LOVE SIMON

  • ‘BRIAN BANKS,’ ‘ON THE BASIS OF SEX,’ ‘STOLEN DAUGHTERS’ Win HUMANITAS Prize

    ON THE BASIS OF SEX
    ON THE BASIS OF SEX

    The winners of the 44th Annual HUMANITAS Prize were announced on Friday with prizes going to ON THE BASIS OF SEX for Drama Feature Film, LOVE, SIMON for Comedy Feature Film, STOLEN DAUGHTERS: KIDNAPPED BY BOKO HARAM for Documentary, and BRIAN BANKS for Independent Feature Film.

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  • EIGHTH GRADE, THE RIDER, TRANSMILITARY Among Finalists for 44th HUMANITAS Prize

    [caption id="attachment_27753" align="aligncenter" width="1200"]EIGHTH GRADE EIGHTH GRADE[/caption] The HUMANITAS Prize which honors film and television writers whose work inspires compassion, hope, and understanding in the human family, has named fifty-eight film and television writers as finalists for the 44th Annual HUMANITAS Prize.  All Prize winners will be announced at The 44th Annual HUMANITAS Prize event on Friday, February 8, 2019 at The Beverly Hills Hotel in Beverly Hills, CA. Six college students have also been named as finalists for The David and Lynn Angell College Comedy Fellowship and The Carol Mendelsohn College Drama Fellowship. The winning writers in each category will be awarded $20,000 in prize money. HUMANITAS will also honor Marta Kauffman with The Kieser Award and Kenya Barris with the VOICE FOR CHANGE Award. Marta Kauffman is a critically acclaimed writer/director/producer. She won a Primetime Emmy Award for Outstanding Comedy Series for Friends, a series she co-created. She also co-created HBO’s Dream On, was the co-producer for NBC’s Veronica’s Closet, and is the co-creator of Netflix’s Grace and Frankie. Kenya Barris is also a critically acclaimed writer/producer and the creator of ABC’s Black-ish and Grown-ish. He won The HUMANITAS Prize for Black-Ish: “Hope” in 2017. He won the NAACP Image Award for Outstanding Writing in a Comedy Series in 2016/17. He has received three nominations for Outstanding Comedy Series at the Primetime Emmy Awards. Since its inception in 1974, The HUMANITAS Prize has awarded over $3.5 million to more than 360 deserving television and motion picture writers whose work examines what it means to be a fully realized human being in a world struggling with racism, terrorism, sexism, ageism, anti-Semitism, political polarization, religious fanaticism, extreme poverty, violence, and unemployment. By deeply exploring the cultures, lifestyles, sexual orientations, political views, and religious beliefs of people who are very different from ourselves, we can dissolve the walls of ignorance and fear that separate us from one another. All winners, except for those in the Independent Feature Film and College Fellowship categories, designate a non-profit focused on nurturing the next generation of writers to receive their earnings. Past recipients have included Young Storytellers, Film2Future, P.S. Arts, The Heidelberg Project, Rosie’s Theatre Kids, International Documentary Association, and Inside Out Writers. “HUMANITAS enjoyed an embarrassment of riches this year,” said HUMANITAS President Ali LeRoi, “There were so many incredible submissions from such gifted writers.”

    44th Annual HUMANITAS Prize Finalists

    Drama Feature Film Category

    BLACK PANTHER Written by Ryan Coogler & Joe Robert Cole, Based on the Marvel Comics by Stan Lee and Jack Kirby BOY ERASED Screenplay by Joel Edgerton, Based on the memoir Boy Erased by Garrard Conley ON THE BASIS OF SEX Written by Daniel Stiepleman WHAT THEY HAD Written and Directed by Elizabeth Chomko

    Comedy Feature Film Category

    BOUNDARIES Written and Directed by Shana Feste CRAZY RICH ASIANS Screenplay by Peter Chiarelli and Adele Lim, Based on the Novel Crazy Rich Asians by Kevin Kwan EIGHTH GRADE Written and Directed by Bo Burnham LOVE, SIMON Screenplay by Elizabeth Berger & Isaac Aptaker, Based on the Novel Simon vs. The Homo Sapiens Agenda by Becky Albertalli

    Family Feature Film Category

    CHRISTOPHER ROBIN Screenplay by Alex Ross Perry and Tom McCarthy and Allison Schroeder, Story by Greg Brooker and Mark Steven Johnson, Based on the characters created by A.A. Milne and E.H. Shepard INCREDIBLES 2 Written and Directed by Brad Bird ISLE OF DOGS Screenplay by Wes Anderson, Story by Wes Anderson, Roman Coppola, Jason Schwartzman, and Kunichi Nomura MARY POPPINS RETURNS Screenplay by David Magee, Screen Story by David Magee & Rob Marshall & John DeLuca, Based upon the Mary Poppins stories by P.L. Travers

    Independent Feature Film Category

    BRIAN BANKS Written by Doug Atchison LAUGH OR DIE Screenplay by Heikki Kujanpää and Mikko Reitala SORRY TO BOTHER YOU Written and Directed by Boots Riley THE GRIZZLIES Written by Moira Walley-Beckett and Graham Yost THE RIDER Written and Directed by Chloé Zhao

    Documentary Category

    TRANSMILITARY Concept by Fiona Dawson, Written by Jamie Coughlin and Gabriel Silverman, Directed by Gabriel Silverman, Co-Directed by Fiona Dawson STOLEN DAUGHTERS: KIDNAPPED BY BOKO HARAM Written and Produced by Karen Edwards, Directed by Gemma Atwal THE FOURTH ESTATE, “Part 3: American Carnage” Directed by Liz Garbus and Jenny Carchman, Produced by Liz Garbus, Jenny Carchman, Justin Wilkes THE PRICE OF FREE Story by Davis Guggenheim, Derek Doneen, Sarah Anthony, Directed by Derek Doneen, Produced by Davis Guggenheim and Sarah Anthony

    60-minute Drama Category

    GOD FRIENDED ME, “Pilot” Written by Steven Lilien & Bryan Wynbrandt ORANGE IS THE NEW BLACK, “Be Free” Written by Brian Chamberlayne THE GOOD DOCTOR, “More” Written by David Shore & Lloyd Gilyard Jr. THIS IS US, “This Big, Amazing, Beautiful Life” Written by Kay Oyegun

    30-minute Comedy Category

    DEAR WHITE PEOPLE, “Volume 2: Chapter VIII” Written by Jack Moore ONE DAY AT A TIME, “Hello, Penelope” Written by Michelle Badillo & Caroline Levich THE GOOD PLACE, “Jeremy Bearimy” Written by Megan Amram THE MARVELOUS MRS. MAISEL, “Mid-way to Mid-town” Written and Directed by Amy Sherman-Palladino

    Children’s Teleplay Category

    ALEXA & KATIE, “Winter Formal, Part 2” Written by Matthew Carlson MY LITTLE PONY: FRIENDSHIP IS MAGIC, “Surf and/or Turf” Written by Brian Hohlfeld MUPPET BABIES, “You Say Potato, I Say Best Friend” Written by Laura Sreebny Z-O-M-B-I-E-S Written by David Light & Joseph Raso, Based on Zombies & Cheerleaders Written by David Light & Joseph Raso

    The David and Lynn Angell College Comedy Fellowship

    BAND OF MOTHERS – Sabrina Brennan (USC) FERNANDO – Adam Lujan (NYU) HEAD CASE – Ellie Goodman (Northwestern University)

    The Carol Mendelsohn College Drama Fellowship

    RUE PIGALLE – Jessica Shields (Columbia University) THE BARGEMAN – Joe Hemphill (Boston University) WILCOX PARK – Omar Willis (USC)

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  • 2nd SPECTRUM (LGBTQ+)Film Festival Returns to Martha’s Vineyard, Opens with Documentary THE LAVENDER SCARE | Complete Lineup

    [caption id="attachment_28028" align="aligncenter" width="1200"]THE LAVENDER SCARE THE LAVENDER SCARE[/caption] The SPECTRUM (LGBTQ+) Film Festival returns for the 2nd year at the Martha’s Vineyard Film Center in Vineyard Haven, Massachusetts, from Thursday April 26 through Sunday, April 29, 2018.  This year’s Opening Night Event features the new documentary THE LAVENDER SCARE which describes the federal witch hunt for gays and lesbians within all branches of the U.S. government during the McCarthy Era of the 1950s and 1960s. With little regard for its impact on people’s lives, the finger-pointing at gays and lesbians led to ruined careers, shattered families and even death by suicide. Producer/director Josh Howard is scheduled to appear and conduct a post-screening discussion about his film, followed in the Film Center lobby by a wine and dessert reception (sponsored by Tilton Rental). In a major coup, this year’s festival will conclude on Sunday, April 29 with the full-day event, ANGELS IN AMERICA, The National Theatre’s production of the Pulitzer Prize-winning drama recorded last summer in London. Running over seven hours in two parts, this production is the same currently running on Broadway, starring Andrew Garfield and Nathan Lane. Scheduled with a dinner break, patrons from the Cape will have the ability to watch the entire production and still make the last ferry to Woods Hole. New this year are All-Access Passes as well as SPECTRUM festival t-shirts (for which all proceeds benefit MVRHS’s Gay-Straight Alliance to help fund the students’ trip to the Boston Youth Pride Event held at Boston City Hall on May 19). Also, this year, any student age 13 to 21 will receive free admission to any SPECTRUM event. Live music will also be added to this year’s offering as part of the post-show reception following the Friday, April 27 screening of the feature BECKS. Local musicians Siren Mayhew and Sean McMahon will play original music while filmgoers participate in the beer and wine reception (sponsored by MVY Radio). In an effort to help establish a new memorial scholarship for the late Tony Lombardi (who championed the first SPECTRUM Film Festival in 2017), all ticket purchases (both at the door and online) will include an additional one-dollar surcharge per ticket. On Saturday, April 28 at 4:30pm, past and present members of the U.S. Military will receive free admission to TRANSMILITARY at the door (pending availability). This year’s full schedule of events: THURSDAY, APRIL 26 A MILLION HAPPY NOWS (2017) * PG-13 Making its Massachusetts premiere, A MILLION HAPPY NOWS, winner of multiple film festival awards for “Best First Narrative Feature,” tells the story of a veteran soap opera star who retires early in her career to a beach house with her partner/publicist. Her soon-revealed Early Onset Alzheimer’s strains her ability to interact with the public as well as the couple’s relationship – until they find the strength to redefine what they mean to each other. BELIEVER (2018) * not rated In one of its first screenings since this year’s Sundance Film Festival, BELIEVER, a new film by Don Argott, follows Dan Reynolds, lead singer of the American rock band Imagine Dragons, who grew up in the Mormon Church. When he noticed the suicide rate spiking amongst teens in his home state of Utah, Reynolds decided to take on the mission to explore how the Church treated its LGBTQ members. THE LAVENDER SCARE (2017) * not rated In its Massachusetts premiere, THE LAVENDER SCARE, narrated by Glenn Close, details the fear of gays and lesbians in the government during the time of the Cold War, delving into the careers ruined, the families torn apart and the brave few who rose to create the first Gay Rights movement in America. FRIDAY, APRIL 27 LOVE, SIMON (2018) * PG-13 In the first Hollywood studio film centered on a gay teen protagonist, LOVE, SIMON is based on a best-selling YA novel, in which a high school boy keeps a huge secret from his family, his friends, and all of his classmates: he’s gay. When that secret is threatened, Simon must face everyone and come to terms with his identity. BECKS (2017) * PG-13 After a breakup with her girlfriend, a Brooklyn musician (Tony Award-winner Lena Hall) moves back with her Midwestern mother (Oscar-winner Christine Lahti). As she navigates her hometown, playing for tips in a friend’s bar, an unexpected relationship begins to take shape. SATURDAY, APRIL 28 TRANSMILITARY (2018) * not rated Currently, over active 15,000 service members in the U.S Armed Forces identify themselves as transgendered. In one of its first screenings since its premiere at last month’s SXSW Festival, the award-winning documentary TRANSMILITARY follows the story of four outstanding soldiers as they contend with a bureaucracy of ignorance and rules that defy their understanding of Self. DISOBEDIENCE (2018) * R Directed by Sebastián Lelio (director of the Oscar-winning A FANTASTIC WOMAN) and based on the best-selling novel, DISOBEDIENCE follows a rabbi’s non-practicing, lesbian daughter (Rachel Weisz) as she returns to the world of the Orthodox Jewish community in London, only to find her former lover (Rachel McAdams) married to her cousin. SUNDAY, APRIL 29 ANGELS IN AMERICA (2017) * not rated Winner of the Pulitzer Prize for Drama and considered to be one of the most important plays of the last hundred years, ANGELS IN AMERICA was captured live in performance on the London stage last summer. Starring Andrew Garfield and Nathan Lane, ANGELS IN AMERICA is a complex, symbolic look at homosexuality and AIDS in America in the 1980s. Over seven-hours long, this epic event is performed in two parts and is the same production that is simultaneously playing on Broadway: Part One: Millennium Approaches has a running time of 3 hours and 30 minutes (including two intermissions) and begins at 12:30pm. There will be a 75-minute break for dinner from 4:00pm to 5:15pm. Part Two: Perestroika has a running time of four hours (including two intermissions) and begins at 5:15pm, ending at 9:15pm – in time to allow Cape patrons to take the 9:30pm ferry from Vineyard Haven to Woods Hole.

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