
The 2017 Melbourne International Film Festival (MIFF) wrapped on August 20th after 18 days jam-packed with films, guests, talks and events.
A still from STEP by Amanda Lipitz.[/caption]
The AFI DOCS 2017 Audience Award for Best Feature went to STEP, directed by Amanda Lipitz, and the Audience Award for Best Short went to Fish Story, directed by Charlie Lyne.
With 112 films from 28 countries, this year’s AFI DOCS presented films and discussions on topics ranging from the environment and sports to politics and art, along with profiles of extraordinary individuals. Among the attendees were filmmakers and notables including Trish Adlesic and Mariska Hargitay (I Am Evidence), Matthew Heineman (City Of Ghosts), Michael Pack (The Fall Of Newt Gingrich), Laura Poitras (AFI DOCS Charles Guggenheim Symposium honoree), Samuel Pollard (Acorn And The Firestorm), Morgan Spurlock (No Man’s Land, Tough Guys), as well as scientist Bill Nye (Bill Nye: Science Guy) and Owner and CEO of Monumental Sports & Entertainment Ted Leonsis.
In STEP, meet the “Lethal Ladies,” the amazing step dance team from the Baltimore Leadership School for Young Women. Amanda Lipitz’s inspiring portrait will have you cheering as the Ladies attempt to finish first in the city’s dance competition and to become the first women in their families to go to college.
FISH STORY investigates a mysterious gathering rumored to have taken place in 1980s Wales, at which an unlikely group of people with one thing in common came together.
AT THE END OF THE TUNNEL, directed by Rodrigo Grande[/caption]
The Seattle International Film Festival (SIFF) today announced the winners of the 2017 Golden Space Needle Audience and Competition Awards. At The End Of The Tunnel, directed by Rodrigo Grande was voted winner of the Golden Space Needle Award – Best Film, along with Best Director for Rodrigo Grande; Dolores, directed by Peter Bratt won the Golden Space Needle Award – Best Documentary.
The awards were presented at a ceremony and breakfast held at the Space Needle. The 25-day Festival, which began May 18, featured 400 films representing 80 countries, including 36 World premieres (14 features, 22 shorts), 34 North American premieres (22 features, 12 shorts), 20 US Premieres (11 features, 9 shorts), and 750 Festival screenings and events.
Interim Artistic Director Beth Barrett said, “This year at SIFF, we celebrated extraordinary cinema from 80 countries over a marathon 25 days bringing to our audiences more than 750 screenings and events and introducing them to over 350 filmmakers and industry guests. Executive Director Sarah Wilke and I were thrilled to present Anjelica Huston with the Festival’s Outstanding Achievement Award in Acting before screening the World Premiere of her newest film Trouble, as well as welcoming Sam Elliott back to the the Festival for a special screening of his film, The Hero. We had an incredible lineup of local films, and our documentary film selection continues to be among the best in the country. We also launched a new program, the SIFF New Works-in-Progress Forum, where we screened two narrative and two documentary features in the midst of their creative process to the Seattle audience of industry and festival attendees, as well as continuing our exploration of the intersections between cinema and VR/360.”
Patti Cake$[/caption]
For its 66th edition, the Melbourne International Film Festival (MIFF) has revealed its First Glance selection of 30 films that will screen at this year’s festival from August 3 to 20, 2017, including the Australian premiere of Jane Campion’s much anticipated new television series Top of the Lake: China Girl.
Artistic Director Michelle Carey says, “We’re hoping that this sneak peek of the 2017 program gives you a taste of what’s to come. The calibre of films on offer this year is very impressive, from Australian stalwart Jane Campion’s Top of the Lake: China Girl to breakout hit Patti Cake$, MIFF brings you the story of the world through curated and unforgettable screen experiences.”
Straight from a standing ovation in Cannes, this special Australian premiere of the entire second season, directed by Jane Campion and MIFF Accelerator alumnus Ariel Kleiman from a script by Campion and Gerard Lee (My Mistress, MIFF 14), will show all six episodes in three concurrent two-hour sessions – a unique opportunity to see the series before its television premiere on BBC First on Foxtel. Top of the Lake: China Girl (Australia) is a crime mystery story that finds Detective Robin Griffin (Elisabeth Moss) recently returned to Sydney and trying to rebuild her life. When the body of an Asian girl washes up on Bondi Beach, there appears little hope of finding the killer, until Robin discovers ‘China Girl’ didn’t die alone. Also starring Nicole Kidman, Gwendoline Christie (Game of Thrones), David Dencik (Tinker Tailor Soldier Spy), Ewen Leslie (The Daughter) and Accelerator alumnus Alice Englert (The Boyfriend Game, MIFF 16).
Also hotting up the screen will be Australian premieres Golden Exits (USA), the latest film from Alex Ross Perry (Listen Up Phillip MIFF 14; Queen of Earth, MIFF 15), an unnerving ensemble drama shot on 16mm that boasts a star-studded cast led by Emily Browning, Chloë Sevigny, Jason Schwartzman with Beastie Boy Adam Horovitz and a moody score by Keegan De Witt; and The Lost City of Z (USA), James Gray’s (The Immigrant MIFF 14) sumptuous and poignant Amazon adventure based on real life explorer Percy Fawcett’s quest to find the fabled city of El Dorado, starring Charlie Hunnam, Sienna Miller, Robert Pattinson and featuring lush 35mm cinematography by Darius Khondji.
Leading Australian director Kriv Stenders (The Principal, MIFF 15; Red Dog MIFF 11) returns to MIFF with two productions: The Go-Betweens – Right Here (Australia), a documentary charting the four-decade long story of beloved indie rock band The Go-Betweens, in their own words and with never-before-seen archival footage; and Australia Day (Australia), an excoriating, illuminating take on our country’s most fraught debate, set over a pulse-racing 12 hours on 26 January with a powerhouse ensemble cast including Bryan Brown, Matthew Le Nevez, Sean Keenan, Shari Sebbens and Jenny Wu (who also features in Top of the Lake: China Girl).
Local comedies include Ali’s Wedding, based on the real-life experience of lead actor Osamah Sami’s ill-fated arranged marriage the absurd and poignant tale about family in multicultural Australia stars Don Hany with direction by Jeffrey Walker (Jack Irish: Bad Debts, MIFF 12), and That’s Not Me (Australia). Ali’s Wedding is a fast-paced comedy of very Muslim manners that shines with wit, humanity and crowd-pleasing charisma; while That’s Not Me is Gregory Erdstein’s (Two Devils, MIFF 14) charming feature debut about a young woman and aspiring actor who takes advantage of her identical twin sister’s success and fame, featuring an impressive performance by writer/star Alice Foulcher in dual roles.
In Mountain (Australia), Jennifer Peedom (Sherpa, MIFF 15) returns to the mountains that so captivate her in a unique cinematic and musical collaboration. Working with high-altitude cinematographer Renan Ozturk, bestselling author Robert Macfarlane (Mountains of the Mind) and the Australian Chamber Orchestra’s Richard Tognetti, Peedom has created a breathtaking cine-sonic journey through awe-inspiring vistas narrated by Willem Dafoe.
One of Australia’s most innovative filmmakers and MIFF regular Amiel Courtin-Wilson (Hail MIFF 11; Ruin, MIFF 13) captures two legends – free jazz pioneer Cecil Taylor and modern dance artist Min Tanaka – in an intimate performance piece like no other in The Silent Eye (Australia). Shot over three days in 2016 at Taylor’s New York home, the film captures these two masters riffing, offering the audience a glimpse of the creative process at its most sublime.
Master international filmmakers bring their works to the big screen at MIFF with Terrence Malick’s Song to Song (USA), a beautifully lensed love story set against the backdrop of the Austin music scene, with a luminous cast including Ryan Gosling, Rooney Mara, Michael Fassbender, Natalie Portman and Cate Blanchett; and Sally Potter’s (Ginger and Rosa, MIFF 12) caustic comic satire of a broken, post-Brexit England, The Party (UK), offering a masterclass of acting from a stellar ensemble headed by Kristin Scott Thomas, Patricia Clarkson and Timothy Spall, and filmed entirely in stunning black and white.
The director of A Bigger Splash, Luca Guadagnino, presents his most accomplished film yet: a passionate Italian summer romance headed by Armie Hammer and star on the rise Timothée Chalamet. Adapted from André Acimen’s novel with a script co-written by James Ivory, Call Me By Your Name (Italy) is a sensuous story of first love and the end of adolescence.
Turning galvanizing portraits of marginalized women into his own niche, Sebastián Lelio (Gloria, MIFF 13) returns with another beguiling character study, delivering a nuanced and moving account of a vital fight for love, acceptance, and respect that won both Best Screenplay and Best LGBT Film at Berlin. But A Fantastic Woman (Chile) belongs to its determined, defiant titular character and the stunning performance by transgender actress Daniela Vega, making one of the most memorable and formidable movie debuts in recent history.
Peter Mackie Burns’ nuanced debut feature Daphne (UK) is a character study about a dissatisfied young woman in present-day London – featuring a superb performance from Emily Beecham in title role – that balances complex comedy and disarming drama and offers a refreshing portrait of contemporary womanhood.
Music video director Geremy Jasper’s fabulous feature debut Patti Cake$ (USA), about an aspiring rapper, is a triumphant tale of how music can give a nobody a voice, which wowed critics and audiences alike at Sundance and Cannes. But the film belongs to Australian acting discovery Danielle McDonald, who was dubbed the breakout star of Sundance for her sensational performance as the New Jersey battler and hailed as the “Next Big Thing” by The Hollywood Reporter.
[caption id="attachment_19636" align="aligncenter" width="1200"]
Pop Aye – Kirsten Tan[/caption]
Another acclaimed feature debut is Kirsten Tan’s Pop Aye (Thailand), the warm and ever-so-strange tale of a Bangkok architect, his elephant and 300 miles of mid-life crisis, which won the Special Jury Award for Screenwriting at Sundance and the Big Screen Award at Rotterdam.
God’s Own Country (UK) was also a favorite at Berlin (Teddy Jury Award winner) and Sundance, where it won the World Cinema Dramatic Best Director Award and comparisons to Brokeback Mountain. Francis Lee’s emotionally rich feature debut captures the quiet yearning of forbidden romance with heated sex scenes and a documentary-like depiction of British rural life that subverts the familiar path taken by queer love stories.
The makers of Spring (MIFF 15) return with The Endless (USA), an engrossing high-concept horror centred on two brothers following their escape from a cult. Justin Benson and Aaron Moorhead write, direct and star in a film of creeping dead that is part horror, part science fiction, which skirts the supernatural and keeps the audience guessing until the very end.
With over 62,000 oil paintings and a cast including Chris O’Dowd and Saoirse Ronan, Oscar-winning filmmaker Hugh Welchman (Peter and the Wolf) and Polish painter Dorota Kobiela bring the story of Vincent Van Gogh’s last days to the screen in the world’s first feature-length painted animation, Loving Vincent (UK). Inspired by Van Gogh’s own words – “we cannot speak other than by our paintings” – and using an army of painters from across Europe, every single frame of the film is an oil painting (12 per second) and the result is a truly astonishing visual feast that demands to be seen on the biggest of screens.
[caption id="attachment_19944" align="aligncenter" width="1200"]
A still from STEP by Amanda Lipitz,.[/caption]
Winner of the Sundance Special Jury Prize for Inspirational Filmmaking, STEP (USA) charts the senior year of the Baltimore Leadership School for Young Women step-dance team as they chase dual dreams – to be state champions and to be the first in their families to go to college – against the backdrop of the #BlackLivesMatter movement. Fun and empowering, the film optimistically explores community, sisterhood and the realities of being black and female in contemporary America.
Another timely examination of race relations in America is Haitian auteur Raoul Peck’s (Fatal Assistance, MIFF 13) Oscar-nominated I Am Not Your Negro (USA): a stirring portrait of the writer, civil rights activist and queer icon James Baldwin and his lifelong fight against racial and sexual injustice, narrated by Samuel L. Jackson.
Award-winning filmmaker Matthew Heinemann’s (Cartel Land, MIFF 15) new film focuses on the anonymous activists of Raqqa is Being Slaughtered Silently in the heartland of ISIS’s self-declared caliphate. City of Ghosts (USA) is an urgent, deeply personal real-world thriller about the world’s most crucial fight against misinformation.
In 2012, Iraq veteran David Crowley posted a YouTube trailer for his planned libertarian opus, Gray State, warning of America’s looming Second Civil War. Three years on, the rising alt-right filmmaker, his Muslim wife and their daughter were found slaughtered, “Allahu Akbar” smeared on the walls in blood. A conspiracy or something even more horrific? Executive produced by Werner Herzog, Erik Nelson’s A Gray State (USA) is a riveting murder mystery, a political thriller and an unparalleled psychological profile of a mind descending into paranoia.
Jumping over to New Zealand, the program will feature Pecking Order (New Zealand), which follows the members of the 148-year-old Christchurch Poultry, Bantam and Pigeon Club as they prepare for the National Show. Their president has brought them championship glory over the years, but is now facing off against the next generation of poultry fanciers who seem determined to knock down this award-winning cock of the walk. This entertaining flockumentary uncovers a cutthroat world of passion, obsession, power struggles, and competition. It’s like a Kiwi Best in Show, only real … and with chooks!
Also from NZ, MIFF regular and Accelerator alumnus Florian Habicht (Pulp: A Film About Life, Death and Supermarkets MIFF 14; Love Story MIFF 12) welcomes you to Spookers (NZ), a former psychiatric hospital outside Auckland, where visitors gather to be petrified by killer clowns and zombies at the Southern Hemisphere’s largest ‘scream park’. Habicht reveals the personalities beneath the costumes, wigs and greasepaint with characteristic affection and humor in this funny, compelling documentary.
And the MIFF shorts program will deliver a string of highlights and award winners from the festival circuit including A Gentle Night (China), the Short Film Palme d’Or winner from the 2017 Cannes Film Festival by MIFF Accelerator alumnus Qiu Yang (The World, MIFF 14; Under the Sun, MIFF 2015); Small Town (Portugal), the dark, mysterious and beautiful coming-of-age story that took out the Golden Bear for Best Short at the 2017 Berlinale; DeKalb Elementary (USA), a tense drama, by filmmaker Reed Van Dyk (Nasty HardcoreXXX Amateur Couple, MIFF 14) based on the real 911-call during an incident at a school in Atlanta, Georgia that was the winner of the International Competition Grand Prix prize at the 2017 Clermont-Ferrand Film Festival; and The Hedonists (Hong Kong), the new comedy from 2013 festival guest Jia Zhang-ke (A Touch of Sin, MIFF 13) about a trio of unemployed laborers who find work in the most unlikely of places – a bizarre theme park.
Everything, Everything[/caption]
The 2017 Bentonville Film Festival kicks off today May 2nd, and will feature a panels lineup that builds upon the mission-oriented foundation set in the previous years, while boldly expanding into progressive conversations surrounding comedy, music, toys, tech, and STEAM.
The festival is brining back favorites like the Samsung Create Student Short Film Competition and the star-studded “Geena and Friends” panel featuring Meg Ryan and Brooklyn 99’s Melissa Fumero and Stephanie Beatriz, which invites some of Hollywood’s most recognizable faces to participate in a live script-reading of iconic scenes from popular films with one catch: all major roles are gender-swapped to prove to the audience, in a fun way, that women characters can do anything male characters can do. The panel “In Control of Her Own Destiny” asks what would happen if we gave all young girls the ability to forge their own path, free from the weight of implicit bias? It will feature actress Judy Greer. Filmmaker and actor William H. Macy will be joining us on our “Stories Matter” panel.
We’re excited to announce our partnership with Snapchatter CyreneQ, who will be presenting “Through Our Lenses,” a visual compilation of diverse perspectives created by Snapchatters around the world. We are also collaborating with the IW Group to screen the documentary “Relocation: Arkansas,” and host a panel to discuss the history of Japanese-American internment camps in Northwest Arkansas and the power of healing through art and acceptance. Director Stanley Nelson will share with attendees his film, “Tell Them We Are Rising: The Story of Black Colleges and Universities.”
Outside of the Narrative, Documentary, Spotlight, Episodic, and Short Film Competitions, the festival has hand-selected this year’s Showcase films to provide a series of screenings that celebrate recent works from major studios that embody that changes we hope to see in the entertainment industry. These films include the heartwarming 2017 Sundance favorite, “Step” from Fox Searchlight (director and cast in attendance) and the intimate Latino family drama, “Lowriders” starring Gabriel Chavarria, Demian Bichir, Theo Rossi, and Eva Longoria from Universal. Lionsgate will be presenting Saban’s “Power Rangers;” panel with director Dean Israelite and actress Becky G to follow. The festival will also showcase short films, “The Forever Tree,” co-written and produced by Chrishaunda Lee Perez and starring Olivia Washington and “Writer’s Block,” starring Jane Lynch.
The Hero[/caption]
The upcoming 26th Florida Film Festival taking place April 21 to 30, 2017, in Maitland and Winter Park, Florida, will feature a lineup of 182 films.
The festival will open with the feature film The Hero, directed by Brett Haley, preceded by the Florida premiere of the short film 5 Films About Technology directed by Peter Huang.
STEP[/caption]
The 6th Montclair Film Festival, taking place April 28 to May 7, 2017, will open with Amanda Lipitz’s STEP on Friday, April 28 and close with Zoe Lister-Jones’ BAND AID on Saturday, May 6. In addition, the fiction centerpiece film, Geremy Jasper’s PATTI CAKE$, will be presented on Friday, May 5 and the documentary centerpiece film, Stanley Nelson’s TELL THEM WE ARE RISING: AMERICA’S BLACK COLLEGES AND UNIVERSITIES will be presented on Saturday, May 6.
Montclair Film is teaming up with the American Black Film Festival (ABFF) on a partnership that helps build meaningful opportunity for African American professionals in the film and television industry, and which celebrates the work of established artists in the field. This year’s partnership includes a new program, Emerging Black Voices, which will offer opportunity to filmmakers and producers at both the MFF and ABFF, as well as multiple panel discussions, screenings, and the House Party, a celebration of African American filmmakers held each year at the MFF.
The festival will welcome Retro Report as the partner for a two-part series at this year’s festival that examines the state of news, reporting, and media consumption. The partnership features a program of films, curated by the Retro Report team and including the premiere of their latest film ZAPRUDER , that examines the way in which media stories can shape the public conversation, as well as a conversation entitled TRUE OR FALSE?: REPORTING IN THE AGE OF “FAKE NEWS” which will feature a panel of distinguished journalists and offer a look inside the job of reporting the facts when audiences are more inclined than ever to challenge them.
Two special restorations – George Romero’s NIGHT OF THE LIVING DEAD and Andrei Tarkovsky’s STALKER will be presented at this year’s festival.
First, George Romero’s NIGHT OF THE LIVING DEAD will screen in a stunning new 4K restoration and will be presented on April 29 at the Wellmont Theater. Featured special guests will include Producer Russ Streiner, who also played Johnny in the film and delivered the now-famous line “They’re coming to get you, Barbara,” actress Kyra Schon, who portrayed the 11 year-old Karen Cooper in the film and provided one of the film’s most unforgettable moments, and investor and the film’s sound recordist Gary Streiner, who oversaw the film’s restoration on behalf of Image Ten.
Next, the Festival will present Mosfilm’s beautiful new 2K restoration of Andrei Tarkovsky’s STALKER, screening Saturday, April 29. This restoration will be the first film ever screened in Cinema505, Montclair Film’s own cinema located in their new home at the Investors Bank Film and Media Center at 505 Bloomfield Avenue in downtown Montclair.
116 Cameras[/caption]
The 2017 Full Frame Documentary Film Festival, revealed its NEW DOCS lineup of 48 films – 27 features and 21 shorts; and the Invited Program lineup featuring 23 films – 22 features and 1 short— screening out of competition.
“We are proud to present 71 new titles at the festival this year,” said Full Frame artistic director Sadie Tillery. “These selections represent a wide breadth of current work, and illuminate the many forms that documentary film can take. Festival attendees are in for an extraordinary experience that is fitting of our 20th anniversary.”
The 20th Annual Full Frame Documentary Film Festival will be held April 6 to 9, 2017, in Durham, North Carolina.