Lemonade (Luna de Miere)(2018)

  • 2018 AFI European Union Film Showcase to Feature 49 Foreign Films, Opens with COLD WAR

    [caption id="attachment_29874" align="aligncenter" width="1024"]COLD WAR by Pawel Pawlikowski COLD WAR by Pawel Pawlikowski[/caption] Now in its 31st year, the 2018 AFI European Union Film Showcase, taking place November 30 to December 19 at the American Film Institute’s historic theater in Silver Spring, MD, will feature 49 foreign films representing 25 EU member states, plus 12 of the top contenders for this year’s Academy Award® for Best Foreign Language Film and eight U.S. premieres.   Films on the lineup  include Oscar®-winning director Paolo Sorrentino’s highly anticipated Berlusconi biopic LORO (Italy) and Benoît Jacquot’s Berlin-premiered psychological thriller EVA (France), starring Isabelle Huppert and Gaspard Ulliel. This year’s AFI European Union Film Showcase opens on November 30 with COLD WAR (Poland), the stunning, black-and-white, 1950s-set romance from Oscar®-winning director Paweł Pawlikowski (IDA). The Closing Night selection is Scottish director Jon S. Baird’s Laurel and Hardy biopic STAN & OLLIE (UK), starring Steve Coogan and John C. Reilly as the beloved comedy duo. Special presentations include two-time Oscar®-winning director Asghar Farhadi’s Spain-set thriller EVERYBODY KNOWS (Spain), starring Penélope Cruz and Javier Bardem; off-the-wall critical hit DIAMANTINO (Portugal), winner of the Critics’ Week Grand Prize (and Palm Dog Jury Prize) at this year’s Cannes Film Festival; and the U.S. premiere of actress-director Paprika Steen’s Toronto-debuted family dramedy THAT TIME OF YEAR (Denmark). Among the 12 official Best Foreign Language Film Oscar® submissions showcased this year are multi-award-winning coming-of-age drama GIRL (Belgium), winner of the Camera d’Or, FIPRESCI, Best Actor and Queer Palm awards at this year’s Cannes Film Festival; Ruth Beckermann’s engrossing documentary THE WALDHEIM WALTZ (Austria), winner of the Glashütte Original Documentary Award at this year’s Berlinale; NEVER LOOK AWAY (Germany), Oscar®-winning director Florian Henckel von Donnersmarck’s first German-language film since 2007’s THE LIVES OF OTHERS; and Rada Jude’s powerful political satire I DO NOT CARE IF WE GO DOWN IN HISTORY AS BARBARIANS (Romania), winner of the Crystal Globe for Best Film at the 2018 Karlovy Vary International Film Festival. This year’s Showcase also presents an abundance of new works from some of Europe’s best-known filmmakers, including Olivier Assayas’ whip smart dramedy NON-FICTION (France), starring Juliette Binoche and Guillaume Canet; Christian Petzold’s stirring refugee drama TRANSIT; EUPHORIA, the sophomore feature from Italian actress-turned-director Valeria Golino; Christophe Honoré’s powerful ’90s-set gay romance SORRY ANGEL (France); Małgorzata Szumowska’s dark comedy MUG (Poland), winner of the Silver Bear Grand Jury Prize at this year’s Berlinale; and Matteo Garrone’s powerful Cannes-debuted drama DOGMAN, Italy’s official Oscar® submission.

    2018 AFI European Union Film Showcase Lineup

    Austria

    2018 Oscar® Selection, Austria THE WALDHEIM WALTZ After serving as U.N. Secretary General from 1972 to 1981, Kurt Waldheim was elected president of Austria in 1986. But it was a controversial election, as new details about Waldheim’s service in the Nazi Wehrmacht in Greece and Yugoslavia during WWII came to light — including grave allegations as to his complicity in war crimes — and for many around the world, Waldheim’s explanations failed to convince. Ruth Beckermann’s gripping documentary combines the long view of historical perspective with the immediacy of someone who lived through the era — Beckermann shot much of the footage from the ’70s and ’80s herself, when she was an active protester of Waldheim’s candidacy. DIR/SCR/PROD Ruth Beckermann. Austria, 2018, color, 93 min. In German and French with English subtitles. NOT RATED U.S. Premiere ANGELO (2018) Markus Schleinzer’s audaciously stylized film is based on the life of Angelo Soliman, who was kidnapped from sub-Saharan Africa as a child in the 1720s, purchased from the slave market by a wealthy Austrian countess (Alba Rohrwacher) and raised and educated to be a “court Moor,” a courtier/entertainer/exotic status symbol for the household. Over time, Angelo is passed from one royal house to another, eventually marrying and gaining a measure of freedom. But the same society that Angelo navigated so skillfully in life finds one last way to cruelly exploit his personhood in death. DIR/SCR/PROD Markus Schleinzer; SCR Alexander Brom; PROD Alexander Dumreicher-Ivanceanu, Alexander Glehr, Bady Minck, Franz Novotny. Austria/Luxembourg, 2018, color, 111 min. In German and French with English subtitles. NOT RATED JOY (2018) Joy is a Nigerian immigrant working as a prostitute in Vienna, who reluctantly has taken the newest arrival at the brothel, Precious, under her wing. Already stressed by having to support her family back home and paying off her debt to the madame, Joy now has to look out for the new teenage recruit. In her sophomore effort, director Sudabeh Mortezai gives a powerful and personal look at the immigrant experience through the lives of sex workers only recently arrived in Europe, often employing documentary techniques for an intimate portrait of this grim world. Featuring many former sex workers, the non-professional cast gives uniformly strong performances that anchor the story in reality. DIR/SCR Sudabeh Mortezai; PROD Sabine Moser, Oliver Neumann. Austria, 2018, color, 99 min. In English and German with English subtitles. NOT RATED

    Belgium

    Special Presentation 2018 Oscar® Selection, Belgium GIRL (2018) Lara (Victor Polster) is a 15-year-old ballet dancer doing her best to fit in while standing out. Among her peers, family and friends, her trans identity is rarely an issue. We follow her internal struggle as she transitions both from her assigned gender and into adulthood. This refreshingly nuanced portrait of adolescence turns an empathetic eye toward growing up trans with a raw naturalism that recalls the Dardenne brothers. This multi-award-winning debut feature is at once warm and real, with standout performances by first-time actor Polster and a wonderful turn from Arieh Worthalter (THE ATTACK) as the loving father. DIR/SCR Lukas Dhont; SCR Angelo Tijssens; PROD Dirk Impens. Belgium/Netherlands, 2018, color, 109 min. In French and Flemish with English subtitles. NOT RATED U.S. Premiere ANGEL (2018) [UN ANGE] After a drug scandal calls his reputation into question, world-famous Belgian cyclist Thierry goes on holiday with his brother to Dakar. There he meets Fae, a headstrong Senegalese sex worker who eschews the labels given to her profession and works to unite her colleagues against social stigmas. The two instantly fall for one another and indulge their passions and vices in a night that will change their lives forever. This vividly hued love story combines dreamy romance with more ominous undertones. DIR/SCR/PROD Koen Mortier, from the novel by Dimitri Verhulst; PROD Eurydice Gysel. Belgium/Netherlands/Senegal, 2018, color, 105 min. In French and Wolof with English subtitles. NOT RATED

    Bulgaria

    ÁGA Bulgarian director/writer Milko Lazarov (ALIENATION) sets his sublimely shot sophomore feature in the barely populated snowy wilderness of northeastern Siberia, where an elderly Yakut couple, Nanook and Sedna, live in a yurt with their sled dog, continuing to practice centuries-old ancestral traditions in the face of climate change and increasing scarcity. As the pair go about the precarious daily business of survival, their one constant is the dream of reuniting with their only daughter, Ága, who left their slowly vanishing way of life to work at a diamond mine in a distant town. When Sedna’s health deteriorates, Nanook is determined to reach Ága and fulfill the couple’s wish. Official Selection, 2018 Berlin, Sydney and Chicago film festivals. DIR/SCR Milko Lazarov; SCR Simeon Ventsislavov; PROD Veselka Kiryakova. Bulgaria/Germany/France, 2018, color, 96 min. In Yakut with English subtitles. NOT RATED 2018 Oscar® Selection, Bulgaria OMNIPRESENT (2017) [VEZDESUSHTIYAT] Emil has it all. He is a successful writer and owner of a small ad agency, with a wife and teenage son. But when his ailing father asks him to install a hidden camera after a few antiques go missing from the older man’s apartment, Emil is hooked. With cameras now in his home, office, bathroom and even his wife’s therapy practice, Emil knows more than he should. The constant surveillance has gotten out of hand, and it’s only a matter of time before it comes back to bite him in this probing and darkly comic examination of technology. DIR/SCR/PROD Ilian Djevelekov; SCR/PROD Matey Konstantinov; PROD Georgi Dimitrov. Bulgaria, 2017, color, 120 min. In Bulgarian with English subtitles. NOT RATED

    Croatia

    2018 Oscar® Selection, Croatia THE EIGHTH COMMISSIONER [OSMI POVJERENIK] In this comedy from director/writer Ivan Salaj, an ambitious politician embroiled in a front-page scandal must lay low with a gubernatorial election looming. At the behest of the prime minister, Siniša Mesjak is shipped off to the remote island of Trećić. There, as its newly appointed state commissioner, he must organize the local elections and whip the government into shape on an island without internet or phone service. To make matters worse, Siniša doesn’t speak the local dialect. Seven commissioners in ten years have tried and failed. Will the eighth time be the charm? DIR/SCR Ivan Salaj, from the novel by Renato Baretić; PROD Jozo Patljak. Croatia, 2018, color, 139 min. In Croatian with English subtitles. NOT RATED

    Cyprus

    [caption id="attachment_28552" align="aligncenter" width="1392"]Smuggling Hendrix Smuggling Hendrix[/caption] SMUGGLING HENDRIX This charming feature debut from Marios Piperides takes a wry and comic look at Cypriot border politics, with the aid of an adorable dog named Jimi. Loafing man-child Yiannis (Adam Bousdoukos, SOUL KITCHEN) is about to leave his fading music career and broken relationship on the Greek Cypriot side of Nicosia for a new life in Holland. But his dog, Jimi, has other plans. When the pup wanders across the UN buffer zone and into the Turkish side of the divided city — the capital of northern Cyprus, a country recognized only by Turkey — Yiannis is forced to enlist a trans-border band of misfits (including his ex-girlfriend) to skirt EU law and get the pooch back home before it’s too late. Winner, Best International Narrative Feature, 2018 Tribeca Film Festival. DIR/SCR/PROD Marios Piperides; PROD Martin Hampel, Thanassis Karathanos, Kostas Lambropoulos, Janine Teerling. Cyprus, 2018, color, 93 min. In Greek and Turkish with English subtitles. NOT RATED

    Czech Republic

    U.S. Premiere 2018 Oscar® Selection, Czech Republic WINTER FLIES [VSECHNO BUDE] In the dead of winter, the naïve and energetic Heduš runs into his stoic pal Mára and convinces him to go on a road trip to nowhere in a stolen Audi. Told from an interrogation room where Mára is recounting their misadventures, this coming-of-age, comedic road movie sees two first-time actors knock it out of the park. Combining first loves, light drinking and even a thrilling dog rescue, this lively romp revels in irresponsibility and gentle mayhem with an energetic camera and a playful score. DIR Olmo Omerzu; SCR Petr Pýcha; PROD Jiri Konecny. Czech Republic/Slovenia/Poland/Slovakia/France, 2018, color, 85 min. In Czech with English subtitles. NOT RATED

    Denmark

    Special Presentation U.S. Premiere THAT TIME OF YEAR (2018) [DEN TID PÅ ÅRET] Katrine (Paprika Steen) prepares to host her annual Christmas Eve family dinner, but this year is shaping up to be the most stressful yet: her teenage daughter is giving her more attitude than usual; her divorced parents (Karen-Lise Mynster and Lars Knutzon) start bickering immediately; her sister Barbara (Sofie Gråbøl) brings her badly prepared cabbage, her badly behaved son (Sofus Sondergaard Mikkelsen) and her pretentious author husband Torben (Lars Brygmann); while her other sister Patricia (Patricia Schumann), just out of rehab, surprises everyone by showing up with a brand-new husband and stepdaughter. Director and star Steen’s winning family dramedy rings true for anyone who’s ever had to laugh to keep from crying during the holiday season. DIR Paprika Steen; SCR Jakob Weis; PROD Mikael Chr. Rieks. Denmark, 2018, color, 101 min. In Danish with English subtitles. NOT RATED

    Estonia

    2018 Oscar® Selection, Estonia TAKE IT OR LEAVE IT (2018) [VÕTA VÕI JÄTA] Thirtysomething construction worker Erik hasn’t seen his ex-girlfriend Moonika in six months when he gets the news that she is going into labor with his child, but has decided she is not ready for motherhood. With the cards on the table, Erik is determined to be a single father to a daughter he never knew existed lest she be given up for adoption. Based on a true story, this quietly comic social drama explores contemporary gender roles in Estonia and what it really means to be a man. DIR/SCR Liina Trishkina; PROD Ivo Felt. Estonia, 2018, color, 102 min. In Estonian with English subtitles. NOT RATED

    Finland

    2018 Oscar® Selection, Finland EUTHANIZER [ARMOMURHAAJA] Pitch-black humor meets Nordic noir and animal rights advocacy in what filmmaker Teemu Nikki (LOVEMILLA) has called “DIRTY HARRY with pets.” Veijo Haukka (Matti Onnismaa) is a reclusive mechanic with a second job as a black-market pet euthanizer and a side project doling out vigilante justice to neglectful animal owners. When a local neo-Nazi gang member asks him to euthanize his dog and Veijo secretly adopts it instead, a spiral of vengeance unfolds. Winner, Best Screenplay, 2017 Tokyo International Film Festival; FIPRESCI Prize, 2018 Norwegian International Film Festival; Official Selection, 2017 Toronto International Film Festival. DIR/SCR/PROD Teemu Nikki; PROD Jani Pösö. Finland, 2017, color, 85 min. In Finnish with English subtitles. NOT RATED

    France

    SORRY ANGEL [PLAIRE, AIMER ET COURIR VITE] In this intimate, disarming romance set against the vibrant backdrop of gay life in early 1990s France, Jacques (Pierre Deladonchamps) is a worldly-wise HIV-positive writer living in Paris — and not expecting to find love any time soon, if ever again. When he meets Arthur (Vincent Lacoste), a curious, self-assured university student from Brittany, sparks fly. But as their fling gradually and unexpectedly evolves into a deep and tender bond, both men find their worlds transformed. What emerges is a complex, unconventional and utterly human love story, touched by humor, loss and hope. Official Selection, 2018 Cannes, New York and Chicago film festivals. DIR/SCR Christophe Honoré; PROD Philippe Martin, David Thion. France, 2018, color, 132 min. In French with English subtitles. NOT RATED A FAITHFUL MAN French heartthrob Louis Garrel (THE DREAMERS, GODARD MON AMOUR) moves behind the camera once more for his charming sophomore feature — a French New Wave-inspired rom-com starring Laetitia Casta (THE BLUE BICYCLE, GAINSBOURG: A HEROIC LIFE) and Lily-Rose Depp (YOGA HOSERS) and co-written by legendary screenwriter Jean-Claude Carrière (THE DISCREET CHARM OF THE BOURGEOISIE, THE UNBEARABLE LIGHTNESS OF BEING). When Abel (Garrel) is abandoned by his girlfriend Marianne (Casta) for his best friend Paul (also, she reveals, the father of her unborn child), the hapless young man accepts the devasting news and moves on. Years later, Paul unexpectedly dies, and the two meet again. As they begin to rekindle their romance, however, Paul’s alluring younger sister (Depp) and Marianne’s highly suspicious young son throw things off course, making matters delightfully complicated. Winner, Best Screenplay (Carrière, Garrel), 2018 San Sebastián International Film Festival; Official Selection, 2018 Toronto, New York and Tokyo film festivals. DIR/SCR Louis Garrel; SCR Jean-Claude Carrière; PROD Pascal Caucheteux, Grégoire Sorlat. France, 2018, color, 75 min. In French with English subtitles. NOT RATED Special Presentation NON-FICTION [DOUBLES VIES] Olivier Assayas’ smart dramedy set in the publishing world deftly balances a serious, informed debate about the future of publishing in the digital age against the romantic foibles, workaday stresses and crazymaking tendencies of the characters’ messy lives. The outstanding ensemble cast includes Guillaume Canet as a veteran publishing exec; Juliette Binoche as his TV actress wife; Vincent Macaigne as a mid-list literary author whose work’s worsening reception has him slated to be dropped; and former standup comedian Nora Hamzawi as Macaigne’s devoted but distracted partner, a hard-working political staffer. “Only actors of the caliber and intelligence of Canet and Binoche can toss off their sparring lines with the ease and conviction of stimulating dinner-party conversations, conveying warmth, brains and fallibility in equal measure: You want to join in the discussion around the table, hoping you can keep up.” – Jay Weissberg, Variety. DIR/SCR Olivier Assayas; PROD; Charles Gillibert. France, 2018, color, 108 min. In French with English subtitles. NOT RATED KNIFE + HEART [UN COUTEAU DANS LE CŒUR] This campy erotic thriller from Yann Gonzalez (YOU AND THE NIGHT) is set in the seedy milieu of the gay porn demimonde of Paris in the 1970s, where director/producer Anne (a fiercely committed Vanessa Paradis) aspires to be an underground auteur, working closely with her stock company of carefully selected “real men” actors and ace editor Loïs (Kate Moran), Anne’s former lover with whom she’s still self-destructively obsessed. But someone is preying upon the cast and crew of Anne’s latest production, a twisted killer with a sick vendetta. “Picture CRUISING as directed by Brian De Palma, and you’ll have a pretty good idea of what to expect from this frisky parody-homage, which is equal parts kinky and kitsch, rendered with the kind of meticulous attention to lighting, composition and sound (including a reunion with M83, who also scored Gonzalez’s first film) that all but guarantees a cult following.” – Peter Debruge, Variety. DIR/SCR Yann Gonzalez; SCR Cristiano Mangione; PROD Charles Gillibert. France/Mexico/Switzerland, 2018, color, 110 min. In French with English subtitles. NOT RATED Special Presentation U.S. Premiere EVA (2018) Benoît Jacquot adapts the lurid 1945 James Hadley Chase novel previously brought to the screen by Joseph Losey in 1962, with Jeanne Moreau and Stanley Baker. Gaspard Ulliel is a hot young playwright with a potentially career-destroying skeleton in his closet, if his appetite for risk-taking doesn’t do the job first. Isabelle Huppert is the mysterious call-girl with whom he begins a series of meetings, initially for “research” purposes but increasingly for more dangerous games of cat and mouse. DIR/SCR Benoît Jacquot; SCR Gilles Taurand, from the novel “Eve” by James Hadley Chase; PROD Mélita Toscan du Plantier, Marie-Jeanne Pascal. France/Belgium, 2018, color, 100 min. In French with English subtitles. NOT RATED

    Germany

    IN MY ROOM (2018) Armin (Hans Löw, TONI ERDMANN) is a fortysomething cameraman slacking his way through life in Berlin, still clinging to the days of his youth. But the club nights are starting to take their toll. After going back home to help with his ailing grandfather at the insistence of his father, he gets a chance to reinvent himself when he wakes up to find that he is inexplicably the last human alive on Earth. The absence of humanity provides an eerie calm in this smart and meticulous end-of-the-world tale. DIR/SCR Ulrich Köhler; PROD Christoph Friedel, Claudia Steffen. Germany/Italy, 2018, color, 119 min. In German with English subtitles. NOT RATED THE SILENT REVOLUTION [DAS SCHWEIGENDE KLASSENZIMMER] Based on a true story, Lars Kraume (THE PEOPLE VS. FRITZ BAUER) directs an excellent young cast in this gripping historical drama. 1956 East Berlin: a classroom of high school students stages two minutes of silence during lessons, in solidarity with the Hungarian Uprising recently crushed by the Soviet army — which is simultaneously an amusing prank to pull on their uptight teacher. But things escalate as the students are referred first to the principal, then to the school superintendent and ultimately to the GDR’s Education Minister, who is intent on throwing the book at these would-be counter-revolutionaries for dabbling in dangerous ideas from the West (and admittedly, that’s where the students learned about the events in Hungary, from a newsreel preceding the sex farce film they traveled into West Berlin to watch). DIR/SCR Lars Kraume; SCR from the book by Dietrich Garstka; PROD Miriam Düssel, Susanne Freyer, Kalle Friz, Isabel Hund, Thomas Kufus. Germany, 2018, color, 111 min. In German and Russian with English subtitles. NOT RATED STYX In this taut and timely nautical thriller, a German doctor (Susanne Wolff) encounters a wrecked trawler filled with refugees while on a solo sailing trip to Ascension Island. Alone, save for an SSB radio, she is given conflicting information by the coast guard and quickly becomes torn between maritime law and her own moral compass. As the stakes continue to rise, she is forced to reckon with the limits of her compassion. Winner, Heiner Carow Prize, Label Europa Cinemas Awards and Prize of the Ecumenical Jury, 2018 Berlinale; Official Selection, 2018 Berlin, Toronto, London and Chicago film festivals. DIR/SCR Wolfgang Fischer; SCR Ika Künzel; PROD Marcos Kantis, Martin Lehwald. Germany/Austria, 2018, color, 94 min. In German with English subtitles. NOT RATED Special Presentation TRANSIT (2018) This exquisite adaptation of Anna Seghers’ 1942 novel about German refugees trying to escape Nazi-occupied France gains additional resonance from director Christian Petzold’s (BARBARA, PHOENIX) daring decision to eschew any ’40s period trappings, instead telling the tale in contemporary settings and dress. Modern-day Marseille becomes a compelling stage for history: 75 years ago, against a backdrop of apartment buildings and commercial centers, a refugee crisis was taking place, one with eerie reverberations in today’s resurgent ethno-nationalism. The excellent cast includes Franz Rogowski, Paula Beer, Godehard Giese, Barbara Auer and Alex Brendemühl. DIR/SCR Christian Petzold, from the novel by Anna Seghers; PROD Antonin Dedet, Florian Koerner von Gustorf. Germany/France, 2018, color, 101 min. In German, French and French Sign Language with English subtitles. NOT RATED ICEMAN (2017) [DER MANN AUS DEM EIS] Filmed amid the stunning Alpine beauty of Bavaria (Germany), south Tyrol (Italy) and Carinthia (Austria) and based on the imagined final days of Ötzi the Iceman, the oldest natural mummy of the Copper Age, ICEMAN may be the first Neolithic revenge Western. More than 5,300 years ago, Kelab (Jürgen Vogel) returns from a hunting trip to find his family murdered, his home burned and his holy amulet stolen. He sets out through the freezing mountains to wreak vengeance on the killers, and the result is mankind’s first unsolved murder case. The dialogue is entirely in an early version of Rhaetian, a now-extinct language spoken in the eastern Alps in pre-Roman and Roman times. No translation is required to grasp the essence of this ancient tale. Official Selection, 2017 Locarno and Hamburg film festivals. DIR/SCR Felix Randau; PROD Jan Krüger, Andreas Pichler. Germany/Italy/Austria, 2017, color, 97 min. In Rhaetian. NOT RATED 2018 Oscar® Selection, Germany NEVER LOOK AWAY [WERK OHNE AUTOR] Florian Henckel von Donnersmarck’s first German film since 2007’s Oscar®-winning THE LIVES OF OTHERS is another exercise in Vergangenheitsbewältigung ­— “coming to terms with the past” ­— this time, a bildungsroman about Kurt (Tom Schilling), a talented young artist from Dresden who finds the GDR and its totalitarian state machinery stifling to his art and a mere substitution for the recently discarded fascist state he grew up in. Emigrating to Düsseldorf in the West, Kurt makes a new life for himself, but finds that events, and people, from his past will always have a grip on him. Closely based on the life and art of Gerhard Richter, NEVER LOOK AWAY is an epic of mid-century modernism spanning the worlds of art and politics, with characters doing their best to survive in rapidly changing times. With Sebastian Koch, Paula Beer and Saskia Rosendahl. DIR/SCR/PROD Florian Henckel von Donnersmarck; PROD Quirin Berg, Jan Mojto, Christiane Henckel von Donnersmarck, Max Wiedemann. Germany/Italy, 2018, 188 min. In German and Russian with English subtitles. NOT RATED

    Greece

    Special Presentation PITY With his wife in a coma and his life in a rut, a sullen, nameless everyman soon finds himself addicted to his own sadness — with those around him continually throwing pity his way. As his kind neighbor brings yet another bundt cake, the man becomes more and more content with his sorrow, even going so far as to forbid his son from playing upbeat tunes on the piano. But what will he do if his wife wakes up? This pitch-black comedy is a riotous affair, with comedian Yannis Drakopoulos in the lead role and a script co-written by Efthymis Filippou (DOGTOOTH, THE LOBSTER). DIR/SCR Babis Makridis; SCR Efthymis Filippou; PROD Christos V. Konstantakopoulos, Amanda Livanou, Beata Rzezniczek, Klaudia Smieja. Greece/Poland, 2018, color, 97 min. In Greek with English subtitles. NOT RATED

    Hungary

    THE WHISKEY BANDIT [A VISZKIS] Nimród Antal made a name for himself with 2003’s KONTROLL; now, following a string of Hollywood genre films (ARMORED, PREDATORS, VACANCY) and music-related features (METALLICA: THROUGH THE NEVER), he returns to Hungary with this stylish and action-packed true crime tale. In the 1990s, an unknown bandit pulled off a string of daring, daylight bank robberies in and around Budapest, eluding the befuddled police, who had no leads save for one identifying trait: the faint aroma of whiskey the tellers noticed on the thief. Drawing comparisons to Sandor Rozsa, a Robin Hood type-character from Hungarian legend, the so-called “Whiskey Bandit” became something of a modern-day folk hero for Hungary’s chaotic, post-communist era. DIR/SCR Nimród Antal; PROD Barnabás Hutlassa, Tamás Hutlassa. Hungary, 2017, color, 126 min. In Hungarian and Romanian with English subtitles. NOT RATED THE BUTCHER, THE WHORE AND THE ONE-EYED MAN [A HENTES, A KURVA ÉS A FÉLSZEMÜ] János Szász (2013’s THE NOTEBOOK) directs this moody and noirish true crime story from 1920s Budapest. Local meat-packing magnate Ferenc Kudelka falls madly in love with Mici, a former prostitute married to disabled former gendarme Gusztáv Léderer, who now toils in Kudelka’s plant. For a while, the Léderer couple extract a fee from Kudlelka for Mici’s services, but then attempt and fail to kill him. The trio’s bizarre and murderous love triangle descends into further madness as ever more desperate measures and subsequent murder attempts ensue. DIR/SCR János Szász; SCR Márk Bodzsár; PROD István Bodzsár. Hungary, 2017, color, 105 min. In Hungarian with English subtitles. NOT RATED JUPITER’S MOON [JUPITER HOLDJA] Syrian refugee Aryan is crossing the border from Serbia into Hungary with his father when he’s suddenly gunned down by a trigger-happy border guard. In his wounded state, he discovers he can now mysteriously levitate at will. How should he use these new powers? Will he be able to live freely in his new country, or be exploited? Will he become a superhero, or a circus freak? Kornél Mundruczó’s (WHITE GOD) quirky tale combines genre spectacle and gritty realism to tackle the refugee crisis in a fresh and unexpected way. DIR/SCR Kornél Mundruczó; SCR Kata Wéber; PROD Viola Fügen, Michel Merkt, Viktória Petrányi, Michael Weber. Hungary/Germany/France, 2017, color, 129 min. In Hungarian with English subtitles. NOT RATED

    Ireland

    Special Presentation BLACK ’47 Lance Daly (KISSES) pulls off the unthinkable with this brutal revenge Western — set in 1847 Ireland during the worst year of the Great Famine — creating an insightful thriller which melds genre conventions with gritty realism and historical critique. Deserting the British army to return home to Ireland, battle-weary soldier Feeney (James Frecheville, ANIMAL KINGDOM) finds his country — and family — devastated by the famine sweeping the land. With nothing more to lose, Feeney embarks on a relentless quest to get even with the criminally negligent British government and to track down landowner Lord Kilmichael (Jim Broadbent). Pursued by disgraced soldier-turned-policeman Hannah (Hugo Weaving), Feeney will stop at nothing to avenge his family and his country. Official Selection, 2018 Berlin, Toronto and Busan film festivals. DIR/SCR Lance Daly; SCR P.J. Dillon, Pierce Ryan; PROD Arcadiy Golubovich, Macdara Kelleher, Jonathan Loughran, Tim O’Hair. Ireland/Luxembourg, 2018, color, 100 min. In English and Irish with English subtitles. RATED R

    Italy

    Special Presentation EUPHORIA (2018) [EUFORIA] Celebrated Italian actress and director Valeria Golino’s (HONEY) Cannes-premiered sophomore feature is a riveting drama about two very different brothers forced back into each other’s lives when one is diagnosed with a brain tumor. Wealthy, flamboyant and successful, Matteo (Riccardo Scamarcio, LORO) is the polar opposite of his melancholy middle-school teacher brother Ettore (Valerio Mastandrea, PERFECT STRANGERS), who still lives in the small provincial town where the two grew up. Ordered by his brother to move to Rome while he undergoes therapy, Ettore is reticent, but as the men reconnect with one another, they also reassess themselves in the process. Official Selection, 2018 Cannes and Karlovy Vary film festivals. DIR/SCR Valeria Golino; SCR Francesca Marciano, Valia Santella; PROD Viola Prestieri. Italy, 2018, color, 115 min. In Italian with English subtitles. NOT RATED U.S. Premiere LUCIA’S GRACE [TROPPA GRAZIA] Pressed to rush things through so that an ambitious architect’s new building can break ground, single-mom land surveyor Lucia (Alba Rohrwacher, HUNGRY HEARTS, I AM LOVE) grinds things to a halt first when she discovers that the old maps are inaccurate and need redoing, then again after the Virgin Mary (FILL THE VOID’s Hadas Yaron) appears to her in the field and commands her to build a church instead. Gianni Zanasi’s quirky comedy won the Europa Cinema Label prize at the 2018 Directors’ Fortnight in Cannes. DIR/SCR Gianni Zanasi; SCR Giacomo Ciarrapico, Michele Pellegrini, Federica Pontremoli; PROD Beppe Caschetto, Rita Rognoni. Italy, 2018, color, 110 min. In Italian with English subtitles. NOT RATED BOYS CRY (2018) [LA TERRA DELL’ABBASTANZA] GOMORRAH meets Pier Paolo Pasolini’s “Ragazzi di vita” in the D’Innocenzo brothers’ stunning first feature, which is both a gripping crime drama and an astute study of toxic masculinity. Manolo (Andrea Carpenzano) and Mirko (Matteo Olivetti) are pizza delivery boys on the outskirts of Rome, bored out of their minds and itching for something to happen. And then it does. When the pair are involved in a hit and run and learn that they have killed a marked man, inadvertently doing the local mafiosi a great service, Manolo’s wannabe-mobster father jumps at the chance to get his son in with the crime bosses. As the two boys enter an enticing world of sex, money and guns, there seems to be no turning back. Official Selection, 2018 Berlin and Chicago film festivals. DIR/SCR Damiano D’Innocenzo, Fabio D’Innocenzo; PROD Agostino Saccà, Giuseppe Saccà, Maria Grazia Saccá. Italy, 2018, color, 95 min. In Italian with English subtitles. NOT RATED Special Presentation 2018 Oscar® Selection, Italy DOGMAN (2018) Set in a picturesquely dilapidated seaside town outside of Naples, Matteo Garrone’s (GOMORRAH, TALE OF TALES) latest is a Neapolitan noir with the DNA of a revenge Western and a darkly humorous bite. The eponymous “Dogman” is Marcello (Marcello Fonte, who won the Best Actor award at Cannes for the role), a gentle dog groomer who deals cocaine on the side in order to make ends meet and raise his young daughter. Bullied by one of his regular customers (Edoardo Pesce), a puffed-up petty criminal who terrorizes the tight-knit community, Marcello becomes implicated in a criminal plan and pushed to the limits of his sanity. Winner, Best Actor (Marcello Fonte), 2018 Cannes Film Festival; Official Selection, 2018 Telluride, Toronto and Chicago film festivals. DIR/SCR/PROD Matteo Garrone; SCR Ugo Chiti, Massimo Gaudioso; PROD Paolo Del Brocco, Jean Labadie, Alessio Lazzareschi, Jeremy Thomas. Italy/France, 2018, color, 103 min. In Italian with English subtitles. NOT RATED U.S. Premiere LORO Having dramatized the demise of former Italian Prime Minister Giulio Andreotti in 2009’s IL DIVO, Academy Award® winner Paolo Sorrentino (THE GREAT BEAUTY, THE YOUNG POPE, YOUTH) turns his caustic eye to another titan of Italian politics: media tycoon, billionaire and scandal-plagued ex-Prime Minister Silvio Berlusconi (Toni Servillo, IL DIVO). The result is an eye-popping, candy-colored and surreal skewering of early 21st-century Italy and Berlusconi’s milieu of unfettered wealth, raucous “bunga bunga” parties and cutthroat political power games — a tale told in counterpoint to that of provincial arriviste Sergio (Riccardo Scamarcio, EUPHORIA), an ambitious wannabe from the Southern town of Taranto, desperate to impress Berlusconi and enter the big time. Originally spilt into two parts for its Italian release, LORO will be presented in its single, epic theatrical form. Official Selection, 2018 Toronto International Film Festival. DIR/SCR Paolo Sorrentino; SCR Umberto Contarello; PROD Carlotta Calori, Francesca Cima, Nicola Giuliano, Viola Prestieri. Italy/France, 2018, color, 150 min. In Italian with English subtitles. NOT RATED

    Latvia

    HOMO NOVUS (2018) In 1930s Riga, if you aren’t part of the in-crowd of the bohemian art scene, you might as well put away your brushes. Juris Upenājs, a poor young artist from the rural outskirts, is determined to break into the scene, and finds the love his life at a party on his very first night in town. From there, he’s off to the races, bumping up against the established elites and a rival artist just back from Paris in this hilarious and touching historical tale. Anna Viduleja’s award-winning feature debut is a romantic comedy of errors and intrigues. DIR/SCR Anna Viduleja; SCR Maureen Thomas; PROD Ivo Ceplevičs, Jānis Kalējs. Latvia, 2018, color, 123 min. In Latvian with English subtitles. NOT RATED

    Lithuania

    ACID FOREST [RŪGŠTUS MIŠKAS] This observational documentary experiment takes place in one of the strangest tourist attractions in the world: a dying forest full of cormorants actively killing off the trees with their acid-fortified droppings along the border of Lithuania and Russia. Drone shots give a literal bird’s eye view of the beautiful ruin that draws in sightseers from throughout Europe and beyond. We listen in on the observers from afar as the hypnotic sounds of the black birds surround them in the woods. Official Selection, 2018, Locarno and AFI FEST film festivals. DIR Rugilė Barzdžiukaitė. Lithuania, 2018, color, 63 min. In Lithuanian, English, German, French and Finnish with English subtitles. NOT RATED

    Netherlands

    LOVE REVISITED [OUDE LIEFDE] In this highly untraditional tale of forbidden romance, sixtysomethings Fer and Fransje are long-divorced when the sudden death of their forty-year-old son unexpectedly brings them back together. United in their shared grief, they console one another over the tragedy— and soon find themselves falling in love all over again. Worried about upsetting their family’s delicate balance, the pair try to keep their affair a secret, but this is easier said than done and when both their children and their current partners find out, things get complicated. Nicole Van Kilsdonk crafts a tender romantic dramedy about the endurance of love, the complexity of family life and the hope of second chances. DIR Nicole Van Kilsdonk; SCR Peer Wittenbols, Joris Oonk; PROD Ineke Kanters, Jan Van Der Zanden. Netherlands/Belgium, 2017, color, 99 min. In Dutch with English subtitles. NOT RATED

    Poland

    Opening Night: 2018 Oscar® Selection, Poland COLD WAR (2018) [ZIMNA WOJNA] Fans of Paweł Pawlikowski’s Oscar®-winning 2013 hit IDA will not be disappointed by his follow-up, a stunningly shot, music-drenched love story for the ages, which won the Best Director prize at this year’s Cannes Film Festival. Set against the backdrop of the Cold War in Poland, East Germany, Yugoslavia and France — and loosely based on the story of Pawlikowski’s own parents — COLD WAR follows a pair of star-crossed lovers from their first fateful meeting in post-World War II Poland. Wiktor (Tomasz Kot, SPOOR) is a jazz-loving musicologist tasked with recruiting traditional folk musicians to tour the Eastern Bloc as part of a state-sponsored showcase. When Zula (Joanna Kulig, IDA, THE WOMAN IN THE FIFTH) poses as a villager to infiltrate auditions for the troupe and escape her troubled home life, she quickly becomes the star of the show, captivating Wiktor and sparking a 15-year love affair that spans borders, political regimes and musical genres. Winner, Best Director, 2018 Cannes Film Festival; Official Selection, 2018 Karlovy Vary, Telluride, Toronto, New York, Busan and Chicago film festivals. DIR/SCR Paweł Pawlikowski; SCR Janusz Glowacki; PROD Ewa Puszczynska, Tanya Seghatchian. Poland/France/UK, 2018, color, 88 min. In Polish, French, German, Croatian, Italian and Russian with English subtitles. RATED R ANOTHER DAY OF LIFE [JESZCZE DZIEŃ ŻYCIA] Based on the eponymous memoir by famed Polish war correspondent Ryszard Kapuściński, this stunningly crafted, graphic-novel-style biopic traces the journalist’s experiences of the 1975 Angolan civil war during a three-month period in which he travelled from the capital of Luanda across the war-torn country in search of a renowned rebel. Animation is interspersed with live-action testimony from survivors of the period, as writer-directors Raúl de la Fuente and Damian Nenow paint a vivid picture of Kapuściński’s harrowing journey and how it shaped the writer he became. Winner, Audience Award, 2018 San Sebastián International Film Festival; Official Selection, 2018 Cannes, Annecy Animation and CPH PIX film festivals. DIR/SCR Raúl de la Fuente, Damian Nenow; SCR/PROD Amaia Remirez; SCR Niall Johnson, David Weber, from the memoir by Ryszard Kapuściński; PROD Jaroslaw Sawko. Poland/Spain/Germany/Belgium/Hungary, 2018, color, 85 min. In English, Portuguese, Polish and Spanish with English subtitles. NOT RATED MUG [TWARZ] Winner of the Silver Bear Grand Jury Prize at this year’s Berlinale, Malgorzata Szumowska’s (BODY, IN THE NAME OF) deadpan dark comedy takes a critical look at politics, identity, media and religion in contemporary Poland. Jacek (Mateusz Kosciukiewicz) is a carefree, heavy-metal-loving laborer working on the construction site of what is to be the tallest statue of Jesus in the world. When a terrible fall disfigures him, the media and everyone around him are whipped into a frenzy as he undergoes Poland’s first ever facial transplant. The operation is a success, but as Jacek is painted as a national hero by the press, receiving star treatment and lucrative endorsement deals, his family and friends find it hard to cope with his new appearance. As Jacek’s celebrity grows, so too does his ostracization from those who once claimed to be closest to him. Winner, Silver Berlin Bear, Grand Jury Prize, 2018 Berlinale; Official Selection, 2018 Edinburgh, Busan and Chicago film festivals. DIR/SCR/PROD Malgorzata Szumowska; SCR/PROD Michal Englert; PROD Jacek Drosio. Poland, 2018, color, 91 min. In Polish with English subtitles. NOT RATED

    Portugal

    Special Presentation DIAMANTINO (2018) To sum up this brilliantly nutty, outrageously funny Cannes Critics’ Week Grand Prize winner as an astute political sci-fi satire with giant puppies, soccer, genetic engineering, neo-fascists and a fiercely pro-European Union agenda doesn’t really do it justice. But it’s a start. Diamantino (Carloto Cotta) is a Cristiano Ronaldo-like hero of Portuguese soccer — until he makes an unforgivable error at the 2018 World Cup, letting down his country and ending his career. As the guileless former icon starts to look for a new purpose in life — much to the dismay of his scheming twin sisters, who have other plans — a truly bizarre and wonderful odyssey unfolds, touching on the refugee crisis, the rise of nationalism and, of course, a delightfully unconventional romance. Winner, Critics’ Week Grand Prize, Palm Dog Jury Prize, 2018 Cannes Film Festival; Official Selection, 2018 Karlovy Vary, Toronto, Vancouver and New York film festivals. DIR/SCR Gabriel Abrantes; DIR/SCR Daniel Schmidt; PROD Maria João Mayer, Justin Taurand, Daniel van Hoogstraten. Portugal/France/Brazil, 2018, color, 92 min. In Portuguese with English subtitles. NOT RATED

    Romania

    Special Presentation 2018 Oscar® Selection, Romania I DO NOT CARE IF WE GO DOWN IN HISTORY AS BARBARIANS [ÎMI ESTE INDIFERENT DACA ÎN ISTORIE VOM INTRA CA BARBARI] Mariana is a young theater director working to stage a production about the ethnic cleansing on the Eastern Front of 1941, in which Romanian soldiers executed 10,000 Jews. As tempers flare in rehearsals and city officials ramp up the pressure to tone down the portrayal of the massacre, Mariana must ask herself if she is willing to compromise her art in order for the show to go on. As slyly humorous as it is politically layered, Radu Jude’s (AFERIM!) powerful story evokes the old adage of not forgetting one’s past lest it be tragically repeated. Winner, Crystal Globe for Best Film, 2018 Karlovy Vary International Film Festival. DIR/SCR Radu Jude; PROD Ada Solomon. Romania/Germany/Bulgaria/France/Czech Republic, 2018, color, 140 min. In Romanian with English subtitles. NOT RATED LEMONADE (2018) Produced by Palme d’Or winner Cristian Mungiu (4 MONTHS, 3 WEEKS AND 2 DAYS; GRADUATION), Ioana Uricaru’s potent and timely debut feature follows Mara (Mãlina Manovici, GRADUATION), a young Romanian woman working in the U.S. as a physical therapist while awaiting her green card. Having recently married, Mara brings her nine-year-old son from Romania to live in their new home, but when she is accused by an immigration officer of falsifying paperwork and suffers an inexcusable abuse of power, a spiral of injustice unfolds. An unflinching look at one woman’s experience of the gender and power imbalances baked into the U.S. immigration system, and her determination to survive despite the odds, LEMONADE heralds a courageous new voice in Romanian cinema. Official Selection, 2018 Berlin, Tribeca, Seattle, Mill Valley and AFI FEST film festivals. DIR/SCR Ioana Uricaru; SCR Tatiana Ionascu; PROD Eike Goreczka, Christoph Kukula, Yanick Létourneau, Cristian Mungiu, Sean Wheelan. Romania/Canada/Germany/Sweden, 2018, color, 88 min. In English and Romanian with English subtitles. NOT RATED

    Slovakia

    2018 Oscar® Selection, Slovakia THE INTERPRETER (2018) Octogenarian translator Ali Ungár (Jirí Menzel, CLOSELY WATCHED TRAINS) is on a quest for vengeance after stumbling across the identity of the former SS officer he believes murdered his parents. Instead of finding the man who pulled the trigger, he meets Georg Graubner (Peter Simonischek, TONI ERDMANN), the officer’s son. Despite a rocky start, the gregarious Georg hires Ali as his translator, and the two set out on the open road to discover what really happened to Ali’s parents in this funny and poignant odd-couple dramedy. DIR/SCR/PROD Martin Sulík; SCR Marek Lescák; PROD Rudolf Biermann, Bruno Wagner. Slovakia/Czech Republic/Austria, 2018, color, 113 min. In German, English, Slovak and Russian with English subtitles. NOT RATED

    Slovenia

    CONSEQUENCES (2018) [POSLEDICE] Teenage angst and toxic masculinity abound in Darko Štante’s powerful debut feature, a Slovenian answer to Alan Clarke’s SCUM set in a youth detention center and inspired by the director’s experience working as teacher in a correctional facility. When Andrej’s (Matej Zemljic) youthful criminal tendencies look set to spiral out of control, he is packed off to a center for troubled young men, where he quickly falls in with Zele (Timon Sturbej), the center’s bordering-on-psychopathic alpha male gang leader. Beginning a deep dive into violence and criminality, Andrej simultaneously grapples with his unsure identity as a young gay man and the potentially disastrous consequences of his developing feelings for Zele. Official Selection, 2018 Toronto International Film Festival. DIR/SCR Darko Stante; PROD Andraz Jeric, Jerca Jeric. Slovenia, 2018, color, 93 min. In Slovenian with English subtitles. NOT RATED

    Spain

    Special Presentation EVERYBODY KNOWS [TODOS LO SABEN] Penélope Cruz, Javier Bardem, Ricardo Darín and Bárbara Lennie star in Oscar®-winning Iranian director Asghar Farhadi’s (THE SALESMAN, A SEPARATION) acclaimed thriller set in Spain. When Laura (Cruz) travels from her home in Buenos Aires with her family to her hometown in Spain for her sister’s (Lennie) wedding, a startling crime and some long-buried secrets alter the course of their lives. A visually rich and thrilling emotional rollercoaster, EVERYBODY KNOWS is bursting at the seams with star power and peerless performances. Official Selection, 2018 Cannes and Toronto film festivals. DIR/SCR Asghar Farhadi; PROD Álvaro Longoria, Alexandre Mallet-Guy. Spain/France/Italy, 2018, color, 132 min. In English, Spanish and Catalan with English subtitles. NOT RATED Special Presentation U.S. Premiere DISTANCES (2018) [LAS DISTANCIAS] When longtime friends Olivia, Eloi, Guille and Anna travel to Berlin to surprise their college classmate Comas for his 35th birthday, he is less than pleased to see them. During their weekend together, the group tries to revive the closeness of their student years, but contradictions and tensions emerge as they slowly come to realize that Comas’ life in Berlin is not what he’d made it out to be — and that perhaps they don’t know one another as well as they’d thought. Part twisted buddy comedy, part mystery, part existential crisis drama, Elena Trapé’s subtly powerful examination of friendship explores the fissures caused by time, distance and coming of age. Winner, Best Film, Best Director and Best Actress (Alexandra Jiménez), 2018 Málaga Film Festival; Official Selection, 2018 Busan International Film Festival. DIR/SCR Elena Trapé; SCR Josan Hatero, Miguel Ibáñez Monroy; PROD Marta Ramírez. Spain, 2018, color, 99 min. In Catalan, English, Spanish and German with English subtitles. NOT RATED

    UK

    [caption id="attachment_31228" align="aligncenter" width="1000"]Stan & Ollie Stan & Ollie[/caption] Closing Night: STAN & OLLIE Steve Coogan and John C. Reilly bring their brilliant comedic chops to bear as legendary comedy duo Stan “Laurel” (Coogan) and Ollie “Hardy” (Reilly) in this hilarious road movie recounting the pair’s famed 1953 “farewell” tour of Britain and Ireland. Initially underwhelming, the tour gradually picks up steam as the duo move toward a big London finale, reigniting their celebrity and causing the world to fall in love with them all over again. But health issues, the stress of being on the road and the arrival of their wives Lucille and Ida (Shirley Henderson and Nina Arianda) threaten to upset the delicate balance required for their creative partnership. Director Jon S. Baird (FILTH) and screenwriter Jeff Pope (PHILOMENA) offer a nuanced study of lifelong male friendship and a suitably laugh-inducing tribute to two of cinema’s comedy greats. Official Selection, 2018 London and AFI FEST film festivals. DIR Jon S. Baird; SCR Jeff Pope; PROD Faye Ward. UK/Canada/U.S., 2018, color, 97 min. In English. NOT RATED RAY & LIZ Turner Prize-nominated British photographer Richard Billingham makes his feature film debut with this gritty, 16mm-shot family portrait, based on the 1996 photo series “Ray’s a Laugh,” which put him on the map as a Young British Artist and brought the term “squalid realism” into the lexicon of contemporary art. Inspired by his own upbringing in the Black Country, west of Birmingham, RAY & LIZ is named for Billingham’s highly dysfunctional parents and comprises three episodes in the family’s life, spanning the early 1980s to the late 2000s. Like “Ray’s a Laugh,” the result is grimy, shocking and truthful, yet grounded by a humor and humanity that breathes life and empathy into every frame. Winner, Special Mention Jury Prize, 2018 Locarno Film Festival; Official Selection, 2018 Toronto, New York, London and AFI FEST film festivals. DIR/SCR Richard Billingham; PROD Jacqui Davies. UK, 2018, color, 108 min. In English. NOT RATED

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  • AFI FEST Reveals 2018 New Auteurs and American Independents Lineups

    [caption id="attachment_31999" align="aligncenter" width="1200"]Elisabeth Moss in HER SMELL Elisabeth Moss in HER SMELL[/caption] Highlighting rising feature film directors and the best of independent filmmaking, the American Film Institute announced today the films that will be featured in the New Auteurs and American Independents sections at AFI FEST 2018 presented by Audi. New Auteurs is the festival’s platform for upcoming filmmakers from all over the world to showcase their new films. This year, the section is comprised of 18 films, with 12 helmed by female filmmakers. The American Independents section represents the best of independent filmmaking this year. Pushing boundaries of form and content across narrative and documentary cinema, this section includes 10 films — half of which are directed by women — from both new voices and filmmakers returning to AFI FEST. “The New Auteurs and American Independents sections are where you will find some of the boldest and most experimental work in the festival,” said Lane Kneedler, Director of Programming, AFI Festivals. “We encourage audiences to explore these unique films, and become acquainted with the emerging and provocative voices of their directors.” AFI FEST takes place November 8–15, 2018, in the heart of Hollywood. Screenings, Galas and other events will be held at the TCL Chinese Theatre, the TCL Chinese 6 Theatres, the Egyptian Theatre and The Hollywood Roosevelt. The Opening Night Gala will be the World Premiere of ON THE BASIS OF SEX (directed by AFI Conservatory alumna Mimi Leder) and the Closing Night Gala will be the World Premiere of MARY QUEEN OF SCOTS (directed by Josie Rourke).

    NEW AUTEURS

    ACID FOREST (RŪGŠTUS MIŠKAS)– A wispy stretch of land from Russia to Lithuania is home to an unlikely tourist attraction: a dying forest of leafless trees overtaken by thousands of ancient black birds ruining the area with their acid-fortified feces. With daredevil cinematography and immaculate sound design, Rugilė Barzdžiukaitė’s debut is a beguiling snapshot of the juncture between nature’s destruction and rebirth. DIR Rugilė Barzdžiukaitė. Lithuania AKASHA – Documentarian Hajooj Kuka makes his attention-grabbing, intelligent debut with AKASHA, a comedy set in a rebel-held area of Sudan, where fighting has stopped amid the rainy season — and a man, a woman and an AK-47 are entangled in a love triangle. DIR Hajooj Kuka. SCR Hajooj Kuka. CAST Ekram Marcus, Kamal Ramadan, Ganja Chakado. Sudan, South Africa, Qatar, Germany ALL IS GOOD (ALLES IST GUT) – An arresting portrayal of a woman who refuses to see herself victimized by rape. Intimately and claustrophobically photographed, this humanistic film illustrates a rape internalized — acknowledged though never reckoned with — where a rapist’s presumed authority over a woman’s body is endemic of an oppressive, patriarchal society. DIR Eva Trobisch. SCR Eva Trobisch. CAST Aenne Schwarz, Andreas Döhler, Hans Löw, Tilo Nest, Lisa Hagmeister, Lina Wendel. Germany AND BREATH NORMALLY (ANDIÐ EÐLILEGA) – Lára is a single mother whose job as an Icelandic border guard is all that’s keeping her afloat. While training, Lára notices that the passport of Adja, a woman from Guinea-Bissau, has been forged. From there, Adja and Lára’s stories diverge and weave together again in Ísold Uggadóttir’s elegantly constructed drama of lives affected by the ongoing refugee crisis. DIR Ísold Uggadóttir. SCR Ísold Uggadóttir. CAST Kristín Thóra Haraldsdóttir, Babetida Sadjo, Patrik Nökkvi Pétursson. Iceland BLACK MOTHER – From red light districts to lush rainforests, director Khalik Allah’s brilliant film weaves together the sacred and the profane in a loving and lyrical ode to Jamaica and its people, a visual poem that is at once deeply felt love letter and ecstatic street-corner prayer. DIR Khalik Allah. USA THE CHAMBERMAID (LA CAMARISTA) – Lila Avilés’ debut feature follows Eve, a young maid in a luxurious Mexico City hotel, as she struggles with long hours and monotonous work. THE CHAMBERMAID is the touching story of her ambitions to rise above her current role and find a better life, and of her journey of self-discovery along the way. DIR Lila Avilés. SCR Juan Carlos Marquéz, Lila Avilés. CAST Gabriela Cartol, Teresa Sánchez. Mexico DEAD HORSE NEBULA – Awarded the Locarno Film Festival prize for Best Emerging Director, Tarik Aktas’ feature debut is either a real or imagined childhood memory of adults attempting to remove the body of a dead horse from an open field. This existential fever dream is a transformative experience, a distillation of the extraordinary suspense of day-to-day existence. DIR Tarik Aktas. SCR Tarik Aktas. CAST Barış Mert Bilgi, Ali Yavuz Ilman, Ömer Bora, Serkan Aydın, Dilara Topuklular, Hasan Türker, Mümin Süren, Serkan Özsalgıncı. Turkey DEAD PIGS (海上浮城) – Five lives collide in Cathy Yan’s quirky and comic debut — a bumbling pig farmer, a salon owner battling gentrification, an American ex-pat looking for the Chinese dream, a romantic waiter and a spoiled rich girl. DEAD PIGS sharply examines a contrasting China, where modern culture clashes with the traditional. DIR Cathy Yan. SCR Catha Yan. CAST Vivian Wu, Yang Hao Yu, Mason Lee, Li Meng, David Rysdahl. China THE DIVE (HATZLILA) – Following the death of their father, three estranged brothers — two veterans and one heading off to war — return to their family’s kibbutz to fulfill the patriarch’s final wish, setting off a firestorm of unsettled conflicts and long-buried resentments. DIR Yona Rozenkier. SCR Yona Rozenkier. CAST Yoel Rozenkier, Micha Rozenkier, Yona Rozenkier, Claudia Dulitchi, Miki Marmor, Daniel Sabag, Shmuel Edelman. Israel L’ANIMALE – On the verge of graduation and an uncertain future, a mischievous teenager rails against the societal and familial pressures of her suburban surroundings to seek autonomy in director/writer Katharina Mückstein’s masterfully perceptive and effervescent second feature about finding oneself by embracing the caged beast within and feeding its most insatiable cravings. DIR Katharina Mückstein. SCR Katharina Mückstein. CAST Sophie Stockinger, Kathrin Resetarits, Dominik Warta, Julia Franz Richter, Jack Hofer, Stefan Pohl, Dominic Marcus Singer, Simon Morzé, Eva Herzig, David Oberkogler, Martina Spitzer, Lisa C. Nemec, Johanna Orsini-Rosenberg, Gisela Salcher, Alexandra Schmidt. Austria LEMONADE (LUNA DE MIERE) – Incredible performances and beautiful cinematography herald a bold new voice in Romanian cinema in this tale of a young mother immigrating to America. Mara struggles to navigate the system, in a fight to bring her son a better life that might cost her everything. DIR Ioana Uricaru. SCR Tatiana Ionascu, Ioana Uricaru. CAST Malina Manovici, Steve Bacic, Dylan Scott Smith, Milan Hurduc, Ruxandra Maniu. Romania, Canada, Germany ONE DAY (EGY NAP) – This astounding debut feature follows 24 hours in the life of a harried mother as she navigates family work and betrayal. Anna struggles with kids, work and everyday life — but it’s an unspoken menace that really threatens this family. DIR Zsófia Szilágyi. SCR Zsófia Szilágyi, Réka Mán-Várhegy. CAST Zsófia Szamosi, Leo Füredi, Ambrus Barcza, Zorka Varga-Blaskó, Márk Gárdos, Annamária Láng, Éva Vándor, Károly Hajduk. Hungary RAFIKI – Kena likes to kick around a soccer ball with her boys. Bubbly Ziki likes to dance with her girls. Yet when their paths cross, the two fall in love. Banned in Kenya, Wanuri Kahiu’s gay romance is delightful and full of life. DIR Wanuri Kahiu. SCR Jenna Cato Bass, Wanuri Kahiu. CAST Samantha Mugatsia, Sheila Munyiva, Jimmi Gathu, Nini Wacera, Dennis Musyoka, Patricia Amira. Kenya RAY & LIZ – In this immersive debut, director and photographer Richard Billingham returns to the squalid council flat outside of Birmingham where he and his brother were raised, in a confrontation and reconciliation with parents Ray and Liz. A complex and layered visual inquiry, Billingham’s probing gaze, rich saturated palette and meticulous compositions reveal a surrealistic beauty in memories of poverty. DIR Richard Billingham. SCR Richard Billingham. CAST Ella Smith, Justin Salinger, Patrick Romer, Deirdre Kelly, Tony Way, Sam Gittins, Joshua Millard-Lloyd. UK THE RETURN – In Malene Choi’s formally daring work of docufiction, the temporary residents of KoRoot — a Seoul-based guesthouse for transnational adoptees seeking information on their Korean birth parents — form a unique bond with one another while they each process the intense emotions inherent in their journey of self-discovery. DIR Malene Choi. SCR Sissel Dalsgaard Thomsen. CAST Philip Nicolai Flindt. Denmark, South Korea SIR – When an unexpected romance develops with her upper-class boss, a strong-willed maid in Mumbai finds herself treacherously close to breaking India’s rigid rules of class division. Director/writer Rohena Gera’s debut feature boasts a luminous lead performance by Tillotama Shome. DIR Rohena Gera. SCR Rohena Gera. CAST Vivek Gomber, Tillotama Shome. India, France STYX – Rike (Susanne Wolff) is sailing solo through open Atlantic waters. When she spots a vessel in the distance in a dire situation — a boat, brimming with migrants, is sinking — her voyage crystallizes into a sharp moral dilemma: What is an individual’s personal responsibility when faced with the refugee crisis? DIR Wolfgang Fischer. SCR Ika Kuenzel, Wolfgang Fischer. CAST Susanne Wolff, Gedion Wekesa Oduor. Germany, Austria TEMPORADA – Settling into a new job in an unfamiliar city, Juliana faces life as a single woman while navigating the financial and emotional tightrope walk that is life among Brazil’s working class in this beautiful and engrossing debut feature. DIR André Novais Oliveira. SCR André Novais Oliveira. CAST Grace Passô, Russo Apr, Rejane Faria, Hélio Ricardo. Brazil

    AMERICAN INDEPENDENTS

    THE BIGGEST LITTLE FARM – Filmmaker John Chester documents the eight-year effort of an ambitious, life-changing personal venture: moving out of Los Angeles with his wife and building a diverse, sustainable farm. As the farm’s ecosystem begins to awaken, the couple explores the complexity of coexisting with nature and all its intricacies in this poignant documentary. DIR John Chester. SCR Mark Monroe, John Chester. USA BLOWIN’ UP – BLOWIN’ UP is an intimate portrait of a New York criminal court and the rebel heroines working to change the way women arrested for prostitution are prosecuted. Stephanie Wang-Breal’s essential and fascinating documentary reveals the complex hurdles sex workers must face, and the steadfast efforts of those helping to change their lives. DIR Stephanie Wang-Breal. SCR Stephanie Wang-Breal. USA COMMUNION LOS ANGELES – A dystopian vision of the present, this experimental documentary uses poetic time-lapse photography. An indistinguishable swell of half-audible monologues, radio frequencies and voicemails maintains a decidedly unsettling distance, even as the rhythms of reoccurring highway vistas, flickering street signs and neon-lit strip malls beckon you to fall under its trance. DIR Peter Bo Rappmund, Adam R. Levine. SCR Peter Bo Rappmund, Adam R. Levine. USA FAMILY – When her estranged brother calls in an emergency, workaholic Kate Stone (Taylor Schilling) reluctantly agrees to babysit her tween niece Maddie. Kate’s life quickly spins into chaos as one night turns into a week. She doesn’t think things could get much worse, until she learns Maddie wants to run away from home to join the life of the Juggalos. DIR Laura Steinel. SCR Laura Steinel. CAST Taylor Schilling, Bryn Vale, Brian Tyree Henry, Jessie Ennis, Blair Beeken, Matt Walsh, Allison Tolman, Eric Edelstein, Kate McKinnon, Fabrizio Guido. USA THE GRAND BIZARRE – The debut feature of acclaimed experimental animator Jodie Mack is a playful, eye-popping trip around the world, through its fabrics and textiles and their place in a busy international market: bright swaths of fabric, scarves and rugs dance along shorelines, in airport carousels and clotheslines to the pulse of irresistible pop soundscapes. DIR Jodie Mack. USA THE GREAT PRETENDER – In Nathan Silver’s latest comedy, four New Yorkers intersect within the framework of Mona’s (Maëlle Poesy-Guichard) autobiographical play. Furthering the themes of self-delusion Silver explored in THIRST STREET (2017), the film’s artificial hues of violet, yellow and green visually serve to blur the characters’ real lives with the play they’re all unwittingly performing in. DIR Nathan Silver. SCR Jack Dunphy. CAST Esther Garrel, Keith Poulson, Linas Phillips, Maëlle Poésy. USA HER SMELL – In HER SMELL, Becky Something (Elisabeth Moss) battles addiction and personal demons while trying to maintain her celebrity and creativity as lead musician of a ’90s punk-rock band. Backstage, Becky comes unhinged, bantering maniacally to her bandmates, friends and family as mascara runs down her face. With an uneasy, bass-heavy score and lengthy tracking close-ups, this is a nightmarish, abrasive ride to rock bottom. DIR Alex Ross Perry. SCR Alex Ross Perry. CAST Elisabeth Moss, Cara Delevingne, Dan Stevens, Amber Heard. USA JINN – Being a teenager can already be dramatic. Now add religious conversion, first love, and having to change your favorite pizza topping. When her mother joins a local mosque, Summer is forced to explore whether she too wants to convert to Islam. Nijla Mu’min’s coming-of-age story grows into an exploration of spirituality seen through the eyes of a girl trying to find her place. DIR Nijla Mu’min. SCR Nijla Mu’min. CAST Zoe Renee, Simone Missick, Kelvin Harrison, Jr., Dorian Missick, Hisham Tawfiq and Kelly Jenrette. USA RELAXER – Indie film at its most raw is on display in this latest collaboration between director Joel Potrykus and his actor/muse Joshua Burge as Abbie, whose latest challenge forces him to stay on the couch while Y2K looms large. Lucky for him, there’s plenty of milk. DIR Joel Potrykus. SCR Joel Potrykus. CAST Joshua Burge, David Dastmalchian, Andre Hyland. USA THE WEEKEND – In Stella Meghie’s charming and witty romantic comedy, a comedian (Sasheer Zamata) hauls the baggage of her defunct relationship on a weekend getaway with friends, which happens to include her ex-boyfriend (Tone Bell) and his new girlfriend (DeWanda Wise). DIR Stella Meghie. SCR Stella Meghie. CAST Sasheer Zamata, Tone Bell, DeWanda Wise, Y’Lan Noel, Kym Whitley. USA

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  • Sarajevo Film Festival Announces 2018 Feature Film Competition Program Lineup

    [caption id="attachment_30801" align="aligncenter" width="1200"]LEMONADE LEMONADE[/caption] The Sarajevo Film Festival announced the lineup of its 2018 Feature Film Competition Program.  The lineup includes the World Premieres of ALL ALONE, LOVE 1. DOG, ONE AND A HALF PRINCE and THE PIGEON THIEVES.

    WORLD PREMIERES

    ALL ALONE / SAM SAMCAT Croatia, Netherlands, Serbia, Montenegro, B&H, 2018, 88 min. Director: Bobo Jelčić LOVE 1. DOG / DRAGOSTE 1. CÂINE Romania, Poland, 2018, 103 min. Director: Florin Șerban ONE AND A HALF PRINCE / UN PRINȚ ȘI JUMĂTATE Romania, 2018, 103 min. Director: Ana Lungu THE PIGEON THIEVES / GÜVERCIN HIRSIZLARI Turkey, 2018, 82 min. Director: Osman Doğan

    INTERNATIONAL PREMIERE

    MALI Croatia, 2018, 90 min. Director: Antonio Nuić

    REGIONAL PREMIERES

    ÁGA Bulgaria, Germany, France, 2018, 96 min. Director: Milko Lazarov HORIZON / HORIZONTI Georgia, Sweden, 2018, 105 min. Director: Tinatin Kajrishvili LEMONADE Romania, Canada, Germany, Sweden, 2018, 88 min. Director: Ioana Uricaru ONE DAY / EGY NAP Hungary, 2018, 99 min. Director: Zsófia Szilágyi THE LOAD / TERET Serbia, France, Croatia, Iran, Qatar, 2018, 98 min. Director: Ognjen Glavonić

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  • Provincetown International Film Festival Announces 2018 Lineup, Closes with MAPPLETHORPE

    [caption id="attachment_28780" align="aligncenter" width="1200"]MAPPLETHORPE MAPPLETHORPE[/caption] The Provincetown International Film Festival (PIFF) announced their complete lineup of narrative, documentary and short films for the 20th anniversary edition. The festival will kick off with the New England premiere of WILD NIGHTS WITH EMILY, starring Molly Shannon. Written and directed by Madeleine Olnek, the film is a dramatic comedy about the secret life of Emily Dickinson. Ondi Timoner’s MAPPLETHORPE, starring Matt Smith, has been selected as the Closing Night film. Additionally, acclaimed director Sean Baker will receive the “Filmmaker on the Edge” Award in conversation with John Waters, and actress Chloë Grace Moretz will be on hand to receive the festival’s Next Wave Award; Moretz’s latest film, THE MISEDUCATION OF CAMERON POST, is a Spotlight selection. Said Artistic Director Lisa Viola, “For our 20th anniversary festival, we are absolutely thrilled to present a lineup featuring new work by a group of extraordinarily talented filmmakers, and we are especially proud that all five of our Spotlight films are directed by women!” The Provincetown International Film Festival runs June 13 to 17, 2018 in Provincetown, MA.

    2018 Provincetown International Film Festival Lineup

    OPENING NIGHT

    WILD NIGHTS WITH EMILY – directed by Madeleine Olnek (Wednesday, June 13)

    CLOSING NIGHT

    MAPPLETHORPE – directed by Ondi Timoner (Sunday, June 17)

    SPOTLIGHT SELECTIONS

    THE MISEDUCATION OF CAMERON POST – directed by Desiree Akhavan (Thursday, June 14) AND BREATHE NORMALLY – directed by Ísold Ugadóttir (Friday, June 15) LEAVE NO TRACE – directed by Debra Granik (Saturday, June 16)

    SPECIAL SCREENINGS/EVENTS

    JOHN WATERS PRESENTS: I, OLGA – directed by Petr Kazda, Tomás Weinreb MODERN LOVE LIVE, presented by WBUR and The New York Times at the Provincetown Film Festival (Friday, June 15) FEMALE TROUBLE – directed by John Waters MIDNIGHT COWBOY – directed by John Schlesinger TANGERINE – directed by Sean Baker

    NARRATIVE FEATURES

    1985 – directed by Yen Tan BLINDSPOTTING– directed by Carlos López Estrada THE CAKEMAKER – directed by Ofir Raul Graizer THE CHILDREN ACT – directed by Richard Eyre DON’T WORRY, HE WON’T GET FAR ON FOOT – directed by Gus Van Sant EIGHTH GRADE – directed by Bo Burnham THE GUILTY – directed by Gustav Möller HEARTS BEAT LOUD– directed by Brett Haley A KID LIKE JAKE – directed by Silas Howard LEMONADE – directed by Ioana Uricaru LOVELING – directed by Gustavo Pizzi MADELINE’S MADELINE – directed by Josephine Decker MARIO – directed by Marcel Gisler NIGHT COMES ON – directed by Jordana Spiro PUZZLE – directed by Marc Turtletaub WE THE ANIMALS – directed by Jeremiah Zagar

    DOCUMENTARY FEATURES

    CHEF FLYNN – directed by Cameron Yates DAWNLAND – directed by Adam Mazo, Ben Pender-Cudlip EVERY ACT OF LIFE – directed by Jeff Kaufman A FINE LINE – directed by Joanna James GENERATION WEALTH – directed by Lauren Greenfield THE GOSPEL OF EUREKA – directed by Donal Mosher, Michael Palmieri JOHN McENROE: IN THE REALM OF PERFECTION – directed by Julien Faraut LIFE IN THE DOGHOUSE – directed by Ron Davis McQUEEN – directed by Ian Bonhôte, Peter Ettedgui THE PRICE OF EVERYTHING – directed by Nathaniel Kahn ROBIN WILLIAMS: COME INSIDE MY MIND – directed by Marina Zenovich SCIENCE FAIR – directed by Cristina Costantini, Darren Foster SCOTTY AND THE SECRET HISTORY OF HOLLYWOOD – directed by Matt Tyrnauer THE SENTENCE – directed by Rudy Valdez STUDIO 54 – directed by Matt Tyrnauer THREE IDENTICAL STRANGERS – directed by Tim Wardle TIME FOR ILHAN – directed by Norah Shapiro WESTWOOD: PUNK, ICON, ACTIVIST – directed by Lorna Tucker WYETH – directed by Glenn Holsten

    SHORTS

    AFTER PROM – directed by Nona Schamus BABS – directed by Celine Held & Logan George BECAUSE YOU’RE HERE – directed by Mike Syers BRAINWORM BILLY – directed by Emily Hubley THE DARE PROJECT – directed by Adam Salky, written by David Brind EDWARD HOPPER & MARSHALL’S HOUSE – directed by Bob Burnett FEVAH – directed by Randall Dottin GIRL FRIEND – directed by Chloe Sarbib HEATHER HAS FOUR MOMS – directed by Jeanette L. Buck JUDITH LOVES MARTHA – directed by Anna Gaskell KEEPER – directed by Marnie Crawford Samuelson & Shane Hofeldt KHOL (OPEN) – directed by Faroukh Virani LANDLINE – directed by Matt Houghton THE LAYOVER – directed by Joe Stankus LONESOME WILLCOX – directed by Ryan Maxey & Zack Wright MARGUERITE – directed by Maria Gracia Turgeon MAUDE – directed by Anna Margaret Hollyman MEN DON’T WHISPER – directed by Jordan Firstman MOTHER MOTHER – directed by Robert Machoian & Rodrigo Ojeda-Beck NEGATIVE SPACE – directed by Ru Kuwahata & Max Porter NEUTRAL – directed by Nathan Barnatt PAID FOR BY – EPISODE 2 – DIANE BUSCH’S WOMEN’S ISSUE AD – directed by Dawn Smith SET ME AS A SEAL UPON THINE HEART – directed by Omer Tobi SHE IS JUICED: SLICE ONE – JO HAY – directed by Lois Norman SLEEPOVER – directed by Jimi Vall Peterson SUPER 8 DAZE – directed by Rob Hampton & John Morgan WOULD YOU LOOK AT HER – directed by Goran Stolevski WORLD OF TOMORROW EPISODE 2: THE BURDEN OF OTHER PEOPLE’S THOUGHTS –directed by Don Herzfeldt WREN BOYS – directed by Harry Lighton

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  • 2018 Tribeca Film Festival Unveils Feature Film Lineup + Closes with World Premiere of “The Fourth Estate”

    [caption id="attachment_27371" align="aligncenter" width="1200"]The Fourth Estate The Fourth Estate[/caption] The 2018 Tribeca Film Festival revealed its feature film lineup championing the discovery of emerging voices and celebrating new work from established filmmaking talent. To close the Festival, Tribeca will World Premiere The Fourth Estate, from Oscar®-nominated director Liz Garbus, which follows The New York Times’ coverage of the Trump administration’s first year. The Centerpiece Gala will be the World Premiere of Drake Doremus’ sci-fi romance Zoe starring Ewan McGregor, Léa Seydoux, Rashida Jones, and Theo James. The 2018 Tribeca Film Festival takes place April 18-29. The 2018 feature film program includes 96 films from 103 filmmakers. Of the 96 films, 46% of them are directed by women, the highest percentage in the Festival’s history. The lineup includes 75 World Premieres, 5 International Premieres, 9 North American Premieres, 3 U.S. Premieres, and 4 New York Premieres from 27 countries. This year’s program includes 46 first time filmmakers, with 18 directors returning to the Festival with their latest feature film projects. Tribeca’s 2018 slate was programmed from more than 8,789 total submissions. Fifty-one narratives and 45 documentaries will debut over the course of the 12-day festival. The Competition section features 12 documentaries, 10 U.S. narratives and 10 international narratives; 14 Spotlight Narratives, 15 Spotlight Documentaries; 5 Midnight, 16 Viewpoints selections; and 11 Special Screenings. The films in competition will compete for cash prizes totaling $165,000, as well as artwork from the Artists Awards program, offering work from acclaimed contemporary artists in select categories. One of the first awards to honor excellence in storytelling by a female writer or director, the 6th annual Nora Ephron Award, presented by CHANEL, will award a $25,000 prize to a woman who embodies the spirit and boldness of the late filmmaker. This year’s Tribeca/ESPN Sports Film Festival, sponsored by Mohegan Sun, includes 5 documentaries and 1 narrative feature film, as well as a shorts program and more to be announced. The 2018 film selections are as follows:

    CENTERPIECE:

    Zoe, directed by Drake Doremus, written by Richard Greenberg. Produced by Kevin Walsh, Michael Pruss, Drake Doremus, Robert George. (USA) – World Premiere, Feature Narrative. In a future world where cutting-edge technologies can simulate the high of true love, two colleagues at a revolutionary research lab yearn for a connection that’s real. With Léa Seydoux, Ewan McGregor, Christina Aguilera, Rashida Jones, Theo James, Miranda Otto, Matthew Gray Gubler, Anthony Shim

    CLOSING NIGHT:

    The Fourth Estate, directed by Liz Garbus. Produced by Jenny Carchman, Liz Garbus, Justin Wilkes (USA) – World Premiere, Documentary. For the journalists at The New York Times, the election of Donald Trump presented a once in a generation challenge in how the press would cover a president who has declared the majority of the nation’s major news outlets “the enemy of the people.” Oscar-nominated filmmaker Liz Garbus witnessed the inner workings of journalism and investigative reporting from the front lines during this administrations’ first history-making year. A Showtime release After the movie: A conversation with The New York Times Executive Editor Dean Baquet, Washington Bureau Chief Elisabeth Bumiller, White House Correspondent Maggie Haberman, Washington Investigative Correspondent Mark Mazzetti, and director Liz Garbus.

    U.S. NARRATIVE COMPETITION

    All About Nina, directed and written by Eva Vives. Produced by Eric B. Fleischman, Sean Tabibian, Natalie Qasabian, Eva Vives. (USA) – World Premiere. Nina Geld’s passion and talent have made her a rising star in the comedy scene, but she’s an emotional mess offstage. When a new professional opportunity coincides with a romantic one, she is forced to reckon with the intersection of her life and her art. With Mary Elizabeth Winstead, Common, Chace Crawford, Clea DuVall, Kate del Castillo, Beau Bridges. Diane, directed and written by Kent Jones. Produced by Luca Borghese, Ben Howe, Caroline Kaplan, Oren Moverman. (USA) – World Premiere. Diane is a devoted friend and caretaker, particularly to her drug-addicted son. But as those around her begin to drift away in the last quarter of her life, she is left to reckon with past choices and long-dormant memories in this haunting character study. With Mary Kay Place, Jake Lacy, Estelle Parsons, Andrea Martin, Deirdre O’Connell, Glynis O’Connor, Phyllis Somerville, Joyce Van Patten. Duck Butter, directed by Miguel Arteta, written by Miguel Arteta, Alia Shawkat. Produced by Mel Eslyn, Natalie Qasabian. (USA) – World Premiere. Two women, jaded by dishonest and broken relationships, make a pact to spend 24 uninterrupted hours together, having sex on the hour. Their romantic experiment intends to create a new form of intimacy, but it doesn’t quite go as planned. With Alia Shawkat, Laia Costa, Hong Chau, Kate Berlant, Kumail Nanjiani, Mark Duplass, Jay Duplass, Lindsay Burdge. A release from The Orchard. Ghostbox Cowboy, directed and written by John Maringouin. Produced by Molly Lynch, John Maringouin, John Montague, George Rush, Sean Gillane. (USA, China) – World Premiere. In this darkly comedic morality tale, tech entrepreneur Jimmy Van Horn arrives in China armed with an invention and confidence, only to learn that being American is not enough to succeed. With David Zellner, Robert Longstreet, Johnny Robichaux, Vincent Xie, Carrie Gege Zhang. Little Woods, directed and written by Nia DaCosta. Produced by Rachael Fung, Gabrielle Nadig. (USA) – World Premiere. In this dramatic thriller set in the fracking boomtown of Little Woods, North Dakota, two estranged sisters are driven to extremes when their mother dies, leaving them with one week to pay back her mortgage. With Tessa Thompson, Lily James, Luke Kirby, James Badge Dale, Lance Reddick. Maine, directed and written by Matthew Brown. Produced by Summer Shelton, Michael B. Clark, Alex Turtletaub. (USA) – World Premiere. A married woman’s journey of self-discovery and introspection while solo-hiking the Appalachian Trail ends up sidetracked when she encounters a lone hiker. With Laia Costa, Thomas Mann. Mapplethorpe, directed and written by Ondi Timoner. Produced by Eliza Dushku, Nathaniel Dushku, Richard J. Bosner, Ondi Timoner. (USA) – World Premiere. In the late 1960s, art-school dropout Robert Mapplethorpe moves into the Chelsea Hotel with dreams of stardom. He quickly becomes the enfant terrible of the photography world as the downtown counterculture of 1970s New York reaches its zenith. With Matt Smith, Marianne Rendón, John Benjamin Hickey, Brandon Sklenar, McKinley Belcher III, Mark Moses. O.G., directed by Madeleine Sackler, written by Stephen Belber. Produced by Madeleine Sackler, Boyd Holbrook. (USA) – World Premiere. An inmate entering the final weeks of a twenty-plus-year sentence must navigate between old loyalties and a new protégé, while he also grapples with the looming uncertainty of his return to life outside bars. With Jeffrey Wright, William Fichtner, Theothus Carter, Mare Winningham, Boyd Holbrook, David Patrick Kelly. Song of Back and Neck, directed and written by Paul Lieberstein. Produced by Paul Lieberstein, Jennifer Prediger, Kim Leadford. (USA) – World Premiere. A hapless man seeking treatment for his crippling back pain discovers a very unusual talent and unexpected love in this inventive romantic comedy from writer-director-star Paul Lieberstein (The Office). With Paul Lieberstein, Rosemarie DeWitt, Clark Duke, Brian d’Arcy James, Robert Pine, Paul Feig. State Like Sleep, directed and written by Meredith Danluck. Produced by Eddie Vaisman, Julia Lebedev, Angel Lopez. (USA) – World Premiere. Following the death of her husband, Katherine travels to Brussels, where a few loose ends become a whole web of secrets as she untangles her late spouse’s mysterious last days alive. With Katherine Waterston, Michael Shannon, Luke Evans, Michiel Huisman, Mary Kay Place.

    DOCUMENTARY COMPETITION

    Blowin’ Up, directed and written by Stephanie Wang-Breal. Produced by Carrie Weprin. (USA) – World Premiere. In a courtroom in Queens, women facing prostitution charges may earn a chance at redemption thanks to an experimental program established by a team of rebel heroines working to change the system. Call Her Ganda, directed by PJ Raval, written by PJ Raval, Victoria Chalk. Produced by PJ Raval, Lisa Valencia-Svensson, Marty Syjuco, Kara Magsanoc-Alikpala. (USA, Philippines) – World Premiere. When a transgender Filipina woman is found dead in the motel room of a U.S. Marine, grassroots activists demand accountability. The ensuing case lays bare a constellation of social and political tensions between the United States and the Philippines. Island of the Hungry Ghosts, directed and written by Gabrielle Brady. Produced by Alexander Wadouh, Samm Haillay, Alex Kelly, Gizem Acarla, Gabrielle Brady. (Australia, Germany, UK) – World Premiere. Christmas Island, Australia is home to one of the largest land migrations on earth—that of forty million crabs journeying from jungle to sea. But the jungle holds another secret: a high-security facility that indefinitely detains individuals seeking asylum. The Man Who Stole Banksy, directed by Marco Proserpio, written by Marco Proserpio, Filippo Perfido, Christian Omodeo. Produced by Marco Proserpio, Filippo Perfido. (Italy) – World Premiere. In 2007, the anonymous graffiti artist Banksy painted a series of political works around Palestine, only to have them cut down and sold off to the highest bidder. A stylish examination of public space and the commodification of street art, narrated by Iggy Pop. Momentum Generation, directed and written by Jeff Zimbalist, Michael Zimbalist. Produced by Jeff Zimbalist, Michael Zimbalist, Colby Gottert, Greg Little, Justine Chiara, Karen Lauder, Laura Michalchyshyn, Lizzie Friedman, Tina Elmo. (USA) – World Premiere. In the 1990s, a motley band of teen surfers from the north shore of Oahu brought professional surfing to new heights. But as their stars rose, the competition threatened to tear their group apart. With Kelly Slater, Rob Machado, Shane Dorian, Taylor Knox, Benji Weatherley, Kalani Robb, and Ross Williams. No Greater Law, directed by Tom Dumican, written by Tom Dumican, Jesse Lichtenstein. Produced by Jesse Lichtenstein. (UK, USA) – World Premiere. In Idaho’s rugged Treasure Valley, the Followers of Christ believe in God, family, and faith healing. As an investigation into the community’s high infant mortality rate closes in on the church, one patriarch fights for his right to his faith. An A&E release. Phantom Cowboys, directed by Daniel Patrick Carbone. Produced by Ryan Scafuro, Annie Waldman, Daniel Patrick Carbone. (USA) – World Premiere. This searing documentary, which spans nearly a decade, is a meditation on youth, tradition, and the evolving hopes and dreams of modern adolescents in the forgotten industrial towns across America. The Rachel Divide, directed by Laura Brownson, written by Laura Brownson, Jeff Gilbert. Produced by Laura Brownson, Bridget Stokes, Khaliah Neal. (USA) – World Premiere. Rachel Dolezal became infamous when she was unmasked as a white woman passing for black so thoroughly that she had become the head of her local N.A.A.C.P. chapter. This portrait cuts through the very public controversy to reveal Dolezal’s motivations. A Netflix release. Tanzania Transit, directed by Jeroen van Velzen, written by Jeroen van Velzen, Esther Eenstroom. Produced by Digna Sinke. (Netherlands) – World Premiere. A train journey across Tanzania captures a microcosm of contemporary African society in Tribeca alum Jeroen van Velzen’s captivating and visually stunning road movie. United Skates, directed and produced by Dyana Winkler, Tina Brown. (USA) – World Premiere. Credited with incubating East Coast hip-hop and West Coast rap, America’s roller rinks have long been bastions of regional African-American culture, music, and dance. As rinks shutter across the country, a few activists mount a last stand. When Lambs Become Lions, directed by Jon Kasbe. Produced by Jon Kasbe, Innbo Shim, Tom Yellin, Andrew Harrison Brown. (USA) – World Premiere. In the Kenyan bush, a crackdown on ivory poaching forces a silver-tongued second-generation poacher to seek out an unlikely ally in this fly-on-the-wall look at both sides of the conservation divide. Yellow is Forbidden, directed and written by Pietra Brettkelly. Produced by Pietra Brettkelly, Richard Fletcher, Naomi Wallwork. (New Zealand) – World Premiere. Celebrated Chinese couturier Guo Pei is perhaps best known for designing the brilliant gold gown Rihanna wore to the Met Ball in 2015. But Guo’s quest to be recognized by the gatekeepers of Paris haute couture goes beyond the red carpet and taps into global power dynamics and the perpetual tension between art and commerce.

    INTERNATIONAL NARRATIVE COMPETITION

    Amateurs (Amatörer), directed by Gabriela Pichler, written by Jonas Hassen Khemiri, Gabriela Pichler. Produced by Anna-Maria Kantarius. (Sweden) – North American Premiere. In this irresistibly charming social comedy, local officials, in a bid to lure a superstore chain to their quiet hamlet, set about producing a promotional video about their town—only to find themselves disrupted at every turn by two teens making their own rival film. With Fredrik Dahl, Yara Ebrahim, Zahraa Aldoujaili. Dry Martina, directed and written by Che Sandoval. Produced by Florencia Larrea, Gregorio González, Hernán Musaluppi, Natacha Cervi. (Chile, Argentina) – International Premiere. Passion and obsession mingle in this fresh comedy about an aging pop star who takes off to pursue a lover, and, while she’s at it, a better sense of self. With Antonella Costa, Patricio Contreras, Geraldine Neary, Pedro Campos, Héctor Morales. Lemonade (Luna de Miere), directed by Ioana Uricaru, written by Ioana Uricaru, Tatiana Ionașcu. Produced by Cristian Mungiu, Yanick Létourneau, Eike Goreczka, Christoph Kukula, Sean Wheelan, Anthony Muir. (Romania, Canada, Germany, Sweden) – International Premiere. Mara hopes to move her son from Romania to the U.S. and obtain a green card. But bureaucratic processes give way to authoritarian nightmares in this simmering social drama about American immigration and the institutional corruption of power. With Mălina Manovici, Steve Bacic, Dylan Scott Smith, Milan Hurduc, Ruxandra Maniu. The Night Eats the World (La nuit a dévoré le monde), directed and written by Dominique Rocher. (France) – North American Premiere. Following one hell of a party, Sam wakes up to the worst-ever morning after—blood-stained walls, an empty apartment building, and Parisian streets filled with the living dead. Even worse, he’s all alone. With Anders Danielsen Lie, Golshifteh Farahani, Denis Lavant. Obey, directed and written by Jamie Jones. Produced by Emily Jones, Ross Williams. (UK) – World Premiere. In the midst of the 2011 London riots, Leon grapples with the stark reality of his life and his relationship with his alcoholic mother while falling in love for the first time. With Marcus Rutherford, Sophie Kennedy Clark, Sam Gittens, T’Nia Miller, Jay Walker. The Party’s Just Beginning, directed and written by Karen Gillan. Produced by Mali Elfman, Andru R. Davies, Claire Mundell. (Scotland) – International Premiere. Lucy is a sharp-witted, foul-mouthed, heavy-drinking twenty-something who is still reeling from a recent loss. This surreal coming-of-age tale is a love letter to Gillan’s hometown in the Scottish Highlands. With Karen Gillan, Lee Pace, Matthew Beard, Paul Higgins, Siobhan Redmond, Jamie Quinn, Rachel Jackson. The Saint Bernard Syndicate, directed by Mads Brugger, written by Lærke Sanderhoff. Produced by Emilie Lebech Kaae, Jakob Kirstein Høgel. (Denmark) – World Premiere. Subversive satirist Mads Brugger’s latest is an odd-couple comedy about the pitfalls of striking out into the economic frontier; it charts two hapless Danes’ scheme to sell Saint Bernards to China’s middle class. Smuggling Hendrix, directed and written by Marios Piperides. Produced by Janine Teerling, Marios Piperides, Thanassis Karathanos, Martin Hampel, Costas Lambropoulos. (Cyprus) – World Premiere. Though caught between the mob and border patrol, washed-up musician Yiannis must put his plans to leave Cyprus on hold his when his beloved dog escapes across the wall to the island’s Turkish side. With Adam Bousdoukos, Fatih Al, Vicky Papadopoulou, Özgür Karadeniz. Sunday’s Illness (La Enfermedad del Domingo), directed by Ramón Salazar Hoogers, written by Ramón Salazar Hoogers. Produced by Francisco Ramos. (Spain) – North American Premiere. After Anabel hosts an opulent dinner, she is confronted by Chiara, the daughter she abandoned decades earlier. Chiara arrives with just one request: that she and her mother spend ten days together. With Barbara Lennie, Susi Sanchez. Virgins (Vierges), directed by Keren Ben Rafael, written by Keren Ben Rafael, Elise Benroubi. Produced by Caroline Bonmarchand. (France, Israel, Belgium) – World Premiere. Teenage Lana is languishing in her run-down hometown on Israel’s sun-soaked north coast—until an older, attractive writer arrives with tales of a mermaid sighting off the shore of the declining resort town. With Joy Rieger, Evgenia Dodina, Michael Aloni, Manuel Elkaslassy Vardi, Rami Heuberger.

    SPOTLIGHT NARRATIVE

    All These Small Moments, directed and written by Melissa Miller Costanzo. Produced by Lauren Avinoam, Jed Mellick, Katie Leary. (USA) – World Premiere. Howie Sheffield is at a turning point. As he watches his parents’ relationship crumbling, he becomes infatuated with Odessa, a woman he sees each day on the bus ride to school. With Brendan Meyer, Jemima Kirke, Molly Ringwald, Brian d’Arcy James, Sam McCarthy, Harley Quinn Smith. Back Roads, directed by Alex Pettyfer, written by Tawni O’Dell, Adrian Lyne. Produced by Craig Robinson, Michael Ohoven, Ashley Mansour, Alex Pettyfer, Jake Seal, Dan Spilo. (USA) – World Premiere. A young man cares for his sisters after their mother is imprisoned for murdering their abusive father. When he strikes up an affair with a married woman, long-dormant family secrets bubble to the surface in this noir thriller. With Alex Pettyfer, Jennifer Morrison, Nicola Peltz, June Carryl, Juliette Lewis. Blue Night, directed by Fabien Constant, written by Laura Eason. Produced by Andrea Iervolino, Monika Bacardi, Sarah Jessica Parker, Alison Benson. (USA) – World Premiere. A devastating diagnosis sends a famous singer reeling through the streets of New York City in this French New Wave-inspired drama. With Sarah Jessica Parker, Simon Baker, Jacqueline Bisset, Common, Taylor Kinney, Renée Zellweger, Waleed Zuaiter. Daughter of Mine (Figlia mia), directed by Laura Bispuri, written by Francesca Manieri, Laura Bispuri. Produced by Marta Donzelli, Gregorio Paonessa, Maurizio Totti, Alessandro Usai, Viola Fügen, Michael Weber, Dan Wechsler. (Italy, Germany, Switzerland) – North American Premiere. On the windswept coast of Sardinia, two women compete for the affections of 10-year old Vittoria: her troubled, alcoholic birth mother Angelica and her doting adoptive mother Tina. With Valeria Golino, Alba Rohrwacher, Sara Casu, Udo Kier, Michele Carboni. Disobedience, directed by Sebastian Lelio, written by Sebastián Lelio, Rebecca Lenkiewicz. Produced by Frida Torresblanco, Ed Guiney, Rachel Weisz. (UK) – U.S. Premiere. After the death of her estranged rabbi father, a New York photographer returns to the Orthodox Jewish community in North London where she grew up and, in doing so, reignites long-dormant passions and controversies. With Rachel Weisz, Rachel McAdams, Alessandro Nivola. A Bleecker Street release. Egg, directed by Marianna Palka, written by Risa Mickenberg. Produced by Michele Ganeless, Alysia Reiner, David Alan Basche. (USA) – World Premiere. In provocateur Marianna Palka’s sharp and unflinching satire, two couples and a surrogate lay bare the complications, contradictions, heartbreak, and absurdities implicit in how we think about motherhood. With Christina Hendricks, Anna Camp, Alysia Reiner, David Alan Basche, Gbenga Akinnagbe. In a Relationship, directed and written by Sam Boyd. Produced by Jorge Garcia Castro, David Hunter, Ross Putman. (USA) – World Premiere. Long-term couple Owen and Hallie are breaking up—or maybe not?—and just as their relationship reaches a turning point, Matt and Willa embark on a romance of their own. A funny and deeply felt chronicle of one summer in the lives of two couples in Los Angeles. With Emma Roberts, Michael Angarano, Dree Hemingway, Patrick Gibson, Jay Ellis, Melora Walters. Jonathan, directed by Bill Oliver, written by Peter Nickowitz, Bill Oliver, Gregory Davis. Produced by Randy Manis, Ricky Tollman. (USA) – World Premiere. Jonathan is a young man with a strange condition that only his brother understands. But when he begins to yearn for a different life, their unique bond becomes increasingly tested in this twisty sci-fi drama. With Ansel Elgort, Suki Waterhouse, Patricia Clarkson. Mary Shelley, directed by Haifaa Al Mansour, written by Emma Jensen. Produced by Amy Baer, Alan Moloney, Ruth Coady. (Ireland, UK, Luxembourg, USA) – U.S. Premiere. The story of Mary Wollstonecraft Godwin’s whirlwind romance with the tempestuous poet Percy Shelley, a romance that led to her creation of one of the most enduring works of gothic literature before the age of 20: Frankenstein. With Elle Fanning, Douglas Booth, Bel Powley, Joanne Froggatt, Tom Sturridge, Maisie Williams. An IFC release. The Miseducation of Cameron Post, directed by Desiree Akhavan, written by Desiree Akhavan, Cecilia Frugiuele. Produced by Michael B. Clark, Alex Turtlelaub, Cecilia Frugiuele, Jonathan Montepare. (USA) – New York Premiere. After Cameron is caught making out with another girl on prom night, her conservative guardians send her to gay conversion therapy. There, she forges an unlikely community with her fellow teens in this Sundance-winning coming of age story. With Chloë Grace Moretz, Sasha lane, Forrest Goodluck, John Gallagher Jr., Jennifer Ehle. Nico, 1988, directed and written by Susanna Nicchiarelli. Produced by Marta Donzelli, Gregorio Paonessa, Joseph Rouschop, and Valérie Bournonville. (Italy, Belgium) – North American Premiere. This whirlwind road movie follows the final months on tour of the singer-songwriter Nico, one-time Warhol superstar and Velvet Underground vocalist. With Trine Dyrholm, John Gordon Sinclair, Anamaria Marinca, Sandor Funtek, Thomas Trabacchi, Karina Fernandez, Calvin Demba. A Magnolia release. The Seagull, directed by Michael Mayer, written by Stephen Karam. Produced by Jay Franke, David Herro, Robert Salerno, Tom Hulce, Leslie Urdang. (USA) – World Premiere. A sumptuous adaptation of the classic Chekhov play transports the audience to a picturesque lakeside estate, where a love triangle unfolds between the legendary diva Irina, her lover Boris, and the ingénue Nina. With Annette Bening, Saoirse Ronan, Corey Stoll, Elisabeth Moss, Mare Winningham, Jon Tenney, Glenn Fleshler, Michael Zegen, Billy Howle, Brian Dennehy. A Sony Pictures Classic release. Stockholm, directed and written by Robert Budreau. Produced by Nicholas Tabarrok, Robert Budreau, Jonathan Bronfman. (Canada, Sweden, USA) – World Premiere. In 1973, an unhinged American outlaw walked into a bank in Sweden demanding millions in cash in exchange for his hostages. The events that followed would capture the attention of the world and ultimately give a name to a new psychological phenomenon: Stockholm syndrome. With Ethan Hawke, Noomi Rapace, Mark Strong, Christopher Heyerdahl, Bea Santos, Thorbjorn Harr. Untogether, directed and written by Emma Forrest. Produced by Scott LaStaiti, Luke Daniels, Brandon Hogan. (USA) – World Premiere. Former writing prodigy Andrea tries not to fall for her one-night stand, while her sister Lisa throws herself into a newfound religious zeal (and the arms of her charismatic rabbi) to avoid the truth about her current relationship in this multi-character romantic drama. With Jamie Dornan, Jemima Kirke, Lola Kirke, Ben Mendelsohn, Billy Crystal, Alice Eve, Jennifer Grey, Scott Caan.

    SPOTLIGHT DOCUMENTARY

    Bethany Hamilton: Unstoppable, directed by Aaron Lieber, written by Aaron Lieber, Carol Martori. Produced by Penny Edmiston, Jane Kelly Kosek. (USA) – World Premiere. One of the most fearless and accomplished athletes of her generation, Bethany Hamilton became a surfing wunderkind when she returned to the sport following a devastating shark attack at age 13. As she continues to chase waves she also now tackles motherhood. Also playing as part of the Tribeca/ESPN Sports Film Festival. The Bleeding Edge, directed by Amy Ziering, Kirby Dick. Produced by Kirby Dick, Amy Ziering. (USA) – World Premiere. Each year in the United States, unparalleled innovations in medical diagnostics, treatment, and technology hit the market. But when the same devices designed to save patients end up harming them, who is accountable? A Netflix release. General Magic, directed by Matthew Maude, Sarah Kerruish, written by Matt Maude, Sarah Kerruish, Jonathan Keys. Produced by Matt Maude, Sarah Kerruish. (UK, USA) – World Premiere. A Silicon Valley startup built by the best and brightest minds of the 1980s tech world, General Magic shipped the first handheld wireless personal communicator in 1994. It was decades ahead of its time—and a complete failure. With Tony Fadell, Marc Porat, Andy Hertzfeld, Megan Smith, Joanna Hoffman, Kevin Lynch. House Two, directed and written by Michael Epstein. Produced by Michael Epstein, Tony Wood. (USA) – World Premiere. In 2005, a group of U.S. Marines killed 24 unarmed Iraqi men, women, and children in a matter of minutes, sparking the largest criminal investigation in Marine Corps history. House Two delves into that investigation and the ensuing court proceedings, all the way up to the case’s shocking conclusion. Howard, directed and written by Don Hahn. Produced by Don Hahn, Lori Korngiebel. (USA) – World Premiere. Howard Ashman, the once-in-a-generation songwriting talent, penned the lyrics for Little Shop of Horrors and revitalized Disney with his work on The Little Mermaid, Beauty and the Beast, and Aladdin. Howard is a tribute to the lyricist and to the power of musical storytelling. With Howard Ashman, Alan Menken, Jeffrey Katzenberg, Bill Lauch, Sarah Gillespie, Peter Schneider. Into the Okavango, directed by Neil Gelinas, written by Neil Gelinas, Brian Newell. Produced by Neil Gelinas. (USA) – World Premiere. Botswana’s Okavango Delta is one of the planet’s last remaining true wildernesses, but studies have shown it is shrinking. A group of intrepid scientists embark on a four-month, 1500-mile journey upriver to the Okavango’s source to investigate why. A National Geographic release McQueen, directed Ian Bonhôte, Peter Ettedgui, written by Peter Ettedgui. Produced by Ian Bonhôte, Andee Ryder, Nick Taussig, Paul Van Carter. Legendary couturier Alexander McQueen’s rags to riches story is vividly brought to life by his closest friends and family, and through his revolutionary body of work, as inspired, tortured, and visionary as the man himself. A Bleecker Street release Roll Red Roll, directed by Nancy Schwartzman. Produced by Nancy Schwartzman, Jessica Devaney, Steven Lake. (USA) – World Premiere. At a 2012 pre-season high-school football party in Steubenville, Ohio, a young woman was raped. The aftermath exposed an entire culture of complicity—and Roll Red Roll maps out the roles that peer pressure, denial, sports machismo, and social media each played in the tragedy. Also playing as part of the Tribeca/ESPN Sports Film Festival. Ryuichi Sakamoto: Coda, directed and written by Stephen Nomura Schible. Produced by Eric Nyari, Yoshiko Hashimoto, Stephen Nomura Schible. (USA) – North American Premiere. Ryuichi Sakamoto has had a prolific career spanning over four decades, from techno-pop stardom to Oscar-winning film composer. Coda offers an intimate portrait of a legendary artist and a passionate activist. Say Her Name: The Life and Death of Sandra Bland, directed by Kate Davis, David Heilbroner. Produced by David Heilbroner, Kate Davis. (USA) – World Premiere. Sandra Bland was a bright, energetic activist whose life was cut short when a traffic stop resulted in a mysterious jail cell death just three days later. Say Her Name follows the two-year battle to uncover the truth. An HBO release. Serengeti Rules, directed and written by Nicolas Brown. Produced by David Allen. (UK) – World Premiere. A band of young scientists discover a radical new theory of the natural world—one that could help confront some of the biggest environmental challenges of our time. Songwriter, directed and written by Murray Cummings. Produced by Kimmie Kim. (UK) – North American Premiere. Songwriter is an intimate immersion into the intense and collaborative process that created Ed Sheeran’s chart-topping album, ÷. Studio 54, directed by Matt Tyrnauer. Produced by Matt Tyrnauer, Corey Reeser, John Battsek. (USA) – New York Premiere. In 1977, Studio 54 and its founders, Ian Schrager and Steve Rubell, epitomized New York hedonism. But by, 1979 the fantasy was over—and Studio 54 goes inside that meteoric rise and catastrophic fall. With Steve Rubell, Ian Schrager, Nile Rodgers, Norma Kamali, Karin Bacon, Myra Scheer. An A&E release. Time for Ilhan, directed by Norah Shapiro. Produced by Jennifer Steinman Sternin, Chris Newberry, Norah Shapiro. (USA) – World Premiere. In November 2016, Ilhan Omar made history as the first Somali Muslim woman to be elected for state office in America. Time for Ilhan offers an inspiring look at her campaign and the changing face of American politics. Tiny Shoulders: Rethinking Barbie, directed and written by Andrea Nevins. Produced by Cristan Crocker, Andrea Nevins. (USA) – World Premiere. Since her debut nearly 60 years ago, Barbie has been at turns a fashion idol and a cultural lightning rod. Tiny Shoulders steps behind the scenes as the icon undergoes her greatest reinvention yet. With Kim Culmone, Michelle Chidoni, Gloria Steinem, Roxane Gay, Peggy Orenstein. A Hulu release.

    VIEWPOINTS

    Charm City, directed by Marilyn Ness, written by Marilyn Ness, Don Bernier. Produced by Katy Chevigny. (USA) – World Premiere, Feature Documentary. Charm City takes viewers beyond the television headlines and over the front lines of violence in Baltimore; in doing so, it reveals the grit and compassion of the city’s citizens, police, and government officials trying to reclaim their future. Crossroads, directed by Ron Yassen. Produced by Lauren Griswold. (USA) – World Premiere, Feature Documentary. Despite never having played the game before, a group of underprivileged teens emerge as a talented lacrosse team under the tutelage of Coach Bobby Selkin in this inspiring documentary. An ESPN Films release. Also playing as part of the Tribeca/ESPN Sports Film Festival. Dead Women Walking, directed and written by Hagar Ben-Asher. Produced by Clara Levy, Lorne Hiltser, Michael M. McGuire. (USA) – World Premiere, Feature Narrative. Nine vignettes depict the stages leading to execution for women on death row in this emotional account of the human toll of the death penalty—on both the inmates and those they encounter in their final hours. With Dale Dickey, Dot Marie Jones, Lynn Collins, Colleen Camp, June Carryl, and Ashton Sanders. The Elephant and the Butterfly (Drôle de Père), directed and written by Amélie van Elmbt. Produced by Adrienne D’Anna, Delphine Tomson. (Belgium, France) – North American Premiere, Feature Narrative. When her babysitter doesn’t show, a single mother is forced to leave her precocious five-year-old daughter with the girl’s estranged father for a long weekend in this heartfelt drama executive produced by Martin Scorsese and the Dardenne Brothers. With Isabelle Barth, Thomas Blanchard, Judith Chemla, Alice de Lencquesaing, Lina Doillon. The Feeling of Being Watched, directed and written by Assia Boundaoui. Produced by Jessica Devaney, Assia Boundaoui. (USA) – World Premiere, Feature Documentary. Journalist Assia Bendaoui sets out to investigate long-brewing rumors that her quiet, predominantly Arab-American neighborhood was being monitored by the FBI—and in the process, she exposes a surveillance program on a scale no one could have imagined. The Great Pretender, directed by Nathan Silver, written by Jack Dunphy. Produced by Matt Grady, Danelle Eliav, Nathan Silver, Jack Dunphy, Jere B Ford. (USA) – World Premiere, Feature Narrative. The lives of a French theater director, her ex-boyfriend, and the two actors playing them intersect dramatically in this tangled and darkly funny roundelay set in the New York theater world. With Esther Garrel, Keith Poulson, Maelle Poesy, Linas Phillips. Home + Away, directed by Matt Ogens. Produced by Todd Makurath, Luke Ricci, Nathaniel Greene, Matt Ogens, Nina Chaudry. (USA) – World Premiere, Feature Documentary. For the mostly Mexican-American students of El Paso’s Bowie High School, sports can offer a path to a better life. Home + Away follows three students as they pursue that route in search of success. Also playing as part of the Tribeca/ESPN Sports Film Festival. Jellyfish, directed by James Gardner, written by James Gardner, Simon Lord. Produced by James Gardner, Nikolas Holttum. (UK) – World Premiere, Feature Narrative. Sarah Taylor’s hardscrabble life has turned her into a teenage terror. When her drama teacher helps her channel her ferocious wit into comedy, her life’s delicate balance is set on a collision course with her newfound passion. With Liv Hil, Sinéad Matthews, Cyril Nri, Angus Barnett. Kaiser: The Greatest Footballer Never To Play Football, directed by Louis Myles, written by Louis Myles, Ivor Baddiel. Produced by Louis Myles, Tom Markham. (UK, Brazil) – World Premiere, Feature Documentary. Soccer stars were at the center of the scene in the glamorous nightlife meccas of 1980s Brazil. But in their midst, one of the biggest sports celebrities of his generation harbored a secret: He had never played a single game. With Carlos Henrique Raposo, Carlos Alberto Torres, Zico, Bebeto, Renato Gaúcho, Ricardo Rocha. Also playing as part of the Tribeca/ESPN Sports Film Festival. M, directed and written by Sara Forestier. Produced by Hugo Selignac. (France) – North American Premiere, Feature Narrative. Written by, directed by, and starring César Award winner Sara Forestier, this steamy drama explores the passionate relationship between a girl with a crippling speech impediment and an undereducated drag racer. With Sara Forestier, Redouanne Harjane, Jean-Pierre Léaud, Liv Andren. Presented in partnership with Venice Days. The Proposal, directed by Jill Magid. Produced by Jarred Alterman, Laura Coxson, Charlotte Cook. (USA) – World Premiere, Feature Documentary. When artist-turned-filmmaker Jill Magid learns that the archives of Mexico’s most famous architect are being held in a private collection, she devises a radical plan to return his legacy to the public. Satan & Adam, directed by V. Scott Balcerek, written by V. Scott Balcerek, Ryan Suffern. Produced by Frank Marshall, Ryan Suffern. (USA) – World Premiere, Feature Documentary. One was a demon on guitar; the other was fresh out of school and no slouch on harmonica. Satan & Adam is a rousing celebration of the blues that comprises documentary footage shot over the course of two decades. With Sterling Magee, Adam Gussow, The Edge, Rev. Al Sharpton, Harry Shearer, Quint Davis. Slut in a Good Way, directed by Sophie Lorain, written by Catherine Léger. Produced by Martin Paul-Hus. (Canada) – International Premiere, Feature Narrative. Three 17-year-old girlfriends get a job at the Toy Depot for the holiday season and become smitten with the guys who work alongside them in this charming teen sex comedy. With Marguerite Bouchard, Rose Adam, Romane Denis, Alex Godbout, Anthony Therrien, Vassili Schneider. We the Animals, directed by Jeremiah Zagar, written by Dan Kitrosser. Produced by Jeremy Yaches, Christina D. King, Andrew Goldman, Paul Mezey. (USA) – New York Premiere, Feature Narrative. This lyrical coming-of-age tale, based on the acclaimed novel, weaves magic realism into an exquisite portrait of three brothers, their troubled parents, and the secret that the youngest of them holds. With Raul Castillo, Sheila Vand, Evan Rosado, Isaiah Kristian, Josiah Gabriel. A release from The Orchard. When She Runs, directed by Robert Machoian, Rodrigo Ojeda-Beck, written by Kirstin Anderson, Robert Machoian, Rodrigo Ojeda-Beck. Produced by Laura Heberton. (USA) – World Premiere, Feature Narrative. Kristin is a young mother struggling to get by in her small town. One all-consuming passion—the chance to train for Olympic gold with a world-renowned running coach—offers a possible escape. With Kirstin Anderson, Ivan Gehring, Jonah Graham. Also playing as part of the Tribeca/ESPN Sports Film Festival. White Tide: The Legend of Culebra, directed by Theo Love. Produced by Bryan Storkel, Theo Love. (USA) – World Premiere, Feature Documentary. After he’s wiped out by the Great Recession, Rodney hears a story that could be his ticket out of debt. A map, an island, and buried treasure: If you knew where $2 million worth of cocaine was buried, would you dig that shit up?

    MIDNIGHT

    7 Stages to Achieve Eternal Bliss By Passing Through the Gateway Chosen By the Holy Storsh, directed by Vivieno Caldinelli, written by Christopher Hewitson, Clayton Hewitson, Justin Jones. Produced by Patrick McErlean, Michael Moran, Daniel Noah, Josh C. Waller, Lisa Whalen, Elijah Wood. (USA) – World Premiere. Midwestern couple Claire and Paul are thrilled to find a great deal on an affordable Los Angeles apartment. But the rent is cheap for a reason: cult members keep breaking in at random to commit ritual suicide in their bathtub. With Kate Micucci, Sam Huntington, Dan Harmon, Taika Waititi, Mark McKinney. Braid, directed and written by Mitzi Peirone. Produced by Logan Steinhardt, Arielle Elwes. (USA) – World Premiere. Two drug dealers on the lam seek refuge inside their mentally unstable friend’s mansion. But in order to stay, they have to participate in her elaborate, and increasingly dangerous, game of permanent make-believe. With Madeline Brewer, Imogen Waterhouse, Sarah Hay, Scott Cohen. Cargo, directed by Ben Howling, Yolanda Ramke, written by Yolanda Ramke. Produced by Russell Akerman, Samantha Jennings, John Schoenfelder, Kristine Ceyton. (Australia) – World Premiere. An infected father navigates a zombie-riddled Australian Outback with his infant daughter. Fortunately, he’s found an Aboriginal community that may hold the disease’s cure. Unfortunately, he has only 48 hours to live. With Martin Freeman. A Netflix release. The Dark, directed and written by Justin P. Lange. Produced by Danny Krausz, Kurt Stocker, Laura Permutter, Andrew Nicholas McCann Smith. (Austria) – World Premiere. Undead and hating it, young flesh-eater Mina haunts the woods surrounding her childhood home. When she befriends a physically abused boy, she must figure out why, for once, she isn’t feeling homicidal. With Nadia Alexander, Toby Nichols, Karl Markovics. You Shall Not Sleep (No dormirás), directed by Gustavo Hernandez, written by Juma Fodde. Produced by Pablo Bossi, Pol Bossi, Agustin Bossi, Guido Rud, Juan Ignacio Cucucovich, Maria Luisa Gutierrez, Cristina Zumarraga, Juan Pablo Buscarini. (Argentina, Spain, Uruguay) – International Premiere. A young actress joins an experimental play set inside an abandoned asylum. The objective is clear: The actors must stay awake for as long as possible. The hospital’s former residents, however, have different plans. With Belen Rueda, Eva de Dominici, Natalia de Molina, German Palacios Eugenia, Tobal Juan Guilera.

    SPECIAL SCREENINGS

    The American Meme, directed and written by Bert Marcus. Produced by Bert Marcus, Cassandra Hamar. (USA) – World Premiere, Feature Documentary. Paris Hilton, the Fat Jew, Kirill Bichutsky, and Brittany Furlan have all used social media to achieve massive internet fame. But, is it worth it? With DJ Khaled, Emily Ratajkowski, Hailey Baldwin. After the movie: A conversation with director Bert Marcus, subjects Paris Hilton, Kirill Bichutsky, and Brittany Furlan. Bathtubs Over Broadway, directed by Dava Whisenant, written by Ozzy Inguanzo, Dava Whisenant. Produced by Amanda Spain, Dava Whisenant, Susan Littenberg. (USA) – World Premiere, Feature Documentary. Comedy writer Steve Young’s assignment to scour bargain-bin vinyl for a Late Night segment becomes an unexpected, decades-spanning obsession when he stumbles upon the strange and hilarious world of industrial musicals in this musical-comedy-documentary. With David Letterman, Chita Rivera, Martin Short, Susan Stroman, Sheldon Harnick, Jello Biafra. After the movie: A conversation with members of the cast and a special performance inspired by the film with surprise guests. Blue Note Records: Beyond the Notes, directed and written by Sophie Huber. Produced by Sophie Huber, Chiemi Karasawa, Susanne Guggenberger, Hercli Bundi. (Switzerland, USA) – World Premiere, Feature Documentary. This is the history of Blue Note Records, the label that, since 1939, has recorded jazz giants ranging from Miles Davis to Robert Glasper—revolutionizing not only music, but also the world. With Herbie Hancock, Wayne Shorter, Robert Glasper, Don Was, Norah Jones. After the movie: A special guest performance by Blue Note artists Robert Glasper, Derrick Hodge, and Kendrick Scott. Every Act of Life, directed and written by Jeff Kaufman. Produced by Jeff Kaufman, Marcia Ross. (USA) – World Premiere, Feature Documentary. Every Act of Life presents a revealing portrait of four-time Tony-winning playwright Terrence McNally’s ground-breaking, six-decade career in the theater, fight for LGBTQ rights, and triumph over addiction. With Terrence McNally, Audra McDonald, Nathan Lane, Larry Kramer, Angela Lansbury, Christine Baranski. After the movie: A conversation with director Jeff Kaufman, playwright Terrence McNally, actor/director Joe Mantello, and actors F. Murray Abraham, Christine Baranski, and Chita Rivera. Moderated by New York Magazine writer-at-large Frank Rich. The Gospel According to André, directed by Kate Novack. Produced by Kate Novack, Andrew Rossi. (USA) – New York Premiere, Feature Documentary. From the segregated South to the fashion capitals of the world, The Gospel According to André recounts fashion editor André Leon Talley’s storied life and career through intimate conversations, rich archival, and testimonials from fashion luminaries including Anna Wintour, Tom Ford, and Marc Jacobs. With André Leon Talley. A Magnolia release. After the movie: A conversation with director Kate Novack and subject André Leon Talley, producer Andrew Rossi, executive producer Roger Ross Williams and producer Josh Braun. It’s a Hard Truth Ain’t It, directed by Madeleine Sackler. Produced by Stacey Reiss, Madeleine Sackler. (USA) – World Premiere, Feature Documentary. Given unprecedented access to a maximum security prison, filmmaker Madeleine Sackler worked with a group of inmates to tell their own stories, giving rise to this collaborative, intimate documentary project. It’s a Hard Truth Ain’t It is a companion piece to the Tribeca-premiering O.G. It is co-directed by thirteen men incarcerated at the Pendleton Correctional Facility in Pendleton, Indiana Netizens, directed, written, and produced by Cynthia Lowen. (USA) – World Premiere, Feature Documentary. In the midst of the #MeToo movement, three very different women whose lives were torn apart by online harassment devote themselves to fighting back against the internet’s Wild West of unpoliced misogyny, cyberstalking, and nonconsensual pornography. With Carrie Goldberg, Anita Sarkeesian, Tina Reine, Soraya Chemaly, Jamia Wilson, Mary Anne Franks. After the movie: A conversation with director Cynthia Lowen, subjects Tina Reine, Carrie Goldberg, and Anita Sarkeesian. Nigerian Prince, directed by Faraday Okoro, written by Faraday Okoro & Andrew Long. Produced by Oscar Hernandez, Bose Oshin, Faraday Okoro. (USA, Nigeria) – World Premiere, Feature Narrative. A troubled American teenager, sent away to his mother’s native Nigeria, finds himself entangled in a dangerous web of scams and corruption with a con-artist cousin as his guide. With Antonio J. Bell, Chinaza Uche, Tina Mba, Bimbo Manuel, Toyin Oshinaike, Craig Stott. To Dust, directed by Shawn Snyder, written by Shawn Snyder, Jason Duran. Produced by Emily Mortimer, Alessandro Nivola, Ron Perlman, Josh Crook, Scott Lochmus. (USA) – World Premiere, Feature Narrative. Traumatized by the death of his wife, a Hasidic cantor obsesses over how her body will decay. He seeks answers from a local biology professor in this, unlikeliest of buddy comedies. With Geza Rohrig, Matthew Broderick. After the movie: Tribeca Film Institute will host a conversation with writer/director Shawn Snyder, producers Emily Mortimer, Alessandro Nivola and Ron Perelman, cast members Geza Rohrig and Matthew Broderick, and biologist Dawnie Steadman. Hosted by Alfred P. Sloan Foundation Unbanned: The Legend of AJ1, directed and written by Dexton Deboree. Produced by Dexton Deboree, Stefanie Fink. (USA) – World Premiere, Feature Documentary. Through interviews with Michael Jordan, Spike Lee, and more, this vibrant documentary tells the origin story of the Air Jordan, and the impact it had on sports, hip-hop, and the birth of sneaker culture. With Spike Lee, Anthony Anderson, Chuck D, DJ Khaled, Michael Jordan, Michael B Jordan, Jason Sudeikis, Lena Waithe, Russell Westbrook. After the movie: A musical tribute to the film and the Air Jordan from Kid Ink, Gizzle, and more. Woman Walks Ahead, directed by Susanna White, written by Steven Knight. Produced by Edward Zwick, Marshall Herskovitz, Erika Olde, Richard Solomon, Andrea Calderwood. (USA) – U.S. Premiere, Feature Narrative. Based on a true story, 19th-century Brooklyn artist Catherine Weldon journeys west on a mission to paint a portrait of the legendary chief Sitting Bull, only to find a very different world—and man—than she was expecting. With Jessica Chastain, Michael Greyeyes, Chaske Spencer, Sam Rockwell, Ciarán Hinds, Bill Camp. A DirecTV/A24 release. After the movie: A conversation with director Susanna White, actor Sam Rockwell, and more.

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  • 2018 Berlin Film Festival Unveils Full Panorama Lineup, Opens with Wolfgang Fischer’s STYX

    [caption id="attachment_26726" align="aligncenter" width="960"]Styx, Wolfgang Fischer Styx[/caption] The 2018 Berlin International Film Festival has revealed the full lineup of the Panorama program, which will feature a total of 47 films from 40 countries, with 37 world premieres and 16 directorial debuts. 20 films will be screened in the scope of Panorama Dokumente , while 27 fiction features are shown in Panorama Special as well as the main program. The section takes a look at Wolfgang Fischer’s Styx , which will open Panorama Special on February 16 at Zoo Palace. Nearly dialogue-free, the film tells the story of a female doctor on a sailing vacation. A Czech production opens Panorama Dokumente. Jan Gebert’s Až přijde válka ( When the War Comes ) is the global trend of a socially acceptable form of nationalism using the example of the Slovak Slovenski Branci Slovak paramilitary organization. Árpád Bogdán’s feature film Genezis ( Genesis ) takes place on the series of attacks on Roma in Hungary in 2008/2009, exposing their effects on the victimized families and the community as well as casting light on the failures of the Hungarian judicial system pursuit of those guilty of crimes perpetrated under the dictatorial Franco regime is depicted in The Silence of Others, produced by Pedro Almodóvar. Former Brazilian president Dilma Roussef’s impeachment can be witnessed firsthand in O processo ( The Trial ). In Generation Wealth , Lauren Greenfield raises awareness for the self-indulgent quest for luxury and the total surrender to vanity leading to a sort of “ultra-decadence,” while in Lemonade , produced by Cristian Mungiu, the American Dream remains tauntingly out of reach for those who can not afford to buy a piece of it. In the French-German production Game Girls , two women try to escape life on Skid Row, the USA’s “Capital City of the Homeless”. Shakedown immerses the viewer in the Afro-American queer strip club scene of Los Angeles 1990s, relating its protagonists’ search for freedom and self-determination to great immediacy. In the Italian production country, Iranian director Babak Jalali who is defending their cultural identity with dignity. Family dynamics under the microscope: In Al Gami’ya ( What Comes Around ), the residents of one of Cairo’s poorest districts have developed a bank-free financing system for themselves. Two intimate portraits of rural conflict, set in Central China’s Henan province and the German state of Saxony-Anhalt respectively, are drawn in Jordan Schiele’s The Silk and the Flame and Rosa Hannah Ziegler’s family life ( Family Life ). Yang Mingming’s debut film Rou Qing Shi ( Girls Always Happy ) showcases the verbal duels of an odd mother-daughter duo looking for happiness in style or daydreams of getting rich quick. In La enfermedad del domingo ( Sunday’s Illness ), a mother and her daughter return to one another following years of estrangement. In Jibril , her final work for the Babelsberg University of Applied Sciences KONRAD WOLF, Henrika Kull depicts the isolation and love in the interaction between a single mom and a prison inmate. The Argentinian production Marilyn and the Brazilian film Tinta Bruta ( Hard Paint ) both show the isolation and the inherent in their protagonists’ search for their place in the world. In the mafia tale La terra dell ‘abbastanza ( Boys Cry ), two young men discover an ostensibly simple way out of a sticky situation. A complex web of responsibilities is included in the two instalments of the miniseries Ondes de choc ( Shock Waves ), directed by Lionel Baier and Ursula Meier. Three further films serve as reflections on cinema itself: Mes provinciales ( A Paris Education ), which is set in a Parisian millennial student milieu; Depending vois rouge ( I See Red People ), In Which Bojina Payanotova Confronts her parents With Their possible connections to the Bulgarian secret police; and Hotel Jugoslavija , in which director Nicolas Wagnières elevates at abandoned Grand Hotel to the status of contemporary witness to history, acting on his principle of “filming to retain and regain”. Fluid boundaries between reality and fiction are especially present in four productions. Xiao Mei investigates the enigma surrounding the disappearance of a young woman while the dark fairy tale Koly padayut pereva ( When the Trees Fall ) includes the frightening and enchanting experiences of three generations of women. In a hybrid form between fiction and documentary film, Trinta Lumes ( Thirty Souls ) reimagines the Galician backcountry as a mythical place populated by both the living and the dead. Finally, in the deceptively calm flow of horizon ‘s ( Horizon ) images, a man is at risk of losing his footing in life after a separation. The hard reality reflected in two productions from India and the Democratic Republic of the Congo was in stark contrast in this context. In Garbage , a young woman’s endures a nightmare of male violence. Kinshasa Makambo on the other hand provides insight into the brutal everyday existence of Congolese resistance fighters. In addition to their appearance in  Yocho , cinematic dystopias and allegories of reality are featured in Kim Ki-duk’s Inkan, gongkan, sikan grigo inkan ( Human, Space, Time and Human ) , in which of the widely differing backgrounds assembled on a warship develop a bestial need for patriarchal domination. From Iran comes the film Hojoom (Invasion ), which adeptly establishes an oppressive mood with its post-apocalyptic science-fiction world devoid of sunlight. Partisan takes a look back at Frank Castorf’s twenty-five year legacy at Berlin’s Volksbühne theater. Chilly Gonzales, self-proclaimed president of the Berlin Underground, is the subject of Shut Up and Play the Piano . MATANGI / MAYA / MIA The Sri Lankan Resistance artist portrays the controversial star between the labels attached to the music and media industries. In Idris Elba’s directorial debut, Yardie , the score by Dickon Hinchcliffe (“Tindersticks”) accentuates the journey of a young man from Kingston to London . Al Gami’ya ( What Comes Around ) – Lebanon / Egypt / Greece / Qatar / Slovenia By Reem Saleh Documentary World Premiere Až přijde válka ( When the War Comes ) – Czech Republic / Croatia By Jan Gebert Documentary World Premiere La enfermedad del domingo ( Sunday’s Illness ) – Spain By Ramón Salazar With Bárbara Lennie, Susi Sánchez, Greta Fernández, Miguel Ángel Solá, Richard Bohringer World premiere Familienleben ( Family Life ) – Germany By Rosa Hannah Ziegler Documentary World Premiere Game Girls – France / Germany By Alina Skrzeszewska Documentary World Premiere  Garbage – India By Q With Tanmay Dhanania, Trimala Adhikari, Satarupa The World Premiere Generation Wealth – USA By Lauren Greenfield Documentary International Premiere Genezis ( Genesis ) – Hungary By Árpád Bogdán With Anna Marie Cseh, Enikő Anna Illési, Milán Csordá’s World Premiere Hojoom ( Invasion ) – Iran By Shahram Mokri With Abed Abest, Elaheh Bakhshi, Babak Karimi, Pedram Sharifi, Mehdi Etemad Saied International Premiere Horizonti ( Horizon ) – Georgia / Sweden By Tinatin Kajrishvili With George Bochorishvili, Ia Sukhitashvili, Jano Izoria, Soso Gogichaishvili World Premiere Hotel Jugoslavija – Switzerland By Nicolas Wagnières Documentary European Premiere Inkan, gongkan, sikan grigo inkan ( Human, Space, Time and Human ) – Republic of Korea By Kim Ki-dukWith Mina Fujii, Jang Keun-suk, Ahn Sung-ki, Lee Sung-jae, Ryoo Seung-bum, Sung Ki-youn, Joe Odagiri World premiere  Je vois rouge ( I See Red People ) – France / Bulgaria By Bojina Panayotova Documentary World Premiere Jibril – Germany By Henrika Kull With Susana Abdulmajid, Malik Adan, Doua Rahal, Emna El-Aouni World Premiere Kinshasa Makambo – Democratic Republic of the Congo / France / Switzerland / Germany / Qatar / Norway By Dieudo Hamadi Documentary World Premiere Koly padayut dereva ( When the Trees Fall ) – Ukraine / Poland / Macedonia By Marysia Nikitiuk With Anastasiia Pustovit, Sofia Halaimova, Maksym Samchyk, Mariya Svizhynska, Alla Samoilenko World Premiere  Country – Italy / France / Netherlands / Mexico By Babak Jalali With Rod Rondeaux, Florence Klein, James Coleman, Wilma Pelly World Premiere  Lemonade – Romania / Germany / Canada / Sweden By Ioana Uricaru With Mina Manovici, Steve Bacic, Dylan Scott Smith, Milan Hurduc, Ruxandra Maniu World Premiere Marilyn – Argentina / Chile By Martín Rodríguez Redondo With Walter Rodriguez, Catalina Saavedra, Germán de Silva, Ignacio Giménez, Rodolfo Garcia Werner World Premiere MATANGI / MAYA / MIA – USA / United Kingdom / Sri Lanka By Steve Loveridge With Maya Arulpragasam Documentary International Premiere Mes provinciales ( A Paris Education ) – France By Jean Paul Civeyrac With Andranic Manet, Corentin Fila, Gonzague Van Bervesselès, Diane Rouxel, Jenna Thiam, Sophie Verbeeck World Premiere O processo ( The Trial ) – Brazil / Germany / Netherlands By Maria Ramos Documentary World Premiere Ondes de choc – Journal de ma tête ( Shock Waves – Diary of My Mind ) – Switzerland By Ursula Meier With Fanny Ardant, Kacey Mottet-Klein, Jean-Philippe Ecoffey, Carlo Brandt, Stéphanie Blanchoud, Jean-Quentin Châtelain International Premiere Ondes de choc – Prénom: Mathieu ( Shock Waves – First Name: Mathieu ) – Switzerland By Lionel Baier With Maxime Gorbatchevsky, Michel Vuillermoz, Ursina Lardi, Mickael Amman, Adrien Barazzone, Piere-Isaïe Duc, Nastassja Tanner International Premiere Partisan – Germany By Lutz Pehnert, Matthias Ehlert, Adama Ulrich With Frank Castorf, Sophie Rois, Kathrin Angerer, Herbert Fritsch, Henry Hübchen, Alexander Scheer Documentary World Premiere Rou qing shi ( Girls Always Happy ) – People’s Republic of China Yang Mingming With Nai An, Yang Mingming, Zhang Xianmin, Li Qinqin, Huang Wei, Yuan Li World Premiere Shakedown – USA By Leilah Weinraub Documentary World Premiere Shut Up and Play the Piano – Germany / France / United Kingdom By Philip Jedicke With Chilly Gonzales, Peaches, Feist, Sibylle Berg, Jarvis Cocker Documentary World Premiere La terra dell’abbastanza ( Boys Cry ) – Italy By Damiano D’Innocenzo, Fabio D’Innocenzo With Matteo Olivetti, Andrea Carpenzano, Milena Mancini, Max Tortora, Luca Zingaretti World Premiere The Silence of Others – USA / Spain By Almudena Carracedo, Robert Bahar Documentary World Premiere The Silk and the Flame – United States By Jordan Schiele Documentary World Premiere  Styx – Germany / Austria By Wolfgang Fischer With Susanne Wolff, Gedion Oduor World Premiere Tinta bruta ( Hard Paint )- BrazilBy Marcio Reolon, Filipe Matzembacher With Shico Menegat, Bruno Fernandes, Guega Peixoto, Sandra Dani, Frederico Vasque’s World Premiere  Trinta Lumes ( Thirty Souls )- SpainBy Diana Toucedo With Alba Arias, Samuel Vilariño’s World Premiere  Xiao Mei – Taiwan By Maren Hwang With Chen Yi-Wen, Liu Kuan-Ting, Na Dow, Wu Chien-Ho, Yin Shin, Laurence Chiu, Chang Shao-Huai, Samantha Ko, Wu Kang-jen, Jao Cincin World Premiere Yardie – United Kingdom By Idris Elba With Aml Ameen, Shantol Jackson, Stephen Graham, Fraser James, Sheldon Shepherd, Everaldo Creary European Premiere Already featured films: L’Animale – Austria by Katharina Mückstein Bixa Travesty ( Tranny Fag ) – Brazil by Claudia Priscilla, Kiko Goifman Ex Pajé ( Ex Shaman ) – Brazil by Luiz Bolognesi Malambo, el hombre bueno (Malambo, the Good Man) – Argentina by Santiago Loza Obscuro Barroco – France / Greece by Evangelia Kranioti La omisión ( The Omission ) – Argentina / Netherlands / Switzerland by Sebastián Schjaer River’s Edge – Japan by Isao Yukisada Profiles – USA / UK / Cyprus by Timur Bekmambetov That Summer – Sweden / Denmark, USA by Göran Hugo Olsson Yocho (Foreboding) – Japan by Kiyoshi Kurosawa Central Airport THF ( Central Airport THF ) – Germany / France / Brazil by Karim Aïnouz

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