On Her Shoulders

  • 2018 Human Rights Watch Film Festival to Showcase 15 Films – 12 Directed by Women, Opens with ON HER SHOULDERS

    [caption id="attachment_29010" align="aligncenter" width="1200"]Nadia Murad and Murad Ismael appear in On Her Shoulders by Alexandria Bombach. Nadia Murad and Murad Ismael appear in On Her Shoulders by Alexandria Bombach.[/caption] This year’s Human Rights Watch Film Festival will showcase 15 timely and provocative documentary and narrative works, screening June 14 to 21, 2018 in New York City. In a year when women collectively raised their voices against discrimination and abuse, Human Rights Watch will present films offering incisive perspectives and critical insights on human rights issues impacting people around the world. Twelve of the 15 films are directed or co-directed by women. Now in its 29th edition, the Human Rights Watch Film Festival is co-presented by the Film Society of Lincoln Center and IFC Center. All screenings will be followed by in-depth Q&A sessions with filmmakers, film subjects, Human Rights Watch researchers, and special guests. “This year’s festival focuses on strong women who take great risks to push back against powerful forces within their respective societies. And, at a time when the use of personal data by institutions is front-page news, this year’s program explores governmental and corporate regulation of information, and how, by burying the truth and creating their own narratives, these gatekeepers are uniquely positioned to abuse their power and control the populace. ” “In a year when women have spoken out against abuse, harassment and oppression, the festival highlights the outstanding work of women filmmakers telling epic stories of women fighting injustice with resilience and courage.” said John Biaggi, the Human Rights Watch Film Festival creative director. “The festival will also probe the headline-breaking questions of corporate and government control of information at a time when the use of personal data has outrun the limits of the law and ethics.” The Opening Night documentary On Her Shoulders introduces Nadia Murad, a 23-year-old Yazidi survivor of atrocities by ISIS who makes it her life’s mission to fight for justice and freedom for her people. Two documentaries highlight women’s rights in Afghanistan. A Thousand Girls Like Me follows a young mother seeking justice from a legal system designed to criminalize sexual abuse survivors like her. Facing the Dragon (winner of the festival’s Nestor Almendros Award) profiles two intrepid Afghan women — a member of parliament and a journalist — who risk the safety of their families to bring change and accountability to their country. Naila and the Uprising features courageous Palestinian women activists who played a pivotal role in the First Intifada, and in Women of the Venezuelan Chaos, five resilient women find creative ways to defend their fellow citizens, their families, and their own lives amid the national crisis that has enveloped their country. In the profoundly moving and poetic Angkar, a filmmaker traces her father’s journey home to Cambodia to seek out his Khmer Rouge persecutors while confronting his country’s collective amnesia regarding their horrifying past. In The Silence of Others, survivors of the Franco dictatorship’s crimes against humanity refuse to relent in their pursuit of justice, despite Spain’s “pact of forgetting,” which has denied Franco’s victims legal recourse. The Cleaners reveals a murky world of digital “cleaning,” in which giant social media companies employ workers to delete Internet content deemed inappropriate, raising essential questions over Internet control and the life-threatening impact of erasing entire resistance movements from the world’s gaze. As always, the festival features critical human rights issues in the U.S., this year with three timely films. Charm City moves between community members, police and local officials during a period of heightened violence in Baltimore, exposing layers of disconnect and distrust that need to be addressed to move their city forward. TransMilitary focuses on the largest employer of transgender people in the country – the U.S. military – and the efforts of four brave people as they come forward to demand much-needed change. The Closing Night film, The Unafraid, introduces three high school students in Georgia, banned by the state from attending top state universities due to their unauthorized immigration status, and their passionate fight to pursue their dreams of higher education.

    2018 Human Rights Watch Film Festival Film Lineup

    Opening Night Film and Reception* On Her Shoulders Alexandria Bombach, 2018, 94 min., Arabic, English, Kurdish Nadia Murad is a 23-year-old lifeline to the Yezidi community. A survivor of the 2014 atrocities against the Yezidi in northern Iraq, Nadia escaped sexual slavery at the hands of the Islamic State (also known as ISIS) and witnessed the murder of those closest to her. With the love of her people propelling her forward, Nadia is determined to turn her pain into international action. She now shoulders immense burdens as a key public figure whose supporters are pushing her further into the spotlight – from testifying at the United Nations Security Council and having endless meetings with government officials to giving soul-baring media interviews and emotionally draining speeches. On Her Shoulders tells the story of a multi-layered and selfless activist who once dreamed of opening a beauty salon in her village as she becomes an essential voice in the fight to bring ISIS to justice and save her people from extinction. New York Premiere “This moving film highlights the journey for justice, and how elusive it has been and continues to be for Yezidis, despite the world acknowledging their suffering.” – Rothna Begum, Researcher, Women’s Rights Division, Human Rights Watch US Documentary Directing Award, Sundance Film Festival 2018. Opening in theaters this October from Oscilloscope Laboratories. Closing Night Film The Unafraid Anayansi Prado and Heather Courtney, 2018, 85 min., English, Spanish “We have years of activism under our belts. Now we just fight harder, we fight smarter, and we fight as one.” – Alejandro, film subject, The Unafraid High School seniors Alejandro, Silvia and Aldo, like most of their friends, are eager to go to college and pursue their education. However, their home state of Georgia not only bans them from attending the top five public universities, but also deems them ineligible for in-state tuition at public colleges due to their immigration status as DACA (Deferred Action for Childhood Arrivals) recipients. In response, these three ambitious and dream-filled students divert their passions toward the fight for education in the undocumented community. As President Donald Trump’s campaign rhetoric against immigrants gains momentum, and with the three students under constant threat of losing their DACA status and being deported, The Unafraid follows these inspirational members of the generation of “undocumented, unapologetic and unafraid” young people who are determined to overcome and dismantle oppressive policies and mindsets. New York Premiere A Thousand Girls Like Me Sahra Mani, 2018, 76 min., Farsi “Every woman in this country has a hundred owners. Fathers, brothers, uncles, neighbors: They all believe they have the right to speak on our behalf and make decisions for us. That’s why our stories are never heard, but buried with us.” – Sahra Mani, director, A Thousand Girls Like Me When Khatera, a 23-year-old Afghan woman, forces her father to stand trial after a lifetime of sexual abuse, she risks her family, freedom and personal safety to expose a judicial system that incriminates the very women who seek protection. In a country where the systematic abuse of girls is rarely discussed, Afghan filmmaker Sahra Mani presents an awe-inspiring story of one woman’s battle against cultural, familial and legal pressures as she embarks on a mission to set a positive example for her daughter and other girls like her. U.S. Premiere Angkar Neary Adeline Hay, 2018, 71 min., French, Khmer “We called it the Angkar, ‘The Organization’ in Khmer. The nebulous wielder of power. Something shapeless, without a head, without a face. Angkar made the rules. Angkar had eyes everywhere.” – Khonsaly Hay, film subject, Angkar Khonsaly Hay returns to his lush, serene village in Cambodia after over 40 years living in France and comes face-to-face with his former Khmer Rouge persecutors. Pol Pot’s regime of extreme violence and torture between 1975-1979 turned neighbor against neighbor and resulted in the deaths of nearly 2 million people. Decades later, survivors find themselves living next door to the very people responsible for their suffering. In this beautifully personal and artfully crafted testimony of survival, Khonsaly travels the country, confronting his past and seeking what remains of the family and friends he was forced to leave behind. Directed by Khonsaly’s daughter, Neary Adeline Hay, this deeply immersive film juxtaposes past and present to tenderly reveal unreconciled traumas haunting Cambodians today. New York Premiere Anote’s Ark Matthieu Rytz, 2018, 77 min., English, Kiribati “I want to emphasize that climate change is not a political issue. It’s not entirely an economic issue. It’s an issue of survival. Maybe today for countries like mine. But in the future, for the planet as a whole.” – Anote Tong, film subject, Anote’s Ark What if your country was swallowed by the sea? The idyllic Pacific nation of Kiribati will be submerged within decades due to climate change. As President Anote Tong passionately embarks upon a race against time to save his people and 4,000 years of Kiribati culture, islanders are already feeling the pressure to relocate. Sermary, a young mother of six, must decide whether to use a sought-after lottery visa and leave her children behind to build a future for her family overseas. Set against the backdrop of international climate negotiations and the fight to recognize climate displacement as an urgent human rights issue, Anote’s Ark presents personal stories that serve as cautionary tales for the entire world. New York Premiere Official Selection, Sundance Film Festival 2018 Charm City Marilyn Ness, 2018, 106 min., English During three years of unparalleled violence in Baltimore, Maryland, award-winning filmmaker Marilyn Ness takes viewers beyond the headlines and into the lives of community members, police and government officials as they attempt to reclaim the future of their city. A young City Councilman, Brandon Scott, calls for diverting funds from policing to programs that build opportunities and combat poverty. A Senior community leader, “Mr. C,” and his colleague Alex Long spend their days in the streets working with youth to provide a positive environment and safety. Charm City speaks to a nationwide crisis, where the grit and compassion of citizens offer humanity as a way forward. “This film is extremely well made. It asks, rather than answers, questions, and doesn’t tell the viewer how to think.” – John Raphling, Senior Researcher, U.S. Program, Human Rights Watch The Cleaners Hans Block and Moritz Riesewiek, 2018, 88 min., English, Tagalog “The companies have more and more power … They take advantage of our desire for ease, our resistance to effort, our resistance to challenge, and I think, over time, if we’re not already there, it will interfere with our ability to have critical thinking.” – David Kaye, UN Special Rapporteur on Freedom of Expression, film subject, The Cleaners Who controls what you see on the internet? Welcome to a hidden industry of digital cleaning where content determined as inappropriate is deleted from the internet. This fascinating documentary follows five “cleaners” in the Philippines whom social media giants, including Facebook and Twitter, hire to undertake the highly sensitive work of viewing and removing millions of images and videos from online platforms every day. Exposing the extreme and often life-threatening impact of censorship capable of disappearing entire conversations, perspectives and events from world view, The Cleaners expertly reveals the impact on critics of the U.S. president, activists in Turkey and the Rohingya in Myanmar from Silicon Valley’s control over free speech. New York Premiere Please be advised this film contains material that may be disturbing to some viewers. Official Selection, Sundance Film Festival 2018 The Distant Barking of Dogs Simon Lereng Wilmont, 2017, 90 min., Ukrainian This film is fully subtitled and ASL interpretation will be provided for the Q&A. “We have days of silence. But they are so deadly – even worse than explosions. It’s the lull before the storm.” – Grandmother Alexandra, film subject, The Distant Barking of Dogs The life of a 10-year-old child includes a healthy dose of curiosity and adventure. But the days of Oleg, who lives in the Donetsk region of eastern Ukraine – just minutes from where Ukrainian and pro-Russian forces are at war – are often interrupted by echoes of anti-aircraft fire and missile strikes. Oleg and his cousin Yarik are young boys whose play fights and restlessness often lead them toward dangerous discoveries. But, as this touching and intimate film evolves, it bears witness to the unique pressures that come with living adjacent to a war zone, and the gradual erosion of innocence under intense psychological burdens. As the world shakes around Oleg and Yarik, the beauty of childhood friendship becomes ever more important for survival. New York Premiere First Appearance Award, International Documentary Festival Amsterdam (IDFA) 2017 Facing the Dragon Sedika Mojadidi, 2018, 80 min., Dari “We have a responsibility to speak on behalf of every woman, from the remote mountains of Pamir to Nuristan. Advocating for women’s rights should not be a political game.” – Dr. Nilofar Ibrahimi, film subject, Facing the Dragon As the U.S. withdraws forces and aid from Afghanistan, the Taliban are regaining their hold and the stability of the country’s fragile democracy is unclear. Afghan-American filmmaker Sedika Mojadidi joins two awe-inspiring women on the front lines: Nilofar, a successful doctor-turned-member of parliament, driven in her mission to secure peace and well-being for women; and Shakila, a top investigative journalist committed to exposing the truth about what is happening in her troubled country. Under increasing threats of violence, these two women are soon forced to choose between their sense of duty and love for Afghanistan, and the safety of their families. New York Premiere Winner of the 2018 Human Rights Watch Film Festival Nestor Almendros award for courage in filmmaking. Naila and the Uprising Julia Bacha, 2017, 76 min., Arabic, English, Hebrew, French “We can’t be free as women unless we’re in a free country. And even if we are free of the occupation, we can’t know freedom as long as we are subjugated in our own society.” – Sama Aweidah, film subject, Naila and the Uprising When an uprising breaks out in the Occupied Palestinian Territories in 1987, a young woman in Gaza must make a choice between love and family and freedom. Naila and the Uprising chronicles the remarkable real-life journey of Naila Ayesh, a key figure in the First Intifada, which forced the world to recognize the Palestinian right to self-determination. Using evocative animation, intimate interviews, and exclusive archival footage, this film tells the story the mainstream media missed: of a courageous women’s movement at the head of Palestinians’ struggle for freedom, bringing out of anonymity the bold women activists whose contributions and sacrifices changed history, but whose stories have remained untold until now. The Silence of Others Almudena Carracedo and Robert Bahar, 2018, 96 min., Spanish A 1977 amnesty law in Spain known as “the pact of forgetting” prohibits legal action related to the oppression, torture and murder of an estimated 100,000 people during Franco’s 40-year dictatorship. But for much of the population – including the survivor who passes his torturer’s home every day on the way to market, the children of forcibly disappeared parents found buried in mass graves, and parents still searching for their children seized at birth and handed to Franco’s allies – there is no peace in silence. Taking strength and inspiration from justice-seekers in Chile and Guatemala, the characters in The Silence of Others fight an urgent battle to get recognition and admissions of guilt against state-imposed amnesia. From award-winning directors and Executive Producer Pedro Almodovar comes a powerful film about a country still divided four decades into democracy. New York Premiere “The film shows why victims need justice, even decades after the crimes, and why forgetting simply isn’t an option.” – Param-Preet Singh, Associate Director, International Justice Program, Human Rights Watch Panorama Audience Award for Best Documentary and Peace Film Prize winner, Berlin International Film Festival 2018 TransMilitary Gabriel Silverman and Co-director Fiona Dawson, 2018, 92 min., English “It is our time now to step forward and say, ‘OK, it’s not about what gender I am, it’s about if I can get the job done. And we for years have shown that, so why not acknowledge us?’” – Laila Villanueva, film subject, TransMilitary The military is the largest employer of transgender people in the United States. Amid rapidly changing policies that technically bans them from serving, 15,500 troops identify as transgender. TransMilitary documents four brave men and women who risk their families’ livelihoods by coming out to the Pentagon’s top brass in the hope of attaining the equal right to serve. With a new commander-in-chief at the helm, they must traverse a series of successes and defeats, as their careers hang in the balance. New York Premiere Audience Award for Documentary, South by Southwest Film Festival 2018 Voices of the Sea Kim Hopkins, 2018, 99 min., Spanish “‘For the humble, by the humble.’ … That was the goal. But the humble don’t have access to anything that other people have. It will improve for those on top. And for us down here it will be the same or worse.” – Mariela Mora Quintana, film subject, Voices of the Sea In this tiny, remote Cuban fishing village, Mariela, a mother of four young children, longs for a better life. The families in her village are utterly dependent on the day’s catch, which changes with the tide. The shops are empty, school is repeatedly shut down due to a lack of resources, and basic transportation is non-existent. With the relationship between the U.S. and Cuba in flux, Mariela, like many Cubans, is afraid that her only chance to escape to the U.S. will soon close. Her husband, Pita, loves his community, cherishes his friendships, and is loyal to his craft as a fisherman. The tension between husband and wife — one desperate to leave, the other content to stay — increases after her brother and neighbors flee the country, risking their lives to chase the American Dream. New York Premiere What Will People Say? Iram Haq, 2017, 106 min., Norwegian, Urdu Sixteen-year-old Nisha lives a double life. At home with her conservative Pakistani family, she is the perfect, compliant daughter. But when out with her friends, she is a typical Norwegian teenager – partying and exploring relationships. When her father discovers her deception, Nisha’s two worlds brutally collide. Trapped between countries and perceptions of honor, Nisha is forced to find her own way in life. This gripping and powerfully acted drama from Norwegian-Pakistani filmmaker Iram Haq untangles the complex relationship between a father and daughter and presents an empathetic perspective on family, community and culture. New York Premiere “This film powerfully highlights some of the abuses Pakistani women and girls face, which include forced marriage, barriers to education, and violence, including in the name of family ‘honor,’ which all too frequently goes unpunished.” – Heather Barr, Senior Researcher, Women’s Rights Division, Human Rights Watch Official Selection, Toronto International Film Festival 2017 Women of the Venezuelan Chaos Margarita Cadenas, 2017, 83 min., Spanish This film is fully subtitled and ASL interpretation will be provided for the Q&A Embodying strength and stoicism, five Venezuelan women from diverse backgrounds each draw a portrait of their country as it suffers under the worst crisis in its history amid extreme food and medicine shortages, a broken justice system, and widespread fear. The women share what life is really like for them and their families while the government repeatedly denies the country’s difficulties. Featuring stunning visuals and creative soundscapes, Women of the Venezuelan Chaos presents a uniquely beautiful country and people, who remain resilient and resourceful despite the immense challenges they face. New York Premiere “This is one of the best films I have seen on Venezuela. It is extraordinary, very accurate, very balanced, moving, powerful. It delves into all the issues Human Rights Watch covers in Venezuela: the humanitarian crisis, lack of medicines and food, exile, police abuses, lack of justice, impunity, abuse of power, violence.” – José Miguel Vivanco, Executive Director, Americas Division, Human Rights Watch

    Read more

  • 2018 Hot Docs Awards: A LITTLE WISDOM and WE COULD BE HOROES Win Top Prizes

    [caption id="attachment_28891" align="aligncenter" width="1200"]We Could Be Heroes We Could Be Heroes[/caption] The 2018 Hot Docs film festival wraps today and last night at the Hot Docs Awards Presentation, 13 awards and $85,000 in cash and prizes were presented to Canadian and international filmmakers. The Best Canadian Feature Documentary Award went Friday to “A Little Wisdom,” and the Best International Feature Documentary was awarded to “We Could Be Heroes.”

    2018 Hot Docs Awards

    Best Canadian Feature Documentary Award A Little Wisdom (D: Yuqi Kang; P: Yuqi Kang, Maro Chermayeff; Canada) Jury statement: “Best Canadian Feature goes to Yuqi Kang’s A Little Wisdom for her outstandingly crafted experience of young orphan monk, Hopakuli. This absorbing cinematic film captures the distinct and moving inner rhythms of a Tibetan monastery, welcoming us into a world that we never thought a mischievous child could reveal.” DGC Special Jury Prize – Canadian Feature Documentary What Walaa Wants (D: Christy Garland; P: Anne Köhncke, Matt Code, Christy Garland, Justine Pimlott; Canada, Denmark) Jury statement: “We award the DGC Special Jury Prize – Canadian Feature Documentary to What Walaa Wants for displaying an extraordinary bond between filmmaker and subject which then carries over to the audience. Christy Garland creates an exceptional emotional arc by focusing on Walaa’s growth and transformation.” Emerging Canadian Filmmaker Award Michael Del Monte for Transformer (Canada) Given to a first or second-time Canadian filmmaker with a feature film in the Canadian Spectrum program, the award includes a $3,000 cash prize courtesy of Hot Docs. Jury statement: “The Jury awards Michael Del Monte with the Emerging Canadian Filmmaker Award for Transformer, a film that formally and emotionally rises to the multidimensional nature of its subject, Janae Marie Kroczaleski, with great clarity of mind and with inner and outer beauty.” Best International Feature Documentary Award We Could Be Heroes (D: Hind Bensari; P: Bullitt Film/Vibeke Vogel and Cinetelefilms/Habib Attia; Denmark, Tunisia, Morocco, Qatar) Jury statement: “We award We Could Be Heroes with the Best International Feature Documentary Award for how it uses an intimate friendship to turn the sports film inside out, countering assumptions about masculinity, faith, and disability with warmth and affection.” TIE! Special Jury Prize – International Feature Documentary Whispering Truth to Power (D: Shameela Seedat; P: Francois Verster, Shameela Seedat, Neil Brandt, Brechtje Smidt, Millan Collin; South Africa) Screening Saturday, May 5, at 6:45 p.m. at the TIFF Bell Lightbox. Jury statement: “For its timely portrait of a bad-ass public servant who uses her office for good at a pivotal moment in South African politics, we co-award the Special Jury Prize – International Feature Documentary to Whispering Truth to Power.” Wind of Swabia (D: Corrado Punzi; P: Davide Barletti; Italy) Jury statement: “With its epic sweep and personal details, this subtle exposé of environmental degradation wins viewers over with the unexpected power of elegant compositions and biting wit.” Emerging International Filmmaker Award Elan Bogarín and Jonathan Bogarín for 306 Hollywood (USA) Given to a first or second-time international filmmaker with a feature film in the International Spectrum program. Jury statement: “For its creative approach to issues of memory and legacy, exploring the universality of grief through the seemingly mundane relics left behind, we award the Emerging International Filmmaker Award to 306 Hollywood.” In the Emerging International Filmmaker category, the jury acknowledged Jill Magid, director of The Proposal with an honorable mention. Best Mid-Length Documentary Award The Call (D: Enrico Maisto; P: Riccardo Annoni; Italy) Jury statement: “This deceptively simple portrait of the Italian criminal justice system at work demonstrated a formal rigor and quiet intimacy that opened up broad questions about civic duty, justice, democracy and human nature.” Best International Short Documentary Award Haunted (D&P: Christian Einshøj; Denmark) Jury statement: “With its stylized tableaux and dry, quirky sensibility, Haunted uniquely explores deeper universal truths about family, home, time and loss.” In the Best International Short Documentary category, the jury acknowledged Zion (D: Floyd Russ; P: Carter Collins; USA) with an honourable mention. Best Canadian Short Documentary Award Prince’s Tale (D&P: Jamie Miller; Canada) Jury statement: “Prince’s Tale is the kind of documentary we don’t see enough of—an honest portrait in which the subject has agency to choose where his story begins and where it doesn’t end.” In the Best Canadian Short Documentary category, the jury acknowledged Vika (D&P: Christian Borys, Marta Iwanek; Canada) with an honorable mention. Hot Docs is an Academy Award qualifying festival for short documentaries and, as winners of the Best International Short Documentary Award and the Best Canadian Short Documentary Award respectively, Haunted and Prince’s Tale will qualify for consideration in the Documentary Short Subject category of the annual Academy Awards without the standard theatrical run, provided they complies with Academy rules. Lindalee Tracey Award Fazila Amiri and Tim Tracey The award honours an emerging Canadian filmmaker with a passionate point of view, a strong sense of social justice and a sense of humour. Each recipient will receive a $5,000 cash prize courtesy of the Lindalee Tracey Fund, $5,000 in post-production services from Technicolor, and a beautiful hand-blown glass sculpture by Andrew Kuntz, specially commissioned to honour Lindalee. Hot Docs Outstanding Achievement Award Presented by the Hot Docs Board of Directors to Barbara Kopple Hot Docs Focus On retrospective Canadian filmmaker John Walker was honoured during the presentation as the recipient of this year’s Focus On retrospective. Don Haig Award Montreal-based producer Ina Fichman of Intuitive Pictures Don Haig Award Pay It Forward Prize Montreal-based producers Fanny Drew and Sarah Mannering from Colonelle Films As part of the award, the recipient can name an emerging female documentary filmmaker to receive a $5,000 cash prize, courtesy of Telefilm Canada, and professional development opportunities at the Hot Docs Festival to further her career path. Doc Mogul Award On April 30, 2018, Cara Mertes, director of Ford Foundation’s JustFilms, received the 2018 Doc Mogul Award at a special luncheon.

    AUDIENCE AWARDS

    Scotiabank Docs For Schools Student Choice Award On Her Shoulders (D: Alexandria Bombach; P: Hayley Pappas, Brock Williams; USA)  

    Read more

  • 2018 Berkshire International Film Festival to Showcase 80 Films, AMERICAN ANIMALS, BAD REPUTATION and More..

    [caption id="attachment_26622" align="aligncenter" width="1200"]Jared Abrahamson, Evan Peters, Blake Jenner and Barry Keoghan appear in American Animals by Bart Layton, an official selection of the U.S. Dramatic Competition at the 2018 Sundance Film Festival. Courtesy of Sundance Institute. AMERICAN ANIMALS[/caption] The 13th Annual Berkshire International Film Festival (BIFF) will showcase 80 of the latest in independent feature, documentary, short and family films from 28 countries, from May 31 to June 3 in Great Barrington and June 1 to 3 in Pittsfield, Massachusetts. “Among the many things I love about the BIFF is its increasing reflection on and discovery of our global community,” notes the festival’s Founder and Artistic Director, Kelley Vickery. “The characters and stories in this year’s films are as diverse as ever—showing us unique perspectives of what life is like for a broad range of people in very different places and circumstances. BIFF always celebrates independent filmmakers and we are especially excited to honor the talented and evocative career of Rachel Weisz. We are continuing our “Tea Talks” series with engaging films and discussions and very proud to have a special event with a screenplay reading of MUMBET. We strive to bring a special festival to our vibrant community, so we truly believe there is something for everyone!” On Thursday, May 31, in Great Barrington, the festival opens this year with the Sundance hit AMERICAN ANIMALS. This docudrama is the extraordinary and thrilling true story of four friends who brazenly attempt to execute one of the most audacious art heists in US history. The following day, on June 1, In Pittsfield, BIFF will open at the Beacon in Pittsfield with the rock-and-rolling BAD REPUTATION about the one and only Joan Jett. The documentary follows her incredible, uncompromising and influential career. You will leave singing  “I love rock ‘n’ roll!” The opening night begins with a party at the Beacon Cinema followed by the presentation of the NINTH annual “Next Great Filmmaker Award.” On Friday, June 1 – Tribute Night –  The festival will pay tribute to the Academy Award-winning actor, Rachel Weisz for her remarkable achievement in film. Over the past 25 years, Ms. Weisz has displayed her fearlessness, intelligence and talent in over 64 roles and has won or been nominated for nearly every industry award – from a BAFTA, to a Golden Globe, to an Oscar. We celebrate the incredible body of work she has already created and the creative peaks she continues to climb. As part of the tribute, Ms. Weisz will be in conversation with David Edelstein, New York chief film critic on the stage of the Mahaiwe following by a screening of her new film DISOBEDIENCE. The festival will host the Special Event – Staged script reading of the upcoming film MUMBET and Q&A after the reading with the cast and crew. Director/Producer Alethea Root, writer Stephen Glantz, producer Kim Waltrip, executive producers Jayne Atkinson and Elizabeth Aspenlieder, co-producer Jana Laiz, Diane Pearlman and Jameelah Nuruddin, production designer Carl Sprague, and costume designer Kevin Draves, Governor Deval Patrick and State Representative Smitty Pignatelli will all be in attendance. She could neither read nor write, yet with fearless courage, Elizabeth “Mumbet” Freeman used the very words written by the men she served, “all men are created free and equal” to challenge the courts and sue for her freedom, changing the course of history 80 years before the Emancipation Proclamation. This is the true story of an unsung American hero who was truly a founding Mother of our country.” [caption id="attachment_25672" align="aligncenter" width="1200"]Won’t You Be My Neighbor? Won’t You Be My Neighbor?[/caption] On Sunday, June 3, BIFF will close with the highly acclaimed Sundance hit, WON’T YOU BE MY NEIGHBOR? about the life and legacy of Mr. Rogers. The film was directed by Academy Award-winning director Morgan Neville and produced by Nicholas Ma who will be in attendance for a Q&A after the screening. Film courtesy of Focus Features.

    THE JURY

    The BIFF’s EIGHTH Annual Jury includes actors Karen Allen, Jayne Atkinson, Scott Cohen, Michel Gil and Peter Riegert, distribution guru Josh Braun, New York Film Festival director Kent Jones, past Academy president and producer Sid Ganis and producer Nancy Hult Ganis and award-winning producer Darren Dean. There will be five films in competition for feature documentaries and five films in the narrative category. The award will carry a $5,000 prize sponsored by GWFF USA to be presented on Sunday, June 4 at Allium in Great Barrington. The BIFF has become the festival of choice for filmmakers and film lovers who are seeking a unique Berkshire experience and a place to indulge their passion for film. The Festival connects audiences to compelling documentaries, award-winning international releases with incredible parties and events, all just a short drive from New York City and Boston. Films and events will be held throughout Great Barrington and Pittsfield, including the Triplex Cinema, the historic Mahaiwe Theatre, and the Beacon Cinema, as well as area restaurants. The NINTH annual “Next Great Filmmaker” Competition created and sponsored by Berkshire Bank will kick-off online on Friday, April 27. Voting will continue through to May 30 and the winner announced at the opening night presentation in Pittsfield, Friday, June 1 at the Beacon.

    BIFF FILMMAKERS SUMMIT

    For the SEVENTH year, the BIFF will present the annual Filmmakers Summit—a two-day talent academy offered to the 2018 film selection filmmakers. Offering a diverse, multi-dimensional program of panel discussions, lectures, special events, and breakout sessions lead by known industry professionals, the BIFF Filmmakers Summit celebrates and supports the advancement of filmmakers and recognizes film as a relevant and important medium. Beginning on Wednesday, May 31, the Filmmakers Summit is an integral part of the festival experience for filmmakers. Ensuring the freshest and most poignant dialogue in conjunction with incredibly unique events, this Summit goes way beyond networking; it will fortify the festival experience. The Summit features special effects legend Douglas Trumbull, head of CNN Documentaries, and other industry professionals.

    THE LINEUP: FEATURES, DOCUMENTARIES, AND SHORTS

    NARRATIVE FEATURES

    AMERICAN ANIMALS, US (d. Bart Layton with: Evan Peters. Barry Keoghan, Blake Jenner, Jared Abrahamson, Ann Dowd, Udo Kier *EDIE, UK (d: Simon Hunter with: Sheila Hancock, Kevin Guthrie, Amy Manson, Paul Brannigan, Wendy Morgan) Q&A with Simon Hunter following the screening EIGHTH GRADE, US (d. Bo Burnahm with: Elsie Fisher, Josh Hamilton) HOCHELAGA, TERRA DES AMES, Canada (d: Francois Girard with: Samian, Raoul Max Trujillo, Vincent Perez) *L’INSTANT INFINI, France/Switzerland (d. Doulgas Beer with: Jennifer Rihouey, Leonard Delacroix, Mathieu Chardet) Q&A with Douglas Beer following the screening *JULIE, BLUE, US/Ukraine (d: Roxy Topoworyc with: Polina Snisarenko) Q&A with Roxy Topoworyc following the screening LOVELING, Brazil/Uruguay (d: Gustavo Pizzi with: Karine Teles, Otavio Muller, Adriana Esteves, Konstantinos Sarris, Cesar Troncoso) MAZE, Ireland (d: Stephen Burke with: Tom Vaughan-Lawlor, Barry Ward, Martin McCann,Eileen Walsh, Niamh McGrady, Ross McKinney) NO DATE, NO SIGNATURE, Iran (d: Vahid Jalilvand with: Navid Mohammadzadeh, Amir Agha’ee, Hediyeh Tehrani, Zakiyeh Behbahani, Sa’eed Dakh, Alireza Ostadi) PIEDS NUS DANS L’AUBE, Canada (d: Frederic LeClerc with: Shauna Bonaduce, Roy Dupuis, Marianne Fortier) SCAFFOLDING, Israel (d: Matan Yair with: Asher Lax, Ami Smolartchik, Yaacov Cohen, Keren Berger) SHELTER, Israel (d: Eran Riklis with: Golshifteh Farahani, Neta Riskin, orald Liddawi, Haluk Bilginer, Mark Waschke) *SILK ROAD, Denmark (d: Mark de Cloe with: Olivia Lonsdale, Gijs Blom, Jonas Smulders ) Q&A with Mark de Cloe following the screening STREAKERS, Switzerland (d: Peter Luisi with: Beat Schlatter, Doro Muggler, Bendrit Bajra, Luna Wedler) THE CHARMER, Iran/Holland (d: Milad Alami with: Ardalan Esmaili, Lars Brygmann, Stine Fischer Christensen, Austa Lee Jesperson) THE ETERNAL FEMININE, Mexico (d: Natalia Beristain with: Karina Gidi, Tessa La, Danie Gimenez Cacho, Pedro De Tavira) THE GUILTY, Denmark (d: Gustav Moller with: Jakob Cedergren, Jessica Dinnage, Johan Olsen, Omar Shargawi) THE HOUSE BY THE SEA, France (d: Robert Guediguian with: Ariane Ascaride, Jean-Pierre Darroussin, Gerard Meylan, Jacques Boudet, Anais Demoustier) THE INVISIBLES, Germany (d: Claus Rafle with Max Mauff, Alice Dwyer, Ruby O. Fee, Aaron Altaras, Victoria Schulz, Florian Lukas) THE JUNIOR LEAGUE, Canada (d: Eric Tessier with: Antoine-Olivier Pilon, Rémi Goulet, Alice Morel-Michaud) *THE LONG DUMB ROAD, US (d: Hannah Fidell with: Tony Revolori, Jason Mantzoukas, Taissa Farmiga, Grace Gummer, Ron Livingtson, Casey Wilson) THREE PEAKS, Germany/Italy (d: Jan Zabeil with: Alexander Fehling, Berenice Bejo, Arian Montgomery) UNDER THE EIFFLE TOWER, US/France (d: Archie Borders with: Matt Walsh, Judith Godrèche, Reid Scott) UNDER THE TREE, Iceland (d: Hafsteinn Gunnar Siguross with: Steinpor Hrooar Steinborsson, Edda Bjorgvinsdottir, Sigurour Sigurjonsson, Porsteinn Bachmann, Selma Bjornsdottir) WOMAN WALKS AHEAD, US (d: Susanna Wright with: Jessica Chastain, Sam Rockwell, Ciaran Hinds, Michael Nouri, David Midthunder, Michael Greyeyes, Bill Camp)

    DOCUMENTARY FEATURES

    *306 HOLLYWOOD, US/Hungary (d: Elan Boagarin/Jonathan Boagarin) Q&A with filmmaker following the screening *BAD REPUTATION, US (d: Kevin Karslake) Q&A with filmmaker following the screening *BREWMASTER, US (d: Douglas Tirola/Susan Bedusa) Q&A with filmmaker following the screening *GETTING NAKED: A BURLESQUE STORY, US (d: James Lester) Q&A with filmmaker following the screening RYUICHI SAKAMOTO: CODA, Japan/US (d: Stephen Nomura Schibl) CRIME + PUNISHMENT, US (d: Stephen Maing) DARK MONEY, US (d: Kimberly Reed) *DATELINE: SAIGON, US (d: Thomas Herman) Q&A with filmmaker following the screening *GRIT, US/Indonesia (d: Cynthia Wade) Q&A with filmmaker following the screening THE HUMAN ELEMENT, US/Iceland (d: Matthew Testa) *GONE IN AN INSTANT, US (d: Anthony Holt) Q&A with filmmaker after screening *IMPOSED PIECE, Belgium (d: Brecht Vanhoenacker) Q&A with filmmaker following the screening *IT WILL BE CHAOS, US (d: Lorena Luciano, Filippo Piscopo) Q&A with filmmaker following the screening *MOVING STORIES, US (d: Rob Fruchtman) Collaboration with Jacob’s Pillow with Q&A following the screening with filmmaker and dancers *LOVE, GILDA, US (d: Lisa Dapolito) ) Q&A with filmmaker following the screening OF FATHERS AND SONS, Germany/Syria/Lebanon/Qatar (d: Talal Derki) ON HER SHOULDERS, US (d: Alexandra Bombach) *OUT OF MY HEAD, US (d: Susanna Styron) Q&A with filmmaker following the screening *RESTORING TOMORROW, US (d: Aaron Wolf) *DAUGHTERS OF THE SEXUAL REVOLUTION, US (d: Dana Adam Shapiro) Q&A with filmmaker after screening STUDIO 54, US (d: Matt Tyranauer) THE GODDESSES OF FOOD, France (d: Verane Frediani) THE GOSPEL ACCORDING TO ANDRE, US (d: Kim Novack) THE WORKERS CUP, UK (d: Adam Sobel) THIS IS HOME, US/Jordan (d: Alexandra Shiva) THREE IDENTICAL STRANGERS, US (d: Tim Wardle) WHAT LIES UPSTREAM, US (d: Cullen Hoback) *WON’T YOU BE MY NEIGHBOR? US (d: Morgan Neville) Q&A with filmmaker following the screening

    SHORTS

    BIFF will present two short film programs showcasing 22 shorts. Filmmakers will be in attendance at selected screenings.

    Shorts #1

    *GAME (d: Jeannie Donohue), #SELFIE (d: David M. Lorenz), *DEPORTING MYSELF (d: Julie Neumann), BABS (d: Celine Hand, Logan George), *SURVIVING NEW YORK (d: Megan Miller), *FLY LADY FLY (d: Lucien Flores/Michaela Smith), COOLPOOL ( d: Zachary Myers), NIGHT (d: Christian Scales and *ADVENTURE NOT WAR (d: Max Lowe)

    Shorts #2

    *THE LONG RED LIGHT (d: Chris Hume), EMERGENCY (d: Carey Williams), WALLS (d: Fatmir Dolci/Maik Schuster/Max Poschke), *FEVAH (d: Randall Dottin), *HEIMLICH (d: Lisanne Santor), YOU’RE WELCOME (d: Rebecca Panian), THE SILENT (d: Karen Turner/Dom Lee), *JITTERS (d: Otoja Abit), *EVE (d: Susan Bay Nimoy) and *WITH MY TWO HANDS (d: Michael Baraocas). *denotes filmmakers in attendance.

    VENUES AND TICKETS

    Venues for all of the weekend-long events and screenings include the Triplex Cinema, Daniel Arts Center at Simon’s Rock and the historic Mahaiwe Theatre in Great Barrington and the Beacon Cinema and Hotel on North in Pittsfield.  

    Read more

  • Mammoth Lakes Film Festival Announces 2018 Line-Up + Opening and Closing Films

    [caption id="attachment_26511" align="aligncenter" width="1200"]Mia Wasikowska, Robert Pattinson. Damsel. Regie/director: David Zellner, Nathan Zellner Mia Wasikowska, Robert Pattinson in Damsel.[/caption] The Mammoth Lakes Film Festival (MLFF) announced their feature film line-up, as well as the Opening and Closing Night films, for the fourth edition of the festival, taking place May 23 through 27 at venues across Mammoth Lakes. The 2018 Mammoth Lakes Film Festival will open with Damsel on Wednesday, May 23. Robert Pattinson and Mia Wasikowska star in a comedic homage to classic Westerns. Samuel (Pattinson), is a businessman who sets out to rescue his kidnapped fiancée Penelope (Wasikowska). The situation turns out to be more complicated than it first appears, and Penelope is no mere damsel in distress. The film from Magnolia Pictures is directed and written by David Zellner and Nathan Zellner. [caption id="attachment_26877" align="aligncenter" width="1200"]Love, Gilda Love, Gilda[/caption] The festival will close with the documentary film Love, Gilda on Sunday, May 27. In her own words, comedienne Gilda Radner reflects on her life and career. Weaving together her recently discovered audiotapes, interviews with friends (Chevy Chase, Lorne Michaels, Laraine Newman, Paul Shaffer and Martin Short), rare home movies and diaries read by modern-day comedians inspired by Gilda (Bill Hader, Melissa McCarthy, Amy Poehler, Maya Rudolph and Cecily Strong), Love, Gilda opens up a unique window into the honest and whimsical world of a beloved performer whose greatest role was sharing her story. The film from CNN Films is directed by Lisa D’Apolito. “We’re excited to bring such a dynamic and diverse lineup to this year’s festival,” said Festival Director Shira Dubrovner. “In four short years, we’ve already begun to establish MLFF as a must-attend festival thanks to our scenic and majestic backdrop of the Eastern Sierra and world-class cinema.” “MLFF focuses on films that have powerful, innovative artistic voices,” said Director of Programming Paul Sbrizzi. “We look forward to bringing our festival-goers the bold style and thought-provoking stories found in this year’s slate.”

    The Mammoth Lakes Film Festival line-up

    Core Competitions

    Narrative Features:

    Birds Without Feathers – In this pitch-black comedy, six broken individuals unable to make a human connection will give everything away in an attempt to receive love. Directed and written by Wendy McColm. West Coast Premiere Fort Maria – A sensitive, lyrical look at an agoraphobic Bulgarian woman and her adopted African-American daughter, as they each evaluate their lives and their relationship after the death of the beloved family dog. Directed and written by S. Cagney Gentry and Thom Southerland. My Name Is Myeisha – A charming, talented teenage girl crosses over into a candy-coated hip-hop-musical dreamscape on the fateful night she crosses paths with police. Directed by Gus Krieger, written by Rickerby Hinds. The Queen of Hollywood Blvd. – On her 60th birthday, the proud owner of a Los Angeles strip club finds herself in hot water, leading her on a downward spiral of violence and revenge. Directed and written by Orson Oblowitz. West Coast Premiere Rock Steady Row – A college freshman’s bike is stolen and he’s compelled to go to battle with the comic-book villain that rules the reigning fraternity using Walkmen and No. 2 pencils as weapons. Directed by Trevor Stevens, written by Bomani J. Story.

    Documentary Features:

    Buddha.mov – Lured by the chance of being the protagonist of a documentary film, Buddha Dev starts authorizing unrestricted access into the most private parts of his life. Directed by Kabir Mehta. West Coast Premiere Crime + Punishment – A group of brave officers risk it all to expose the truth about illegal quota practices in the NYPD. Directed by Steven Maing. Minding the Gap – The lives of three young skateboarding friends grow together and apart as they try to process childhood trauma and escape the cycle of domestic violence in their Rust Belt hometown. Directed by Bing Liu. Tourists – A disturbing and hilarious trip around the world, observed through the amateur cinematography of naïve, outspoken and judgmental middle-class tourists. Directed by Mateusz Romaszkan and Marta Wójtowicz-Wcislo. North American Premiere Vianey – New Jersey and Bronx based underground hip hop artist Vianey Otero (Icey Trap) discusses growing up on the streets, the lure of escorting, everyday life in jail, and being a female artist in the music industry. Directed by Marko Vuorinen. West Coast Premiere White Tide: The Legend of Culebra – There’s an island, there’s a map, there’s buried treasure… $2 million dollars just waiting for someone to dig it up. There’s just one slight problem: it happens to be in cocaine form. Directed by Theo Love. West Coast Premiere

    Foreign Features:

    Barren and Empty the Sea (Spain) – Esteban wakes up one morning and everybody accuses him of being a stranger that happens to look just like Esteban.Directed and written by Lucas Parnes Pereira and Jesus Serna. International Premiere Melodrama / Random / Melbourne! (Australia) – A feminist documentarian, a pick up artist and a virgin’s lives collide, and blood will be shed on neon-lit streets of Melbourne. Directed by Matthew Pastor, written by Celina Yuen and Matthew Victor Pastor. North American Premiere Tower. A Bright Day (Poland) Just before her daughter’s First Holy Communion, Mula’s long lost sister Kaja pays them a visit, harboring a secret. The family believes in reconciliation, but Mula has her reasons to be afraid. Directed and written by Jagoda Szelc. North American Premiere Vidar the Vampire (Norway) – The wildly hilarious adventure of a Christian farmer searching for a higher purpose to life, who falls into sin and wakes up as the Prince of Darkness in the city of Stavanger, Norway. Directed and written by Thomas Aske Berg and Fredrik Waldeland.

    Spotlight Presentations:

    Dyna Does Dressage – Documentary about the first mule ever to compete at the national level in the competitive equestrian sport of dressage. Directed by Sarah Crowe. Home + Away – A group of students with family on both sides of the US/Mexico border navigate academics, athletic competition, a school in need of greater funding and familial strife during the their final year at a Texas high school. Directed by Matt Ogens. West Coast Premiere On Her Shoulders – Nadia Murad, a 23-year-old Yazidi genocide and ISIS sex slave survivor, becomes the voice of her people and their best hope to spur the world to action.Directed by Alexandria Bombach. Pick of the Litter –  The story of puppies from the moment they’re born through their quest to become guide dogs for the blind, the ultimate canine career. Directed by Dana Nachman and Don Hardy Jr. A Woman Captured – Director Bernadett Tuza-Ritter’s incredible document of the evolving consciousness of a Hungarian woman who has been held as a domestic slave for 10 years and decides to undertake a daring escape. Directed by Bernadett Tuza-Ritter. West Coast Premiere The festival will also feature Short Film Programs of 26 Narrative Shorts, 10 Documentary Shorts, 11 Animation Shorts and a program of classic animation from East Germany. Over $40,000 in cash and prizes will be given out in nine categories to this year’s films in competition.  Winners will be announced on Sunday, May 27 at a Closing Night reception.

    The 2018 Mammoth Lakes Film Festival Jurors

    Allison Amon (EVP Sales & Development, Bullitt) Lindsey Bahr (Associated Press) Peter Baxter (Filmmaker; President/Co-Founder, Slamdance) Shalini Dore (Variety) Alonso Duralde (TheWrap) Tim Rhys (MovieMaker Magazine) Vincent Spano (Actor) Nicole Sperling (Vanity Fair) Rachel Winter (Producer) Ana Souza (Sundance Film Festival) Scenery Samundra (Tru Thoughts, NTS Radio)

    Read more

  • DocLands Documentary Film Festival Unveils 2018 Lineup – ‘Ask The Sexpert’ ‘McQueen’ ‘The King’ and More…

    [caption id="attachment_27868" align="aligncenter" width="1200"]Ask The Sexpert Ask The Sexpert[/caption] DocLands Documentary Film Festival unveiled the lineup for the 2nd annual Festival, taking place May 3 to 6, 2018; and that includes 43 documentary films from 10 countries, the inaugural DocLands Honors award presentation to award-winning filmmaker and photographer Louie Psihoyos  (The Cove, Racing Extinction, The Game Changers), along with special programs. DocLands will host the World Premieres of 16 Bars with director Sam Bathrick, and film subjects Todd “Speech” Thomas of hip-hop group Arrested Development (Tennessee, Mr. Wendell), Teddy Kane and Loretta Simmons-Jackson attending, and Olompali: A Hippie Odyssey with filmmakers director Gregg Gibbs and producer Maura McCoy attending. Additional films premiering at the Festival include the US Premiere of DugOut; the North American Premiere of Have You Heard from Johannesburg: Oliver Tambo with director Connie Field in attendance; and the California Premieres of Anote’s Ark with director Matthieu Rytz and former president of Kiribati/film subject Anote Tong; The Guardians with directors Tessa Moran and Ben Crosbie attending; Into Twin Galaxies: A Greenland Epic; and Shiners with director Stacey Tenebaum and film subject Kealani Lada attending. Festival Sections include The Great Outdoors, films that transport us outside to truly appreciate, explore, and ultimately compel us to save and conserve our environment and the wilds of our one precious and precarious planet; Wonderlands, films that lift our spirits through stories of joy, wonder and possibility; and Art of Impact, films that engage and spark action by sharing stories that open our eyes to the global community and its disparate cultures, politics, personal narratives and biographies. Additionally, the Festival is host to DocLife, an interactive industry forum consisting of three programs, DocPitch a program designed to connect filmmakers and their ideas to funders, distributors, philanthropists, fellow filmmakers and future audiences, DocTalk an intimate conversation focusing this year on the story enhancing power of music, and an experiential workshop, Metamorphosis Journey, that explores transformation in the face of planetary emergency. Big Nights – Opening  | Closing  |  DocLand Honors Award Opening Night ANOTE’S ARK – California Premiere Former president of Kiribati and film subject Anote Tong joins director Martthieu Rytz for the Festival’s Opening Night film Anote’s Ark. Climate change is no abstraction to the people of Kiribati, a series of low-lying atolls in the central Pacific Ocean that are being swallowed by the rising sea. Photographer-ethnologist Matthieu Rytz’s exquisitely shot film portrays the slow, dignified demise of an entire culture—soon to be global refugees. Rytz and Tong will take part in an on-stage conversation and audience Q&A following the screening. Opening Night Party following screening and onstage conversation will be held at the San Rafael Elks Lodge. Closing Night 16 BARS – World Premiere In Sam Bathrick’s transformative film, Todd “Speech” Thomas of hip-hop group Arrested Development is involved with a unique rehabilitation program in Richmond, Virginia, helping prisoners write and record their own songs. The filmmaker lovingly follows four inmates battling cycles of incarceration and addiction. Through superbly produced recording sessions, the men reach out from behind bars to bring their poignant stories to life through music. Director Sam Bathrick will be joined on-stage by film subjects Todd “Speech” Thomas of hip-hop group Arrested Development (Tennessee, Mr. Wendell), Teddy Kane and Loretta Simmons-Jackson following the premiere of 16 Bars for an on-stage Q&A and special performance featuring Speech and Kane. Closing Night Party following the screening, onstage conversation, and special performance will be held at Art Works Downtown. DocLands Honors Award Presented to a filmmaker in recognition of exceptional storytelling within the documentary genre, an artist whose films resonate universally, emphasizing our common humanity – no matter the subject. The inaugural DocLands Honors Award is presented to iconic photographer and award-winning filmmaker Louie Psihoyos (The Cove, Racing Extinction, The Game Changers) for his dogged determination and tenacity in exposing wrongs and expanding awareness. We also show our appreciation for his astounding efforts in outreach, bringing some of our most pressing environmental and social issues to a worldwide audience.

    DocLife Events

    Metamorphosis Journey An experiential workshop, lead by award-winning filmmakers and certified coaches, Nova Ami and Velcrow Ripper, explores transformation in the face of planetary emergency. Participants move through the stages of Chrysalis, Crisis, Catharsis, Symbiosis and Metamorphosis, personalizing this arc, and applying it to their own lives. Short films representing each of the stages are integrated throughout the workshop. DocPitch Five filmmaker teams with feature documentary projects currently in development will present a three minute verbal pitch, three-to-five minute trailer and participate in a ten-minute Q&A with an audience comprised of potential funders, distributors, fellow filmmakers and the general public. All members of the audience will be given a ballot prior to the presentations and will vote for their favorite pitch. Winning project will receive a $10,000 cash prize.

    DocTalk 

    Story Arc, Music Arc – Do The Follow the Same Beat?  The story-enhancing power of music and score is palpable in the films that stick with us. But how do you achieve this sought-after influence and emotion? Join our panelists for an intimate conversation as they share their strategies for hitting all the right notes. Panelists:
    • Alexandria Bombach, ON HER SHOULDERS
    • Connie Field, HAVE YOU HEARD FROM JOHANNESBURG: OLIVER TAMBO
    • Louie Psihoyos, RACING EXTINCTION
    • Velcrow Ripper, METAMORPHOSIS
    • Todd “Speech” Thomas, 16 BARS

    DocLands Full Program – Features 

    16 Bars (dir. Sam Bathrick) Section: Art of Impact – In Sam Bathrick’s transformative film, Todd “Speech” Thomas of hip-hop group Arrested Development is involved with a unique rehabilitation program in Richmond, Virginia, helping prisoners write and record their own songs. The filmmaker lovingly follows four inmates battling cycles of incarceration and addiction. Through superbly produced recording sessions, the men reach out from behind bars to bring their poignant stories to life through music. Albatross (dir. Chris Jordan) Sections: Art of Impact/The Great Outdoors – Shot on Midway, a remote North Pacific atoll and home to the world’s largest albatross colony, this film captures extraordinarily intimate footage of the birds, and features a hauntingly beautiful score. Yet, as the birds feed their young, we learn of a hidden danger that implicates us all. Watching Albatross may well change your life. Anote’s Ark (dir. Matthieu Rytz) Sections: Art of Impact/The Great Outdoors – Climate change is no abstraction to the people of Kiribati, a series of low-lying atolls in the central Pacific Ocean that are being swallowed by the rising sea. Photographer-ethnologist Matthieu Rytz’s exquisitely shot film portrays the slow, dignified demise of an entire culture—soon to be global refugees—while sounding a clarion call for meaningful political action. Ask The Sexpert (dir. Vaishali Sinha) Section: Wonderlands – Gynecologist Mahinder Watsa writes a popular Mumbai sex advice column, and, at 91 years of age, he has heard it all. But whether in person or in print, he does what he’s always done: deliver witty, nonjudgmental truths about sexual health. Not everyone agrees with his usual prognosis — “it’s normal” — and India’s vocal conservatives lay bare just how much more work Watsa has yet to do. Becoming Who I Was (dirs. Chang-Yong Moon, Jin Jeon) Section: Wonderlands – Padma Angdu is a rosy-cheeked young Rinpoche, or reincarnation of a spiritual master. Under the care of a local lama, Urgyan Rickzen, in the remote mountainous Ladakh region of southern India, Padma must eventually re-join his monastic order in Tibet. With delicately intimate moments and breathtaking aerial cinematography, this is a masterpiece of epic proportions. Drawn Together (dir. Harleen Singh) Section: Art of Impact – From comics to cosplay, diverse and progressive artists such as Keith Knight, Vishavjit Singh, and Eileen Kaur Alden are breaking new ground. This survey highlights exciting changes in cartooning. Mr. Fish: Cartooning From The Deep End (dir. Pablo Bryant) – One of the world’s greatest editorial cartoonists finds his acidic equal-opportunity political critiques are too hot to handle in today’s ever-shrinking, increasingly cautious publishing marketplace. DugOut (dir. Benjamin Sadd) Section: The Great Outdoors – The vibrant green Ecuadorian Amazon, bursting with life, is the star of this eco-adventure. With generous help of a local Huaorani family, two young British men set out to make a traditional dugout canoe and row it down a river. It’s an arduous journey, but this duo is all charm as they encounter the taste of howler monkey, overcome G.I. woes, and evade unfriendly darts. Finding Hygge (dir. Rocky Walls) Section: Wonderlands – What is hygge? A colorful cast of characters share humorous, surprising and often deeply philosophical thoughts about this Danish concept in a delightful, heartwarming film. Ranked among the happiest people in the world, Danes share their secrets about loving life. The moral of the story? Maybe we all have a little hygge, even if we’re not Danish. The Guardians (dirs. Tessa Moran, Ben Crosbie) Section: Art of Impact –Every year majestic Monarch butterflies make their way on a 3,000-mile journey from Canada to their winter home in the ancient forests of Michoacán, Mexico, and it is here that the struggling community of Donaciano Ojeda strives to preserve the delicate balance between humans and nature. Like the millions of monarchs that also call this forest home, their survival depends on it. Have You Heard From Johannesburg: Oliver Tambo (dir. Connie Field) Section: Wonderlands – A religious man heading a secular movement, a pacifist commanding its army, Oliver Tambo was a man of many contradictions who largely orchestrated a revolution that shook institutionalized racism to its core. This is a thrilling portrait of a towering yet little-remembered figure by Berkeley-based director Connie Field, who adds an essential chapter to her original eight-hour epic series. Into Twin Galaxies (dir. Jochen Schmoll) Section: The Great Outdoors – Two pro kayakers and a polar expert set out on the “most epic expedition ever” across Greenland in this incredible real-life adventure. Their goal is an unknown river canyon they’ll run to the ocean—but first there are weeks of treacherous cross-country travel by hoof and kite-ski, in gale-force winds. It’s a perilous, visually stunning journey. The King (dir. Eugene Jarecki) Section: Wonderlands) – A road trip ostensibly tracing the rise and fall of Elvis Presley, director Eugene Jarecki outlines the deep fallacies in the story America tells about its greatness. Driving around the country in the singer’s 1963 Rolls-Royce accompanied by an articulate array of celebrities, musicians, and political pundits, Jarecki’s captivating documentary searches for a truer tale, one that might still allow for an American Dream. McQueen (dirs. Ian Bonhôte, Peter Ettedgui) Section: Art of Impact/Wonderlands – This superb film traces designer Alexander McQueen’s meteoric rise to stardom from his first forays into tailoring to worldwide fame as a fashion icon. Through touching interviews and dazzling footage of McQueen’s fashion show extravaganzas, the documentary expertly weaves the tale of a tortured man whose universe of designs reflected not only the beauty he saw in the world, but his own dark side. Metamorphosis (dirs. Nova Ami, Velcrow Ripper) Sections: Art of Impact/The Great Outdoors – What is our capacity for change? It’s a prescient question given a whole new spin in Nova Ami and Velcrow Ripper’s striking film. The answers here are eye opening, the visuals mesmerizing, and the sound bewitchingly portentous as it evokes Earth’s final breaths. Does the change we’re facing offer us an opportunity for transformation? This film gives us a chance to discover—and accept—the wonder of impermanence. Minding The Gap (dir. Bing Liu) Section: Art of Impact – Set in blue-collar Rockford, Illinois, director Bing Liu’s fresh and discerning film follows a group of his skateboarding friends. In between the excellent skate scenes, Bing unearths some deeper truths affecting all three buddies. An unorthodox filmmaking style and unique access make this film about skateboarding, friendship, and acceptance as uplifting and heartwarming as it is gritty and honest. Olompali: A Hippie Odyssey (dir. Gregg Gibbs) Section: Wonderlands – “Turning on, tuning in, and dropping out, a group of kindred spirits calling itself the “Chosen Family” in the late ’60s built its base camp 30 miles north of San Francisco. Clothing was optional, authority disdained, and weed widely distributed. Peter Coyote narrates this warmly reflective story, which crosses paths with tragedy–as well as the Grateful Dead, Hells Angels, and the Diggers–as it celebrates the spirit of invention. On Her Shoulders (dir. Alexandria Bombach) Section: Art of Impact – The plight of the Yazidi community, who face mass extermination at the hands of ISIL extremists, is told elegantly through delicately lit interviews and the selfless lobbying of 23-year-old reluctant activist, Nadia Murad. Although the toll of retelling her own harrowing story is clearly evident in her face, Murad refuses to rest lest the atrocities continue to go unnoticed by those who may be able to help. Pick of the Litter (dir. Don Hardy, Dana Nachman) Section: Wonderlands – In Pick of the Litter, we follow five dogs, from the moment they are born through the intense two-year program that will prepare them to become working guide dogs and unite with their blind partners. The stakes are high and not every dog will make the cut, but those who graduate will all go on to provide life-changing services for those in need. Racing Extinction (dir. Louie Psihoyos) Sections: Art of Impact/The Great Outdoors – Scientists believe we are in the sixth major extinction event in the planet’s history, and unlike the previous five, this one is being caused by humankind. Half of all species are threatened with annihilation by the end of this century, and Academy Award-winning director Louie Psihoyos’ remarkable film tackles this monumental challenge by focusing on activists, scientists, and artists dedicated to saving those without a voice—the vanishing species of our globe. Psihoyos has created an ode to life on our planet with a documentary that takes us on an unforgettable visual journey. The Rescue List (dirs. Alyssa Fedele, Zachary Fink) Section: Art of Impact – Ghana’s Lake Volta, the most massive man-made lake in the world, is also the site of a monumental human rights failure: the selling of area children into slavery. This riveting, gorgeously photographed documentary by Bay Area filmmakers Zachary Fink and Alyssa Fedele chronicles the brave efforts to find these children, bring them to safety, and return them to their families of origin. A River’s Last Chance (dir. Shane Anderson) Sections: Art of Impact/The Great Outdoors– One of the most diverse rivers in the United States, the Eel, ran dry in 2014, for the first time in history. Once victimized by logging, damming, and drought, the Eel faced new challenges in the new century from some of California’s favorite commodities: wine and weed. This urgent and compelling documentary makes a renewed case for regulation and collaboration in protecting this vital resource. Saving Brinton (filmmakers Tommy Haines, John Richard, Andrew Sherburne) Section: Wonderlands – An eccentric collector and the self-appointed local historian of a small town in Iowa stumbles upon a cache of old dusty film reels that will end up consuming him for more than thirty-two years. The treasure trove he discovers in a farmhouse basement includes a collection of magical films from cinematic pioneer George Méliés long thought to be lost to cinematic history. Shiners (dir. Stacey Tenenbaum) Section: Wonderlands – Shoe-shiners from New York to Tokyo, often invisible to the disdainful eye of the public, get the spotlight in a film directed with compassion and skill. These illusive artists speak of class differences, job satisfaction, and the meaning of life. Just as the shoe-shining philosophers bring pleasure and conversation to their clientele, this entertaining and polished film has never a dull moment. Soufra (dir. Thomas Morgan) Section: Art of Impact – Mariam Shaar lives in a refugee camp just south of Beirut. When she and other enterprising women refugees resolve to grow a small catering business, named Soufra, or “spread” in Arabic, obstacles emerge. As a bevy of colorful, mouthwatering food parades by, we find ourselves rooting for Mariam’s success and her courage reminds us that every refugee has a dream for a better life. Three Identical Strangers (dir. Tim Wardle) Section: Art of Impact – Bobby, David, and Eddy—triplets who find each other by chance in their late teens—generate heartwarming headlines in the 1980s. Their three identical smiles, mop-top heads, and wide shoulders charmed the public almost as much as the circumstances of their reunification. But we soon learn a far-fetched story that goes much further than their exultant initial encounter. The Valley of the Wolves (dir. Jean-Michel Bertrand) Section: The Great Outdoors – With unabating good humor and infinite patience and enthusiasm, filmmaker and wildlife enthusiast Jean-Michel Bertrand keeps himself—and us—amused as he spends months amid the magnificent beauty of a remote valley in the French Alps searching for a family of wolves he believes (with all his heart) have established a den there. Wall (dir. Cam Christiansen) Section: Art of Impact– Adapted from the 2009 monologue by renowned British playwright and screenwriter David Hare, Wall ruminates over the terminology, philosophy, and reality of what Israelis call a “security fence” and Palestinians “an apartheid wall.” Canadian animation filmmaker Cam Christiansen employs a largely black-and-white canvas as a malleable, clarifying backdrop for Hare’s journey of inquiry about the barrier’s implications for Middle East peace. Won’t You By My Neighbor? (dir. Morgan Neville) Section: Wonderlands – “Love is the root of everything: all learning, all parenting, all relationships. Love or the lack of it.” These are the wise and seemingly prescient words of Fred Rogers, the originator/host of public television’s, Mr. Rogers’ Neighborhood. Speaking to children as equals on any topic in an open and unruffled manner, he taught tolerance above all else. He was one of a kind, a man whose teachings are even more relevant today.

    DocLands Full Program – Shorts 

    Colors of Change (dir. Jenny Nichols) – Through the eyes of an artist, a scientist, and an Inuit Elder, we experience Greenland’s beauty as it tackles climate change. Dear Erik (dir. Bryan Wetzel) – A lark quickly becomes an obsession for an eccentric collector of personal letters received from stars of Hollywood’s Golden Era. The Last Honey Hunter (dir. Ben Knight) – After being visited by a spirit in his dreams, Maule Dhan Rail is determined to pass along a dangerous generations-old Nepali tradition. Little Fiel (dir. Irina Patkanian) – This unique short animated documentary is based on and features the sculptures of a Mozambican artist whose creations comment on war, resistance, and hope. My Irnik (dirs. Matthew Hood, François Lebeau) – Deep within the Arctic, a young father teaches his son about his ancestral Inuit heritage and the value of shared adventures. Objector (dir. Molly Stuart) – Torn between love of country, family, and her dedication to Palestinian rights, a young Israeli woman refuses her military service. Person of the Forest (dirs. Melissa Lesh, Tim Laman) – In the vanishing lowland rainforests of Borneo, a team of environmentalists seek to understand the unique cultural behavior of wild orangutans before it’s too late. Plant (dirs. David Zlutnick, Flavia Cassani) – From seed to harvest, a cinematic look at the beauty of a small, family-run cannabis farm in California’s famed Emerald Triangle. The Reason to Live (dir. Boyoung Kim) – An optimistic street musician busking in San Francisco shares inspirational stories of music, transformation, and making people smile. Spark Plug Cowboys (dirs. Kramer Herzog, Leonard Marcel) – Rally car enthusiasts, friends since their 1950s, meet weekly in downtown San Rafael to reminisce about their daredevil days. Surviving International Boulevard (dir. Sian Taylor Gowan) – The complex reality of domestic child sex trafficking is revealed through the experiences of two local women from Oakland, California. Swan (dirs. Laetitia Jacquart, J.P. Dobrin) – As the loudspeaker announces 15 minutes until the start of the show, a ballet soloist prepares to dance. Water Town (dir. Maya Craig) – The city of Weed embarks upon a David vs. Goliath battle to win back their water rights from a large timber company. Wrangling Russia (dir. Ilie Mitaru) – Seemingly out of place, four American cowboys take on the task of training Russian ranchers as they set out to resurrect the local beef industry.

    Read more

  • 2018 Sarasota Film Festival Announces Lineup, ‘1985’ EIGHTH GRADE’ ‘THE RIDER’ and More…

    [caption id="attachment_27753" align="aligncenter" width="1200"]EIGHTH GRADE EIGHTH GRADE[/caption] The 2018 Sarasota Film Festival (SFF) announced its full line-up, including its Centerpiece, Spotlight, Narrative Feature Competition, Independent Visions Competition, Documentary Feature Competition, Narrative, Documentary, and Short Films. The Festival also announced its five SFF Focus Panels – Sports in Cinema, Environment, Science, and Sustainability, Women’s Comedic Voices, Redefining Manhood, and Musings on Musicians. “In honor of our 20th anniversary, we have programmed a lineup that celebrates the past, present, and future of the Sarasota Film Festival that is sure to delight our dedicated and passionate audiences,” said Mark Famiglio, Chairman and President of the Sarasota Film Festival. “The selection includes a diverse group of narratives and voices that will create engaging conversations about today’s most important topics.” In the Festival’s Centerpiece section is 1985, about a closeted gay man, unable to come out to his friends and family during the beginning of the AIDS crisis, staring Academy Award®-nominated actress Virginia Madsen, who will be attendance at the Festival. Also a Centerpiece selection is Bo Burnham’s feature film directorial debut, EIGHTH GRADE, a portrait of young teenagers discovering their identities online and in reality. Bo will be in attendance for a Q&A following the film’s screening during the Festival. The Spotlight section will include narrative films Brett Haley’s HEARTS BEAT LOUD, Silas Howard’s A KID LIKE JAKE, Andrew Haigh’s LEAN ON PETE, Hannah Fidell’s THE LONG DUMB ROAD, Dominic Cooke’s ON CHESIL BEACH, Chloé Zhao’s THE RIDER, and Madeline Olnek’s WILD NIGHTS WITH EMILY, and documentary films Eugene Jarecki’s THE KING, Ali Weinstein’s MERMAIDS, Barbara Kopple’s A MURDER IN MANSFIELD, and Morgan Neville’s WON’T YOU BE MY NEIGHBOR? Each year the Sarasota Film Festival focuses on social issues to highlight throughout its program. The Sports in Cinema Focus returns this year, welcoming Ben and Orson Cummings and their film KILLER BEES, produced by Shaquille O’Neill. Other films in this focus include the Closing Day Film, Jason Kohn’s LOVE MEANS ZERO and Dana Adam Shapiro’s DAUGHTERS OF THE SEXUAL REVOLUTION: THE UNTOLD STORY OF THE DALLAS COWBOY CHEERLEADERS. In consideration of sustainability of communities and the planet, films in the SFF Environment, Science, and Sustainability Focus include Susan Kucera’s LIVING IN THE FUTURE’S PAST, Chad Freidrichs’ EXPERIMENTAL CITY, Quinn Costello, Chris Metzler, and Jeff Springer’s RODENTS OF UNUSUAL SIZE, and Rory Kennedy’s ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW. In a groundbreaking year for women, the festival presents SFF Focus: Women’s Comedic Voices, a lineup featuring all female directors. Films in the category include Wendy McColm’s BIRDS WITHOUT FEATHERS, Bridey Elliott’s CLARA’S GHOST, Caroline Golum’s A FEAST OF MAN as well as LONG DUMB ROAD and WILD NIGHTS WITH EMILY. The films in the SFF Focus: Redefining Manhood, provide a glimpse at the questions regarding masculine identities, include Bing Liu’s MINDING THE GAP, as well as 1985, THE RIDER, and WON’T YOU BE MY NEIGHBOR? The final SFF Focus: Musings on Musicians, presents an array of films exploring the relationships between music and film. Films in the category include Laura Parnes’ TOUR WITHOUT END, T.G. Herrington and Danny Clinch’s A TUBA TO CUBA, Derek Ahonen’s THE TRANSCENDENTS, Sophie Fiennes’ GRACE JONES: BLOODLIGHT AND BAMI, Jake Meginsky and Neil Young’s MILFORD GRAVES FULL MANTIS, Scott Smith’s CHASING THE BLUES, Stephen Loveridge’s MATANGI / MAYA / M.I.A, as well as THE KING and HEARTS BEAT LOUD. The Narrative Feature Competition will showcase DON’T LEAVE HOME directed by Michael Tully, I AM NOT A WITCH, directed by Rungano Nyoni, MADELINE’S MADELINE, directed by Josephine Decker, THE QUEEN OF FEAR directed by Valeria Bertuccelli and Fabiana Tiscornia, THE SEEN AND THE UNSEEN directed by Kamila Andini, SUPPORT THE GIRLS directed by Andrew Bujalski as well as CLARA’S GHOST. The Documentary Feature Competition will include GENERATION WEALTH directed by Lauren Greenfield, GENESIS 2.0 directed by Christian Frei and Maxim Arbugaev, HALE COUNTY THIS MORNING, THIS EVENING directed by RaMell Ross, OF FATHERS AND SONS directed by Talal Derki, THE SENTENCE directed by Rudy Valdez, as well as DAUGHTERS OF THE SEXUAL REVOLUTION: THE UNTOLD STORY OF THE DALLAS COWBOY CHEERLEADERS and MINDING THE GAP. The Independent Visions Competition will feature BLACK MOTHER directed by Khalik Allah, LIFE AND NOTHING MORE directed by Antonio Méndez Esparza, MAISON DU BONHEUR directed by Sofia Bohdanowicz, NOTES ON APPEARANCE directed by Ricky D’Ambrose, as well as BIRDS WITHOUT FEATHERS, A FEAST OF MAN, MILFORD GRAVES FULL MANTIS, and TOUR WITHOUT END. The jury for the competition films will consist of the following individuals: producer Autumn Bailey-Ford, Emmy®-nominated writer and producer Mark Bailey, documentary filmmaker Orson Cummings, New York Magazine film critic David Edelstein, Factory 25 film distributor Matt Grady, Academy of Motion Picture Arts and Sciences Director – New York Programs and Membership Patrick Harrison, film professor Del Jacobs, Academy Award®-nominated filmmaker Penny Lane, actress Penelope Ann Miller, The Hollywood Reporter film writer Tatiana Siegel, founder and publisher of Women and Hollywood Melissa Silverstein, and Sarasota County Circuit court judge and filmmaker Charles Williams. Narrative films include: ALL YOU CAN EAT BUDDHA directed by Ian Lagarde, AMERICAN ANIMALS directed by Bart Layton, AUGUST IN BERLIN directed by Becky Smith, BIKINI MOON directed by Milcho Manchevski, BLACK KITE directed by Tarique Qayumi, CAN HITLER HAPPEN HERE? directed by Saskia Rifkin, COLD SKIN directed by Xavier Gens, COME SUNDAY directed by Joshua Marston, DELENDA directed by Ralph Moffettone, DIMINUENDO directed by Adrian Stewart, EN EL SÉPTIMO DÍA directed by Jim McKay, FIRST REFORMED directed by Paul Schrader, A FRENCHMAN IN FLORIDA directed by Dante Rhev, HOLIDAY directed by Isabella Eklof, LET THE SUNSHINE IN directed by Claire Denis, MAKTUB directed by Oded Raz, SANTA INOCENCIA directed by Maritxell Campos Olivé, SHELTER directed by Eran Riklis, TATTERDEMALION directed by Ramaa Mosley, TINKER directed by Sonny Mahrler, VIRGINIA, MINNESOTA directed by Daniel Stine, VIRUS TROPICAL directed by Santiago Caicedo, WE THE ANIMALS directed by Jeremiah Zagar, WHITE RABBIT directed by Daryl Wein, ZAMA directed by Lucrecia Martel, as well as CHASING THE BLUES and THE TRANSCENDENTS. Documentary films include: 306 HOLLYWOOD directed by Elan Bogarin and Jonathan Bogarin, ANTONIO LOPEZ 1970: SEX FASHION & DISCO directed by James Crump, ASK THE SEXPERT directed by Vaishali Sinha, BISBEE ’17 directed by Robert Greene, CHEF FLYNN directed by Cameron Yates, CRACKING ACES: A WOMAN’S PLACE AT THE TABLE directed by H. James Gilmore, CRIME + PUNISHMENT directed by Stephen Maing, DISTANT CONSTELLATION directed by Shevaun Mizrahi, FATHER’S KINGDOM directed by Lenny Feinberg, FREEDOM FOR THE WOLF directed by Rupert Russell, THE GREAT FLIP-OFF directed by Dafna Yachin, HALF THE PICTURE directed by Amy Adrion, LA FLOR DE LA VIDA directed by Adriana Leoff and Claudia Abend, LOTS OF KIDS, A MONKEY AND A CASTLE directed by Gustavo Salmerón, MAYNARD directed by Sam Pollard, OLD DOG directed by Sally Rowe, ON HER SHOULDERS directed by Alexandria Bombach, THE PAIN OF OTHERS directed by Penny Lane, RBG directed by Betsy West and Julie Cohen, SISTERS directed by Justyna Tafel, THAT SUMMER directed by Göran Hugo Olsson, THREE IDENTICAL STRANGERS directed by Tim Wardle as well as THE EXPERIMENTAL CITY, GRACE JONES: BLOODLIGHT AND BAMI, KILLER BEES, LIVING IN THE FUTURE’S PAST, MATANGI / MAYA / M.I.A., RODENTS OF UNUSUAL SIZE, and A TUBA TO CUBA. As previously announced Golden Globe®-nominated and Independent Spirit Award®-nominated Eric Stoltz’s coming-of-age comedy CLASS RANK will be the Festival’s Opening Night film and Academy Award®-nominated and Emmy®-winning Rory Kennedy’s ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW will serve as Closing Night film. The Festival will also be honoring renowned actor Steve Guttenberg and Academy Award®-nominated actress Virginia Madsen with Career Achievement Awards during the closing weekend.

    Read more

  • Ashland Independent Film Festival Rolls Out 2018 Program | ‘First Reformed’, ‘On Chesil Beach’, ‘Hearts Beat Loud’ and More ..

    [caption id="attachment_27690" align="aligncenter" width="1080"]On Chesil Beach On Chesil Beach[/caption] The Ashland Independent Film Festival announced its lineup for the five-day festival taking place April 12 to 16, 2018, and featuring over 120 films chosen from nearly a thousand films submitted to the festival, or specially selected by AIFF Artistic and Executive Director Richard Herskowitz. Special screenings include the upcoming features First Reformed (directed by Paul Schrader and starring Ethan Hawke), On Chesil Beach with Saoirse Ronan, Brett Haley’s Hearts Beat Loud with Nick Offerman, Andrew Haigh’s Oregon-filmed Lean on Pete, and Borg vs. McEnroe, starring Shia LeBoeuf, plus 2018 Sundance Film Festival award-winning documentaries Minding the Gap, On Her Shoulders, and Crime + Punishment.

    Award Recipients

    AIFF will present Rogue Awards to two special guests, Academy Award®-winning actor Chris Cooper and Seattle-based director Lynn Shelton. Cooper launched his film acting career with his role as a union organizer in Matewan, the first of five films he appeared in directed by John Sayles, and won the Academy Award in 2002 for his supporting role in Adaptation. In addition to participating in the TalkBack panel “Talking Acting with Chris Cooper,” Cooper will present on Opening Night the world premiere of a film he narrated and executive produced, Intelligent Lives, accompanied by director Dan Habib and executive producer Marianne Leone Cooper. Cooper met Marianne Leone in 1979 at an acting class in New York City. Their son, Jesse Lanier Cooper, was born three months prematurely in October 1987 and developed cerebral palsy and epilepsy. Chris and Marianne became advocates for inclusive education and champions of kids with special needs. Jesse was a mainstreamed student at Silver Lake Regional High School where he was an honor student. In 2005, Jesse died suddenly from a seizure at age 17. Intelligent Lives explores how our society’s narrow views of intelligence have led to the segregation of people with intellectual disabilities. AIFF will also present a Rogue Award to Lynn Shelton, who will present her sixth feature film, Outside In, starring Edie Falco and Jay Duplass and released by The Orchard. Shelton, proudly based in Seattle, has had a stellar career as an independent film director since winning the Grand Jury Award at the 2006 Slamdance Film Festival with her debut feature, We Go Way Back. Since then, Shelton’s films, including Humpday (2009), Your Sister’s Sister (AIFF2012), and Laggies (2012) have garnered awards and acclaim at Sundance, the Film Independent Spirit Awards, and the Gotham Independent Film Awards, as well as theatrical distribution from Magnolia and A24. Beginning with Mad Men in 2010, Lynn has directed over 25 episodes of television series including New Girl, Fresh Off the Boat, Master of None, Maron, and GLOW. The recipient of AIFF’s 2018 Pride Award, honoring filmmakers who have made significant contributions to LGBTQ media, is Zackary Drucker, an independent media artist and trans woman whose work crosses boundaries between the art world and popular culture. Drucker has performed and exhibited her work internationally in museums, galleries, and film festivals including the 2014 Whitney Biennial, MoMA PS1, Hammer Museum, and SF MoMA, among others. She is also a producer on the Golden Globe® and Emmy®-winning Amazon series Transparent. She will screen an episode of this series and two films featuring her late friend and mentor, Flawless Sabrina: Drucker’s video, She Gone Rogue and The Queen, Frank Simon’s rarely screened documentary of the 1967 Miss All-American Camp Beauty Pageant. Other special guests attending this year’s Festival include James Ivory, recipient of AIFF2017’s Lifetime Achievement Award and a 2018 Academy Award for his screenplay of Call Me By Your Name. Ivory will return to present the restored classic Shakespeare Wallah and join in a conversation after the screening with Oregon Shakespeare Festival’s Artistic Director Bill Rauch. AIFF is reaffirming its mission to promote independent filmmaking by honoring companies that have built the infrastructure of the independent film movement and challenged Hollywood’s dominance. This year, tribute will be paid to Milestone Films, which has gained an international reputation for releasing classic cinema masterpieces, groundbreaking documentaries, and American independent features. Since 2007, Milestone has concentrated on the restoration and worldwide distribution of films outside the Hollywood mainstream featuring “lost” films by and about African Americans, Native Americans, LGBTQ, and women. Milestone co-founders Dennis Doros and Amy Heller will present their recent restoration of No Maps on My Taps, accompanied by its director, George Nierenberg. The screening will be followed by a live performance and “tap-in” (with all audience members who bring tap shoes) led by dancer Suzanne Seiber. The second “Indie Institution” honoree will be the Independent Documentary Association (IDA). IDA’s educational, advocacy, production support, and exhibition programs, including the Pare Lorentz and Enterprise Documentary Funds and Documentary Magazine, provide resources, create community and defend rights and freedom for documentary artists, activists, and journalists. IDA’s Director of Programming and Policy, Claire Aguilar, joined by the films’ directors and subjects, will present The Blessing (an IDA Pare Lorentz Fund grantee) and Crime + Punishment (Enterprise Documentary Fund grantee, and winner of a jury prize at Sundance). Aguilar will also moderate the TalkBack panel “Seeking Justice in Documentary.” According to Festival director Richard Herskowitz, “The tribute to Milestone Films’ restoration and distribution is part of a larger programming focus this year on classic cinema that includes Shakespeare Wallah and No Maps on My Taps. Exposure to classic films, I believe, inspires indie film audiences and filmmakers (from James Ivory to Lynn Shelton) to question and reinvent filmmaking conventions.” The emphasis on classic film is highlighted in this year’s festival posters, based on images from the animated films of Stacey Steers. Steers’ sculptural media installations will be on view at the Schneider Museum of Art as part of an exhibition, The Animated Image ( April 12 – May 12) co-curated by Herskowitz and Schneider Museum director Scott Malbaurn. Also in this exhibition are animated media installations by Chris Doyle, Rick Silva, and Matt Bollinger. Steers’ trilogy of animated films featuring collages of silent film actresses in magical settings will be presented with new scores composed by Ashland-based composers Terry Longshore and Tessa Brinckman, which they will perform live on Saturday, April 14 at SOU Music Recital Hall. Also on that program will be a live performance accompanying the Russian silent film The Dying Swan, a Milestone Films release, with a score created by Ashland-based international opera and film score composer Joby Talbot. Talbot will perform on piano, joined by cellist Michal Palzewicz and violinist Jessica Lambert. Other classic film-themed screenings include Love, Cecil, the documentary on Academy Award-winning costume and set designer and photographer Cecil Beaton that will be accompanied by its director Lisa Immordino Vreeland. Film archivist Michael Zahs, the charismatic film archivist and subject of the documentary feature film Saving Brinton, will demonstrate an early Magic Lantern, a progenitor of the film projector, following Saving Brinton’s screening at the Historic Ashland Armory. Zahs will also demonstrate the Magic Lantern to kids during AIFF’s Family Day of film presentations and hands-on filmmaking activities at ScienceWorks Hands-On Museum on Saturday, April 14.

    2018Ashland Independent Film Festival Program Summary

    2018 Documentary Feature Selections

    América The Blessing Citizen Blue & The March Crime + Punishment Dark Money Five Seasons The Foreigner’s Home The Gospel of Eureka I Am Maris: Portrait of a Young Yogi Intelligent Lives Itzhak The King Liyana Love, Cecil Minding the Gap Modified Mr. Fish: Cartooning from the Deep End No Maps on My Taps On Her Shoulders One October The Queen The Reluctant Radical & Symphony for Nature: The Britt Orchestra at Crater Lake A River Below Saving Brinton Skid Row Marathon Sky and Ground A Tuba to Cuba Two Trains Runnin’

    2018 Narrative Feature Selections

    Back at the Staircase Borg v. McEnroe The Dying Swan First Reformed For Izzy Fort Maria Hearts Beat Loud The Last Hot Lick Lean on Pete On Chesil Beach Outside In People People The Rainbow Experiment Shakespeare Wallah Wild Honey

    SHORTS PROGRAMS

    Curated Programs CineSpace KidFlix: Best of the New York Children’s International Film Festival Animated Worlds: Stop-Motion Classics with Mark Shapiro Zackary Drucker: Trans Film Television Competition Program Short Stories 1: In the Light of Day Short Stories 2: After Hours Short Docs 1: About Work Short Docs 2: About Community Short Stories and Docs: About Family Locals Only Locals Only 1: Family Friendly – Launch Student Film Competition Locals Only 2: Ashland Roots Locals Only 3: On the River, On the Land

    PERFORMANCES

    Silent Scores: The Dying Swan and Stacey Steers’ Trilogy with Tessa Brinckman, Terry Longshore, and Joby Talbot Live Tap-in with Suzanne Seiber following No Maps on My Taps

    FAMILY DAY AT SCIENCEWORKS

    Saturday, April 14, 10am-5pm: Hands-on film activities and presentations by NASA’s Ralph Grau, archivist Michael Zahs, and LAIKA’s Mark Shapiro

    AIFF MEDFORD

    4 shows at Collaborative Theatre Project on March 21, April 14 and 16, and a special screening at Kids Unlimited of Dolores with Peter Bratt and Dolores Huerta (May 3)

    EXHIBITION AT SCHNEIDER MUSEUM OF ART: THE ANIMATED IMAGE

    Media installations by Stacey Steers, Chris Doyle, Matt Bollinger, and Rick Silva on view April 12 – May 12.

    TALKBACKS

    Talking Acting with Chris Cooper Seeking Justice in Documentary Composing Scores for Classic and Contemporary Films

    Read more

  • SXSW 2018: “Thunder Road” and “People’s Republic of Desire” Win Top Jury Awards

    [caption id="attachment_27557" align="aligncenter" width="1200"]Thunder Road - Jim Cummings Thunder Road – Jim Cummings[/caption] The South by Southwest (SXSW) Film Festival last night announced the 2018 Jury and Special Award winners of the SXSW Film Festival Awards at the awards ceremony hosted by actor and comedian Jim Gaffigan.  Thunder Road directed by Jim Cummings won the award for Best Narrative  Feature Film, and People’s Republic of Desire directed by Hao Wu won the award for Best Documentary Feature Film. SXSW continues showing films through Saturday, March 17.

    2018 SXSW Film Festival Awards:

    Feature Film Grand Jury Awards

    NARRATIVE FEATURE COMPETITION Winner: Thunder Road Director: Jim Cummings Special Jury Recognition For First Feature: The New Romantic Director: Carly Stone Special Jury Recognition for Writing: Jinn Director/Screenwriter: Niljla Mu’min DOCUMENTARY FEATURE COMPETITION Winner: People’s Republic of Desire Directors: Hao Wu Special Jury Recognition for Best Cast: This One’s For The Ladies Director: Gene Graham Special Jury Recognition for Best Feminist Reconsideration of a Male Artist: Garry Winogrand: All Things are Photographable Director: Sasha Waters Freyer

    Short Film Grand Jury Awards

    NARRATIVE SHORTS Winner: Emergency Director: Carey Williams Special Jury Recognition for Acting: Actor: Shirley Chen from Krista DOCUMENTARY SHORTS Winner: My Dead Dad’s Porno Tapes Director: Charlie Tyrell MIDNIGHT SHORTS Winner: Milk Director: Santiago Menghini ANIMATED SHORTS Winner: Agua Viva Directors: Alexa Lim Haas Special Jury Recognition: JEOM Director: Kangmin Kim MUSIC VIDEOS Winner: “Second Hand Lovers” – Oren Laviev Director: Oren Lavie Special Jury Recognition for Acting: “Territory” – The Blaze Director: The Blaze TEXAS SHORTS Winner: An Uncertain Future Director: Iliana Sosa & Chelsea Hernandez TEXAS HIGH SCHOOL SHORTS Winner: The Night I Lost My Favorite Jacket Director: Jenna Krumerman Special Jury Recognition: CCISD Strong Director: Sofia Rasmussen INDEPENDENT EPISODICS Winner: Beast Director: Ben Strang Special Jury Recognition: She’s the Ticket Director: Nadia Hallgren

    SXSW Film Design Awards

    EXCELLENCE IN POSTER DESIGN Winner: The Gospel of Eureka Designer: Matt Taylor Special Jury Recognition: A Little Wisdom Designer: Adam Zhu EXCELLENCE IN TITLE DESIGN Winner: Counterpart Director: Karin Fong Special Jury Recognition: Godless Director: John Likens

    SXSW Special Awards

    SXSW LUNA® Gamechanger Award – Narrative Winner: First Match Director: Olivia Newman Special Jury Recognition: Unlovable Director: Suzi Yoonessi SXSW LUNA® Chicken & Egg Award – Documentary Winner: On Her Shoulders Director: Alexandria Bombach Special Jury Recognition: ¡Las Sandinistas! Director: Jenny Murray SXSW Louis Black “Lone Star” Award To honor SXSW co-founder/director Louis Black, a jury prize was created in 2011 called the Louis Black “Lone Star” Award, to be awarded to a Texas film in content, filmmaker residency, or primary shooting location. (Opt-in Award) Louis Black “Lone Star” Award Winner: Daughters of the Sexual Revolution: The Untold Story of the Dallas Cowboys Cheerleaders Director: Dana Adam Shapiro SXSW Adam Yauch Hörnblowér Award In honor of a filmmaker whose work strives to be wholly its own, without regard for norms or desire to conform. The Adam Yauch Hörnblowér Award is presented to a filmmaker from our Visions screening category. SXSW Adam Yauch Hörnblowér Award Presented to: Prospect directed by Zeek Earl & Chris Caldwell Vimeo Staff Picks Award In celebration of the 10-year anniversary of the Staff Picks channel, Vimeo Staff Pick Award here at SXSW. Films featured in the Narrative, Documentary, Animation, and Texas Shorts competitions are eligible for this award, which includes a $5,000 cash prize and, of course, a Vimeo Staff Pick. The Winning film will be released on Vimeo on Wednesday, March 14. Vimeo Staff Picks Award Presented to: Krista directed by Danny Madden SXSW Karen Schmeer Film Editing Fellowship Presentation The Karen Schmeer Film Editing Fellowship is a year-long experience that encourages and champions the talent of an emerging documentary editor. Awarded annually, the fellowship was created to honor the memory of gifted editor Karen Schmeer. Karen Schmeer Film Editing Fellowship Presented to: Kristin Bye for X

    Read more

  • 2018 Full Frame Documentary Film Festival Announces Lineup – “306 Hollywood” “Boom for Real” and More…

    [caption id="attachment_27448" align="aligncenter" width="1200"]306 Hollywood by Elan Bogarín and Jonathan Bogarín 306 Hollywood by Elan Bogarín and Jonathan Bogarín[/caption] The Full Frame Documentary Film Festival, today announced its lineup of features and short films. The 21st annual festival will take place April 5 to 8, 2018, in Durham, North Carolina. The NEW DOCS program includes 42 titles – 32 features and 10 shorts – selected from nearly 1,800 submissions from around the globe. These films are eligible for the Full Frame Audience Award and are shortlisted for a variety of additional juried awards offering a combined value of $40,000 in cash prizes. Award winners will be announced at the annual Awards Barbecue on Sunday, April 8. The Invited Program includes 22 feature films screening out of competition. Renowned filmmaker Joe Berlinger will curate the 2018 Thematic Program, and the festival will honor Jehane Noujaim’s illustrious body of work with the 2018 Tribute. Delving into the fascinating genre of true crime, the Thematic Program will feature films that follow individual cases and consider the ways documentary uniquely represents the complexities, and limitations, of the American judicial system. For the Tribute, Full Frame will showcase Noujaim’s lauded films exploring themes of resilience, freedom, democracy, and free speech.

    NEW DOCS

    306 Hollywood (Directors: Elan Bogarin, Jonathan Bogarin) When their beloved grandmother dies, two siblings embark on an imaginative exploration of her home, sifting through her belongings, and their own cherished memories, to discover her essence. América (Directors: Erick Stoll, Chase Whiteside) When their father is unexpectedly arrested, three brothers come together to care for their aging grandmother, América. This sensitive portrait delicately captures the frustrations and connections that evolve as they navigate her physical decline and their expectations of one another. The Area (Director: David Schalliol) Charismatic activist Deborah Payne tirelessly battles developers of a new multibillion-dollar freight yard that threatens to destroy Englewood, her neighborhood on Chicago’s South Side. World Premiere The Bastard (Director: Floris-Jan van Luyn) The Hoeks are united in name but severed by history: Ethiopian-born Daniel and his estranged Dutch father, Joop, each tell their story, but who can be trusted in this tangled tale of regret and misdeed? Bending Lines: The Sculpture of Robert Wiggs (Directors: Peter DeHart, Allison Bohl DeHart) Inspired by the geometry of nature—from the cracks in dried mud to the structure of pine cones to the scales on armadillos—Wiggs’s artistic process reveals the intriguing interplay between mathematics and art. World Premiere The Blessing (Directors: Hunter Robert Baker, Jordan Fein) In this stunningly and candidly shot film, Lawrence, a Navajo coal miner, wrestles with his relationship to land to which he is spiritually bound but employed to destroy, while his daughter, Caitlin, forms her own identity amid cultural pressures. World Premiere Cielo (Director: Alison McAlpine) Enter a wondrous exploration of the meeting of heaven and Earth in this dynamic exchange between humans and the starry skies of Chile’s Atacama Desert. Crime + Punishment (Director: Stephen Maing) This powerful film follows twelve brave whistleblowers who speak out against illegal policing quotas in the NYPD and the retaliation they experience after refusing to make arrests targeting minority populations. David. The Return to Land (David. El regreso a la tierra) (Director: Anaïs Huerta) Haitian, French, and adopted by Jewish parents, 34-year-old David embarks on a mission to better understand who he is in this beautifully nuanced observation of self-discovery. North American Premiere The Deminer (Director: Hogir Hirori; Co-director: Shinwar Kamal) After the fall of Saddam Hussein, Colonel Fakhir of the Iraqi army devotes his life to disarming landmines, with only a pocket knife and wire cutters, in this deeply suspenseful film that makes use of Fakhir’s own extensive video footage. North American Premiere A Friendship in Tow/Toe (Director: Atsushi Kuwayama) In the brief ascent up a flight of stairs, a pair of strangers find a rapport across languages and generations. From Parts Unknown (Director: Michael T. Workman) The poignant experience of a young man who determines an unlikely outlet for his pain and hardships: In local wrestling, he finds catharsis, community, and a sense of purpose. The Good Struggle (Director: Celia Peterson) Although few words are spoken between themselves, monks at a Greek Orthodox monastery in Lebanon provide voiceovers to their daily routines—their devout thoughts echo the beauty of their solitude. World Premiere Hale County This Morning, This Evening (Director: RaMell Ross) Observational and impressionistic, this poetic film is a humanist exploration of an Alabama community, where mostly black, working-class families live, work, dream, celebrate, and struggle together. I Am Bisha ( انا% ةش) ( Director: Roopa Gogineni) As an act of pure creative resilience, Ganja and his friends film a humorous and satirical web series, Bisha TV, starring puppets to combat the violent, genocidal regime of Sudanese president Omar al-Bashir. World Premiere Inventing Tomorrow (Director: Laura Nix) Six young scientists from around the globe compete in the largest international high school science fair—with their ingenious solutions to environmental problems, they don’t just aim to bring home the top prize, they hope to change the world. The Issue of Mr. O’Dell (Director: Rami Katz) The work of Jack O’Dell, who once worked alongside Martin Luther King, Jr., is revealed through a conversation with the 94-year-old activist, who delves into his historical involvement in the civil rights struggle as well as the movement’s contemporary incarnation under the stewardship of groups like Black Lives Matter. Lovers of the Night (Director: Anna Frances Ewert) Seven elderly monks at a Cistercian abbey in Ireland humorously muse on their spiritual experiences, way of life, and the inevitable end to it all. Maj Doris (Director: Jon Blåhed) Ever-able, 74-year-old Maj Doris Rimpi is a renowned Sámi artist who lives alone in Sweden and tends to her home and herd of reindeer, but after another long winter she wonders, is it time to consider a new way of life? North American Premiere The Mauritania Railway: Backbone of the Sahara (Director: MacGregor) In this expansive, gorgeously composed short, ride atop the railway car that serves as a 704- kilometer-long lifeline that supplies goods and iron ore to people in different cities in the Sahara Desert. World Premiere MELTING SOULS (NORILSK, L’étreinte de glace) (Director: François-Xavier Destors) This exquisitely photographed portrait documents a remote Arctic city centered around a metal refinery, where residents endure extreme, subzero temperatures to survive on the resource that lies beneath the tundra. North American Premiere Messenger on a White Horse (El mensajero) (Director: Jayson McNamara) This homage to the fearless investigative reporting of the Buenos Aires Herald during the disappearances and murders of Argentinians between 1976 and 1983, utilizes impeccable archival footage and testimonies from surviving members of the Mothers of the Plaza de Mayo as well as lead newspaper editor Robert Cox. North American Premiere Minding the Gap (Director: Bing Liu) Skateboarding and strained family relationships bond three friends together in this introspective saga about the journey from youth to adulthood. Las Nubes (Director: Juan Pablo González) As a father drives through an unidentified countryside, his car becomes a space for reflection as he recounts the impact of cartel violence on his home and family. Of Fathers and Sons (Director: Talal Derki) With rare and chilling insights, this film takes us into the lives of a Syrian family, led by an Al-Nusra fighter, where we observe how swiftly the innocence of childhood can fade. Our New President (Director: Maxim Pozdorovkin) By turns provocative, disorienting, and astonishing, this feature weaves clips from Russian state-owned news coverage of the 2016 U.S. presidential election to portray the perils of bias, conspiracy theories, and manufactured narratives. Owned: A Tale of Two Americas (Director: Giorgio Angelini) This energetic film unpacks the complex history of home ownership in America to reveal the postwar housing economy’s racist underpinnings—the creation of a large middle class simultaneous with the systematic defunding and segregating of communities. World Premiere PATRIMONIO (Directors: Lisa F. Jackson, Sarah Teale) When a multinational corporation attempts to covertly develop plans to build a resort on the fishermen’s coast in Todos Santos, Mexico, the locals unite for a momentous and riveting fight for their resources and their heritage—their patrimonio. North American Premiere Personal Truth (Director: Charlie Lyne) Spurred from the fake “Pizzagate” scandal, this frenetic and provocative observational film about the power of fake news suggests that conspiracy theories may be more believable than one might like to admit. The Providers (Directors: Laura Green, Anna Moot-Levin) The El Centro Family Health system in northern New Mexico covers 22,000 square miles and suffers from a chronic shortage of health care providers. This film follows three dedicated practitioners in their daily work and private lives. World Premiere The Pushouts (Directors: Katie Galloway, Dawn Valadez) This inspiring film follows the transformative work of Dr. Victor Rios, a former gang member and high school dropout, as he works to support students, through tools for selfreflection and expression, in an educational system that is failing to reach them. World Premiere Rebuilding in Miniature (Director: Veena Rao) In this short, miniaturist Ali Alamedy, an Iraqi refugee, painstakingly creates exquisitely detailed dioramas of places he’s never been in an attempt to heal his disrupted relationship to home. The Rescue List (Directors: Alyssa Fedele, Zachary Fink) In a Ghanaian safe house, a team works to rehabilitate two young men who were trafficked into slavery to fisherman on Lake Volta. As it moves from rescue operation to healing process, this riveting film follows the men through their recovery and reveals the extraordinary dedication of their rescuer. Shirkers (Director: Sandi Tan) A film lover’s dream quickly turns to nightmare: Sandi Tan recounts making her first film in Singapore in 1992 and how she loses everything when her mentor, Georges Carandos, steals the footage. This unique diary is a bright ode to cinema, and a moving story of friendship, betrayal, and failure. A Singular Garden (Um Jardim Singular) (Director: Monica Klemz) This experimental documentary blends old and new images of the garden next to the presidential palace in Rio de Janeiro and incorporates natural sound as a way to connect past and present. World Premiere Sky and Ground (Directors: Talya Tibbon, Joshua Bennett) Incorporating a refugee family’s own footage, Sky and Ground follows a Syrian-Kurdish refugee family as they flee from a holding camp at the Greece-Macedonia border and take their chances at reaching asylum by foot on a perilous one-way trip to Berlin. Tempting Promises (Le allettanti promesse) (Directors: Chiara Campara, Lorenzo Faggi) A small town tucked quietly away in the Italian Alps is chosen to host the 2016 Wikimania conference—an annual meeting of international Wikipedia contributors—and the townspeople unite to welcome the newcomers and the new technological age. North American Premiere This Is Home (Director: Alexandra Shiva) Through brilliant observational filmmaking, This Is Home tells the story of four Syrian families on the path to self-sufficiency, and success, in a resettlement program in Baltimore, Maryland. Three Identical Strangers (Director: Tim Wardle) A chance encounter leads three teenagers to discover that they are in fact triplets. Sharing this undeniable bond, they become fast friends and embark upon living their lives together, but the roots of their separation prove to be more sinister than they could have imagined. Thy Kingdom Come (Director: Eugene Richards) A priest bears witness to the personal stories of people in a mid-American town: Heartbreak, regret, faith, resignation all resonate profoundly in this succession of exquisitely photographed scenes of intimate communion. Time Trial (Director: Finlay Pretsell) Former doper and Tour de France champion David Millar is clean and ready to win the right way. This sensory ride travels alongside him for every breath, turn, and fall, through the thrills and hardships of professional cycling. The Unafraid (Directors: Anayansi Prado, Heather Courtney) The gripping and vital stories of three DACA students unfold as they work for immigrant rights, and the future of their families, after being banned from attending Georgia’s top universities or receiving in-state tuition. World Premiere

    Invited Program

    12th and Clairmount (Director: Brian Kaufman) Contemporary interviews bring to life scenes from home movies, newsreels, and photographs of one of the most violent civil disturbances in U.S. history, the 1967 Detroit riot, when police brutality against African American citizens ignited a five-day standoff. Bisbee ’17 (Director: Robert Greene) In 1917, a strike in an Arizona mining town culminated in the exile of over a thousand immigrant workers. One hundred years later, a large-scale reenactment of the shocking events serves as a catalyst for remembrance and reflection. Boom for Real: The Late Teenage Years of Jean-Michel Basquiat (Director: Sara Driver) This portrait of the pop culture icon revisits the years before he took the art world by storm.  Archival footage and intimate stories from a circle of friends, lovers, and neighbors recall both a singular talent and the New York City scene that influenced his career. Capturing the Flag (Director: Anne de Mare) During the 2016 U.S. presidential election, three friends travel to North Carolina to do voter protection work at the polls. This on-the-ground look at their efforts to help potential voters navigate the new laws and requirements that may prevent their vote reveals shocking accounts of voter suppression in play. World Premiere The Cleaners (Directors: Hans Block, Moritz Riesewieck) In the Philippines, a team of “cleaners” specialize in identifying and eliminating obscene content from the internet. Their personal accounts of the pressures and personal judgements inherent in their work give way to a broader examination of the global impact of manipulating content on social media. Dark Money (Director: Kimberly Reed) This modern-day political thriller follows investigative reporter John Adams into Montana’s fight against corrupt campaign financing, a struggle that could alter the devastating effects of unlimited anonymous funding on elections nationwide. Generation Wealth (Director: Lauren Greenfield) For 25 years, Lauren Greenfield has documented affluence around the world. In this fascinating overview of her immense body of work, the photographer reconnects with subjects of her images to consider their relationships to money, then and now, and her own fascination with the topic. Hal (Director: Amy Scott) Hal Ashby’s controversial films about race, sex, politics, and unconventional love made him a Hollywood rarity in the 1970s—a director who made films outside studio control. This loving remembrance by his peers celebrates the iconoclastic filmmaker. The Jazz Ambassadors (Director: Hugo Berkeley) During the Cold War, the U.S. government deployed some of its greatest jazz musicians around the world to promote democracy, even as many of them suffered Jim Crow racism in their own country. Rich archival material and powerful interviews delve into the deep conflict at the heart of the story. World Premiere The Judge (Director: Erika Cohn) Devoted to the law and unwilling to mince words, Kholoud Al-Faqih, the West Bank’s first female judge, navigates Palestine’s family court system, providing a rare glimpse into Islamic courts and gendered justice. Larger Than Life: The Kevyn Aucoin Story (Director: Tiffany Bartok) In the 1980s, Kevyn Aucoin redefined the role of the makeup artist. Home movies and recollections from family, friends, and an impressive roster of famous clients retrace his meteoric rise and his lasting impact. Love Means Zero (Director: Jason Kohn) Tennis coach Nick Bollettieri trained some of the sport’s greatest champions, but his volatility and harsh methods came at a price. Conversations between director and subject revisit moments of triumph and anguish, including Bollettieri’s infamous falling out with Andre Agassi. MAYNARD (Director: Sam Pollard) Interviews with family, friends, and political luminaries combine with archival footage and photographs in this captivating portrait of Maynard Jackson, Atlanta’s first black mayor, whose extraordinary influence spanned three terms in office. A Murder in Mansfield (Director: Barbara Kopple) Twelve-year old Collier Boyle’s testimony put his father in jail for the 1989 murder of his mother. Still imprisoned more than 25 years later, the father maintains his innocence, and Boyle returns to his Ohio hometown, in this sensitive examination of reconciling with the past. On Her Shoulders (Director: Alexandria Bombach) When ISIS devastates her Yazidi community, survivor Nadia Murad becomes the prevailing voice for her people. Following Murad as she recounts her harrowing experience time and again, this film intimately details the burden of imploring the world to intervene. The Price of Everything (Director: Nathaniel Kahn) Moving between auction houses, collectors, artists, and coveted works, this analysis of the art market questions how we determine value, the impact of purchasing art as a form of financial investment, and the cultural implications when pieces are only available to the highest bidder. RBG (Directors: Betsy West, Julie Cohen) This triumphant look at the life and career of Supreme Court Justice Ruth Bader Ginsburg revisits landmark cases and decisions, but also reveals the woman behind the robe and the personal experiences that continue to shape her legacy. The Rape of Recy Taylor (Director: Nancy Buirski) In 1944, Recy Taylor, a 24-year-old black woman, was abducted and raped by six white men in Alabama. The film centers on her unprecedented response—a fight for justice, with the aid of Rosa Parks and other black activists—whose profound influence on the civil rights movement still reverberates today. Rodents of Unusual Size (Directors: Quinn Costello, Chris Metzler, Jeff Springer) Kill them as invasive pests destroying coastal wetlands or keep them as part of the region’s culture? In this quirky account, citizens are divided on what to do about nutria, the giant 20-pound rodents with protruding orange teeth who have made southern Louisiana their home for decades. Solitary Land (Tierra Sola) (Director: Tiziana Panizza) This innovative meditation on Easter Island and its indigenous inhabitants uses historical and present-day footage to illustrate the legacy of colonial exploitation in one of the world’s most remote inhabited locales—a place of beauty, isolation, and tradition. North American Premiere Studio 54 (Director: Matt Tyrnauer) Rare footage transports us back in time and behind the velvet rope into the famed Manhattan disco, as a collection of insiders, including one of the co-founders, recall the rise and fall of the pioneering nightclub and iconic cultural landmark. Won’t You Be My Neighbor? (Director: Morgan Neville) Fred Rogers revolutionized children’s television. This remarkable portrait of the visionary behind Mr. Roger’s Neighborhood reveals the origins of the groundbreaking show, the ways it connected to current events, and its impact on the lives of children, and adults, across the country.

    FULL FRAME TRIBUTE Jehane Noujaim

    Control Room (Director: Jehane Noujaim) It’s 2003, and the United States is on the brink of war with Iraq. Control Room follows journalists of the Al Jazeera satellite channel—broadcasting news to some 40 million Arab viewers—as they try to cut through American rhetoric and awaken the viewers to the realities on the ground. Rafea: Solar Mama (Director: Jehane Noujaim) In this resounding global testament to the power and necessity of equal access to education, Rafea attends Barefoot College in India to become a solar engineer, learning with other women from developing areas how to create sustainable futures for their hometowns. The Square (Director: Jehane Noujaim) After the 2011 Egyptian revolution in Tahrir Square, citizens realize that former president Mubarak’s corrupt regime is still in power; they return to the streets to bring an end to the government, combatting controlled international media coverage, enduring violence, and navigating fragile relationships. Startup.com (Directors: Chris Hegedus, Jehane Noujaim) In the late 1990s, two high school friends attempt to turn the spark of an idea into a multimillion-dollar company. But when passion leads to tension, and the dot-com rush gives way to the dot-com bust, will they be able to deliver on their dream?

    THEMATIC PROGRAM Crime and Punishment

    Curated by Joe Berlinger Brother’s Keeper (Directors: Joe Berlinger, Bruce Sinofsky) A murder trial ignites the small farming community of Munnsville, New York, when Delbert Ward, an eccentric and uneducated man, confesses to suffocating his brother in the isolated home they shared with two other brothers. Was the killing an act of mercy? Was Delbert’s confession coerced? In Brother’s Keeper, a surprisingly complicated story emerges. The Farm: Angola, USA (Directors: Liz Garbus, Jonathan Stack) In The Farm, life at the Louisiana State Penitentiary in Angola, the largest maximumsecurity prison in the United States, is seen through the eyes of both its wardens and its prisoners—many of whom will die there—with disturbing parallels to plantation life. Gone: The Forgotten Women of Ohio (Director: Joe Berlinger) After numerous women go missing, leaving their families and local law-enforcement officers with more questions than answers, this stunning series investigates whether or not a serial killer is responsible. In Cold Blood (Director: Richard Brooks) Mixing elements of reality and fiction, In Cold Blood delves into the real-life murders of the Clutter family at the hands of Perry Smith and Dick Hickock in this scripted true-crime cinematic narrative based on Truman Capote’s novel. Paradise Lost: The Child Murders at Robin Hood Hills (Directors: Joe Berlinger, Bruce Sinofsky) When three young boys are brutally murdered, three teenagers are accused of committing the crime as part of a satanic ritual, and are convicted by their community before they even reach the courtroom. Paradise Lost is the first film of the groundbreaking trilogy that documented the case of the West Memphis Three. Scenes of a Crime (Directors: Grover Babcock, Blue Hadaegh) When a four-month-old boy dies, officers are convinced he was killed by his father, who after more than ten hours of questioning, confesses to the crime. Medical experts, police officers, and lawyers offer their opinions on this controversial admission of guilt, but the film’s focal point is the videotaped interrogation itself. The Thin Blue Line (Director: Errol Morris) A man is sent to prison for shooting a Dallas police officer. The documentary questions the veracity of the verdict through interviews with detectives, lawyers, and the alleged murderer, who all paint very different accounts of events, which are represented in stunning reenactments. Titicut Follies (Director: Frederick Wiseman) An intense, purely observational look at the stark conditions of inmate life in the 1960s at the Bridgewater State Hospital for the criminally insane in Massachusetts.

    Read more

  • 2018 Sun Valley Film Festival Announces Lineup, Opens with SCIENCE FAIR

    [caption id="attachment_26784" align="aligncenter" width="1200"]Science Fair directed by Cristina Costantini and Darren Foster Science Fair directed by Cristina Costantini and Darren Foster[/caption] The 7th edition of the Sun Valley Film Festival taking place over the weekend of March 14 to 18, 2018, announced the lineup, which includes five days of films, including three World Premieres, one U.S. premiere, and two episodic premiere screenings. The festival will open on March 14 with the documentary Science Fair, which recently won Sundance’s inaugural Festival Favorite Award, and close out with the Finding Your Feet on March 18. Film highlights include Beirut, starring Jon Hamm and Rosamund Pike, Leave No Trace directed by Debra Granik, Lynn Shelton’s Outside In with Jay Duplass and Edie Falco, On Her Shoulders, winner of the U.S. Documentary Directing Award at Sundance, and the U.S. premiere of Nona produced by and featuring Pioneer Award recipient Kate Bosworth. Headlining the 2018 Festival is acclaimed actress and lifestyle guru Gwyneth Paltrow, who will receive the Vision Award and participate in the Festival’s Coffee Talks series. Award-winning writer/director Lynn Shelton will host the Screenwriters Lab, sponsored by Variety, and screen her film Outside In.  Also attending are actor Yahya Abdul-Mateen II (Aquaman, The Greatest Showman) who will receive the Rising Star Award, actress and producer Kate Bosworth (Blue Crush, Nona), who will receive the Pioneer Award, actor/filmmaker Jay Duplass (Transparent, Jeff Who Lives at Home),) producer Kevin Walsh (Manchester By The Sea, The Way Way Back) and wildlife filmmakers and photographers Anand Varma and Jason Jaacks.

    NARRATIVE FICTION

    AMERICAN ANIMALS Director/Writer: Bart Layton Producers: Derrin Schlesinger, Katherine Butler, Dimitri Doganis, Mary Jane Skalski Cast: Evan Peters, Barry Keoghan, Blake Jenner, Jared Abrahamson, Ann Dowd, Udo Kier Haunted by the fear that they may never escape their suburban existence, Spencer and Warren resolve to attempt one of the most audacious art thefts in recent history in the special collections section of their University library. BEIRUT Director: Brad Anderson Writer: Tony Gilroy Producers: Mike Weber, Tony Gilroy, Shivani Rawat, Monica Levinson Cast: Jon Hamm, Rosamund Pike, Dean Norris, Mark Pellegrino, Larry Pine A U.S. diplomat (Jon Hamm) flees Lebanon in 1972 after a tragic incident at his home. Ten years later, he is called back to war-torn Beirut by a CIA operative (Rosamund Pike) to negotiate for the life of a friend he left behind. FINDING YOUR FEET Director: Richard Loncraine Writers: Meg Leonard, Nick Moorcroft Producers: Andrew Berg, John Sachs Cast: Imelda Staunton, Timothy Spall, Celia Imrie, David Haymen, John Sessions, Joanna Lumley On the eve of retirement, a middle class, judgmental snob discovers her husband has been having an affair with her best friend and is forced into exile with her bohemian sister who lives on an impoverished inner-city council estate. THE GUILTY [Den Skyldige] Director/Writer: Gustave Möller Producer: Lina Flint Cast: Jakob Cedergren, Jessica Dinnage, Johan Olsen When the emergency call from a kidnapped woman is disconnected, dispatcher and former officer Asger Holm enters a race to save her. He soon realizes that he is dealing with a crime that is far bigger than he first thought. LEAVE NO TRACE Director: Debra Granik Writers: Debra Granik, Anne Rosellini Based on the book My Abandonment by Peter Rock Producers: Anne Harrison, Linda Reisman, Anne Rosellini Cast: Ben Foster, Thomasin Harcourt McKenzie, Jeff Kober, Dale Dickey For years Will and his teenage daughter, Tom, have lived off the grid, blissfully undetected by authorities in a vast nature reserve on the edge of Portland, Oregon. When a chance encounter blows their cover, they’re removed from their camp and put into the charge of social services. Struggling to adapt to their new surroundings, Will and Tom set off on a perilous journey back to the wilderness, where they are finally forced to confront conflicting desires—a longing for community versus a fierce need to live apart. MADELINE’S MADELINE Director/Writer: Josephine Decker Co-Writer: Donna Di Novelli Producers: Krista Parris, Elizabeth Rao Cast: Helena Howard, Molly Parker, Miranda July, Okwui Okpokwasili Madeline is dedicated to her theatre workshop. Much to the worry of her protective mother (Miranda July), she has become an integral part of a prestigious, progressive, and experimental theatre troupe in the city, one that emphasizes movement, commitment, and an intense focus on authenticity. When the workshop’s ambitious theater director (Molly Parker) pushes teenage Madeline to weave her troubled history and rich interior world into their collective art, the lines between performance and reality begin to blur in surprising and potentially destructive ways, spiraling out of the safe rehearsal space and into her everyday interactions. A MIDSUMMER NIGHT’S DREAM Director/Writer: Casey Wilder Mott Producers: Casey Wilder Mott, Joshua Skurla, Fran Kranz Cast: Lily Rabe, Rachael Leigh Cook, Hamish Linklater, Finn Wittrock A brassy, sexy retelling of Shakespeare’s most beloved comedy that reimagines the story as a modern Hollywood fairy tale. Four young lovers are stranded on a mystical night in the woods outside Los Angeles. They encounter a group of woodland hippies as well as a band of bumbling wannabe filmmakers. Magic, mischief and madness combine on this fantastical moonlit journey. NONA U.S. Premiere Director/Writer: Michael Polish Executive Producers: Kate Bosworth, Michael Polish, Jennifer Sulkess Cinematographer: Michael Polish Cast: Sulem Calderon, Jesy McKinney, Kate Bosworth NONA is the story of a girl from Honduras who meets a charming boy, Hecho. Hecho promises to get her safely to America to reunite with her mother, but instead, Nona faces a perilous journey when he doesn’t deliver on that promise. NONA — short for No Name — will deliver a message to change the way the world is dealing with sex trafficking. OUTSIDE IN Director: Lynn Shelton Writers: Jay Duplass, Lynn Shelton Producers: Mel Eslyn, Lacey Leavitt Executive Producers: Jay Duplass, Mark Duplass Original Score: Andrew Bird Cast: Jay Duplass, Edie Falco, Kaitlyn Denver, Ben Schwartz After serving 20 years for a crime that spun far out of his control, 38-year-old Chris (Duplass) is granted an early release thanks in large part to the tireless advocacy of Carol (Falco), his former high-school teacher. As he struggles to adapt to the outside world, the digital age, and the challenges of finding employment as an ex-con, Chris confesses his romantic love for Carol — a love that, given her marital status, Carol cannot reciprocate. Or can she? THE UNICORN Director: Robert Schwartzman Writers: Nick Rutherford, Kirk C. Johnson, Will Elliott Producers: Russell Wayne Groves, Robert Schwartzman Cast: Lauren Lapkus, Nick Rutherford, Lucy Hale, Beck Bennett, Dree Hemingway, Beverly D’Angelo, John Kapelos, Maya Kazan, Darrell Britt-Gibson, Kyle Mooney Facing the fourth year of their engagement, an indecisive couple is thrust into the most uncomfortable night of their lives by intentionally and unintentionally involving a third party in their relationship.

    DOCUMENTARY

    ALL THE WILD HORSES Director/Producer: Ivo Marloh Music: Tengger Cavalry, Chris Barnett International riders forge unexpected bonds as they compete in the Mongol Derby, at 1000 kilometers of Mongolian steppe the longest and toughest horse race in the world. The harsh Mongolian wilderness soon takes its bone-crunching toll as the competitors are whittled down mercilessly. This is their epic story. GIANT CARNIVOROUS BATS World Premiere Director and Cinematographer: Jason Jaacks Writer: Katie Bauer Producer: Katie Bauer Editor: Penny Trams Executive Producers: Christine Weber and Pamela Caragol Deep in the Mexican jungle, National Geographic photographer Anand Varma is on a mission to find two of the continent’s rarest creatures: carnivorous bats. For centuries, their lives have remained a mystery, but now Varma and a world-renowned biologist are teaming up to uncover their secrets. HAYMAKER World Premiere Director: Robert Moncrief Producers: Autumn Moncrief, Reed Simonsen A kid from a small town in Idaho strives for self-respect as he prepares for the rematch of a boxing match he lost the previous year while battling the legal system for his freedom at the same time. MINDING THE GAP Director: Bing Liu Producers: Bing Liu, Diane Quon Original Music: Nathan Halpern, Chris Ruggiero Three young men bond together to escape volatile families in their Rust Belt hometown.  As they grow up, unexpected revelations threaten their decade-long friendship. OF FATHERS AND SONS Director: Talal Derki Producers: Ansgar Frerich, Eva Kemme, Tobias N. Siebert, Hans Robert Eisenhauer Editor: Anne Fabini In this remote village in northern Syria, a landscape of bombed-out homes, abandoned tanks, and minefields becomes a playground for young boys taught to stone any girls who dare to show their faces in public. Schools have been decimated. Education consists of reciting the Koran and attending military training camp. Bedtime stories regale the glory of martyrdom. With unparalleled intimacy, Of Fathers and Sons captures that chilling moment when childhood dies and jihadism is born. ON HER SHOULDERS Director: Alexandria Bombach Producers: Hayley Pappas, Brock Williams Composer: Patrick Jonsson Nadia Murad, a 23-year-old Yazidi, survived genocide and sexual slavery committed by ISIS. Repeating her story to the world, this ordinary girl finds herself thrust onto the international stage as the voice of her people. Away from the podium, she must navigate bureaucracy, fame and people’s good intentions. PARTY ANIMALS World Premiere Executive Producer – Sara Keller Executive Producer/Writer – Aneka Hylton-Donelson Narrator: Brandon Williams Calling all kids! Bring your parents for a journey with Nat Geo WILD to meet some Party Animals. You’ll meet a cute nocturnal primate, head to an animal hospital in Florida with some loveable baby sea turtle, go on a road trip with a family of silly ducks, and spark your creativity by putting your imagination to the test on Brain Games! Nat Geo Kids inspires young adventurers to explore the world, and is the only kids brand with a world-class scientific organization at its core. Watch Saturday mornings on Nat Geo WILD! SCIENCE FAIR Directors: Cristina Costantini, Darren Foster Producers: Cristina Costantini, Darren Foster, Jeffrey Plunkett Writers: Jeffrey Plunkett, Darren Foster, Cristina Costantini Science Fair follows one mentor and nine students from around the world as they prepare their projects and team for the 2017 ISEF event in Los Angeles. Though all are participating for the love of science, we also learn that there are other underlying influences motivating them to pursue their dreams of participating in the competition. Featuring interviews with the charming young scientists, their parents and mentors, as well as past ISEF winners, this absorbing film illuminates a group of amazing young men and women who are on a path to change the world through science.

    EPISODIC

    LAST CHANCE U Season Three Exclusive Sneak Peek A Netflix Documentary Series Director: Greg Whiteley Producers: Adam Ridley, Adam Leibowitz “Last Chance U” follows a group of young men training to become the future stars of the NFL. The third season of the award winning Netflix series opens at a new school: Independence Community College, in rural Kansas. Once the doormat of the Kansas league, Independence has a chance to turn their program around with a charismatic new coach and a change in recruiting rules which infuses the team with top shelf talent for the first time in school history.  Watch a team of players and coaches with difficult pasts try to overcome challenges on and off the field to reach their dreams. ONE STRANGE ROCK Series Premiere National Geographic presents a Nutopia and Protozoa Pictures and Overbrook Entertainment Production Host: Will Smith There really is no place like home. National Geographic, acclaimed filmmaker Darren Aronofsky (“mother!” “Black Swan,” “Requiem for a Dream”) and award-winning producer Jane Root (“America The Story of Us,” “The 80s: The Decade That Made Us”) join forces on an epic, cinematic event series that will redefine science and natural history filmmaking. Hosted by Will Smith (“Ali,” “Pursuit of Happyness,” “Men in Black I, II, III”), ONE STRANGE ROCK promises to be a mind-bending, thrilling journey exploring the fragility and wonder of our planet, one of the most peculiar, unique places in the universe. It’s the extraordinary story of why life as we know it exists on Earth, brought into perspective by the only people to have left it behind: astronauts. This 10-part series from Nutopia and Protozoa Pictures brings cameras where they’ve never been before, having filmed in 45 countries, on six continents and from outer space on the ISS. ONE STRANGE ROCK guides viewers through our vulnerable, speck of a planet among the vast, harsh cosmic arena, revealing the magical twists of fate that have allowed life to emerge, survive and thrive on Earth.  

    Read more

  • SXSW Film Festival Announces 2018 Features Film Lineup, Opens with John Krasinski’s “A Quiet Place”

    A Quiet Place by John Krasinski
    A Quiet Place (Credit: Paramount Pictures © 2017 Paramount Pictures. All rights reserved.)

    The South by Southwest (SXSW) Conference and Festivals announced the features lineup and opening night film for the 25th edition of the Film Festival, running March 9 to 18, 2018 in Austin, Texas. During the nine days of SXSW 132 features will be shown.

    Read more

  • 2018 Sundance Film Festival Awards – “The Miseducation of Cameron Post,” “Kailash” Win Top Awards

    [caption id="attachment_26747" align="aligncenter" width="1200"]Forrest Goodluck, Sasha Lane and Chloë Grace Moretz appear in The Miseducation of Cameron Post by Desiree Akhavan, an official selection of the U.S. Dramatic Competition at the 2018 Sundance FIlm Festival. Courtesy of Sundance Institute | photo by Jeong Park. Forrest Goodluck, Sasha Lane and Chloë Grace Moretz appear in The Miseducation of Cameron Post by Desiree Akhavan.
    Courtesy of Sundance Institute | photo by Jeong Park.[/caption] The 2018 Sundance Film Festival’s Awards Ceremony took place last night and presented 28 prizes for feature filmmaking. The Grand Jury Prizes was awarded to The Miseducation of Cameron Post (U.S. Dramatic), Kailash (U.S. Documentary), Of Fathers and Sons (World Cinema Documentary) and Butterflies (World Cinema Dramatic). “From the beginning, the purpose of the Sundance Film Festival has been to support artists and their stories,” said Sundance Institute President and Founder Robert Redford, “and this year, our mission seemed especially relevant. Supporting independent voices, and listening to the stories they tell, has never been more necessary.” Feature film award winners in previous years include: I don’t feel at home in this world anymore., Weiner, Whiplash, Fruitvale Station, Beasts of the Southern Wild, Twenty Feet from Stardom, Searching for Sugarman, The Square, Me and Earl and the Dying Girl, Cartel Land, The Wolf Pack, The Diary of a Teenage Girl, Dope, Dear White People, The Cove and Man on Wire.

    2018 SUNDANCE FILM FESTIVAL FEATURE FILM AWARDS

    U.S. Grand Jury Prize: Documentary Kailash / U.S.A. (Director: Derek Doneen, Producers: Davis Guggenheim, Sarah Anthony) — As a young man, Kailash Satyarthi promised himself that he would end child slavery in his lifetime. In the decades since, he has rescued more than eighty thousand children and built a global movement. This intimate and suspenseful film follows one man’s journey to do what many believed was impossible. U.S. Grand Jury Prize: Dramatic The Miseducation of Cameron Post / U.S.A. (Director: Desiree Akhavan, Screenwriters: Desiree Akhavan, Cecilia Frugiuele, Producers: Cecilia Frugiuele, Jonathan Montepare, Michael B. Clark, Alex Turtletaub) — 1993: after being caught having sex with the prom queen, a girl is forced into a gay conversion therapy center. Based on Emily Danforth’s acclaimed and controversial coming-of-age novel. Cast: Chloë Grace Moretz, Sasha Lane, Forrest Goodluck, John Gallagher Jr., Jennifer Ehle. World Cinema Grand Jury Prize: Documentary Of Fathers and Sons / Germany, Syria, Lebanon, Qatar (Director: Talal Derki, Producers: Ansgar Frerich, Eva Kemme, Tobias N. Siebert, Hans Robert Eisenhauer) — Talal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses on Osama and his younger brother Ayman, providing an extremely rare insight into what it means to grow up in an Islamic Caliphate. World Cinema Grand Jury Prize: Dramatic Butterflies / Turkey (Director and screenwriter: Tolga Karaçelik, Producers: Tolga Karaçelik, Diloy Gülün, Metin  Anter) — In the Turkish village of Hasanlar, three siblings who neither know each other nor anything about their late father, wait to bury his body. As they start to find out more about their father and about each other, they also start to know more about themselves. Audience Award: U.S. Documentary The Sentence / U.S.A. (Director: Rudy Valdez, Producers: Sam Bisbee, Jackie Kelman Bisbee) — Cindy Shank, mother of three, is serving a 15-year sentence in federal prison for her tangential involvement with a Michigan drug ring years earlier. This intimate portrait of mandatory minimum drug sentencing’s devastating consequences, captured by Cindy’s brother, follows her and her family over the course of ten years. Audience Award: U.S. Dramatic Burden / U.S.A. (Director and screenwriter: Andrew Heckler, Producers: Robbie Brenner, Jincheng, Bill Kenwright) — After opening a KKK shop, Klansman Michael Burden falls in love with a single mom who forces him to confront his senseless hatred. After leaving the Klan and with nowhere to turn, Burden is taken in by an African-American reverend, and learns tolerance through their combined love and faith. Cast: Garrett Hedlund, Forest Whitaker, Andrea Riseborough, Tom Wilkinson, Usher Raymond. Audience Award: World Cinema Documentary This Is Home / U.S.A., Jordan (Director: Alexandra Shiva, Producers: Lindsey Megrue, Alexandra Shiva) — This is an intimate portrait of four Syrian families arriving in Baltimore, Maryland and struggling to find their footing. With eight months to become self-sufficient, they must forge ahead to rebuild their lives. When the travel ban adds further complications, their strength and resilience are put to the test. Audience Award: World Cinema Dramatic The Guilty / Denmark (Director: Gustav Möller, Screenwriters: Gustav Möller, Emil Nygaard Albertsen, Producer: Lina Flint) — Alarm dispatcher Asger Holm answers an emergency call from a kidnapped woman; after a sudden disconnection, the search for the woman and her kidnapper begins. With the phone as his only tool, Asger enters a race against time to solve a crime that is far bigger than he first thought. Cast: Jakob Cedergren, Jessica Dinnage, Johan Olsen, Omar Shargawi. Audience Award: NEXT Search / U.S.A. (Director: Aneesh Chaganty, Screenwriters: Aneesh Chaganty, Sev Ohanian, Producers: Timur Bekmambetov, Sev Ohanian, Adam Sidman, Natalie Qasabian) — After his 16-year-old daughter goes missing, a desperate father breaks into her laptop to look for clues to find her. A thriller that unfolds entirely on computer screens. Cast: John Cho, Debra Messing. Directing Award: U.S. Documentary Alexandria Bombach for her film On Her Shoulders / U.S.A. (Director: Alexandria Bombach, Producers: Hayley Pappas, Brock Williams) — Nadia Murad, a 23-year-old Yazidi, survived genocide and sexual slavery committed by ISIS. Repeating her story to the world, this ordinary girl finds herself thrust onto the international stage as the voice of her people. Away from the podium, she must navigate bureaucracy, fame and people’s good intentions. Directing Award: U.S. Dramatic Sara Colangelo, for her film The Kindergarten Teacher / U.S.A. (Director and screenwriter: Sara Colangelo, Producers: Talia Kleinhendler, Osnat Handelsman-Keren, Maggie Gyllenhaal, Celine Rattray, Trudie Styler) — When a Staten Island kindergarten teacher discovers what may be a gifted five year-old student in her class, she becomes fascinated and obsessed with the child– spiraling downward on a dangerous and desperate path in order to nurture his talent. Cast: Maggie Gyllenhaal, Parker Sevak, Rosa Salazar, Anna Barynishikov, Michael Chernus, Gael Garcia Bernal. Directing Award: World Cinema Documentary Sandi Tan, for her film Shirkers / U.S.A. (Director and screenwriter: Sandi Tan, Producers: Sandi Tan, Jessica Levin, Maya Rudolph) — In 1992, teenager Sandi Tan shot Singapore’s first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Twenty years later, the 16mm film is recovered, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges’ vanishing footprints. Directing Award: World Cinema Dramatic Ísold Uggadóttir, for her film And Breathe Normally / Iceland, Sweden, Belgium (Director and screenwriter: Ísold Uggadóttir, Producers: Skúli Malmquist, Diana Elbaum, Annika Hellström, Lilja Ósk Snorradóttir, Inga Lind Karlsdóttir) — At the edge of Iceland’s Reykjanes peninsula, two women’s lives will intersect – for a brief moment – while trapped in circumstances unforeseen. Between a struggling Icelandic mother and an asylum seeker from Guinea-Bissau, a delicate bond will form as both strategize to get their lives back on track. Cast: Kristín Thóra Haraldsdóttir, Babetida Sadjo, Patrik Nökkvi Pétursson. Waldo Salt Screenwriting Award: U.S. Dramatic Christina Choe, for her film NANCY / U.S.A. (Director and screenwriter: Christina Choe, Producers: Amy Lo, Michelle Cameron, Andrea Riseborough) — Blurring lines between fact and fiction, Nancy becomes increasingly convinced she was kidnapped as a child. When she meets a couple whose daughter went missing thirty years ago, reasonable doubts give way to willful belief – and the power of emotion threatens to overcome all rationality. Cast: Andrea Riseborough, J. Smith-Cameron, Steve Buscemi, Ann Dowd, John Leguizamo. U.S. Documentary Special Jury Award for Creative Vision Hale County This Morning, This Evening / U.S.A. (Director: RaMell Ross, Screenwriter: Maya Krinsky, Producers: Joslyn Barnes, RaMell Ross, Su Kim) — Composed of intimate and unencumbered moments of people in a community, this film is constructed in a form that allows the viewer an emotive impression of the Historic South – trumpeting the beauty of life and consequences of the social construction of race, while simultaneously a testament to dreaming. U.S. Documentary Special Jury Award for Social Impact Crime + Punishment / U.S.A. (Director: Stephen Maing) — Over four years of unprecedented access, the story of a brave group of black and Latino whistleblower cops and one unrelenting private investigator who, amidst a landmark lawsuit, risk everything to expose illegal quota practices and their impact on young minorities. U.S. Documentary Special Jury Award for Storytelling Three Identical Strangers / U.S.A. (Director: Tim Wardle, Producer: Becky Read) — New York,1980: three complete strangers accidentally discover that they’re identical triplets, separated at birth. The 19-year-olds’ joyous reunion catapults them to international fame, but also unlocks an extraordinary and disturbing secret that goes beyond their own lives – and could transform our understanding of human nature forever. U.S. Documentary Special Jury Award for Breakthrough Filmmaking Minding the Gap / U.S.A. (Director: Bing Liu, Producer: Diane Quon) — Three young men bond together to escape volatile families in their Rust Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship. U.S. Dramatic Special Jury Award for Outstanding First Feature Monsters and Men / U.S.A. (Director and screenwriter: Reinaldo Marcus Green, Producers: Elizabeth Lodge Stepp, Josh Penn, Eddie Vaisman, Julia Lebedev, Luca Borghese) — This interwoven narrative explores the aftermath of a police killing of a black man. The film is told through the eyes of the bystander who filmed the act, an African-American police officer and a high-school baseball phenom inspired to take a stand. Cast:John David Washington, Anthony Ramos, Kelvin Harrison Jr., Chanté Adams, Nicole Beharie, Rob Morgan. U.S. Dramatic Special Jury Award for Excellence in Filmmaking I Think We’re Alone Now / U.S.A. (Director: Reed Morano, Screenwriter: Mike Makowsky, Producers: Fred Berger, Brian Kavanaugh-Jones, Fernando Loureiro, Roberto Vasconcellos, Peter Dinklage, Mike Makowsky) — The apocalypse proves a blessing in disguise for one lucky recluse – until a second survivor arrives with the threat of companionship. Cast: Peter Dinklage, Elle Fanning. U.S. Dramatic Special Jury Award for Achievement in Acting Benjamin Dickey, for BLAZE / U.S.A. (Director: Ethan Hawke, Screenwriters: Ethan Hawke, Sybil Rosen, Producers: Jake Seal, John Sloss, Ryan Hawke, Ethan Hawke) — A reimagining of the life and times of Blaze Foley, the unsung songwriting legend of the Texas Outlaw Music movement; he gave up paradise for the sake of a song. Cast: Benjamin Dickey, Alia Shawkat, Josh Hamilton, Charlie Sexton. World Cinema Documentary Special Jury Award Stephen Loveridge and M.I.A., for MATANGI / MAYA / M.I.A. / Sri Lanka, United Kingdom, U.S.A. (Director: Stephen Loveridge, Producers: Lori Cheatle, Andrew Goldman, Paul Mezey) — Drawn from a never before seen cache of personal footage spanning decades, this is an intimate portrait of the Sri Lankan artist and musician who continues to shatter conventions. World Cinema Documentary Special Jury Award for Editing Editors Maxim Pozdorovkin and Matvey Kulakov, for Our New President / Russia, U.S.A. (Director: Maxim Pozdorovkin, Producers: Maxim Pozdorovkin, Joe Bender, Charlotte Cook) — The story of Donald Trump’s election told entirely through Russian propaganda. By turns horrifying and hilarious, the film is a satirical portrait of Russian media that reveals an empire of fake news and the tactics of modern-day information warfare. World Cinema Documentary Special Jury Award for Cinematography Cinematographers Maxim Arbugaev and Peter Indergand, for Genesis 2.0 / Switzerland (Directors: Christian Frei, Maxim Arbugaev, Producer: Christian Frei) — On the remote New Siberian Islands in the Arctic Ocean, hunters search for tusks of extinct mammoths. When they discover a surprisingly well-preserved mammoth carcass, its resurrection will be the first manifestation of the next great technological revolution: genetics. It may well turn our world upside down. World Cinema Dramatic Special Jury Award for Screenwriting Screenwriters Julio Chavezmontes and Sebastián Hofmann, for Time Share (Tiempo Compartido) / Mexico, Netherlands (Director: Sebastián Hofmann, Screenwriters: Julio Chavezmontes, Sebastián Hofmann, Producer: Julio Chavezmontes) — Two haunted family men join forces in a destructive crusade to rescue their families from a tropical paradise, after becoming convinced that an American timeshare conglomerate has a sinister plan to take their loved ones away. World Cinema Dramatic Special Jury Award for Acting Valeria Bertuccelli, for The Queen of Fear / Argentina, Denmark (Directors: Valeria Bertuccelli, Fabiana Tiscornia, Screenwriter: Valeria Bertuccelli, Producers: Benjamin Domenech, Santiago Gallelli, Matias Roveda, Juan Vera, Juan Pablo Galli, Christian Faillace) — Only one month left until the premiere of The Golden Time, the long-awaited solo show by acclaimed actress Robertina. Far from focused on the preparations for this new production, Robertina lives in a state of continuous anxiety that turns her privileged life into an absurd and tumultuous landscape. Cast: Valeria Bertuccelli, Diego Velázquez, Gabriel Eduardo “Puma” Goity, Darío Grandinetti. World Cinema Dramatic Special Jury Award for Ensemble Acting Dead Pigs / China (Director and screenwriter: Cathy Yan, Producers: Clarissa Zhang, Jane Zheng, Zhangke Jia, Mick Aniceto, Amy Aniceto) — A bumbling pig farmer, a feisty salon owner, a sensitive busboy, an expat architect and a disenchanted rich girl converge and collide as thousands of dead pigs float down the river towards a rapidly-modernizing Shanghai, China. Based on true events. Cast: Vivian Wu, Haoyu Yang, Mason Lee, Meng Li, David Rysdahl. NEXT Innovator Prize (tie) Night Comes On / U.S.A. (Director: Jordana Spiro, Screenwriters: Jordana Spiro, Angelica Nwandu, Producers: Jonathan Montepare, Alvaro R. Valente, Danielle Renfrew Behrens) — Angel LaMere is released from juvenile detention on the eve of her 18th birthday. Haunted by her past, she embarks on a journey with her 10 year-old sister that could destroy their future. Cast: Dominique Fishback, Tatum Hall, John Earl Jelks, Max Casella, James McDaniel. We the Animals / U.S.A. (Director: Jeremiah Zagar, Screenwriters: Daniel Kitrosser, Jeremiah Zagar, Producers: Jeremy Yaches, Christina D. King, Andrew Goldman, Paul Mezey) — Us three, us brothers, us kings. Manny, Joel and Jonah tear their way through childhood and push against the volatile love of their parents. As Manny and Joel grow into versions of their father and Ma dreams of escape, Jonah, the youngest, embraces an imagined world all his own. Cast: Raul Castillo, Sheila Vand, Evan Rosado, Isaiah Kristian, Josiah Gabriel. SHORT FILM AWARDS: Short Film Grand Jury Prize Matria / Spain (Director and screenwriter: Director and screenwriter: Álvaro Gago). Short Film Jury Award: U.S. Fiction Hair Wolf / U.S.A. (Director and screenwriter: Director and screenwriter: Mariama Diallo). Short Film Jury Award: International Fiction Would You Look at Her / Macedonia (Director and screenwriter: Goran Stolevski). Short Film Jury Award: Nonfiction The Trader (Sovdagari) / Georgia (Director: Tamta Gabrichidze). The Short Film Jury Award: Animation GLUCOSE / U.S.A. (Director and screenwriter: Jeron Braxton). Special Jury Awards without designation Emergency / U.S.A. (Director: Carey Williams, Screenwriter: K.D. Dávila), Fauve / Canada (Director and screenwriter: Jérémy Comte) For Nonna Anna / Canada (Director and screenwriter: Luis De Filippis). SUNDANCE INSTITUTE OPEN BORDERS FELLOWSHIP PRESENTED BY NETFLIX Of Fathers and Sons (Syria) / Talal Derki Untitled (India) / Chaitanya Tamhane Night On Fire (Mexico) / Tatiana Huezo Sundance Institute / NHK Award His House (United Kingdom) / Remi Weekes. SUNDANCE INSTITUTE | ALFRED P. SLOAN FEATURE FILM PRIZE The 2018 Alfred P. Sloan Feature Film Prize, presented to an outstanding feature film about science or technology, was presented to Aneesh Chaganty and Sev Ohanian’s Search. The filmmakers received a $20,000 cash award from Sundance Institute with support from the Alfred P. Sloan Foundation. SUNDANCE INSTITUTE | AMAZON STUDIOS PRODUCERS AWARDS Sev Ohanian received the 2018 Sundance Institute | Amazon Studios Producers Awards. The award recognizes bold vision and a commitment to continuing work as a creative producer in the independent space, and grants money (via the Sundance Institute Feature Film Program and Documentary Film Program) to emerging producers of films at the Sundance Film Festival. Image: Forrest Goodluck, Sasha Lane and Chloë Grace Moretz appear in The Miseducation of Cameron Post by Desiree Akhavan, an official selection of the U.S. Dramatic Competition at the 2018 Sundance FIlm Festival. Courtesy of Sundance Institute | photo by Jeong Park.

    Read more