Motherland (Gimtine)(2019)

  • Justine Triet’s ‘Anatomy of a Fall’ Sweeps European Film Awards Winning European Film, Director, Actress for Sandra Hüller

    Anatomy of a Fall directed by Justine Triet
    Anatomy of a Fall directed by Justine Triet

    Anatomy of a Fall by Justine Triet was the big winner of the night at European Film Awards 2023, winning five awards including European Film, Director, Actress for Sandra Hüller, Scriptwriter and the Excellence Award for Editing.

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  • 14 Documentary Films Eligible for European Film Awards 2023 – Four Daughters, Motherland, Paradise

    Four Daughters (Les Filles D'olfa) directed by Kaouther Ben Hania
    Four Daughters (Les Filles D’olfa)

    European Film Academy has selected 14 feature-length documentary films to comprise the Documentary Film Selection for the European Film Awards 2023. The European Film Awards, honorring the greatest achievements in European cinema, will be presented on December 9 in Berlin.

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  • Celine Song’s Past Lives to Open Seattle International Film Festival 2023 Lineup

    Past Lives directed by Celine Song
    Past Lives directed by Celine Song

    The 49th Seattle International Film Festival, taking place held May 11-21, 2023, will screen 264 films representing 74 countries, including 94 narrative features, 45 documentaries, four archival films, two secret screenings, and 125 short films.

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  • HOW TO BE A GOOD WIFE Starring Juliette Binoche Kicks off Lineup for All Virtual 2020 AFI European Union Film Showcase

    HOW TO BE A GOOD WIFE starring Juliette Binoche
    HOW TO BE A GOOD WIFE starring Juliette Binoche

    This year’s 2020 AFI European Union Film Showcase will take place as a virtual event from December 2–20 featuring 48 films representing 25 EU member states. Now in its 33rd year, the Showcase, one of the largest and long-running showcases of European cinema in the United States, has typically taken place at the historic AFI Silver Theatre and Cultural Center in Silver Spring, MD.

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  • BEANPOLE, ROY COHN Doc, LIL’ BUCK Among 30 Films in Competition at Cleveland Film Festival 2020

    Bully. Coward. Victim. The Story of Roy Cohn
    Bully. Coward. Victim. The Story of Roy Cohn

    The 44th Cleveland International Film Festival which runs March 25 to April 5, 2020 at Tower City Cinemas, announced its feature film juried competitions. Thirty films are included in three competitions, with $30,000 in cash prizes available.

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  • CALL ME BY YOUR NAME Leads Nominations for 2018 Film Independent Spirit Awards

    Call Me By Your Name
    Call Me By Your Name

    Call Me by Your Name leads the nominations for the 2018 Film Independent Spirit Awards with eight nods including Best Director and Best Feature. 

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  • 170 Documentary Feature Films Submitted for 90th Academy Awards

    [caption id="attachment_25315" align="aligncenter" width="1200"]Gaga: Five Foot Two Gaga: Five Foot Two[/caption] One hundred seventy features have been submitted for consideration in the Documentary Feature category for the 90th Academy Awards. A shortlist of 15 films will be announced in December. Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories. Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018. The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide. The submitted features, listed in alphabetical order, are: Abacus: Small Enough to Jail Aida’s Secrets Al Di Qua All the Rage All These Sleepless Nights AlphaGo The American Media and the Second Assassination of President John F. Kennedy And the Winner Isn’t Angels Within Architects of Denial Arthur Miller: Writer Atomic Homefront The B-Side: Elsa Dorfman’s Portrait Photography Bang! The Bert Berns Story Bending the Arc Big Sonia Bill Nye: Science Guy Birthright: A War Story Bobbi Jene Bombshell: The Hedy Lamarr Story Born in China Born to Lead: The Sal Aunese Story Boston Brimstone & Glory Bronx Gothic Burden California Typewriter Can’t Stop, Won’t Stop: A Bad Boy Story Casting JonBenet Chasing Coral Chasing Trane Chavela Citizen Jane: Battle for the City City of Ghosts Clive Davis: The Soundtrack of Our Lives Cries from Syria Cruel & Unusual Cuba and the Cameraman Dawson City: Frozen Time Dealt The Death and Life of Marsha P. Johnson Destination Unknown Dina Dolores Dream Big: Engineering Our World A Dying King: The Shah of Iran Eagles of Death Metal: Nos Amis (Our Friends) Earth: One Amazing Day 11/8/16 Elian Embargo Eric Clapton: Life in 12 Bars Escapes Everybody Knows… Elizabeth Murray Ex Libris – The New York Public Library Extraordinary Ordinary People Faces Places The Farthest The Final Year Finding Oscar 500 Years Food Evolution For Ahkeem The Force The Freedom to Marry From the Ashes Gaga: Five Foot Two A German Life Get Me Roger Stone Gilbert God Knows Where I Am Good Fortune A Gray State Hare Krishna! The Mantra, the Movement and the Swami Who Started It All Harold and Lillian: A Hollywood Love Story Hearing Is Believing Hell on Earth: The Fall of Syria and the Rise of ISIS Human Flow I Am Another You I Am Evidence I Am Jane Doe I Called Him Morgan Icarus If You’re Not in the Obit, Eat Breakfast The Incomparable Rose Hartman An Inconvenient Sequel: Truth to Power Intent to Destroy Jane Jeremiah Tower The Last Magnificent Jim & Andy: The Great Beyond – Featuring a Very Special, Contractually Obligated Mention of Tony Clifton Joan Didion: The Center Will Not Hold Joshua: Teenager vs. Superpower Karl Marx City Kedi Keep Quiet Kiki LA 92 The Last Dalai Lama? The Last Laugh Last Men in Aleppo Legion of Brothers Let It Fall: Los Angeles 1982 – 1992 Let’s Play Two Letters from Baghdad Long Strange Trip Look & See Machines Man in Red Bandana Mr. Gaga: A True Story of Love and Dance Motherland Mully My Scientology Movie Naples ’44 Neary’s – The Dream at the End of the Rainbow Night School No Greater Love No Stone Unturned Nobody Speak: Trials of the Free Press Nowhere to Hide Obit Oklahoma City One of Us The Paris Opera The Pathological Optimist Prosperity The Pulitzer at 100 Quest Rancher, Farmer, Fisherman The Rape of Recy Taylor The Reagan Show Restless Creature: Wendy Whelan Risk A River Below Rocky Ros Muc Rumble: The Indians Who Rocked the World Santoalla School Life Score: A Film Music Documentary Served Like a Girl The Settlers 78/52 Shadowman Shot! The Psycho Spiritual Mantra of Rock Sidemen: Long Road to Glory The Skyjacker’s Tale Sled Dogs Soufra Spettacolo Step Stopping Traffic: The Movement to End Sex-Trafficking Strong Island Surviving Peace Swim Team Take Every Wave: The Life of Laird Hamilton Take My Nose… Please! They Call Us Monsters 32 Pills: My Sister’s Suicide This Is Everything: Gigi Gorgeous Tickling Giants Trophy Twenty Two Unrest Vince Giordano – There’s a Future in the Past Voyeur Wait for Your Laugh Wasted! The Story of Food Waste Water & Power: A California Heist Whitney. Can I Be Me Whose Streets? The Work

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  • BLACK BEACH/WHITE BEACH, GINGER NATION, KNIFE SKILLS, Among Docs Featured at Cucalorus Festival

    [caption id="attachment_24993" align="aligncenter" width="1200"]Black Beach/White Beach: A Tale of Two Beaches Black Beach/White Beach: A Tale of Two Beaches[/caption] The 23rd Cucalorus Festival takes over downtown Wilmington, North Carolina, from November 8 to 12 and will feature more than 70 documentaries, including the world premiere of Ricky and Cherie Kelly’s racially-charged motorcycle doc “Black Beach/White Beach: A Tale of Two Beaches” and the international premiere of Shawn Hitchins’ fiery, flamboyant stage show-doc “Ginger Nation.” One of many films crossing the divide between Cucalorus Film and Cucalorus Connect is Thomas Lennon’s “Knife Skills,” about a French restaurant staffed entirely by men and women just out of prison. Lennon shared, “I knew Cucalorus was a creative festival. What I didn’t know is how deep its roots run in its community, its passion to connect each film to an audience in a way that packs the biggest possible punch. They really go the extra mile, which makes the festival even more exciting for us.” Other documentary debuts include the U.S. premiere of “Forbidden Games: The Justin Fashanu Story” by Jon Carey and Adam Darke, chronicling the complex and troubled story of a talented (and openly gay) British soccer player. “The Power of Glove,” from Andrew Austin and Adam Ward, presenting the legacy of the notoriously “bad” Nintendo Power Glove, and “True Conviction” from Jamie Meltzer, depicting a detective agency run by exonerated men to free innocent people, both make their southeast U.S. premieres. “ACORN and the Firestorm,” directed by Reuben Atlas and Sam Pollard, will have it’s North Carolina premiere and documents the amateur journalists who posed as a pimp and prostitute hoping to expose America’s largest grassroots community organizing group via hidden-camera. Cucalorus also includes 55 short documentaries, including the world premiere of Joanne Hock’s “Martin Hill: Camera Man,” honoring a curator of cameras that shot some of the most iconic films in Hollywood’s past. Other key short docs include “Water Warriors” by Michael Premo, “Under the Mask” by Alex Hoelscher, and “Lonnie Holley: The Truth of Dirt” by Marco Williams.

    Feature Docs

    “No Dress Code Required (Etiqueta no rigurosa),” Cristina Herrera Borquez “True Conviction,” Jamie Meltzer “Rebels on Pointe,” Bobbi Jo Hart “ACORN and the Firestorm,” Reuben Atlas, Sam Pollard “Working In Protest,” Michael Galinsky, Suki Hawley, David Beilinson “The Power of Glove,” Andrew Austin & Adam Ward “Forbidden Games: The Justin Fashanu Story,” Jon Carey and Adam Darke “Motherland,” Ramona S. Díaz “What Lies Upstream,” Cullen Hoback “Knife Skills,” Thomas Lennon “The Road Movie,” Dmitrii Kalashnikov “Ginger Nation,” Shawn Hitchins, Mitch Fillion “Liberation Day,” Morten Traavik, Ugis Olte “The Work,” Gethin Aldous and Jairus McLeary “Purple Dreams,” Joanne Hock “Black Beach/White Beach: A Tale of Two Beaches,” Ricky Kelly

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  • FilmRise to Release Ramona S. Diaz’s Sundance Winning Documentary MOTHERLAND | Trailer

    [caption id="attachment_22502" align="aligncenter" width="1200"]Motherland Motherland[/caption] Ramona S. Diaz’s documentary Motherland which world premiered earlier this year at the 2017 Sundance Film Festival, will be released in the Summer by FilmRise. Motherland, which won the World Cinema Documentary Special Jury Award for Commanding Vision at the 2017 Sundance Film Festival, takes us into the heart of the planet’s busiest maternity hospital in one of the world’s poorest and most populous countries: the Philippines. The film’s viewer, like an unseen outsider dropped unobtrusively into the hospital’s stream of activity, passes through hallways, enters rooms and listens in on conversations. At first, the surrounding people are strangers. But as the film continues, it’s absorbingly intimate, rendering the women at the heart of the story increasingly familiar. Three women—Lea, Aira and Lerma—emerge to share their stories with other mothers, their families, doctors and social workers. While each of them faces daunting odds at home, their optimism, honesty and humor suggest a strength that they will certainly have to summon in the years ahead. Diaz said: “I’m very much looking forward to partnering with FilmRise on the release of our film after successful premieres at festivals both in the U.S. and abroad. We feel strongly that the film will strike a chord with viewers, all the more so in today’s political and cultural climate.”

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  • “Cemetery of Splendor” Wins Top Prize – Best Feature Film at Asia Pacific Screen Awards

    Cemetery of Splendour

    Cemetery of Splendour from Thai filmmaker Apichatpong Weerasethakul won the 2015 Asia Pacific Screen Award (APSA) for Best Feature Film, considered the region’s highest accolade in film. Cemetery of Splendour is set in and around a hospital ward full of comatose soldiers. Attached to glowing dream machines, and tended to by a kindly volunteer (Jenjira Pongpas Widner) and a young clairvoyant (Jarinpattra Rueangram), the men are said to be waging war in their sleep on behalf of long-dead feuding kings, and their mysterious slumber provides the rich central metaphor: sleep as safe haven, as escape mechanism, as ignorance, as bliss.

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