Professor Marston and the Wonder Women[/caption]
NewFest, announced the full 2017 lineup featuring more than 140 LGBT narrative features, documentaries, episodic series and shorts.
This year’s festival will feature a Spotlight Screening & Conversation presentation of Angela Robinson’s PROFESSOR MARSTON & THE WONDER WOMEN, the story of how the superhero Wonder Woman came to be and the secret life of her creator, Dr. William Moulton Marston (Luke Evans), his wife Elizabeth (Rebecca Hall) and their lover Olive (Bella Heathcote). The screening will be followed by a conversation on bisexuality and polyamory with director Angela Robinson and guests to be announced.
New feature-length work includes narratives DISCREET from Travis Mathews (INTERIOR. LEATHER BAR), Canadian entry PORCUPINE LAKE from Ingrid Veninger (THE ANIMAL PROJECT) and the BBC-produced AGAINST THE LAW from Fergus O’Brien, documentaries MY WONDERFUL WEST BERLIN from German filmmaker Jochen Hick (THE GOOD AMERICAN), OUT OF ORDER from Amanda Bluglass (VIVA) and BONES OF CONTENTION from Emmy-winner Andrea Weiss (U.N. Fever). The festival also includes exciting premieres of debut features such as FREAK SHOW from Trudie Styler, starring Bette Midler, Abigail Breslin, AnnaSophia Robb, Laverne Cox, John McEnroe and Larry Pine, ONE LAST THING from Tim Rouhana, starring Wendall Pierce (THE WIRE) and Jurnee Smollet, as well as Jennifer Gerber’s THE REVIVAL, Mike Roma’s DATING MY MOTHER, Samantha Lee’s MAYBE TOMORROW, Gail Freedman’s HOT TO TROT, and Lara Embry and Carolyn Sherer’s ALABAMA BOUND, among
others.
Rounding out the US Narrative offerings are Christopher Schaap’s PROM KING, 2010, David Berry’s SOMETHING LIKE SUMMER, William Sullivan’s THE RING THING, Jenée LaMarque‘s THE FEELS, Albert Alarr’s A MILLION HAPPY NOWS and Anahita Ghazvinizadeh’s THEY, while Itako’s BOYS FOR SALE, Paul Oremland’s 100 MEN, Jeffrey Schwarz’s THE FABULOUS ALLAN CARR, Tristan Milewski’s DREAM BOAT and Arshad Khan’s ABU complete the feature length documentary entries.
The remaining International narratives include Marília Hughes and Guerreiro Cláudio Marques’ THE CITY OF THE FUTURE (Brazil), Carlos Lechuga’s SANTA & ANDRES (Cuba), Darren Thornton’s A DATE FOR MAD MARY (Ireland), Victor Villanueva’s JESUS IS DEAD (the Philippines, East Coast Premiere), Joselito Altarejos’ TALE OF THE LOST BOYS (Taiwan, the Philippines, North American Premiere), Lokesh Kumar’s MY SON IS GAY (India, North American Premiere), Nicolas Videla’s THE DEVIL’S MAGNIFICENT (Chile, International Premiere) and Nils-Erik Ekblom’s SCREWED (Finland).
Through the film selection process this year’s event, the festival’s programming team chose to highlight several themes, including the history of LGBT activism in New York City, the global condition of LGBT communities and the ways in which different generations of LGBT artists, activists and storytellers influence each other by looking both backwards and forward in time.
To that end, they chose to program a Legacy section of shorts entitled Out of the Archive: Queer New York, containing 7 short films spanning the past 50 years of LGBT filmmaking, including a 2010 short documentary from Ira Sachs comprised of footage of the exteriors of houses where New York artists were living when they died of AIDS; QUEENS AT HEART, a short doc about two pre-Stonewall transgender women; and I NEVER DANCED THE WAY GIRLS WERE SUPPOSED TO, Dawn Suggs’ mediation on black lesbian subjectivity.
The Legacy feature is Hettie Macdonald’s 1996 narrative feature BEAUTIFUL THING. Two decades after its initial release, the film still stands as one of the most poignant and honest depictions of the coming-out process ever presented on screen, and represents this year’s festival’s theme of self-expression.
This year’s lineup of 97 new LGBT shorts have been divided into thematic programs, as follows: DRAWN THIS WAY: QUEER ANIMATION; YOUNG, QUEER & WOKE; THE QUEER RESISTANCE; MILITARY SHORTS; BEYOND THE BINARY; FAITH AND FURY; GIRLS SHORTS; BOYS SHORTS; QUEER + POSITIVE; and EXPERIMENTS IN SEX, LOVE & GENDER
The 2017 NewFest runs from October 19 to 24 at the SVA Theatre, Cinépolis Chelsea, and The LGBT Community Center in New York City.
Something Like Summer
Benjamin is an out-of-the-closet theater kid while Tim is the hunky town jock. When Benjamin discovers his attraction to Tim is reciprocated this delightfully musical tale takes off. The boys’ relationship spans years encapsulating all of the delirious highs and painful lows of young love.
Directed by David Berry
Starring Grant Davis, Davi Santos, Ben Baur
Genre(s) Drama Film
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2017 Reeling LGBTQ Film Festival Unveils Lineup, Opens with HELLO AGAIN, Closes with SATURDAY CHURCH
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Nolan Gerard Funk in Hello Again[/caption]
Reeling, the second-oldest LGBTQ film festival in the world, celebrates its 35th anniversary edition from September 21 to 28 at Landmark Theatres’ Century Centre Cinema in Chicago. The 2017 Reeling will present 30 feature films and 10 programs of shorts, coming from 22 countries.
The festival kicks off Thursday, September 21 at Music Box Theatre with the Chicago premiere of Northwestern alum Tom Gustafson’s HELLO AGAIN. The sex-fueled all-star screen adaptation of the 1994 Off-Broadway musical stars Cheyenne Jackson, Audra McDonald, Martha Plimpton, Tyler Blackburn and Rumer Willis. Reeling 2017 closes Thursday, September 28 with SATURDAY CHURCH, the coming-of-age story of a young Black teen exploring gender expression and finding acceptance in the Harlem Ball scene, which stars Golden Globe- and Emmy-nominated actor and Goodman Theatre playwright Regina Taylor.
From Trudie Styler’s hotly anticipated directorial debut, the outrageous dramedy FREAK SHOW, about the fictional high school “transvisionary” Billy Bloom, starring Alex Lawther ( The Imitation Game ), Bette Midler and Laverne Cox; and writer-director Vincent Gagliostro’s intergenerational gay romantic drama AFTER LOUIE, starring Alan Cumming in a career-defining performance; to the crackling energy and entertaining story of the rise of YouTube musical superstar Todrick Hall in the documentary BEHIND THE CURTAIN; to the inspiring story of the long road to acceptance for Brooke Guinan, New York’s first out transgender firefighter in WOMAN ON FIRE; to Looking actor Russell Tovey’s stunning performance in THE PASS, the story of two football players whose reactions to the homoerotic tension between them as young men shape their divergent futures; the 35th edition of Reeling Film Festival has something to satisfy every film taste!
Reeling launches its eight-day festival with the Opening Night Gala presentation of the sensual musical HELLO AGAIN, Northwestern alumni Tom Gustafson’s ( Were the World Mine, Mariachi Gringo ) red hot film adaptation of Michael John LaChiusa’s acclaimed 1994 Off-Broadway musical. The film follows ten lovestruck souls who pair off in an erotic daisy chain of sex and song, looking for meaning beyond their steamy hookups. Jack ( Tyler Blackburn, Pretty Little Liars ) sexes up Robert ( Cheyenne Jackson, American Horror Story ) who pleasures Sally ( six-time Tony winner Audra McDonald ) who revels in her tryst with Ruth ( Martha Plimpton, The Real O’Neals ). Along for the sexy hijinks are T.R. Knight ( Grey’s Anatomy ), Rumer Willis ( Empire, Dancing with the Stars ), Jenna Ushkowitz ( Glee ), Sam Underwood ( Fear the Walking Dead ), vocalist Al Calderon and Nolan Gerard Funk ( Glee and former Calvin Klein model ). The musical numbers — everything from pop to operetta to Broadway to swing to searing torch ballads — are as fluid as the sexual proclivities of the characters. Prepare to indulge your senses with this visually stylish, ultra-sensual musical extravaganza.
[caption id="attachment_23942" align="aligncenter" width="1200"]
Saturday Church[/caption]
Reeling closes on Thursday, September 28 with an advance screening of SATURDAY CHURCH. This audacious hybrid — part drama, part comedy, part musical — is pulled off with aplomb by debuting writer-director Damon Cardasis and his young cast of newcomers. After the recent death of his father, Ulysses ( Luka Kain ) has begun experimenting with his sexuality and gender expression; his nights are full of stolen nylons and high heels. But Aunt Rose — played by acclaimed actor, playwright and Chicago resident Regina Taylor — is having none of this, so Ulysses flees the Bronx, finding himself enthralled by a new group of colorful, streetwise friends who introduce him to the Ball community. This thrilling, genre-busting film, soulful and heartfelt, has received raves on the film festival circuit and is a superlative and tender, coming-of-age story.
Reeling will present the premieres of two locally made features: Chicago based writer-director Wendell Etherly’s MARKET VALUE is a compelling child custody courtroom drama focused on a lesbian couple fighting to keep their adopted son; and On the Down Low writer-director Tadeo Garcia returns to Reeling with EN ALGUN LUGAR, a gay romantic drama set against the backdrop of the controversial U.S. immigration system.
Other festival highlights include the World Premiere of writer-director Rob Williams’ ( Role/Play, Shared Rooms, Make the Yuletide Gay ) ninth feature film, HAPPINESS ADJACENT, a bisexual love triangle set aboard a cruise ship; the critically acclaimed Sundance hit, I DREAM IN ANOTHER LANGUAGE, Mexican director Ernest Contreras’ drama about two elderly men who are the last living people able to speak a dying language but who refuse to talk to each other; SEBASTIAN, writer-director-actor James Fanizza’s romantic drama about a fling between two men living in different countries who unexpectedly fall in love; the eccentric Scottish film SEAT IN SHADOW, director Henry Coombes’ film about an aging free-spirited artist who plays therapist for the young gay grandson of a friend; APRICOT GROVES, Pouria Heidary Oureh’s beautifully realized story about an Iranian Armenian transman living in the U.S. who visits Armenia to ask his girlfriend’s father for her hand in marriage; THE RING THING, about a lesbian couple facing the pressures of getting married now that it’s legal, directed by William Sullivan, whose That’s Not Us screened at Reeling 2015; and EASTSIDERS SEASON 3: GO WEST, all new episodes from the Emmy-nominated gay web series that went viral on YouTube and was later picked up by Netflix.
Young love is explored in UK director Daniel Grasskamp’s CAT SKIN, in which a shy photography student captures the attention of a popular girl whose boyfriend refuses to leave the picture; David Berry’s SOMETHING LIKE SUMMER, a film adaptation of a popular novel series focusing on a young gay couple that includes Glee-like musical numbers; and Jakob M. Erwa’s CENTER OF MY WORLD, a gay coming of age romance from Germany.
Thrills, excitement, mayhem and various kinds of trouble can be found in two British and two Australian films. In the British crime thriller B&B, two men who successfully sued a small inn for gay discrimination return to gloat and find their triumph is short-lived, and in PALACE OF FUN, a rich young British woman’s calculating gay brother plays sinister games with her love interest. The Australian BOYS IN THE TREES is an eerie surrealist coming of age drama that takes place on Halloween night; and in BAD GIRL, a rebellious teenager is single-white-femaled by a doe-eyed beauty whom her parents are convinced is a good role model for her.
Comic relief is offered by SENSITIVITY TRAINING, in which an abrasive microbiologist finds herself attracted to the woman hired by her company to be her sensitivity coach; DATING MY MOTHER, about an aimless recent college graduate who moves back in with his widowed mom and finds that they are both trying to find Mr. Right; and PROM KING, 2010, which chronicles the failed attempts of an awkward 20-year-old college freshman in New York to find the man of his dreams.
The lives of women of color are explored in two web series: 195 LEWIS, set in Bed-Stuy, Brooklyn; and the locally produced, Emmy nominated BROWN GIRLS, set in Chicago. The latter series was funded in part by Chicago Filmmakers’ Chicago Digital Media Production Fund, and creators Samantha Bailey and Fatimah Asghar were recently signed to a development deal to adapt the series for HBO.
Documentaries, as always, are an important part of the Reeling lineup. Documentaries include CHAVELA, an affectionate portrait of the legendary lesbian Costa Rican Ranchera singer who counted Pedro Almodóvar among her friends and Frida Kahlo among her lovers; THE DEATH AND LIFE OF MARSHA P. JOHNSON, Oscar nominated David France’s follow-up to How to Survive a Plague which focuses on the mysterious circumstances surrounding the death of the trans activist as well as her close friendship with Sylvia Rivera; BONES OF CONTENTION, an historical documentary focusing on the repression of gays and lesbians under the Franco regime during the Spanish Civil War which weaves in the life of murdered queer poet Federico Garcia Lorca; and AGAINST THE LAW, a docudrama about the punitive life for gay men in conservative England in the 1950s.
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‘The Silent Child’ ‘Restraint’ ‘Circle Up’ Among Winners of Rhode Island International Film Festival Awards
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The Silent Child, directed by Chris Overton won the the award for Best Live Action Short at 2017 Flickers’ Rhode Island International Film Festival[/caption]
Flickers’ Rhode Island International Film Festival (RIIFF) announced the Award Winners for its 35th Anniversary Celebration of Flickers, on Sunday, August 13th. The winners of RIIFF’s Live Action, Animation and Documentary Short Grand Prizes hold a special honor: they become the Festival’s nominees for Academy Award consideration.
“The Silent Child,” directed by Chris Overton from the United Kingdom (2017) won the the award for Best Live Action Short. “The Silent Child” follows the story of a profoundly deaf child, and the deaf-specialized social worker who struggles to help the family try to understand their child’s deafness.
“Coin Operated,” directed by Nicholas Arioli from the United States (2016) won the award for Best Animated Short. “Coin Operated” is an animation that spans 70 years in the life of one naive explorer, as he works to earn enough money to take a coin operated space ship to outer space.
And “Marian,” directed by Rick Rogers, a Rhode Island native and Rhode Island School of Design Graduate, won the award for Best Documentary Short. Filmed over eight years, “Marian” documents the final years of renowned actress Marian Seldes’ life and touches on the themes of identity, the worship of others and the deterioration of family.
In other awards, Douglas Trumbull, renowned visual effects artist for such films as “Close Encounters of the Third Kind,” (which is celebrating its 40th Anniversary in November), “2001: A Space Odyssey,” and “Blade Runner” received this year’s Inaugural Gilbert Stuart Artistic Vision (Lifetime Achievement) Award. Johnny Wilson, visual effects artist for such films as “Ant Man,” “Doctor Strange,” and “Captain America: The First Avenger” was presented by Steven Feinberg with this year’s RI Film & Television Office Dream Maker Award.
The Flickers’ Rhode Island International Film Festival returns August 7 to 12, 2018
2017 Rhode Island International Film Festival Awards
BEST LIVE ACTION SHORT
GRAND Prize: (RIIFF’s Official Academy Nomination) “The Silent Child” | Directed by: Chris Overton | UK, 2017 FIRST Prize: “Emma” | Directed by: Martin Edralin | Canada, 2016 Tied With: “Half A Man” | Directed by: Kristina Kumric| Croatia, 2016 BEST SHORT ANIMATION GRAND Prize: (RIIFF’s Official Academy Nomination) “Coin Operated” | Directed by: Nicholas Arioli | USA, 2017 FIRST Prize: “Poles Apart” | Directed by: Paloma Baeza | UK, 2017 Tied With: “The Full Story” Directed by: Daisy Jacobs | UK, 2017BEST SHORT DOCUMENTARY
GRAND Prize: (RIIFF’s Official Academy Nomination) “MARIAN” | Directed by: Rick Rodgers | USA, 2016 FIRST Prize: “Hale” | Directed by: Bradford Bailey | USA, 2017 Tied With: “AJ” | Directed by: Philippine Merolle | USA, 2017BEST FEATURE
GRAND Prize: “Restraint” | Directed by: Adam Cushman | USA, 2017 FIRST Prize: “1:54” | Directed by: Yan England | Canada, 2016 Tied With: “La Soledad” | Directed by: Jorge Thielen Armand| Venezuela, Canada, Italy, 2016BEST FEATURE DOCUMENTARY
GRAND Prize: “Circle Up” | Directed by: Julie Mallozzi | USA, 2017 FIRST Prize: “A Whale of a Tale” | Directed by: Megumi Sasaki | Japan, USA 2016 Tied With: “Anatomy of a Male Ballet Dancer” | Directed by: James Pellerito and David Barba| USA, 2017 FILMMAKER OF THE FUTURE AWARD Presented to a filmmaker whose vision excites audiences and judges alike about the potential to produce compelling and successful films in the future. Ian Bibby, “Mainland” USA, 2017 BEST ACTOR: Mohamed Seddiki, “The Geneva Convention” | France, 2016 JUDGE’S COMMENT: “Mohamed elegantly showcased that making the right decision is easier than it seems.” BEST ACTRESS: Maisie Sly, “The Silent Child” | UK, 2017 JUDGE’S COMMENT: “Maisie Sly is a defining example of how being different makes you special and that true talent and passion comes in all shapes and sizes.”BEST COMEDY SHORT
GRAND Prize: “The Eleven O’Clock” | Directed By: Derin Seale, Written by: Josh Lawson | Australia 2016 FIRST Prize: “All Exchanges Final” | Written & Directed by: Annabel Oakes | USA, 2016 Tied With: “Perfect Roast Potatoes” | Written and Directed by: Nick Frew | USA, 2017BEST EXPERIMENTAL
GRAND Prize: “The Avant-Gardener” | Directed by: Lindsay Katt and Heather Matarazzo | USA 2017 FIRST Prize: “The Ogre” | Directed by: Laurene Braibant | France 2017BEST DIRECTOR
GRAND Prize: John Sheedy, “Mrs McCutcheon” | Australia 2017 FIRST Prize: Genevieve Clay-Smith, “Kill Off” | Australia 2017 DR. J. GERALD LAMOUREUX AWARD FOR EXCELLENCE Presented to a filmmaker and artist who represents the spirit of cultural exchange between the United States and Canada. Sandrine Brodeur-Desrosiers, “Cast Off” | Canada 2016 DIRECTORIAL DISCOVERY AWARD GRAND Prize: “Finding Fronsdal” | Directed by: Kevin Morra | USA, 2017BEST CINEMATOGRAPHY
GRAND Prize: “Our Wildest Dreams” | Directed by: Marie Elisa Scheidt, Cinematography by: Julian Krubasik | Germany 2017 FIRST Prize “Faith” | Directed by: Tatiana Fedorovskaya, Cinematography by: Vladimir Egorov | Russia 2017RIIFF NEW ENGLAND DIRECTOR’S AWARD
GRAND Prize: Karen Allen, “A Tree. A Rock. A Cloud.” | USA 2016 RIIFF DIRECTOR’S CHOICE AWARD “The Gamble House” | Directed by: Don Hahn | USA, 2017HEARTS, MINDS, SOULS AWARD
Celebrating Films that Reflect the Jewish Experience. GRAND Prize: “Memory Songs” | Directed by: Lucy Kaye | UK 2016 FIRST Prize: “The Twinning Reaction” | Directed by: Lori Shinseki | USA 2017 Tied with: “Mustard Seed” | Directed by: Lina Roessler | Canada, Germany 2016BEST EDITING
GRAND Prize: “Revolving Doors” | Directed by: James Burns; Edited by: Stacy Kim & Jeb Banegas | USA 2017 FIRST Prize: “The Sugaring Off” | Directed by: Alexandre Isabelle; Edited by: Élisabeth Olga Tremblay | Canada 2016 Tied With: “The Catch” | Directed by: Holly Brace-Lavoie; Edited by: Sophie Benoit Sylvestre | Canada 2017BEST SCREENPLAY
GRAND Prize: “The Secret Market” | Directed by: Garret Daly; Written by: Conor Ryan | Ireland 2017 FIRST Prize: “Ostoja Will Move Your Piano” | Written and Directed by Sandra Mitrovic | Serbia/ Montenegro, 2017 FLICKERS’ AMBASSADOR AWARD Presented to an individual who inspires and empowers communication and cultural understanding. Patricia Chica, “Morning After” | Canada, 2017FLICKERS’ INTERNATIONAL HUMANITARIAN AWARD
Given annually to films or filmmakers who inspire social change and community outreach and strive to better the world in which we live. GRAND Prize: “Man in Red Bandana” | Directed by: Matthew Weiss | USA 2017 FIRST Prize: “Refugee” | Directed by: Joyce Chen and Emilie Moore | USA 2016 PROVIDENCE FILM FESTIVAL AWARD Presented annually to a New England director whose work brings cinematic excellence to an international audience. GRAND Prize: Laura Colella | “The Flying Electric” | USA 2017ALTERNATIVE SPIRIT AWARD (LGBTQ) SHORT
GRAND Prize: “Cocoon” | Directed by: Liying Mei | China, 2016 FIRST Prize: “Iris” | Directed by: Gabrielle Demers | Canada, 2017 Tied with: “Something New” | Directed by: TJ Marchbank | USA 2017ALTERNATIVE SPIRIT AWARD (FEATURE)
GRAND Prize: “Prom King, 2010” | Directed by: Christopher Schaap | USA, 2017 FIRST Prize: “Something Like Summer” | Directed by: David Berry | USA, 2017 Tied with: “High Low Forty” | Directed by: Paddy Quinn | USA, 2017ALTERNATIVE SPIRIT AWARD (DOCUMENTARY)
GRAND Prize: “Take a Walk on the Wild Side” | Directed by: Lisa Rideout | Canada, 2017 FIRST Prize: “John Hemmer & the Show Girls” | Directed by: Kirsten Larvick | USA, 2017KIDSEYE INTERNATIONAL FILM FESTIVAL AWARDS
Presented to a film that resonates with the filmmaker within both children and adults alike.BEST CHILDREN’S ANIMATION
GRAND Prize: Rouff | Directed by: Markus Eschrich, Benjamin Brand, Johannes Lumer, Julius Rosen, Markus Eschrich | Germany, 2017 FIRST Prize: “Way of Giants” | Directed by: Alois Di Leo | Brazil, 2016 Tied with: “We’re Going on Bear Hunt” | Directed by: Joanna Harrison, Robin Shaw | UK, 2016LIVE ACTION
GRAND Prize: “TRiGGA” | Directed by: Meloni Poole | UK, 2017 FIRST Prize: “Einstein-Rosen” | Directed by: Olga Osorio | Spain, 2016GREEN PLANET AWARD
Celebrating the vision of man’s shared humanity and achieving sustainability on our planet. GRAND Prize: “Run While You Can” | Directed by: Marion Mauran | USA, 2017VORTEX SCI-FI & FANTASY AWARD
GRAND Prize: “Girl of My Dreams” | Directed by: Johnny Wilson | USA, 2016 FIRST Prize: “Belle à croquer” | Directed by: Axel Courtière | France, 2017BEST STUDENT FILM AWARD
COLLEGE
GRAND Prize: “SHARK” | Directed by: J. Sivert Lendorph Christensen | UK, 2017 FIRST Prize: “THE GREEN” | Directed by: Sophia Loffreda | USA, Canada, 2017HIGH SCHOOL
GRAND Prize: “N.O.VI.S” | Directed by: Arthur Rodger “Harley” Maranan | Philippines, 2017 First Prize: “Buoyancy” | Directed by: Tori Taylor | USA, 2017 BEST INTERACTIVE MEDIA “-KLAUS-” | Created by: Victor Velasco | USA, 2017 BEST INTERNET SERIES “Gunner Jackson” | Directed by: Christian Strevy | USA, 2016FLICKERS’ YOUTH FILM JURY AWARDS
BEST NARRATIVE SHORT GRAND Prize: “Oh What a Wonderful Feeling” | Directed by: Francois Jaros | Canada, 2016 FIRST Prize: “New Neighbors” | Directed by: E.G. Bailey | USA, 2016 Tied With: “Life Boat” | Directed by: Lorraine Nicholson | USA, 2016 BEST ANIMATION “Totem” | Directed by: Alex Cannon | USA, 2017 BEST FEATURE FILM DOC “Stumped” | Directed by: Robin Berghaus | USA, 2017 BEST FEATURE FILM NARRATIVE “American Folk” | Directed by: David Heinz | USA, 2017 BEST DOCUMENTARY: “Edith+Eddie” | Directed by Laura Checkoway | USA 2017 BEST LGBTQ FILM: “Cocoon” | Directed by: Liying Mei | China, 2017THE 2017 FLICKERS’ SPECIAL AWARDS:
GILBERT STUART ARTISTIC VISION (LIFETIME ACHIEVEMENT) AWARD Douglas Trumbull, Visual Effects/Director RI FILM & TELEVISION OFFICE DREAMMAKER AWARD Johnny Wilson, Visual Effects/Director RIIFF SCREENPLAY COMPETITION AWARD Tannaz Hazemi, “Dean the Drummer” | New York THE 2017 FLICKERS’ PRODUCER’S CIRCLE AWARD Presented to members of the community who have actively worked to support and promote the mission of Flickers. This year’s winners include: Anthony Ambrosino, Director The Champlin Foundation Deborah Newhall, Costume Designer Angela Ryding, Actress Andy Smith, Arts Writer Andre Stark, Producer WSBE, RI PBS
