PERSONAL STATEMENT

  • Cuban Dancer Carlos Acosta Biopic YULI to Open 2019 Minneapolis St. Paul International Film Festival

    Yuli directed by Icíar Bollaín
    Yuli directed by Icíar Bollaín

    Yuli, a dazzling dramatization of the early life and work of legendary Cuban dancer Carlos Acosta will be the Opening Night Film of this year’s 38th Minneapolis St. Paul International Film Festival, which runs April 4 to 20, 2019.

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  • 2018 Woodstock Film Festival Awards – WHEELS and THE FEELING OF BEING WATCHED Win Top Awards

    2018 Woodstock Film Festival Awards Winners After opening remarks from Roger Ross Williams, the first African American director to win an Academy Award, the 19th Woodstock Film Festival Maverick Awards Ceremony was held on Saturday, October 13.  Awards were presented to exceptional films and honorees in numerous categories with the Feature Narrative Award going to Paul Starkman for WHEELS, and the Best Documentary Feature was presented to Assia Boundaoui director for THE FEELING OF BEING WATCHED. Tony®, Emmy® and Grammy®-winning, and Oscar®-nominated filmmaker Julie Taymor received the Honorary Maverick Award; and Academy Award®-nominated and Emmy Award®-winning filmmaker Matthew Heineman received the Filmmaker Award of Distinction. for his debut feature narrative, A PRIVATE WAR. BEST NARRATIVE FEATURE The Gigantic Pictures’ Feature Narrative Award went to Paul Starkman for WHEELS. “We chose Wheels because it beautifully explores the powerfully precarious choices that brothers make that impact their lives and all of their relationships forever. Stunningly told and poignantly acted with depth and candor wheels stood out in a thrilling year of Woodstock film selections. It explores the fine line between constructive and instantly destructive decisions and their impact on our lives- in an instant everything changes.” Honorable Mention went to Brendan Walter for SPELL. A Special Award for ensemble cast went to John Stimpson for GHOST LIGHT. BEST DOCUMENTARY FEATURE: The Best Documentary Feature, sponsored by Films We Like, was presented to Assia Boundaoui director for THE FEELING OF BEING WATCHED. Honorable Mention to director Juliane Dressner and Edwin Martinez for PERSONAL STATEMENT. Best Narrative Short sponsored by Gigantic Pictures, went to director Leonora Lonsdale for BEAST. Honorable Mention went to Alexis Gambis for MI HERMANO. Best Student Short sponsored by Gigantic Pictures, went to director Jisun Jamie Kim for A YEAR. The Woodstock Film Festival Ultra Indie Award, sponsored by Gray, Krauss, Stratford, Sandler, Des Rochers, LLP and Blackmagic Design, was presented to Alex Moratto for SOCRATES. Best Animated Short was presented to Mark C. Smith for TWO BALLOONS. Best Short Documentary, sponsored by Markertek.com, went to Skye Fitzgerald for LIFEBOAT. Honorable mention to Lynne Sachs for CAROLEE, BARBARA & GUNVOR. “We based our decision on what stories we felt most needed to be told, and what stories we hadn’t seen before. We put special emphasis on films that show underrepresented people (like the older women in Carolee, Barbara & Gunvor). We wanted to cite a local filmmaker for an honorable mention as a nod to the importance of our growing creative community upstate.” The Haskell Wexler Award for Best Cinematography, sponsored by Panavision, went to Eric Bader for SPELL. “Choosing a single film in this category was not easy. There’s been an explosion of great cinematography this year, and all of the films considered for the cinematography award stood out. But the cinematography in this particular film is resonant, drawn with a deft touch. It is consistent and well crafted. The color palette and the choice of shots and lenses allow us a proximity to the characters, which aptly draws us into the drama and plays on our expectations, our emotions as viewers.” The James Lyons Editing Award For Narrative Feature, sponsored by Technicolor Postworks NY, was presented to Kristina Davies editor for UNLOVABLE. The James Lyons Editing Award For Documentary Feature, sponsored by Technicolor Postworks NY, was presented to Rabab Haj Yahya editor for THE FEELING OF BEING WATCHED.  Special mention: WRESTLE. The World Cinema Award, was presented to Laurie Colbert and Dominique Cardona for KEELY & DU. A special mention to director Roxy Toporowych for JULIA BLUE. The Carpe Diem Andretta Award, sponsored by The Vincent J. Andretta Memorial Fund and presented to the film that best represents living life to the fullest, was awarded to director William Fichtner for COLD BROOK.

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  • 2018 Woodstock Film Festival to Showcase Over 100 Films + Opens with KARL BERGER – MUSIC MIND

    [caption id="attachment_31849" align="aligncenter" width="1000"]Karl Berger of Karl Berger - Music Mind Karl Berger of Karl Berger – Music Mind[/caption] The fiercely independent 19th Annual Woodstock Film Festival will showcase more than 100 films and open with a live performance by the Karl Berger Band following the screening of the feature documentary Karl Berger – Music Mind, which offers “an inside look into the creative process and unique approach toward music that makes Karl Berger”. Matthew Heineman’s feature narrative debut A Private War, starring Rosamund Pike, Jamie Dornan and Stanley Tucci will close the film festival on the evening of Sunday, October 14th. There will be a panel discussion after the film screening of Lessons from a School Shooting: Notes from Dunblane, featuring the filmmakers, as well as panelists from the documentary Newtown. In the wake of the 2012 Sandy Hook Elementary School massacre that took the lives of twenty first-graders and their teachers, local clergyman Father Bob Weiss receives a letter from a fellow priest in Dunblane, Scotland, whose community suffered an eerily similar fate in 1996. From across the Atlantic, the two priests forge a poignant bond through the shared experience of trauma and healing. Never before seen film clips of the filmmakers’ upcoming documentary about the mass shooting in Stoneman Douglas high school in Parkland, Florida, will be shown during the panel. Roger Ross Williams is the first African American director to win an Academy Award with his short film Music By Prudence. Williams has directed a wide variety of acclaimed films including God Loves Uganda, which was shortlisted for an Academy Award, and Life, Animated, which was nominated for an Academy Award in 2017. Williams is on the Board of Governors for the Academy of motion pictures, Arts and Sciences, representing the Documentary branch, as well as being on the Diversity Committee for the Academy. This year Williams is our Special Guest Programmer whose selection spotlights some of his favorite contemporary works by filmmakers of color. Williams said, “I am thrilled to be a guest programmer at this year’s Woodstock Film Festival. The three films I have chosen demonstrate the scope, depth and creativity that is possible when we, as black filmmakers, tell our own stories.” These films include Hale County This Morning, This Evening, Shakedown, and Mr. SOUL!.

    NARRATIVE FEATURES

    Across The Universe, directed by Julie Taymor Almost Home, directed by Jessica Blank and Erik Jensen Ask For Jane, directed by Rachel Carey Beyond the Night, directed by Jason Noto Cold Brook, directed by William Fichtner Dorst (Craving), directed by Saskia Diesing Dreams by the Sea, directed by Sakaris Stórá Fort Maria, directed by Thomas Southerland and S. Cagney Gentry Ghost Light, directed by John Stimpson Here and Now, directed by Roman Shumun Julia Blue, directed by Roxy Toporowych Keely and Du, directed by Dominique Cardona and Laurie Colbert Lez Bomb, directed by Jenna Laurenzo Little Woods, directed by Nia DaCosta Love Revisited, directed by Nicole van Kilsdonk Only A Switch, directed by Michael Vincent Paris Song, directed by Jeff Vespa A Private War, directed by Matthew Heineman ReRUN, directed by Alyssa Rallo Bennett Socrates, directed by Alex Moratto Spell, directed by Brendan Walter Swimming With Men, directed by Oliver Parker Then Came You, directed by Peter Hutchings Unlovable, directed by Suzi Yoonessi We Only Know So Much, directed by Donal Lardner Ward What They Had, directed by Elizabeth Chomko Wheels, directed by Paul Starkman Wildlife, directed by Paul Dano

    Younger Days, directed by Paula van der Oest

    DOCUMENTARY FEATURES

    2030, directed by Johnny Boston The Advocates, directed by Rémi Kessler Carmine Street Guitars, directed by Ron Mann Dreaming of a Vetter World, directed by Bonnie Hawthorne The Feeling of Being Watched, directed by Assia Boundaoui For The Birds, directed by Richard Miron Ghost Fleet, directed by Shannon Service and Jeffrey Waldron Give Us This Day, directed by Jeff and Michael Zimbalist Hale County This Morning, This Evening, directed by RaMell Ross In Our Bones, directed by Alex Kimura The Interpreters, directed by Andres Caballero and Sofian Khan Karl Berger – Music Mind, directed by Julian Benedikt Michelin Stars – Tales from the Kitchen, directed by Rasmus Dinesen Mr. SOUL!, directed by Melissa Haizlip and Samuel Pollard A Murder In Mansfield, directed by Barbara Kopple Netizens, directed by Cynthia Lowen Personal Statement, directed by Julianne Dressner Shakedown, directed by Leilah Weinraub Somaliland, directed by Harry Lee and Ben Powell Stay Human, directed by Michael Franti Suicide: The Ripple Effect, directed by Greg Dicharry and Kevin Hines Up to Snuff, directed by Mark Maxey What Is Democracy?, directed by Astra Taylor The World Before Your Feet, directed by Jeremy Workman

    WRESTLE, directed by Lauren Belfer and Suzannah Herbert

    SHORTS

    1-0, directed by Nada ElAzhary; 59 Seconds, directed by Mauro Carraro; After Her, directed by Aly Migliori;  Antouni (Homeless), directed by Alik Tamar; Are You Still Singing?, directed by Gillian Barnes; A Year, directed by Jisun Jamie Lee; Beast, directed by Leonora Lonsdale; Beautiful Things, directed by Dina Waxman; Black Spirit, directed by Chakib Taleb-Bendiab; Boy Boy Girl Girl, directed by Ross Kauffman; Carolee, Barbara & Gunvor, directed by Lynne Sachs; The Christmas Rabbit, directed by Christophe Lopez-Huici; The Crying Room, directed by Shalom Auslander; Del Rio, directed by Raj Trivedi; Dinner, directed by Anna Gilmore; Edith Piaf (Said It Better Than Me), directed by Joseph Wallace; Ego, directed by Mario Addis; The English Teecher, directed by Andy and Carolyn London; Even Ants Strive for Survival, directed by Ren Xia; Funeral, directed by Leah Shore; Gamble, directed by Chayadol Lomtong; Goose in High Heels, directed by John R. Dilworth; He’s Watching, directed by Arthur Metcalf; Homing In, directed by Parker Hill; Jo, directed by Justine Williams; One Small Step, directed by Andrew Chesworth and Bobby Pontillas; Last Requests, directed by Courtenay Johnson; The Last Seance, directed by Laura Kulik; Lifeboat, directed by Skye Fitzgerald; Lucy, directed by Ruben Gutiérrez; The Magical Mystery of Musigny, directed by Emmett Goodman and John Meyer; Martin, directed by Sholto Crow; Melt Down, directed by Amy Jingyi Xu; Mirror Mirror, directed by Jacob Internicola; Mother, directed by Amanda Palmer; Moved to Tiers, directed by Avery Herzog; The Movie House on Main Street, directed by Teresa Torchiano; My Brother (Mi Hermano), directed by Alexis Gambis; Pour 585, directed by Patrick Smith; Rooster and The Queen, directed by Aaron Weisblatt; Salam, directed by Claire Fowler; Lessons from a School Shooting: Notes from Dunblane, directed by Kim A. Snyder; Shiva Baby, directed by Emma Seligman; Sorceress, directed by Max Blustin; Trump Bites, directed by Bill Plympton; Two Balloons, directed by Mark C. Smith; Unnatural, directed by Amy Wang; The Velvet Underground Played at My High School, directed by Tony Jannelli and Robert Pietri; Vicarious Resilience, directed by Eva Tenuto; Voice, directed by Takeshi Kushida; Welcome to the New World, directed by Jerry Suen & Anni Sultany; The Winds of Downhill, directed by Jedd and Todd Wider; Your Face Global Jam, directed by Ken Mora

    YOUTH INITIATIVE

    This year, the Woodstock Film Festival will present films written, filmed, directed, produced, and edited by passionate teens. The Woodstock Film Festival’s Youth Initiative is supported by the Thompson Family Foundation. Three out of the ten films were created by students who participated in the Woodstock Film Festival Summer Youth Film Lab, a three week immersive program underwritten by an anonymous donor, that gives teenagers an opportunity to learn about the art of film and practice the full spectrum of the filmmaking process with guidance from accomplished film industry professionals.
    After The Collapse, directed by Youth Film Lab participant Ethan Laclaverie Past the Fear, directed by Youth Film Lab participant Samuel Levine Mirror Mirror, directed by Youth Film Lab participant Jacob Internicola Along the Water, directed by Marissa Gaylin Can’t Hurry Love, directed by Lola Cook The Hitchhiker’s Guide to Suburbia, directed by Alex Alford and Zak Denley I Am The Only One, directed by Aicha Cherif Inclusion On The Air, directed by Eli Canter Silence, directed by Camille Dobbs Wake Up, directed by Maura Palden

    MUSIC VIDEOS

    This year, the Woodstock Film Festival is highlighting 11 outstanding music videos from talented artists from the United States, Poland, the United Kingdom, and Luxembourg. These music videos will be screened online at the start of the festival.
    Boyish – Music by Japanese Breakfast Dumb Dumb– Music by Cipherella Found – Music by Toulouse Glendale– Music by Clans Land of the Fairies – Music by Rami Fortis Magic Meadow Music Video – Music by Journey Blue Heaven Mandarin – Music by Boogrov Paprika – Music by No Metal in this Battle Pora Sotunda – Music by The Mystery of the Bulgarian Voices

    Solicitous– Music by Drekoty

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  • AFI DOCS 2018 Unveils Full Slate of 92 Films

    [caption id="attachment_29156" align="aligncenter" width="1200"]UNITED SKATES UNITED SKATES[/caption] AFI DOCS has finally revealed its full slate of 92 films representing 22 countries for the 16th edition of the American Film Institute’s five-day documentary film festival in the nation’s capital.  AFI DOCS 2018 runs June 13 to 17 in Washington, DC, and Silver Spring, MD. As previously announced, the festival will open with the world premiere of PERSONAL STATEMENT and will close with UNITED SKATES. ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW screens as the Centerpiece Screening. Special Screenings include THE COLD BLUE, KINSHASA MAKAMBO, MR. SOUL! and WITKIN & WITKIN.

    AFI DOCS 2018 PROGRAM

    OPENING NIGHT SCREENING

    PERSONAL STATEMENT: DIRS Juliane Dressner and Edwin Martinez. USA. Karoline, Enoch and Christine are Brooklyn high school seniors who just want to go to college, but like so many public-school students throughout the country, their schools don’t have enough college guidance support. Refusing to give up, they decide to work as college counselors in their schools, becoming the very resource they don’t have themselves. World Premiere.

    CLOSING NIGHT SCREENING

    UNITED SKATES: DIRS Dyana Winkler and Tina Brown. USA. Roller-skating has played a critical role in modern African-American culture, with rinks serving as both a haven of community and of artistic expression, and a flashpoint in the civil rights movement. UNITED SKATES chronicles the fight to save these rinks, and the souls of communities nationwide.

    CENTERPIECE SCREENING

    ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW: DIR Rory Kennedy. USA. Rory Kennedy tells the stories of the women and men behind the National Aeronautics and Space Administration’s decades-long exploration of our solar system, our universe and our planet, in this enlightening film that celebrates NASA’s triumphs, mourns its tragedies and affirms the importance of its mission both in space and on Earth.

    SPECIAL SCREENINGS

    THE COLD BLUE: DIR Erik Nelson. USA. In 1943, legendary Hollywood director William Wyler crafted MEMPHIS BELLE, a celebrated tribute to the titular WWII bomber. Using footage shot by Wyler from the National Archives, director Erik Nelson has made a new film, featuring gripping narration from some of the last surviving B-17 pilots. A meditation on youth, war and stunning bravery. World Premiere. KINSHASA MAKAMBO: DIR Dieudo Hamadi. DRC, France, Germany. Amid the backdrop of seemingly the neverending political and social unrest that hangs over the Democratic Republic of Congo, three young activists take to the streets with their fellow countrymen to overthrow their country’s President and help enact much needed change in their politically beleaguered country. East Coast Premiere. MR. SOUL!: DIRS Sam Pollard and Melissa Haizlip. USA. An in-depth look at the late 1960s WNET public television series SOUL! and its producer Ellis Haizlip. The series was among the first to provide expanded images of African Americans on television, shifting the gaze from inner-city poverty and violence to the vibrancy of the Black Arts Movement. WITKIN + WITKIN: DIR Trisha Ziff. Mexico. The artwork of septuagenarian twins Joel-Peter and Jerome Witkin transcends genres and traditional form. WITKIN & WITKIN explores the brothers’ complicated relationship with one another, and examines depths and divisions in their work. Joel-Peter’s stunning photography and Jerome’s powerful figurative paintings distinctly capture the human condition, reflecting differing emotional and intellectual approaches. U.S. Premiere.

    FEATURE FILM SELECTIONS

    209 RUE SAINT-MAUR, PARIS 10ÈME – THE NEIGHBOURS: DIR Ruth Zylberman. France. After selecting a building at random in a Jewish neighborhood in Paris, French director Ruth Zylberman meticulously reconstructed its community of inhabitants during the German occupation. What results is the spellbinding 209 RUE SAINT-MAUR, an experimental historiography that tells the emotional story of lives uprooted and destroyed under the Nazis. U.S. Premiere. ALONE IN THE GAME: DIRS Natalie Metzger and Michael Rohrbaugh. USA. Outdated ideas and outright prejudice have made competitive sports one of the gay rights movement’s final frontiers. ALONE IN THE GAME reveals how a new generation of queer and transgender athletes are scoring victories on and off the field by standing up for their rights — including the right to compete. World Premiere. AMÉRICA: DIRS Erick Stoll and Chase Whiteside. USA. At the heart of this film is 93-year-old matriarch América. When an accidental fall lands her son in jail for neglect, her three freewheeling grandsons must reunite to get their father out of prison and their grandmother out of bed. What emerges is an unforgettable and tender tale of familial love. AMERICA TO ME: DIR Steve James. USA. In this first episode of his excellent miniseries, Steve James returns to the subjects that have marked his career — class, race, and how the two affect social and economic mobility. James follows students at a public high school in suburban Chicago that is considered the gold standard of diversity, yet on the ground, he discovers a different story. BATHTUBS OVER BROADWAY: DIR Dava Whisenant. USA. Steve Young is obsessed with industrial musicals, the often bizarre and hilarious productions commissioned by companies to celebrate their products at corporate conventions. Follow him as he investigates this odd aspect of midcentury corporate culture, while continuing his search for gems like “Diesel Dazzle” and “The Bathrooms Are Coming!” BISBEE ’17: DIR Robert Greene. USA. Bisbee, Arizona, an old copper-mining town on the Mexican border, finally reckons with its darkest day: the deportation of 1,200 immigrant miners left to die in the middle of the desert in 1917. Filmmaker Robert Greene captures the city’s residents as they commemorate this tragic event by staging a reenactment on its 100th anniversary. BLOWIN’ UP: DIR Stephanie Wang-Breal. USA. A New York City courtroom recommends a unique and compassionate intervention option to young women charged with prostitution: submit to free counseling sessions designed by a mentoring program to get you off the street, and your record will be expunged. Are they ready to make that change? CENTRAL AIRPORT THF: DIR Karim Aïnouz. Germany, France, Brazil. A decade after ceasing operations, Berlin’s historic Tempelhof Airport has found a second life serving a new group of arrivals and departures: refugees now seeking asylum in Germany. CENTRAL AIRPORT THF looks at the absurdity of life for migrants making the most of the long layover. CHARM CITY: DIR Marilyn Ness. USA. On the streets of Baltimore, the murder rate is approaching an all-time high, and distrust of the police reaches a fever pitch. With neighborhoods in peril, residents attempt to diffuse the violence through cooperative efforts helmed by community leaders, compassionate law-enforcement officers and a progressive young city councilman. COMBAT OBSCURA: DIR Miles Lagoze. USA. Miles Lagoze was deployed as a combat photographer in Afghanistan, making videos for official Marine Corps recruitment purposes. Compiled of outtakes from those videos, this disturbingly raw portrait of the conflict in Afghanistan exposes the gulf between the war we’re meant to see and the war as it really is. East Coast Premiere. CRIME + PUNISHMENT: DIR Stephen Maing. USA. In 2015, a group of 12 whistleblower cops sued the NYPD for using illegal quotas despite a 2010 statewide ban on the practice. A blood-boiling investigation into a corrupt organization, CRIME + PUNISHMENT follows these officers as they face retaliation for attempting to resist against racist practices. DARK MONEY: DIR Kimberly Reed. USA. A portrait of democracy under fire, DARK MONEY pulls back the curtain on big money in national politics. Revealing how right-wing giants like the Koch brothers hide behind super PACs to do their bidding — in the forms of corporate-funded smear campaigns and dangerous legislation — this film is as timely as it is eye-opening. THE DISTANT BARKING OF DOGS: DIR Simon Lereng Wilmont. Denmark, Finland, Sweden. Taking an observational approach, this masterful film follows 10-year-old Oleg and his grandmother as they cope with life mere miles from the frontline of the war in Ukraine, showing how children navigate the trauma of conflict, while still seeing the world with naiveté and wonder. DON’T BE NICE: DIR Max Powers. USA. Following a diverse team of slam poets as they mine their feelings and personal experiences about race, sexuality, gender and popular culture to craft poems for national competition, DON’T BE NICE demonstrates how collaboration and communication between artists can allow them to better understand who they are and what they want to say. U.S. Premiere. FOR THE BIRDS: DIR Richard Miron. USA. In Richard Miron’s surprising and empathetic film, we follow a woman named Kathy who lives with 200 pet birds. What starts as a story about Kathy’s battle with local animal advocacy groups slowly transforms into an intimate drama about the toll of Kathy’s bird-hoarding — on her marriage and mental health. North American Premiere. FOSTER: DIR Mark Jonathan Harris. USA. Oscar® winners Mark Jonathan Harris and Deborah Oppenheimer (INTO THE ARMS OF STRANGERS: STORIES OF THE KINDERTRANSPORT) roam courtrooms, foster homes, juvenile halls and the streets of Los Angeles to tell the moving human stories behind the largest county child protection agency in the United States. World Premiere. THE GOSPEL OF EUREKA: DIRS Michael Palmieri and Donal Mosher. USA. A tiny Arkansas town is home to a popular live-action Passion Play — and a tightknit gay community centered around a lively drag bar. A touching, upbeat look at an enlightened town that maintains a peaceful coexistence of two seemingly divergent groups through tolerance, love and inclusion. GURRUMUL: DIR Paul Williams. Australia. With the release of his debut album, blind indigenous Australian musician Geoffrey Gurrumul Yunupingu became an unlikely star in both his homeland and in the larger world music scene. But as Gurrumul’s fame grew, the balance between his culture’s way of life and a career in music proved tricky to maintain. U.S. Premiere. HAL: DIR Amy Scott. USA. Surveying the works of iconoclastic filmmaker Hal Ashby (HAROLD AND MAUDE, THE LAST DETAIL, COMING HOME), director Amy Scott identifies how Ashby’s brilliant and seminal works helped define both the New Hollywood of the 1970s and the American experience for a decade. HALE COUNTY THIS MORNING, THIS EVENING: DIR RaMell Ross. USA. Winner of a Special Jury Prize at this year’s Sundance Film Festival, RaMell Ross’ assured feature debut is a lyrical look at the lives of two young African-American men born and raised in Alabama’s Hale County, the community that surrounds them and the paths they follow throughout the years. HAPPY WINTER: DIR Giovanni Totaro. Italy. The escapism of being on holiday gets a fascinating twist in Giovanni Totaro’s shrewdly observant HAPPY WINTER. Mondello beach in Palermo, Italy, is a seemingly pleasant circus of bronzed vacationers milling about. But behind the happy goings-on is a different story of collective denial about the looming economic crisis. U.S. Premiere. HESBURGH: DIR Patrick Creadon. USA. He counseled presidents and popes, served on corporate boards and infuriated Richard Nixon. He was one of the only friends to whom Ann Landers turned for advice. During his 35 years as president of the University of Notre Dame, Theodore Hesburgh became one of the most influential and inspiring people of the 20th century. World Premiere. INTO THE OKAVANGO: DIR Neil Gelinas. USA. National Geographic photographer Neil Gelinas makes his directorial debut with INTO THE OKAVANGO. This visually stunning film follows three passionate individuals as they embark on a four-month journey along the titular river — witnessing Africa’s animal and bird population in visceral, jaw-dropping close-up — to discover why the Okavango Delta is rapidly drying up. INVENTING TOMORROW: DIR Laura Nix. USA. Laura Nix’s inspiring film follows high school students from around the world, many of whom hail from dangerously polluted countries, as they tackle daunting environmental issues affecting their communities. Watch as the teens then bring their ingeniously proposed solutions to “the science fair of science fairs” — the Intel International Science and Engineering Fair. IT WILL BE CHAOS: DIRS Lorena Luciano and Filippo Piscopo. USA. Follow an Eritrean man and a Syrian family on dual quests for freedom amid the refugee crisis in the eastern Mediterranean. Tension mounts as they battle the rough seas, harsh conditions and red tape standing in their way. Will they make it to a new life in Europe? THE LIBERATION: DIRS Christoph Green and Brendan Canty. USA. Therapy sessions, cooking lessons and raw personal stories provide the drama in THE LIBERATION, DC-based filmmakers Christoph Green and Brendan Canty’s story of the formerly incarcerated men and women struggling to get through DC Central Kitchen’s 14-week culinary training program. Can they make it and turn their lives around? East Coast Premiere. LOVE, GILDA: DIR Lisa D’Apolito. USA. Lisa D’Apolito’s moving documentary LOVE, GILDA looks back at the exuberant life and courageous death of Gilda Radner, the first female superstar of SATURDAY NIGHT LIVE. Using an abundance of archival photos and clips, along with confessional narration by Radner, the film paints a loving portrait of her short but spectacularly eventful life. MATANGI / MAYA / M.I.A.: DIR Stephen Loveridge. UK. Drawn from 22 years’ worth of personal video footage, MATANGI / MAYA / M.I.A. is an intimate look at the life of rapper, songwriter and activist M.I.A., from her childhood in war-torn Sri Lanka, to her eventual rise to international stardom as one of the most thought-provoking artists working in music today. MCQUEEN: DIRS Ian Bonhôte and Peter Ettedgui. UK. This intimate profile offers unparalleled access to one of the fashion industry’s brightest stars, Alexander McQueen. Brilliant, bold and informed by a British punk aesthetic, the designer was known for his exquisite and strikingly original clothes and his legendary runway shows — theatrical spectacles influenced by contemporary art, theater and photography. MINDING THE GAP: DIR Bing Liu. USA. First-time filmmaker Bing Liu turns the camera on himself, his family members and his skateboarder friends in this deeply moving depiction of three young men in a small Midwestern town grappling with issues of class, race and learning to overcome the cycles of family violence. A MURDER IN MANSFIELD: DIR Barbara Kopple. USA. Two-time Oscar® winner Barbara Kopple takes on true crime, revisiting a horrific 1989 domestic murder in Ohio. Collier Boyle was 12 when his father killed and buried his wife under the flooring of a remote countryside home. Now an adult, Collier returns to Mansfield to face the lingering impact of his mother’s murder. ON HER SHOULDERS: DIR Alexandria Bombach. USA. Filmmaker Alexandria Bombach follows Nadia Murad, a young Yazidi woman who gained international attention after escaping captivity by the Islamic State. Forgoing sensationalism, Bombach’s award-winning film offers a fresh perspective on Nadia’s new life as a human rights activist raising awareness for her people and their plight. OVER THE LIMIT: DIR Marta Prus. Poland, Germany, Finland. As the 2016 Summer Olympics loom, Russian gymnast Margarita Mamun prepares to represent her country at this historic event. But the path to the Olympics is not an easy one in this unflinching portrait of an athlete straining to retain her humanity while going for gold. U.S. Premiere. PICK OF THE LITTER: DIRS Dana Nachman and Don Hardy. USA. Shortly after birth, five Labrador puppies enter the intensive two-year training program at California’s Guide Dogs for the Blind. Here, only the best pups will make the cut to protect and serve blind partners, while others will have to change careers for good. THE PRICE OF EVERYTHING: DIR Nathaniel Kahn. USA. An examination of the contemporary art market through the eyes of artists, dealers and collectors, THE PRICE OF EVERYTHING is the latest work from Oscar® nominee Nathaniel Kahn. Illuminating complex dynamics between artistic intention and consumer behavior, the film begs the question: What value do we place on the priceless? THE PROVIDERS: DIRS Anna Moot-Levin and Laura Green. USA. THE PROVIDERS follows three “country doctors” — health care providers working for a small network of clinics in northern New Mexico — as they confront the challenges of keeping those in their poor and opioid-plagued communities safe. As the film movingly shows each doctor’s day-to-day responsibilities, a complex portrait emerges of small-town America. SHIRKERS: DIR Sandi Tan. USA. In 1992, Sandi Tan shot a film in Singapore with her friends and her American mentor, Georges. As the film neared completion, Georges disappeared with the footage, leaving Sandi heartbroken. Twenty years later, the footage is discovered, and the strange mystery of Georges begins to unravel. THE SILENCE OF OTHERS: DIRS Almudena Carracedo and Robert Bahar. USA, Spain. A quest for justice by those who suffered under the repressive regime of General Francisco Franco is at the heart of this powerful and provocative film. Those who were tortured or had family members murdered are demanding the truth be told to the Spanish people, and the remaining perpetrators put on trial. U.S. Premiere. STUDIO 54: DIR Matt Tyrnauer. USA. An Icarus tale unfolds to a disco beat in STUDIO 54, an intimate peek behind the velvet ropes, where mirror balls twinkled over Liza Minelli, Diana Ross, Mick Jagger and Andy Warhol in Matt Tyrnauer’s illuminating history of the rise and fall of the legendary New York nightclub. THIS ONE’S FOR THE LADIES: DIR Gene Graham. USA. Diving inside an unexpected subculture of Newark, THIS ONE’S FOR THE LADIES follows a group of women who throw weekly underground male exotic dance parties. Exploring sexual identity and the meaning of community, the film is a unique portrait of the black experience in 21st-century America. TRANSMILITARY: DIRS Gabriel Silverman and Fiona Dawson. USA. Gabriel Silverman and Fiona Dawson make their stirring feature debut with TRANSMILITARY, following four individuals who come out as transgender to top officials at the Pentagon — a brave move that puts their military careers in jeopardy, and shows a struggle for equality that is more relevant than ever. TRE MAISON DASAN: DIR Denali Tiller. USA. With a parent in prison, three Rhode Island boys tackle adult realities few of their peers can even imagine. Unfettered access to three troubled but promising young lives produces an unforgettable perspective on the multigenerational consequences of U.S. incarceration, where one out of 14 kids has a parent with a prison history. UNDER THE WIRE: DIR Chris Martin. UK. In 2012, acclaimed journalist Marie Colvin illegally crossed the Syrian border to cover the country’s civil war. She became one of the only voices reporting on the atrocities being committed against the Syrian people. With breathtaking footage, UNDER THE WIRE profiles one woman’s drive to uncover the truth, no matter the cost. International Premiere. UNITED WE FAN: DIR Michael Sparaga. Canada. UNITED WE FAN follows the ingenious save-our-show campaigns that have been spurred by passionate television uber-fans throughout the decades. From STAR TREK to CAGNEY AND LACEY and CHUCK — plus many more — this delightful doc highlights the grassroots efforts needed to save beloved TV shows. U.S. Premiere. YOURS IN SISTERHOOD: DIR Irene Lusztig. USA. More than four decades after the birth of Ms. Magazine, director Irene Lusztig combs the publication’s archives and pairs some of the most memorable letters, many never published, with contemporary readers to comment on just how far we’ve come — and what we still have to accomplish.

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  • AFI DOCS 2018 to Open With World Premiere of PERSONAL STATEMENT, Close with UNITED SKATES

    [caption id="attachment_28877" align="aligncenter" width="1200"]PERSONAL STATEMENT PERSONAL STATEMENT[/caption] For its 16th edition, AFI DOCS, the documentary film festival in the nation’s capital, will open with the world premiere of PERSONAL STATEMENT directed by Juliane Dressner and Edwin Martinez; and will close with UNITED SKATES directed by Dyana Winkler and Tina Brown. This year’s program also includes ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW (DIR Rory Kennedy) as the Centerpiece.  The four Special Screenings will be the world premiere of THE COLD BLUE (DIR Erik Nelson), KINSHASA MAKAMBO (DIR Dieudo Hamadi), MR. SOUL! (DIRS Sam Pollard and Melissa Haizlip) and WITKIN & WITKIN (DIR Trisha Ziff).  AFI DOCS runs June 13 to 17, 2018, in Washington, DC, and Silver Spring, MD The Opening Night screening of PERSONAL STATEMENT will be held on June 13 at the Newseum and will be followed by a Q&A with directors Juliane Dressner and Edwin Martinez. The film centers on three Brooklyn high school seniors who, lacking support services at school, band together to help each other get into college. The Closing Night screening of UNITED SKATES will be held on June 17 at the Landmark E Street Cinema and will be followed by a Q&A with directors Dyana Winkler and Tina Brown. The film chronicles the fight to save roller-skating rinks, which have played a critical role in modern African-American culture. The Centerpiece screening of ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW will take place at the National Air and Space Museum. As NASA heads into its 60th anniversary, filmmaker Rory Kennedy looks back at the men and women who have built the institution, and whose boundless curiosity drives scientific progress forward.

    OPENING NIGHT SCREENING

    PERSONAL STATEMENT: Karoline, Enoch and Christine are Brooklyn high school seniors who just want to go to college, but lack the resources most American teens take for granted, including guidance counselors. Refusing to give up, they learn to counsel each other, and carry their classmates with them as they pursue their dreams.

    CLOSING NIGHT SCREENING

    UNITED SKATES: Roller-skating has played a critical role in modern African-American culture, with rinks serving as both a haven of community and of artistic expression, and a flashpoint in the civil rights movement. UNITED SKATES chronicles the fight to save these rinks, and the souls of communities nationwide.

    CENTERPIECE SCREENING

    [caption id="attachment_28881" align="aligncenter" width="1200"]ABOVE AND BEYOND: NASA‘S JOURNEY TO TOMORROW ABOVE AND BEYOND: NASA‘S JOURNEY TO TOMORROW[/caption] ABOVE AND BEYOND: NASA‘S JOURNEY TO TOMORROW: Rory Kennedy tells the stories of the women and men behind the National Aeronautics and Space Administration’s decades-long exploration of our solar system, our universe and our planet, in this enlightening film that celebrates NASA’s triumphs, mourns its tragedies and affirms the importance of its mission both in space and on Earth.

    SPECIAL SCREENINGS

    THE COLD BLUE: In 1943, legendary Hollywood director William Wyler crafted MEMPHIS BELLE, a celebrated tribute to the titular WWII bomber. Using footage of the film from the National Archives, THE COLD BLUE features gripping narration from some of the last surviving B-17 pilots. A meditation on youth, war and stunning bravery. KINSHASA MAKAMBO: Amid the backdrop of seemingly never-ending political and social unrest that hangs over the Democratic Republic of the Congo, three young activists take to the streets with their fellow countrymen to overthrow their country’s President and help enact much needed change in their politically beleaguered country. MR. SOUL!: An in-depth look at the late 1960s WNET public television series SOUL! and its producer Ellis Haizlip. The series was among the first to provide expanded images of African Americans on television, shifting the gaze from inner-city poverty and violence to the vibrancy of the Black Arts Movement. [caption id="attachment_28879" align="aligncenter" width="1249"]WITKIN & WITKIN WITKIN & WITKIN[/caption] WITKIN & WITKIN: The artwork of septuagenarian twins Joel-Peter and Jerome Witkin transcends genres and traditional form. WITKIN & WITKIN explores the brothers’ complicated relationship with one another, while examining depths and divisions in their work. Joel-Peter’s stunning photography and Jerome’s powerful figurative paintings distinctly capture the human condition, reflecting differing emotional and intellectual approaches.

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