlights as a criminal stuck between putting her delinquent days behind her or succumbing to a life of crime. #Georgia Beeda After the Wake | directed by Nina Marinov, USA, 10:04 In a southern magical realism story of loss, an observant five year old girl is left on her own to navigate death and grief. #Georgia, #NewMavericks Pupae | directed by Ryan Hope Travis, USA, 8:32 Compelled to confront his past, Moses returns home after living in a swamp for 7 years. #Georgia Cells | directed by Raymond Wood, USA, 12:00 A doctor is held captive by a group of masked intruders who force him to answer why billions of dollars go wasted each year in the name of medical research. #Georgia Jookuhdo | directed by Crystal Jin Kim, USA, 12:30 An antique shopkeeper is floored when her long-lost, yakuza-involved love suddenly reappears four years after his supposed death and is dying to find if this can be true. #Georgia, #NewMavericks On the Fence | directed by Cassidy Detmer & Jared Callahan, USA, 8:00 Pete attempts to reconnect with his family after escaping from a drug recovery center. #Georgia Snapshot | directed by Brett Bagwell, USA, 9:59 Expressed through the memories and dreams of a 12-year old boy, a mother and son struggle to cope with the absence of the father. #Georgia STUD LIFE What makes a man? Narrative & Documentary, 104 minutes Gutten er Sulten (The Hunger) | directed by Kenneth Karlstad, Norway, 20:59 A sixteen year old boy with an intense desire for recognition seeks out a vicious criminal to prove his boundless grit. Street Racers | directed by Aurélien Heilbronn, Dominican Republic/USA/France, 9:09 Deep in the Dominican Republic’s illegal motorbiking culture, a tight-knit community of teens risk their lives to entertain themselves, blocking off motorways and hitting high speeds on small custom bikes. #Competition Rice Ball | directed by Yusuke Oishi, Japan, 15:00 In the wake of a matriarch’s death, a father and son grapple with their grief and the sudden realization that nothing, not even food, will ever be the same. ZION | directed by Floyd Russ, USA, 10:25 A portrait of Zion Clark, a young wrestler who was born without legs and grew up in foster care. #Competition The Things You Think I’m Thinking | directed by Sherren Lee, Canada, 14:17 A black male burn-survivor and amputee goes on a date with a regularly-abled man. #PinkPeach Make Them Believe | directed by Taimi Arvidson, USA/Russia, 13:59 A Russian wrestler enchanted by the United States plays the ultimate villain as the stars and stripes-clad character “American Hope” in Moscow’s underground wrestling ring. Men Don’t Whisper | directed by Jordan Firstman, USA, 22:00 After being emasculated at a sales conference, gay couple Reese and Peyton set out to do the most masculine thing they can think of – sleep with some women. #Competition, #PinkPeach THOSE WHO MAKE TOMORROW Exceptional avant-garde works that transform through beauty, wit and wonder. Experimental, 83 minutes Civilized Landscapes | directed by Taryn Ward, USA, 1:04 The evolution of corporation culture and its overwhelming presence on contemporary life. Dream Phone | directed by Kendra Lohr, USA, 3:43 Who — who — who’s got a crush on you! Was it all a dream? #NewMavericks Royal Jelly | directed by Stephanie Burbano, Canada, 9:53 A vivid exploration of drag brought about by experimentation and a unique insight into life. #PinkPeach 165708 | directed by Josephine Massarella, Canada, 6:37 A woman looks out from the shoreline, acting as a point of departure to disparate yet interconnected sequences, prompting the viewer to engage in a structurally unique mode of inquiry and experience. #NewMavericks Blot | directed by Benjamin Rouse, USA, 2:15 A film about loss. #Georgia Because I Love You | directed by Yu-Ting Cheng, USA, 4:01 Nothing else matters other than love. #NewMavericks, #PinkPeach Farewell Transmission | directed by Mike Rollo, Canada, 14:05 Equal parts indexical record of the demolition of the Canadian Broadcasting Corporation’s CBK Transmitter Station in 2015 and subjective response to the residual media documenting the event. 601 Revir Drive | directed by Josh Weissbach, USA, 8:40 An animal carefully guards an outlined space as a river runs backwards. gutterball | directed by Sam Gurry, USA, 1:07 I was in a bowling league in third grade where I routinely rolled my ball into the next lane and ate a lot of cheese fries. #NewMavericks Down Escalation | directed by Shunsaku Hayashi, Japan, 7:20 Falling down, it feels ecdysone is filling up its body. Delving into the deeper layers of itself, the flesh is melted down in the shell until the form is no longer. SDtoHDuprezMaxV2_009.mp4 | directed by Anna Spence, USA, 4:10 Booted from the limelight, Max Headroom now roves the video signal on the search for his life’s meaning. #Georgia Edge of Alchemy | directed by Stacey Steers, USA, 19:00 Mary Pickford and Janet Gaynor, delicately lifted from their early silent films, are cast into a surreal epic with an upending of the Frankenstein story amid a contemporary undercurrent of hive collapse. #NewMavericks UNDER THE SAME MOON Blueprints of borders fabricated internally and externally. Narrative & Documentary, 107 minutes Eighth Continent | directed by Yorgos Zois, Greece, 11:00 On Lesvos Island, an old abandoned dump lies within two big craters, overflowing with thousands of life jackets from the refugee waves. #Competition Abu Adnan (Adnan’s Father) | directed by Sylvia Le Fanu, Denmark, 25:13 Sayid wants to keep his status as a father and the family patriarch in a new linguistic and cultural setting, despite his sons progress in assimilating to the Danish language culture. #Competition I Have a Message for You | directed by Matan Rochlitz, Israel/United Kingdom/Belgium, 12:45 To save her life, a woman left her father to die. Decades later, she got a message from him. The Driver is Red | directed by Randall Christopher, USA, 14:37 Set in Argentina 1960, this true crime documentary follows the story of secret agent Zvi Aharoni as he hunted down one of the highest ranking Nazi war criminals on the run. EUNA | directed by Seung-Hyun Chong, Korea/Germany, 18:45 A young factory worker tries to come to grips with her life as an outsider. Sin Cielo (Without Heaven) | directed by J.S. Maarten, USA, 24:59 Delia and Memo are like most teenagers; defiant, hormonal, always on their phones; except they live in one of the most dangerous neighborhoods bordering Northern Mexico – where Dollars rule and missing girls’ bodies turn up mysteriously in the river or never at all. #CineMás WALKING DISTANCE Snapshots of peach state roots. Documentary (Local), 61 minutes The Last Man You Meet | directed by Chris Bone, USA, 5:00 Take an exclusive look inside the gritty business of death as a third-generation funeral director reflects on his life. #Georgia Archive | directed by Adam Forrester, USA, 2:00 Filmed in a single-take, this experimental documentation of the demise of the iconic Georgia Archives Building in Atlanta, Georgia, explores our desire to preserve the past, our appetite to make way for the future, and the complex intersection of those urges. #Georgia The Whole Speaks | directed by Caroline Rumley, USA, 2:15 In two minutes we follow Nelms Creekmur through the process of creating a bottle opener out of a discarded railway tie. But it’s more than that. It’s a two minute manifesto on the creative process as a whole, applicable to any medium. #Georgia AWARE | directed by Jeremy Cournyea, USA, 7:08 The AWARE Wildlife Center is a non-profit that cares for injured and orphaned Georgia wildlife and promotes peaceful coexistence with our animal neighbors. #Georgia Magic is Everywhere | directed by Jordan Noel, USA, 14:48 A short documentary following the final few shows of Wil Wright, AKA Lil Iffy, who borrows characters, language and situations from the Harry Potter books to tell his own version of typical hip hop stories and themes. #Georgia Walls of Hope | directed by Elisabeth Pritchett, USA, 8:16 A short documentary about the Walls of Hope project in Savannah, Georgia and its creative and inspiring impact on the community. #Georgia American Dreaming | directed by Matthew Hashiguchi, USA, 10:56 With no guarantees of employment or opportunity, undocumented immigrants strive to obtain a college degree in the state of Georgia, where they are barred from enrolling in its most selected colleges and universities. #Georgia Atlanta From the Ashes | directed by Andrew Litten, USA, 10:07 An exploration of Atlanta’s resiliency, and how the youth of Atlanta can look to the past for leadership and perseverance to move forward. #Georgia WHAT WE DO IN THE SHADOWS A weird and wacky balm for the soul. Narrative, Animation, & Documentary, 68 minutes ME OLEMME UNESSA (WE ARE IN A DREAM) | directed by Henna Välkky & Eesu Lehtola, Finland, 6:15 Based on personal recordings of people narrating their recurring dreams and nightmares, we race through their unconscious desires and fears. Miedo De Monos (Fear of Monkeys) | directed by Michael Arcos, USA, 5:35 My father told me a story about why he is afraid of monkeys. His fear dates back to 1958 in Ecuador. This is what happened… #CineMás Ceviche | directed by Doménica García, USA, 9:37 Six women from different generations reveal the hidden emotions behind the preparation of Ceviche. #NewMavericks, #CineMás Stay Ups | directed by Joanna Rytel, Sweden, 11:00 A middle-aged woman is about to get nightly visits from a young man. Her child is, as usual, in the way. #Competition, #NewMavericks Sinformist | directed by Jade Yuchun Chao, USA, 2:08 Each person is accompanied by a demon that represents his/her biggest faults. Namoro à Distância (Long Distance Relationship) | directed by Carolina Markowicz, Brazil, 4:48 A brief story about a gentleman who’s obsessed about having sex with ETs. #CineMás Raisin | directed by Danny Hunt, USA, 13:05 Two young sisters are abducted by strange creatures that pretend to be their parents. AI ZAI SHI JIE MO RI (Love After Time) | directed by Tsai Tsung-han, Taiwan, 15:24 After a nuclear explosion, two mutant humans fall in love. YEAR OF THE CARNIVORE Tales of breaking points, cruelty, and carnage. Narrative, 108 minutes Krista | directed by Danny Madden, USA, 9:24 In her high school theater class, Krista uses her scene study as catharsis. #Competition Kudzu | directed by Connor Simpson, USA, 14:50 During a scorching summer in rural Alabama, a young boy wrestles with a deepening sense of remorse after the disappearance of his friend. Runner | directed by Clare Cooney, USA, 12:40 A woman goes for a jog and witnesses something she can’t run away from. #NewMavericks Retouch | directed by Kaveh Mazaheri, Iran, 19:37 While bearing witness to a serious accident, Maryam must decide whether to act or live with the consequences. U Plavetnilo (Into the Blue) | directed by Antoneta Alamat Kusijanovic, Croatia/Slovenia/Sweden, 22:08 An abused teenage girl thirsts for love, but her best friend’s cruelty awakens in her the violence she’s been desperately trying to escape. #NewMavericks TV in the Fishtail | directed by Iesh Thapar, USA/India/United Kingdom, 13:20 As electricity is introduced to a remote Trans-Himalayan village, an adolescent boy struggles to reconcile his excitement with the abjection that surrounds him. Home Shopper | directed by Dev Patel, USA, 16:32 In a loveless marriage, Penny finds solace in the hypnotic escape of the home shopping channel. When things take an unexpected turn, the channel proves to be her saving grace … or perhaps it was the origin of the problem all along. YOUNG AND WILD Fables for kids who still believe in magic. Animation & Puppetry (Family Friendly), 49 minutes Undiscovered | directed by Sara Litzenberger, USA, 2:49 Sasquatch has always remained elusive in photos–but not for the reasons we think. 那個午後的冒險  (The Adventure of the Afternoon) | directed by Vance Yang & Stella Huang, Taiwan, 7:45 The tale of a boy who meets an unexpected friend on a beautiful afternoon. They start an adventure journey to discover the world. The Puppy Trials | directed by Thomas Nicol & Becky Nicol, USA, 4:02 An older dog teaches puppies how to behave. Goodbye Sam | directed by Theo Taplitz, USA, 4:59 A boy and his posse say goodbye to a beloved friend. Voyagers | directed by Gauthier Ammeux, Valentine Baillon, Benjamin Chaumény, Alexandre Dumez, Léa Finucci, & Marina Roger, France, 7:33 A tiger, escaping his hunter, ends up in a space station occupied by an astronaut and his goldfish… Babushka | directed by Sabrina Brady, USA, 4:01 A young girl’s day spirals out of control after she meddles with her grandmother’s potion and sets off an unwanted explosion. #NewMavericks You Can’t Play With Us | directed by Jason Rhein & Serene Bacigalupi, USA, 15:44 When an inquisitive dinosaur happens upon some musical unicorns at Marshmallow Mountain, they aren’t as friendly as he expects. SHORT FILMS ATTACHED TO FEATURES Ablution | directed by Omar Al Dakheel, USA, 15:00 The bond between a disabled Muslim father and his son is tested when love is pitted against religion. #PinkPeach Absent | directed by Sudarshan Suresh, USA/India, 16:15 Resigned to a mundane life of caring for a mother with dementia, Zola sees a fleeting chance at escape when she runs into an old crush. Broke | directed by Asad Farooqui, USA, 12:46 A struggling Muslim couple attends their first therapy session to save their marriage, but things don’t go as planned. #Georgia Color Blind | directed by Daniel Oramas, USA, 4:47 A rookie cop and his senior partner find themselves at odds over the current political climate during a long night on the job in this charged satire. #Georgia Doug | directed by Daniel Oramas, USA, 8:02 A night home alone gets weird when Rebecca and her brother Kevin hear a knock at the door. #Georgia The Last Honey Hunter | directed by Ben Knight, Nepal/USA, 35:50 In the mist-shrouded mountains of Nepal’s Hongu River valley, you will find a wiry and unassuming man named Mauli Dhan Rai, who is believed to be chosen by the gods for the perilous rite of honey harvesting. #Competition Laws of the Game | directed by Aegina Brahim, United Kingdom/ Suriname, 18:00 A fierce Surinamese female referee fights for her place in the world of men’s football. #Competition, #NewMavericks, #CineMás Los Comandos | directed by Joshua Bennett & Juliana Schatz-Preston, El Salvador/USA, 29:32 Sixteen-year-old Mimi, a dedicated medical emergency volunteer, lives in the cross hairs of gang violence. When her fellow Comando, 14-year-old Erick, is gunned down while serving, she faces pressure to flee El Salvador and head north. #CineMás Mi Tesoro (My Treasure) | directed by Michael Flores, El Salvador, 22:35 A cleaning woman steals a Salvadoran Civil War map and hunts for a treasure in the hopes of reuniting with her son. #CineMás Pink Dolphin | directed by Tuo Kan, USA, 4:11 A story about the one and only Pink Dolphin living in the ocean looking for his companions and trying to survive from the assaults and taunts of other sea creatures. #PinkPeach Saltwater Baptism | directed by Jared Callahan & Russell Sheaffer, USA, 17:22 Santiago Gonzalez IV, a first generation Mexican-American, struggles with the tensions between his sexuality, nationality, and religion as he prepares for his college graduation. #PinkPeach The Shadow | directed by Isaac Switzer, USA, 2:27 A girl faces a looming darkness. Towards the Sun | directed by Monica Santis, USA/United Kingdom, 20:00 Under the looming threat of deportation, an unaccompanied minor at an immigrant children’s shelter in Texas embarks on a healing journey and learns to express herself through the power of art. #CineMás, #NewMavericks Umbrella | directed by Rhys Ernst, USA, 15:50 Against the backdrop of rising anti-trans legislation, Umbrella chronicles the stories of four transgender individuals across America united in their passion to create change. #PinkPeach #Georgia The Wolf Guru | directed by Mian Qin, USA/China, 4:50 A man is attacked by a group of wolves and their monster leader. When he finally makes it to safety, however, he must face one more challenge in the form of the monster’s real identity. #Competition

    VIRTUAL REALITY

    Deerbrook Directed by Grayson Moore, Aidan Shipley, Jon Riera, Connor Illsley Canada, 2017, English, 14:34 Two strangers show up at a family’s cottage claiming to have spent their childhood summers there, but their behaviour seems to be driven by something more sinister than nostalgia. Lá Camila Directed by Jak Wilmot USA, 2018, English, 20:00 When the storms of nature threaten her very existence, the viewer must help a young shepherd girl take on the responsibilities of her deceased papá. #Georgia Hoodoo Directed by Catherine Salkeld UK, 2017, English, 6:30 A short adventure where we follow the adventures of Claw a simple cat exploring a mysterious fragment of a forgotten world. Reading Room Directed by Alexander Sandy White USA, 2017, English, 5:09 Driven to protect his identity, an introspective bookkeeper explores the power of thought and memory within a broken world of book burning and censorship. Micro Giants Directed by Yifu Zhou China, 2017, English, 6:00 “Micro Giants” tells the story of insects and plants in the microecosystem with vivid detail and elaborate design. Ready to Learn, Ready to Live Directed by Thomas Nybo USA/Afghanistan, 2017, English, 5:30 In remote Afghanistan, an illiterate girl takes you on her journey to learn how to read and write. #Georgia Step to the Line Directed by Ricardo Laganaro USA/Brazil, 2017, English, 11:43 Step to the Line takes you inside maximum-security prisons in the US and provides a new perspective on prisoners, the system, and yourself. #Georgia Submerged Directed by Nishtha Jain India, 2016, Hindi/English, 8:10 An immersive experience about how climate change and defective government policies are precipitating one of the largest exoduses of migrant labour in the world. Naive New Beaters ‘Heal Tomorrow’ Directed by Romain Chassaing France, 2016, English, 3:48 Follow the story of Naive New Beaters’ singer through his spectacular rise and unfortunate demise in a series of events during a live performance. Anicca Directed by Cecilia Sweet-Coll USA, 2016, No Dialogue, 6:06 An exploration of impermanence through visual music in virtual reality.

    EPISODIC SHOWCASE

    The Midnight Service – Home Invasion Directed by Brett Potter, Dean Colin Marcial  | USA, 2017, English, 7:13 A broke Miami comedian’s retreat into the Everglades is interrupted by an uninvited visitor. The Rick and Stanley Show Directed by Mike Lars White | USA, 2017, English, 7:00 Two men in a beat-up car discuss love, sex, Kenny G, and potato guns. Hug It Out Directed by Jason Eksuzian | USA, 2017, English, 7:17 Gwen, recently-divorced with longstanding intimacy issues, becomes a professional snuggler in L.A. to make ends meet. Limits Directed by Kevon Pryce | USA, 2017, English, 17:40 How not to maintain a relationship in the social media era. #Georgia 2 Kawaii 4 Comfort Directed by Luke Palmer, John Bickerstaff | USA, 2017, English, 23:17 5 emotionally stunted anime fans are forced to confront everything they are hiding from at the one convention where they go to escape reality Manic Directed by Kate Marks | USA, 2017, English, 17:02 An Ivy-league bound, overachieving teen is derailed after a manic episode lands her in a school for kids with mental illness.

    MUSIC VIDEOS

    Don Broco: “Technology” Directed by Benjamin Roberds | USA, 2017, English, 3:51 #Georgia Apoc’s: “Hurricane Goddamn!” Directed by Scott Upshur | USA, 2017, English, 6:00 Original Swimming Party: “Biggest Curse” Directed by Amy Allais | South Africa, 2017, English, 5:04 Surfer Blood: “Taking Care of Eddy” Directed by Sachio Cook, Niko Guardia  | English, 2017, USA, 3:29 Strangers (Feat. “Pressure” by Milk & Bone) Directed by Eve Duhamel, Julien Vallee | Canada, 2017, English, 3:16 Casey Benjamin: “Dig” Directed by Video Rahim | USA, 2017, English, 4:01 #Georgia K.R.U.S.H.: “No Fucks Given” Directed by Brit Wigintton | USA, 2017, English, 3:25 #Georgia The Invisible Man: “Let Me Ride” Directed by Francesca Mirabella | USA, 2017, English, 4:48 Meinschaft: “The Midday Sun At Midnight” Directed by Haoyan of America | USA, 2017, English, 6:15 Dizzee Rascal: “Bop N Keep It Dippin” Directed by Romain Chassaing | UK/France, 2017, English, 6:13 DEDSA: “Annihilation” Directed by Robbie Ward | USA, 2017, English, 6:17 Ben Burden: “White Lighters” Directed by Zelda June | USA, 2017, English, 2:00 LUNICE: “Distrust” feat. Denzel Curry, J.K. the Reaper and Nell Directed by Sam Rolfes | USA, 2017, English, 3:04 Tom Rosenthal: “Oh No Pedro” Directed by Annlin Chao | UK, 2017, English, 3:26 #PinkPeach Porter: “La China” Directed by Jorge G. Camarena | Mexico, 2016, Spanish, 5:11 #CineMás Ty Segall: “Break a Guitar” Directed by Matt Yoka | USA, 2017, English, 4:27

    SPECIAL PRESENTATIONS

    ATLFF Screenplay Competition: Script Read Join us for a script read of selections from each of the three 2018 Atlanta Film Festival Feature Screenplay Competition winners, featuring local SAG-AFTRA actors. #Georgia re:imagine/ATL Presents: CURRENTS on Tour – Teen Takeover Film festivals have long been an anchor for allowing a platform for stories surrounding cultural influences to be brought to light—now it’s time to listen to youth voices. This screening will be featuring content conceived of and produced by Atlanta teens. Join us opening night of the Atlanta Film Festival for a showcase of content based around teen social commentary, followed by a panel discussion from the teen storytellers themselves. #Georgia, #FamilyFriendly The Rocky Horror Picture Show It’s a Plaza Theatre institution! Lips Down On Dixie performs the interactive version of “The Rocky Horror Picture Show” at Midnight each Friday. YOU42 Presents: “Dead By Midnight/11 PM Central” Directed by Torey Haas, Tony Reames, Eric Davis, Jay Holloway, Anissa Matlock USA, 2018, English, 88 minutes It’s Halloween at WKIZ when the malicious Mistress of Midnight (Erin Brown) arrives to host her annual horror movie marathon ‘Dead by Midnight.’ When the WKIZ staff begins disappearing only to turn up in the increasingly darker films, it’s up to line producer Candice Spelling (Hannah Fierman) to stop the Mistress of Midnight before her final and most diabolical film goes to air. #Georgia The Art Institute of Atlanta Presents: Senior Film Screening A showcase of short films created by senior level students from The Art Institute of Atlanta. #Georgia Dad’s TV The film/video side of Dad’s Garage Theatre returns with a collection of projects from the past year. Watch the first public screening of a new television pilot, “Weird City,” which is an offbeat travel show. Laugh along with a new short film by DGTV produced in collaboration with Jerry’s Habima Theatre (a nonprofit working with special needs actors) that has lots of heart and some awesome floor hockey. Finally, the screening will give a sneak peak at a new web series set behind the scenes of the theatre itself, “The Garage.” #Georgia The Florida State University College Of Motion Picture Arts Presents: Selected Keylight Films The FSU College of Motion Pictures Arts presents a showcase of eight short student films followed by a panel discussion with representatives from the College. Ranked by The Hollywood Reporter as one of the top 25 film schools in the country, FSU College of Motion Picture Arts produces student films that regularly win prestigious awards like the Student Emmys and Oscars. Join us for an evening of cinematic entertainment as we showcase this year’s selected Keylight Films. Miss Richfield 1989 “Born Again” Logo Founder Matt Farber presents Miss Richfield 1981 “Born Again” at Plaza Theatre. In her all-new show, Miss Richfield 1981 is “Born Again” finding new religion to bring our divided world together. With all new songs, videos, and unique audience activities, Miss R brings all faiths together in 2018. Atheists welcome! #PinkPeach PLAZADROME: “The Astrologer” Directed by Craig Denney USA, 1976, English, 96 minutes Videodrome and The Plaza Theatre’s cult film series continues with Craig Denney’s “The Astrologer.” Alexander is running a con game at a circus as a psychic. When he finds that he actually does possess psychic powers, he uses them for his own ends.

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  • 2018 Sarasota Film Festival Announces Lineup, ‘1985’ EIGHTH GRADE’ ‘THE RIDER’ and More…

    [caption id="attachment_27753" align="aligncenter" width="1200"]EIGHTH GRADE EIGHTH GRADE[/caption] The 2018 Sarasota Film Festival (SFF) announced its full line-up, including its Centerpiece, Spotlight, Narrative Feature Competition, Independent Visions Competition, Documentary Feature Competition, Narrative, Documentary, and Short Films. The Festival also announced its five SFF Focus Panels – Sports in Cinema, Environment, Science, and Sustainability, Women’s Comedic Voices, Redefining Manhood, and Musings on Musicians. “In honor of our 20th anniversary, we have programmed a lineup that celebrates the past, present, and future of the Sarasota Film Festival that is sure to delight our dedicated and passionate audiences,” said Mark Famiglio, Chairman and President of the Sarasota Film Festival. “The selection includes a diverse group of narratives and voices that will create engaging conversations about today’s most important topics.” In the Festival’s Centerpiece section is 1985, about a closeted gay man, unable to come out to his friends and family during the beginning of the AIDS crisis, staring Academy Award®-nominated actress Virginia Madsen, who will be attendance at the Festival. Also a Centerpiece selection is Bo Burnham’s feature film directorial debut, EIGHTH GRADE, a portrait of young teenagers discovering their identities online and in reality. Bo will be in attendance for a Q&A following the film’s screening during the Festival. The Spotlight section will include narrative films Brett Haley’s HEARTS BEAT LOUD, Silas Howard’s A KID LIKE JAKE, Andrew Haigh’s LEAN ON PETE, Hannah Fidell’s THE LONG DUMB ROAD, Dominic Cooke’s ON CHESIL BEACH, Chloé Zhao’s THE RIDER, and Madeline Olnek’s WILD NIGHTS WITH EMILY, and documentary films Eugene Jarecki’s THE KING, Ali Weinstein’s MERMAIDS, Barbara Kopple’s A MURDER IN MANSFIELD, and Morgan Neville’s WON’T YOU BE MY NEIGHBOR? Each year the Sarasota Film Festival focuses on social issues to highlight throughout its program. The Sports in Cinema Focus returns this year, welcoming Ben and Orson Cummings and their film KILLER BEES, produced by Shaquille O’Neill. Other films in this focus include the Closing Day Film, Jason Kohn’s LOVE MEANS ZERO and Dana Adam Shapiro’s DAUGHTERS OF THE SEXUAL REVOLUTION: THE UNTOLD STORY OF THE DALLAS COWBOY CHEERLEADERS. In consideration of sustainability of communities and the planet, films in the SFF Environment, Science, and Sustainability Focus include Susan Kucera’s LIVING IN THE FUTURE’S PAST, Chad Freidrichs’ EXPERIMENTAL CITY, Quinn Costello, Chris Metzler, and Jeff Springer’s RODENTS OF UNUSUAL SIZE, and Rory Kennedy’s ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW. In a groundbreaking year for women, the festival presents SFF Focus: Women’s Comedic Voices, a lineup featuring all female directors. Films in the category include Wendy McColm’s BIRDS WITHOUT FEATHERS, Bridey Elliott’s CLARA’S GHOST, Caroline Golum’s A FEAST OF MAN as well as LONG DUMB ROAD and WILD NIGHTS WITH EMILY. The films in the SFF Focus: Redefining Manhood, provide a glimpse at the questions regarding masculine identities, include Bing Liu’s MINDING THE GAP, as well as 1985, THE RIDER, and WON’T YOU BE MY NEIGHBOR? The final SFF Focus: Musings on Musicians, presents an array of films exploring the relationships between music and film. Films in the category include Laura Parnes’ TOUR WITHOUT END, T.G. Herrington and Danny Clinch’s A TUBA TO CUBA, Derek Ahonen’s THE TRANSCENDENTS, Sophie Fiennes’ GRACE JONES: BLOODLIGHT AND BAMI, Jake Meginsky and Neil Young’s MILFORD GRAVES FULL MANTIS, Scott Smith’s CHASING THE BLUES, Stephen Loveridge’s MATANGI / MAYA / M.I.A, as well as THE KING and HEARTS BEAT LOUD. The Narrative Feature Competition will showcase DON’T LEAVE HOME directed by Michael Tully, I AM NOT A WITCH, directed by Rungano Nyoni, MADELINE’S MADELINE, directed by Josephine Decker, THE QUEEN OF FEAR directed by Valeria Bertuccelli and Fabiana Tiscornia, THE SEEN AND THE UNSEEN directed by Kamila Andini, SUPPORT THE GIRLS directed by Andrew Bujalski as well as CLARA’S GHOST. The Documentary Feature Competition will include GENERATION WEALTH directed by Lauren Greenfield, GENESIS 2.0 directed by Christian Frei and Maxim Arbugaev, HALE COUNTY THIS MORNING, THIS EVENING directed by RaMell Ross, OF FATHERS AND SONS directed by Talal Derki, THE SENTENCE directed by Rudy Valdez, as well as DAUGHTERS OF THE SEXUAL REVOLUTION: THE UNTOLD STORY OF THE DALLAS COWBOY CHEERLEADERS and MINDING THE GAP. The Independent Visions Competition will feature BLACK MOTHER directed by Khalik Allah, LIFE AND NOTHING MORE directed by Antonio Méndez Esparza, MAISON DU BONHEUR directed by Sofia Bohdanowicz, NOTES ON APPEARANCE directed by Ricky D’Ambrose, as well as BIRDS WITHOUT FEATHERS, A FEAST OF MAN, MILFORD GRAVES FULL MANTIS, and TOUR WITHOUT END. The jury for the competition films will consist of the following individuals: producer Autumn Bailey-Ford, Emmy®-nominated writer and producer Mark Bailey, documentary filmmaker Orson Cummings, New York Magazine film critic David Edelstein, Factory 25 film distributor Matt Grady, Academy of Motion Picture Arts and Sciences Director – New York Programs and Membership Patrick Harrison, film professor Del Jacobs, Academy Award®-nominated filmmaker Penny Lane, actress Penelope Ann Miller, The Hollywood Reporter film writer Tatiana Siegel, founder and publisher of Women and Hollywood Melissa Silverstein, and Sarasota County Circuit court judge and filmmaker Charles Williams. Narrative films include: ALL YOU CAN EAT BUDDHA directed by Ian Lagarde, AMERICAN ANIMALS directed by Bart Layton, AUGUST IN BERLIN directed by Becky Smith, BIKINI MOON directed by Milcho Manchevski, BLACK KITE directed by Tarique Qayumi, CAN HITLER HAPPEN HERE? directed by Saskia Rifkin, COLD SKIN directed by Xavier Gens, COME SUNDAY directed by Joshua Marston, DELENDA directed by Ralph Moffettone, DIMINUENDO directed by Adrian Stewart, EN EL SÉPTIMO DÍA directed by Jim McKay, FIRST REFORMED directed by Paul Schrader, A FRENCHMAN IN FLORIDA directed by Dante Rhev, HOLIDAY directed by Isabella Eklof, LET THE SUNSHINE IN directed by Claire Denis, MAKTUB directed by Oded Raz, SANTA INOCENCIA directed by Maritxell Campos Olivé, SHELTER directed by Eran Riklis, TATTERDEMALION directed by Ramaa Mosley, TINKER directed by Sonny Mahrler, VIRGINIA, MINNESOTA directed by Daniel Stine, VIRUS TROPICAL directed by Santiago Caicedo, WE THE ANIMALS directed by Jeremiah Zagar, WHITE RABBIT directed by Daryl Wein, ZAMA directed by Lucrecia Martel, as well as CHASING THE BLUES and THE TRANSCENDENTS. Documentary films include: 306 HOLLYWOOD directed by Elan Bogarin and Jonathan Bogarin, ANTONIO LOPEZ 1970: SEX FASHION & DISCO directed by James Crump, ASK THE SEXPERT directed by Vaishali Sinha, BISBEE ’17 directed by Robert Greene, CHEF FLYNN directed by Cameron Yates, CRACKING ACES: A WOMAN’S PLACE AT THE TABLE directed by H. James Gilmore, CRIME + PUNISHMENT directed by Stephen Maing, DISTANT CONSTELLATION directed by Shevaun Mizrahi, FATHER’S KINGDOM directed by Lenny Feinberg, FREEDOM FOR THE WOLF directed by Rupert Russell, THE GREAT FLIP-OFF directed by Dafna Yachin, HALF THE PICTURE directed by Amy Adrion, LA FLOR DE LA VIDA directed by Adriana Leoff and Claudia Abend, LOTS OF KIDS, A MONKEY AND A CASTLE directed by Gustavo Salmerón, MAYNARD directed by Sam Pollard, OLD DOG directed by Sally Rowe, ON HER SHOULDERS directed by Alexandria Bombach, THE PAIN OF OTHERS directed by Penny Lane, RBG directed by Betsy West and Julie Cohen, SISTERS directed by Justyna Tafel, THAT SUMMER directed by Göran Hugo Olsson, THREE IDENTICAL STRANGERS directed by Tim Wardle as well as THE EXPERIMENTAL CITY, GRACE JONES: BLOODLIGHT AND BAMI, KILLER BEES, LIVING IN THE FUTURE’S PAST, MATANGI / MAYA / M.I.A., RODENTS OF UNUSUAL SIZE, and A TUBA TO CUBA. As previously announced Golden Globe®-nominated and Independent Spirit Award®-nominated Eric Stoltz’s coming-of-age comedy CLASS RANK will be the Festival’s Opening Night film and Academy Award®-nominated and Emmy®-winning Rory Kennedy’s ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW will serve as Closing Night film. The Festival will also be honoring renowned actor Steve Guttenberg and Academy Award®-nominated actress Virginia Madsen with Career Achievement Awards during the closing weekend.

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  • Ashland Independent Film Festival Rolls Out 2018 Program | ‘First Reformed’, ‘On Chesil Beach’, ‘Hearts Beat Loud’ and More ..

    [caption id="attachment_27690" align="aligncenter" width="1080"]On Chesil Beach On Chesil Beach[/caption] The Ashland Independent Film Festival announced its lineup for the five-day festival taking place April 12 to 16, 2018, and featuring over 120 films chosen from nearly a thousand films submitted to the festival, or specially selected by AIFF Artistic and Executive Director Richard Herskowitz. Special screenings include the upcoming features First Reformed (directed by Paul Schrader and starring Ethan Hawke), On Chesil Beach with Saoirse Ronan, Brett Haley’s Hearts Beat Loud with Nick Offerman, Andrew Haigh’s Oregon-filmed Lean on Pete, and Borg vs. McEnroe, starring Shia LeBoeuf, plus 2018 Sundance Film Festival award-winning documentaries Minding the Gap, On Her Shoulders, and Crime + Punishment.

    Award Recipients

    AIFF will present Rogue Awards to two special guests, Academy Award®-winning actor Chris Cooper and Seattle-based director Lynn Shelton. Cooper launched his film acting career with his role as a union organizer in Matewan, the first of five films he appeared in directed by John Sayles, and won the Academy Award in 2002 for his supporting role in Adaptation. In addition to participating in the TalkBack panel “Talking Acting with Chris Cooper,” Cooper will present on Opening Night the world premiere of a film he narrated and executive produced, Intelligent Lives, accompanied by director Dan Habib and executive producer Marianne Leone Cooper. Cooper met Marianne Leone in 1979 at an acting class in New York City. Their son, Jesse Lanier Cooper, was born three months prematurely in October 1987 and developed cerebral palsy and epilepsy. Chris and Marianne became advocates for inclusive education and champions of kids with special needs. Jesse was a mainstreamed student at Silver Lake Regional High School where he was an honor student. In 2005, Jesse died suddenly from a seizure at age 17. Intelligent Lives explores how our society’s narrow views of intelligence have led to the segregation of people with intellectual disabilities. AIFF will also present a Rogue Award to Lynn Shelton, who will present her sixth feature film, Outside In, starring Edie Falco and Jay Duplass and released by The Orchard. Shelton, proudly based in Seattle, has had a stellar career as an independent film director since winning the Grand Jury Award at the 2006 Slamdance Film Festival with her debut feature, We Go Way Back. Since then, Shelton’s films, including Humpday (2009), Your Sister’s Sister (AIFF2012), and Laggies (2012) have garnered awards and acclaim at Sundance, the Film Independent Spirit Awards, and the Gotham Independent Film Awards, as well as theatrical distribution from Magnolia and A24. Beginning with Mad Men in 2010, Lynn has directed over 25 episodes of television series including New Girl, Fresh Off the Boat, Master of None, Maron, and GLOW. The recipient of AIFF’s 2018 Pride Award, honoring filmmakers who have made significant contributions to LGBTQ media, is Zackary Drucker, an independent media artist and trans woman whose work crosses boundaries between the art world and popular culture. Drucker has performed and exhibited her work internationally in museums, galleries, and film festivals including the 2014 Whitney Biennial, MoMA PS1, Hammer Museum, and SF MoMA, among others. She is also a producer on the Golden Globe® and Emmy®-winning Amazon series Transparent. She will screen an episode of this series and two films featuring her late friend and mentor, Flawless Sabrina: Drucker’s video, She Gone Rogue and The Queen, Frank Simon’s rarely screened documentary of the 1967 Miss All-American Camp Beauty Pageant. Other special guests attending this year’s Festival include James Ivory, recipient of AIFF2017’s Lifetime Achievement Award and a 2018 Academy Award for his screenplay of Call Me By Your Name. Ivory will return to present the restored classic Shakespeare Wallah and join in a conversation after the screening with Oregon Shakespeare Festival’s Artistic Director Bill Rauch. AIFF is reaffirming its mission to promote independent filmmaking by honoring companies that have built the infrastructure of the independent film movement and challenged Hollywood’s dominance. This year, tribute will be paid to Milestone Films, which has gained an international reputation for releasing classic cinema masterpieces, groundbreaking documentaries, and American independent features. Since 2007, Milestone has concentrated on the restoration and worldwide distribution of films outside the Hollywood mainstream featuring “lost” films by and about African Americans, Native Americans, LGBTQ, and women. Milestone co-founders Dennis Doros and Amy Heller will present their recent restoration of No Maps on My Taps, accompanied by its director, George Nierenberg. The screening will be followed by a live performance and “tap-in” (with all audience members who bring tap shoes) led by dancer Suzanne Seiber. The second “Indie Institution” honoree will be the Independent Documentary Association (IDA). IDA’s educational, advocacy, production support, and exhibition programs, including the Pare Lorentz and Enterprise Documentary Funds and Documentary Magazine, provide resources, create community and defend rights and freedom for documentary artists, activists, and journalists. IDA’s Director of Programming and Policy, Claire Aguilar, joined by the films’ directors and subjects, will present The Blessing (an IDA Pare Lorentz Fund grantee) and Crime + Punishment (Enterprise Documentary Fund grantee, and winner of a jury prize at Sundance). Aguilar will also moderate the TalkBack panel “Seeking Justice in Documentary.” According to Festival director Richard Herskowitz, “The tribute to Milestone Films’ restoration and distribution is part of a larger programming focus this year on classic cinema that includes Shakespeare Wallah and No Maps on My Taps. Exposure to classic films, I believe, inspires indie film audiences and filmmakers (from James Ivory to Lynn Shelton) to question and reinvent filmmaking conventions.” The emphasis on classic film is highlighted in this year’s festival posters, based on images from the animated films of Stacey Steers. Steers’ sculptural media installations will be on view at the Schneider Museum of Art as part of an exhibition, The Animated Image ( April 12 – May 12) co-curated by Herskowitz and Schneider Museum director Scott Malbaurn. Also in this exhibition are animated media installations by Chris Doyle, Rick Silva, and Matt Bollinger. Steers’ trilogy of animated films featuring collages of silent film actresses in magical settings will be presented with new scores composed by Ashland-based composers Terry Longshore and Tessa Brinckman, which they will perform live on Saturday, April 14 at SOU Music Recital Hall. Also on that program will be a live performance accompanying the Russian silent film The Dying Swan, a Milestone Films release, with a score created by Ashland-based international opera and film score composer Joby Talbot. Talbot will perform on piano, joined by cellist Michal Palzewicz and violinist Jessica Lambert. Other classic film-themed screenings include Love, Cecil, the documentary on Academy Award-winning costume and set designer and photographer Cecil Beaton that will be accompanied by its director Lisa Immordino Vreeland. Film archivist Michael Zahs, the charismatic film archivist and subject of the documentary feature film Saving Brinton, will demonstrate an early Magic Lantern, a progenitor of the film projector, following Saving Brinton’s screening at the Historic Ashland Armory. Zahs will also demonstrate the Magic Lantern to kids during AIFF’s Family Day of film presentations and hands-on filmmaking activities at ScienceWorks Hands-On Museum on Saturday, April 14.

    2018Ashland Independent Film Festival Program Summary

    2018 Documentary Feature Selections

    América The Blessing Citizen Blue & The March Crime + Punishment Dark Money Five Seasons The Foreigner’s Home The Gospel of Eureka I Am Maris: Portrait of a Young Yogi Intelligent Lives Itzhak The King Liyana Love, Cecil Minding the Gap Modified Mr. Fish: Cartooning from the Deep End No Maps on My Taps On Her Shoulders One October The Queen The Reluctant Radical & Symphony for Nature: The Britt Orchestra at Crater Lake A River Below Saving Brinton Skid Row Marathon Sky and Ground A Tuba to Cuba Two Trains Runnin’

    2018 Narrative Feature Selections

    Back at the Staircase Borg v. McEnroe The Dying Swan First Reformed For Izzy Fort Maria Hearts Beat Loud The Last Hot Lick Lean on Pete On Chesil Beach Outside In People People The Rainbow Experiment Shakespeare Wallah Wild Honey

    SHORTS PROGRAMS

    Curated Programs CineSpace KidFlix: Best of the New York Children’s International Film Festival Animated Worlds: Stop-Motion Classics with Mark Shapiro Zackary Drucker: Trans Film Television Competition Program Short Stories 1: In the Light of Day Short Stories 2: After Hours Short Docs 1: About Work Short Docs 2: About Community Short Stories and Docs: About Family Locals Only Locals Only 1: Family Friendly – Launch Student Film Competition Locals Only 2: Ashland Roots Locals Only 3: On the River, On the Land

    PERFORMANCES

    Silent Scores: The Dying Swan and Stacey Steers’ Trilogy with Tessa Brinckman, Terry Longshore, and Joby Talbot Live Tap-in with Suzanne Seiber following No Maps on My Taps

    FAMILY DAY AT SCIENCEWORKS

    Saturday, April 14, 10am-5pm: Hands-on film activities and presentations by NASA’s Ralph Grau, archivist Michael Zahs, and LAIKA’s Mark Shapiro

    AIFF MEDFORD

    4 shows at Collaborative Theatre Project on March 21, April 14 and 16, and a special screening at Kids Unlimited of Dolores with Peter Bratt and Dolores Huerta (May 3)

    EXHIBITION AT SCHNEIDER MUSEUM OF ART: THE ANIMATED IMAGE

    Media installations by Stacey Steers, Chris Doyle, Matt Bollinger, and Rick Silva on view April 12 – May 12.

    TALKBACKS

    Talking Acting with Chris Cooper Seeking Justice in Documentary Composing Scores for Classic and Contemporary Films

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  • 2018 Florida Film Festival Announces Lineup, Opens with “American Animals”

    Jared Abrahamson, Evan Peters, Blake Jenner and Barry Keoghan appear in American Animals by Bart Layton, an official selection of the U.S. Dramatic Competition at the 2018 Sundance Film Festival. Courtesy of Sundance Institute. Today the Florida Film Festival announced the program lineup of 183 films representing 38 countries, for the 27th Annual Festival, taking place April 6 to 15, 2018, in Maitland and Winter Park, Florida. The festival will open with American Animals directed by Bart Layton, and close with the 75th Anniversary Screening of  Alfred Hitchcock’s Shadow of a Doubt. “This is going to be a banner year in every aspect,” commented Matthew Curtis, Florida Film Festival Programming Director. “With a greater number of films making their Florida debut than ever before, we could not be more excited about introducing these talented filmmakers and presenting such an extraordinary and diverse group of films to our audience. We are proud that this year’s lineup includes 82 women filmmakers–the most ever and more than 45% of our total programming! Their voices will be represented everywhere in the Festival, including our first-ever experimental shorts program (“Sunspots: New Visions of the Avant Garde”), and our first-ever “X Real” Doc shorts program completely directed by women. Let the story-gazing begin!” The 21 features and 59 short films in the American Independent Competition will be eligible for up to three awards each: a Grand Jury Award for best film in that category, a Special Jury Award given at the jury’s discretion for exceptional achievements, and an Audience Award determined by audience votes for Narrative Feature, Documentary Feature, and Best Short Film. International films are also eligible for Audience Awards for Best International Feature and Best International Short, and an Audience Award will be given for the Best Midnight Short as well.

    2018 Florida Film Festival OFFICIAL SELECTION:

    OPENING NIGHT FILM:

    American Animals – Directed by Bart Layton, USA, 2018, 116 MIN, East Coast Premiere Star Blake Jenner will be in attendance for the Opening Night Film and Party, and will participate in a post-film Q&A with the audience

    SPOTLIGHT FILMS:

    Borg McEnroe – Directed by Janus Metz, Sweden/Denmark/Finland, 2017, 107 MIN, Rated R, In English and Swedish with English subtitles The Guilty – Directed by Gustav Möller, Denmark, 2018, 85 MIN, In English and Danish with English subtitles, East Coast Premiere Hearts Beat Loud – Directed by Brett Haley, USA, 2018, 97 MIN, East Coast Premiere A Kid Like Jake – Directed by Silas Howard, USA, 2018, 92 MIN, Florida Premiere Lean on Pete – Directed by Andrew Haigh, UK, 2017, 121 MIN, Southeast Premiere RBG – Directed by Julie Cohen and Betsy West, USA, 2018, 97 MIN Scotty and the Secret History of Hollywood – Directed by Matt Tyrnauer, USA, 2017, 98 MIN, Southeast Premiere Three Identical Strangers – Directed by Tim Wardle, UK, 2018, 96 MIN Tully – Directed by Jason Reitman, USA, 2018, 94 MIN, Rated R We the Animals – Directed by Jeremiah Zagar, USA, 2018, 94 MIN, East Coast Premiere Won’t You Be My Neighbor? – Directed by Morgan Neville, USA, 2018, 94 MIN

    NARRATIVE FEATURES COMPETITION:

    Call Me Brother – Directed by David Howe, USA, 2018, 77 MIN, World Premiere Cold November – Directed by Karl Jacob, USA, 2017, 92 MIN, Southeast Premiere The Feels – Directed by Jenée LaMarque, USA, 2017, 90 MIN Locating Silver Lake – Directed by Eric Bilitch, USA, 2018, 110 MINS, East Coast Premiere Prison Logic – Directed by Romany Malco Jr., USA, 2018, 95 MINS, Florida Premiere Quality Problems – Directed by Brooke & Doug Purdy, USA, 2017, 107 MIN, Southeast Premiere Savage Youth – Directed by Michael Curtis Johnson, USA, 2018, 97 MIN, Southeast Premiere Say You Will – Directed by Nick Naveda, USA, 2017, 98 MIN, Southeast Premiere Tatterdemalion – Directed by Ramaa Mosley, USA, 2017, 101 MIN, East Coast Premiere/2nd US Showing White Rabbit –  Directed by Daryl Wein, USA, 2018, 71 MIN, East Coast Premiere

    DOCUMENTARY FEATURES COMPETITION:

    Ask the Sexpert – Directed by Vaishali Sinha, USA/India, 2017, 83 MIN, Southeast Premiere Dark Money – Directed by Kimberly Reed, USA, 2018, 98 MIN, Florida Premiere Getting Naked: A Burlesque Story – Directed by James Lester, USA, 2017, 86 MIN, Southeast Premiere The Last Race – Directed by Michael Dweck, USA, 2018, 74 MIN, Florida Premiere Mole Man – Directed by Guy Fiorita, USA, 2017, 87 MIN, Southeast Premiere Mr. Fish: Cartooning from the Deep End – Directed by Pablo Bryant, USA, 2017, 70 MIN, Southeast Premiere My Indiana Muse – Directed by Ric & Jen Serena, USA, 2018, 44 MIN, Southeast Premiere The Power of Glove – Directed by Andrew Austin and Adam Ward, USA, 2017, 65 MIN, Southeast Premiere Samantha’s Amazing Acro-Cats – Directed by Jacob Feiring, USA, 2017, 58 MIN, Southeast Premiere This is Home – Directed by Alexandra Shiva, USA/Jordan, 2018, 91 MIN, Southeast Premiere TransMilitary – Directed by Gabriel Silverman and Fiona Dawson, USA, 2018, 92 MIN, East Coast Premiere/2nd US Showing

    DOCUMENTARY SHORTS COMPETITION:

    Alaska DGAF – Directed by David Freid, USA, 2018, 11 MIN, World Premiere Curious Kaleo – Directed by Judie Muhrez, Shana Kheradyar, Dylan McGale, and Tara Salveson, USA, 2018, 11 MIN, East Coast Premiere/2nd US Showing A Few Things About Robert Irwin. – Directed by Lisanne Skyler, USA, 2017, 7 MIN, Southeast Premiere Footprint – Directed by Sara Newens, USA, 2018, 17 MIN, World Premiere The Forger – Directed by Alexandra Garcia, Samantha Stark, and Pamela Druckerman, USA, 2017, 16 MIN, In French with English subtitles, Florida Premiere JessZilla – Directed by Emily Sheskin, USA, 2017, 7 MIN, Florida Premiere Let My People Vote – Directed by Gilda Ann Brasch, USA, 2018, 17 MIN, World Premiere Little Fiel – Directed by Irina Patkanian, USA/Mozambique, 2017, 16 MIN, Southeast Premiere Lotte That Silhouette Girl – Directed by Elizabeth Beecherl and Carla Patullo, USA, 2018, 10 MIN, East Coast Premiere Nueva Vida – Directed by Jonathan Seligson, USA, 2017, 7 MIN, Southeast Premiere Please – Directed by Erica Rose, USA, 2018, 7 MIN, World Premiere The Shift – Directed by Elivia Shaw and Paloma Martinez, USA, 2017, 8 MIN, Southeast Premiere The Tables – Directed by Jon Bunning, USA, 2017, 15 MIN, Florida Premiere Taobao – Directed by Noah Sheldon, USA/China, 2018, 4 MIN, In Mandarin with English subtitles, East Coast Premiere Used: A Documentary – Directed by Rolando Nieves, USA, 2017, 15 MIN, Southeast Premiere Winter’s Watch – Directed by Brian Bolster, USA, 2017, 14 MIN, Florida Premiere

    NARRATIVE SHORTS COMPETITION:

    The Accomplice – Directed by Jonathan Hoeg and John F. Beach, USA, 2017, 8 MIN, Florida Premiere After Her – Directed by Aly Migliori, USA, 2018, 15 MIN, World Premiere An Alien Walks Into A Bar – Directed by Eli Bildner, USA, 2017, 5 MIN, Florida Premiere/2nd US Showing Anna & the Asteroid – Directed by Scott Sherman, USA, 2017, 25 MIN, Southeast Premiere/2nd US Showing Artifice – Directed by Kevin Byrnes, USA, 2018, 4 MIN, World Premiere Caroline – Directed by Celine Held and Logan George, USA, 2018, 12 MIN, Southeast Premiere/2nd US Showing Control – Directed by Kimmy Gatewood, USA, 2017, 15 MIN, Florida Premiere El Afilador (The Sharpener) – Directed by James Casey, USA/MEXICO, 2018, 9 MIN, North American Premiere, In Spanish with English subtitles Emergency – Directed by Carey Williams, USA, 2017, 12 MIN, Southeast Premiere End Times – Directed by Bobby Miller, USA, 2018, 9 MIN, Southeast Premiere/2nd US Showing everything’s gonna be okay – Directed by Matt Soson, USA, 2018, 15 MIN, World Premiere Falling – Directed by Ewen Wright, USA, 2018, 19 MIN, East Coast Premiere Five Minutes – Directed by Justine Bateman, USA, 2017, 10 MIN, Southeast Premiere Flatbush Misdemeanors – Directed by Dan Perlman and Kevin Iso, USA, 2017, 15 MIN, Southeast Premiere Fran This Summer – Directed by Mary Evangelista, USA, 2018, 9 MIN, East Coast Premiere/2nd US Showing Haircut – Directed by David Brundige, USA, 2018, 7 MIN, World Premiere Home Shopper – Directed by Dev Patel, USA/Singapore, 2018, 16 MIN, East Coast Premiere I Got This – Directed by Erik Bork, USA, 2018, 22 MIN, World Premiere Iron Hands – Directed by Johnson Cheng, USA/China, 2017, 11 MIN, In Mandarin with English Subtitles, Florida Premiere Life After – Directed by Ria Tobaccowala, USA, 2018, 12 MIN, Florida Premiere Life Boat – Directed by Lorraine Nicholson, USA, 2017, 18 MIN, Southeast Premiere Magic Bullet – Directed by Amanda Lovejoy Street, USA, 2018, 19 MIN, East Coast Premiere/2nd US Showing Mama Jane – Directed by Lisa Maria Hall, USA, 2018, 12 MIN, World Premiere Men Don’t Whisper – Directed by Jordan Firstman, USA, 2017, 22 MIN, Florida Premiere My Loyal Audience – Directed by Megan Seely, USA, 2017, 12 MIN Painting with Joan – Directed by Jack Henry Robbins, USA, 2018, 4 MIN, East Coast Premiere Sweet & Lo – Directed by Clay Liford, USA, 2018, 14 MIN, World Premiere Valentina – Directed by Mary Angélica Molina, USA, 2017, 8 MIN, Florida Premiere , In English and Spanish with English subtitles Wyrm – Directed by Christopher Winterbauer, USA, 2017, 20 MIN, East Coast Premiere

    ANIMATED SHORTS COMPETITION:

    Abnie Oberfork: A Tale of Self-Preservation – Directed by Shannon Fleming, USA, 2017, 5 MIN, Florida Premiere Aquacade – Directed by Caroline Voagen Nelson, USA, 2017, 3 MIN, Southeast Premiere The Driver is Red – Directed by Randall Christopher, USA, 2017, 15 MIN Fired Up – Directed by Elyse Kelly and Dan Fipphen, USA/Colombia/Israel, 2017, 3 MIN, Florida Premiere For Educational Purposes Only – Directed by David Nessl, USA, 2018, 3 MIN, US Premiere Fundamental – Directed by Shih-Chieh Chiu, USA/Taiwan, 2017, 7 MIN, Southeast Premiere Jeom – Directed by Kangmin Kim, USA/South Korea, 2018, 4 MIN, In Korean with English subtitles, Florida Premiere Nevada – Directed by Emily Ann Hoffman, USA, 2017, 12 MIN, Southeast Premiere Phototaxis – Directed by Melissa Ferrari, USA, 2017, 7 MIN, Southeast Premiere Seahorse Man – Directed by Diana Carter, USA, 2018, 3 MIN, East Coast Premiere/2nd US Showing Shahkboy – Directed by Jake Peckar, USA, 2017, 5 MIN, Southeast Premiere/2nd US Showing Undiscovered – Directed by Sara Litzenberger, USA, 2017, 3 MIN The Velvet Underground Played At My High School – Directed by Robert Pietri and Tony Jannelli, USA, 2018, 7 MIN, Southeast Premiere Weekends – Directed by Trevor Jimenez, USA, 2017, 15 MIN, Florida Premiere

    INTERNATIONAL SHOWCASE:

    The Cakemaker – Directed by Ofir Raul Graizer, Israel/Germany, 2017, 104 MIN, In English, Hebrew and German with English subtitles Euthanizer – Directed by Teemu Nikki, Finland, 2017, 85 MIN, In Finnish with English subtitles, East Coast Premiere Mama – Directed by Nicholas Brennan, USA/Uganda, 2017, 7 MIN, In Luganda with English subtitles, Florida Premiere Marlina the Murderer in Four Acts – Directed by Mouly Surya, Indonesia/France/Malaysia/Thailand, 2017, 93 MIN, In Indonesian with English subtitles, Southeast Premiere Soufra – Directed by Thomas Morgan, USA/Lebanon, 2017, 73 MIN, In Arabic with English subtitles, Florida Premiere

    INTERNATIONAL SHORTS:

    The App – Directed by Julián Merino, Spain, 2017, 15 MIN, In Spanish with English subtitles, Florida Premiere Beatrice – Directed by Lorena Alvarado, Italy, 2017, 9 MIN, In Italian with English subtitles, Southeast Premiere Daughter – Directed by Mara Tamkovich, Poland, 2018, 29 MIN, In Polish with English subtitles, World Premiere Do I Have Boobs Now? – Directed by Milena Salazar and Joella Cabalu, Canada, 2017, 7 MIN, East Coast Premiere Fern – Directed by Johnny Kelly, UK, 2017, 6 MIN, East Coast Premiere Gaze – Directed by Farnoosh Samadi, Iran/Italy, 2017, 14 MIN, In Persian with English subtitles, East Coast Premiere Iris – Directed by Gabrielle Demers, Canada, 2017, 10 MIN, In French with English subtitles, Southeast Premiere Limit – Directed by Javad Daraei, Iran, 2017, 8 MIN, In Persian with English subtitles, East Coast Premiere The Log (Halko) – Directed by Teemu Nikki, Finland, 2016, 7 MIN, In Finnish with English subtitles, Florida Premiere Merry-Go-Round – Directed by Ruslan Bratov, Russian Federation, 2017, 13 MIN, In Russian with English subtitles, North American Premiere My Dead Dad’s Porno Tapes – Directed by Charlie Tyrell, Canada, 2018, 14 MIN, East Coast Premiere The Old Woman Who Hid Her Fear Under the Stairs – Directed by Faye Jackson, UK, 2018, 16 MIN, World Premiere Shadow Animals – Directed by Jerry Carlsson, Sweden, 2017, 22 MIN, In Swedish with English subtitles, East Coast Premiere Slap Happy – Directed by Madeleine Sims-Fewer and Dusty Mancinelli, Canada, 2017, 11 MIN, East Coast Premiere State of Emergency Motherfucker – Directed by Sébastien Petretti, Belgium, 2017, 6 MIN, In French with English subtitles Thursday Night – Directed by Gonçalo Almeida, Portugal, 2017, 8 MIN, Southeast Premiere True Love in Pueblo Textil – Directed by Horatio Baltz, Cuba/USA, 2017, 5 MIN, In Spanish with English subtitles, Southeast Premiere Wren Boys – Directed by Harry Lighton, UK, 2017, 11 MIN, East Coast Premiere

    INTERNATIONAL ANIMATED SHORTS:

    The Burden – Directed by Niki Lindroth von Bahr, Sweden, 2017, 14 MIN, In Swedish with English subtitles, Southeast Premiere Catherine – Directed by Britt Raes, Belgium, 2017, 12 MIN Dead Horses – Directed by Marc Riba and Anna Solanas, Spain, 2016, 6 MIN, In Catalan with English subtitles, Florida Premiere The Death, Dad & Son – Directed by Denis Walgenwitz and Winshluss, France, 2017, 14 MIN, East Coast Premiere Intimity – Directed by Elodie Dermange, Switzerland, 2017, 5 MIN, East Coast Premiere The Laughing Spider – Directed by Keiichi Tanaami, Japan, 2016, 7 MIN, Florida Premiere Life Before Life – Directed by Rao Heidmets, Estonia, 2017, 7 MIN, In English and Estonian with English subtitles, Florida Premiere Negative Space – Directed by Max Porter and Ru Kuwahata, France, 2017, 6 MIN The Noise of Licking – Directed by Nadja Andrasev, Hungary, 2016, 9 MIN, Southeast Premiere Perfect Town – Directed by Anaïs Voirol, Switzerland, 2017, 4 MIN, Florida Premiere Wicked Girl – Directed by Ayce Kartal. France/Turkey, 2017, 8 MIN, In Turkish with English subtitles

    SUNSPOTS: NEW VISIONS OF THE AVANT GARDE:

    Animal Cinema – Directed by Emilio Vavarella, USA, 2017, 12 MIN, East Coast Premiere Blot – Directed by Benjamin Rouse, USA, 2017, 2 MIN, Florida Premiere A Diptych to Educate Birds – Directed by Noah Engel, USA, 2017, 1 MIN, East Coast Premiere/2nd US Showing Dot Matrix – Directed by Lauren Cook, USA, 2017, 4 MIN, Southeast Premiere Edge of Alchemy – Directed by Stacey Steers, USA, 2017, 19 MIN, Florida Premiere The Garden of Delight – Directed by Michael Fleming, Netherlands/USA, 2017, 12 MIN, East Coast Premiere Growing Girl – Directed by Marnie Ellen Hertzler, USA, 2017, 12 MIN Holy Pink: Fragrant – Directed by Clementine Leger and Benjamin Whatley, USA, 2018, 2 MIN, World Premiere The Knits – Directed by Lisa Birke, Canada, 2017, 10 MIN, Florida Premiere Mountain Castle Mountain Flower Plastic – Directed by Annapurna Kumar, USA, 2017, 3 MIN, Southeast Premiere OK, Call Me Back – Directed by Emily Ann Hoffman, USA, 2017, 5 MIN, Southeast Premiere

    MIDNIGHT FEATURES:

    Ghost Stories – Directed by Jeremy Dyson and Andy Nyman, UK, 2017, 98 MIN, Florida Premiere King Cohen – Directed by Steve Mitchell, USA/Canada, 2017, 109 MIN Revenge – Directed by Coralie Fargeat, France, 2017, 108 MIN, In English and French with English Subtitles, East Coast Premiere Summer of 84 – Directed by François Simard, Anouk Whissell, and Yoann-Karl Whissell, USA/Canada, 2018, 105 MIN, East Coast Premiere

    MIDNIGHT SHORTS:

    BFF Girls – Directed by Brian Lonano, USA, 2018, 13 MIN, In English and Japanese with English subtitles, Southeast Premiere/2nd US Showing Bigfoot’s Love Slave – Directed by Heather Tom, USA, 2017, 5 MIN, Southeast Premiere Cee Cee’s Bedtime Stories #3 Cee Cee and the Ex-Calibahhh – Directed by Joy Buran and Noelle Melody, USA, 2017, 1 MIN, Southeast Premiere/2nd US Showing DaemonRunner – Directed by Kiah Roache-Turner, Australia, 2017, 5 MIN, East Coast Premiere Empire of Dirt – Directed by Adam Mason, USA, 2018, 8 MIN, US Premiere Hair Wolf – Directed by Mariama Diallo, USA, 2018, 12 MIN, East Coast Premiere The Jerry Show – Directed by Stephen Stull, USA, 2017, 9 MIN Little Donnie (The Ten Inch Terror) – Directed by Chel White, USA, 2018, 4 MIN, North American Premiere Little Wonder – Directed by Jordan Carlman, USA, 2018, 3 MIN, East Coast Premiere/2nd US Showing Master Blaster – Directed by Sawako Kabuki, Japan, 2016, 4 MIN, In Japanese with English subtitles, East Coast Premiere The Order of the Orchid – Directed by Alex Italics, USA, 2018, 7 MIN, East Coast Premiere/2nd US Showing Peen Zine – Directed by Simeon Kondev, USA, 2017, 3 MIN, East Coast Premiere/2nd US Showing We Love You, Stephanie! – Directed by Sara Ambra, USA, 2018, 6 MIN, World Premiere We Summoned a Demon – Directed by Chris McInroy, USA, 2017, 6 MIN, Florida Premiere Zablah – Directed by Rachel Nakawatase and Ryan Betschart, USA, 2018, 4 MIN, World Premiere

    SPECIAL SCREENINGS:

    FAMILY FILMS:

    The Big Bad Fox and Other Tales… – Directed by Benjamin Renner and Patrick Imbert, France/Belgium, 2017, 83 MIN, Rated G, In French with English subtitles, Southeast Premiere Lu Over the Wall – Directed by Masaaki Yuasa, Japan, 2017, 112 MIN, Southeast Premiere

    FOOD FILMS:

    Back to Burgundy – Directed by Cédric Klapisch, France, 2017, 113 MIN, In English, French, and Spanish with English subtitles Ramen Heads – Directed by Koki Shigeno, Japan, 2017, 93 MIN, In Japanese with English subtitles, Florida Premiere

    MUSIC FILMS:

    40 Years in the Making: The Magic Music Movie – Directed by Lee Aronsohn, USA, 2017, 99 MIN, Southeast Premiere The Godfathers of Hardcore – Directed by Ian McFarland, USA/Belgium/Cuba/France/Germany/Italy/Netherlands/Switzerland, 2017, 95 MIN, Florida Premiere Grace Jones: Bloodlight and Bami – Directed by Sophie Fiennes, Ireland/UK, 2017, 115 MIN, East Coast Premiere

    FLORIDA FILMS:

    FLORIDA SHORTS: THE BEST OF BROUHAHA:

    Barely There – Directed by Hannah Lee, USA, 2017, 2 MIN Blood for Blood – Directed by Jared Bolhuis, USA, 2017, 8 MIN The Day Comedy Died – Directed by Nick Pletcher and Angelo Guevara-Malavé, USA, 2017, 6 MIN Extinguished – Directed by Ashley Anderson and Jacob Mann, USA, 2017, 4 MIN Flicker – Directed by Amanda Belawski, USA, 2018, 3 MIN, World Premiere A Grave Matter – Directed by Dylan Thompson, USA, 2017, 6 MIN, World Premiere If – Directed by Gabriel Valbuena, USA, 2017, 7 MIN, Florida Premiere In a Heartbeat – Directed by Esteban Bravo and Beth David, USA, 2017, 4 MIN Mama I Wanna March – Directed by Malcolm Baity, USA, 2017, 15 MIN Peacekeeper – Directed by Tyler Knutt and Nicholas Markart, USA, 2017, 13 MIN The Stranger – Directed by Katherine Oostman, USA, 2018, 13 MIN, World Premiere Thump – Directed by Ben Roth, USA, 2017, 2 MIN Tom in Couchland – Directed by James Just, USA, 2017, 2 MIN

    FLORIDA FILMS:

    A Greater Society – Directed by Craig A. Colton and Stacy Goldate, USA, 2018, 87 MIN, World Premiere Long Time Coming – Directed by Jon Strong, USA, 2018, 90 MIN, World Premiere A Mediocre Documentary with Tom and Dan – Directed by Kirk Murray, USA, 2018, 77 MIN, World Premiere

    CLOSING NIGHT RETRO FILM:

    Shadow of a Doubt – Directed by Alfred Hitchcock, USA, 1943, 108 minutes, 75th Anniversary Screening!

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  • 2018 Audi Dublin International Film Festival Winners – Xavier Legrand’s “Custody” Wins Best Film

    [caption id="attachment_24707" align="aligncenter" width="1200"]CUSTODY (Jusqu'à la garde) CUSTODY (Jusqu’à la garde)[/caption] The Audi Dublin International Film Festival 2018 announced the award winners, with Xavier Legrand’s Custody winning DFCC Best Film, and key Irish awards included DFCC Best Irish Film for Feargal Ward’s The Lonely Battle of Thomas Reid, DFCC Best Irish Director for Rebecca Daly (Good Favour) and The George Byrne Maverick Award for Stephen Rea (Black 47).   The Fantastic Flix Children’s Jury awarded Best Feature to Room 213 and Best Short to Earthy Encounters. The three joint winners of the ADIFF Discovery Award were announced as Mia Mullarkey (Mother & Baby), Rua Meegan & Trevor Whelan (Bordalo II: A Life of Waste), and TJ O’Grady Peyton (Wave). The winner of the Jury Prize for Best Irish Short Film was Mia Mullarkey for Mother & Baby.  Best International Short Film was awarded to Iranian director Kaveh Mazaheri’s Retouch. The winner of the AUDIence Short Film Award was Steve Kenny’s Time Traveller.

    Dublin Film Critics Awards

    DFCC BEST FILM – Custody DFCC BEST DIRECTOR – Chloé Zhao, The Rider DFCC BEST IRISH DIRECTOR – Rebecca Daly, Good Favour DFCC BEST SCREENPLAY – Lynne Ramsay, You Were Never Really Here DFCC BEST CINEMATOGRAPHY – Monika Lenczewska, Under the Tree DFCC BEST ACTOR – Charlie Plummer, Lean on Pete DFCC BEST ACTRESS – Charlotte Rampling, Hannah DFCC BEST DOCUMENTARY – So Help Me God DFCC BEST IRISH FILM – The Lonely Battle of Thomas Reid DFCC MICHAEL DWYER DISCOVERY AWARD – Coralie Fargeat, Revenge DFCC GEORGE BYRNE MAVERICK AWARD – Stephen Rea – Black 47 DFCC EXTRAORDINARY ACHIEVEMENT – Bill Morrison, Dawson City: Frozen Time DFCC JURY PRIZE – Warwick Davis, Sweet Country DFCC JURY PRIZE – Kathleen Hepburn, Never Steady, Never Still DFCC JURY PRIZE – Jian Liu, Have a Nice Day DFCC JURY PRIZE – Ryan Killackey, Yasuni Man

    ADIFF Discovery Award Winners

    Mia Mullarkey (Mother & Baby), Rua Meegan & Trevor Whelan (Bordalo II: A Life of Waste), and TJ O’Grady Peyton (Wave). Special Mention: Jessie Buckley.

    ADIFF Short Film Awards

    Best Irish Short Film: Mother & Baby Special Mention Irish Short Film: Time Traveller Best International Short Film: Retouch Special Mention International Short Film: Mary Mother AUDI-ence Short Film Award: Time Traveller.

    Fantastic Flix Children’s Jury Awards

    Best Feature – Room 213 Best Short – Earthy Encounters

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  • SXSW Film Festival Announces 2018 Features Film Lineup, Opens with John Krasinski’s “A Quiet Place”

    A Quiet Place by John Krasinski
    A Quiet Place (Credit: Paramount Pictures © 2017 Paramount Pictures. All rights reserved.)

    The South by Southwest (SXSW) Conference and Festivals announced the features lineup and opening night film for the 25th edition of the Film Festival, running March 9 to 18, 2018 in Austin, Texas. During the nine days of SXSW 132 features will be shown.

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  • #PIFF41 2018 Portland International Film Festival Announces Lineup

    41st Portland International Film Festival The Portland International Film Festival (PIFF 41) has revealed the lineup for this year’s 41st edition of the Festival, which begins on Thursday, February 15th and runs through Thursday, March 1st. The Opening Night selection is the new comedy The Death of Stalin from writer/director Armando Iannucci (Veep, In the Loop). The film, adapted from the graphic novel by Fabien Nury, stars Steve Buscemi, Olga Kurylenko, Jason Isaacs, and Michael Palin. In addition to the Opening Night film, the Festival will host the Portland premiere of a handful of Oscar-nominated films, including Ildikó Enyedi’s On Body and Soul (Hungary), nominated for the Best Foreign Language Film Academy Award, Laura Checkoway’s Edith & Eddie (United States), which is in competition for the Best Documentary (Short Subject) Oscar, and Reed Van Dyk’s Dekalb Elementary (United States), nominated for the Best Short Film (Live Action) Academy Award. Also present in the lineup are multiple Best Foreign Language Film Academy Award submissions, including Tatiana Huezo’s Tempestad (Mexico), Jonas Carpignano’s A Ciambra (Italy), Deepak Rauniyar’s White Sun (Nepal), Ryôta Nakano’s Her Love Boils Bathwater (Japan), Lucrecia Martel’s Zama (Argentina), Hafsteinn Gunnar Sigurðsson’s Under the Tree (Iceland), and many others. Submissions for the Best Animated Feature Film Academy Award in the festival include Kenji Kamayama’s Napping Princess (Japan), Alberto Vázquez and Pedro Rivero’s Birdboy: The Forgotten Children (Spain), and Benjamin Renner and Patrick Imbert’s The Big Bad Fox & Other Tales (France). As in past years, the Festival features an abundance of short films. This year’s lineup boasts eight discrete short film programs, including two blocks devoted entirely to films made in Oregon, an animated shorts program, a collection exploring innovative experimental short form works, and a program of short films by Charlie Chaplin featuring live musical accompaniment by silent film composer and pianist Robert Israel. Israel has performed solo, and with orchestras, worldwide, in addition to past performances at the festival. Other highlights of PIFF 41 include screenings of Andrew Haigh’s (45 Years) Lean on Pete, Morgan Neville’s (20 Feet from Stardom) Won’t You Be My Neighbor?, Valeska Grisebach’s (Longing) Western, Portland-based director Sky Fitzgerald’s (50 Feet from Syria) 101 Seconds, the late Abbas Kiarostami’s (A Taste of Cherry) final film 24 Frames, Thomas Riedelsheimer’s (Rivers and Tides) Leaning Into the Wind: Andy Goldsworthy, Joseph Kahn’s (Detention) Bodied, Xuan Liang and Chun Zhan’s animated debut Big Fish & Begonia, Sergei Loznitsa’s (My Joy) A Gentle Creature, former Portlander Aaron Katz’ (Cold Weather) Gemini, a trio of features (Claire’s Camera, The Day After, and On the Beach At Night Alone) from South Korean director Hong Sang-Soo (The Day He Arrives), Christina Costantini and Darren Foster’s documentary debut Science Fair, Michael Matthew’s debut feature Five Fingers for Marseilles, Joshua Bonnetta and J.P. Sniadecki’s (People’s Park) El Mar La Mar, Rungaro Nyoni’s debut feature I Am Not a Witch, Ben Russell’s (A Spell to Ward Off the Darkness) Good Luck, Justin Benson and Aaron Moorhead’s (Spring) The Endless, Neïl Beloufa’s (Tonight and the People) Occidental, Samuel Maoz’ (Lebanon) Foxtrot, Warwick Thornton’s (Samson & Delilah) Sweet Country, Hélène Cattet and Bruno Forzani’s (Amer) Let the Corpses Tan, Milad Alami’s (Nordic Factory) The Charmer, Cory Finley’s feature debut Thoroughbreds, and many others.

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  • 2018 Portland International Film Festival Reveals First Wave of Films + Trailers, to Open with THE DEATH OF STALIN

    [caption id="attachment_23440" align="aligncenter" width="1200"]The Death of Stalin Directed by Armando Iannucci The Death of Stalin[/caption] The Portland International Film Festival revealed the first wave of film titles for the upcoming 41st edition which begins on Thursday, February 15th and will run through Thursday, March 1, 2018.  The Opening Night selection is writer/director Armando Iannucci’s (In the Loop, Veep) new comedy The Death of Stalin, starring Steve Buscemi, Olga Kurylenko, Jason Isaacs, and Michael Palin. The film, which premiered to rave reviews at the Toronto International Film Festival, is an adaptation of the audacious, historical graphic novel by Fabien Nury.

    FIRST WAVE TITLES include:

    PIFF 41 Opening Night selection: The Death of Stalin Dir. Armando Iannucci United Kingdom, 2017 The one-liners fly as fast as political fortunes fall in this uproarious, wickedly irreverent satire from Armando Iannucci. Moscow, 1953: when tyrannical dictator Joseph Stalin drops dead, his parasitic cronies square off in a frantic power struggle to be the next Soviet leader. Among the contenders are the dweeby Georgy Malenkov (Jeffrey Tambor), the wily Nikita Khrushchev (Steve Buscemi), and the sadistic secret police chief Lavrentiy Beria (Simon Russell Beale). But as they bumble, brawl, and backstab their way to the top, just who is running the government? Combining palace intrigue with rapid-fire farce, this is a bitingly funny takedown of bureaucratic dysfunction performed to the hilt by a sparkling ensemble cast. https://youtu.be/ukJ5dMYx2no Let the Sunshine In Dir. Claire Denis France/Belgium, 2017 Living alone in Paris, Isabelle (Juliette Binoche), a divorced artist in her 50s, is optimistic that romantic hope springs eternal – or maybe she does. But as she auditions, not unpleasantly, but with increasing exasperation, a steady succession of prospective men, she ponders just what she’s seeking, and whether sex and companionship are really the keys to fulfillment. Featuring an ensemble cast of stellar French actors including Gerard Depardieu, Denis offers a complex, feminist take on love and the quest to find Mr. Right while not being trapped by need, convention, or expectation. “An elegant, eccentric relationship comedy of ideas, highly rarified and possessed of an almost inscrutable sophistication.” – The Guardian https://youtu.be/h-haop2Ini0 Zama Dir. Lucrecia Martel Argentina/Spain/France, 2017 “Martel ventures into the realm of historical fiction and makes the genre entirely her own in this adaptation of Antonio di Bendetto’s classic of Argentinean literature. In the late 18th century, in a far-flung corner of what seems to be Paraguay, an officer of the Spanish crown, born in the Americas, waits in vain for a transfer to a more prestigious location. Martel renders Zama’s world – his daily regimen of small humiliations and petty politicking – as both absurd and mysterious, and as he increasingly succumbs to lust and paranoia, subject to a creeping disorientation. Precise yet dreamlike, and thick with atmosphere, Zama is a singular and intoxicating experience from one of cinema’s truly brilliant minds.” – New York Film Festival. https://youtu.be/K8dW6YHINAA 24 Frames Dir. Abbas Kiarostami Iran/France, 2017 Three years in the making and Kiarostami’s final film before his death in 2016, each segment in 24 Frames offers a view of a photograph or painting and what he imagined might have occurred before and after the image was frozen in time. Employing multiple cinematic devices while shifting between fiction and documentary, he wistfully attempts to decipher the essence of cinema and its ability to capture reality. “Repetition-with-variations and a sly wit are hallmarks of many Kiarostami works, and these 24 mini-films abound with his visual acuity and dry authorial humor, all of it in accessible and pleasurable form.” – Film Comment. Won’t You Be My Neighbor Dir. Morgan Neville United States, 2017 “With his gentle voice and heartfelt words of wisdom, Fred Rogers served as a compassionate surrogate father for generations of American children who tuned in to public television. He believed in love as the essential ingredient in life and was able to assist kids through difficult situations armed merely with handmade puppets suggesting tolerance and acceptance. An ordained Presbyterian minister, Mr. Rogers made speaking directly and openly to children his life’s work, both on and off his long-running show. Animated sequences are peppered between archival footage of Mister Rogers’ Neighborhood and interviews with Fred Rogers’s family friends, and colleagues, offering a deliberate and beautiful tribute to an authentic human being and providing a much-needed salve for these often-fraught times.” – Sundance Film Festival. https://youtu.be/ocElSTC9S1U On the Beach at Night Alone Dir. Hong Sang-soo South Korea, 2017 “Hong Sang-soo’s movies have always invited autobiographical readings, and this is perhaps his most achingly personal film yet, a steel-nerved clear-eyed response to the tabloid frenzy that erupted in South Korea over his relationship with actress Kim Min-hee. The film begins in Hamburg, where actress Young-hee (played by Kim herself, who won the Best Actress prize at Berlin for this role) is hiding out after the revelation of her affair with a married filmmaker. Back in Korea, a series of encounters shed light on Young-hee’s volatile state, as she slips in and out of melancholic reflection and dreams.” – New York Film Festival. “A drama of rare lyrical exaltation…a kaleidoscopic fusion of reality and fantasy.” – The New Yorker https://youtu.be/AkBJ9QGtvRA Lean on Pete Dir. Andrew Haight United Kingdom, 2017 Fifteen-year-old Charley Thompson (Charlie Plummer) wants some stability: a home, food on the table, and a high school he can attend for more than part of the year. As the son of an itinerate single father (Travis Fimmel) working in warehouses across the Pacific Northwest, stability is hard to find. Hoping for a new start they move to Portland where Charley takes a summer job with a washed-up horse trainer (Steve Buscemi), and befriends an aging racehorse named Lean on Pete, ridden by the hard-nosed Bonnie (Chloe Sevigny). Based on Willy Vlautin’s novel and filmed in Burns and Portland, Lean on Pete chronicles a harsh coming of age in the American West. https://youtu.be/nzlazAyylw8 Jeannette, the Childhood of Joan of Arc Dir. Bruno Dumont France, 2017 France, 1425. In the midst of the Hundred Years’ War, the young Jeannette, still at the tender age of eight, looks after her sheep in the small village of Domremy. One day, she tells her friend Hauviette how she cannot bear to see the suffering caused by the English. Madame Gervaise, a nun, tries to reason with the young girl, but Jeannette is ready to take up arms for the salvation of souls and the liberation of the Kingdom of France. Carried by her faith, she will become Joan of Arc. “With his tenth feature, Bruno Dumont radically delves into Joan’s childhood with a category-defying period-cum-techno-head-banging musical, derived from two works by French writer Charles Péguy.” – Toronto International Film Festival. https://youtu.be/aLPW60Zo53w Foxtrot Dir. Samuel Moax Israel, 2017 Michael and Dafna experience gut-wrenching grief when army officials come to announce the death of their son. Unable to find any solace in the well-meaning condolences of family, or in the military’s patriotic platitudes, Michael spirals in to anger only to subsequently experience one of life’s unfathomable turns – a twist that can only be rivaled by the surreal military experiences of his son. Although terrible tragedy is at the heart of the film, Foxtrot contains moments laced with mordant humor, irony, and resonant emotion, as it explores the heartache of war and its far-reaching and unpredictable impacts. Winner of Israeli Ohphir Awards for Best Film and Best Director, the Grand Jury Prize at the Venice Film Festival, and this year’s Israeli Oscar submission. https://youtu.be/wrBEDEmUceM I Am Not a Witch Dir. Rungano Nyoni United Kingdom/France/Zambia/Germany, 2017 Following an incident in her Zambian village, nine-year-old Shula is denounced as a witch and exiled to a state-run witch camp. While making every effort to adapt to her new life among much older women, Shula is both embraced and exploited by the camp officials. Now she must decide whether to accept the fate forced upon her or risk everything for freedom. Zambian-born Welsh director Rungano Nyoni’s debut combines anthropology, social satire, and superstition in a fascinating and touching magic-realist fable. Best Director, British Independent Film Awards. https://youtu.be/jOtcU_-KuaQ Gemini Dir. Aaron Katz United States, 2017 A heinous crime tests the complex relationship between a tenacious personal assistant and her Hollywood starlet boss. As the assistant travels across Los Angeles to unravel the mystery, she must stay one step ahead of a determined policeman and confront her own understanding of friendship, truth, and celebrity. Former Portlander Katz, whose Cold Weather appeared in the PIFF 34 lineup, “delves into dreamy neo-noir territory with nods to films from auteurs like Hitchcock, Krzysztof Kieslowski, Brian De Palma, and David Lynch that tackle the “double” in cinema – and the potential, in the process of taking on an alternate identity, of subsuming the darkness of another’s soul.” – AFI Film Festival. https://youtu.be/ISjmjYU-kMI Five Fingers for Marseilles Dir. Michael Matthews South Africa, 2017 A recent parolee returns to his hometown, vowing to turn his back on his criminal ways. But it’s not long before he finds that some of the friends he grew up with in Apartheid era Marseilles have internalized and recreated the tyranny they struggled against for the present inhabitants of “New Marseilles.” “Director Michael Matthews and scripter Sean Drummond skillfully employ recycled genre elements to enhance the mythic qualities of their slow-burn narrative and reinforce the underlying sense that their archetypical characters are fulfilling destinies as inescapable as the fates that might befall major players in a conventional Wild West saga.” – Variety https://youtu.be/b5oVrZrbCr0 The Third Murder Dir. Hirokazu Kore-eda Japan, 2017 This moving story of a man struggling to find the truth while questioning his own faith in the law is a philosophical whodunnit, intelligently broaching questions of innocence and guilt. Star attorney Shigemori agrees to defend Misumi, accused of murder after a fatal holdup. A man with a long criminal record, Misumi narrowly escaped the death sentence for another murder thirty years earlier. Astonishingly laid-back, Misumi has already confessed to the murder, and all the evidence points to the fact that he is guilty. But the deeper Shigemori delves into this case, the more he begins to doubt his client. Soon, he is faced with a complicated family story and the plot thickens. https://youtu.be/Plr3V4TYBQE Spoor Dir. Agnieszka Holland Czech, 2017 Drawing inspiration from local fairy tales, Spoor dissects political corruption and environmental activism in a small Polish town. Janina Duszejko is a retired engineer, astrology lover, vegetarian, and defender of animal rights. Now, she lives alone in the Sudeten Mountains near the Czech border. One winter night, she finds the body of her neighbor, a poacher. The circumstances of the man’s death are unusally mysterious as the only footprints found around his house are the prints of deer hooves. Soon, other members of the local hunting club are mysteriously murdered. Seeing the ineffectiveness of the police, she starts her own, unconventional investigation. Holland’s genre-bending, ecologically-minded thriller is this year’s Polish submission for the Best Foreign Language Film Oscar. https://youtu.be/3JxYmGXAfXc Under the Tree Dir. Hafsteinn Gunnar Sigurðsson Iceland/France, 2017 Equal parts family drama, absurdist black comedy, and unconventional thriller, Under the Tree follows two warring households locked in a bitter dispute. One family adores their beautiful old tree, but the couple next door complain that blocks their sunlight, causing their garden to languish in its shadow. As the disagreement escalates into a passive-aggressive back-and-forth of nasty vibes, mysterious property damage, disappearing cats and dogs, the installation of security cameras, and more. Though set in Iceland, this humorous, but at times unsettling, story of suburban neighborhood warfare could be anywhere. https://youtu.be/qJghTR5y9U0

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  • Watch First Trailer for Andrew Haigh’s LEAN ON PETE, Starring Charlie Plummer, Steve Buscemi, Chloë Sevigny

    Lean on Pete Watch first trailer for Andrew Haigh’s Lean On Pete, based on the beloved novel by Willy Vlautin — a deeply moving story about love, loneliness, family, and friendship, told through the unique prism of one boy’s connection to a very special racehorse. Lean On Pete premiered to exceptional reviews at the Venice Film Festival in competition and also played Telluride and Toronto earlier this year. Fifteen-year-old Charley Thompson (Charlie Plummer) arrives in Portland, Oregon with his single father Ray (Travis Fimmel), both of them eager for a fresh start after a series of hard knocks. While Ray descends into personal turmoil, Charley finds acceptance and camaraderie at a local racetrack where he lands a job caring for an aging Quarter Horse named Lean On Pete. The horse’s gruff owner Del Montgomery (Steve Buscemi) and his seasoned jockey Bonnie (Chloë Sevigny) help Charley fill the void of his father’s absence—until he discovers that Pete is bound for slaughter, prompting him to take extreme measures to spare his new friend’s life. Charley and Pete head out into the great unknown, embarking on an odyssey across the new American frontier in search of a loving aunt Charley hasn’t seen in years. They experience adventure and heartbreak in equal measure, but never lose their irrepressible hope and resiliency as they pursue their dream of finding a place they can call home. Featuring an incredible breakout turn by Charlie Plummer (The Dinner; King Jack; Ridley Scott’s forthcoming All The Money in the World) and memorable supporting work by indie stalwarts Buscemi, Sevigny and Steve Zahn, Lean on Pete is a compassionate and heartrending look at the desire for love, family, and acceptance that drives all of us. https://www.youtube.com/watch?v=nzlazAyylw8

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  • Guillermo del Toro’s THE SHAPE OF WATER Wins Golden Lion at Venice International Film Festival

    Guillermo del Toro 2017-venice international film festival awards Guillermo del Toro fairy tale drama The Shape of Water, set against the backdrop of Cold War era America circa 1962 won the Golden Lion for Best Film at the 2017 Venice International Film Festival.  The film, starring Sally Hawkins, Michael Shannon, Richard Jenkins, Doug Jones, Michael Stuhlbarg, Octavia Spencer, also won the Future Film Festival Digital Award, C. Smithers Foundation Award – CICT-UNESCO, and the Soundtrack Stars Award. https://www.youtube.com/watch?v=XFYWazblaUA The Silver Lion – Grand Jury Prize went to Foxtrot by Samuel Maoz, and the Silver Lion – Award for Best Director went to Xavier Legrand  for his film Custody (Jusqu’à la Garde).  Custody also won the award for  Lion of The Future “Luigi de Laurentiis” Venice Award for a Debut Film.

    2017 Venice International Film Festival Awards

    VENEZIA 74

    GOLDEN LION for Best Film to: THE SHAPE OF WATER by Guillermo del Toro (USA) SILVER LION – GRAND JURY PRIZE to: FOXTROT  by Samuel Maoz (Israel, Germany, France, Switzerland) SILVER LION – AWARD FOR BEST DIRECTOR to: Xavier Legrand  for the film JUSQU’À LA GARDE (France) COPPA VOLPI for Best Actress: Charlotte Rampling in the film HANNAH by Andrea Pallaoro (Italy, Belgium, France) COPPA VOLPI for Best Actor: Kamel El Basha in the film THE INSULT by Ziad Doueiri (Lebanon, France) AWARD FOR BEST SCREENPLAY to: Martin McDonagh for the film THREE BILLBOARDS OUTSIDE EBBING, MISSOURI by Martin McDonagh (Great Britain) SPECIAL JURY PRIZE to: SWEET COUNTRY by Warwick Thornton (Australia) MARCELLO MASTROIANNI AWARD for Best Young Actor or Actress to: Charlie Plummer in the film LEAN ON PETE by Andrew Haigh (Great Britain)

    ORIZZONTI

    ORIZZONTI AWARD FOR BEST FILM to: NICO, 1988 by Susanna Nicchiarelli (Italy, Belgium) ORIZZONTI AWARD FOR BEST DIRECTOR to: Vahid Jalilvand for BEDOUNE TARIKH, BEDOUNE EMZA (NO DATE, NO SIGNATURE) (Iran) SPECIAL ORIZZONTI JURY PRIZE to: CANIBA by Véréna Paravel and Lucien Castaing-Taylor (France, USA) ORIZZONTI AWARD FOR BEST ACTRESS to: Lyna Khoudri in LES BIENHEUREUX by Sofia Djama (France, Belgium, Qatar) ORIZZONTI AWARD FOR BEST ACTOR to: Navid Mohammadzadeh in BEDOUNE TARIKH, BEDOUNE EMZA (NO DATE, NO SIGNATURE) by Vahid Jalilvand (Iran) ORIZZONTI AWARD FOR BEST SCREENPLAY to: Alireza Khatami for LOS VERSOS DEL OLVIDO by Alireza Khatami (France, Germany, Netherlands, Chile) ORIZZONTI AWARD FOR BEST SHORT FILM to: GROS CHAGRIN by Céline Devaux (France) VENICE SHORT FILM NOMINATION FOR THE EUROPEAN FILM AWARDS 2017 to: GROS CHAGRIN by Céline Devaux (France)

    VENICE AWARD FOR A DEBUT FILM

    LION OF THE FUTURE “LUIGI DE LAURENTIIS” VENICE AWARD FOR A DEBUT FILM to: JUSQU’À LA GARDE by Xavier Legrand (France) VENEZIA 74

    VENICE CLASSICS

    VENICE CLASSICS AWARD FOR BEST DOCUMENTARY ON CINEMA to: THE PRINCE AND THE DYBBUK by Elwira Niewiera and Piotr Rosołowski (Poland, Germany) VENICE CLASSICS AWARD FOR BEST RESTORED FILM to: IDI I SMOTRI (COME AND SEE) by Elem Klimov (USSR, 1985)

    VENICE VIRTUAL REALITY

    BEST VR AWARD to: ARDEN’S WAKE (EXPANDED) by Eugene YK Chung (USA) BEST VR EXPERIENCE AWARD (FOR INTERACTIVE CONTENT) to: LA CAMERA INSABBIATA by Laurie Anderson and Hsin-Chien Huang (USA, Taiwan) BEST VR STORY AWARD (FOR LINEAR CONTENT) to: BLOODLESS by Gina Kim (South Korea, USA)

    COLLATERAL AWARDS

    Arca CinemaGiovani Award Venezia 74 Best Film: FOXTROT by Samuel Maoz Best Italian Film: BEAUTIFUL THINGS by Giorgio Ferrero BNL People’s Choice Award – Giornate degli Autori GA’AGUA (LONGING) by Savi Gabizon Brian Award LES BIENHEUREUX by Sofia Djama Circolo del Cinema di Verona Award – 32nd Venice International Film Critics’ Week TEAM HURRICANE by Annika Berg Civitas Vitae Award IL COLORE NASCOSTO DELLE COSE by Silvio Soldini Fair Play Cinema Award EX LIBRIS – THE NEW YORK PUBLIC LIBRARY by Frederick Wiseman Special Mention: HUMAN FLOW by Ai Weiwei Fedeora Award (Federazione dei Critici Europei e dei Paesi Mediterranei) Best Film: EYE ON JULIET by Kim Nguyen Best Director of a Debut Film: SARA FORESTIER for M Best Actor: REDOUANNE HARJANE for M FEDIC Award LA VITA IN COMUNE by Edoardo Winspeare Special Mention: NICO, 1988 by Susanna Nicchiarelli Mention FEDIC – Il giornale del cibo: LE VISITE by Elio Di Pace FIPRESCI Award EX LIBRIS – THE NEW YORK PUBLIC LIBRARY by Frederick Wiseman Best Debut Film: LOS VERSOS DEL OLVIDO by Alireza Khatami Fondazione Mimmo Rotella Award GEORGE CLOONEY, MICHAEL CAINE and AI WEIWEI Enrico Fulchignoni – CICT-UNESCO Award HUMAN FLOW by Ai Weiwei Future Film Festival Digital Award THE SHAPE OF WATER by Guillermo del Toro Special Mention: GATTA CENERENTOLA by A. Rak, I. Cappiello, M. Guarnieri, D. Sansone GdA Director’s Award – Giornate degli Autori CANDELARIA by Jhonny Hendrix Hinestroza Green Drop Award  FIRST REFORMED by Paul Schrader HRNs Award – Special Prize for Human Rights THE RAPE OF RACY TAYLOR by Nancy Buirski Special Mention: L’ORDINE DELLE COSE by Andrea Segre Special Mention: HUMAN FLOW by Ai Weiwei Interfilm Award LOS VERSOS DEL OLVIDO by Alireza Khatami Label Europa Cinemas Award M by Sara Forestier Lanterna Magica Award (CGS) L’EQUILIBRIO by Vincenzo Marra La Pellicola d’Oro Award Best Production Manager in an Italian Film: DANIELE SPINOZZI for Ammore e Malavita Best Production Manager in an International Film: RICCARDO MARCHEGIANI for Mektoub My Love: Canto Uno Best Stagehand: ROBERTO DI PIETRO for Hannah Leoncino d’Oro Agiscuola Award THE LEISURE SEEKER by Paolo Virzì Cinema for UNICEF Award: HUMAN FLOW by Ai Weiwei Lizzani Award GÉRÔME BOURDEZEAU and DOMINIQUE BATTESTI IL COLORE NASCOSTO DELLE COSE by Silvio Soldini Lina Mangiacapre Award LES BIENHEUREUX by Sofia Djama Mouse d’Oro Award MEKTOUB, MY LOVE: CANTO UNO by Abdellatif Kechiche Mouse d’Argento Award: GATTA CENERENTOLA by A. Rak, I. Cappiello, M. Guarnieri, D. Sansone NuovoImaie Talent Award FEDERICA ROSELLINI for Dove cadono le ombre MIMMO BORRELLI for L’equilibrio Open Award GATTA CENERENTOLA by A. Rak, I. Cappiello, M. Guarnieri, D. Sansone Francesco Pasinetti Award – SNGCI AMMORE E MALAVITA by Manetti Bros. Special Award: GATTA CENERENTOLA by A. Rak, I. Cappiello, M. Guarnieri, D. Sansone Special Award: NICO, 1988 by Susanna Nicchiarelli Gillo Pontecorvo Award – Arcobaleno Latino MIAO XIAOTIAN, CEO of China Film Coproduction Corporation Queer Lion Award MARVIN by Anne Fontaine Mario Serandrei – Hotel Saturnia Award for the Best Technical Contribution – 32nd Venice International Film Critics’ Week LES GARÇONS SAUVAGES by Bertrand Mandico Sfera 1932 Award LA MÉLODIE by Rachid Hami SIAE Audience Award – 32nd Venice International Film Critics’ Week TEMPORADA DE CAZA by Natalia Garagiola SIGNIS Award LA VILLA by Robert Guédiguian Special Mention: FOXTROT by Samuel Maoz C. Smithers Foundation Award – CICT-UNESCO THE SHAPE OF WATER by Guillermo del Toro Sorriso Diverso Venezia 2017 Award – Ass Ucl IL COLORE NASCOSTO DELLE COSE by Silvio Soldini Soundtrack Stars Award ALEXANDRE DESPLAT for The Shape of Water Special Award: AMMORE E MALAVITA by Manetti Bros. Lifetime Achievement Award to ANDREA GUERRA UNIMED Award LA VILLA by Robert Guédiguian Special Mention: BRUTTI E CATTIVI by Cosimo Gomez image via Twitter

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