Purple Dreams

This film follows six students at the Northwest School of the Arts in Charlotte, N.C., who thrive as performers in the first-ever high school musical production of The Color Purple while grappling with difficult and stressful issues in their own lives.

Directed by Joanne Hock

Genre(s) Documentary Film

25th New York African Film Festival to Commemorate Nelson Mandela’s 100th Birthday + to Open with Apolline Traoré’s ‘BORDERS’

[caption id="attachment_28123" align="aligncenter" width="1200"] Borders[/caption] Under the theme “25 Years of the New York African Film Festival,” this year’s New York African Film Festival will pay homage to the pioneers of African cinema along with commemorating the 100th birthday of the venerated South African freedom fighter and national leader Nelson Mandela, with a crop of films from his native land. The month-long festival brings 66 films from 25 countries to FSLC, the Brooklyn Academy of Music’s BAMcinématek, and Maysles Cinema in Harlem. Opening Night will spotlight Apolline Traoré’s award-winning film, Borders, which speaks to migration as well as to African women’s struggles, in a timely echo of the #MeToo movement. The film follows four women as they travel from Mali to Nigeria, supporting each other while battling sexism and corruption. The film won three prizes at FESPACO, including the Paul Robeson Prize for the best film by a director from the African diaspora. Borders will screen with a short film dedicated to the memory of Burkinabé director Idrissa Ouedraogo, who passed away in February and was a mentor to Traoré. French director Berni Goldblat’s Wallay will have its New York premiere as the festival’s Centerpiece film on Friday, May 18. The coming-of-age tale follows Ady, a young troublemaker sent from France to his single father’s homeland of Burkina Faso for the summer. There, the teen finds new challenges as he navigates a different world. The festival tips a hat to key figures in the history of African film with the U.S. premieres of Abderrhamane Sissako: Beyond Territories, Valérie Osouf’s intimate portrait of the acclaimed director of Bamako and the Oscar-nominated Timbuktu; a 2017 version of the 1983 classic Selbe: One Among Many, by Safi Faye, the first sub-Saharan woman to direct a theatrically released film, now restored to its original Wolof language; and Mohamed Challouf’s Tahar Cheriaa: Under the Shadow of the Baobab, which documents the career of the founder of the Carthage Film Festival, Africa’s first film festival. The festival will include the 1989 documentary short Parlons Grand-mère by the late Senegalese director Djibril Diop Mambéty. Other highlights include films from a new wave of African directors, including Machérie Ekwa Bahango of the Democratic Republic of the Congo and Jeferson De of Brazil. The festival kicks off with a town hall meeting on Sunday, May 13, at the Film Society of Lincoln Center’s Amphitheater. Titled “Activism & Art: Personal Journeys,” it will bring together storytellers of various mediums to discuss how their art informs their activism. “Falling,” a free digital and interactive art exhibition exploring youth activism in Southern Africa, will run during the FSLC segment at the Elinor Bunin Munroe Film Center Amphitheater. The NYAFF heads to the Brooklyn Academy of Music (BAMcinématek) Thursday, May 24, through Monday, May 28, as a part of BAM’s popular dance and music festival DanceAfrica. It closes with a series of classic and contemporary narratives and documentaries at Maysles Cinema in Harlem running Thursday, June 7, through Sunday, June 10.
FILMS AND DESCRIPTIONS
Opening Night Borders Apolline Traoré, Burkina Faso, 2017, 90m French with English subtitles New York Premiere Four women — Adjara, Emma, Sali, and Vishaa — meet while riding buses that cross West African borders, starting in Dakar and traveling through Bamako, Cotonou, Ouagadougou, and on to Lagos. Despite the gorgeous landscapes of the Atlantic coast and the Sahel, not everything is beautiful: they undergo car breakdowns in the stifling heat, face highway robbers, and endure fights between passengers. But their worst fears are realized in the liminal space of the border itself, where they witness great corruption, violence against women, and dangerous traffic. To survive, the women must stick together and take care of each other: the consequences of this trip will change their lives. Opening Night screening preceded by Idrissa Ouedraogo, From the Land of the Upright People Compiled by Burkina Faso National Television, Burkina Faso, 2016, 5m This short profile pays tribute to the late Burkinabé writer-director Idrissa Ouedraogo. Centerpiece Wallay Berni Goldblat, France/Burkina Faso, 2017, 82m Dioula and French with English subtitles New York Premiere Thirteen-year-old Ady no longer listens to his father, who is raising Ady on his own in France. Running out of resources, Ady’s father decides to entrust Ady to his Uncle Amadou for the summer. Amadou and his family live on the other side of the Mediterranean Sea, in Burkina Faso. Things are quite different there, however, as boys of Ady’s age are expected to already become men. Ady must learn these lessons as he comes to understand the world a little differently during this life-changing holiday. Abderrhamane Sissako: Beyond Territories Valérie Osouf, France, 2017, 72m French with English subtitles U.S. Premiere To be somewhere precise yet stand nowhere at all; to touch the human soul with images. In Valérie Osouf’s portrait of the world-renowned filmmaker Abderrahmane Sissako (Life on Earth, Bamako, Timbuktu), we are invited not only into his physical territory but also his poetic and politically engaged terrain. From Mali to China, from Nouakchott to Moscow, these spaces speak of displacement and exile. Featuring interviews with acclaimed artists, such as Danny Glover and Martin Scorsese, and everyday movie lovers — including a film-loving police officer and philosophy professor — Beyond Territories allows us to walk alongside Sissako and experience his world. Baby Mamas Stephina Zwane, South Africa, 2018, 93m U.S. Premiere Baby Mamas is a comedic drama about the lives and loves of four professional women in Johannesburg, each in her own stage of “baby mama drama.” Good girl Chantel discovers that she’s pregnant and her whole life is turned upside down. Sandy is still in love with her ex-boyfriend and the father of her child, even though he has decided to move on. Joy is in a tumultuous relationship with bad-boy Sizwe. Toli, a single mom and the leader of the group, must decide how much she is willing to risk as a parent while finding her path to love. Black Sun Alexei Speshnev, USSR, 1970, 97m Russian with English subtitles U.S. Premiere This long-unseen Russian drama, never before released in the U.S., follows the life and death of Robert Moussombe, the leader of an unnamed African state. Moussombe is a fictionalized portrait of assassinated Congolese leader Patrice Lumumba, and the film’s events are a pastiche of the Congo Crisis in the 1960s, which signified the ascent of the Cold War that unraveled the newly minted post-independence nations on the continent of Africa. Burkinabé Rising Iara Lee, Burkina Faso, 2017, 72m English, French and Moore with English subtitles The beautifully filmed and intensely political documentary showcases the contemporary reality of creative nonviolent resistance in Burkina Faso. A small, landlocked country in West Africa, Burkina Faso is home to a vibrant community of artists and engaged citizens, who prove that political change can be achieved when people come together. Burkinabé Rising shows that Burkina Faso is an inspiration, not only to the rest of Africa but also to the rest of the world. The Delivery Boy Adekunle “Nodash” Adejuyigbe, Nigeria, 2017, 65m Hausa and Pidgin with English subtitles U.S. Premiere Amir, a young orphan raised in an African extremist group, runs away on the eve of a suicide mission, taking his bomb vest with him. He has a mission of his own. On his way, he runs into Nkem, a young prostitute escaping a lynch mob for a crime committed while trying to get money to save her dying brother. Before the night is over, they traverse the underbelly of the Nigerian metropolis as they search for their identities, their stolen pasts, money, and any semblance of peace they can find. Preceded by Meokgo and the Stick Fighter Teboho Mahlatsi, South Africa/Lesotho, 2005, 19m Reclusive stick fighter Kgotso lives a solitary life high up in the Maluti Mountains of Lesotho. Whilst tending sheep and playing his concertina, he sees a beautiful and mysterious woman dreamily staring at him from the water. This story of unrequited love and sacrifice is a haunting tale spiced with magical realism. Five Fingers for Marseilles Michael Matthews, South Africa, 2017, 120m English and Sotho with English subtitles New York Premiere Five Fingers for Marseilles fuses western influences — from classic John Ford to “spaghetti” to revisionist eras — into a contemporary South African crime drama with a local flavor. Twenty years ago, the young “Five Fingers” fought for the rural town of Marseilles against brutal police oppression. After fleeing in disgrace, the freedom-fighter-turned-outlaw returns to Marseilles seeking a peaceful, pastoral life. When he finds the town under new threat, he must reluctantly fight to free it. The great westerns have always contained sociopolitical threads, and Five Fingers’ loose allegory on current South African politics is dark, edge-of-the-seat, and starkly human. Maki’la Machérie Ekwa Bahango, Democratic Republic of the Congo/France, 2018, 78m Lingala and French with English subtitles U.S. Premiere Nineteen-year-old Maki’la, nicknamed Maki, has been living on the streets since she was 13, and has long been friends with young hoodlum Mbingazor, who has become the boss of a criminal gang. The two end up getting married; however, the relationship is founded on exploitation and violence and soon leaves Maki feeling trapped. She manages to escape and goes into hiding, when she meets Acha, a 12-year-old who has recently wound up on the streets herself after losing her parents. Soon the two forge a close bond, though Mbingazor, angrier than ever, is close behind. Purple Dreams Joanne Hock, U.S., 2017, 73m Stereotypes of black youth are turned upside down in this inspirational documentary shadowing six high-school students on an emotionally powerful, three-year journey of transformation in racially biased Charlotte, North Carolina. With access to arts and academic mentors, the film’s teenage subjects have the potential to break the cycle of poverty, homelessness, and gang-related violence. They are given an opportunity to transcend their circumstances through a triumphant musical production, an experience that ultimately propels them into a world of opportunity they never expected. Purple Dreams bears witness to the need for arts in education, especially in underserved communities. Running After Jeferson De, Brazil, 2018, 86m New York Premiere Eking out a living selling trinkets amidst the traffic-clogged streets of Rio de Janeiro, Paulo Gale sees an opportunity to change his life by becoming a football manager. While searching for his own Neymar in Rio’s suburbs, he discovers the remarkably talented Glanderson, a boy who dreams of becoming a professional soccer player despite the fact that he has only three toes on his right foot. Gale uses his entrepreneurial spirit and creativity to try and make Glanderson a star. A film of comic verve, Running After offers a glimpse of life on the peripheries of Brazil’s capital. Selbe: One Among Many (2017 Version) Safi Faye, Senegal, 1983/2017, 30m Wolof with English subtitles U.S. Premiere of Reissue in Wolof In focusing on the daily life of a Senegalese village woman, Selbe: One Among Many examines the economic and social roles rural African women are expected to play. Selbe has the heavy responsibility of providing for a large family as her husband searches unsuccessfully for work in a neighboring town. On his return, he joins the other unemployed men of the village, who will not help the women, but are as dependent on them as the children for food and shelter. This reissue marks the first time the film has been issued in its original Wolof language. Preceded by On Monday of Last Week Akosua Adoma Owusu, U.S., 2018, 14m New York Premiere Kamara, a Nigerian woman, works as a nanny for Josh, the five-year-old son of an interracial couple, Tracy and Neil. Tracy is an African American artist working on a commission in her basement studio — a space she rarely leaves. Kamara is intrigued by Tracy’s absence as a mother. When Tracy finally emerges from her studio one afternoon, Kamara’s growing curiosity is piqued. Their brief encounter inspires Kamara to become Tracy’s muse. Tahar Cheriaa: Under the Shadow of the Baobab Mohamed Challouf, Tunisia, 2014, 70m Arabic and French with English subtitles U.S. Premiere Tahar Cheriaa: Under the Shadow of the Baobab documents the career of one of the core fathers of Pan-Africanism and founder of Africa’s first film festival, the Carthage Film Festival. After Tunisian independence, Tahar used all his energy to bring the first authentic images of postcolonial Africa to broader audiences. The film depicts Cheriaa’s ideas and projects, with interviews and archival material creating a complete portrait of the man and his fight for both Sub-Saharan African cinema and African cinema as a whole. His legacy in African cinema was crucial to nothing less than the modernization of the continent. Preceded by Parlons Grand-mère Djibril Diop Mambéty, Senegal/Burkina Faso, 1989, 34m Wolof with English subtitles In his documentary about the making of Yaaba (1989), Idrissa Ouédraogo’s second feature, Djibril Diop Mambéty follows the director and cast to paint a humorous portrait of the dangers of filming in Burkina Faso. The Wedding Ring Rahmatou Keïta, Niger, 2016, 96m Songhay, Zarma, Hausa, Fulani, Bambara and Moree with English subtitles New York Premiere A student who hails from a prestigious aristocratic family, Tiyaa returns home to the Sultanate of Damagaran, in Niger, for the winter holidays. She is expecting the young man whom she met at university in France — who also comes from a wealthy family, not far from where she grew up — to make a formal proposal of marriage. While waiting for the handsome suitor, she shares her secret with her friends, learning the other women’s stories of love, marriage, and divorce, painting a compelling and revealing portrait of male-female relations in Sahelian society. Preceded by Vagabonds Magaajyia Silberfeld, U.S./France/Niger, 2017, 16m Rachel is a young woman living with her Nigerien uncle and his American wife. When her aunt has had enough of Rachel’s free-spirited lifestyle, she kicks her out of the house. Soon she runs into a washed-up movie star whose life, she finds out, is surprisingly similar to her own. Wonder Boy for President John Barker, South Africa, 2016, 94m U.S. Premiere A charismatic young man from the Eastern Cape is coerced into running for president by two corrupt characters in this political satire that delves into the dynamics and challenges of politics in contemporary South Africa. Wonder Boy for President‘s unique “mockumentary” structure creates all kinds of fun. It’s often hard to tell where the documentary ends and the mockumentary begins, and that’s the great strength of this hilarious film.
Shorts Program 1 — Quartiers Lointains: Self Image
“Quartiers Lointains, a media collective comprised of young Francophonie artists and professionals, curated this shorts program which highlights works by artists of bi-cultural descent who seek to understand and explore their dual identity and engage in a dialogue to better understand the Other. (TRT: 90m) Le Bleu blanc rouge de mes cheveux Josza Anjembe, France, 2016, 21m French with English subtitles New York Premiere Teenage Seyna faces unexpected obstacles on her mission to become a French citizen, from the disapproval of her Cameroonian father to the limitations of the camera lens. Gagarine Fanny Liatard and Jérémy Trouilh, France, 2015, 15m French with English subtitles New York Premiere Yuri is 20. He lives with his mother in Ivry, the city where he grew up. But a demolition is approaching, and the scenery of his childhood dreams will soon disappear. Nulle Part Askia Traoré, France, 2014, 27m French with English subtitles New York Premiere After a funeral, Jacky returns to his childhood neighborhood, where he reconnects with his friends and his first love. Retour à Genoa City Benoît Grimalt, France, 2017, 29m French with English subtitles New York Premiere Since 1989, the director’s grandma and her brother have watched the same soap opera every day at the same time. Twenty years after his departure from Nice, he returns and asks them to tell him about the 3,527 episodes he’s missed.
Shorts Program 2 — Najia (Nigerian) Stories
Short works by filmmakers in Nigeria or diasporic filmmakers making films about Nigerian subjects from around the world. (TRT: 101m) Birth of Afrobeat Opiyo Okeyo, U.S., 2017, 7m New York Premiere In September 2017, Tony Allen, a 77-year-old drummer from Nigeria was invited to record the album “What Goes Up” with the American band Chicago Afrobeat Project. In this hybrid live-action/animated film, Allen recounts how he and his partner, the late music legend Fela Kuti, created the Afrobeat genre in Lagos, Nigeria. Eja Aro Badewa Ajibade, Nigeria, 2017, 14m New York Premiere Lolade is a young woman in her early twenties who has been in a long-distance relationship with Jubril Hassan for one year. Her brother, Seye, and her best friend, Ebele, both find it peculiar that she has yet to see Jubril in person. Las Gidi Vice Udoka Oyeka, Nigeria, 2017, 19m New York Premiere After a couple years of planning, a girl finally gets her revenge on the guy who ruined her life. The Good Son Tomisin Adepeju, UK, 2016, 14m English and Yoruba with English subtitles Kunle Owomole is a dutiful Nigerian son, the pride of his family. However, during a traditional family gathering, he is forced to address a secret he has kept from his parents, one that would have a profound impact on his relationship with them. Mr. Gele: The Man. The Story. The Craft Gladys Edeh, U.S., 2016, 14m New York Premiere Mr. Gele focuses on the man, the story, and the craft of the celebrated Houston-based Nigerian gele (African headwear) artist Mr. Hakeem Oluwasegun Olaleye, popularly known as Mr. Segun Gele, a self-taught creative who has been able to use his skills as a designer and makeup artist to beautify women around the world. Still Water Runs Deep Abessi Akhamie, Nigeria/U.S., 2017, 15m English, Etsako, Hausa, and Pidgin with English subtitles New York Premiere Still Water Runs Deep follows a Nigerian patriarch who leads his household with a stern hand. But when his estranged son goes missing, his reluctant search turns into an emotional journey, shaking the core of his steely resolve and revealing his most intimate being. Visions Surreal 16 (Abba T. Makama, Michael Gouken Omouna, C.J. “Fiery” Obasi), Nigeria, 2017, 19m U.S. Premiere This anthology film, made up of three shorts inspired by dreams and visions, explores a young woman’s identity, relationship, and spirituality. Each short is directed by a member of the collective Surreal 16: Shaitan by Abba Makama, Brood by Michael Omonua, and Bruja by CJ “Fiery” Obasi.
Shorts Program 3 — New York Shorts
A selection of shorts made by filmmakers of African descent living in New York. (TRT: 95m) A Christmas Mission, Sierra Leone Tim Naylor, U.S., 2017, 10m World Premiere During the Christmas season, Dr. Hawanatu Jah organized a medical mission to help the poor in Sierra Leone. In four days, with only four volunteer doctors from Europe and Africa, they treated over 600 patients and performed over 20 surgeries. This film shows how the passion of one inspires good health and hope for many. Larabilaran: Le Talibé et moi Djibril Drame and Mamedjarra Diop, Senegal/U.S., 2016, 26m English, French, and Wolof with English subtitles This film explores social and economic inequality in Dakar through the life of Seydina, a talibé (or student of the Qur’an), who negotiates his identity and relationship with Mariama, a well-educated and privileged girl. Mamadou Warma: Deliveryman Yusuf Kapadia, U.S., 2017, 9m New York Premiere Mamadou Warma escaped political persecution in Burkina Faso and came to the United States for a new lease on life. He now earns his living as a NYC bicycle deliveryman. A daylong journey alongside Warma reveals a man who looks optimistically toward his future, despite being an underpaid immigrant in a wealthy metropolis. A Pesar de su Ausencia Djali Brown-Cepeda, U.S., 2017, 10m New York Premiere In 1978 New York, one girl in a city of eight million, finds herself. Follow her journey. Proclamation Punctuation Sewra Kidane, U.S., 2016/2017, 5m In this enthralling fashion film, a fabulously fascinating woman recites a short soliloquy paying homage to her love of exclamation points. Periods are so period, whereas an exclamation point livens up a sentence! There is simply nothing worse than a long dragged-out sentence ending in an uninspiring dull dot! So, when exclamation points are your philosophy on life, one must always keep it on the upbeat! Via New York Kagendo Murungi, U.S./Kenya, 1995, 10m Drawing from memory and narrative, Via New York explores the politicization of African students in New York and the participation of South African lesbians and gays in the anti-apartheid movement. The film illustrates how both migration and the pursuit of formal education can function as catalysts for self-transformation and social change. word: collected poetry Jamil McGinnis and Pat Heywood, U.S., 2017, 17m The videos in this anthology of spoken word poems brought to life were adapted from the work of four poets living in New York City. Together, the collection explores an abundance of systematic and human complexities, as well as the everyday realities of being young and black.
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Beaufort International Film Festival Announces 2018 Finalists

City of Joy directed by Madeleine Gavin. (photo credit Paula J. Allen)

The 12th Beaufort International Film Festival (BIFF) will host thousands of film lovers from February 21 to February 25, 2018, in the historic coastal town of Beaufort, SC.

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BLACK BEACH/WHITE BEACH, GINGER NATION, KNIFE SKILLS, Among Docs Featured at Cucalorus Festival

[caption id="attachment_24993" align="aligncenter" width="1200"] Black Beach/White Beach: A Tale of Two Beaches[/caption] The 23rd Cucalorus Festival takes over downtown Wilmington, North Carolina, from November 8 to 12 and will feature more than 70 documentaries, including the world premiere of Ricky and Cherie Kelly’s racially-charged motorcycle doc “Black Beach/White Beach: A Tale of Two Beaches” and the international premiere of Shawn Hitchins’ fiery, flamboyant stage show-doc “Ginger Nation.” One of many films crossing the divide between Cucalorus Film and Cucalorus Connect is Thomas Lennon’s “Knife Skills,” about a French restaurant staffed entirely by men and women just out of prison. Lennon shared, “I knew Cucalorus was a creative festival. What I didn’t know is how deep its roots run in its community, its passion to connect each film to an audience in a way that packs the biggest possible punch. They really go the extra mile, which makes the festival even more exciting for us.” Other documentary debuts include the U.S. premiere of “Forbidden Games: The Justin Fashanu Story” by Jon Carey and Adam Darke, chronicling the complex and troubled story of a talented (and openly gay) British soccer player. “The Power of Glove,” from Andrew Austin and Adam Ward, presenting the legacy of the notoriously “bad” Nintendo Power Glove, and “True Conviction” from Jamie Meltzer, depicting a detective agency run by exonerated men to free innocent people, both make their southeast U.S. premieres. “ACORN and the Firestorm,” directed by Reuben Atlas and Sam Pollard, will have it’s North Carolina premiere and documents the amateur journalists who posed as a pimp and prostitute hoping to expose America’s largest grassroots community organizing group via hidden-camera. Cucalorus also includes 55 short documentaries, including the world premiere of Joanne Hock’s “Martin Hill: Camera Man,” honoring a curator of cameras that shot some of the most iconic films in Hollywood’s past. Other key short docs include “Water Warriors” by Michael Premo, “Under the Mask” by Alex Hoelscher, and “Lonnie Holley: The Truth of Dirt” by Marco Williams.
Feature Docs
“No Dress Code Required (Etiqueta no rigurosa),” Cristina Herrera Borquez “True Conviction,” Jamie Meltzer “Rebels on Pointe,” Bobbi Jo Hart “ACORN and the Firestorm,” Reuben Atlas, Sam Pollard “Working In Protest,” Michael Galinsky, Suki Hawley, David Beilinson “The Power of Glove,” Andrew Austin & Adam Ward “Forbidden Games: The Justin Fashanu Story,” Jon Carey and Adam Darke “Motherland,” Ramona S. Díaz “What Lies Upstream,” Cullen Hoback “Knife Skills,” Thomas Lennon “The Road Movie,” Dmitrii Kalashnikov “Ginger Nation,” Shawn Hitchins, Mitch Fillion “Liberation Day,” Morten Traavik, Ugis Olte “The Work,” Gethin Aldous and Jairus McLeary “Purple Dreams,” Joanne Hock “Black Beach/White Beach: A Tale of Two Beaches,” Ricky Kelly
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Heartland International Film Festival Announces 2017 Lineup, Opens with Rob Reiner’s LBJ

[caption id="attachment_16239" align="aligncenter" width="1200"] LBJ[/caption] The 26th annual Heartland International Film Festival will take place October 12 to 22, 2017. Director Rob Reiner will return to Heartland for the opening night screening of his new film “LBJ” and will receive Heartland Film’s Pioneering Spirit: Lifetime Achievement Award. “LBJ” stars Woody Harrelson and is about Lyndon B. Johnson’s ascent to the presidency following the assassination of John F. Kennedy. Reiner will also be in attendance for special screenings of classic titles “Stand By Me” and “The Princess Bride” the next morning. “Laddie: The Man Behind the Movies” will close the festival on Sunday, October 22. “Laddie” is one daughter’s journey to discover her father, Alan Ladd, Jr, the quiet studio head and producer behind such iconic films as “Star Wars,” “Alien,” “Blade Runner,” “Chariots of Fire,” and “Young Frankenstein.” Amanda Ladd-Jones’ quest leads her to understand her father as the man that he is and the impact he’s had on American Cinema. Director Amanda Ladd-Jones will be in attendance to accept Heartland Film’s Pioneering Spirit: Lifetime Achievement Award on behalf of her father. “We are kicking off the next 25 years of Heartland Film with a bang,” said Craig Prater, President of Heartland Film. “Our international lineup of films has expanded by 75 movies over last year, including 10 titles just announced as official entries for Best Foreign Language Film for the 2018 Academy Awards. We will welcome an unprecedented number of film groups, distributors, and filmmakers this year, and our board, staff, and volunteers are ready to elevate the Heartland International Film Festival from the industry’s best kept secret to a Midwest destination and marketplace. ” Heartland will host 16 premiere titles and more than 150 filmmakers and members of the international film industry, including Chaz Ebert, who will be in attendance for a special screening of the Roger Ebert documentary “Life Itself” and to moderate a film critics panel to include Klaus Eder, the general secretary of the International Federation of Film Critics (FIPRESCI). Additional panel topics include Indiana filmmaking, women in film, and entertainment law. Special presentation sneak previews of major motion pictures and documentaries will include; Heartland Film Truly Moving Picture Award winners “Breathe” , “The Florida Project”, and “Thank You for Your Service”; in addition to “Bill Nye: Science Guy”, “The Ballad of Lefty Brown”, and “Columbus”. For the first time ever, Heartland will feature 10 international titles recently announced as official entries for the Best Foreign Language Film category at the 2018 Academy Awards.
KEY EVENTS AND DATES
Opening Night Screening and After Party – “LBJ” Thursday, Oct. 12 – Indianapolis Museum of Art at Newfields, 7 p.m. Narrative feature directed by Rob Reiner. Scheduled appearance by Director Rob Reiner. After party to feature live music from Josh Kaufman (“The Voice”). Sponsored by the David and Betty Klapper Family Foundation. GLOW: Awards Party Saturday, Oct. 21 – The Hi-Fi/Pure Eatery in Fountain Square, 7 p.m. GLOW: Awards Party is not your typical awards show. The night will shine a light on our top Festival award winners with a neon glow party featuring DJ Michael Graves, Pork and Beans Brass Band, Pinvault Pinball, food trucks, and more. Sponsored by the David and Betty Klapper Family Foundation. Filmmakers’ Brunch Sunday, Oct. 22 – The Montage, 11 a.m. Discover the inspiration behind some of your favorite Heartland Film Festival movies by joining the filmmakers for an informal brunch. Don’t miss this unique opportunity to speak one-on-one with storytellers and to hear different perspectives on all aspects of the filmmaking process. Closing Night Screening and After Party – “Laddie: The Man Behind the Movies” Sunday, Oct. 22 – AMC Castleton Square 14, 7 p.m. Documentary feature directed by Amanda Ladd-Jones. Scheduled appearance by Director Amanda Ladd-Jones. After-party to feature live music by Joshua Powell. Sponsored by the David and Betty Klapper Family Foundation.
PANEL DISCUSSIONS
Heartland Film Festival is excited to present four panel discussions exploring various aspects of the filmmaking industry including film criticism, Indiana filmmaking, women in film, and entertainment law. Most panel discussions are free and open to the public, but they do require a ticket for admittance. All panel discussions will take place at AMC Castleton Square 14 in the Woodbridge Pavilion. Film Critics Panel – Friday, Oct. 13, 7 p.m. What does it take to be a film critic? Join moderator Chaz Ebert as she discusses the intricacies of film criticism with renowned local and international industry professionals. Panelists include Klaus Eder (General Secretary of the International Federation of Film Critics), Christopher Lloyd, and Richard Propes. Free, but ticketed. Indiana Filmmakers Panel – Tuesday, Oct. 17, 6 p.m. What are the challenges and advantages of local filmmakers in Indianapolis? Join moderator Nathan Bechtold (Indiana Filmmakers Network) as he discusses the Indy film scene with local industry professionals. Panelists Amy Pauszek, Glenn Pratt, and Jack Lugar. Free, but ticketed. Women In Film Panel – Wednesday, Oct. 18, 5:30 p.m. What’s it like being a female filmmaker in a male dominated industry? Join moderator Barbara Ann O’Leary (Directed by Women) as she discusses tricks of the trade and industry insights with three industry professionals. Panelists Naghmeh Farzaneh, Laura Goodenow, and Andie Redwine. Free, but ticketed. Entertainment Law Panel: What’s Next for My Film? – Thursday, Oct. 19, 3 p.m. Completing a film requires hard work, creativity, and never-ending money-raising efforts. But what happens next? This panel of experts will help filmmakers understand their options. Should they secure a distributor and what does that mean? What are the advantages and disadvantages of filmmakers working the film festival circuit and what legal rights do filmmakers maintain? This and more will be addressed during this program of particular interest to filmmakers and fans of filmmaking. Moderated by Cate Sabatine (Co-chair, Indianapolis Bar Association’s Sports & Entertainment Law Executive Committee) with panelists Ron Elberger (Bose McKinney & Evans), Neil Friedman (Founder/President, Menemsha Films), Angelo Pizzo (“Hoosiers,” “Rudy,” “My All-American”).
SPECIAL PRESENTATIONS
“Stand By Me” (1986) Narrative Feature, Columbia Pictures, Truly Moving Picture Award Winner – Directed by Rob Reiner After the death of a friend, a writer recounts a boyhood journey to find the body of a missing boy. Director Rob Reiner scheduled to attend. “The Princess Bride” (1987) Narrative Feature, 20th Century Fox, Truly Moving Picture Award Winner – Directed by Rob Reiner While home sick in bed, a young boy’s grandfather reads him a story called “The Princess Bride.” Director Rob Reiner scheduled to attend. “Life Itself” (2014) Documentary Feature, Magnolia Pictures – Directed by Steve James The life and career of the renowned film critic and social commentator, Roger Ebert. Featured subject Chaz Ebert scheduled to attend. “The Florida Project” Narrative Feature, A24, Truly Moving Picture Award Winner – Directed by Sean Baker Warm, winning and gloriously alive, Sean Baker’s The Florida Project is a deeply moving and unforgettably poignant look at childhood. Starring Willem Dafoe, Brooklynn Prince, Valeria Cotto, and Bria Vinaite. “Bill Nye: Science Guy” Documentary Feature, PBS Films – Directed by David Alvarado, Jason Sussberg A famous television personality struggles to restore science to its rightful place in a world hostile to evidence and reason. “Thank You For Your Service” Narrative Feature, DreamWorks Pictures, Truly Moving Picture Award Winner – Directed by Jason Hall DreamWorks Pictures’ “Thank You for Your Service” follows a group of U.S. soldiers returning from Iraq who struggle to integrate back into family and civilian life, while living with the memory of a war that threatens to destroy them long after they’ve left the battlefield. Starring an ensemble cast led by Miles Teller, Haley Bennett, Joe Cole, Amy Schumer, Beulah Koale, Scott Haze, Keisha Castle-Hughes, Brad Beyer, Omar J. Dorsey, and Jayson Warner Smith, the drama is based on the bestselling book by Pulitzer Prize-winning reporter and author David Finkel. “Columbus” Narrative Feature, Front Row Filmed Entertainment – Directed by Kogonada When a renowned architecture scholar falls suddenly ill during a speaking tour, his son Jin (John Cho) finds himself stranded in Columbus, Ind. – a small Midwestern city celebrated for its many significant modernist buildings. Jin strikes up a friendship with Casey (Haley Lu Richardson), a young architecture enthusiast who works at the local library. As their intimacy develops, Jin and Casey explore both the town and their conflicted emotions: Jin’s estranged relationship with his father, and Casey’s reluctance to leave Columbus and her mother. “Breathe” Narrative Feature, Bleecker Street Media, Truly Moving Picture Award Winner – Directed by Andy Serkis For his directorial debut, Andy Serkis brings to life the inspiring true love story between Robin and Diana Cavendish (Andrew Garfield, Claire Foy), an adventurous couple who refuse to give up in the face of a devastating disease. Written by two-time Academy Award® nominated writer William Nicholson, and shot by three-time Academy Award® winner Robert Richardson. “The Ballad of Lefty Brown” Narrative Feature, A24 – Directed by Jared Moshé When famed Frontier Lawman Eddie Johnson (Peter Fonda) is unexpectedly killed, his longtime sidekick and friend Lefty Brown (Bill Pullman) will stop at nothing to avenge Johnson’s death.
U.S. AND WORLD PREMIERE TITLES
“Voyage of the Southern Sun” U.S. Premiere, Documentary Feature, Australia – Directed by Robert Murphy Australian Geographic’s Adventurer of the Year, Michael Smith, discovered the delights and perils of true adventure in a solo circumnavigation in his tiny amphibious flying boat, Southern Sun, that retraced historical Qantas, Imperial and Pan Am airmail routes, in search of the glory days of 1930s aviation. “Marvin Booker Was Murdered” U.S. Premiere, Documentary Feature, U.S. – Directed by Wade Gardner Marvin Booker was murdered. The jail guards lied. The city of Denver covered it up. The Booker family lived it. Their attorneys exposed it. We reveal it. Director Wade Gardner and members of the Booker family are scheduled to attend. “blank 13” U.S. Premiere, Narrative Feature, Japan – Directed by Takumi Saitoh Following the death of his deadbeat father, a son discovers that there was more to him than anyone in the family suspected. Director/Actor Takumi Saitoh scheduled to attend. “Tatterdemalion” World Premiere, Narrative Feature, U.S. – Directed by Ramaa Mosley A dramatic thriller about an army veteran suffering from PTSD who returns home to the Ozarks to look for her brother, but finds an abandoned boy in the woods. As she searches for answers about who the child is, she discovers a mysterious world of folk lore, clan rules and lies. Director Ramaa Mosley and Actor Leven Rambin scheduled to attend. “No Postage Necessary” World Premiere, Narrative Feature, U.S. – Directed by Jeremy Culver When a brilliant computer hacker tries to win the heart of a war widow, he must become the man he’s always envisioned or risk going back to prison. Director Jeremy Culver, cast and crew scheduled to attend. “The New Fire” World Premiere, Documentary Feature, U.S. – Directed by David Schumacher The good news—there’s a new solution to climate change. The bad news—we may not like it. From MIT to Silicon Valley, young engineers are rebooting a controversial and all but abandoned technology—nuclear power. Director David Schumacher scheduled to attend. “Triumph: The Untold Story of Perry Wallace” World Premiere, Documentary Feature, U.S. – Directed by Richard Gentile Narrated by Academy Award® winner Forest Whitaker, “Triumph” is a unique window on America’s civil rights movement that chronicles Perry Wallace’s evolution from a reluctant “pioneer” in the final throes of the “Jim Crow” era to a determined “game-changer.” Director Richard Gentile scheduled to attend. “Mum’s List” U.S. Premiere, Narrative Feature, UK – Directed by Niall Johnson A heart-warming true life story of Singe and Kate Greene, whose lives were turned upside down when Kate was diagnosed with an incurable breast cancer. Over her last few months she creates her list: writing her thoughts and memories down to help the man she loved create the best life possible for their two sons after she is gone. Producer Nick Hamson or Producer Gareth Jones scheduled to attend. “Little Kyota Neon Hood” U.S. Premiere, Narrative Feature, Japan – Directed by Satsuki Okawa Kyota, a 12-year-old Japanese boy who’s never seen without his bright protective hood, learns that his beloved Scottish teacher is leaving town. The news causes a stir in the community, rekindling recent memories of their struggles in post-disaster Japan. Director/Writer Satsuki Okawa scheduled to attend. “Maestras – The Long Journey of Women to the Podium” U.S. Premiere, Documentary Feature, Germany – Directed by Günter Atteln, Maria Stodtmeier Being a female conductor means being an exception, even today. But why is it that there have been so few female conductors in the international music scene? Director/Producer Günter Atteln scheduled to attend. “The Maestro” U.S. Premiere, Narrative Feature, U.S. – Directed by Zach Richter, Sam Smith and Corey Petrick After the Second World War, budding film composer Jerry Herst moves to Hollywood to study with infamous master teacher Mario Castelnuovo-Tedesco. Producer David J. Phillips scheduled to attend. “Defining Hope” World Premiere, Documentary Feature, U.S. – Directed by Carolyn Jones “Defining Hope” follows eight patients with life-threatening illnesses—and the nurses who guide them to make critical choices along the way—as they face death, embrace hope, and ultimately redefine what makes life worth living. Director Carolyn Jones scheduled to attend. “The Drawer Boy” U.S. Premiere, Narrative Feature, Canada/Mexico – Directed by Arturo Pérez Torres An actor arrives to rural Ontario to gather stories about farm life and make a play about it. When art attempts to imitate life, the line between truth and fiction is crossed. Director Arturo Pérez Torres scheduled to attend. “Instrument of War” World Premiere, Narrative Feature, U.S. – Directed by Adam Thomas Anderegg “Hello American. For you, the war is over.” When US B-24 bomber pilot Clair Cline is shot down and captured in northern Germany, one battle ends and another begins – to keep hope alive. Now behind Nazi barbed wire and oppression, Cline and his fellow POW’s must find a way to bond together to not just survive but transcend their captivity. Inspired by true events. Director Adam Thomas Anderegg and Producer Russ Kendall scheduled to attend. “A Normal Life” U.S. Premiere, Narrative Feature, U.S. – Directed by Alex Herz A week away from leaving for his first year of college, Michael becomes concerned about his parents’ overprotective tendencies toward his little brother, who has Down syndrome. Director Alex Herz scheduled to attend. “The Best of All Worlds” U.S. Premiere, Narrative Feature, Austria – Directed by Adrian Goiginger The true story of a kid’s life in the unusual world of his heroin-addict mother and their love for each other. World premiere at Berlinale 2017. Director Adrian Goiginger scheduled to attend.
AWARD CATEGORIES AND FINALISTS
Set to award $100,000 in cash prizes, the 2017 Heartland Film Festival will announce all of its winners at the Oct. 21 GLOW: Awards Party at the Hi-Fi in Fountain Square. Categories and Finalists include:
Narrative Feature Finalists
($25,000 Grand Prize, $1,000 per non-winning Finalist) “American Folk” – Directed by David Heinz “The Drawer Boy” – Directed by Arturo Pérez Torres “Instrument of War” – Directed by Adam Thomas Anderegg “La Soledad” – Directed by Jorge Thielen Armand “Red Dog: True Blue” – Directed by Kriv Stenders
Documentary Feature Finalists
($25,000 Grand Prize, $1,000 per non-winning Finalist) “Dealt” – Directed by Luke Korem “Liyana” – Directed by Amanda Kopp and Aaron Kopp “Look & See: A Portrait of Wendell Berry” – Directed by Laura Dunn and Jef Sewell “Purple Dreams” – Directed by Joanne Hock “True Conviction” – Directed by Jamie Meltzer
Narrative Short Finalists
($5,000 Grand Prize, $500 per non-winning Finalist) “Across the Line” – Directed by Nadav Shlomo Giladi “The Cage” – Directed by Ricky Staub “The Devil is in the Details” – Directed by Fabien Gorgeart “If Everything Was Real” – Directed by Stephane Mounkassa and Stefan Sundin “Me and My Father” – Directed by Alek Pietrzak
Documentary Short Finalists
($5,000 Grand Prize, $500 per non-winning Finalist) “Abstraction” – Directed by Jonathan Cipiti “Edges” – Directed by Katie Stjernholm and Jonathan Hiller “The Good Fight” – Directed by Ben Holman “Kachach, Above Zaatari” – Directed by Bruno Pieretti “Refugee” – Directed by Emily Moore and Joyce Chen
Animated Short Finalists
($5,000 Grand Prize, $500 per non-winning Finalist) “After All” – Directed by Michael Cusack “And the Moon Stands Still” – Directed by Yulia Ruditskaya “The Full Story” – Directed by Daisy Jacobs and Christopher Wilder “In a Heartbeat” – Directed by Beth David and Esteban Bravo “The Wishing Jar” – Directed by Denver Jackson
The Jimmy Stewart Legacy Award ($5,000 total award)
The Jimmy Stewart Legacy Award will honor a single winner, selected from the Festival’s feature-length narrative and documentary titles. The winning film will best embody the ongoing legacy of actor and national hero Jimmy Stewart and will demonstrate the triumph of the human spirit through determination and the defiance of odds, humble vulnerability, and courage in the face of adversity. Made possible by a partnership with The Stewart Family. Summer White Lynch Memorial Award – High School Film Competition Grand Prize ($2,000 total award, underwritten by Gary D. & Marlene Cohen) Finalists include winners of the Narrative, Documentary, Indiana Narrative, and Indiana
Documentary categories of the High School Film Competition:
“Gifted [Thanksgiving Post Mortem]” Narrative Winner – Directed by Freddy Macdonald, Switzerland “Two of Five Million” Documentary Winner – Directed by Socs and DZ Zavitsanos, U.S. “Family Tradition” Indiana Narrative Winner – Directed by Khyler Runnels and Matt Jacobs of Fort Wayne, Ind. “Kara Deady: The Pole Vaulter” Indiana Documentary Winner – Directed by Justin Park of Carmel, Ind. Indiana Spotlight Award ($5,000 total award) U.S. or World Premiere titles in the Indiana Spotlight category qualify for the Indiana Spotlight award.
Best Premiere Awards ($3,500 awards)
One Narrative Feature and one Documentary Feature holding its U.S. or World Premiere will be eligible for Best Premiere Award consideration.
Audience Choice Awards
There will be one Audience Choice Award winner for the Narrative Feature, Documentary Feature, Narrative Short, Documentary Short, and Animated Short categories.
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Stony Brook Film Festival Announces 2017 Awards, Catherine Eaton’s THE SOUNDING Wins Best Film

The 22nd Stony Brook Film Festival ran July 20 to 29, and had the largest attendance in the history of the Festival. The Sounding directed by Catherine Eaton walked away with the Jury Award for Best Feature. Alan Inkles, founder and director of the Stony Brook Film Festival said, “It truly was a magical year where almost every feature and shorts filmmaker attended their screenings to represent their films and host Q & As. When we add in the sales agents and distributors that attended, we saw our Filmmaker Lounge humming with energy and interaction among filmmakers, talent and industry. As for the films we showed, the audience scores were the best in our 22 years. Great films, great guests and packed houses nightly. It’s what I envisioned for Stony Brook when we started this festival and it was certainly achieved this year.”
Award Winners of 2017 Stony Brook Film Festival
2017 Jury Award – Best Feature The Sounding United States – 93 min Directed by Catherine Eaton. Written by Bryan Delaney and Catherine Eaton. With Catherine Eaton, Teddy Sears, Harris Yulin, Frankie Faison and David Furr. Writer-Director-Actress Catherine Eaton gives a stunning performance as Liv, a mysterious woman residing on an island off the coast of Maine who has chosen to remain silent for years. When she suffers a terrible loss, Liv suddenly begins to speak as she weaves a language out of Shakespeare’s words. After a series of events result in her being committed to a psychiatric hospital, Liv becomes a full-blown rebel, fighting for both her voice and her freedom. A powerful, uplifting drama. Produced by Catherine Eaton, Caitlin Gold, Veronique Huyghebaert, Aliki Paraschis and Jessica Vale. Edited by Marco Perez. Director of Photography: David Kruta. From Corsetless Productions. 2017 Audience Choice – Best Feature (tie) Fanny’s Journey France, Belgium – 94 min Directed by Lola Doillon. Written by Fanny Ben-Ami, Lola Doillon, Anne Peyrègne. With Léonie Souchaud and Cécile De France. In French with subtitles In 1943, after avoiding the authorities with other Jewish children in France for three years, 13-year-old Fanny and her sisters are quickly sent to an Italian foster home. When the Nazis arrive in Italy, their caretakers plan an escape to Switzerland. Suddenly left on their own, eleven children do the impossible. Based on a true story, this moving tale of bravery, strength, and survival features exceptional performances by the young cast. Produced by Saga Blanchard, Marie de Lussigny. Edited by Valérie Deseine. Director of Photography: Pierre Cottereau. A David-Films, Scope Pictures, France 2 Cinéma, Rhône-Alpes Cinéma, and Ce Qui Me Meut Motion Pictures production. From Menemsha Films. 2017 Audience Choice – Best Feature (tie) To the Edge of the Sky World Premiere – United States – 118 min Directed by Todd Wider and Jedd Wider. How far would you go to save your son’s life? To the Edge of the Sky follows four families as they fight the FDA to gain access to a potentially lifesaving drug for Duchenne Muscular Dystrophy, a fatal disease their sons suffer from and the number one genetic killer of boys in the world. With a promising drug on the horizon, we witness the transformation of the mothers of four boys into “the rogue moms” as they become political activists and heroes during their righteous battle against time and the FDA. A challenging and uplifting documentary from Long Island brothers Todd and Jedd Wider (Client 9, God Knows Where I Am). Produced by Brian Ariotti. Edited by Mona Davis and Colin Nusbaum. Director of Photography: Gerardo Puglia. A Wider Film Projects film. 2017 Special Recognition by the Jury – Spirit of Independent Filmmaking Laura Gets a Cat United States – 83 min Written and Directed by Michael Ferrell. With Dana Brooke, Michael Ferrell, Jason Kravits (Unbreakable Kimmy Schmidt). Laura is a 30-something unemployed writer living in New York City and struggling with adulthood. She has a ‘weekend’ boyfriend she can’t commit to, friends who seem to have achieved their dreams, and a vivid imaginary life she uses to run away from reality. When she starts a new relationship with a coffee shop barista, real life proves too complicated and she tries to actually run away. Veteran stage actress Dana Brooke shines in this funny, fresh, poignant independent feature. Produced by Michael Ferrell, Chris Prine and Devin Sanchez. Edited by Chris Prine. Director of Photography: Paul Rondeau. From Living Boy Productions. 2017 Special Recognition by the Jury – Achievement in Social Impact Purple Dreams New York Premiere – United States – 72 min Directed by Joanne Hock. This inspirational documentary follows several students from the Northwest School of the Arts, in Charlotte, N.C., after it is chosen to be the first high school permitted to perform the musical The Color Purple. From auditions through opening night and beyond, the filmmakers follow these students as they pursue their dreams while struggling with homelessness, low-income neighborhoods, gang-related violence and single-parent households. A behind-the-scenes look at an amazing group of teachers and students who work relentlessly to put on a triumphant musical production that propels them into a world of opportunity they never expected. Produced by Robin Grey, Sara Patel. Edited by John Disher. Director of Photography: Joanne Hock. From GreyHawk Films. 2017 Jury Award – Best Short Across the Line World Premiere – Israel – 29 min In Arabic and Hebrew with subtitles A film by Nadav Shlomo Giladi A Jewish settler, hurrying home for Shabbat, encounters a stubborn Palestinian hitchhiker. 2017 Audience Choice Award – Best Short Just, Go! Latvia – 11 minutes A film by Pavels Gumennikovs In Latvian with subtitles A young man without legs chases down surprised purse snatchers for the girl he loves. Photo: July 29, 2017 Award winners at the Closing Night Awards reception, 22nd Annual Stony Brook Film Festival presented by Island Federal Credit Union L to R: Jury Award-Best Feature: The Sounding, Catherine Eaton, writer/director/actor/co-producer Audience Choice-Best Feature: To the Edge of the Sky, Todd and Jedd Wider, directors; (tie with Fanny’s Journey, director Lola Doillon, not pictured) Special Recognition by the Jury-Spirit of Independent Filmmaking: Laura Gets a Cat, Michael Ferrell, writer/director/actor/co-producer Special Recognition by the Jury-Achievement in Social Impact: Purple Dreams, Robin Grey, co-producer Jury Award-Best Short: Across the Line Nadav Shlomo Giladi Audience Choice Award-Best Short: Just, Go! Pavels Gumennikovs Photo credits: Nick A. Koridis for the Stony Brook Film Festival
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Stony Brook Film Fest Announces Guests, incl. TEXT FOR YOU’s Karoline Herfurth

The international list of guests coming to the 22nd Annual Stony Brook Film Festival includes filmmakers delivering unique background stories on moviemaking. U.S. filmmakers from across the country will also join with the many international filmmakers representing features and shorts. Short films will also be represented by movie people from afar including guests from Israel (Across the Line, Thurs, July 27 at 7:00 pm), Armenia (The Simon’s Way, Mon, July 24 at 7:00 pm), Latvia (Just, go! Wed, July 26 at 9:15 pm), and Estonia (Snowgirl, Sat, July 22 at 4:00 pm). On Opening Night at the U.S. Premiere of Welcome to Germany, (Thurs, July 20 at 8:00 pm) Picture Tree International’s Managing Partner, Andreas Rothbauer, will represent the film. Picture Tree is one of Germany’s leading sales agencies and brings two outstanding movies to Stony Book, Welcome to Germany and Hannah’s Sleeping Dogs (Thurs, July 27 at 9:15 pm). From the United Kingdom, Waking David, (Fri July 21 at 7:00 pm) will be represented by director Kevin Nash and two actresses in the movie, Kristy Bruce and Harriet Madeley. The director and the three main actresses in Waking David collaborated to write the screenplay. The family-friendly animated film, Ethel & Ernest, (Sat, July 22 at 4:00 pm) will have U.K. producer Camilla Deakin on hand to answer questions about the animated gem, featuring the voices of Jim Broadbent, Brenda Blethyn and Luke Treadaway. The Sounding (Sat, July 22 at 7:00 pm) is one of the U.S. productions at the Festival, with many cast and crew on hand, including Catherine Eaton, director, co-writer and main actress in the film. Representing an amusing account of romance, Love is Thicker Than Water (Sat, July 22 at 9:30 pm) is co-director and writer Ate Dejong, returning to the Stony Brook Film Festival for the second time. For those who have seen the National Geographic’s Genius series “Einstein” – you may be interested to know that the young actor playing Einstein, Johnny Flynn, stars in the film. A World Premiere documentary, To the Edge of the Sky (Sun, July 23 at 4:00 pm) will bring Academy Award winners, Todd and Jedd Wider to the Festival. The Wider brothers, who grew up in Stony Brook, were the directors of To the Edge of the Sky, which reports on the disease Duchenne Muscular Dystrophy and the mothers who are fighting to get drugs approved to help their son. A delightful American indie, Laura Gets a Cat (Wed, July 26 at 7:00 pm) will have director, writer and actor Michael Ferrell on hand, along with Dana Brooke, who plays Laura, the 30-something unemployed writer in the film, as well as many cast members. The Second Act of Elliott Murphy (Wed, July 26 at 9:15 pm) makes its U.S. Premiere, with rocker Elliott Murphy coming in from his home in Paris to represent the film and play a song or two live. Director Jorge Arenillas will be along to represent the compelling documentary about the singer songwriter’s life on the road. Purple Dreams (Thurs, July 27 at 7:00 pm) is a documentary about the first high school given permission to perform the musical “The Color Purple.” Joanne Hock, director and producer, Robin Grey (a Stony Brook Alum) will be representing the documentary. Closing Night’s feature, the U.S. premiere of Text for You (Saturday, July 29 at 8;00 pm) will have the lead actress Karoline Herfurth on hand for a Q&A after the screening. Ms. Herfurth is well-known in Germany and an audience favorite in that country. Following the screening is Stony Brook’s very own “Oscar” style awards ceremony. Image: 2017 Stony Brook Closing Night, Text for You, Friedrich Mücke and Karoline Hurfurth.
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WELCOME TO GERMANY to Open, TEXT FOR YOU to Close 2017 Stony Brook Film Festival

[caption id="attachment_22536" align="aligncenter" width="1200"] Text for You[/caption] A highly selective slate of new independent films will screen at the 22nd Annual Stony Brook Film Festival taking place July 20 to 29, at Staller Center for the Arts at Stony Brook University. Many filmmakers are expected to attend throughout the Festival to represent their films at screenings and Q&As. Alan Inkles, Stony Brook’s founder and director, notes, “U.S. Premieres from Germany open and close the Festival. Both are entertaining and timely, and were chosen for their ability to bring in the widest possible audience since they are definite crowd pleasers. The Opening Night feature, Welcome to Germany, (Willkommen bei den Hartmanns), from Picture Tree International, is a delightful comedy about politics, cultural identity, xenophobia and family issues. Closing Night’s feature, Text for You (SMS für Dich) is a romantic comedy directed, co-written and starring Karoline Herfurth, (Berlin ‘36, The Reader). From Beta Cinema, Text for You is about loss and finding love again. It’s the perfect film to end our ten day run.” In addition to Karoline Herfurth’s Text for You, a notable number of films in the Stony Brook line up are by women filmmakers. Catherine Eaton of The Sounding is director, co-writer, producer, and the central actor in the drama from Corsetless Productions. The Sounding is a unique story about a woman who has chosen to remain silent for years and who suddenly begins to speak using only the words of Shakespeare. Other women filmmakers whose work will be screened include Love is Thicker Than Water from Mulholland Pictures, co-directed by Emily Harris (with Ate de Jong), Menemsha Films’ Fanny’s Journey by Lola Doillon, director and co-writer, based on a true story of children escaping Nazis. Tonio is directed by Paula van der Oest, and was the Netherlands’ foreign-language Oscar submission this year. Others from women filmmakers are Media Luna Films Little Wing by Selma Vilhunen, and From the Land of the Moon, directed and co-written by Nicole Garcia from IFC Films. The documentary Purple Dreams by director Joanne Hock, along with producer, Robin Gray, a 1977 Stony Brook University alum, explores the story of the first high school permitted to perform the musical The Color Purple. Shorts by female filmmakers include Speak by director, writer, actress Laura Seay. Game by Jeannie Donohoe; Snowgirl by Ilina Perianova; Who Sank Your Ships? by Ella Kohn; Oma by Daniella Rabbani, Real Artists by Cameo Wood, and Interrogation by YueCheng Liu are all films by women. [caption id="attachment_22537" align="aligncenter" width="1200"] To the Edge of the Sky[/caption] The Stony Brook Film Festival is presenting the World Premiere of To the Edge of the Sky, a riveting U.S. documentary directed by Long Island brothers Todd Wider and Jedd Wider known for their docs Client 9, and God Knows Where I Am. Todd and Jedd Wider were producers of the Academy Award winning film, Taxi to the Dark Side. To the Edge of the Sky follows four families as they fight the FDA to gain access to a potentially lifesaving drug for Duchenne Muscular Dystrophy, a fatal disease the families’ sons suffer from and the number one genetic killer of boys in the world. The film focuses on the transformation of the mothers of four boys into “the rogue moms” as they become political activists during their righteous battle against time and the FDA. A Wider Film Projects film, it screens on Sunday, July 23 at 4:00 pm. To the Edge of the Sky will be preceded by a World Premiere of the short film Brothers by Zachary Fuhrer, also a Long Island filmmaker with roots in the community. Stony Brook Film Festival is also presenting the U.S. Premiere of the documentary, The Second Act of Elliott Murphy. Originally from Rockville Centre, Murphy was an up-and- coming singer/songwriter who left for Paris three decades ago and who has become one of the most well known American rockers to tour regularly throughout Europe. The Second Act of Elliott Murphy follows his life on the road and includes interviews with Billy Joel and Bruce Springsteen, who both count themselves among his fans. In addition to coming to the Stony Brook Film Festival and representing the documentary about his life and career, Elliott Murphy plans on playing a few tunes after his Q&A. In addition to films from 19 foreign countries, the 22nd Annual Stony Brook Film Festival presented by Island Federal Credit Union has more American Independent features and shorts this year than ever before. 15,000 tickets are expected to be sold this summer.
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Full Frame Documentary Film Festival Announces New Docs and Invited Program Lineups

[caption id="attachment_21639" align="aligncenter" width="1200"] 116 Cameras[/caption] The 2017 Full Frame Documentary Film Festival, revealed its NEW DOCS lineup of 48 films – 27 features and 21 shorts; and the Invited Program lineup featuring 23 films – 22 features and 1 short— screening out of competition. “We are proud to present 71 new titles at the festival this year,” said Full Frame artistic director Sadie Tillery. “These selections represent a wide breadth of current work, and illuminate the many forms that documentary film can take. Festival attendees are in for an extraordinary experience that is fitting of our 20th anniversary.” The 20th Annual Full Frame Documentary Film Festival will be held April 6 to 9, 2017, in Durham, North Carolina.
NEW DOCS
116 Cameras (Director: Davina Pardo) Surrounded by a twinkling constellation of cameras, Holocaust survivor Eva Schloss records her stories for an interactive hologram project, preserving her experience for future generations. World Premiere All Skate, Everybody Skate (Director: Nicole Triche) Tucked away in picturesque Topsail Island, N.C., Miss Doris’s roller skating rink pops with energy as she leads her customers in games and skates, as she’s done for over 50 years. Anatomy of a Male Ballet Dancer (Directors: David Barba, James Pellerito) Praised for the sublime way he partners ballerinas, Marcelo Gomes is the center of this intimate film that takes us inside his world to chart a luminous 20-year career with American Ballet Theater. Asiyeh (Director: Leila Merat) An intelligent, no-nonsense bonesetter in northern Iran has been healing the people in her community for as long as anyone can remember. US Premiere Balloonfest (Director: Nathan Truesdell) In 1986, the United Way of Cleveland sets out to break a world record, releasing over a million balloons in the air, but the event has unexpected consequences when the lift off doesn’t go as planned. The Botanist (ботаник) (Directors: Maude Plante-Husaruk, Maxime Lacoste-Lebuis) This breathtaking short follows Raimberdi as he ingeniously constructs a hydroelectric generator to better survive in the mountains of Tajikstan. City of Ghosts (Director: Matthew Heineman) Captivating in its immediacy, City of Ghosts follows the journey of “Raqqa is Being Slaughtered Silently,” a group of anonymous Syrian activists who band together to document the Islamic State’s crimes after the city is taken by ISIS. Depth Two (Dubina Dva) (Director: Ognjen Glavonić) This suspenseful illumination of long-buried war crimes, which began in 1999 with NATO bombings in Serbia, is told in a harrowing combination of narrated testimonies and present-day images of the sites in suburban Belgrade where the crimes took place. Donkeyote (Director: Chico Pereira) The grandest adventure of all is afoot for a Spanish septuagenarian and his mischievous dog and stalwart donkey, if only they can survive chronic arthritis, impertinent travel agents, and just one more bridge. Dysphoria: Inside the Mind of a Holocaust Survivor (Director: Joseph Edward) This poetic and visually arresting exploration of one man’s memories takes an inventive and sensory approach, immersing the viewer in his experiences. World Premiere The Earth Did Not Speak (La Tierra No Habló) (Director: Javier Briones) Survivors of the 1982 government-sponsored massacre in Rio Negro, Guatemala, share their stories as the camera quietly pans across seemingly tranquil places that once were home. Far Western (Director: James Payne) Fueled by music and personal charisma, Charlie Nagatani embodies Japan’s obsession with American country and western music. North American Premiere The Force (Director: Peter Nicks) A riveting, on-the-ground look at the Oakland Police Department during a period of intense scrutiny and reform, as a new sergeant aims to correct protocol in the wake of charges of misconduct and abuse. Funne – Sea Dreaming Girls (Le ragazze che sognavano il mare) (Director: Katia Bernardi) A whimsical tale of a group of elderly women in a small Italian village who get creative while trying to raise funds for a trip to the sea, which many of them have never seen. North American Premiere The Great Theater (Wielki Teatr) (Director: Sławomir Batyra) A meandering camera takes a graceful, evocative journey through the spaces and operations of Warsaw’s Grand Theatre as it presents the opera Madama Butterfly. Heaven Is a Traffic Jam on the 405 (Director: Frank Stiefel) Animated drawings and extraordinary shots of Mindy Alper’s sculptures create a lovely portrait of the artist as she unabashedly examines her experiences with a mental disorder (that prevented her from speaking) while discussing art, love, and life. I’M OKAY (Director: Pia Lenz) Adult themes unfold through the perspective of young protagonists in this beautifully photographed feature that captures the experiences of two refugee families struggling to rebuild their lives in Germany. North American Premiere Island Soldier (Director: Nathan Fitch) Through the intimate stories of two soldiers, this film explores the high cost of opportunity. In the Federated States of Micronesia—an “associated state” of the U.S.—a high proportion of residents serve in the American military, with few resources to support their lives after duty ends. World Premiere The Kodachrome Elegies (Director: Jay Rosenblatt) A short and lyrical ode to Kodachrome film stock that reflects on family, loss, and the end of an era. Last Men in Aleppo (Director: Feras Fayyad) Urgent and harrowing, this film follows the White Helmets’ unrelenting efforts to save fellow Syrians. When air strikes devastate homes, they descend on the wreckage to rescue buried men, women, and children, refusing to leave their people or their city behind. The Last Pig (Director: Allison Argo) This lyrical film follows an introspective farmer as his beliefs undergo a dramatic shift, from believing that there are more humane ways to slaughter animals to questioning the premise of his life’s work. US Premiere Life in Riva (Tra ponente e levante) (Director: Lorenzo Giordano) An aging resident imparts the history of his seaside Italian town. His recollections, and a trove of impeccably photographed artifacts, reveal the evolutions of one place over time. North American Premiere Luis & I (Directors: Roger Gómez, Dani Resines) The wife of a human cannonball describes their life in the circus and the ways their love has endured decades of this itinerant lifestyle. Mommy’s Land (Director: Garret Atlakson) As the Cambodian government demolishes homes, and arrest counts and brutal police violence increase, elder resident “Mommy” and other neighborhood women prove to be peaceful, and vivacious, resisters. World Premiere My Father’s Film (Director: Priscilla Gonzalez Sainz) A daughter crafts a portrait of her father through the spaces he occupied, a meditation shaped by the tools he left behind. World Premiere One October (Director: Rachel Shuman) Filmed in the final weeks of the 2008 presidential campaigns, this city symphony follows a radio reporter as he takes to the streets to invite fellow New Yorkers to share their thoughts and opinions in a time of great uncertainty. World Premiere The Original Richard McMahan (Director: Olympia Stone) A visionary artist painstakingly recreates the masterpieces of others, producing thousands of intricate miniature replicas of works made across centuries, from Van Gogh’s The Starry Night to King Tutankhamun’s tomb. Plastic China (Director: Jiu-liang Wang) At a recycling center in the Chinese countryside, two families survive between seas of plastic bottles and wrappers shipped from the U.S. and other countries; processing this waste has become their burden, and yet for their children, they dream of a better life. QUEST (Director: Jonathan Olshefski) This thoughtful and incisive observation of the Rainey family over the course of ten years seamlessly captures pivotal life experiences as well as issues of poverty, politics, and gun violence in a North Philadelphia neighborhood. The Rain Will Follow (Director: Eugene Richards) From his chair in a retirement home, 90-year-old Melvin Wisdahl shares poignant recollections of wartime and strife in this deeply personal account set aglow by beautiful images of North Dakotan farmland. Samuel in the Clouds (Director: Pieter Van Eecke) Samuel Mendoza continues the family tradition of operating the ski lift in a Bolivian Andes resort, while a melting glacier below threatens everyone’s way of life. Shivani (Director: Jamie Dobie) In this unique tale of grief and healing, three-year-old Dolly Shivani, believed by her parents to be the reincarnation of their dead son, trains as an Olympic archer. World Premiere Slowerblack (Director: Jessica Edwards) A hand-poke tattoo artist in Brooklyn reflects on her unique style and approach to inking. World Premiere Socotra, the Island of Djinns (Socotra, la Isla de lod Genios) (Director: Jordi Esteva) In this extraordinary black-and-white account, a group of camel herders travel inland on the island of Socotra to avoid the rainy season while sharing nighttime tales of supernatural djinns. US Premiere Still Tomorrow (摇摇晃晃的人间) (Director: Jian Fan) In rural China, a determined, courageous woman balances her fame as an eloquent and frank poet with societal expectations around disability, independence, and family obligation. Storyboard P, a stranger in Sweden (Director: Matthew D’Arcy) In this mesmerizing vignette, a dynamic Brooklyn street dancer travels to Sweden to teach and perform—a journey that tests his devotion to the art form. Strong Island (Director: Yance Ford) Director Yance Ford rigorously unpacks the events surrounding the death of his brother, who was shot in 1992. Profoundly cinematic and deeply personal, their family story is a powerful examination of race in America. The Submarine (Director: Wenceslao Scyzoryk) A 95-year-old cinematographer returns to his lab each day to perfect his invention—a machine that repairs celluloid damage. The Swirl (El Remolino) (Director: Laura Herrero Garvin) As the largely abandoned town of El Remolino in Chiapas, Mexico, struggles to yield viable crops and keep its school open, two siblings remain to battle the rainy season and their painful childhood. They Took Them Alive (Director: Emily K. Pederson) In 2014, 43 students disappeared from a bus traveling in Iguala, Mexico. Their families seek answers as the official investigation comes to a troubling and suspicious halt. World Premiere Through the Repellent Fence (Director: Sam Wainwright Douglas) The artist collective Postcommodity examines lines, origins, and the people to whom land really belongs with a two-mile-long installation of inflatable spheres high above the U.S.–Mexico border. Timberline (Director: Elaine McMillion Sheldon) This short documents a West Virginia town caught between transitional pressures: an abandoned naval base is up for auction, and the NSA occupies a station just down the road. What will become of the locals for whom this place is home? World Premiere Tribal Justice (Director: Anne Makepeace) Two dynamic Native American women—chief judges for the state’s largest tribes—draw on tradition and village wisdom to help defendants rebuild their lives, encouraging healing over jail time and punishment. Two Worlds (Dwa Swiaty) (Director: Maciej Adamek) In this expressive study of family relationships, a daughter helps her two deaf parents navigate the world—as she has since she was three—and balances life between school, home, and self. Waiting for Hassana (Director: Ifunanya Maduka) Jessica, an escapee, recollects a friendship shattered by the 2014 kidnapping of 276 Nigerian girls by the Boko Haram. Winter’s Watch (Director: Brian Bolster) The longtime winter caretaker of the Oceanic Hotel off the coast of New England welcomes months of solitude, relishing the opportunity for introspection and productivity. Zaatari Djinn (Director: Catherine van Campen) This incandescent portrait documents four children in a refugee camp who are transformed by the light of imagination and possibility despite numerous hardships. North American Premiere Zuzana: Music Is Life (Directors: Peter Getzels, Harriet Getzels) The life story of eminent Czech harpsichordist Zuzana Ruzickowva transcends the personal in a deeply affecting look at the redemptive power of art throughout the Czech Republic’s turbulent 20th century. World Premiere
INVITED PROGRAM
500 Years (Director: Pamela Yates) A sweeping examination of resistance movements in Guatemala, including the recent uprising, and a chronicle of the country’s first trial for war crimes committed against the Mayan people. Abacus: Small Enough to Jail (Director: Steve James) In the wake of the 2008 financial crisis, the only U.S. bank accused of mortgage fraud was the family-owned Abacus Federal Savings in Manhattan’s Chinatown. This stunning film chronicles the Sungs’ legal battle as they fight to defend their business and their family name. Austerlitz (Director: Sergei Loznitsa) In vivid black and white, tourists and guides visit concentration camps. In observing their interactions, Austerlitz provides a powerful meditation on the (often imperfect) ways human beings connect, remember, and reflect. Bronx Gothic (Director: Andrew Rossi) With a blend of performance footage and penetrating discussions about her purpose and process, this film follows Okwui Okpokwasili as she tours her powerful one-woman play around the country. World Premiere Buzz One Four (Director: Matt McCormick) In 1964, a B-52 long-range bomber crashed on a Maryland mountainside with two thermonuclear bombs on board. This suspenseful account, crafted by the pilot’s grandson, skillfully weaves archival footage with personal recollections. The Challenge (Director: Yuri Ancarani) Miles of barren desert provide the backdrop for this surreal compilation of images: private jets, race cars, exquisite birds, and even a pet cheetah descend on the Qatar dunes to take part in a remote falconry tournament. Dina (Directors: Dan Sickles, Antonio Santini) At once tender and triumphant, humorous and hard, Dina introduces a woman in love as she navigates complex expectations in the days leading up to her impending nuptials. EXPRMNTL (Director: Brecht Debackere) This lively overview of the legendary EXPRMNTL film festivals held in Belgium from 1949 to 1974 interweaves archival footage with the recollections of the makers who defined experimental cinema. US Premiere The Good Postman (Director: Tonislav Hristov) An inspired citizen decides to run for mayor on a daring platform: that embracing the arrival of refugees may be the key to revitalizing his Bulgarian village. The Grown Ups (Director: Maite Alberdi) Adult students with Down Syndrome question their unknown futures. After attending the same school for decades, is there anything left to be discovered in this place, and what opportunities exist in the outside world? In Loco Parentis (Directors: Neasa Ní Chianáin, David Rane) For more than 40 years, John and Amanda Leyden have taught elementary-age children at a remote Irish boarding school. Filmed over the course of a year, the teachers bring wonder to their classrooms and roll with the joys and challenges that the changing seasons bring their young pupils. An Insignificant Man (Directors: Khushboo Ranka, Vinay Shukla) With unimaginable access, this film follows the turbulent campaign of Arvind Kejriwal, a businessman turned politician who formed India’s Aam Aadmi Party (Common Man’s Party) in 2012, as he runs for his country’s top office. Life – Instruction Manual (Leben – Gebrauchsanelitung) (Directors: Joerg Adolph, Ralf Buecheler) Featuring short excerpts from a wide range of classes, from childbirth to end-of-life care, this film reflects on the myriad ways that we depend on learning, particularly from others. North American Premiere Long Strange Trip (Director: Amir Bar-Lev) Personal interviews, performances, and never-before-seen footage create a multifaceted portrait of the Grateful Dead. They were more than a band. They were a movement. May It Last: A Portrait of the Avett Brothers (Directors: Judd Apatow, Michael Bonfiglio) Personal, rich, and from the soul, this film follows the equally soulful Avett Brothers as they record a new album, reflect on the creative process, and navigate strong ties while managing lives spent on the road. Project X (Directors: Laura Poitras, Henrik Moltke) Rami Malek and Michelle Williams understatedly narrate guidelines from a top-secret NSA handbook, as the viewer travels from stark and isolated spots in the National Business Park to a windowless skyscraper in downtown Manhattan. Purple Dreams (Director: Joanne Hock) This film follows six students at the Northwest School of the Arts in Charlotte, N.C., who thrive as performers in the first-ever high school musical production of The Color Purple while grappling with difficult and stressful issues in their own lives. World Premiere STEP (Director: Amanda Lipitz) This inspiring film follows three members of the Lethal Ladies step-dance team at the Baltimore Leadership School for Young Women. With the support of their intrepid coach and an uncompromising counselor, they are determined to attend college. TAKE EVERY WAVE: The Life of Laird Hamilton (Director: Rory Kennedy) In sparkling cinematography and intimate interviews, this epic look at the surfing legend’s life in and out of the waves is also a no-holds-barred illustration of one man’s dedication to continually reigniting his passion. Tell Them We Are Rising: The Story of Black Colleges and Universities (Director: Stanley Nelson) A monumental, essential, and compelling survey of the history and cultural significance of HBCUs in America. This Is Everything: Gigi Gorgeous (Director: Barbara Kopple) Gregory Lazzarato to Gregory Gorgeous to Gigi Gorgeous—family members and millions of followers support the makeup and beauty YouTube star before, during, and after her transition. Trophy (Director: Shaul Schwarz, Co-Director: Christina Clusiau) This revelatory and exquisitely photographed investigation into conservation practices and big game hunting invites nuanced scrutiny and debate. Whose Streets? (Director: Sabaah Folayan, Co-Director: Damon Davis) This unflinching story of the Ferguson uprising is told by the activists who were there, chronicling the birth of a new generation of resisters in America.
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