Something Like Summer

  • NewFest Announces Lineup + Spotlight Screening of PROFESSOR MARSTON & THE WONDER WOMEN

    [caption id="attachment_24714" align="aligncenter" width="1200"]Professor Marston and the Wonder Women Professor Marston and the Wonder Women[/caption] NewFest, announced the full 2017 lineup featuring more than 140 LGBT narrative features, documentaries, episodic series and shorts. This year’s festival will feature a Spotlight Screening & Conversation presentation of Angela Robinson’s PROFESSOR MARSTON & THE WONDER WOMEN, the story of how the superhero Wonder Woman came to be and the secret life of her creator, Dr. William Moulton Marston (Luke Evans), his wife Elizabeth (Rebecca Hall) and their lover Olive (Bella Heathcote). The screening will be followed by a conversation on bisexuality and polyamory with director Angela Robinson and guests to be announced. New feature-length work includes narratives DISCREET from Travis Mathews (INTERIOR. LEATHER BAR), Canadian entry PORCUPINE LAKE from Ingrid Veninger (THE ANIMAL PROJECT) and the BBC-produced AGAINST THE LAW from Fergus O’Brien, documentaries MY WONDERFUL WEST BERLIN from German filmmaker Jochen Hick (THE GOOD AMERICAN), OUT OF ORDER from Amanda Bluglass (VIVA) and BONES OF CONTENTION from Emmy-winner Andrea Weiss (U.N. Fever). The festival also includes exciting premieres of debut features such as FREAK SHOW from Trudie Styler, starring Bette Midler, Abigail Breslin, AnnaSophia Robb, Laverne Cox, John McEnroe and Larry Pine, ONE LAST THING from Tim Rouhana, starring Wendall Pierce (THE WIRE) and Jurnee Smollet, as well as Jennifer Gerber’s THE REVIVAL, Mike Roma’s DATING MY MOTHER, Samantha Lee’s MAYBE TOMORROW, Gail Freedman’s HOT TO TROT, and Lara Embry and Carolyn Sherer’s ALABAMA BOUND, among others. Rounding out the US Narrative offerings are Christopher Schaap’s PROM KING, 2010, David Berry’s SOMETHING LIKE SUMMER, William Sullivan’s THE RING THING, Jenée LaMarque‘s THE FEELS, Albert Alarr’s A MILLION HAPPY NOWS and Anahita Ghazvinizadeh’s THEY, while Itako’s BOYS FOR SALE, Paul Oremland’s 100 MEN, Jeffrey Schwarz’s THE FABULOUS ALLAN CARR, Tristan Milewski’s DREAM BOAT and Arshad Khan’s ABU complete the feature length documentary entries. The remaining International narratives include Marília Hughes and Guerreiro Cláudio Marques’ THE CITY OF THE FUTURE (Brazil), Carlos Lechuga’s SANTA & ANDRES (Cuba), Darren Thornton’s A DATE FOR MAD MARY (Ireland), Victor Villanueva’s JESUS IS DEAD (the Philippines, East Coast Premiere), Joselito Altarejos’ TALE OF THE LOST BOYS (Taiwan, the Philippines, North American Premiere), Lokesh Kumar’s MY SON IS GAY (India, North American Premiere), Nicolas Videla’s THE DEVIL’S MAGNIFICENT (Chile, International Premiere) and Nils-Erik Ekblom’s SCREWED (Finland). Through the film selection process this year’s event, the festival’s programming team chose to highlight several themes, including the history of LGBT activism in New York City, the global condition of LGBT communities and the ways in which different generations of LGBT artists, activists and storytellers influence each other by looking both backwards and forward in time. To that end, they chose to program a Legacy section of shorts entitled Out of the Archive: Queer New York, containing 7 short films spanning the past 50 years of LGBT filmmaking, including a 2010 short documentary from Ira Sachs comprised of footage of the exteriors of houses where New York artists were living when they died of AIDS; QUEENS AT HEART, a short doc about two pre-Stonewall transgender women; and I NEVER DANCED THE WAY GIRLS WERE SUPPOSED TO, Dawn Suggs’ mediation on black lesbian subjectivity. The Legacy feature is Hettie Macdonald’s 1996 narrative feature BEAUTIFUL THING. Two decades after its initial release, the film still stands as one of the most poignant and honest depictions of the coming-out process ever presented on screen, and represents this year’s festival’s theme of self-expression. This year’s lineup of 97 new LGBT shorts have been divided into thematic programs, as follows: DRAWN THIS WAY: QUEER ANIMATION; YOUNG, QUEER & WOKE; THE QUEER RESISTANCE; MILITARY SHORTS; BEYOND THE BINARY; FAITH AND FURY; GIRLS SHORTS; BOYS SHORTS; QUEER + POSITIVE; and EXPERIMENTS IN SEX, LOVE & GENDER The 2017 NewFest runs from October 19 to 24 at the SVA Theatre, Cinépolis Chelsea, and The LGBT Community Center in New York City.

    2017 NewFest Feature Film Lineup:

    Opening Night Film & Party Susanne Bartsch: On Top New York Premiere Dir. Anthony & Alex, USA, 2017, 84 mins A mesmerizingly expressive portrait of a fiercely individual New York counterculture icon, SUSANNE BARTSCH: ON TOP candidly captures the titular “Queen of the Night” and patron saint of LGBTQ inclusion and advocacy with a commanding voice and sharp wit, much like its subject. More than just a tribute to the “Queen of the Night” and staunch LGBTQ advocate, this dynamic debut from directing duo Anthony&Alex captures the essence of Bartsch’s everyday balance between compassion and control. As Bartsch prepares for an FIT exhibit of her nightlife fashions, she faces the challenges of a changing New York City landscape (as well as the construction within her homestead of many decades, the iconic Chelsea Hotel) while reconciling how her legacy lives on today. Her ability to bring communities together while promoting LGBT rights and self-expression reached its apex with the star-studded Love Ball in 1989, which she hosted to raise money to fight AIDS and celebrated the Harlem Vogue scene before “Paris is Burning” was released. And she continues to gather and inspire multi-generational crowds at her parties to this day. Featuring superstars and LGBTQ nightlife luminaries RuPaul, Simon Doonan, Michael Musto, and Amanda Lepore, this dazzling documentary homecoming for a living icon who has unapologetically been a champion for all things New York and queer. The screening will be followed by a talkback with Anthony&Alex and Susanne Bartsch, and moderated by Michael Musto. New York Centerpiece Film After Louie New York City Premiere Dir. Vincent Gagliostro, USA, 2017, 100mins Sam (Alan Cumming) is an artist and activist from ACT UP who lived through the early years of HIV/AIDS, struggling with survivor’s guilt. He’s bewildered by the younger generation of gay men, until he meets the seductive Braeden (Zachary Booth, KEEP THE LIGHTS ON) at a bar late one night. Their pants quickly come down and, eventually, so does Sam’s guard. An intergenerational relationship blossoms between them—reawakening Sam’s artistic soul and reviving his wilted heart. Beyond the beautifully evocative performances and setting, Vincent Gagliostro’s AFTER LOUIE is a love letter to New York City: engaging its rich backdrop while honoring the history of the gay rights movement and the progress that’s been made–reconciling the past so we as a community can look forward to the future. International Centerpiece Film God’s Own Country New York Premiere Dir. Francis Lee, United Kingdom, 2017, 104 mins Gritty yet tender, austere yet beautiful, carnal yet romantic–GOD’S OWN COUNTRY is masterfully directed with powerful focus and authenticity by first-time feature filmmaker Francis Lee. Johnny Saxby (Josh O’Connor) is an overworked 25-year-old sheep farmer who feels as though life has already passed him by. He whiles away the time with drunken hookups in his small community in Northern England. When his ailing father takes a turn for the worse, handsome Romanian migrant Gheorghe (Alec Secareanu) is brought in to assist Johnny. Although Johnny resents Gheorghe at first, the two are quickly drawn to each other, and during an excursion to the highlands, they forge an even deeper connection. Winner of Sundance’s World Cinema Directing Award for its beautiful depiction of the English countryside—this assured new milestone marks a bold new epoch in textured, LGBTQ storytelling. Closing Night Film & Party Becks Following a NYC to LA cross country move that ends in a breakup, singer-songwriter Becks (Lena Hall, a Tony Winner for Hedwig and the Angry Inch) returns to her Midwestern hometown, reluctantly moving back in with her mom. The time-warp sensation of being back in her childhood home is interrupted by an unexpected whirlwind affair with self-proclaimed “lonely housewife” Elyse (tenderly played with exceeding warmth by Mena Suvari) whom finds inspired new life through the guitar lessons and generous spirit Becks provides. This electrifyingly effusive film from co-directors Daniel Powell and Elizabeth Rohrbaugh features strong supporting turns by Dan Fogler as her old classmate-turned-drinking-buddy and Christine Lahti as Becks’ former nun mother who is still coming to terms with her daughter’s homosexuality. But it’s Lena Hall, who contributed original songs to the film and delivers a beautifully assured, live-in performance that makes BECKS really sing. Special live acoustic performance by Tony Award winner and Grammy Award nominee Lena Hall, the star of BECKS.

    US NARRATIVE

    A Million Happy Nows New York Premiere Dir. Albert Alarr, USA, 2016, 80mins FilmOut Festival Award, FilmOut San Diego Concerned by her difficulty memorizing lines, veteran actress Lainey (Crystal Chappell), decides not to renew her soap opera contract. After a visit to the doctor, she is diagnosed with early-onset Alzheimer’s, and Lainey and her longtime partner Eva (Jessica Leccia) must now learn how to navigate this unexpected terrain and make the most of their time together. Chronicling Lainey’s illness and their unconditional love, the film provides a million reasons why we all need to appreciate love to the fullest. Dating My Mother New York Premiere Dir. Mike Roma, US, 2016, 84 min Freshly out of college with a liberal arts degree and without employment and romance, Danny spends his days in suburban New Jersey aimlessly browsing dating apps or knocking back red wine. His mother, Joan (Kathryn Erbe, Law & Order: Criminal Intent ), is also looking to strike up romance for the first time since Danny’s father passed away. Drawing insightful and hilarious parallels between the two generations’ dating routines and varying levels of confidence, this sweet and spiky comedy also features delightful supporting turns by G.B.F.’s Paul Iacono and the always reliably funny Kathy Najimy. Discreet New York Premiere Dir. Travis Mathews, US, 2017, 80 mins The director of I WANT YOUR LOVE and INTERIOR. LEATHER BAR. returns with another provocative feature pushing buttons and envelopes. Filmmaker Alex wanders the rural countryside, listening to hate-filled talk radio and indulging in anonymous sex in video booths. After an uncomfortable visit with his mother, Alex seeks a figure from his past, slowly dying in a mysterious compound far from society. This blistering exploration of trauma reverberates from childhood to adulthood, offering neither easy answers nor simple explanations. Freak Show New York Premiere Dir. Trudie Styler, US, 2017, 95 mins, Teenager Billy Bloom (Alex Lawther, THE IMITATION GAME) learned fabulousness at the feet of his larger-than-life Muvv (Bette Midler). But when he’s shipped off to live with his conservative father (Larry Pine), Billy’s classmates at Ulysses S. Grant Academy don’t know what to make of this flamboyant newcomer and his seemingly endless array of colorful ensembles (with matching makeup). After being severely bullied, Billy bounces back with the help of his new friends, sensitive jock Flip (Ian Nelson, THE HUNGER GAMES) and the loquacious BlahBlahBlah (AnnaSophia Robb). Eventually, our glamorous hero decides to wave his freak flag as high as he can by running for homecoming queen, even if that means facing off against Bible-thumping mean girl Lynette (Abigail Breslin). Based on the novel by James St. James, the film features a superb ensemble cast, including Laverne Cox, Celia Weston, and Willa Fitzgerald (MTV’s SCREAM). It’s a charming coming-of-age tale—as witty and as fearless as its protagonist—that celebrates the outsider within us all. One Last Thing World Premiere Dir. Tim Rouhana, US, 2016, 92 mins A middle-aged dentist in Florida receives some unexpected news that upends his peaceful routine and sends him on a life-altering journey of discovery. Doctor Dylan Derringer (Wendell Pierce, THE WIRE) is content with his solitary life, but when a figure from his past re-emerges with information, Dylan drops everything to find Lucy (Jurnee Smollett), the twenty-five year old daughter he didn’t know he had. This African American family drama dares to crush cultural taboos with a heart-warming story of LGBTQ acceptance. Prom King 2010 New York Premiere Dir. Christopher Schaap, United States, 2017, 102 mins New Vision Award, Feature Film, 2017 Cinequest San Jose Film Festival Charlie, a 20-year-old movie-crazy college student, is looking for love in New York City, and having trouble reconciling the harsh realities of modern dating with the romantic ideals of the classic romantic films he idolizes. First-time director and star Christopher Schaap imbues Charlie with a recognizable honesty and vulnerability. Featuring strong widescreen location photography and an engaging cast, this feel-good romance is a genuine charmer. Something Like Summer New York Premiere Dir. David Berry, US, 2017, 115 mins Audience Award, Best First Narrative Feature, FilmOut San Diego Benjamin is an out-of-the-closet theater kid, while Tim is the hunky town jock. When Benjamin discovers his attraction to Tim is reciprocated, this delightfully musical tale takes off. The boys’ relationship spans years, encapsulating all of the delirious highs and painful lows of young love. This crowd-pleaser brings a beloved series of YA novels to life as these two young men explore the complex lines between being friends, lovers, and strangers. The Feels East Coast Premiere Dir. Jenée LaMarque , US, 2017, 90 mins Outstanding Actress in a Feature Film, Outfest LA Two brides-to-be (Angela Trimbur and FRESH OFF THE BOAT’S Constance Wu) throw a joint bachelorette party that ends up calling their whole relationship into question. Equal parts laughs, tears, and introspection, this modern take on a romantic comedy unravels the secrets that can plague even the strongest relationship. Outstanding performances and an earnest script make up the heart of this crazy-enjoyable film. The Revival East Coast Premiere Jennifer Gerber, US, 2017, 84 mins, When Eli begins preaching at his father’s old church, he is desperate to open the minds of the fire-and-brimstone congregation. His plans are quickly derailed when he strikes up a relationship with a fascinating drifter (played by Zachary Booth, KEEP THE LIGHTS ON). Tensions soon come to a head, with simmering resentments and repressed emotions all leading to a revival that will shake this sleepy Arkansas town to its core. The Ring Thing New York Premiere Dir. William C. Sullivan, US, 2017, 106 mins Real-life chemistry plays a huge role in this romantic drama about what happens in a relationship when a woman proposes to her girlfriend by accident. Peppered with real-life interviews from couples in the LGBTQ community, this story explores what it means to be in a partnership and how those connections change (or not!) when marriage is added to the mix. You’ll leave the theater reexamining what it means to be committed to your partner and committed to yourself. They New York City Premiere Dir. Anahita Ghazvinizadeh, US/Qatar, 2017, 80 min Fourteen-year-old J lingers somewhere between a state of suspended animation and arrested development. Asked to be referred to as “they,” J has quietly been taking hormone blockers for some time in order to delay the onset of puberty, while they contemplate whether to live an adult life as a female or a male. With a visit to the doctor imminent, J is joined in their Chicago suburb by their sister Lauren and her Iranian Boyfriend Araz, who bring in their own set of identity problems, as Araz struggles with his life as an immigrant living so far away from his homeland. Executive Produced by Jane Campion, Anahita Ghazvinizadeh’s THEY is a delicate and intimate look at the struggles of living a life in limbo.

    INTERNATIONAL NARRATIVE

    A Date For Mad Mary New York City Premiere Dir. Darren Thornton, Ireland, 2016, 82 mins Dublin Film Critics Circle Awards – Won Breakthrough Award – Irish Mary’s charms are undeniable in this Irish coming-of-age portrayal of the angsty path from youth to womanhood. Mary has just been released from a six-month prison stint for a drunken bar fight. Her best friend Charlene is now getting married and wants to keep Mary at a distance, alienating her from their circle of friends. An encounter with a queer musician changes Mary’s perspective and awakens her romantic spirit. Filmmaker Darren Thornton’s first feature is warm and instantly relatable. Against The Law New York Premiere Dir. Fergus O’Brien, United Kingdom, 2017, 85 mins Featuring a stunning mixture of biopic and documentary elements, this BBC-produced hybrid drama draws the historical line between 1950s gay repression in the UK and the process through which homosexuality was decriminalized in 1967–and received raves when it World Premiered as the Opening Night Gala of BFI Flare: London’s LGBT Film Festival. This affecting and alarming film cuts between the story of journalist and gay rights activist Peter Wildeblood (Daniel Mays), who was galvanized by the infamous 1954 trial that targeted and outed his friends, and real-life interviews with gay men who lived through this dark but not forgotten period in UK’s history. Jesus Is Dead East Coast Premiere Dir. Victor Villanueva, the Philippines, 2016, 84 mins QCinema International Film Festival 2016 – Won Gender Sensitivity Award Iyay, an exhausted and weary single-mother of three, crams her reluctant children — transman Jude, dancer with Down Syndrome Bert, and non-achiever Jay — into her debilitated multicab, and together they take to the road in order to attend the funeral of their estranged patriarch. Gaining and losing an assortment of misfits and oddballs along the way, the family’s solemn journey quickly turns frenzied and uproarious as each new character adds a new dimension of humor and profound insight to their familial plight. Director Victor Villanueva delivers a heartwarming and utterly distinctive take on the family road trip film, reminiscent of the delightfully melancholic Little Miss Sunshine, while imbuing it with his own idiosyncratic, queer flourishes. Maybe Tomorrow East Coast Premiere Dir. Samantha Lee, Philippines, 2016, 84 mins, Alex is unapologetically out to everyone—the execs who want to remove the queer content from her TV pitch, her overbearing mom, her catty photographer friends—except to her BFF Jess, an up-and-coming TV starlet with whom she also happens to be madly in love. But when Alex’s secret is accidentally revealed, both girls are forced to confront their feelings and navigate the complications of their new relationship in Samantha Lee’s fun and flirtatious debut feature. My Son Is Gay North American Premiere Dir Lokesh Kumar, India, 2017, 105 mins In this moving Bollywood melodrama, Varun comes out to his best friend’s mother. When the news reaches his own mom Lakshmi, she rejects it, in disbelief that the perfect son she so adores could ever be gay. What follows is a portrayal of the entrenched prejudice that the LGBTQ community still face in India today. With Section 377, the law criminalizing same-sex relationships, currently under review by the courts, this is a timely and important take on queer rights and a test of a mother’s love for her son. Porcupine Lake East Coast Premiere Dir. Ingrid Veninger, Canada, 2017, 84 mins Bea (Charlotte Salisbury) has recently moved from Toronto to a quiet cottage in rural Ontario. Lonely and isolated, Bea finds solace when she befriends the elusive and alluring local-girl, Kate (Lucinda Armstrong Hall). The two girls forge an immediate bond as they both struggle to cope with their bewilderment at the volatility and chaos of their home lives and inner-worlds. In her sixth feature film, Ingrid Veninger depicts with candor and grace two girls dangling on the edge of adulthood, enjoy a fleeting summer of adventure and self-discovery. Santa & Andres New York Premiere Dir. Carlos Lechuga, Cuba, Columbia, 2016, 105 mins Guadalajara International Film Festival 2017 – 2nd Place – PREMIO MAGUEY – Best Feature Film Cuba, 1981: For many, the wounds of the revolution have begun to heal, although there are still those who refuse to be compliant with the regime’s silencing of intellectuals and LGBTQ people. Gay writer Andrés spends three days under house arrest, supervised by young revolutionary Santa, who knows nothing of life away from the countryside. During this brief period, the pair form an unpredictable bond. Subtle and moving, yet boldly political and provocative, this is a story of day-to-day lives affected by sweeping change. Screwed New York City Premiere Dir. Nils-Erik Ekblom, Finland, 2017, 100 mins To celebrate the start of summer, 17-year-old Miku throws a wild party at his parent’s house, which turns destructive quickly. As punishment, Miku is forced to spend the rest of his summer with his provincial family at their secluded country cottage. In the rolling, pastoral Finnish countryside, Miku meets the alluring Elias. The two spend their summer inseparable, discovering themselves, their sexuality, and each other. The City Of The Future New York Premiere Dir: Cláudio Marques and Marília Hughes, Brazil, 2016, 75 mins In a remote part of Brazil, the triad of Mila, Igor, and Gilmar are determined to break away and form their own nontraditional family, defying the definitions that society has attempted to impose on them. As they prepare for the birth of their child, the three contemplate their intertwining relationships. Cláudio Marques and Marília Hughes Guerreiro have boldly collaborated on a naturalistic film that shuns convention, instead embracing love in all its dazzling iterations. Tale of the Lost Boys North American Premiere Dir. Joselito Altarejos, Taiwan, the Philippines, 2016, 81 mins Alex, a Filipino mechanic, and Jerry, a Taiwanese aborigine student meet randomly in a Taipei bar and a casual conversation develops into a surprising personal connection. Both realize that they yearn for a deeper relationship with their mothers, since Alex’s abandoned him for a new family, while Jerry is afraid that his will reject him for being gay. An impromptu road trip leads to experiences that will forever redefine their identities… The Devil Is Magnificent (International Premiere) International Premiere Dir. Nicolas Videla, Chile, 2016, 68 mins Exhausted by the difficulties of her life in the often-inhospitable Paris, Manu, a thirty-three year old trans immigrant, resigns to return to his native Chile after 10 years in France. In the days leading up to her departure, Manu’s platonic friend Daniel proposes marriage with the intention of solving her visa issues. Manu strongly considers the offer, but she’s wholly disheartened at the prospect of a life without love, romance, and sex. That is, until she meets a fellow foreigner who instills in her the hope for a romantic future.

    DOCUMENTARY FEATURES

    100 Men East Coast Premiere Dir. Paul Oremland, 2017, New Zealand, 2017, 94 mins Kiwi director Paul Oremland tracks down 100 men he’s slept with in this personal, often humorous look at changing attitudes toward homosexuality over the past 40 years. Interviewed in New Zealand, England, and Poland, his eclectic subjects (including “Toilet Boy,” “Beach Boy,” and “Gary the Optician”) discuss coming out, AIDS, and gay marriage, acknowledging political gains even as some feel a sense of loss. Oremland’s journey brings him closer to these men, helping him realize he’s witnessing a revolution. A Womb Of Their Own East Coast Premiere Dir. Cyn Lubow, USA, 2016, 85 mins Depth of Field International Film Festival Competition – Won – Award of Exceptional Merit Considered the exclusive domain of the female experience, pregnancy is generally viewed as the pinnacle of womanhood. But what happens when the act of being pregnant falls outside of the feminine and into a womb of its own? Exploring the experience of pregnancy among a group of diverse masculine-of-center-identified people, this documentary questions what it means to be pregnant and give birth as a masculine person, broadening our understanding of gender, sexuality, and parenthood. Abu East Coast Premiere Dir. Arshad Khan, Canada, 2017, 80 mins An intimately open and dazzling visual memoir about the complex dynamic the filmmaker has with his father, who was at once extremely modern and also rigidly traditional and unaccepting of his son’s true self. Director Arshad Khan highlights the fascinating intersection between being gay and being an immigrant, as he weaves a dizzying, hypnotic tapestry of personal and familial acceptance by employing home video, animation, and Bollywood films to express his path to self-discovery. Alabama Bound East Coast Premiere Dir. Lara Embry and Carolyn Sherer, USA, 2017, 83 mins Exploring the legal roller-coaster ride of LGBTQ family rights in the American South, ALABAMA BOUND offers an intimate view into the lives of three Lesbian families in Alabama, including The only openly-gay Alabama State Legislator Patricia Todd, as they make waves in the legal system fighting for the rights of their children. Set along side the turning-point years when federal marriage equality was coming to a head in the courts, this riveting and powerful documentary tactfully imbues the viewer with hope and frustration as Patricia Todd leads the charge in next wave of the LGBTQ fight for equality: legal Non-Discrimination. Bones Of Contention East Coast Premiere Andrea Weiss, Spain and USA, 2017, 75 mins The brutal Franco dictatorship continues to haunt Spain—literally, as some 120,000 skeletons of the Fascist leader’s enemies were buried in unmarked graves all over the country. If one man has come to symbolize all of these desaparecidos, it’s legendary poet and playwright Federico Garcia-Lorca, whom this film calls “the first LGBT victim of the Franco regime.” Director Andrea Weiss examines the men and women (including the writer’s niece, Laura) who recall Spain’s homophobic past and seek to exhume it by finding these remains. Boys For Sale East Coast Premiere Dir. Itako, Japan, 2017, 76 mins L.A. Outfest, Fox Inclusion Outfest Feature Award In Tokyo’s Shinjuku district there are bars that specialize in “Urisen”, young guys who have sex with men. Featuring candid interviews and interspersed with animation detailing the awkward, sweet, and sometimes hilarious situations these sex workers experience, the boys for sale boldly tell their stories of life in the Tokyo underground. This doc is an illuminating look into a rarely seen world that tantalizingly shows the humanity of sex work. Dream Boat East Coast Premiere Dir. Tristan Milewski , Germany, 2017, 92 mins Decked from port to starboard in tops and bottoms, this cruise sets sail every year with leagues of gay men hungry to find their own slice of paradise on the open seas. Far from their families and political restrictions, we follow five men from five countries on a quest for connection. International waters provide the perfect platform to explore the ecstasy, agony, hopes, and dreams that bridge this community behind the bacchanalia, revealing a manifest rife with intersections between the diverse identities aboard, a brotherhood across borders. Hot to Trot New York Premiere Dir. Gail Freedman, US, 2017, 88 mins Set in the swinging setting of same-sex competitive ballroom dancing, this tremendously entertaining documentary highlights the culture and art of dance as it humanistically profiles the compelling stories of four international dancers. Filmed over three years, director Gail Freedman closely follows the tight ensemble as they face global and health issues, yet they find comfort and hope as they twirl past life’s obstacles with the utmost poise and confidence. Who will take home the top prize and move closest to the rhythm? The heat is on in more ways than one. This special screening will be followed by a live dance exhibition with subjects from the film My Wonderful West Berlin East Coast Premiere Dir. Jochen Hick, Germany 2017, 94 mins Jochen Hick’s My Wonderful West Berlin reveals, through a precise combination of archival footage and interviews with Berlin’s most notable LGBTQ artists and thinkers, the burgeouning queer community that developed and flourished in post-war West Berlin, despite homophobic laws and public prejudice. Through their collective memories, we see the city transform from having a spirited yet clandestine underground queer community the ‘60s, to the tepid embracing of the gay movements in the ‘70s, to the tragic overlooking of first the horrific AIDS epidemic in the ‘80s. My Wonderful West Berlin chronicles, with profound insight and uncharted access, the immense depths and rich history of the city’s LGBTQ people. Out Of Order New York Premiere Dir: Amanda Blueglass, USA, 2017, 60 mins This groundbreaking documentary reveals the complex and painful struggles faced by lesbian, gay, bisexual, transgender and queer faith leaders as they confront entrenched bigotry, and build loving support within their churches. Due to a growing fear and suspicion toward LGBTQ individuals, many queer parishoners still feel unwelcome in their faith. But a new kind of spiritual leader is pushing for acceptance. Weaving between the personal journeys of queer faith leaders, we witness their tireless work to push for acceptance beyond the wedding chapel, in order to ensure that LGBTQ folks know that they are loved, not only by God but also by their fellow worshippers. The Fabulous Allan Carr East Coast Premiere Dir. Jeffrey Schwarz, USA, 2017, 90 mins Director Jeffrey Schwarz (VITO, I AM DIVINE) returns with this fascinating look at Allan Carr, one of the most extravagant Hollywood figures of the 1970s and 80s. The film charts Carr’s rise from talent manager to megastar producer of GREASE, before he perpetrated the box-office blunders CAN’T STOP THE MUSIC and GREASE 2, as well as the disastrous 1989 Academy Awards ceremony. Featuring new interviews and archival footage of Carr’s legendary parties, this portrait of a showbiz legend is both hilarious and deeply sympathetic.

    SPECIAL EVENTS

    Spotlight Screening & Conversation Professor Marston & The Wonder Women Dir. Angela Robinson , USA, 2017, 104 mins In a superhero origin tale unlike any other, Angela Robinson’s entrancing film is the incredible true story of what inspired Harvard psychologist Dr. William Moulton Marston (Luke Evans) to create the iconic Wonder Woman character in the 1940’s. While Marston’s feminist superhero was criticized by censors for her ‘sexual perversity’, he was keeping a secret that could have destroyed him. Marston’s muses for the Wonder Woman character were his wife Elizabeth Marston (Rebecca Hall) and their lover Olive Byrne (Bella Heathcote), two empowered women who defied convention: working with Marston on human behavior research — while building a hidden life with him that rivaled the greatest of superhero disguises. BiView: Bisexuality Representation in Media Panel Moderated by Eliel Cruz Join leading bisexual activist and journalist Eliel Cruz and a panel of special guests to discuss bisexuality–arguably the most underrepresented identity in the LGBTQ spectrum. Fresh from a nationwide speaking tour for Bisexual Awareness Week, Eliel will lead the panelists through conversations on the fluidity of sexual and romantic attraction, polyamory, as well as the erasure of bi stories in media and the tangible effects of biphobia on screen. Do filmmakers and content creators have a responsibility to tell positive bi stories, and what are the politics you should be aware of in order to ensure impactful bi representation in your work? Meet these ambassadors of sexual fluidity, and join the conversation. Drag Roast: The Roast of Sherry Vine World Premiere Dir: Evan Zampella and Kyle Burt, US, 2017, 65 min Cruel, harsh, tasteless. And that’s just the roasters. Join us for a special screening of the DRAG ROAST of SHERRY VINE, as a panel of legendary New York nightlife performers grill a drag legend with more than 25 years of drag experience and tea to spill. Featuring Bob the Drag Queen, Ruby Roo, Monet Xchange, Anita Buffem, Miz Cracker, Sutton Lee Seymour, Marti Gould Cummings, Tina Burner and Special Guests.

    EPISODIC SHOWCASE

    Queer Women Mixtape Featuring premieres of web-based content from Snugglr (46m) & 195 Lewis (45m) Trans Tales Featuring premieres of web-based content from The T (14m), Darling Shear (15m), America In Transition (20m) For The Boys Featuring premieres of web-based content from London Nights (3m), Eastsiders (30m), LA Nights (3m), Maricas (30m), Tel Aviv Nights (3m), Michaels (7m)

    LEGACY FEATURE

    BEAUTIFUL THING Dir: Hettie Macdonald, United Kingdom, 1996, 90 min Released in 1996, the beloved coming-of-age classic that tells the story of two teenage boys living in the same London housing project, who hold the same secret: they think they might be gay. After a fight with his abusive father, Ste ends up crashing in Jamie’s bed, allowing the two to open up to each other and begin the process of embracing their identities. Two decades after its initial release, the film still stands as one of the most poignant and honest depictions of the coming-out process ever presented on screen.

    LEGACY SHORTS PROGRAM

    Out of the Archive: Queer New York An epicenter of queer culture, New York has long been a focal point of LGBTQ cinema. This program features both rare and restored short films (and sometimes raw footage) shot in New York City between the 1960s and 2000s by influential LGBTQ New York filmmakers, and presents the city’s history through a queer lens and even provides an early look at the trans experience. Run time: 84 minutes Queens at Heart Director unknown 1967 22 min. Restored by the Outfest UCLA Legacy Project This short exploitation documentary offers a glimpse into the lives of four transgender women in pre-Stonewall New York. Epilogue/Siam Tom Chomont 1968 6 min. Restored by the Outfest UCLA Legacy Project Filmmaker and curator Jim Hubbard states, “Chomont’s films offer a lyric depiction of the ordinary world.” Here, Chomont presents two portraits–one warm, and one cold. Christopher Street Gay Liberation Day [excerpt] Kate Millett and Susan Kleckner 1971 5 min. Restored by the Outfest UCLA Legacy Project Shot by the Millett, Kleckner, and an all-female crew, this raw footage documents New York’s second annual Christopher Street pride parade. Alphabit Land: The Backyard Tour Featuring Wigstock 89 John Canalli 1990 28 min. John Canalli takes his cousin on a tour of his Manhattan neighborhood. A search for the coolest party in town leads them to the annual Wigstock drag festival. I Never Danced the Way Girls Were Supposed To Dawn Suggs 1992 7 min. Suggs meditates on Black lesbian subjectivity, exploring the connections between daily rituals and sexuality. I Like Dreaming 1994 Directed by Charles Lofton 6 min. Lofton muses on the pleasures of cruising “straight-acting, straight-appearing” men. Last Address Ira Sachs 2010 9 min. Comprised of footage of the exteriors of houses where New York artists were living when they died of AIDS, this haunting film serves as an elegy to a generation of lost queer voices.

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  • 2017 Reeling LGBTQ Film Festival Unveils Lineup, Opens with HELLO AGAIN, Closes with SATURDAY CHURCH

    [caption id="attachment_23941" align="aligncenter" width="1200"]HELLO AGAIN, Tom Gustafson Nolan Gerard Funk in Hello Again[/caption] Reeling, the second-oldest LGBTQ film festival in the world, celebrates its 35th anniversary edition from September 21 to 28 at Landmark Theatres’ Century Centre Cinema in Chicago.  The 2017 Reeling will present 30 feature films and 10 programs of shorts, coming from 22 countries. The festival kicks off Thursday, September 21 at Music Box Theatre with the Chicago premiere of Northwestern alum Tom Gustafson’s HELLO AGAIN. The sex-fueled all-star screen adaptation of the 1994 Off-Broadway musical stars Cheyenne Jackson, Audra McDonald, Martha Plimpton, Tyler Blackburn and Rumer Willis. Reeling 2017 closes Thursday, September 28 with SATURDAY CHURCH, the coming-of-age story of a young Black teen exploring gender expression and finding acceptance in the Harlem Ball scene, which stars Golden Globe- and Emmy-nominated actor and Goodman Theatre playwright Regina Taylor. From Trudie Styler’s hotly anticipated directorial debut, the outrageous dramedy FREAK SHOW, about the fictional high school “transvisionary” Billy Bloom, starring Alex Lawther ( The Imitation Game ), Bette Midler and Laverne Cox; and writer-director Vincent Gagliostro’s intergenerational gay romantic drama AFTER LOUIE, starring Alan Cumming in a career-defining performance; to the crackling energy and entertaining story of the rise of YouTube musical superstar Todrick Hall in the documentary BEHIND THE CURTAIN; to the inspiring story of the long road to acceptance for Brooke Guinan, New York’s first out transgender firefighter in WOMAN ON FIRE; to Looking actor Russell Tovey’s stunning performance in THE PASS, the story of two football players whose reactions to the homoerotic tension between them as young men shape their divergent futures; the 35th edition of Reeling Film Festival has something to satisfy every film taste! Reeling launches its eight-day festival with the Opening Night Gala presentation of the sensual musical HELLO AGAIN, Northwestern alumni Tom Gustafson’s ( Were the World Mine, Mariachi Gringo ) red hot film adaptation of Michael John LaChiusa’s acclaimed 1994 Off-Broadway musical. The film follows ten lovestruck souls who pair off in an erotic daisy chain of sex and song, looking for meaning beyond their steamy hookups. Jack ( Tyler Blackburn, Pretty Little Liars ) sexes up Robert ( Cheyenne Jackson, American Horror Story ) who pleasures Sally ( six-time Tony winner Audra McDonald ) who revels in her tryst with Ruth ( Martha Plimpton, The Real O’Neals ). Along for the sexy hijinks are T.R. Knight ( Grey’s Anatomy ), Rumer Willis ( Empire, Dancing with the Stars ), Jenna Ushkowitz ( Glee ), Sam Underwood ( Fear the Walking Dead ), vocalist Al Calderon and Nolan Gerard Funk ( Glee and former Calvin Klein model ). The musical numbers — everything from pop to operetta to Broadway to swing to searing torch ballads — are as fluid as the sexual proclivities of the characters. Prepare to indulge your senses with this visually stylish, ultra-sensual musical extravaganza. [caption id="attachment_23942" align="aligncenter" width="1200"]Saturday Church Saturday Church[/caption] Reeling closes on Thursday, September 28 with an advance screening of SATURDAY CHURCH. This audacious hybrid — part drama, part comedy, part musical — is pulled off with aplomb by debuting writer-director Damon Cardasis and his young cast of newcomers. After the recent death of his father, Ulysses ( Luka Kain ) has begun experimenting with his sexuality and gender expression; his nights are full of stolen nylons and high heels. But Aunt Rose — played by acclaimed actor, playwright and Chicago resident Regina Taylor — is having none of this, so Ulysses flees the Bronx, finding himself enthralled by a new group of colorful, streetwise friends who introduce him to the Ball community. This thrilling, genre-busting film, soulful and heartfelt, has received raves on the film festival circuit and is a superlative and tender, coming-of-age story. Reeling will present the premieres of two locally made features: Chicago based writer-director Wendell Etherly’s MARKET VALUE is a compelling child custody courtroom drama focused on a lesbian couple fighting to keep their adopted son; and On the Down Low writer-director Tadeo Garcia returns to Reeling with EN ALGUN LUGAR, a gay romantic drama set against the backdrop of the controversial U.S. immigration system. Other festival highlights include the World Premiere of writer-director Rob Williams’ ( Role/Play, Shared Rooms, Make the Yuletide Gay ) ninth feature film, HAPPINESS ADJACENT, a bisexual love triangle set aboard a cruise ship; the critically acclaimed Sundance hit, I DREAM IN ANOTHER LANGUAGE, Mexican director Ernest Contreras’ drama about two elderly men who are the last living people able to speak a dying language but who refuse to talk to each other; SEBASTIAN, writer-director-actor James Fanizza’s romantic drama about a fling between two men living in different countries who unexpectedly fall in love; the eccentric Scottish film SEAT IN SHADOW, director Henry Coombes’ film about an aging free-spirited artist who plays therapist for the young gay grandson of a friend; APRICOT GROVES, Pouria Heidary Oureh’s beautifully realized story about an Iranian Armenian transman living in the U.S. who visits Armenia to ask his girlfriend’s father for her hand in marriage; THE RING THING, about a lesbian couple facing the pressures of getting married now that it’s legal, directed by William Sullivan, whose That’s Not Us screened at Reeling 2015; and EASTSIDERS SEASON 3: GO WEST, all new episodes from the Emmy-nominated gay web series that went viral on YouTube and was later picked up by Netflix. Young love is explored in UK director Daniel Grasskamp’s CAT SKIN, in which a shy photography student captures the attention of a popular girl whose boyfriend refuses to leave the picture; David Berry’s SOMETHING LIKE SUMMER, a film adaptation of a popular novel series focusing on a young gay couple that includes Glee-like musical numbers; and Jakob M. Erwa’s CENTER OF MY WORLD, a gay coming of age romance from Germany. Thrills, excitement, mayhem and various kinds of trouble can be found in two British and two Australian films. In the British crime thriller B&B, two men who successfully sued a small inn for gay discrimination return to gloat and find their triumph is short-lived, and in PALACE OF FUN, a rich young British woman’s calculating gay brother plays sinister games with her love interest. The Australian BOYS IN THE TREES is an eerie surrealist coming of age drama that takes place on Halloween night; and in BAD GIRL, a rebellious teenager is single-white-femaled by a doe-eyed beauty whom her parents are convinced is a good role model for her. Comic relief is offered by SENSITIVITY TRAINING, in which an abrasive microbiologist finds herself attracted to the woman hired by her company to be her sensitivity coach; DATING MY MOTHER, about an aimless recent college graduate who moves back in with his widowed mom and finds that they are both trying to find Mr. Right; and PROM KING, 2010, which chronicles the failed attempts of an awkward 20-year-old college freshman in New York to find the man of his dreams. The lives of women of color are explored in two web series: 195 LEWIS, set in Bed-Stuy, Brooklyn; and the locally produced, Emmy nominated BROWN GIRLS, set in Chicago. The latter series was funded in part by Chicago Filmmakers’ Chicago Digital Media Production Fund, and creators Samantha Bailey and Fatimah Asghar were recently signed to a development deal to adapt the series for HBO. Documentaries, as always, are an important part of the Reeling lineup. Documentaries include CHAVELA, an affectionate portrait of the legendary lesbian Costa Rican Ranchera singer who counted Pedro Almodóvar among her friends and Frida Kahlo among her lovers; THE DEATH AND LIFE OF MARSHA P. JOHNSON, Oscar nominated David France’s follow-up to How to Survive a Plague which focuses on the mysterious circumstances surrounding the death of the trans activist as well as her close friendship with Sylvia Rivera; BONES OF CONTENTION, an historical documentary focusing on the repression of gays and lesbians under the Franco regime during the Spanish Civil War which weaves in the life of murdered queer poet Federico Garcia Lorca; and AGAINST THE LAW, a docudrama about the punitive life for gay men in conservative England in the 1950s.

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  • ‘The Silent Child’ ‘Restraint’ ‘Circle Up’ Among Winners of Rhode Island International Film Festival Awards

    [caption id="attachment_23833" align="aligncenter" width="1200"]The Silent Child, directed by Chris Overton won the the award for Best Live Action Short at 2017 Flickers’ Rhode Island International Film Festival The Silent Child, directed by Chris Overton won the the award for Best Live Action Short at 2017 Flickers’ Rhode Island International Film Festival[/caption] Flickers’ Rhode Island International Film Festival (RIIFF) announced the Award Winners for its 35th Anniversary Celebration of Flickers, on Sunday, August 13th. The winners of RIIFF’s Live Action, Animation and Documentary Short Grand Prizes hold a special honor: they become the Festival’s nominees for Academy Award consideration. “The Silent Child,” directed by Chris Overton from the United Kingdom (2017) won the the award for Best Live Action Short. “The Silent Child” follows the story of a profoundly deaf child, and the deaf-specialized social worker who struggles to help the family try to understand their child’s deafness. “Coin Operated,” directed by Nicholas Arioli from the United States (2016) won the award for Best Animated Short. “Coin Operated” is an animation that spans 70 years in the life of one naive explorer, as he works to earn enough money to take a coin operated space ship to outer space. And  “Marian,” directed by Rick Rogers, a Rhode Island native and Rhode Island School of Design Graduate, won the award for Best Documentary Short.   Filmed over eight years, “Marian” documents the final years of renowned actress Marian Seldes’ life and touches on the themes of identity, the worship of others and the deterioration of family. In other awards, Douglas Trumbull, renowned visual effects artist for such films as “Close Encounters of the Third Kind,” (which is celebrating its 40th Anniversary in November), “2001: A Space Odyssey,” and “Blade Runner” received this year’s Inaugural Gilbert Stuart Artistic Vision (Lifetime Achievement) Award.  Johnny Wilson, visual effects artist for such films as “Ant Man,” “Doctor Strange,” and “Captain America: The First Avenger” was presented by Steven Feinberg with this year’s RI Film & Television Office Dream Maker Award. The Flickers’ Rhode Island International Film Festival returns August 7 to 12, 2018

    2017 Rhode Island International Film Festival Awards

    BEST LIVE ACTION SHORT

    GRAND Prize: (RIIFF’s Official Academy Nomination) “The Silent Child” | Directed by: Chris Overton | UK, 2017 FIRST Prize: “Emma” | Directed by: Martin Edralin | Canada, 2016 Tied With: “Half A Man” | Directed by: Kristina Kumric| Croatia, 2016 BEST SHORT ANIMATION GRAND Prize: (RIIFF’s Official Academy Nomination) “Coin Operated” | Directed by: Nicholas Arioli | USA, 2017 FIRST Prize: “Poles Apart” | Directed by: Paloma Baeza | UK, 2017 Tied With: “The Full Story” Directed by: Daisy Jacobs | UK, 2017

    BEST SHORT DOCUMENTARY

    GRAND Prize: (RIIFF’s Official Academy Nomination) “MARIAN” | Directed by: Rick Rodgers | USA, 2016 FIRST Prize: “Hale” | Directed by: Bradford Bailey | USA, 2017 Tied With: “AJ” | Directed by: Philippine Merolle | USA, 2017

    BEST FEATURE

    GRAND Prize: “Restraint” | Directed by: Adam Cushman | USA, 2017 FIRST Prize: “1:54” | Directed by: Yan England | Canada, 2016 Tied With: “La Soledad” | Directed by: Jorge Thielen Armand| Venezuela, Canada, Italy, 2016

    BEST FEATURE DOCUMENTARY

    GRAND Prize: “Circle Up” | Directed by: Julie Mallozzi | USA, 2017 FIRST Prize: “A Whale of a Tale” | Directed by: Megumi Sasaki | Japan, USA 2016 Tied With: “Anatomy of a Male Ballet Dancer” | Directed by: James Pellerito and David Barba| USA, 2017 FILMMAKER OF THE FUTURE AWARD Presented to a filmmaker whose vision excites audiences and judges alike about the potential to produce compelling and successful films in the future. Ian Bibby, “Mainland” USA, 2017 BEST ACTOR: Mohamed Seddiki, “The Geneva Convention” | France, 2016 JUDGE’S COMMENT: “Mohamed elegantly showcased that making the right decision is easier than it seems.” BEST ACTRESS: Maisie Sly, “The Silent Child” | UK, 2017 JUDGE’S COMMENT: “Maisie Sly is a defining example of how being different makes you special and that true talent and passion comes in all shapes and sizes.”

    BEST COMEDY SHORT

    GRAND Prize: “The Eleven O’Clock” | Directed By: Derin Seale, Written by: Josh Lawson | Australia 2016 FIRST Prize: “All Exchanges Final” | Written & Directed by: Annabel Oakes | USA, 2016 Tied With: “Perfect Roast Potatoes” | Written and Directed by: Nick Frew | USA, 2017

    BEST EXPERIMENTAL

    GRAND Prize: “The Avant-Gardener” | Directed by: Lindsay Katt and Heather Matarazzo | USA 2017 FIRST Prize: “The Ogre” | Directed by: Laurene Braibant | France 2017

    BEST DIRECTOR

    GRAND Prize: John Sheedy, “Mrs McCutcheon” | Australia 2017 FIRST Prize: Genevieve Clay-Smith, “Kill Off” | Australia 2017 DR. J. GERALD LAMOUREUX AWARD FOR EXCELLENCE Presented to a filmmaker and artist who represents the spirit of cultural exchange between the United States and Canada. Sandrine Brodeur-Desrosiers, “Cast Off” | Canada 2016 DIRECTORIAL DISCOVERY AWARD GRAND Prize: “Finding Fronsdal” | Directed by: Kevin Morra | USA, 2017

    BEST CINEMATOGRAPHY

    GRAND Prize: “Our Wildest Dreams” | Directed by: Marie Elisa Scheidt, Cinematography by: Julian Krubasik | Germany 2017 FIRST Prize “Faith” | Directed by: Tatiana Fedorovskaya, Cinematography by: Vladimir Egorov | Russia 2017

    RIIFF NEW ENGLAND DIRECTOR’S AWARD

    GRAND Prize: Karen Allen, “A Tree. A Rock. A Cloud.” | USA 2016 RIIFF DIRECTOR’S CHOICE AWARD “The Gamble House” | Directed by: Don Hahn | USA, 2017

    HEARTS, MINDS, SOULS AWARD

    Celebrating Films that Reflect the Jewish Experience. GRAND Prize: “Memory Songs” | Directed by: Lucy Kaye | UK 2016 FIRST Prize: “The Twinning Reaction” | Directed by: Lori Shinseki | USA 2017 Tied with: “Mustard Seed” | Directed by: Lina Roessler | Canada, Germany 2016

    BEST EDITING

    GRAND Prize: “Revolving Doors” | Directed by: James Burns; Edited by: Stacy Kim & Jeb Banegas | USA 2017 FIRST Prize: “The Sugaring Off” | Directed by: Alexandre Isabelle; Edited by: Élisabeth Olga Tremblay | Canada 2016 Tied With: “The Catch” | Directed by: Holly Brace-Lavoie; Edited by: Sophie Benoit Sylvestre | Canada 2017

    BEST SCREENPLAY

    GRAND Prize: “The Secret Market” | Directed by: Garret Daly; Written by: Conor Ryan | Ireland 2017 FIRST Prize: “Ostoja Will Move Your Piano” | Written and Directed by Sandra Mitrovic | Serbia/ Montenegro, 2017 FLICKERS’ AMBASSADOR AWARD Presented to an individual who inspires and empowers communication and cultural understanding. Patricia Chica, “Morning After” | Canada, 2017

    FLICKERS’ INTERNATIONAL HUMANITARIAN AWARD

    Given annually to films or filmmakers who inspire social change and community outreach and strive to better the world in which we live. GRAND Prize: “Man in Red Bandana” | Directed by: Matthew Weiss | USA 2017 FIRST Prize: “Refugee” | Directed by: Joyce Chen and Emilie Moore | USA 2016 PROVIDENCE FILM FESTIVAL AWARD Presented annually to a New England director whose work brings cinematic excellence to an international audience. GRAND Prize: Laura Colella | “The Flying Electric” | USA 2017

    ALTERNATIVE SPIRIT AWARD (LGBTQ) SHORT

    GRAND Prize: “Cocoon” | Directed by: Liying Mei | China, 2016 FIRST Prize: “Iris” | Directed by: Gabrielle Demers | Canada, 2017 Tied with: “Something New” | Directed by: TJ Marchbank | USA 2017

    ALTERNATIVE SPIRIT AWARD (FEATURE)

    GRAND Prize: “Prom King, 2010” | Directed by: Christopher Schaap | USA, 2017 FIRST Prize: “Something Like Summer” | Directed by: David Berry | USA, 2017 Tied with: “High Low Forty” | Directed by: Paddy Quinn | USA, 2017

    ALTERNATIVE SPIRIT AWARD (DOCUMENTARY)

    GRAND Prize: “Take a Walk on the Wild Side” | Directed by: Lisa Rideout | Canada, 2017 FIRST Prize: “John Hemmer & the Show Girls” | Directed by: Kirsten Larvick | USA, 2017

    KIDSEYE INTERNATIONAL FILM FESTIVAL AWARDS

    Presented to a film that resonates with the filmmaker within both children and adults alike.

    BEST CHILDREN’S ANIMATION

    GRAND Prize: Rouff | Directed by: Markus Eschrich, Benjamin Brand, Johannes Lumer, Julius Rosen, Markus Eschrich | Germany, 2017 FIRST Prize: “Way of Giants” | Directed by: Alois Di Leo | Brazil, 2016 Tied with: “We’re Going on Bear Hunt” | Directed by: Joanna Harrison, Robin Shaw | UK, 2016

    LIVE ACTION

    GRAND Prize: “TRiGGA” | Directed by: Meloni Poole | UK, 2017 FIRST Prize: “Einstein-Rosen” | Directed by: Olga Osorio | Spain, 2016

    GREEN PLANET AWARD

    Celebrating the vision of man’s shared humanity and achieving sustainability on our planet. GRAND Prize: “Run While You Can” | Directed by: Marion Mauran | USA, 2017

    VORTEX SCI-FI & FANTASY AWARD

    GRAND Prize: “Girl of My Dreams” | Directed by: Johnny Wilson | USA, 2016 FIRST Prize: “Belle à croquer” | Directed by: Axel Courtière | France, 2017

    BEST STUDENT FILM AWARD

    COLLEGE

    GRAND Prize: “SHARK” | Directed by: J. Sivert Lendorph Christensen | UK, 2017 FIRST Prize: “THE GREEN” | Directed by: Sophia Loffreda | USA, Canada, 2017

    HIGH SCHOOL

    GRAND Prize: “N.O.VI.S” | Directed by: Arthur Rodger “Harley” Maranan | Philippines, 2017 First Prize: “Buoyancy” | Directed by: Tori Taylor | USA, 2017 BEST INTERACTIVE MEDIA “-KLAUS-” | Created by: Victor Velasco | USA, 2017 BEST INTERNET SERIES “Gunner Jackson” | Directed by: Christian Strevy | USA, 2016

    FLICKERS’ YOUTH FILM JURY AWARDS

    BEST NARRATIVE SHORT GRAND Prize: “Oh What a Wonderful Feeling” | Directed by: Francois Jaros | Canada, 2016 FIRST Prize: “New Neighbors” | Directed by: E.G. Bailey | USA, 2016 Tied With: “Life Boat” | Directed by: Lorraine Nicholson | USA, 2016 BEST ANIMATION “Totem” | Directed by: Alex Cannon | USA, 2017 BEST FEATURE FILM DOC “Stumped” | Directed by: Robin Berghaus | USA, 2017 BEST FEATURE FILM NARRATIVE “American Folk” | Directed by: David Heinz | USA, 2017 BEST DOCUMENTARY: “Edith+Eddie” | Directed by Laura Checkoway | USA 2017 BEST LGBTQ FILM: “Cocoon” | Directed by: Liying Mei | China, 2017

    THE 2017 FLICKERS’ SPECIAL AWARDS:

    GILBERT STUART ARTISTIC VISION (LIFETIME ACHIEVEMENT) AWARD Douglas Trumbull, Visual Effects/Director RI FILM & TELEVISION OFFICE DREAMMAKER AWARD Johnny Wilson, Visual Effects/Director RIIFF SCREENPLAY COMPETITION AWARD Tannaz Hazemi, “Dean the Drummer” | New York THE 2017 FLICKERS’ PRODUCER’S CIRCLE AWARD Presented to members of the community who have actively worked to support and promote the mission of Flickers. This year’s winners include: Anthony Ambrosino, Director The Champlin Foundation Deborah Newhall, Costume Designer Angela Ryding, Actress Andy Smith, Arts Writer Andre Stark, Producer WSBE, RI PBS  

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