
Yuli, a dazzling dramatization of the early life and work of legendary Cuban dancer Carlos Acosta will be the Opening Night Film of this year’s 38th Minneapolis St. Paul International Film Festival, which runs April 4 to 20, 2019.
After opening remarks from Roger Ross Williams, the first African American director to win an Academy Award, the 19th Woodstock Film Festival Maverick Awards Ceremony was held on Saturday, October 13. Awards were presented to exceptional films and honorees in numerous categories with the Feature Narrative Award going to Paul Starkman for WHEELS, and the Best Documentary Feature was presented to Assia Boundaoui director for THE FEELING OF BEING WATCHED.
Tony®, Emmy® and Grammy®-winning, and Oscar®-nominated filmmaker Julie Taymor received the Honorary Maverick Award; and Academy Award®-nominated and Emmy Award®-winning filmmaker Matthew Heineman received the Filmmaker Award of Distinction. for his debut feature narrative, A PRIVATE WAR.
BEST NARRATIVE FEATURE
The Gigantic Pictures’ Feature Narrative Award went to Paul Starkman for WHEELS.
“We chose Wheels because it beautifully explores the powerfully precarious choices that brothers make that impact their lives and all of their relationships forever. Stunningly told and poignantly acted with depth and candor wheels stood out in a thrilling year of Woodstock film selections. It explores the fine line between constructive and instantly destructive decisions and their impact on our lives- in an instant everything changes.”
Honorable Mention went to Brendan Walter for SPELL.
A Special Award for ensemble cast went to John Stimpson for GHOST LIGHT.
BEST DOCUMENTARY FEATURE:
The Best Documentary Feature, sponsored by Films We Like, was presented to Assia Boundaoui director for THE FEELING OF BEING WATCHED.
Honorable Mention to director Juliane Dressner and Edwin Martinez for PERSONAL STATEMENT.
Best Narrative Short sponsored by Gigantic Pictures, went to director Leonora Lonsdale for BEAST.
Honorable Mention went to Alexis Gambis for MI HERMANO.
Best Student Short sponsored by Gigantic Pictures, went to director Jisun Jamie Kim for A YEAR.
The Woodstock Film Festival Ultra Indie Award, sponsored by Gray, Krauss, Stratford, Sandler, Des Rochers, LLP and Blackmagic Design, was presented to Alex Moratto for SOCRATES.
Best Animated Short was presented to Mark C. Smith for TWO BALLOONS.
Best Short Documentary, sponsored by Markertek.com, went to Skye Fitzgerald for LIFEBOAT. Honorable mention to Lynne Sachs for CAROLEE, BARBARA & GUNVOR.
“We based our decision on what stories we felt most needed to be told, and what stories we hadn’t seen before. We put special emphasis on films that show underrepresented people (like the older women in Carolee, Barbara & Gunvor). We wanted to cite a local filmmaker for an honorable mention as a nod to the importance of our growing creative community upstate.”
The Haskell Wexler Award for Best Cinematography, sponsored by Panavision, went to Eric Bader for SPELL.
“Choosing a single film in this category was not easy. There’s been an explosion of great cinematography this year, and all of the films considered for the cinematography award stood out.
But the cinematography in this particular film is resonant, drawn with a deft touch. It is consistent and well crafted. The color palette and the choice of shots and lenses allow us a proximity to the characters, which aptly draws us into the drama and plays on our expectations, our emotions as viewers.”
The James Lyons Editing Award For Narrative Feature, sponsored by Technicolor Postworks NY, was presented to Kristina Davies editor for UNLOVABLE.
The James Lyons Editing Award For Documentary Feature, sponsored by Technicolor Postworks NY, was presented to Rabab Haj Yahya editor for THE FEELING OF BEING WATCHED. Special mention: WRESTLE.
The World Cinema Award, was presented to Laurie Colbert and Dominique Cardona for KEELY & DU. A special mention to director Roxy Toporowych for JULIA BLUE.
The Carpe Diem Andretta Award, sponsored by The Vincent J. Andretta Memorial Fund and presented to the film that best represents living life to the fullest, was awarded to director William Fichtner for COLD BROOK.
Karl Berger of Karl Berger – Music Mind[/caption]
The fiercely independent 19th Annual Woodstock Film Festival will showcase more than 100 films and open with a live performance by the Karl Berger Band following the screening of the feature documentary Karl Berger – Music Mind, which offers “an inside look into the creative process and unique approach toward music that makes Karl Berger”. Matthew Heineman’s feature narrative debut A Private War, starring Rosamund Pike, Jamie Dornan and Stanley Tucci will close the film festival on the evening of Sunday, October 14th.
There will be a panel discussion after the film screening of Lessons from a School Shooting: Notes from Dunblane, featuring the filmmakers, as well as panelists from the documentary Newtown. In the wake of the 2012 Sandy Hook Elementary School massacre that took the lives of twenty first-graders and their teachers, local clergyman Father Bob Weiss receives a letter from a fellow priest in Dunblane, Scotland, whose community suffered an eerily similar fate in 1996. From across the Atlantic, the two priests forge a poignant bond through the shared experience of trauma and healing. Never before seen film clips of the filmmakers’ upcoming documentary about the mass shooting in Stoneman Douglas high school in Parkland, Florida, will be shown during the panel.
Roger Ross Williams is the first African American director to win an Academy Award with his short film Music By Prudence. Williams has directed a wide variety of acclaimed films including God Loves Uganda, which was shortlisted for an Academy Award, and Life, Animated, which was nominated for an Academy Award in 2017. Williams is on the Board of Governors for the Academy of motion pictures, Arts and Sciences, representing the Documentary branch, as well as being on the Diversity Committee for the Academy. This year Williams is our Special Guest Programmer whose selection spotlights some of his favorite contemporary works by filmmakers of color. Williams said, “I am thrilled to be a guest programmer at this year’s Woodstock Film Festival. The three films I have chosen demonstrate the scope, depth and creativity that is possible when we, as black filmmakers, tell our own stories.” These films include Hale County This Morning, This Evening, Shakedown, and Mr. SOUL!.
Younger Days, directed by Paula van der Oest
WRESTLE, directed by Lauren Belfer and Suzannah Herbert
1-0, directed by Nada ElAzhary; 59 Seconds, directed by Mauro Carraro; After Her, directed by Aly Migliori; Antouni (Homeless), directed by Alik Tamar; Are You Still Singing?, directed by Gillian Barnes; A Year, directed by Jisun Jamie Lee; Beast, directed by Leonora Lonsdale; Beautiful Things, directed by Dina Waxman; Black Spirit, directed by Chakib Taleb-Bendiab; Boy Boy Girl Girl, directed by Ross Kauffman; Carolee, Barbara & Gunvor, directed by Lynne Sachs; The Christmas Rabbit, directed by Christophe Lopez-Huici; The Crying Room, directed by Shalom Auslander; Del Rio, directed by Raj Trivedi; Dinner, directed by Anna Gilmore; Edith Piaf (Said It Better Than Me), directed by Joseph Wallace; Ego, directed by Mario Addis; The English Teecher, directed by Andy and Carolyn London; Even Ants Strive for Survival, directed by Ren Xia; Funeral, directed by Leah Shore; Gamble, directed by Chayadol Lomtong; Goose in High Heels, directed by John R. Dilworth; He’s Watching, directed by Arthur Metcalf; Homing In, directed by Parker Hill; Jo, directed by Justine Williams; One Small Step, directed by Andrew Chesworth and Bobby Pontillas; Last Requests, directed by Courtenay Johnson; The Last Seance, directed by Laura Kulik; Lifeboat, directed by Skye Fitzgerald; Lucy, directed by Ruben Gutiérrez; The Magical Mystery of Musigny, directed by Emmett Goodman and John Meyer; Martin, directed by Sholto Crow; Melt Down, directed by Amy Jingyi Xu; Mirror Mirror, directed by Jacob Internicola; Mother, directed by Amanda Palmer; Moved to Tiers, directed by Avery Herzog; The Movie House on Main Street, directed by Teresa Torchiano; My Brother (Mi Hermano), directed by Alexis Gambis; Pour 585, directed by Patrick Smith; Rooster and The Queen, directed by Aaron Weisblatt; Salam, directed by Claire Fowler; Lessons from a School Shooting: Notes from Dunblane, directed by Kim A. Snyder; Shiva Baby, directed by Emma Seligman; Sorceress, directed by Max Blustin; Trump Bites, directed by Bill Plympton; Two Balloons, directed by Mark C. Smith; Unnatural, directed by Amy Wang; The Velvet Underground Played at My High School, directed by Tony Jannelli and Robert Pietri; Vicarious Resilience, directed by Eva Tenuto; Voice, directed by Takeshi Kushida; Welcome to the New World, directed by Jerry Suen & Anni Sultany; The Winds of Downhill, directed by Jedd and Todd Wider; Your Face Global Jam, directed by Ken Mora
Solicitous– Music by Drekoty
PERSONAL STATEMENT[/caption]
For its 16th edition, AFI DOCS, the documentary film festival in the nation’s capital, will open with the world premiere of PERSONAL STATEMENT directed by Juliane Dressner and Edwin Martinez; and will close with UNITED SKATES directed by Dyana Winkler and Tina Brown.
This year’s program also includes ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW (DIR Rory Kennedy) as the Centerpiece. The four Special Screenings will be the world premiere of THE COLD BLUE (DIR Erik Nelson), KINSHASA MAKAMBO (DIR Dieudo Hamadi), MR. SOUL! (DIRS Sam Pollard and Melissa Haizlip) and WITKIN & WITKIN (DIR Trisha Ziff). AFI DOCS runs June 13 to 17, 2018, in Washington, DC, and Silver Spring, MD
The Opening Night screening of PERSONAL STATEMENT will be held on June 13 at the Newseum and will be followed by a Q&A with directors Juliane Dressner and Edwin Martinez. The film centers on three Brooklyn high school seniors who, lacking support services at school, band together to help each other get into college.
The Closing Night screening of UNITED SKATES will be held on June 17 at the Landmark E Street Cinema and will be followed by a Q&A with directors Dyana Winkler and Tina Brown. The film chronicles the fight to save roller-skating rinks, which have played a critical role in modern African-American culture.
The Centerpiece screening of ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW will take place at the National Air and Space Museum. As NASA heads into its 60th anniversary, filmmaker Rory Kennedy looks back at the men and women who have built the institution, and whose boundless curiosity drives scientific progress forward.
ABOVE AND BEYOND: NASA‘S JOURNEY TO TOMORROW[/caption]
ABOVE AND BEYOND: NASA‘S JOURNEY TO TOMORROW: Rory Kennedy tells the stories of the women and men behind the National Aeronautics and Space Administration’s decades-long exploration of our solar system, our universe and our planet, in this enlightening film that celebrates NASA’s triumphs, mourns its tragedies and affirms the importance of its mission both in space and on Earth.
WITKIN & WITKIN[/caption]
WITKIN & WITKIN: The artwork of septuagenarian twins Joel-Peter and Jerome Witkin transcends genres and traditional form. WITKIN & WITKIN explores the brothers’ complicated relationship with one another, while examining depths and divisions in their work. Joel-Peter’s stunning photography and Jerome’s powerful figurative paintings distinctly capture the human condition, reflecting differing emotional and intellectual approaches.