Wildlife[/caption]
The first films of the 2018 Melbourne International Film Festival (MIFF) were revealed today along with big announcement that the 67th edition will open with the Australian premiere gala screening of Paul Dano’s directorial debut Wildlife – starring Carey Mulligan, Jake Gyllenhaal and Australia’s Ed Oxenbould. The First Glance selection of 32 films demonstrating MIFF’s expansive reach was also uncovered.
Based on the 1990 Richard Ford novel of the same name, Dano’s debut directorial outing (co-written by Zoe Kazan, seen alongside Dano at MIFF’s 2012 Ruby Sparks) tells a tender and empathetic story about a teen dealing with his family falling apart in 1960s Montana.
A hit at Sundance and Cannes, Wildlife is a bittersweet and elegant debut that represents a major coming-of-age – both off screen and on – for Oxenbould, an actor who broke out in MIFF 2014’s Paper Planes and last year’s MIFF Premiere Fund-supported The Butterfly Tree. Buoyed by exquisite cinematography from Diego Garcia (Neon Bull, MIFF 2016; Cemetery of Splendour, MIFF 2015) the film’s fine-tuned attention to period detail underscores its exceptional performances.
https://www.youtube.com/watch?v=4gSi0Qvki3o
“We are thrilled to announce Wildlife for this year’s Opening Night Gala. Paul Dano’s debut as a director provides a glimpse into a successful shift in his career from on screen to off, and the cast including Australia’s very own Ed Oxenbould (a special name here at MIFF) is an impressive way to kick off proceedings,” said MIFF’s Artistic Director Michelle Carrey.
“This in addition to the sneak peek of the rest of the program is an exciting time. Finally we can start talking about the most important thing…the films!”
This year’s MIFF program will feature more than 500+ screenings, including:
Ethan Hawke features with both on and off-screen contributions: he portrays a troubled priest experiencing a ‘crisis of faith’ in cinematic legend Paul Schrader’s latest feast of brooding menace, First Reformed; in Blaze, Hawke directs a daringly unconventional biopic of an unsung country music legend, featuring newcomer Benjamin Dickey in the title role (which won him a Sundance acting award) and Alia Shawkat.
Chloë Grace Moretz turns in a career-best performance in Desiree Akhavan’s sophomore feature The Miseducation of Cameron Post, winner of the Sundance Grand Jury Prize (US Dramatic); Cannes 2017 best actor winner Joaquin Phoenix features in Lynne Ramsay’s vengeance feature You Were Never Really Here, playing a war vet and ex-FBI agent whose new job includes rescuing children from paedophile rings; meanwhile, Bodied is the result of an unlikely pairing between Grammy-winning director Joseph Kahn and rapper turned producer Eminem who present their satirical story about an accidental battle-rap star.
In a variety of filmmaking firsts, acclaimed TV director Michael Pearce makes his feature debut in the sly, unsettling Beast – an impressive British crime drama love story wrapped in an intriguing psychosexual thriller; veteran slow-cinema auteur Tsai Ming-liang makes his debut foray into virtual reality with The Deserted, a 55-minute experience with a wordless, near-feature length tale of ghosts, grief and fish; and a little closer to home, Nash Edgerton’s TV series directorial debut Mr Inbetween brings The Magician’s charismatic killer-for-hire Ray Shoesmith back to our screens. MIFF will screen all six episodes before its television premiere on Foxtel’s Showcase channel.
The 2018 program delves deep into three iconic names spanning fashion, sport and Hollywood, starting with McQueen, a flamboyant portrait of one of the world’s most revered designers, Alexander McQueen – a man who once said “My shows are about sex, drugs and rock’n’roll. It’s for the excitement and the goosebumps. I want heart attacks. I want ambulances.” This biographical documentary by Ian Bonhôte and Peter Ettedgui represents nothing less.
Julien Faraut’s John McEnroe: In the Realm of Perfection serves up a fascinating combination of instructional clips and exquisite 16mm footage of tennis bad boy John McEnroe at the height of his career at the 1984 French Open; and looking into the life of another legend, Tommy Avallone’s Bill Murray Stories: Life Lessons Learned from a Mythical Man follows the trail of the star’s alleged appearances musing on the interconnection of pop culture and ordinary life.
An Elephant Sitting Still takes us on a four-hour journey as Hu Bo paints a compelling, empathetic portrait of contemporary China in this FIPRESCI Prize-winning debut; and winner of SXSW’s Grand Jury Prize for documentary, People’s Republic of Desire is Hao Wu’s unsettling and fascinating look into the online world of live-streaming, social media and virtual relationships.
Turning impending loss into a poignant, poetic dreamscape, The Seen and Unseen is the second feature from Indonesia’s Kamila Andini and winner of best youth film at the 2017 Asia Pacific Screen Awards; Tigers Are Not Afraid is a stunning contemporary fairytale that does for Mexico’s drug war what Guillermo del Toro did for the Spanish Civil War. Praised by Stephen King, the film saw Issa López become the first woman to win Fantastic Fest’s Best Horror Director award.
Denmark’s Gustav Möller makes his directorial debut with the Sundance and Rotterdam award-winning The Guilty, an edge-of-your-seat psychological thriller told entirely in real time.
The UK’s Daniel Kokotajlo makes a devastating debut with Apostasy, a daring study of an all-female Jehovah’s Witness family riven by religious conflict starring Siobhan Finneran (Downton Abbey and Happy Valley); Babis Makridis proves he is coming into his own as a star with a second feature, Pity. A follow up to L (MIFF 2012), the quintessentially bleak and absurdist Greek New Wave comedy from the co-writer of The Lobster and Dogtooth was co-written with Yorgos Lanthimos’ key collaborator Efthymis Filippou (The Killing of a Sacred Deer, MIFF 2017).
Irreverent Iranian director Mani Haghighi (A Dragon Arrives! MIFF 2016) presents his latest meta-comedy magic, Pig – a riotous Iranian film industry satire about a serial killer; and Vivian Qu continues to interrogate crime, corruption and control in modern-day China in Angels Wear White, which won her the Best Director award at the Golden Horse Film Festival.
Based on Anna Seghers’ WWll novel of the same name, Transit is the slow-burn thriller from revered auteur Christian Petzold – a discomfiting fable of trans-European displacement that channels both Hitchcock and Casablanca; and one of contemporary cinema’s most esteemed directors Lucrecia Martel makes her long-awaited return with the historical fiction Zama, centred on an 18th-century Spanish magistrate marooned in a far-flung South American outpost where he’s losing touch with civilization and sanity.
Spaghetti Western, ’70s Euro-pulp and delirious psychedelia collide in Let the Corpses Tan – a glorious homage to cinema’s seedier retro fringes from genre connoisseurs Hélène Cattet and Bruno Forzani; audiences will step back in time to the French fashion scene with legendary fashion photographer William Klein’s award-winning black and white mockumentary that is now a groovy cult classic, Who are you, Polly Maggoo? and nominated for Best Foreign Film at the 2018 Academy Awards, The Insult is the multi-award winning new work from Lebanese visionary Ziad Doueiri (The Attack, MIFF 2012).
Delving into the complex emotions of passionate pop-music appreciation, emerging local director Jessica Leski presents I Used to be Normal: A Boyband Fangirl Story – an empathetic documentary exploring why we hold pop music so dear to our hearts.
The NSFA-restored The Cheaters offers viewers a rare big-screen treat of a pioneering silent-era classic. A major landmark of Australian cinema, this is not just one of our earliest feature films – it’s one of the first by women filmmakers, the McDonagh sisters. The remaining fragments of the sisters’ popular first feature Those Who Love will screen alongside.
An exhilarating debut feature from Australian director Jason Raftopoulos, the Venice-premiering West of Sunshine stars Pawno’s Damian Hill alongside his real-life step-son Ty Perham and Offspring’s Kat Stewart (Sucker, MIFF 2015). Shot in Melbourne, it explores fatherhood, trauma and second chances.
Director Jeremy Sim’s (Last Cab to Darwin, Beneath Hill 60) Wayne is a must-see for moto-GP fans. Here, Sims explores a defining piece of Australian sporting history that saw Wayne Gardner conquer the world of motorcycle racing and return home a hero; while Island of the Hungry Ghosts takes audiences on a unique and moving cinematic journey through the intersection of Christmas Island’s migrating land crabs, lost souls caught in limbo and political detainees.
Sundance award-winner, Stephen Loveridge digs deep into the life of his good friend Mathangi ‘Maya’ Arulpragasm in MATANGI / MAYA / M.I.A, demonstrating her pull-no-punches personality and focus on political activism, and how this caused her career to suffer; and rounding up the First Glance lineup, directors Dyana Winkler and Tina Brown dive wholeheartedly into the African-American roller rink scene, circling around racial profiling, the roots of rap and communities in crisis with Tribeca Film Festival Audience Award winner, United Skates.Let the Corpses Tan (2017)
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WILDLIFE Starring Carey Mulligan, Jake Gyllenhaal to Open 2018 Melbourne International Film Festival
[caption id="attachment_29567" align="aligncenter" width="1259"] Wildlife[/caption]
The first films of the 2018 Melbourne International Film Festival (MIFF) were revealed today along with big announcement that the 67th edition will open with the Australian premiere gala screening of Paul Dano’s directorial debut Wildlife – starring Carey Mulligan, Jake Gyllenhaal and Australia’s Ed Oxenbould. The First Glance selection of 32 films demonstrating MIFF’s expansive reach was also uncovered.
Based on the 1990 Richard Ford novel of the same name, Dano’s debut directorial outing (co-written by Zoe Kazan, seen alongside Dano at MIFF’s 2012 Ruby Sparks) tells a tender and empathetic story about a teen dealing with his family falling apart in 1960s Montana.
A hit at Sundance and Cannes, Wildlife is a bittersweet and elegant debut that represents a major coming-of-age – both off screen and on – for Oxenbould, an actor who broke out in MIFF 2014’s Paper Planes and last year’s MIFF Premiere Fund-supported The Butterfly Tree. Buoyed by exquisite cinematography from Diego Garcia (Neon Bull, MIFF 2016; Cemetery of Splendour, MIFF 2015) the film’s fine-tuned attention to period detail underscores its exceptional performances.
https://www.youtube.com/watch?v=4gSi0Qvki3o
“We are thrilled to announce Wildlife for this year’s Opening Night Gala. Paul Dano’s debut as a director provides a glimpse into a successful shift in his career from on screen to off, and the cast including Australia’s very own Ed Oxenbould (a special name here at MIFF) is an impressive way to kick off proceedings,” said MIFF’s Artistic Director Michelle Carrey.
“This in addition to the sneak peek of the rest of the program is an exciting time. Finally we can start talking about the most important thing…the films!”
This year’s MIFF program will feature more than 500+ screenings, including:
Ethan Hawke features with both on and off-screen contributions: he portrays a troubled priest experiencing a ‘crisis of faith’ in cinematic legend Paul Schrader’s latest feast of brooding menace, First Reformed; in Blaze, Hawke directs a daringly unconventional biopic of an unsung country music legend, featuring newcomer Benjamin Dickey in the title role (which won him a Sundance acting award) and Alia Shawkat.
Chloë Grace Moretz turns in a career-best performance in Desiree Akhavan’s sophomore feature The Miseducation of Cameron Post, winner of the Sundance Grand Jury Prize (US Dramatic); Cannes 2017 best actor winner Joaquin Phoenix features in Lynne Ramsay’s vengeance feature You Were Never Really Here, playing a war vet and ex-FBI agent whose new job includes rescuing children from paedophile rings; meanwhile, Bodied is the result of an unlikely pairing between Grammy-winning director Joseph Kahn and rapper turned producer Eminem who present their satirical story about an accidental battle-rap star.
In a variety of filmmaking firsts, acclaimed TV director Michael Pearce makes his feature debut in the sly, unsettling Beast – an impressive British crime drama love story wrapped in an intriguing psychosexual thriller; veteran slow-cinema auteur Tsai Ming-liang makes his debut foray into virtual reality with The Deserted, a 55-minute experience with a wordless, near-feature length tale of ghosts, grief and fish; and a little closer to home, Nash Edgerton’s TV series directorial debut Mr Inbetween brings The Magician’s charismatic killer-for-hire Ray Shoesmith back to our screens. MIFF will screen all six episodes before its television premiere on Foxtel’s Showcase channel.
The 2018 program delves deep into three iconic names spanning fashion, sport and Hollywood, starting with McQueen, a flamboyant portrait of one of the world’s most revered designers, Alexander McQueen – a man who once said “My shows are about sex, drugs and rock’n’roll. It’s for the excitement and the goosebumps. I want heart attacks. I want ambulances.” This biographical documentary by Ian Bonhôte and Peter Ettedgui represents nothing less.
Julien Faraut’s John McEnroe: In the Realm of Perfection serves up a fascinating combination of instructional clips and exquisite 16mm footage of tennis bad boy John McEnroe at the height of his career at the 1984 French Open; and looking into the life of another legend, Tommy Avallone’s Bill Murray Stories: Life Lessons Learned from a Mythical Man follows the trail of the star’s alleged appearances musing on the interconnection of pop culture and ordinary life.
An Elephant Sitting Still takes us on a four-hour journey as Hu Bo paints a compelling, empathetic portrait of contemporary China in this FIPRESCI Prize-winning debut; and winner of SXSW’s Grand Jury Prize for documentary, People’s Republic of Desire is Hao Wu’s unsettling and fascinating look into the online world of live-streaming, social media and virtual relationships.
Turning impending loss into a poignant, poetic dreamscape, The Seen and Unseen is the second feature from Indonesia’s Kamila Andini and winner of best youth film at the 2017 Asia Pacific Screen Awards; Tigers Are Not Afraid is a stunning contemporary fairytale that does for Mexico’s drug war what Guillermo del Toro did for the Spanish Civil War. Praised by Stephen King, the film saw Issa López become the first woman to win Fantastic Fest’s Best Horror Director award.
Denmark’s Gustav Möller makes his directorial debut with the Sundance and Rotterdam award-winning The Guilty, an edge-of-your-seat psychological thriller told entirely in real time.
The UK’s Daniel Kokotajlo makes a devastating debut with Apostasy, a daring study of an all-female Jehovah’s Witness family riven by religious conflict starring Siobhan Finneran (Downton Abbey and Happy Valley); Babis Makridis proves he is coming into his own as a star with a second feature, Pity. A follow up to L (MIFF 2012), the quintessentially bleak and absurdist Greek New Wave comedy from the co-writer of The Lobster and Dogtooth was co-written with Yorgos Lanthimos’ key collaborator Efthymis Filippou (The Killing of a Sacred Deer, MIFF 2017).
Irreverent Iranian director Mani Haghighi (A Dragon Arrives! MIFF 2016) presents his latest meta-comedy magic, Pig – a riotous Iranian film industry satire about a serial killer; and Vivian Qu continues to interrogate crime, corruption and control in modern-day China in Angels Wear White, which won her the Best Director award at the Golden Horse Film Festival.
Based on Anna Seghers’ WWll novel of the same name, Transit is the slow-burn thriller from revered auteur Christian Petzold – a discomfiting fable of trans-European displacement that channels both Hitchcock and Casablanca; and one of contemporary cinema’s most esteemed directors Lucrecia Martel makes her long-awaited return with the historical fiction Zama, centred on an 18th-century Spanish magistrate marooned in a far-flung South American outpost where he’s losing touch with civilization and sanity.
Spaghetti Western, ’70s Euro-pulp and delirious psychedelia collide in Let the Corpses Tan – a glorious homage to cinema’s seedier retro fringes from genre connoisseurs Hélène Cattet and Bruno Forzani; audiences will step back in time to the French fashion scene with legendary fashion photographer William Klein’s award-winning black and white mockumentary that is now a groovy cult classic, Who are you, Polly Maggoo? and nominated for Best Foreign Film at the 2018 Academy Awards, The Insult is the multi-award winning new work from Lebanese visionary Ziad Doueiri (The Attack, MIFF 2012).
Delving into the complex emotions of passionate pop-music appreciation, emerging local director Jessica Leski presents I Used to be Normal: A Boyband Fangirl Story – an empathetic documentary exploring why we hold pop music so dear to our hearts.
The NSFA-restored The Cheaters offers viewers a rare big-screen treat of a pioneering silent-era classic. A major landmark of Australian cinema, this is not just one of our earliest feature films – it’s one of the first by women filmmakers, the McDonagh sisters. The remaining fragments of the sisters’ popular first feature Those Who Love will screen alongside.
An exhilarating debut feature from Australian director Jason Raftopoulos, the Venice-premiering West of Sunshine stars Pawno’s Damian Hill alongside his real-life step-son Ty Perham and Offspring’s Kat Stewart (Sucker, MIFF 2015). Shot in Melbourne, it explores fatherhood, trauma and second chances.
Director Jeremy Sim’s (Last Cab to Darwin, Beneath Hill 60) Wayne is a must-see for moto-GP fans. Here, Sims explores a defining piece of Australian sporting history that saw Wayne Gardner conquer the world of motorcycle racing and return home a hero; while Island of the Hungry Ghosts takes audiences on a unique and moving cinematic journey through the intersection of Christmas Island’s migrating land crabs, lost souls caught in limbo and political detainees.
Sundance award-winner, Stephen Loveridge digs deep into the life of his good friend Mathangi ‘Maya’ Arulpragasm in MATANGI / MAYA / M.I.A, demonstrating her pull-no-punches personality and focus on political activism, and how this caused her career to suffer; and rounding up the First Glance lineup, directors Dyana Winkler and Tina Brown dive wholeheartedly into the African-American roller rink scene, circling around racial profiling, the roots of rap and communities in crisis with Tribeca Film Festival Audience Award winner, United Skates.
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2018 Chattanooga Film Festival Unleashes SECOND WAVE of Films, Closes with “I KILL GIANTS” | Trailers
[caption id="attachment_27529" align="aligncenter" width="1200"]
I Kill Giants[/caption]
The 5th annual Chattanooga Film Festival is almost here, and the festival has released the second wave of films, comprising of a generous mix of fantasy, horror, documentary and animated films.
Film highlights include Timothée Chalamet, who has had recent turns in CALL ME BY YOUR NAME and LADY BIRD, stars in HOT SUMMER NIGHTS, a charming coming of age drama set during a summer at Cape Cod. Catch this winning flick at CFF before the good folks at A24 release it later this year.
BORLEY RECTORY is an animated documentary chronicling what came to be known as “the most haunted house in England.” The legends attached to the rectory at Borley and famed paranormal investigator Harry Price’s subsequent investigations of them, caught the public’s imagination during the late 1920s, in time becoming one of the world’s most notorious ghost stories.
ERNEST AND CELESTINE charmed audiences during its 2014 screening at CFF, and festival organizers are bringing the latest family crowd pleaser from the same talented filmmaking duo to Chattanooga. Bring your kids and the young film fans in your life to THE BIG BAD FOX & OTHER TALES, because this is a comedy adventure all ages can enjoy.
Rounding out CFF’s cinematic sojourn into the dark heart of the 1980s, along with this year’s SUMMER OF ’84 and LIFE AFTER FLASH, is THE POWER OF GLOVE. This doc is an absolute hoot and tells the strange, but true tale of the rise and fall of Nintendo’s Power Glove in the 1980s.
Anchored by one of the most amazing performances you’re likely to see this year by Valeria Bertuccelli, who also co-writes and directs, THE QUEEN OF FEAR tells the story of an actress that becomes over anxious in the days leading up to the premiere of her one-woman show. Along with previously announced selection MADELINE’S MADELINE, it makes for a fascinating and entertaining double feature about obsessive actors taking their craft perhaps a bit too seriously.
Director Ryuhei Kitamura’s latest is DOWNRANGE, revolving around a group of friends who after a roadside blowout become the targets of a mysterious sniper. Throw in an appearance by longtime CFF favorite Graham Skipper, also teaching our acting class along with actor/filmmaker Matt Mercer this year, and you’ve got a lightning-paced blast of a thriller.
In the action-packed true story A PRAYER BEFORE DAWN, an English boxer incarcerated in one of Thailand’s most notorious prisons fights in Muay Thai tournaments to earn his freedom. This movie lands like a punch in the gut and in this case, that’s a good thing.
Everyone loves a good food documentary, and RAMEN HEADS straight up classifies as food porn. Osamu Tomita, Japan’s reigning king of ramen, takes us deep into his world, revealing every single step of his obsessive approach to creating the perfect soup and noodles and his relentless search for the highest-quality ingredients. Mixing in a brief rundown of ramen’s historical roots, the film gives viewers an in-depth look at the culture surrounding this unique and beguiling dish.
The National Pyrotechnic Festival in Tultepec, Mexico is the site of festivity unlike any other in the world, and has been captured in a hypnotically beautiful, charming and deeply entertaining documentary called BRIMSTONE & GLORY. In celebration of San Juan de Dios, patron saint of firework makers, conflagrant revelry engulfs the town for ten days. Artisans show off their technical virtuosity, up-and-comers create their own rowdy, lo-fi combustibles, and dozens of teams build larger-than-life papier-mâché bulls to parade into the town square, adorned with fireworks that blow up in all directions. For the people of Tultepec, this explosive celebration, is a combination of unrestrained delight and real peril.
Punk rock horror? Yes please. In Jenn Wexler’s debut THE RANGER, a group of punk rockers piss off a truly psychotic forest ranger. Coupled with a soundtrack loaded with deep punk rock cuts and some truly amazing thrills and chills, this film has put Wexler on CFF’s up and coming filmmakers list. Wexler and producer Heather Buckley will be on hand for a Q&A following the film.
Lola Kirk and Zoe Kravitz star in GEMINI, a mystery thriller by acclaimed director Aaron Katz. This is the kind of film that you go into cold, and let the film and its beguiling leads cast the same spell on you that it did on the CFF team.
Casey T. Malone has chosen CFF for the world premiere of his feature film LESSER BEASTS. This hauntingly beautiful, truly personal dazzler is a cross between Guy Maddin and Terence Malick, with a little dash of good ole David Lynchian experimentation to make the mix all the more compelling. Malone will be attending for a Q&A, along with some of the cast members.
Kane Hodder is a hero. More than just the man behind the mask for iconic film villains from FRIDAY THE 13TH’s Jason Vorhees to Adam Green’s cult classic HATCHET franchise, Hodder’s is a name that genre film fans revere. This incredible biography, TO HELL AND BACK: THE KANE HODDER STORY, traces his struggle to overcome a dehumanizing childhood and endless bullying, to his rise in becoming one of the true living legends of horror and genre cinema.
When filmmakers Mike Testin and Matt Mercer challenged themselves to make a film from conception to completion in just 31 days they created DEMENTIA PART II. Making its world premiere at CFF, there is so much to love; from insane plot to the inspiring way this film came to life.
To say the films of filmmakers Hélène Cattet and Bruno Forzani are in a class of their own is an understatement. In LET THE CORPSES TAN they do for the Spaghetti Western what they did for Giallo thrillers with their classic AMER, making a movie as psychedelic as it is unforgettable.
I KILL GIANTS has been selected as the closing night film for this year’s festival, a crowd-pleasing powerhouse fantasy brought to life by the producers of the Harry Potter films. Based on the graphic novel of the same name, I KILL GIANTS tell the story of Barbara Thorson as she struggles through life by escaping into a fantasy life of magic and monsters.
THE SECOND WAVE OF FILMS FOR 2018 CHATTANOOGA FILM FESTIVAL
TIGERS ARE NOT AFRAID | Director Issa López
A dark fairy tale about a gang of five children trying to survive the horrific violence of the cartels and the ghosts created every day by the drug war.
https://www.youtube.com/watch?v=D-kCERB3ss4
HOT SUMMER NIGHTS | Director Elijah Bynum
A boy comes of age during a summer he spends in Cape Cod.
BORLEY RECTORY | Director Ashley Thorpe
BORLEY RECTORY is an animated documentary chronicling what came to be known as “the most haunted house in England.” The legends attached to the rectory at Borley and famed paranormal investigator Harry Price’s subsequent investigations of them caught the public’s imagination during the late 1920s, in time becoming one of the world’s most notorious ghost stories. BORLEY RECTORY examines the legend, the controversial investigations and a ghost story that may well reveal more about what might have been missing from Borley rather than what might have been invading it.
https://www.youtube.com/watch?v=MwVon3ODMWo
THE BIG BAD FOX AND OTHER TALES | Directors Patrick Imbert, Benjamin Renner
Whoever thinks that the countryside is calm and peaceful is mistaken. In it we find especially agitated animals, a Fox that thinks it’s a chicken, a Rabbit that acts like a stork, and a Duck who wants to replace Father Christmas. If you want to take a vacation, keep driving past this place.
https://www.youtube.com/watch?v=x3QkSzpNGW8
THE POWER OF GLOVE | Directors Andrew Austin, Adam Ward
A documentary that chronicles the journey of the world’s most notorious video game controller: the Power Glove. For the first time, discover the history and legacy behind the glove that helped inspire a generation.
https://www.youtube.com/watch?v=Nfp2j7Zgo_g
THE QUEEN OF FEAR | Directors Valeria Bertuccelli, Fabiana Tiscornia
An actress becomes over anxious in the days leading up to the premiere of her one-woman show.
https://www.youtube.com/watch?v=f3tVbHrm7_k
BLEEDING SKULL PRESENTS NINJA ZOMBIE | Director Mark Bessenger
We already know that every sane moviegoer on earth loves occult mayhem, undead martial arts warriors and wizards with spiders tattooed on their faces. But little did we know that all of those things and more comprised a completely unseen feature-length Super-8 masterpiece from Illinois! A murdered karate expert rises from the grave to exact revenge and rescue his girlfriend from black magic maniacs. Despite its food stamp budget, Ninja Zombie is an unrelenting ruckus of supernatural threats and high-kicking vengeance.
SUPER INFRA-MAN | Director Shan Hua
In this Shaw Bros. classic, Princess Dragon Mom and her mutant army have arisen, and only Inframan can stop them!
https://www.youtube.com/watch?v=rLlecrotn0Q
DOWNRANGE | Director Ryûhei Kitamura
Stranded at the side of the road after a tire blowout, a group of friends become targets for an enigmatic sniper.
https://www.youtube.com/watch?v=sHLHKmWVDYw
A PRAYER BEFORE DAWN | Director Jean-Stéphane Sauvaire
The true story of an English boxer incarcerated in one of Thailand’s most notorious prisons as he fights in Muay Thai tournaments to earn his freedom.
https://www.youtube.com/watch?v=Mp88Nuci68c
RAMEN HEADS | Director Koki Shigeno
In ‘Ramen Heads,’ Osamu Tomita, Japan’s reigning king of ramen, takes us deep into his world, revealing every single step of his obsessive approach to creating the perfect soup and noodles, and his relentless search for the highest-quality ingredients. In addition to Tomita’s story, the film also profiles five other notable ramen shops, each with its own philosophy and flavor, which exemplify various aspects the ramen world. Mixing in a brief rundown of ramen’s historical roots, the film gives viewers an in-depth look at the culture surrounding this unique and beguiling dish. This is a documentary record of 15 months in the lives of Japan’s top ramen masters and their legions of devoted fans.
https://www.youtube.com/watch?v=_3E9MGOK4LY
BRIMSTONE & GLORY | Director Viktor Jakovleski
Ecstatic ritual, danger and the absolute beauty of fireworks.
https://www.youtube.com/watch?v=gQmNtP3TRmI
THE RANGER | Director Jenn Wexler
A group of punk rockers piss off a psychotic forest ranger.
Q&A following with director Jenn Wexler and producer Heather Buckley
GEMINI | Director Aaron Katz
A heinous crime tests the complex relationship between a tenacious personal assistant and her Hollywood starlet boss. As the assistant unravels the mystery, she must confront her own understanding of friendship, truth, and celebrity.
https://www.youtube.com/watch?v=ISjmjYU-kMI
LESSER BEASTS | Director Casey T. Malone
*WORLD PREMIERE
Four stories. One mystery.
Q&A following with director Casey T. Malone and cast.
https://vimeo.com/213251995
TO HELL AND BACK: THE KANE HODDER STORY | Director Derek Dennis Herbert
TO HELL AND BACK: THE KANE HODDER STORY is the harrowing story of a stuntman overcoming a dehumanizing childhood filled with torment and bullying in Sparks, Nevada. After surviving a near-death burn accident, he worked his way up through Hollywood, leading to his ultimate rise as Jason Voorhees in the Friday the 13th series and making countless moviegoers forever terrified of hockey masks and summer camp. Featuring interviews with cinema legends, including Bruce Campbell (Ash vs. Evil Dead), Robert Englund (Freddy Krueger), and Cassandra Peterson (Elvira: Mistress of the Dark), To Hell and Back peels off the mask of Kane Hodder, cinema’s most prolific killer, in a gut-wrenching, but inspiring, documentary.
https://www.youtube.com/watch?v=10ViGiRfRCo
DEMENTIA PART II | Directors Mike Testin, Matt Mercer
*WORLD PREMIERE
Suzanne wasn’t always this confused. She wasn’t always dead either… When an ex-con takes a job as a handyman for an unstable elderly woman to avoid a parole violation, it becomes a choice he may regret. From the makers of Dementia and Contracted comes the unnecessary midnight-movie sequel you never knew you wanted… made script-to-screen in literally one month!
Q&A following with directors Mike Testin and Matt Mercer
LET THE CORPSES TAN | Director Hélène Cattet, Bruno Forzani
The Mediterranean summer: blue sea, blazing sun….and 250 kg of gold stolen by Rhino and his gang! They had found the perfect hideout: an abandoned and remote hamlet now taken over by a woman artist in search for inspiration. Unfortunately surprise guests and two cops compromise their plan: the heavenly place where wild happenings and orgies used to take place turns into a gruesome battlefield.
https://www.youtube.com/watch?v=ONMbWj8u-RA
NOVEMBER | Director Rainer Sarnet
Based on Estonian novel “Rehepapp” by Andrus Kivirähk, a bestseller of the last twenty years, the film is a mixture of magic, black humor and romantic love. The story is set in a pagan Estonian village where werewolves, the plague, and spirits roam. The villagers’ main problem is how to survive the cold, dark winter. And, to that aim, nothing is taboo.
TURBO KID | Directors François Simard, Anouk Whissell, Yoann-Karl Whissell
*FREE SCREENING
In a post-apocalyptic wasteland in 1997, a comic book fan adopts the persona of his favorite hero to save his enthusiastic friend and fight a tyrannical overlord.
François Simard, Anouk Whissell, Yoann-Karl Whissell in attendance
https://www.youtube.com/watch?v=AFlZ6pVtnv0
THE ENDLESS | Directors Justin Benson, Aaron Moorhead
*FREE SCREENING
Two brothers return to the cult they fled from years ago to discover that the group’s beliefs may be more sane than they once thought.
Q&A with producer and cast member David Lawson
I KILL GIANTS | Director Anders Walter
Barbara Thorson struggles through life by escaping into a fantasy life of magic and monsters.
https://www.youtube.com/watch?v=FZ0QKOR5Kgc
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2018 Boston Underground Film Festival Reveals First Wave of Films, Opens with Award Winning “My Name is Myeisha”
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My Name is Myeisha[/caption]
The 20th annual Boston Underground Film Festival returns to Harvard Square, bringing with it a five day fever dream of vanguard and description-defying filmmaking, including soul- thrillers/killers/chillers, to the Brattle Theatre and Harvard Film Archive from March 21st through the 25th, 2018.
Kicking off the festival is the East Coast premiere of My Name is Myeisha, a phantasmagorical meditation on a beloved teen’s life cut tragically short, told from her perspective at the moment of her unjust death. On the heels of its 2018 Slamdance world premiere, where it garnered both the Audience Award for Beyond Feature and the Slamdance Acting Award for breakout performance by lead Rhaechyl Walker, My Name is Myeisha is a bold and beautiful adaptation of co-writer Rickerby Hinds’ play, Dreamscape, that demands and deserves your attention. Director Gus Krieger and star Walker will be in attendance for a post-screening Q&A.
BUFF is taking its love of the beyond to the next level with a rare repertory screening of Slava Tsukerman’s underground masterpiece of avant-garde sci-fi and queer cinema, Liquid Sky. Nearly 35 years to the day since its theatrical release, BUFF is ecstatic to be presenting this neon-drenched, new wave, electroclashtastic cult classic on lush 35mm.
BUFF is bringing double trouble from the French film vanguard with the East Coast premiere of Coralie Fargeat‘s genre-flipping, outré feature debut Revenge and the New England premiere of BUFF alumni Bruno Forzani & Hélène Cattet’s piece de resistance, Let the Corpses Tan. Fargeat revamps the rape-revenge thriller subgenre, spinning a subversive monomythic tale of female survival and rebirth with fierce and formidable Matilda Lutz in the lead. Forzani and Cattet deliver another gorgeous, sensory-saturated homage to vintage genre, this time honing their craft in pulpy poliziotteschi perfection against a bullet-riddled spaghetti-Western backdrop.
Bleeding into the realm of real-world horror, BUFF will host the US premiere of Turkish writer-director Onur Saylak’s chilling debut Daha and the New England premiere of British writer-director Deborah Haywood’s stunning, deeply personal first feature Pin Cushion. While Haywood explores the visible and invisible wounds of intergenerational bullying as experienced by a mother and daughter in small town England, Saylak examines the cycle of intergenerational violence between a father and son caught up in the refugee smuggling trade in small town Turkey.
On the lighter side, BUFF will present the World Premiere of Stacy Buchanan & Jess Barnthouse’s homegrown horror doc Something Wicked This Way Comes and the New England Premiere of Aaron McCann & Dominic Pearce’s Aussie-by-way-of-Japan mocku-doc Top Knot Detective. Buchanan & Barnthouse give New England’s pop-horror-culture the full-feature treatment, exploring the region’s viability for growing our independent film scene with input from genre luminaries, horror fans, natives, and local filmmakers. McCann & Pearce explore Japan’s most beloved ronin detective, Sheimasu Tantai, from the 1970s style martial arts series RONIN SUIRI TENTAI (Deductive Reasoning Ronin), and his Oz-based cult fandom so thoroughly and hilariously that it’s nigh impossible to discern fact from fiction…it’s somehow beyond both.
As usual, the festival will present the kid-friendly annual Saturday Morning Cartoons program with cereal smorgasbord, programmed and hosted by renowned curator, author, publisher, and founder of the Miskatonic Institute of Horror Studies, Kier-La Janisse; a veritable bounty of shorts programming celebrating fantastic music videos, animation, transgressive horror; and more!
BOSTON UNDERGROUND FIRST WAVE
MY NAME IS MYEISHA – Opening Night | East Coast Premiere Gus Krieger | USA | 2018 On the evening of December 28th, 1998, Myeisha Jackson’s night ends with her asleep in her car, her cousins outside, and police on the way. In the fleeting moments before the unthinkable occurs, she awakes with a start inside her inner dreamscape and contemplates her life–what it was and what it was going to be. A metaphysical trip into Myeisha’s mind reveals a life brimming with promise on the cusp of adulthood–her secrets, goals, flaws, strengths, loves, and talents–and is fueled and expressed by her love of hip hop, dance, and spoken word as she comes to terms with what’s happened to her. DAHA – US Premiere Onur Saylak | Turkey | 2017 Young Gaza lives in a small town on Turkey’s Aegean coast and dreams of escaping the soul-crushing drudgery of the family business: smuggling refugees. Studious and still imbued with a youthful sense of optimism and innocence, Gaza is pulled deeper and deeper into a dark, immoral world of human suffering and exploitation by his domineering father; will he avoid becoming the monster he’s being raised to be? LET THE CORPSES TAN – New England Premiere Bruno Forzani, Hélène Cattet | France, Belgium | 2017 After stealing a cache of gold, Rhino and his gang discover a near-abandoned Mediterranean hamlet hideout, occupied by an inspiration-seeking woman. Their bucolic surroundings become a horrific battlefield when uninvited guests arrive on the scene to foil everyone’s plans. LIQUID SKY – 35th Anniversary Slava Tsukerman | USA | 1982 Heroin-seeking invisible aliens land on top of a NYC apartment inhabited by a drug dealer and her androgynous, bisexual, nymphomaniac, fashion model lover: Margaret (played by co-writer Anne Carlisle). The aliens quickly get hip to a better drug–orgasmic pheromones–and start vaporizing her casual sex partners. Things get weirder as Margaret’s arch nemesis Jimmy (also played by Carlisle), a lonely, horny neighbor across the street, and a German scientist get involved in the proceedings. PIN CUSHION – New England Premiere Deborah Haywood | UK | 2017 New to town, the inseparable dafty duo Lyn and her daughter Iona are excited to have a fresh start. Determined to establish herself successfully after a rocky start, Iona drifts away from her bestie/mum and becomes BFFs with the school’s equivalent of the “Heathers.” Forlorn, Lyn attempts to make friends of her own, but after a lifetime of being othered, she still struggles with the same vicious trials and tribulations of being different that her daughter now faces. REVENGE – New England Premiere Coralie Fargeat | France | 2017 What starts as a weekend getaway between a married man and his mistress quickly devolves into a deadly game of cat and mouse when his hunting buddies arrive. Director Fargeat revamps and recalibrates the rape-revenge trope from a female perspective, creating a violent, visceral monomyth about the rebirth and survival of a woman wronged seeking to even the score. SOMETHING WICKED THIS WAY COMES – World Premiere Jessica Barnthouse, Stacy Buchanan | USA | 2018 Something Wicked This Way Comes is a full-feature exploration into the popular horror culture of New England. Through discussions with genre luminaries, horror fans, and natives, the film discovers popular conventions within the genre and identifies how they’re driven by the history, eerie settings, and social issues of the area. And through the stories of actors and local filmmakers, it aims to discover if the area’s passion is strong enough to help grow an independent film industry. TOP KNOT DETECTIVE – New England Premiere Aaron McCann, Dominic Pearce | Australia, Japan | 2017 This is the story of how a failed Japanese samurai series, RONIN SUIRI TENTAI (Deductive Reasoning Ronin), became an instant Australian cult classic. Badly acted, translated and edited, the show centered around a detective samurai who solved crimes and killed monsters while avenging his master’s murder. This hilarious doc digs up the bizarre behind the scenes antics that it’s creator and co-stars got up to, and investigates how the main star ended up in jail 20 years later…or maybe not!
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Portland International Film Festival Unveils 2018 PIFF After Dark Lineup | Trailers
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Five Fingers for Marseilles[/caption]
This year’s 41st Portland International Film Festival will once again include the popular, boundary pushing fare that constitutes the PIFF After Dark program, showcasing late night movies like Hélène Cattet and Bruno Forzani’s (Amer, The Strange Color of Your Body’s Tears) giallo-inflected, spaghetti western Let the Corpses Tan, Joseph Kahn’s (Torque) caustic, rap battle comedy Bodied, Can Evrenol’s (Baskin) riff on 1970s Italian horror Housewife, Justin Benson and Aaron Moorhead’s (Spring) looping, sci-fi thriller The Endless, Lukas Figelfeld’s folk-horror tale Hagazussa: A Heathen’s Curse, and Michael Matthews’ western set in South Africa Five Fingers for Marseilles.
All PIFF After Dark at PIFF 41 screenings are at the Northwest Film Center’s Whitsell Auditorium, located in the Portland Art Museum (1219 SW Park Ave.)
2018 PIFF After Dark
Bodied (Dir. Joseph Kahn) – United States A UC Berkeley grad student whose thesis explores the use of racial slurs in rap battles finds himself drawn into the ring in this Eminem-produced feature directed by hip-hop/pop music video director Joseph Kahn and written by battle rap legend Alex “Kid Twist” Larsen. Winner of the Midnight Madness Audience Award at the Toronto International Film Festival, “Bodied is pure zany fun disguised as a pure provocation, and sometimes vice versa, mainly because any attempt to characterize its narrative as problematic proves its point.”—IndieWire. (120 mins.) https://youtu.be/YgpL6R-X5Ng PRECEDED BY: Tickle Monster (Dir. Remi Weekes) – United Kingdom A wannabe rapper doesn’t believe his girlfriend’s claim that her apartment is home to a tickle monster. (4 mins.) Let the Corpses Tan (Dir. Hélène Cattet, Bruno Forzani) – France/Belgium A gang of ne’er-do-wells rob an armored truck, getting away with the gold bars. Hiding out, trouble ensues when unexpected guests AND the cops arrive, resulting in epic and complexly staged action. Cattet and Forzani (Amer, The Strange Colour of Your Body’s Tears) continue to channel their love of giallo cinema, but stretch in new directions, gloriously borrowing from spaghetti Westerns and Italian crime films. “Boiled down to a blurb, it’s like Alejandro Jodorowsky (El Topo) directed Ben Wheatley’s Free Fire.”—Birth. Movies. Death. (90 mins.) https://youtu.be/8Cx48AN5_y8 PRECEDED BY: Manila Death Squad (Dir. Dean Colin Marcial) – United States/Philippines A journalist embeds herself with a violent vigilante group leader during the Philippine drug war. (13 mins.) Housewife (Dir. Can Evrenol) – Turkey A woman who experienced a tragic loss as a child comes under the spell of a mysterious and charismatic cult leader. Pivoting (mostly) from the H.P. Lovecraft and Anton Levay influences of his debut film (Baskin), Evrenol instead projects a mélange of cosmic horror and giallo influences mixed with a 1980s European soft-core production aesthetic. “Evrenol shows that he’s more than a one-trick pony. Housewife is an intriguing and strangely sensual tale of the descent into madness.”—The Hollywood News. (82 mins.) https://youtu.be/IuBs3WtYnLY PRECEDED BY: Setaceous (Dir. Tel Benjamin) – Australia A neighborhood is terrorized by a car alarm in the dead of the night. (11 mins.) Five Fingers for Marseilles (Dir. Michael Matthews) – South Africa A recent parolee returns to his hometown, vowing to turn his back on his criminal ways. Before long he finds that some of his friends from the Apartheid era have internalized and recreated the tyranny they struggled against. “Director Michael Matthews and scripter Sean Drummond skillfully employ recycled genre elements to enhance the mythic qualities of their slow-burn narrative and reinforce the underlying sense that their archetypical characters are fulfilling destinies as inescapable as the fates that might befall major players in a conventional Wild West saga.”—Variety. (120 mins.) https://youtu.be/vaWV8YhoYCQ PRECEDED BY: Catherine (Dir. Britt Raes) – Belgium An animated look into the origins of a crazy cat lady. (10 mins.) Hagazussa: A Heathen’s Curse (Dir. Lukas Feigelfeld) – Austria/Germany In a small Austrian mountain village in the 15th century, a single mother is ostracized by the other residents, who claim she is a witch. With his debut feature, director Lukas Feigelfeld has constructed a folk-horror tale that hews more closely to a black metal aesthetic than any other film in recent memory. “It looks and feels far more substantial than most indie debuts, confidently bending genre rules with its minimalist dialogue and hallucinatory plot, which owes more to David Lynch or Lars Von Trier than to more orthodox horror.”—Hollywood Reporter. (102 mins.) https://youtu.be/ctr9g-9gVkU PRECEDED BY: Möbius (Dir. Sam Kuhn) – United States/Canada Following the death of her true love, a high school poet describes what led her there in this highly textured, neo-noir short film. (15 mins.) The Endless (Dir. Justin Benson, Aaron Moorhead) – United States After receiving a cryptic video in the mail, two brothers return to the Southern California cult they left a decade ago. They discover that no one they left behind has aged, and the event that the cult’s doctrine foretold has yet to happen. The directors make the most of the sci-fi tropes at the center of their micro-budget film, which has more in common with My Dinner With Andre and Primer than it does with the Hollywood-produced spectacles that pass for science fiction today. “The Endless isn’t just terrific—it’s poised to be that breakout genre hit that It Follows and The Babadook were.”—Slash Film. (111 mins.) (111 mins.) https://youtu.be/pcdTcGRJJRg PRECEDED BY: Zarr-Dos (Dir. Bart Wasem) – Switzerland Two giant heads blow shit up. (7 mins.)
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#PIFF41 2018 Portland International Film Festival Announces Lineup
The Portland International Film Festival (PIFF 41) has revealed the lineup for this year’s 41st edition of the Festival, which begins on Thursday, February 15th and runs through Thursday, March 1st. The Opening Night selection is the new comedy The Death of Stalin from writer/director Armando Iannucci (Veep, In the Loop). The film, adapted from the graphic novel by Fabien Nury, stars Steve Buscemi, Olga Kurylenko, Jason Isaacs, and Michael Palin.
In addition to the Opening Night film, the Festival will host the Portland premiere of a handful of Oscar-nominated films, including Ildikó Enyedi’s On Body and Soul (Hungary), nominated for the Best Foreign Language Film Academy Award, Laura Checkoway’s Edith & Eddie (United States), which is in competition for the Best Documentary (Short Subject) Oscar, and Reed Van Dyk’s Dekalb Elementary (United States), nominated for the Best Short Film (Live Action) Academy Award.
Also present in the lineup are multiple Best Foreign Language Film Academy Award submissions, including Tatiana Huezo’s Tempestad (Mexico), Jonas Carpignano’s A Ciambra (Italy), Deepak Rauniyar’s White Sun (Nepal), Ryôta Nakano’s Her Love Boils Bathwater (Japan), Lucrecia Martel’s Zama (Argentina), Hafsteinn Gunnar Sigurðsson’s Under the Tree (Iceland), and many others. Submissions for the Best Animated Feature Film Academy Award in the festival include Kenji Kamayama’s Napping Princess (Japan), Alberto Vázquez and Pedro Rivero’s Birdboy: The Forgotten Children (Spain), and Benjamin Renner and Patrick Imbert’s The Big Bad Fox & Other Tales (France).
As in past years, the Festival features an abundance of short films. This year’s lineup boasts eight discrete short film programs, including two blocks devoted entirely to films made in Oregon, an animated shorts program, a collection exploring innovative experimental short form works, and a program of short films by Charlie Chaplin featuring live musical accompaniment by silent film composer and pianist Robert Israel. Israel has performed solo, and with orchestras, worldwide, in addition to past performances at the festival.
Other highlights of PIFF 41 include screenings of Andrew Haigh’s (45 Years) Lean on Pete, Morgan Neville’s (20 Feet from Stardom) Won’t You Be My Neighbor?, Valeska Grisebach’s (Longing) Western, Portland-based director Sky Fitzgerald’s (50 Feet from Syria) 101 Seconds, the late Abbas Kiarostami’s (A Taste of Cherry) final film 24 Frames, Thomas Riedelsheimer’s (Rivers and Tides) Leaning Into the Wind: Andy Goldsworthy, Joseph Kahn’s (Detention) Bodied, Xuan Liang and Chun Zhan’s animated debut Big Fish & Begonia, Sergei Loznitsa’s (My Joy) A Gentle Creature, former Portlander Aaron Katz’ (Cold Weather) Gemini, a trio of features (Claire’s Camera, The Day After, and On the Beach At Night Alone) from South Korean director Hong Sang-Soo (The Day He Arrives), Christina Costantini and Darren Foster’s documentary debut Science Fair, Michael Matthew’s debut feature Five Fingers for Marseilles, Joshua Bonnetta and J.P. Sniadecki’s (People’s Park) El Mar La Mar, Rungaro Nyoni’s debut feature I Am Not a Witch, Ben Russell’s (A Spell to Ward Off the Darkness) Good Luck, Justin Benson and Aaron Moorhead’s (Spring) The Endless, Neïl Beloufa’s (Tonight and the People) Occidental, Samuel Maoz’ (Lebanon) Foxtrot, Warwick Thornton’s (Samson & Delilah) Sweet Country, Hélène Cattet and Bruno Forzani’s (Amer) Let the Corpses Tan, Milad Alami’s (Nordic Factory) The Charmer, Cory Finley’s feature debut Thoroughbreds, and many others.
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AFI FEST 2017 Announces World Cinema, Midnight and Youth and Family Lineup
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APRIL’S DAUGHTER (LAS HIJAS DE ABRIL)[/caption]
The American Film Institute announced today the films that will be featured in the World Cinema, Midnight and Youth and Family sections at AFI FEST 2017 presented by Audi.
The World Cinema section showcases the most celebrated international films of the year and features 30 films from 39 countries. The section includes 13 official Best Foreign Language Film Oscar® entries: A CIAMBRA (DIR Jonas Carpignano), A FANTASTIC WOMAN (UNA MUJER FANTASTICA) (DIR Sebastián Lelio), FOXTROT (DIR Samuel Maoz), HAPPY END (DIR Michael Haneke), HOCHELAGA, LAND OF SOULS (DIR François Girard), IN THE FADE (AUS DEM NICHTS) (DIR Fatih Akin), THE INSULT (L’INSULTE) (DIR Ziad Doueiri), LOVELESS (NELYUBOV) (DIR Andrey Zvyagintsev), NEWTON (DIR Amit V Masurkar), ON BODY AND SOUL (TESTRŐL ÉS LÉLEKRŐL) (DIR Ildikó Enyedi), SPOOR (POKOT) (DIR Agnieszka Holland), THELMA (DIR Joachim Trier) and WAJIB (DIR Annemarie Jacir).
The festival’s Midnight section will enthrall and petrify audiences with three international, genre-bending films: GOOD MANNERS (DIR Juliana Rojas, Marco Dutra), LET THE CORPSES TAN (DIR Hélène Cattet, Bruno Forzani) and V.I.P. (DIR Park Hoon-Jung).
AFI FEST will offer Youth and Family Programming for the next generation of storytellers and moviegoers, with the films THE BREADWINNER (DIR Nora Twomey) and MARY AND THE WITCH’S FLOWER (DIR Hiromasa Yonebayashi). At these screenings, AFI FEST will host students from several public middle and high schools across Los Angeles County for educational experiences. MARY AND THE WITCH’S FLOWER will also screen for the festival’s public audience.
WORLD CINEMA
APRIL’S DAUGHTER (LAS HIJAS DE ABRIL) – In AFI FEST alum Michel Franco’s latest feature, a domineering mother suddenly arrives to assist with her teenage daughter’s pregnancy. But her true motives will soon emerge. DIR Michel Franco. SCR Michel Franco. CAST Emma Suárez, Ana Valeria Becerril, Enrique Arrizon, Joanna Larequi, Hernán Mendoza. Mexico BEAUTY AND THE DOGS – Following a sexual assault, a young Tunisian woman must descend into a bureaucratic hell to report the incident and find justice. DIR Kaouther Ben Hania. SCR Kaouther Ben Hania. CAST Mariam Al Ferjani, Ghanem Zrelli, Noomane Hamda, Mohamed Akkari, Chedly Arfaoui, Anissa Daoud, Mourad Gharsalli. Tunisia, France, Sweden, Norway, Lebanon, Qatar, Switzerland BRIGHT SUNSHINE IN (UN BEAU SOLEIL INTÉRIEUR) – Juliette Binoche shines in the latest work from auteur Claire Denis, centering on a middle-aged woman hungry to find and hold onto love. DIR Claire Denis. SCR Claire Denis, Christine Angot. CAST Juliette Binoche, Xavier Beauvois, Philippe Katerine, Josiane Balasko, Sandrine Dumas, Nicolas Duvauchelle, Alex Descas, Laurent Grévill. France A CIAMBRA – Jonas Carpignano’s sophomore feature follows Pio, a streetwise teen in Calabria who must step up when his older brother lands in trouble with the police. DIR Jonas Carpignano. SCR Jonas Carpignano. CAST Pio Amato, Koudous Seihon, Iolanda Amato, Damiano Amato, Francesco Pio Amato, Patrizia Amato, Rocco Amato, Susanna Amato. Italy, USA, France, Sweden CLAIRE’S CAMERA (KEUL-LE-EO-UI-KA-ME-LA) – This charming entry from Hong Sang-soo centers on the friendship between a Korean woman (Kim Min-hee) who’s recently lost her job and a wise Parisian teacher (Isabelle Huppert). DIR Hong Sang-soo. SCR Hong Sang-soo. CAST Isabelle Huppert, Kim Min-hee, Chang Mi-hee, Jung Jin-young. South Korea THE DAY AFTER (GEU-HU) – Infused with director Hong Sang-soo’s signature realism and humor, this film follows an aspiring writer who gets caught up in the spectacular drama of her boss’ personal life. DIR Hong Sang-soo. SCR Hong Sang-soo. CAST Kwon Haehyo, Kim Min-hee, Kim Sae-byuk, Cho Yun-hee, Ki Ju-bong, Park Yea-ju, Kang Taeu. South Korea A FANTASTIC WOMAN (UNA MUJER FANTASTICA) – In Sebastián Lelio’s follow-up to GLORIA, trans actress Daniela Vega gives an astonishing debut performance as a woman who must navigate a hostile society after the death of her lover. DIR Sebastián Lelio. SCR Sebastián Lelio, Gonzalo Maza. CAST Daniela Vega, Francisco Reyes, Luis Gnecco, Aline Kuppenheim, Nicolás Saavedra, Amparo Noguera, Néstor Cantillana, Alejandro Goic, Antonia Zegers, Sergio Hernández. Chile, USA, Germany, Spain FOXTROT – An Israeli couple mourns the death of their soldier son in this audacious depiction of war and loss. DIR Samuel Maoz. SCR Samuel Maoz. CAST Lior Ashkenazi, Sarah Adler, Yonatan Shiray, Gefen Barkai, Dekel Adin, Shaul Amir, Itay Exlroad. Israel, Germany, France, Switzerland A GENTLE CREATURE (KROTKAYA) – An unnamed woman, trying to reach her imprisoned husband, descends into the bureaucratic hell of the Russian penal system in this masterful epic. DIR Sergei Loznitsa. SCR Sergei Loznitsa. CAST Vasilina Makovtseva, Marina Kleshcheva, Lia Akhedzhakova, Valeriu Andriuta, Boris Kamorzin, Sergei Kolesov. France, Germany, Lithuania, The Netherlands HAPPY END – Austrian auteur Michael Haneke returns with another chilling masterwork starring Isabelle Huppert and Jean-Louis Trintignant, focusing on a dysfunctional wealthy family. DIR Michael Haneke. SCR Michael Haneke. CAST Isabelle Huppert, Jean-Louis Trintignant, Mathieu Kassovitz, Fantine Harduin, Franz Rogowski, Laura Verlinden, Aurelia Petit, Toby Jones. France, Austria, Germany HOCHELAGA, LAND OF SOULS (HOCHELAGA, TERRE DES ÂMES) – The history of Montreal is told with a poetic, episodic structure in this time-jumping drama, arriving in the year of Canada’s 150th anniversary. DIR François Girard. SCR François Girard. CAST Samian, Vincent Perez, Raoul Trujillo, Wahiakeron Gilbert, Emmanuel Schwartz, Tanaya Beatty, David La Haye, Sébastien Ricard, Siân Phillips, Linus Roache, Gilles Renaud, Naïade Aoun, Tony Nardi. Canada IN THE FADE (AUS DEM NICHTS) – Diane Kruger gives a career-topping performance in Fatih Akin’s complex thriller that follows a woman’s search for justice after an act of terrorism shatters her life. DIR Fatih Akin. SCR Fatih Akin, Hark Bohm. CAST Diane Kruger, Denis Moschitto, Johannes Krisch, Samia Chancrin, Numan Acar, Ulrich Tukur, Rafael Santana, Hanna Hilsdorf. Germany, France THE INSULT (L’INSULTE) – When a Palestinian refugee and a Christian nationalist have a fateful crossing of paths, long-simmering tensions in modern-day Lebanon rise to the surface — and spiral out of control. DIR Ziad Doueiri. SCR Ziad Doueiri, Joëlle Touma. CAST Adel Karam, Kamel El Basha, Camille Salameh, Diamand Bou Abboud, Rita Hayek, Talal El Jurdi, Christine Choueiri, Julia Kassar, Rifaat Torbey, Carlos Chahine. Lebanon, France LOVELESS (NELYUBOV) – Russian auteur Andrey Zvyagintsev returns to AFI FEST with a gut-wrenching drama about a divorcing couple who just want to offload their young son — that is, until he disappears. DIR Andrey Zvyagintsev. SCR Oleg Negin, Andrey Zvyagintsev. CAST Maryana Spivak, Alexey Rozin, Matvey Novikov, Marina Vasilyeva, Andris Keishs, Alexey Fateev. Russia, France, Belgium, Germany A MAN OF INTEGRITY – When an Iranian farmer refuses to play ball with corrupt local thugs, he soon learns the steep price for holding onto his principles. DIR Mohammad Rasoulof. SCR Mohammad Rasoulof. CAST Reza Akhlaghirad, Soudabeh Beizaee, Nasim Adabi, Missagh Zareh, Zeinab Shabani, Zhila Shahi, Majib Potki. Iran MARLINA THE MURDERER IN FOUR ACTS (MARLINA SI PEMBUNUH DALAM EMPAT BABAK) – A humble Indonesian woman becomes a stealthy master of revenge in this modern feminist Western. DIR Mouly Surya. SCR Mouly Surya, Rama Adi. CAST Marsha Timothy, Dea Panendra, Yoga Pratama, Egi Fedly. Indonesia, France, Malaysia, Thailand MR. LONG – In this deft, soulful work of genre filmmaking, a notorious hitman trying to allude gangsters finds refuge in a dilapidated part of Tokyo, where he befriends a troubled mother and her child. DIR SABU. SCR SABU. CAST Chang Chen, Sho Aoyagi, Yiti Yao, Runyin Bai. Japan, Hong Kong, China, Taiwan, Germany MRS HYDE (MADAME HYDE) – Isabelle Huppert is sublime as MADAME HYDE, a meek chemistry teacher who experiences a fantastic awakening following a lab accident. DIR Serge Bozon. SCR Axelle Ropert, Serge Bozon. CAST Isabelle Huppert, Romain Duris, José Garcia, Adda Senani, Guillaume Verdier, Patricia Barzyk, Pierre Léon, Jamal Barbouche. France, Belgium NEWTON – An idealistic election monitor is determined to make the voices of 76 villagers heard in this humorous and humanistic portrait of Indian democracy. DIR Amit V Masurkar. SCR Mayank Tewari, Amit V Masurkar. CAST Rajkummar Rao, Pankaj Tripathi, Anjali Patil, Raghubir Yadav. India ON BODY AND SOUL (TESTRŐL ÉS LÉLEKRŐL) – In this Berlinale Golden Bear winner, two very different employees at a slaughterhouse discover they share the same dreams at night. DIR Ildikó Enyedi. SCR Ildikó Enyedi. CAST Alexandra Borbély, Géza Morcsányi, Réka Tenki, Zoltán Schneider, Ervin Nagy, Pál Mácsai, Itala Békés, Tamás Jordán, Éva Bata. Hungary THE OTHER SIDE OF HOPE (TOIVON TUOLLA PUOLEN) – Finnish auteur Aki Kaurismäki turns his sights on a Syrian refugee in Helsinki in this moving, hopeful and hilariously deadpan masterwork. DIR Aki Kaurismäki. SCR Aki Kaurismäki. CAST Sherwan Haji, Sakari Kuosmanen, Ilkka Koivula, Janne Hyytiäinen, Nuppu Koivu, Kaija Pakarinen, Niroz Haji, Simon Hussein Al-Bazoon. Finland, Germany A SEASON IN FRANCE (UNE SAISON EN FRANCE) – A migrant from the Central African Republic struggles to gain asylum in France and raise his two children in this urgently empathetic new work from Chadian auteur Mahamat-Saleh Haroun. DIR Mahamat-Saleh Haroun. SCR Mahamat-Saleh Haroun. CAST Eriq Ebouaney, Sandrine Bonnaire, Aalayna Lys, Ibrahim Burama Darboe, Bibi Tanga, Léonie Simaga, Régine Conas, Khampha Thammavongsa. France A SKIN SO SOFT (TA PEAU SI LISSE) – Denis Côté returns to AFI FEST with this hybrid documentary examining hyper-masculinity within a group of Québécois bodybuilders. DIR Denis Côté. SCR Denis Côté. CAST Alexis Légaré, Benoit Lapierre, Cédric Doyon, Jean-François Bouchard, Ronald Yang, Maxim Lemire. Canada SPOOR (POKOT) – Polish master Agnieszka Holland delivers an animal rights murder mystery for the ages in this genre-bending, gloriously twisted thriller. DIR Agnieszka Holland. SCR Olga Tokarczuk, Agnieszka Holland. CAST Agnieszka Mandat, Wiktor Zborowski, Miroslav Krobot, Jakub Gierszał, Patricia Volny, Tomasz Kot, Borys Szyc, Andrzej Grabowski. Poland, Germany, Czech Republic, Sweden, Slovak Republic SWEET COUNTRY – An Aboriginal man and his wife are forced to go on the run into the Outback in this brilliant, heart-rending revisionist Western set in 1929 Australia. DIR Warwick Thornton. SCR David Tranter, Steven McGregor. CAST Sam Neill, Bryan Brown, Ewen Leslie, Hamilton Morris, Thomas M. Wright, Matt Day, Natassia Gorey-Furber. Australia THELMA – A young Norwegian woman from a devoutly Christian background begins experiencing fantastic powers in the latest work from Joachim Trier. DIR Joachim Trier. SCR Eskil Vogt, Joachim Trier. CAST Eili Harboe, Kaya Wilkins, Henrik Rafaelsen, Ellen Dorrit Petersen, Grethe Eltervåg, Marte Magnusdotter Solem, Anders Mossling, Vanessa Borgli, Steinar Klouman Hallert, Ingrid Giæver, Oskar Pask, Gorm Grømer, Camilla Belsvik, Martha Kjørven. Norway, Sweden, France, Denmark WAJIB – A Palestinian father and son deal with ideological differences as they drive around Nazareth delivering wedding invitations in this moving, subtle drama. DIR Annemarie Jacir. SCR Annemarie Jacir. CAST Mohammad Bakri, Saleh Bakri, Maria Zreik, Rana Alamuddin. Palestine, France, Germany, Colombia, Norway, Qatar, United Arab Emirates WALKING PAST THE FUTURE (LU GUO WEI LAI) – A young woman and her family deal with the fallout of widespread factory layoffs in this elegant portrait of the socioeconomic realities of contemporary China. DIR Li Ruijun. SCR Li Ruijun. CAST Yang Zishan, Yin Fang. China WESTERN – Masculine hostility and violence simmer to the surface in this slow-burn masterstroke from new German auteur Valeska Grisebach. DIR Valeska Grisebach. SCR Valeska Grisebach. CAST Meinhard Neumann, Reinhardt Wetrek, Syuleyman Alilov Letifov, Veneta Frangova, Vyara Borisova, Kevin Bashev. Germany, Bulgaria, Austria THE WORKSHOP (L’ATELIER) – Facing a dangerous threat, a Parisian teacher must teach her students how to stand up for what’s right in the latest film from Laurent Cantet (Palme d’Or winner THE CLASS). DIR Laurent Cantet. SCR Robin Campillo, Laurent Cantet. CAST Marina Foïs, Matthieu Lucci, Warda Rammach, Issam Talbi, Florian Beaujean, Mamadou Doumbia, Julien Souve, Mélissa Guilbert, Olivier Thouret, Lény Sellam. FranceMIDNIGHT
GOOD MANNERS (AS BOAS MANEIRAS) – Clara gets a nanny job for a high-class woman with an intensifying hunger for meat in this genre-bending tale of love, sacrifice and compassion. DIR Juliana Rojas, Marco Dutra. SCR Juliana Rojas, Marco Dutra. CAST Isabél Zuaa, Marjorie Estiano, Miguel Lobo. Brazil, France LET THE CORPSES TAN (LAISSEZ BRONZER LES CADAVRES) – A sun-soaked adventure fueled by machine-gunfire and leather, LET THE CORPSES TAN is an audacious heist film with style to burn. DIR Hélène Cattet, Bruno Forzani. SCR Hélène Cattet, Bruno Forzani. CAST Elina Löwensohn, Stéphane Ferrara, Hervé Sogne, Bernie Bonvoisin, Pierre Nisse, Marc Barbé, Michelangelo Marchese. Belgium, France V.I.P. – A buttoned-up federal agent, a world-weary cop and a mysterious lone wolf join forces to take down a serial killer in this tense Korean thriller. DIR Park Hoon-Jung. SCR Park Hoon-Jung. CAST Jang Dong-gun, Kim Myung-min, Park Hee-soon, Lee Jong-suk. South KoreaYOUTH AND FAMILY
THE BREADWINNER – This timely, inspiring and beautifully animated tale follows an 11-year-old girl growing up under the Taliban in Afghanistan, who must disguise herself as a boy to support her family. DIR Nora Twomey. SCR Anita Doron. CAST Saara Chaudry, Soma Chhaya, Laara Sadiq, Shaista Latif, Ali Badshah, Kawa Ada, Noorin Gulamgaus. Canada, Ireland, Luxembourg MARY AND THE WITCH’S FLOWER (MEARI TO MAJO NO HANA) – Based on Mary Stewart’s 1971 children’s book “The Little Broomstick,” this film tells the story of a young girl who discovers a flower that grants magical powers, but only for one night. DIR Hiromasa Yonebayashi. SCR Riko Sakaguchi, Hiromasa Yonebayashi. CAST Ruby Barnhill, Kate Winslet, Jim Broadbent, Ewen Bremner, Lynda Baron. Japan AFI FEST takes place November 9 to 16, 2017, in the heart of Hollywood. Screenings, Galas and other events will be held at the TCL Chinese Theatre, the TCL Chinese 6 Theatres, the Egyptian Theatre, Dolby Cinema at the Vine, the Mark Goodson Screening Room at the American Film Institute and The Hollywood Roosevelt.
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6th Ithaca Fantastik Announces Lineup, LET THE CORPSES TAN, MY FRIEND DAHMER and More..
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LET THE CORPSES TAN[/caption]
With little more than two weeks to go, the 6th Ithaca Fantastik (IF) taking place November 3 to 12 in Ithaca, NY, unveiled its full features and short film lineup of 37 films from 20 countries.
In LET THE CORPSES TAN, Belgian duo Hélène Cattet and Bruno Forzani pay visual homage to Italian gangster films. Marc Meyers’s award-winning MY FRIEND DAHMER, based on the graphic novel of the same name, follows the teenage years of the budding serial killer. Ryan Prows’s mesmerizing and gritty LA tale LOWLIFE takes viewers on a high-energy organ-harvesting misadventure. And Deborah Haywoods’s beautifully disturbing and deeply personal PIN CUSHION explores intergenerational bullying in a small but toxic English town.
Playing to a full range of IF6’s retrospective theme—Italiano Psichedeliko—with a contemporary eye, Rupert Jones’s murder-mystery, KALEIDOSCOPE, mesmerizes with lush visuals and amazing performances from Sinead Matthews and Toby Jones. Rainer Sarnet’s NOVEMBER plunges vanguard film-lovers into a surrealist maelstrom of faith, witchcraft, and love, while German tale FREDDY/EDDY ushers in a doubled and troubled soul from the mind of Tini Tüllmann.
Any pure horror lovers in the room? Giddens Ko’s MON MON MON MONSTER blows minds with its thoughtful subtext on bullying dressed with gory violence. A Taiwanese echo to Haywoods’s PIN CUSHION, this film takes no prisoners. The same can be said about Gabriela Amaral’s FRIENDLY BEAST: What starts out as a classic social drama makes a sharp turn into more graphic territory demanding self-reflection. And for undead action, Robin Aubert’s LES AFFAMÉS – an art house Zombie film full of deep social commentary—is a brilliant homage to maestro George Romero’s ghoul metaphor.
Sometimes, real life is more Fantastik than fiction. Brad Abrahams’s documentary, LOVE AND SAUCERS, tells the improbable story of David Higgins’ intimate love for an alien and the art that followed. For sheer genre joy, Australian mockumentary TOP KNOT DETECTIVE is Aaron McCann and Dominic Pearce’s madcap love letter to late-night Japanese television—from Lone Wolf and Cub and Mute Samurai to Message from Space and Space Sheriff Gavan.
IF completes this year’s smorgasbord with the crazies: Adolfo Kolmerer and William James’s SNOWFLAKE, the prodigal son of Pulp Fiction and Synecdoche NY, with producer Eric Sonnenburg here for the sceening; Thomas Berg and Frederik Waldeland’s super-weird, laugh-out-loud VAMPYR VIDAR; and Jimmy Henderson’s JAILBREAK with its roots in HK martial arts cinema, Jean Paul Ly’s choreography, dynamic camerawork, and the incisive power of a Tony Jaa elbow strike.
IF also shines a spotlight on BLUE UNDERGROUND, Bill Lustig’s distribution company, with the 4K restoration of Gary Sherman’s DEATH LINE, a direct transfer from the camera negative—as close as you can get to a director’s true vision! Another new 4K transfer, Bob Clark’s DEAD BY NIGHT, offers a deep meditation on the effects of war …with a zombie trope.
Along with this incredible lineup, IF will also present its 2017 art show: THE STRANGE COLORS OF GILLES VRANCKX featuring the work of the Belgian poster genius behind art for Amer, The Strange Colors of Your Body’s Tears, LET THE CORPSES TAN, and more.
INTERNATIONAL COMPETITION
THE ENDLESS (Ithaca Premiere) Aaron Moorhead & Justin Benson, USA THE CRESCENT (Ithaca Premiere) Seth A. Smith, Canada I REMEMBER YOU (Ithaca Premiere) Óskar Thór Axelsson, Iceland PIN CUSHION (East Coast Premiere) Deborah Haywood, UK VAMPYR VIDAR (East Coast Premiere) Thomas Aske Berg & Fredrik Waldeland, Norway FREDDY/EDDY (East Coast Premiere) Tini Tüllmann, Germany FRIENDLY BEAST (US Premiere) Gabriela Amaral, Brazil LES AFFAMÉS (East Coast Premiere) Robin Aubert, Canada SNOWFLAKE (East Coast Premiere) With producer Eric Sonnenburg in attendance! Adolfo J. Kolmerer, GermanyOpening & Closing
TRAGEDY GIRLS (Ithaca Premiere) Tyler McIntyre, USA A DAY (East Coast Premiere) Sun-Ho Cho, South KoreaCinema Pur
HAGAZUSSA: A Heathen’s Curse (Ithaca Premiere) Lukas Feigelfeld, Germany INFLAME (East Coast Premiere) Ceylan Özgün Özçelik, Turkey LET THE CORPSES TAN (East Coast Premiere) Bruno Forzani/Hélène Cattet, Belgium NOVEMBER (Ithaca Premiere) Rainer Sarnet, Iceland/Estonia TIGERS ARE NOT AFRAID (East Coast Premiere) Issa López, Mexico TOP KNOT DETECTIVE (Ithaca Premiere) Aaron McCann & Dominic Pearce, Australia/JapanFantastik Documentary: FOREVER LOVE!
BIGHT OF THE TWIN (Ithaca Premiere) Hazel Hill McCarthy III, USA LOVE AND SAUCERS (East Coast Premiere) Brad Abrahams, USAMidnighters
BRAVESTORM (North American Premiere) Junya Okabe, Japan SAMURAI RAUNI (North American Premiere) Mika Rättö, Finland ZOMBIOLOGY (Ithaca Premiere) Alan Lo, Hong KongFestival Favorite
KALEIDOSCOPE (East Coast Premiere) Rupert Jones, UK JAILBREAK (East Coast Premiere) Jimmy Henderson, Cambodia LOWLIFE (East Coast Premiere) Ryan Prows, USA SEQUENCE BREAK (Ithaca Premiere) With director Graham Skipper in attendance! Graham Skipper, USA MY FRIEND DAHMER (Ithaca Premiere) Marc Meyers, USABLUE UNDERGROUND PRESENTS with Bill Lustig in attendance!
DEATHLINE (Ithaca Premiere) With director Gary Sherman in attendance! Gary Sherman, UK 1972 DEAD OF NIGHT 4K Restoration (North American Premiere) Bob Clark, 1974SHUDDER PRESENTS
Mon Mon Mon Monster (New York Premiere) Giddens Ko, TaiwanITALIANO PSICHEDELIKO: Retrospective
AUTOPSY Armando Crispino, 1975 BABA YAGA Corrado Farina, 1973 DEADLY SWEET Tinto Brass, 1967 LE ORME Luigi Bazzoni, Mario Fanelli 1975 SUSPIRIA Dario Argento, 1977 BLOW UP Michelangelo Antonioni, 1966 DANGER: DIABOLIK Mario Bava, 1968SHORT FILMS
Born of Sin William Boodell – USA Jenny Secoma In: The Blind Spot Jack Warner – USA No Man’s Land: A Folktale Ty Turley – USA/Sierra Leone Popsy Julien Homsy – France Night Encounter Ludovic de Gaillande – France Bestia Gigi Saul Guerrero – Canada Sol Carlos G. Gananian – Brazil Oh, Dear Raquel Fogel – USA Evocation of a Nightmare Wally Chung – USA Waiting for Pascale Guillaume Harvey – Canada Breaker Phillippe McKie – Japan Bon Appétit Erenik Beqiri – Albania Zoey And The Wind-Up Boy Marica Petrey – USA I Am The Doorway Robin Kasparik – Czech Republic Miriam is Going to Mars Michael Lippert – USA Ink Ashlea Wessel – Canada It Began Without Warning Jessica Curtright & Santiago C. Tapia – USA Amy L. Gustavo Cooper – USA Killing Klaus Kinski Spiros Stathoulopoulos – Colombia/Netherlands What Comes From a Swamp Tyler Macri – USA Viola vs. The Vampire King Kevin Fermini – USA Standby Daumon Khakpour & Travis Pulchinski – Canada Sherry Eliane Lima – USA Jules D. Norma Vila – Spain Signal to Noise Jarret Blinkhorn – USA Holiday Fear Nicholas Santos – USA A Father’s Day Mat Johns – UK https://www.youtube.com/watch?v=tMxp2BMuHFk
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Kino Lorber to Release LET THE CORPSES TAN (Laissez bronzer les cadavres) | Trailer
Hélène Cattet and Bruno Forzani’s latest film Let The Corpses Tan (Laissez bronzer les cadavres), has been acquired by Kino Lorber for release in the US, following its North American debut at the 2017 Toronto International Film Festival.
The film stars acclaimed Romanian-American actress Elina Löwensohn (Schindler’s List, A Very Long Engagement), Stéphane Ferrara (Alexander) and Hervé Sogne (SK1, JCVD) and was photographed in cinemascope by Manuel Dacosse (Amer, Evolution, Axolotl Overkill), the directors’ longtime director of photography.
A gang of thieves absconding with 250kg of stolen gold arrives at the abode of a listless artist caught in a bohemian love triangle. The scenario quickly escalates into a desperate day-long firefight between cops and robbers throughout the remote ruins of a Mediterranean hamlet — and genre and art-house tropes collide in a relentless reverie of action spectacle, exquisitely photographed on Super 16mm film. TIFF
This eagerly anticipated follow up to Amer (2009) and The Strange Color of Your Body’s Tears (2013) had its world premiere at the 2018 Locarno International Film Festival and a U.S. premiere at Fantastic Fest, in Austin, TX.
Let The Corpses Tan will play at other upcoming fall and winter festivals before a summer 2018 theatrical release – followed by a fall SVOD, VOD and physical media launch.
https://www.youtube.com/watch?v=8Cx48AN5_y8
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Alexander Payne’s DOWNSIZING to Close + Final Wave of Films Announced for 2017 Fantastic Fest
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DOWNSIZING[/caption]
The 2017 Fantastic Fest announced its final wave of films, along with Alexander Payne’s miniature masterpiece DOWNSIZING as the closing night film. Rounding out a trio of Fantastic-Fest first-timers making their way to Austin is Cory Finley and his jaw dropping debut THOROUGHBRED, and fan-favorite tough guy extraordinaire Frank Grillo for the World Premiere of his nail-biting getaway drama, WHEELMAN.
In keeping with world premieres, Fantastic Fest announced a fistful of titles that will receive their big screen bows. Screen great Barbara Crampton will be in attendance with director Bradford Baruh for a ride in his chilling APPLECART, featuring over forty minutes of zero gravity footage; Russia’s SALYUT-7 is guaranteed to pop 3D eyes; HAUNTERS: THE ART OF THE SCARE walks us through the world’s most terrifying haunted houses; and TIGERS ARE NOT AFRAID delivers a contemporary fairytale from within the world of the mexican cartels.
“I’m incredibly proud of the vast array of filmmaking on display in this year’s program,” said Fantastic Fest Creative Director Evrim Ersoy. “From the most highly acclaimed studio titles to the smallest independent debuts, it’s exhilarating to embrace unique creativity from the four corners of the world. Bringing filmmakers together in a program that highlights the increasing diversity of cinema is truly an honor that we can’t wait to share with our audience.”
Female filmmakers once again deliver powerful voices with three of the most dynamic films of the festival. Angel Robinson will be in attendance to share the controversially kinky true story behind the year’s biggest superhero with PROFESSOR MARSTON & THE WONDER WOMEN; Lisa Bruhlmann makes a stunning entrance with her fantastical coming-of-age debut BLUE MY MIND; and not to be outdone, first time feature-maker Coralie Fargeat turns the revenge genre upside down with her outrageous femme fatale fiesta, REVENGE.
A mainstay of Fantastic Fest has been showcasing world cinema’s finest exports and this year is no exception. Asia basks in the glory of master Kiyoshi Kurosawa’s return to the apocalyptic fold with BEFORE WE VANISH (Japan), while his countryman Sôichi Umezawa delivers the outlandish midnight spectacle of VAMPIRE CLAY (Japan). South Korea represents with the year’s toughest crime caper, THE MERCILESS, and serial killer shocker V.I.P., while NYAFF award-winner BAD GENIUS represents Thailand. And Taiwan shows school students no mercy with the hyper-violent MON MON MON MONSTERS. Not to be outdone, Europe comes out swinging with Hungarian auteur Kornél Mundruczó’s follow up to WHITE GOD, the stunning JUPITER’S MOON, French filmmakers Hélène Cattet & Bruno Forzani splash their hyper-stylized western LET THE CORPSES TAN across the screen and Norway’s Joachim Trier delivers one of the most quietly impressive films of the year, the assured THELMA.
The world premiere of Don Hertzfeldt’s WORLD OF TOMORROW EPISODE 2: THE BURDEN OF OTHER PEOPLE’S THOUGHTS highlights an animated sidebar that pushes the medium into brave new spaces. Rounding out the fantastical trio is the debut feature from Studio Ponoc, MARY AND THE WITCHES FLOWER, from ex Studio Ghibli key animator Hiromasa Yonebayashi, and JUNK HEAD, Takahide Hori’s claymation feature that took him over seven years to complete, entirely by himself.
American Genre Film Archive makes its triumphant return to Fantastic Fest with two movies that will rot your libido in the best way. BAT PUSSY, the world’s first X-rated parody, shares the spotlight the world premiere of a brand new 2K transfer of one of the most sought-after lost films in the history of exploitation cinema in a very special secret screening. Additional rep titles include the world premiere of the Takashi Miike-approved 4K restoration of ICHI THE KILLER, the digital remaster of the seminal Indian cult movie BAASHA, and Jean Rollin’s THE NUDE VAMPIRE, presented by Kier-la Janisse in celebration of her new book Lost Girls: The Phantasmagorical Cinema of Jean Rollin.
True to form, Fantastic Fest will be re-writing reality once more with a crowded cornucopia of events that invade all corners of the fest. Gross-out grub-gorging spectacle Puke and Explode rumbles once more, notorious VHS archival warriors Everything is Terrible return with an all-new show to both delight and horrify. Comedy legend Gilbert Gottfried will be performing and screening the incredible biographical doc GILBERT, and the seminal Fantastic Debates marks its 10-year anniversary of polemic pugilism in spectacular fashion.
FINAL WAVE OF FILM:
AGFA + SOMETHING WEIRD PRESENT: BAT PUSSY and SECRET SCREENING American Genre Film Archive makes its triumphant return to Fantastic Fest with two movies that will rot your libido in the best way. BAT PUSSY, the world’s first X-rated parody, is what happens when an anonymous smut producer gets inspired by the 1960s BATMAN TV show but only has $5. It’s also what happens when your wildest dreams and most horrifying nightmares collide in an explosion of flaccid stupefaction. Next up, after years of detective work, AGFA presents the world premiere of a brand new 2K transfer of one of the most sought-after lost films in the history of exploitation cinema. LOST GIRLS Book Launch: THE NUDE VAMPIRE presented by Kier-la Janisse THE NUDE VAMPIRE France, 1970 Repertory, 88 min Director – Jean Rollin Jean Rollin’s THE NUDE VAMPIRE (1970) follows a sinister businessman who’s keeping a young vampire girl captive and experimenting on her in the hope that he finds the key to eternal life. The film will be screened in celebration of the launch of the new book from publisher Spectacular Optical, LOST GIRLS: THE PHANTASMAGORICAL CINEMA OF JEAN ROLLIN, the first examination of Rollin’s work to be written by all women critics, scholars and film historians, and will be introduced by the book’s publisher Kier-La Janisse. 3FT BALL & SOULS Japan, 2017 International Premiere, 93 min Director – Yoshio Kato Four strangers come together to commit suicide using explosives. But they discover that every time they blow up, they’re sent back to just before they killed themselves. APPLECART USA, 2017 World Premiere, 86 min Director – Bradford Baruh An idyllic weekend vacation to a secluded cabin turns deadly when the Pollack family discovers an unconscious woman whose sinister plans will pit the family members against each other. BAASHA India, 1995 Repertory/International Premiere, 165 min Director – Suresh Krissna Superstar Rajinikanth plays a rickshaw driver with a history of violence in this genre-defining musical gangster romance epic from the director of AALAVANDHAN. BAD GENIUS Thailand, 2017 Texas Premiere, 130 min Director – Nattawut Poonpiriya A quartet of high school students are better at cheating than anything you’ve ever done in your life in this epic nail-biter about the standardized tests that level the playing field for all kids, smart and dumb, rich and poor. BEFORE WE VANISH Japan, 2017 North American Premiere, 129 min Director – Kiyoshi Kurosawa Kurosawa’s latest film is a sci-fi thriller about an invasion in which aliens must come to understand humanity through understanding human emotion — most importantly, our collective capacity for love. BLUE MY MIND Switzerland, 2017 North American Premiere, 97 min Director – Lisa Brühlmann BLUE MY MIND follows 15-year-old Mia (Luna Wedler) as she undergoes a life-changing transformation, one that leaves her examining her body and her very existence in a new light. BRIMSTONE & GLORY Mexico, USA, 2017 Regional Premiere, 67 min Director – Viktor Jakovleski Tultepec is a small Mexican town that celebrates its love of fireworks with a yearly week-long festival. This festival is captured in a glorious documentary that is pure cinema. THE CURED Ireland, UK, France, 2017 US Premiere, 95 min Director – David Freyne A zombie virus has hit the world… but it has been cured. What’s next for the ex-zombies who have returned to normal? David Freyne’s debut feature throws lots of food for thought into the mouth of your mind. DARKLAND Denmark, 2017 US Premiere, 113 min Director – Fenar Ahmad An Iraqi doctor in Denmark seeks vigilante justice for his brother’s murder when the police come up short, biting off more than he can chew in a world of gangs, drugs and underground fight rings. FIRSTBORN Latvia, 2017 North American Premiere, 90 min Director – Aik Karapetian Provocative Latvian director Aik Karapetian returns to Fantastic Fest with a new thriller that explores how far a meek architect will go to protect his dignity in the eyes of his wife in the aftermath of an attack. FIVE FINGERS FOR MARSEILLES South Africa, 2017 US Premiere, 120 min Director – Michael Matthews A troubled young man returns to the town he fled as a youth and is forced to confront his past (and the town’s difficult future) in this gorgeous Xhosa language western. GEMINI USA, 2017 Special Screening, 93 min Director – Aaron Katz Our understandings of friendship, truth and celebrity are challenged when a heinous crime tests the complex relationship between a tenacious personal assistant (Lola Kirke) and her Hollywood starlet boss (Zoe Kravitz) in Aaron Katz’s latest. GILBERT USA, 2017 Regional Premiere, 99 min Director – Neil Berkeley GILBERT is the story of Gilbert Gottfried as never seen before, both a behind-the-scenes documentary and a poignant look at the life of a comedian who has more layers than most people can imagine. GOOD MANNERS Brazil, France, 2017 North American Premiere, 135 min Directors – Juliana Rojas & Marco Dutra When lonely nurse Clara is hired as a nanny by wealthy Ana, she hardly expects anything like the friendship she finds with the lonely, pregnant woman. However, both women have dark secrets which will engulf all that they hold dear. HAUNTERS: THE ART OF THE SCARE USA, 2017 World Premiere, 88 min Director – Jon Schnitzer Delving behind the scenes of one of America’s most beloved seasonal pastimes, HAUNTERS shows the world of the people who make the scariest houses, mazes and experiences that range from the traditional to the controversial. ICHI THE KILLER – 4K RESTORATION Japan, 2001 Repertory/World Premiere of Restoration, 129 min Director – Takashi Miike The yakuza occupy a murky universe with more twists and turns than the Shinjuku alleys they call home. The mysterious disappearance of a Tokyo mob boss triggers a hunt to find him, dead or alive. The search leads to the city’s most depraved clubs and sex dens and eventually to Ichi, the schizophrenic hitman behind the crime. Even more shocking is the discovery that the mastermind who hired Ichi is a fellow gangster out for revenge. JUNK HEAD Japan, 2017 US Premiere, 114 min Director – Takahide Hori Humanity is dying. It’s been 1200 years since our rebellious clone workforce moved underground, and the only way we can survive is by plunging into the depths to learn more about our terrifying creations. JUPITER’S MOON Hungary, Germany, 2017 North American Premiere, 123 min Director – Kornél Mundruczó The most ambitious science fiction film of the year is also perhaps the most visually stunning. Aryan is a refugee who finds himself with the power to levitate after being shot. Stern is a disgraced, corrupt doctor. The two will meet and alter the entire world. LES AFFAMES Canada, 2017 US Premiere, 100 min Director – Robin Aubert In the remote Quebec countryside, things are not well. A plague has infected the land, affecting almost all the residents of a small village. The survivors have to navigate their new existence as well as deal with the infected with an appetite for flesh. LET THE CORPSES TAN Belgium, France, 2017 US Premiere, 92 min Directors – Hélène Cattet & Bruno Forzani On a beautiful corner of the Mediterranean, Rhino and his men take refuge after the robbery of 250 kilograms of gold. The plan is simple: Wait and split. But some unwanted visitors are about to turn this idyllic corner into a bloodbath. LETTERKENNY Canada, 2016 US Premiere, 151 min Director – Jacob Tierney The spiritual successors to STRANGE BREW’s Bob and Doug MacKenzie, the rural residents of the fictitious town of LETTERKENNY deliver a hysterical slice of Canadiana in the comedy phenomenon chronicling the daily problems of hicks, skids, hockey players and Christians. THE LINE Slovakia, Ukraine, 2017 North American Premiere, 112 min Director – Peter Bebjak One line is literal, the border between Slovakia and Ukraine. Criminal Adam Krajnak (Tomas Mastalir) crosses it often, smuggling product and people. The other line is metaphorical, and crossing it leads to a death spiral of violence and vengeance. LOVE AND SAUCERS USA/Canada, 2017 Texas Premiere, 67 min Director – Brad Abrahams David Huggins, a 72-year-old man who claims to have lost his virginity as a young man to an extraterrestrial being, turned to art to express his interspecies romance and lifelong relationship with the otherworldly. MARY AND THE WITCH’S FLOWER Japan, 2017 North American Premiere, 102 min Director – Hiromasa Yonebayashi Directing the first film out of Studio Ponoc, Hiromasa Yonebayashi (WHEN MARNIE WAS THERE) creates the dazzling and heartwarming story of an ordinary girl who becomes an extraordinary witch. THE MERCILESS South Korea, 2017 North American Premiere, 117 min Director – Byun Sung-hyun Cribbing liberally from the history of gangster films, Byun Sung-hyun’s hard-boiled Korean crime saga is filled with all manner of murder, deceit, double and triple crosses… and, oh yeah, slap-fighting. MOM AND DAD USA, 2017 US Premiere, 83 min Director – Brian Taylor Selma Blair and Nicolas Cage are seemingly ideal parents until an unknown force causes their town’s adults to murder their offspring. MON MON MON MONSTERS Taiwan, 2017 Regional Premiere, 112 min Director – Giddens Ko A bullied schoolboy is teamed up with his tormentors to do community social work. While on duty, they encounter a strange creature which they kidnap, and take bullying to a whole new level. THE PRINCE OF NOTHINGWOOD France, Germany, 2017 US Premiere, 85 min Director – Sonia Kronlund Meet Salim Shaheen: Afghani auteur, prolific actor and one-man moviemaking industry. Along with his trusted troupe of actors, he defies all the odds in the Middle East to fulfill his dreams of making movies. PROFESSOR MARSTON & THE WONDER WOMEN USA, 2017 US Premiere, 108 min Director – Angela Robinson In a superhero origin tale unlike any other, this film is the incredible true story of what inspired Harvard psychologist Dr. William Moulton Marston to create the iconic Wonder Woman character in the 1940s. RABBIT Australia, 2017 International Premiere, 99 min Director – Luke Shanahan After a full year, Maude is still stricken by visions of her sister Cleo’s kidnapping. Believing that Cleo is still alive, Maude undergoes a suspenseful journey to find her in this stunning, atmospheric feature debut from Luke Shanahan. RADIUS Canada, 2017 US Premiere, 91 min Directors – Caroline Labrèche & Steeve Léonard When a man wakes up from a car crash with no memory of what happened, his first instinct is to find help. However, as he gets closer to civilization and other people, an ugly truth will rear its head and affect all those who surround him. REVENGE France, 2017 US Premiere, 108 min Director – Coralie Fargeat Three rich male thrill-seekers discover that Jennifer isn’t the human sex doll that they assumed she was when they invited her on their isolated hunting getaway. Jennifer teaches them fundamental lessons about consent in a manner that they — and we — won’t soon forget. RIFT Iceland, 2017 Texas Premiere, 111 min Director – Erlingur Thoroddsen After a phone call from his ex wakes him late one night, Gunnar drives out to a secluded vacation cottage to save Einar from himself, but what awaits him there is mystery and confusion. SALYUT-7 Russia, 2017 World Premiere, 119 min Director – Klim Shipenko Based on a true story, SALYUT-7 is the little-known mission to dock with an unmanned space station in order to stop it from crashing into Earth, a feat never before attempted in space history. THELMA Norway, 2017 Texas Premiere, 116 min Director – Joachim Trier A conservative young woman attending college in Oslo begins to fall in love while discovering her burgeoning supernatural powers in a stunning new film from Norway. THOROUGHBRED USA, 2017 Austin Premiere, 92 min Director – Cory Finley Two teenage girls in suburban Connecticut rekindle their unlikely friendship after years of growing apart. In the process, they learn that neither is what she seems to be, and that a murder might solve both of their problems. TIGERS ARE NOT AFRAID Mexico, 2017 World Premiere, 83 min Director – Issa López When her mother suddenly disappears with no one to care for her, young Estrella ends up on the street and joins a gang of children, triggering a dangerous and tragic chain of events in the third feature from Mexican filmmaker Lopez. UNDER THE TREE Iceland, Denmark, Poland, Germany, 2017 US Premiere, 89 min Director – Hafsteinn Gunnar Sigurðsson On the outskirts of Reykjavik, the shadow cast by a tree triggers a feud between two neighboring families, with tragic and darkly comic consequences. V.I.P. South Korea, 2017 International Premiere, 128 min Director – Hoon-jung Park A notorious serial killer who happens to be the son of a defecting DPRK official sends South Korea’s National Intelligence, police from both states and even international brass into a mad political scramble in this thrilling neo-noir. VAMPIRE CLAY Japan, 2017 US Premiere, 80 min Director – Soichi Umezawa A class of art school hopefuls is stalked by blood-thirsty, flesh-hungry clay in this bizarre practical effects-heavy horror assault from THE ABCs OF DEATH 2 segment director and longtime special makeup effects artist Umezawa. VIDAR THE VAMPIRE Norway, 2017 Texas Premiere, 82 min Directors – Thomas Aske Berg & Fredrik Waldeland Christian farmer Vidar has a boring life, living with his mom and tending sheep. When he wishes for more excitement he wakes up undead, hangs out with vampire Jesus and discovers that sometimes the party can go on too long. WHEELMAN USA, 2017 World Premiere, 82 min Director – Jeremy Rush Frank Grillo (KINGDOM; CAPTAIN AMERICA: CIVIL WAR) stars as the wheelman, a getaway driver thrust into a high stakes race to survive after a bank robbery goes terribly wrong. With a car full of money and his family on the line, the clock is ticking to figure out who double-crossed him and the only person he can trust… his 14-year-old daughter. All reasons to think fast and drive faster. WORLD OF TOMORROW EPISODE TWO: THE BURDEN OF OTHER PEOPLE’S THOUGHTS USA, 2017 World Premiere, 22 min Director – Don Hertzfeldt The highly anticipated follow-up to Don Hertzfeldt’s Oscar-nominated WORLD OF TOMORROW finds Emily Prime swept into the brain of an incomplete backup clone of her future self, who’s on a mission to reboot her broken mind. Continuing the tradition of the first film, WORLD OF TOMORROW EPISODE TWO was written entirely around candid audio recordings of Hertzfeldt’s five-year-old niece.
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2017 London Film Festival Unveils Lineup of 242 Feature Films + 128 Shorts
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The Meyerowitz Stories (New and Selected)[/caption]
The 61st BFI London Film Festival today announced its full program, featuring a diverse selection of 242 feature films including 46 documentaries, 6 animations, 14 archive restorations and 16 artists’ moving image features. The program also includes 128 short films, and 67 countries are represented across short film and features.
Alongside the Galas, Special Presentations and films in Competitions, the Festival will show a range of new cinema in sections aka strands titled Love, Debate, Laugh, Dare, Thrill, Cult, Journey, Experimenta and Family. In 2017, the LFF debuts a new strand, Create, featuring films that celebrate artistic practice in all its channels and forms the electricity of the creative process, reflecting London’s position as one of the world’s leading creative cities.
Audiences will have the opportunity to hear some of the world’s creative leaders through the Festival’s acclaimed talks’ series LFF Connects, which features artists working at the intersection of film and other creative industries, and Screen Talks, a series of in-depth interviews with leaders in contemporary cinema. Participants this year include Julian Rosefeldt & Cate Blanchett, David Fincher, Demis Hassabis, Nitin Sawhney, Johan Knattrup Jensen, Ian McEwan and Takashi Miike.
OFFICIAL COMPETITION
Robin Campillo, 120 BPM (BEATS PER MINUTE) Vivian Qu, ANGELS WEAR WHITE Majid Majidi, BEYOND THE CLOUDS (World Premiere) Nora Twomey, THE BREADWINNER (European Premiere) Juliana Rojas, Marco Dutra, GOOD MANNERS Xavier Beauvois, THE GUARDIANS (European Premiere) Andrew Haigh, LEAN ON PETE Andrey Zvyagintsev, LOVELESS Azazel Jacobs, THE LOVERS (European Premiere) Warwick Thornton, SWEET COUNTRY Cory Finley, THOROUGHBRED (International Premiere) Annemarie Jacir, WAJIBFIRST FEATURE COMPETITION
Daniel Kokotajlo, APOSTASY Léa Mysius, AVA Michael Pearce, BEAST (European Premiere) Ofir Raul Graizer, THE CAKEMAKER Gilles Coulier, CARGO Kogonada, COLUMBUS Rungano Nyoni, I AM NOT A WITCH Léonor Serraille, JEUNE FEMME Ana Asensio, MOST BEAUTIFUL ISLAND Carla Simón, SUMMER 1993 Hlynur Pálmason, WINTER BROTHERS John Trengove, THE WOUNDDOCUMENTARY COMPETITION
Maryam Goormaghtigh, BEFORE SUMMER ENDS Elvira Lind, BOBBI JENE Arash Kamali Sarvestani, Behrouz Boochani, CHAUKA, PLEASE TELL US THE TIME (International Premiere) Radu Jude, THE DEAD NATION Shevaun Mizrahi, DISTANT CONSTELLATION Frederick Wiseman, EX LIBRIS – THE NEW YORK PUBLIC LIBRARY Agnès Varda, JR, FACES PLACES Austin Lynch, Matthew Booth, GRAY HOUSE Brett Morgen, JANE (European Premiere) Lucy Cohen, KINGDOM OF US (World Premiere) Emmanuel Gras, MAKALA Sonia Kronlund, THE PRINCE OF NOTHINGWOODSHORT FILM AWARD
Gabriel Abrantes, THE ARTIFICIAL HUMORS Phil Collins, DELETE BEACH Billie Pleffer, FYSH (International Premiere) Anna Cazenave Cambet, GABBER LOVER Karishma Dube, GODDESS Aegina Brahim, LAWS OF THE GAME Jonathan Vinel, MARTIN CRIES Patrick Bresnan THE RABBIT HUNT Moin Hussain, REAL GODS REQUIRE BLOOD Kibwe Tavares, ROBOT & SCARECROW Kazik Radwanski, SCAFFOLD Harry Lighton, WREN BOYS (World Premiere) The Festival program is organized in strands: Love, Debate, Laugh, Dare, Thrill, Cult, Journey, Create, Family, Treasures and Experimenta.LOVE
The Love Gala is the European Premiere of Dominic Cooke’s quietly heart-breaking film debut ON CHESIL BEACH. Saoirse Ronan and rising actor Billy Howle star as a young couple in the early 1960s struggling to physically connect on their honeymoon, impeccably adapted for the big screen by Ian McEwan from his own Man Booker-shortlisted novela. Other highlights in this section include: CLOSE-KNIT, Naoko Ogigami’s quietly subversive and emotionally rich portrait of a transwoman whose maternal feelings are stirred by the arrival of her boyfriend’s 11-year-old niece; THE GROWN-UPS, Maïte Alberdi’s tender and bittersweet documentary portrait of Chileans Anita and Andres, who have Down’s syndrome and are very much in love; the World Premiere of Carlos Marques Marcet’s ANCHOR AND HOPE, a London-set story about modern love and family featuring Oona Chaplin; John Cameron Mitchell’s cosmic ride HOW TO TALK TO GIRLS AT PARTIES, sees aliens have landed in 1970s Croydon in a funny, energetic love story starring Elle Fanning, Alex Sharp and Nicole Kidman; the World Premiere of JOURNEYMAN, features Paddy Considine following up his acclaimed debut Tyrannosaur with the story of a boxer who must rebuild his life after a near-fatal injury; GOING WEST, a World Premiere from Norwegian newcomer Henrik Martin Dahlsbakken who delivers a sweetly delicious road movie; LET THE SUNSHINE IN, Claire Denis’ darkly witty drama starring Juliette Binoche as an artist caught up in a series of unsatisfying affairs, and David Gordon Green’s rousing yet devastating true-story drama STRONGER featuring a remarkable performance by Jake Gyllenhaal as a survivor of the Boston Marathon bombing.DEBATE
This year’s Debate Gala is Samuel Maoz’s FOXTROT, a film that combines thrilling cinematography with superb performances, and highlights the absurdities of conscripted service. Debate also includes: BIRDS ARE SINGING IN KIGALI, Joanna Kos-Krauze and Krzysztof Krauze’s hard-hitting drama about the intertwined lives of two refugee survivors reeling from the impact of the Rwandan genocide and containing powerful central performances; the World Premiere of THE CLIMB, Michael Woodward’s debut documentary that charts Greenpeace’s daring all-female team that illegally ascended The Shard in protest against petroleum giant Shell’s plans to dig for oil in the Arctic; the World Premiere of THE FORGIVEN, Roland Joffé’s political drama starring Forest Whitaker as Desmond Tutu and Eric Bana as Piet Blomfeld, asking how far we can go in forgiving past crimes; the World Premiere of ISLAND, Steven Eastwood’s haunting and deeply moving documentary combining observational footage with contemplative shots of the costal landscapes of the Isle of Wight, and set among terminally ill cancer patients, and THE VENERABLE W., Barbet Schroeder’s disturbingly illuminating portrait of Buddhist monk Ashin Wirathu, who was known for espousing anti-Muslim hatred.LAUGH
This year’s Laugh Gala is Noah Baumbach’s THE MEYEROWITZ STORIES (NEW AND SELECTED). A stellar cast give uniformly excellent performances, including Dustin Hoffman, Ben Stiller, Adam Sandler, Elizabeth Marvel and Emma Thompson. Through the madcap antics of a neurotic, failure-obsessed clan, Baumbach surfaces bigger questions about how to value family and the meaning of success. Laugh also includes: the World Premiere of Adrian Shergold’s FUNNY COW, which contains a formidable performance from Maxine Peake as an aspiring stand-up comic confronting her violent husband and the sexist Northern England club circuit; INGRID GOES WEST, Matt Spicer’s jet-black stalker comedy brilliantly skewers dangerous obsession and the sham of Instagrammed perfection with wicked and fearless performances from Elizabeth Olsen and Aubrey Plaza; joy and grace flow out of Dustin Guy Defa’s observational comedy drama PERSON TO PERSON, starring Michael Cera as a reporter keen on quoting (his own) heavy metal lyrics; Daan Bakker’s QUALITY TIME is perfect for lovers of experimental and irreverent cinema offering a portmanteau selection of stories of male arrested development; and Henrik Ruben Genz’s WORD OF GOD is set months after the Chernobyl disaster and provides dark and dirty humour where pretty much nothing is off limits.DARE
The Dare Gala is François Ozon’s frisky new thriller, AMANT DOUBLE, a deliciously duplicitous tale of psychoanalysis and seduction that channels the spirits of Hitchcock and De Palma at their naughtiest and stars Jérémie Renier, Marine Vacth and Jacqueline Bisset. Other highlights in the strand include: Eliza Hittman’s BEACH RATS, a gripping investigation of repressed sexual desire in a hyper-masculine environment; Jon Garaño and Aitor Arregi’s touching drama GIANT, set in 19th century Spain and based on the true story of Mikel Jokin Eleizegi, allegedly the tallest man of his time; Semih Kaplanoğlu’s spellbinding dystopian sci-fi, GRAIN in which climate change has caused the nearextinction of human life; Liu Jian’s adult animé HAVE A NICE DAY, a biting, bone-dry satire on contemporary Chinese social mores and featuring plenty of bloodthirsty Tarantino-esque genre thrills; the European Premiere of Bornila Chatterjee’s THE HUNGRY, which reworks Shakespeare’s bloody Titus Andronicus into a macabre modern tragedy set in Northern India; Barbara Albert’s resplendent drama MADEMOISELLE PARADIS, based on the true story of Maria Theresia ‘Resi’ von Paradis, a gifted blind musician and contemporary of Mozart, paraded through Vienna’s courts to perform; Jean Libon and Yves Hinant’s jawdropping and extraordinary documentary SO HELP ME GOD, which details the work of an unorthodox Belgian judge Anne Gruwez as she tackles gruesome crimes, domestic violence and other sordid cases; and WESTERN, director Valeska Grisebach’s contemporary western in which tensions mount between German construction workers and Bulgarian villagers in a small rural town.THRILL
This year’s Thrill Gala is Takashi Miike’s savage and inventive action thriller, BLADE OF THE IMMORTAL, based on the famous manga series by Hiroaki Samurai about a samurai cursed with immortal life and has the distinction of being Miike’s 100th feature film. Thrill also features: the European Premiere of Nattawut Poonpiriya’s Thai teen thriller BAD GENIUS, in which young brainiac Lynn uses a very special set of skills to cheat on behalf of her classmates in the high-stakes world of entrance exams for elite international universities; the European Premiere of Anurag Kashyap’s THE BRAWLER in which a young and talented Indian boxer dreams of being champion, but is knocked sideways when he falls for the niece of the man blocking his road to success; Aaron Katz’s GEMINI in which a heinous crime tests the complex relationship between a tenacious personal assistant, Jill played by Lola Kirke and her Hollywood movie star boss Heather played by Zoë Kravitz; the Safdie brothers’ latest film GOOD TIME features Robert Pattinson as a small-time New York criminal, who after a bank robbery goes seriously wrong, devises a plan to spring his injured accomplice from police custody; Jennifer Peedom’s spectacular documentary MOUNTAIN, is a mind-blowing symphony of images and sound chronicling the powerful attraction mountains hold over us; love, crime and action combine in a taut and twisty thriller-cum-romance in Michaël R. Roskam’s RACER AND THE JAILBIRD starring Adèle Exarchopoulos as Bibi, a young racing driver and Matthias Schoenaerts as Gigi the Jailbird, a dashing playboy with, it seems, time and money to burn; Ian Nelms and Eshom Nelms’ blackly comic, crime noir, SMALL TOWN CRIME (European Premiere) stars John Hawkes as alcoholic former cop Mike, channelling a drunk Columbo who embarks on his own unofficial crime investigation while Octavia Spencer plays his supportive sister Kelly who is starting to lose patience with Mike’s lying, drifting and drinking; and the International Premiere of Xin Yukun’s sophisticated arthouse thriller, WRATH OF SILENCE featuring martial arts maestro Song Yang, as a mute bruiser who returns to his home, a remote farming village, following the disappearance of his son. With tight plotting, memorable characters and an unforgettable climax, director Xin Yukun establishes himself as a new international filmmaker you need to know.CULT
The Cult Gala is Joachim Trier’s subtle shocker THELMA, a supernaturally-tinged tale of a young woman’s macabre coming of age. Other titles in the strand include: S. Craig Zahler’s genre-bending, bone-crunching exercise in slow-burn suspense, BRAWL IN CELL BLOCK 99, starring Vince Vaughn as a former boxer-turned mechanic involved in a drug deal that goes wrong that sees him behind bars; the walking dead get a second chance at life in David Freyne’s debut THE CURED starring Ellen Page in an inventive and surprising post-zombie era drama where a cure has been found for the infected and the rehabilitated are transitioned back into society; the World Premiere of Jeremy Dyson and Andy Nyman’s GHOST STORIES in which they bring their hit London stage play to the big screen, with suitably chilling results. Nyman plays Phillip Goodman, an academic and professional sceptic out to debunk claims of the supernatural , but when he stumbles across a long lost file containing three unsolved cases of the Occult, his whole belief system – not to mention his sanity – is thrown into question; LET THE CORPSES TAN is directing duo Hélène Cattet and Bruno Forzani’s adaptation of JeanPatrick Manchette’s influential 1971 crime novel and the result is a sun-drenched Western-tinged, crimecaper; MY FRIEND DAHMER is director Marc Meyers’ adaptation of John Backderf’s revered graphic novel and is an unnerving portrait of one of America’s most prolific murderers, Jeffrey Dahmer; and Paco Plaza’s much-anticipated new horror film, VERONICA, inspired by an actual unsolved case in Spain and a no-holds barred supernatural shocker.JOURNEY
This year’s Journey Gala is Todd Haynes’ new film WONDERSTRUCK, an enthralling adaptation of Brian Selznick’s acclaimed young adult novel. Featuring Julianne Moore and Michelle Williams in supporting roles alongside a gifted young cast, Oakes Fegley and newcomer Millicent Simmonds, a deaf actress making her film debut, it is both a whimsical children’s film for adults and a refreshingly grown-up film for children. Other Journey titles include: Arshad Khan’s ABU, a compelling documentary about a young Pakistani man’s difficulties in coping with migration and the resultant cultural change, his emerging sexuality and an increasingly orthodox father; Iraqi filmmaker Mohamed Jabarah Al-Daradji’s THE JOURNEY, a taut, thoughtprovoking thriller that tackles what might just be the final moments of a potential suicide bomber’s life; David Batty’s stylish documentary MY GENERATION, presented and narrated by Michael Caine, playfully explores the impact of Britain’s working class cultural revolution in the 1960s and features a wealth of archive footage and a spot-on soundtrack from The Beatles, The Rolling Stones, The Kinks and The Who, which makes for an exhilarating journey back in time; the European Premiere of Egyptian director Amr Salama’s SHEIKH JACKSON, a bittersweet and poignant tale of an Islamist preacher experiencing a crisis of faith following the death of the King of Pop, Michael Jackson; Marc J. Francis and Max Pugh’s fascinating and immersive exploration of mindfulness, WALK WITH ME, featuring narration by Benedict Cumberbatch, follows the daily rituals and routine of Zen master Thich Nhat Hanh and offers a rare insight into life within a monastic community; and the World Premiere of THE WHITE GIRL, where debut director Jenny Suen collaborates with legendary cinematographer Christopher Doyle on an intoxicating and textually rich film.CREATE
The brand new Create strand channels the electricity of the act of creation, celebrating artistic expression in all its forms. The inaugural Create Gala is Michel Hazanavicius’ REDOUBTABLE, an audacious, multi-layered biopic of French cinema’s most notorious director, Jean-Luc Godard. Also in Create: Greg Kohs’ ALPHAGO the story of how Google’s DeepMind team took on Go world champion Lee Sedol, posing questions about whether computers can think creatively and whether there is an algorithm for intuition; the World Premiere of THE BALLAD OF SHIRLEY COLLINS, Rob Curry and Tim Plester’s portrait of one of the great British folks singers who mysteriously lost her voice in 1980; G-FUNK tells the story of how three childhood friends from East Long Beach Warren G, Snoop Dogg and the late great Nate Dogg, transformed hip-hop into a global phenomenon and changed the world; the World Premiere of William Badgely’s HERE TO BE HEARD: THE STORY OF THE SLITS is a riveting film about the game-changing and largely female feminist punk band; Dorota Kobiela and Hugh Welchman’s LOVING VINCENT is a stunning, fully painted animated feature created in the style of Van Gogh’s paintings matching extraordinary style with richly satisfying storytelling, broadcast live from the National Gallery to cinemas nationwide; and Julian Rosefeldt’s MANIFESTO starring Cate Blanchett as thirteen different characters in this energetic tribute to artistic troublemakers.FAMILY
Showcasing films for the young, as well as the young at heart the Family Gala is THE BIG BAD FOX AND OTHER TALES, an outstanding, laugh-a-minute animation from Benjamin Renner and Patrick Imbert, the team behind Ernest & Celestine (LFF 2012, Family Gala) and is guaranteed to appeal to adults as much as it will to children. Other highlights include Chang-yong Moon and Jin Jeon’s beautifully made documentary BECOMING WHO I WAS about a young monk Padma Angdu, who is said to be the latest incarnation of a religious teacher, known as a Rinpoche, and his attempts to reach the home he had in a former life; Xuan Liang and Chun Zhang’s visually breath-taking Chinese animated fantasy, BIG FISH & BEGONIA is as near to the best of Studio Ghibli as you’re likely to find anywhere; Meikeminne Clinckspoor’s family adventure CLOUDBOY is about 12- year-old Niilas who is sent away against his wishes to spend the summer with his estranged mother in Swedish Lapland, among the indigenous reindeer herding Sami people; and winner of the top prize at this year’s Annecy Animation Film Festival, Masaaki Yuasa’s anime LU OVER THE WALL brings human and merfolk together with surprising outcomes. This funky, upbeat tale is full of energy, features cute ‘merdogs’, musical mermaids and a giant humanoid shark and has a really cool soundtrack. This section also includes a program of animated shorts for younger audiences which bring together eclectic, exciting and colourful films from all around the globe.TREASURES
The Treasures selection brings recently restored cinematic classics from archives around the world to the Festival in London. The Archive Gala is the World Premiere of the BFI National Archive restoration of the silent film SHIRAZ: A ROMANCE OF INDIA (1928), a ravishing, romantic tale based on the story of the 17th century Mughal ruler Shah Jahan, his queen and the building of the world’s most beautiful monument to love, the Taj Mahal. Directed by Franz Osten, based on a play by Niranjan Pal and starring and produced by Himansu Rai, the film was shot entirely in India and performed by an all-Indian cast. Other highlights include the World Premieres of the 4K restoration by Sony Pictures Entertainment of Michael Powell and Emeric Pressburger’s A MATTER OF LIFE AND DEATH (1946); the digitally remastered experimental documentary FRANTZ FANON: BLACK SKIN WHITE MASK (1996), directed by artist and filmmaker Isaac Julien, as well as the new 4K restoration, by The BFI National Archive and The Film Foundation, with funding provided by the George Lucas Family Foundation, of Terry Gilliam’s first feature as a solo director, JABBERWOCKY (1977). The Festival will also screen the 4K restoration of Toshio Matsumoto’s FUNERAL PARADE OF ROSES (1969), a wild, kaleidoscopic vision of the underground scene in 1960s Japan and a significant influence on Stanley Kubrick’s A Clockwork Orange and Italian genre-master Dario Argento’s eye-popping slice of technicolour terror, SUSPIRIA (1977) with stunning 4K restoration.EXPERIMENTA
Experimenta features films and videos by artists who transform our experience of seeing moving images. Highlights include: the World Premiere of Benedict Seymour’s DEAD THE ENDS, a politically urgent retelling of Chris Marker’s La Jetée bookended by the 2011 London riots; ERASE AND FORGET, Andrea Luka Zimmerman’s film is an excavation of the influence of fiction on truth in the American imagination of warfare and gun culture; the World Premiere of LEK AND THE DOGS, Andrew Kötting’s account of the ultimate outsider uses a range of visual styles derived from avant garde and genre cinema, and Kevin Jerome Everson’s TONSLER PARK uses an unobtrusive observational style to divulge the mechanisms behind the operation of Election Day at polling stations in Charlottesville, Virginia.
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Toronto International Film Festival Launches 2017 Midnight Madness Lineup, Opens with Joseph Kahn’s BODIED
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Bodied[/caption]
Midnight Madness has just launched its lineup for the 42nd Toronto International Film Festival, and opens with Joseph Kahn’s provocative World Premiere of Bodied. Midnight Madness also presents the World Premiere of The Disaster Artist, directed by James Franco and based on the making of Tommy Wiseau’s 2003 cult film, The Room. Kuplowsky also welcomes back several Festival alumni, including David Bruckner, Ryuhei Kitamura, S. Craig Zahler, Hélène Cattet, and Bruno Forzani. A new film directed by Canadian musician Seth A. Smith of Dog Day will also screen, as well as the Canadian Premiere of the acclaimed short-film Great Choice, which will precede the World Premiere of Brian Taylor’s Mom and Dad, starring Nicholas Cage and Selma Blair. Finally, the section will introduce two new feature filmmakers with Coralie Fargeat’s Revenge and the section’s Closing Night presentation of Sôichi Umezawa’s Vampire Clay.
“We can’t wait to unleash Peter on Midnight Madness audiences,” said TIFF Artistic Director Cameron Bailey. “He’s tracked down 10 films that preserve the section’s legendary kick-out-the-jams approach, while still putting his own ruthless stamp on it. Just watch.”
“With my inaugural lineup, I’ve sought to assemble an eclectic group of films that expand and explode traditional definitions of genre and shock cinema,” said Peter Kuplowsky, Programmer for Midnight Madness. “Starting with Joseph Kahn’s proverbial mic-drop Bodied, a transgressive and self-critical battle rap satire produced by Eminem, and ricocheting between occult rituals and brutal brawls, the tropes across these 10 Midnights may be familiar, but the execution always innovates, be it in their distillation, fragmentation or subversion. Some will terrify, and others may mystify, but all will electrify audiences well past the witching hour.”
Under Kuplowsky’s new direction, Midnight Madness will continue to showcase the classically terrifying, as well as boundary-pushing, stylized and innovative films — wiring up and energizing its loyal late-night fang-club!
The 42nd Toronto International Film Festival runs from September 7 to 17, 2017.
Films screening as part of the Midnight Madness program include:
Midnight Madness Opening Film.
Bodied
Joseph Kahn, USA
World Premiere
Brawl in Cell Block 99
S. Craig Zahler, USA
North American Premiere
The Crescent
Seth A. Smith, Canada
World Premiere
The Disaster Artist
James Franco, USA
World Premiere
Downrange
Ryuhei Kitamura, USA
World Premiere
Great Choice
Robin Comisar, USA
Canadian Premiere
Let the Corpses Tan
Hélène Cattet, Bruno Forzani, Belgium/France
North American Premiere
Mom and Dad
Brian Taylor, USA
World Premiere
Revenge
Coralie Fargeat, France
World Premiere
The Ritual
David Bruckner, UK
World Premiere
Midnight Madness Closing Film.
Vampire Clay
Sôichi Umezawa, Japan
World Premiere