STEP

  • CALL ME BY YOUR NAME and ALL FOR ONE Win Audience Awards at Melbourne International Film Festival

    Call Me By Your Name
    Call Me By Your Name

    The 2017 Melbourne International Film Festival (MIFF) wrapped on August 20th after 18 days jam-packed with films, guests, talks and events.

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  • STEP and FISH STORY Win AFI DOCS 2017 Audience Awards

    [caption id="attachment_19944" align="aligncenter" width="1200"]Step A still from STEP by Amanda Lipitz.[/caption] The AFI DOCS 2017 Audience Award for Best Feature went to STEP, directed by Amanda Lipitz, and the Audience Award for Best Short went to Fish Story, directed by Charlie Lyne. With 112 films from 28 countries, this year’s AFI DOCS presented films and discussions on topics ranging from the environment and sports to politics and art, along with profiles of extraordinary individuals. Among the attendees were filmmakers and notables including Trish Adlesic and Mariska Hargitay (I Am Evidence), Matthew Heineman (City Of Ghosts), Michael Pack (The Fall Of Newt Gingrich), Laura Poitras (AFI DOCS Charles Guggenheim Symposium honoree), Samuel Pollard (Acorn And The Firestorm), Morgan Spurlock (No Man’s Land, Tough Guys), as well as scientist Bill Nye (Bill Nye: Science Guy) and Owner and CEO of Monumental Sports & Entertainment Ted Leonsis. In STEP, meet the “Lethal Ladies,” the amazing step dance team from the Baltimore Leadership School for Young Women. Amanda Lipitz’s inspiring portrait will have you cheering as the Ladies attempt to finish first in the city’s dance competition and to become the first women in their families to go to college. FISH STORY investigates a mysterious gathering rumored to have taken place in 1980s Wales, at which an unlikely group of people with one thing in common came together.

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  • AT THE END OF THE TUNNEL, SAMI BLOOD, and LANE 1974 Win Top Awards at Seattle International Film Festival

    [caption id="attachment_22701" align="aligncenter" width="1200"]AT THE END OF THE TUNNEL, directed by Rodrigo Grande AT THE END OF THE TUNNEL, directed by Rodrigo Grande[/caption] The Seattle International Film Festival (SIFF) today announced the winners of the 2017 Golden Space Needle Audience and Competition Awards.  At The End Of The Tunnel, directed by Rodrigo Grande was voted winner of the Golden Space Needle Award – Best Film, along with Best Director for Rodrigo Grande; Dolores, directed by Peter Bratt won the Golden Space Needle Award – Best Documentary. The awards were presented at a ceremony and breakfast held at the Space Needle. The 25-day Festival, which began May 18, featured 400 films representing 80 countries, including 36 World premieres (14 features, 22 shorts), 34 North American premieres (22 features, 12 shorts), 20 US Premieres (11 features, 9 shorts), and 750 Festival screenings and events. Interim Artistic Director Beth Barrett said, “This year at SIFF, we celebrated extraordinary cinema from 80 countries over a marathon 25 days bringing to our audiences more than 750 screenings and events and introducing them to over 350 filmmakers and industry guests. Executive Director Sarah Wilke and I were thrilled to present Anjelica Huston with the Festival’s Outstanding Achievement Award in Acting before screening the World Premiere of her newest film Trouble, as well as welcoming Sam Elliott back to the the Festival for a special screening of his film, The Hero. We had an incredible lineup of local films, and our documentary film selection continues to be among the best in the country. We also launched a new program, the SIFF New Works-in-Progress Forum, where we screened two narrative and two documentary features in the midst of their creative process to the Seattle audience of industry and festival attendees, as well as continuing our exploration of the intersections between cinema and VR/360.”

    SIFF 2017 GOLDEN SPACE NEEDLE AUDIENCE AWARDS

    SIFF celebrates its films and filmmakers with the Golden Space Needle Audience Awards. Selected by Festival audiences, awards are given in six categories: Best Film, Best Documentary, Best Director, Best Actor, Best Actress, and Best Short Film. This year, over 82,000 ballots were submitted. GOLDEN SPACE NEEDLE AWARD – BEST FILM AT THE END OF THE TUNNEL, directed by Rodrigo Grande (Spain/Argentina 2016) First runner-up: KING’S CHOICE, directed by Erik Poppe (Norway 2016) Second runner-up: I, DANIEL BLAKE, directed by Ken Loach (United Kingdom/France/Belgium 2016) Third runner-up: PATTI CAKE$, directed by Geremy Jasper (USA 2017) Fourth runner-up: LANE 1974, directed by SJ Chiro (USA 2017) GOLDEN SPACE NEEDLE AWARD – BEST DOCUMENTARY DOLORES, directed by Peter Bratt (USA 2017) First runner-up: CHASING CORAL, directed by Jeff Orlowski (USA 2017) Second runner-up: STEP, directed by Amanda Lipitz (USA 2017) Third runner-up: CITY OF GHOSTS, directed by Matthew Heineman (USA 2017) Fourth runner-up: DIRTBAG: THE LEGEND OF FRED BECKEY, directed by Dave O’Leske (USA 2017) GOLDEN SPACE NEEDLE AWARD – BEST DIRECTOR Rodrigo Grande, AT THE END OF THE TUNNEL (Spain/Argentina 2016) First runner-up: Justin Chon, GOOK (USA 2017) Second runner-up: Philippe van Leeuw, IN SYRIA (Lebanon/France/Belgium 2017) Third runner-up: Mani Haghighi, A DRAGON ARRIVES! (Iran 2016) Fourth runner-up: Hirokazu Kore-eda, AFTER THE STORM (Japan 2016) GOLDEN SPACE NEEDLE AWARD – BEST ACTOR David Johns, I, DANIEL BLAKE (United Kingdom/France/Belgium 2016) First runner-up: Leonardo Sbaraglia, AT THE END OF THE TUNNEL (Spain/Argentina 2016) Second runner-up: Timothy Spall, THE JOURNEY (United Kingdom 2016) Third runner-up: Fares Fares, THE NILE HILTON INCIDENT (Sweden/Denmark/Germany 2017) Fourth runner-up: Bogusław Linda, AFTERIMAGE (Poland 2016) GOLDEN SPACE NEEDLE AWARD – BEST ACTRESS Lene Cecilia Sparrok, SAMI BLOOD (SAMEBLOD) (Sweden/Norway/Denmark 2016) First runner-up: Elina Vaska, MELLOW MUD (Latvia 2016) Second runner-up: Danielle MacDonald, PATTI CAKE$ (USA 2017) Third runner-up: Sophia Mitri-Schloss, LANE 1974 (USA 2017) Fourth runner-up: Simone Baker, GOOK (USA 2017) GOLDEN SPACE NEEDLE AWARD – BEST SHORT FILM DEFEND THE SACRED, directed by Kyle Bell (USA 2016) First runner-up: LITTLE POTATO, directed by Wes Hurley, Nathan M. Miller (USA 2017) Second runner-up: THE GENEVA CONVENTION, directed by Benoit Martin (France 2016) Third runner-up: FLUFFY, directed by Lee Filipovski (Serbia/Montenegro/Canada 2016) Fourth runner-up: THE CLEANSING HOUR, directed by Damien LeVeck (USA 2016) LENA SHARPE AWARD FOR PERSISTENCE OF VISION Presented by Women in Film Seattle Amanda Lipitz, STEP (USA 2017) This award is given to the female director’s film that receives the most votes in public balloting at the Festival. Lena Sharpe was co-founder and managing director of Seattle’s Festival of Films by Women Directors and a KCTS-TV associate who died in a plane crash while on assignment. As a tribute to her efforts in bringing the work of women filmmakers to prominence, SIFF created this special award and asked Women in Film Seattle to bestow it.

    SIFF 2017 COMPETITION AWARDS

    SIFF confers five juried competition awards: SIFF Official Competition, Ibero-American Competition, New Directors Competition, New American Cinema Competition (FIPRESCI Prize), and Documentary Competition. The winners in each juried competition receives $5,000 in cash. SIFF 2017 OFFICIAL COMPETITION WINNER GRAND JURY PRIZE SAMI BLOOD (SAMEBLOD) (d: Amanda Kernell, Sweden/Norway/Denmark  2016) JURY STATEMENT: After viewing this excellent selection of eight outstanding, diverse films from eight different countries, we faced the challenging task of choosing a winner. For its beautifully nuanced and spare portrayal of the struggle to discover who you are, both because of and in spite of where you are from, featuring a stunning and expressive central performance and lush cinematography of a rarely seen culture, we present the Grand Jury Prize to Sami Blood. SPECIAL JURY MENTION MY HAPPY FAMILY (d: Nana Ekvtimishvili, Simon Gross, Georgia/Germany/France 2017) JURY STATEMENT: For their deft handling of a large ensemble cast, for their approach to a subversively feminist story within a patriarchal culture, and for their ability to capture emotional chaos with depth, grace, and resonance, we present a Special Jury Mention for Excellence in Direction to Nana Ekvtimishvili and Simon Gross for My Happy Family. 2017 Entries: 7 Minutes (d. Michele Placido, Italy/France/Switzerland 2016, North American Premiere) Bad Influence (d: Claudia Huaiquimilla, Chile 2016) Beach Rats (d: Eliza Hittman, USA 2017) Have A Nice Day (d: LIU Jian, China/Hong Kong 2017, North American Premiere) Hedi (d: Mohamed Ben Attia, Tunisia/Belgium/France/Qatar/UAE 2016) My Happy Family (d: Nana Ekvtimishvili, Simon Gross, Georgia/Germany/France 2017) Sami Blood (Sameblod) (d: Amanda Kernell, Sweden/Norway/Denmark 2016) Zoology (d: Ivan I. Tverdovsky, Russia/France/Germany 2016) SIFF 2017 IBERO-AMERICAN COMPETITION WINNER GRAND JURY PRIZE THE WINTER (EL INVIERNO) (d: Emiliano Torres, Argentina/France 2016) JURY STATEMENT: A complex and multi-layered first feature that bends the Western genre to create a remarkable film that is as much about the relationship between two men, as it is about Man’s relationship to the landscape. SPECIAL JURY MENTION DEVIL’S FREEDOM (LA LIBERTAD DEL DIABLO) (d: Everardo González, Mexico 2017) JURY STATEMENT: A timely and urgent film on the ongoing Mexican drug war, that presents the many faces of violence without presenting any actual faces. The SIFF Ibero-American Competition aims to highlight the strength, creativity, and influence of storytelling in the region. The Ibero-American Competition is for films having their Seattle premiere during the Festival and without US distribution. 2017 Entries: Chameleon (d: Jorge Riquelme Serrano, Chile 2016, North American Premiere) Devil’s Freedom (La Libertad Del Diablo) (d: Everardo González, Mexico 2017, US Premiere) May God Save Us (d: Rodrigo Sorogoyen, Spain 2016) Pendular (d: Julia Murat, Brazil/Argentina/France 2017) Santa & Andres (d: Carlos Lechuga, Cuba/Colombia/France 2016) Two Irenes (d: Fabio Meira, Brazil 2017, North American Premiere) The Winter (El Invierno) (d: Emiliano Torres, Argentina/France 2016) Woodpeckers (d: José María Cabral, Dominican Republic 2017) SIFF 2017 NEW DIRECTORS COMPETITION WINNER GRAND JURY PRIZE BOUNDARIES (PAYS) (d: Chloé Robichaud, Canada (Québec) 2016) JURY STATEMENT: For its fully-fleshed portrayal of women and the dilemmas of their public and private lives and its absurdist feel for political process, we award the Grand Jury Prize to the French–Canadian film Boundaries. SPECIAL JURY MENTION THE INLAND ROAD (d: Jackie Van Beek, New Zealand 2017) JURY STATEMENT: We also single out Gloria Popata for her arresting debut as a troubled native New Zealander in the film The Inland Road. 2017 Entries: Anishoara (d: Ana-Felicia Scutelnicu, Germany 2016) Boundaries (Pays) (d: Chloé Robichaud, Canada (Québec) 2016) Diamond Island (d: Davy Chou, France 2016) The Inland Road (d: Jackie Van Beek, New Zealand 2017, North American Premiere) I Was A Dreamer (d: Michele Vannucci, Italy 2016, North American Premiere) Kati Kati (d: Mbithi Masya, Kenya 2016) The Man (d: Charlotte Sieling, Denmark 2017) Paris Prestige (d: Hamé Bourokba, Ekoué Labitey, France 2016) Quit Staring at My Plate (d: Hana Jušić, Croatia 2016) Struggle for Life (d: Antonin Peretjatko, Belgium 2016) SIFF 2017 NEW AMERICAN CINEMA COMPETITION WINNER GRAND JURY PRIZE LANE 1974 (d: SJ Chiro, USA 2017) JURY STATEMENT: A tough-minded, but tender look at the underside of 1970s counterculture life. 2017 Entries: American Folk (d: David Heinz, USA 2017) Columbus (d: Kogonada, USA 2017) Dara Ju (d: Anthony Onah, USA/Nigeria 2017) The Feels (d: Jenée Lamarque, USA 2017, World Premiere) In The Radiant City (d: Rachel Lambert, USA 2016) The Landing (d: Mark Dodson, David Dodson, USA 2016) Lane 1974 (d: SJ Chiro, USA 2017) Say You Will (d: Nick Naveda, USA 2017, World Premiere) SIFF 2017 DOCUMENTARY COMPETITION WINNER GRAND JURY PRIZE BECOMING WHO I WAS (d: Chang-Yong Moon, Jin Jeon, South Korea 2016) JURY STATEMENT: We admired the filmmaker’s skill and commitment to capturing the relationship between the two subjects in this artfully crafted documentary. For a film that beautifully tells the story of a truly incredible emotional and spiritual journey, the jury awards the grand prize for documentary filmmaking to Becoming Who I Was. SPECIAL JURY MENTION WHAT LIES UPSTREAM (d: Cullen Hoback, USA 2017) JURY STATEMENT: For filmmaker Cullen Hoback’s journalistic integrity in revealing the unseemly collusion between public servants and lobbyists that lead to the poisoning of West Virginia’s water supply, we give a special jury mention to What Lies Upstream. Unscripted and uncut, the world is a resource of unexpected, informative, and altogether exciting storytelling. Documentary filmmakers have for years brought untold stories to life and introduced us to a vast number of fascinating topics we may never have known existed. The SIFF Documentary Jury members were Kathy McDonald (Documentary Magazine), Ryland Aldrich (producer, L.A. Times, Folk Hero & Funny Guy), and Shane Smith (Hot Docs). 2017 Entries: Becoming Who I Was (d: Chang-Yong Moon, Jin Jeon, South Korea 2016, US Premiere) Close Relations (d: Vitaly Mansky, Germany/Latvia/Estonia/Ukraine 2016, US Premiere) The Farthest (d: Emer Reynolds, Ireland 2017) Ghost Hunting (d: Raed Andoni, Palestine/France/Switzerland 2016, US Premiere) The Reagan Show (d: Pacho Velez, Sierra Pattengill, USA 2017) Roberto Bolle ― The Art Of Dance (d: Francesca Pedroni, Italy 2016, North American Premiere) Those Who Remain (d: Eliane Raheb, Lebanon/UAE 2016, North American Premiere) What Lies Upstream (d: Cullen Hoback, USA 2017) Winnie (d: Pascale Lamche, France/Netherlands/South Africa 2017) SIFF 2017 FUTUREWAVE AND YOUTH JURY AWARDS SIFF presents FutureWave Shorts during ShortsFest Weekend. These inspiring original short films represent some of the best short filmmaking from around the world. In addition SIFF presents films throughout the Festival curated for youth in our Films4Families and FutureWave feature programs. YOUTH JURY AWARD FOR BEST FUTUREWAVE FEATURE PATTI CAKE$ (USA 2017), directed by Geremy Jasper JURY STATEMENT: For the unique, compelling characters and incredible music in this story of transformation. YOUTH JURY AWARD FOR BEST FILMS4FAMILIES FEATURE SWALLOWS AND AMAZONS (United Kingdom 2016), directed by Philippa Lowthorpe JURY STATEMENT: For its relatable story and characters, production design that captured the essence of an era, and combination of action, humor, and mystery. FUTUREWAVE SHORTS WAVEMAKER AWARD (GRAND PRIZE) The winner will be awarded a $1000 cash prize presented by Amazon.com BATTLES (BATAILLES) (Canada (Quebec) 2016), directed by Karen Pinette Fontaine JURY STATEMENT: For its richly composed visuals and poetic journey of self that takes the viewer from a hollow party atmosphere to a seemingly empty space that becomes filled with the narrator’s culture that is thriving within her. FUTUREWAVE SHORTS AUDIENCE AWARD FAMILY SHADOWS (USA 2016), directed by Laura Malatos FUTUREWAVE SHORTS PRODIGY CAMP SCHOLARSHIP The winners each will be awarded a $1250 partial scholarship to the 2017 Prodigy Camp. THE PETITION (USA, 2016), directed by Riley Goodwin and Kibiriti Majuto SIFF 2017 SHORT FILM JURY AWARDS All short films shown at the Festival are eligible for both the Golden Space Needle Audience Award and Jury Award Shorts Competition. Jurors will choose winners in the Live Action, Animation, and Documentary categories. Each jury winner will receive $2,500 and winners in each of the three categories may also qualify to enter their respective films in the Short Film category of the Academy Awards®. LIVE ACTION GRAND JURY PRIZE WOMEN&WINE (KVINNER&CAVA) (Norway, 2017), directed by Liv Karin Dahlstrøm JURY STATEMENT: For its honest depiction of friendship that, over a short period of time, authentically runs the spectrum from silly and beautiful to awkward and heartbreaking, we give the Jury Award for Best Live Action Short to Women&Wine, directed by Liv Karin Dahlstrøm. SPECIAL JURY MENTION NOTHING EVER REALLY ENDS (INGENTING TAR NOENSINNE SLUTT) (Norway, 2017), directed by Jakob Rørvik JURY STATEMENT: For its exceptional craftsmanship in all areas of the filmmaking process we decided that Nothing Ever Really Ends could not go unmentioned. From the writing and directing to the editing and acting this film unfolds effortlessly. And all in the service of an incredibly entertaining and relatable story. SPECIAL JURY MENTION FANNY (Norway, 2017), directed by Halfdan Ullmann Tøndel JURY STATEMENT: We’d also like to recognize a filmmaker who impressed us with an intimate and frank film about sexuality and loneliness. For his unique vision, heartbreaking honesty, and nuanced direction in the film Fanny, we’d like to award Halfdan Ullmann Tøndel a special jury award for emerging director. DOCUMENTARY GRAND JURY PRIZE REFUGEE (USA, 2016), directed by Joyce Chen and Emily Moore JURY STATEMENT: For many refugees, getting to the United States is only the first step of a decades-long journey. Refugee is the moving and powerful story of a mother of five, Aicha Diop, whose journey to obtain asylum encapsulates the hope of life in America, as well as its harsh political realities. SPECIAL JURY MENTION WAITING FOR HASSANA (Nigeria, 2017), directed by Ifunanya Maduka JURY STATEMENT: By bringing to light one young girl’s traumatic experience, this important documentary gives a voice to all 276 teenage girls whose lives were violently interrupted by Boko Haram in 2014. This film is a necessary reminder that an issue doesn’t vanish when its hashtag stops trending. ANIMATION GRAND JURY PRIZE PUSSY (CIPKA) (Poland, 2016), directed by Renata Gasiorowska JURY STATEMENT: A witty and whimsical animated short about a girl and her body, Pussy quickly takes the audience on a wild ride through female sex positivity. SPECIAL JURY MENTION THE HEAD VANISHES (France, 2016), directed by Franck Dion JURY STATEMENT: Through its beautiful animation and unique perspective, The Head Vanishes poignantly captures the exceptional challenges, the hopeful glimmers, the peaceful moments, and the continual struggles of dealing with a mentally ill parent. SHORT FILM JURIES FOR SIFF 2017 LIVE ACTION: Ina Pira (Vimeo), Lacey Leavitt (producer, Laggies, Safety Not Guaranteed) and Tony Fulgham (commercial director and independent filmmaker) DOCUMENTARY AND ANIMATION: Anna Sampers (Milwaukee FIlm), Nancy Chang (Reel Grrls) and David Chen (Slashfilm) SIFF 2017 360/VIRTUAL REALITY COMPETITION SIFF 360/VR AWARD Sponsored by Pixvana WE WHO REMAIN (USA, 2017) by Emblematic Group / Trevor Snapp and Sam Wolson JURY STATEMENT: We are pleased to present the SIFF 360/VR Award, sponsored by Pixvana, to We Who Remain, a film that intimately brings the viewer inside the heart of a forgotten conflict in the Nuba Mountains of Sudan. Fusing elegant storytelling with sharp technical skill, the film weaves together narratives from a student, rebel soldier, journalist, and mother who have chosen to remain and relentlessly struggle to bring peace back to their land. SIFF is proud to be awarding this new cutting edge work and providing the winner with a $500 prize and the opportunity for the awarded film to be distributed globally through Pixvana’s SPIN Studio platform. The SIFF 360/VR Award jury is comprised of Julia Fryett, Kate Becker, and Sarah Wilke. SIFF 2017 CHINA STARS AWARDS The Seattle International Film Festival is pleased to have presented the following awards at the China Stars Award Ceremony on Friday, June 9th at the Pan Pacific Hotel. CHINA STARS LIFETIME ACHIEVEMENT AWARD Qin Yi  (The Beautiful Kokonor Lake) CHINA STARS EMERGING TALENT Liang Dong  (The Door) CHINA STARS EMERGING ACTOR Yi Li Ha Mu. M (The Beautiful Kokonor Lake) SIFF 2017 CATALYST SCREENPLAY COMPETITION The Catalyst Screenplay Competition is a platform aimed at offering up-and-coming writers the opportunity to gain industry exposure through SIFF. This year, the Finalist and Grand Prize scripts were juried by script supervisor Emily Zulauf (Inside Out) and producer Brent Stiefel (Obvious Child). The winning script, The Tiger & the Protected, received a live read by SAG-AFTRA actors on Saturday, June 10. Grand Prize Winner The Tiger & the Protected by Jeff Scott Finalists I Can Change by Amy Lowe Starbin Keeper of the Cup by Larry Shulruff This Close by Marc Messenger Semi-Finalists Beasts Undiscovered by Jeremy Dehn and Catherine Dale Catherine’s Cross by Millie West Ladies by Natalie Nicole Dressel A Promise Kept by Linda Sunshine Until the End of the Ninth by Beth Bollinger The Zuckermans by Ethan Mermelstein

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  • Melbourne International Film Festival Reveals First Glance Selection, PATTI CAKE$, STEP, POP AYE and More

    [caption id="attachment_19920" align="aligncenter" width="1200"]Patti Cake$ Patti Cake$[/caption] For its 66th edition, the Melbourne International Film Festival (MIFF) has revealed its First Glance selection of 30 films that will screen at this year’s festival from August 3 to 20, 2017, including the Australian premiere of Jane Campion’s much anticipated new television series Top of the Lake: China Girl. Artistic Director Michelle Carey says, “We’re hoping that this sneak peek of the 2017 program gives you a taste of what’s to come.  The calibre of films on offer this year is very impressive, from Australian stalwart Jane Campion’s Top of the Lake: China Girl to breakout hit Patti Cake$, MIFF brings you the story of the world through curated and unforgettable screen experiences.” Straight from a standing ovation in Cannes, this special Australian premiere of the entire second season, directed by Jane Campion and MIFF Accelerator alumnus Ariel Kleiman from a script by Campion and Gerard Lee (My Mistress, MIFF 14), will show all six episodes in three concurrent two-hour sessions – a unique opportunity to see the series before its television premiere on BBC First on Foxtel.  Top of the Lake: China Girl (Australia) is a crime mystery story that finds Detective Robin Griffin (Elisabeth Moss) recently returned to Sydney and trying to rebuild her life. When the body of an Asian girl washes up on Bondi Beach, there appears little hope of finding the killer, until Robin discovers ‘China Girl’ didn’t die alone. Also starring Nicole Kidman, Gwendoline Christie (Game of Thrones), David Dencik (Tinker Tailor Soldier Spy), Ewen Leslie (The Daughter) and Accelerator alumnus Alice Englert (The Boyfriend Game, MIFF 16). Also hotting up the screen will be Australian premieres Golden Exits (USA), the latest film from Alex Ross Perry (Listen Up Phillip MIFF 14; Queen of Earth, MIFF 15), an unnerving ensemble drama shot on 16mm that boasts a star-studded cast led by Emily Browning, Chloë Sevigny, Jason Schwartzman with Beastie Boy Adam Horovitz and a moody score by Keegan De Witt; and The Lost City of Z (USA), James Gray’s (The Immigrant MIFF 14) sumptuous and poignant Amazon adventure based on real life explorer Percy Fawcett’s quest to find the fabled city of El Dorado, starring Charlie Hunnam, Sienna Miller, Robert Pattinson and featuring lush 35mm cinematography by Darius Khondji. Leading Australian director Kriv Stenders (The Principal, MIFF 15; Red Dog MIFF 11) returns to MIFF with two productions: The Go-Betweens – Right Here (Australia), a documentary charting the four-decade long story of beloved indie rock band The Go-Betweens, in their own words and with never-before-seen archival footage; and Australia Day (Australia), an excoriating, illuminating take on our country’s most fraught debate, set over a pulse-racing 12 hours on 26 January with a powerhouse ensemble cast including Bryan Brown, Matthew Le Nevez, Sean Keenan, Shari Sebbens and Jenny Wu (who also features in Top of the Lake: China Girl). Local comedies include Ali’s Wedding, based on the real-life experience of lead actor Osamah Sami’s ill-fated arranged marriage the absurd and poignant tale about family in multicultural Australia stars Don Hany with direction by Jeffrey Walker (Jack Irish: Bad Debts, MIFF 12), and That’s Not Me (Australia). Ali’s Wedding is a fast-paced comedy of very Muslim manners that shines with wit, humanity and crowd-pleasing charisma; while That’s Not Me is Gregory Erdstein’s (Two Devils, MIFF 14) charming feature debut about a young woman and aspiring actor who takes advantage of her identical twin sister’s success and fame, featuring an impressive performance by writer/star Alice Foulcher in dual roles. In Mountain (Australia), Jennifer Peedom (Sherpa, MIFF 15) returns to the mountains that so captivate her in a unique cinematic and musical collaboration. Working with high-altitude cinematographer Renan Ozturk, bestselling author Robert Macfarlane (Mountains of the Mind) and the Australian Chamber Orchestra’s Richard Tognetti, Peedom has created a breathtaking cine-sonic journey through awe-inspiring vistas narrated by Willem Dafoe. One of Australia’s most innovative filmmakers and MIFF regular Amiel Courtin-Wilson (Hail MIFF 11; Ruin, MIFF 13) captures two legends – free jazz pioneer Cecil Taylor and modern dance artist Min Tanaka – in an intimate performance piece like no other in The Silent Eye (Australia). Shot over three days in 2016 at Taylor’s New York home, the film captures these two masters riffing, offering the audience a glimpse of the creative process at its most sublime. Master international filmmakers bring their works to the big screen at MIFF with Terrence Malick’s Song to Song (USA), a beautifully lensed love story set against the backdrop of the Austin music scene, with a luminous cast including Ryan Gosling, Rooney Mara, Michael Fassbender, Natalie Portman and Cate Blanchett; and Sally Potter’s (Ginger and Rosa, MIFF 12) caustic comic satire of a broken, post-Brexit England, The Party (UK), offering a masterclass of acting from a stellar ensemble headed by Kristin Scott Thomas, Patricia Clarkson and Timothy Spall, and filmed entirely in stunning black and white. The director of A Bigger Splash, Luca Guadagnino, presents his most accomplished film yet: a passionate Italian summer romance headed by Armie Hammer and star on the rise Timothée Chalamet. Adapted from André Acimen’s novel with a script co-written by James Ivory, Call Me By Your Name (Italy) is a sensuous story of first love and the end of adolescence. Turning galvanizing portraits of marginalized women into his own niche, Sebastián Lelio (Gloria, MIFF 13) returns with another beguiling character study, delivering a nuanced and moving account of a vital fight for love, acceptance, and respect that won both Best Screenplay and Best LGBT Film at Berlin. But A Fantastic Woman (Chile) belongs to its determined, defiant titular character and the stunning performance by transgender actress Daniela Vega, making one of the most memorable and formidable movie debuts in recent history. Peter Mackie Burns’ nuanced debut feature Daphne (UK) is a character study about a dissatisfied young woman in present-day London – featuring a superb performance from Emily Beecham in title role – that balances complex comedy and disarming drama and offers a refreshing portrait of contemporary womanhood. Music video director Geremy Jasper’s fabulous feature debut Patti Cake$ (USA), about an aspiring rapper, is a triumphant tale of how music can give a nobody a voice, which wowed critics and audiences alike at Sundance and Cannes. But the film belongs to Australian acting discovery Danielle McDonald, who was dubbed the breakout star of Sundance for her sensational performance as the New Jersey battler and hailed as the “Next Big Thing” by The Hollywood Reporter. [caption id="attachment_19636" align="aligncenter" width="1200"]Pop Aye – Kirsten Tan Pop Aye – Kirsten Tan[/caption] Another acclaimed feature debut is Kirsten Tan’s Pop Aye (Thailand), the warm and ever-so-strange tale of a Bangkok architect, his elephant and 300 miles of mid-life crisis, which won the Special Jury Award for Screenwriting at Sundance and the Big Screen Award at Rotterdam. God’s Own Country (UK) was also a favorite at Berlin (Teddy Jury Award winner) and Sundance, where it won the World Cinema Dramatic Best Director Award and comparisons to Brokeback Mountain. Francis Lee’s emotionally rich feature debut captures the quiet yearning of forbidden romance with heated sex scenes and a documentary-like depiction of British rural life that subverts the familiar path taken by queer love stories. The makers of Spring (MIFF 15) return with The Endless (USA), an engrossing high-concept horror centred on two brothers following their escape from a cult. Justin Benson and Aaron Moorhead write, direct and star in a film of creeping dead that is part horror, part science fiction, which skirts the supernatural and keeps the audience guessing until the very end. With over 62,000 oil paintings and a cast including Chris O’Dowd and Saoirse Ronan, Oscar-winning filmmaker Hugh Welchman (Peter and the Wolf) and Polish painter Dorota Kobiela bring the story of Vincent Van Gogh’s last days to the screen in the world’s first feature-length painted animation, Loving Vincent (UK). Inspired by Van Gogh’s own words – “we cannot speak other than by our paintings” – and using an army of painters from across Europe, every single frame of the film is an oil painting (12 per second) and the result is a truly astonishing visual feast that demands to be seen on the biggest of screens. [caption id="attachment_19944" align="aligncenter" width="1200"]Step A still from STEP by Amanda Lipitz,.[/caption] Winner of the Sundance Special Jury Prize for Inspirational Filmmaking, STEP (USA) charts the senior year of the Baltimore Leadership School for Young Women step-dance team as they chase dual dreams – to be state champions and to be the first in their families to go to college – against the backdrop of the #BlackLivesMatter movement. Fun and empowering, the film optimistically explores community, sisterhood and the realities of being black and female in contemporary America. Another timely examination of race relations in America is Haitian auteur Raoul Peck’s (Fatal Assistance, MIFF 13) Oscar-nominated I Am Not Your Negro (USA): a stirring portrait of the writer, civil rights activist and queer icon James Baldwin and his lifelong fight against racial and sexual injustice, narrated by Samuel L. Jackson. Award-winning filmmaker Matthew Heinemann’s (Cartel Land, MIFF 15) new film focuses on the anonymous activists of Raqqa is Being Slaughtered Silently in the heartland of ISIS’s self-declared caliphate. City of Ghosts (USA) is an urgent, deeply personal real-world thriller about the world’s most crucial fight against misinformation. In 2012, Iraq veteran David Crowley posted a YouTube trailer for his planned libertarian opus, Gray State, warning of America’s looming Second Civil War. Three years on, the rising alt-right filmmaker, his Muslim wife and their daughter were found slaughtered, “Allahu Akbar” smeared on the walls in blood. A conspiracy or something even more horrific? Executive produced by Werner Herzog, Erik Nelson’s A Gray State (USA) is a riveting murder mystery, a political thriller and an unparalleled psychological profile of a mind descending into paranoia. Jumping over to New Zealand, the program will feature Pecking Order (New Zealand), which follows the members of the 148-year-old Christchurch Poultry, Bantam and Pigeon Club as they prepare for the National Show. Their president has brought them championship glory over the years, but is now facing off against the next generation of poultry fanciers who seem determined to knock down this award-winning cock of the walk. This entertaining flockumentary uncovers a cutthroat world of passion, obsession, power struggles, and competition. It’s like a Kiwi Best in Show, only real … and with chooks! Also from NZ, MIFF regular and Accelerator alumnus Florian Habicht (Pulp: A Film About Life, Death and Supermarkets MIFF 14; Love Story MIFF 12) welcomes you to Spookers (NZ), a former psychiatric hospital outside Auckland, where visitors gather to be petrified by killer clowns and zombies at the Southern Hemisphere’s largest ‘scream park’. Habicht reveals the personalities beneath the costumes, wigs and greasepaint with characteristic affection and humor in this funny, compelling documentary. And the MIFF shorts program will deliver a string of highlights and award winners from the festival circuit including A Gentle Night (China), the Short Film Palme d’Or winner from the 2017 Cannes Film Festival by MIFF Accelerator alumnus Qiu Yang (The World, MIFF 14; Under the Sun, MIFF 2015); Small Town (Portugal), the dark, mysterious and beautiful coming-of-age story that took out the Golden Bear for Best Short at the 2017 Berlinale; DeKalb Elementary (USA), a tense drama, by filmmaker Reed Van Dyk (Nasty HardcoreXXX Amateur Couple, MIFF 14) based on the real 911-call during an incident at a school in Atlanta, Georgia that was the winner of the International Competition Grand Prix prize at the 2017 Clermont-Ferrand Film Festival; and The Hedonists (Hong Kong), the new comedy from 2013 festival guest Jia Zhang-ke (A Touch of Sin, MIFF 13) about a trio of unemployed laborers who find work in the most unlikely of places – a bizarre theme park.

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  • Geena Davis’ 2017 Bentonville Film Festival Reveals Panels and Showcase Films Lineup

    [caption id="attachment_22153" align="aligncenter" width="1200"]Everything, Everything Everything, Everything[/caption] The 2017 Bentonville Film Festival kicks off today May 2nd, and will feature a panels lineup that builds upon the mission-oriented foundation set in the previous years, while boldly expanding into progressive conversations surrounding comedy, music, toys, tech, and STEAM. The festival is brining back favorites like the Samsung Create Student Short Film Competition and the star-studded “Geena and Friends” panel featuring Meg Ryan and Brooklyn 99’s Melissa Fumero and Stephanie Beatriz, which invites some of Hollywood’s most recognizable faces to participate in a live script-reading of iconic scenes from popular films with one catch: all major roles are gender-swapped to prove to the audience, in a fun way, that women characters can do anything male characters can do. The panel “In Control of Her Own Destiny” asks what would happen if we gave all young girls the ability to forge their own path, free from the weight of implicit bias? It will feature actress Judy Greer. Filmmaker and actor William H. Macy will be joining us on our “Stories Matter” panel. We’re excited to announce our partnership with Snapchatter CyreneQ, who will be presenting “Through Our Lenses,” a visual compilation of diverse perspectives created by Snapchatters around the world. We are also collaborating with the IW Group to screen the documentary “Relocation: Arkansas,” and host a panel to discuss the history of Japanese-American internment camps in Northwest Arkansas and the power of healing through art and acceptance. Director Stanley Nelson will share with attendees his film, “Tell Them We Are Rising: The Story of Black Colleges and Universities.” Outside of the Narrative, Documentary, Spotlight, Episodic, and Short Film Competitions, the festival has hand-selected this year’s Showcase films to provide a series of screenings that celebrate recent works from major studios that embody that changes we hope to see in the entertainment industry. These films include the heartwarming 2017 Sundance favorite, “Step” from Fox Searchlight (director and cast in attendance) and the intimate Latino family drama, “Lowriders” starring Gabriel Chavarria, Demian Bichir, Theo Rossi, and Eva Longoria from Universal. Lionsgate will be presenting Saban’s “Power Rangers;” panel with director Dean Israelite and actress Becky G to follow. The festival will also showcase short films, “The Forever Tree,” co-written and produced by Chrishaunda Lee Perez and starring Olivia Washington and “Writer’s Block,” starring Jane Lynch.

    SPECIAL SCREENING EVENTS

    Everything, Everything Directed by Stella Meghie and written by J. Mills Goodloe. (USA). A teenager, who’s lived a sheltered life because she’s allergic to everything, falls for the boy who moves in next door. Immediately after the screening, Warner Bros. and MGM invites you to a moderated discussion with director Stella Meghie and novelist Nicola Yoon. STEP Directed by Amanda Lipitz. (USA) The senior year of a girls’ high school step team in inner-city Baltimore is documented, as they try to become the first in their families to attend college. The girls strive to make their dancing a success against the backdrop of social unrest. Q&A with director and cast will follow. DC Super Hero Girls: Intergalactic Games Wonder Woman, Supergirl, Batgirl, Poison Ivy, Harley Quinn, Bumblebee and Katana square off against Korugar Academy in the Intergalactic Games, but trouble is in the air as Lena Luthor takes advantage of the gathering of the Supers to enact her villainous plan! In addition to product giveaways and toy samples on displays from toylines inspired by Warner Bros. Pictures’ upcoming action adventure feature film ‘Wonder Woman,’ Warner Bros. Consumer Products is also excited to bring out the real DC Super Hero Girls costume characters who will be available for photo opportunities Friday and Saturday! Tell Them We Are Rising: The Story of Historically Black Colleges and Universities Dir: Stanley Nelson (USA) A haven for Black intellectuals, artists and revolutionaries-and path of promise toward the American dream-Black colleges and universities have educated the architects of freedom movements and cultivated leaders in every field. They have been unapologetically Black for 150 years. For the first time ever, their story is told. Following the screening, a moderated discussion with film representatives will follow. Painted Woman Directed by James Cotton (USA). A young woman with a dark past finds wisdom in her identity in the romance of the old west. Following the screening, the filmmakers will be joined by panelists from Starz, the Screen Actors Guild, and Walmart to share solutions they’ve discovered in the quest to defend diversity and improve gender representations in film. Relocation, Arkansas: Aftermath of Incarceration Directed by Vivienne Schiffer and Johanna Demetrakas (USA). This film explores the effect of the Japanese American incarceration experience in Arkansas during WWII on the generation that was born after the camps closed, the unlikely tale of those Japanese Americans who remained behind, and the even more unlikely tale of how a small town Arkansas mayor became a legend in the Japanese American community. Themes surrounding the complexity and hypocrisy of race relations in America and the journey toward forgiveness and understanding across cultural boundaries are just two of the many reasons this compelling story must be told. Saban’s Power Rangers Directed by James Cotton (USA) 2017. The film follows five ordinary teens who must become something extraordinary when they learn that their small town of Angel Grove – and the world – is on the verge of being obliterated by an alien threat. Chosen by destiny, our heroes quickly discover they are the only ones who can save the planet. But to do so, they will have to overcome their real-life issues and before it’s too late, band together as the Power Rangers. Moderated panel discussion with director Dean Israelite and actress Becky G (Trini/yellow ranger) will follow. “Through Our Lenses” with Snapchatter CyreneQ Location/Time TBA Through Our Lenses is a Snapchat-made documentary told by 30 individuals inviting us to get a glimpse of their daily life. Each storyteller captured and edited their own documentary with only a smartphone and the app Snapchat. By allowing the storytellers to document themselves, it gives the most authentic representation of their lives, through their very own lenses. Come see the story of artists, musicians, nomads, thrill seekers and so much more, told and created by the amazing individuals themselves.

    BFF LEGACY SERIES

    Each year, the Bentonville Film Festival pays homage to early pioneers and icons of film. In 2017, this tradition will be continued through two efforts: first, with a video-based exhibition at Crystal Bridges Museum of American Art focused on pioneers of African-American cinema and second, with the following ground-breaking screenings at BFF, of early films that broke barriers for women and diverse voices: “The White Raven” Directed by George D. Baker. (USA) A young woman swears revenge on the man who left her father destitute in the Yukon gold fields. She tracks him to the opera houses of New York, where he is a director, but the man’s daughter and a mysterious stranger combine to disrupt her plans. In an effort to recreate the authentic audience experience of its time, this 1917 silent film will be accompanied by a live pianist. “Hamlet” Directed by Svend Gade, Heinz Schall. (Denmark) This revolutionary 1921 silent film sees Hamlet made into a female character – a princess forced to masquerade as a man by her scheming mother. This film will also be accompanied by a live pianist. “The Flute of Krishna” Early Color Film made in 1925 by Eastman Kodak. Martha Graham’s dance “The Flute of Krishna” is performed in front of the camera by students from the Eastman School of Music.

    PANELS

    From Script to Screen – with American Cinema Inspires and UP TV American Cinema Inspires will offer insight into the upcoming UP TV movie Runaway Romance as well as other upcoming and recent projects including the use of VR. The panel will include the CEO/President and Founder of UP TV, Charley Humbard, Veteran Producers George Shamieh and Chevonne O’Shaughnessy of American Cinema Inspires, Runaway Romance novel writer Miralee Ferrell and CEO of Observe Media, Travis Cloyd. Inclusion: Does That Include Me? What does it mean to be underrepresented? How do we champion inclusion without excluding anyone? Geena Davis leads a panel discussion dedicated to diversity, exposing our own implicit bias, encouraging connection, empathy, and more. A lively round of Inclusion-inspired 5-Second Rule by PlayMonster will serve as a conversation catalyst for panelists from Wonder Crew, Coca-Cola, Mars and Walmart, who will share their gamified insights. Lights! Camera! Inclusion! Actor Joey Travolta founded ‘Inclusion Films’ to support and empower individuals with developmental disabilities by creating custom-designed filmmaking workshops and camps. Actress and advocate Jane Seymour and his fellow panelists help us identify resources in our own lives to empower us to become agents for good, right where we are. Stories Matter Storytelling is the oldest form of entertainment and a good tale is timeless. But if great responsibility comes with great power, what did the power of narrative ask of us 100 years ago? What does it ask of us today? And what will it implore us to do tomorrow? To answer these questions, a handful of the industry’s best and brightest examine story as one of the most effective tools for social change. Storytelling through Music In a week dedicated to the visual mediums of film and television, we take a moment to recognize recording artists who use sound and the power of mission-driven music to advocate for the causes that matter most. Hollywood is Not Your Prince Charming Women filmmakers, producers, directors, actors are not freelancers but are becoming self-made. To become self-made is the new ticking clock for women, it’s not if but when. The times we live in demand that women become financially self-reliant. There is no Prince Charming that will come and save us, no mate, no boss, no studio so we must all learn the trick to find the hidden money in America and go get our own chips! We must create a life equally grounded in Mission and in Money. The State of Womanhood In this session A+E Networks’ Ad Sales executives, Marcela Tabares, SVP Strategic Insights, Joetta Gobell, VP, Primary Research Strategic Insights and Amy Baker, EVP, deconstruct what defines who “she” is and how “she” responds to advertising as well as diving deeper on how marketers can be thinking about catering to the female audiences that feel underrepresented in media. Girls Rule What do some of TV’s most strong, inspiring and provocative female characters have in common? A team of strong, inspiring and provocative women who are responsible for bringing them to the screen, and to life. Karen Bailey, Maril Davis, Emma Frost and Tanya Saracho, showrunners and executives behind television hits including “Outlander,” “The White Queen,” “The White Princess” and more, share their stories and advice on creating premium dramas and empowering female voices in all stages of development and production. In Control Of Her Own Destiny What would happen if we gave all young girls the ability to forge their own path, free from the weight of implicit bias? Is it even possible? Well, it is possible, especially when we work together. These women share the tools they use in their personal and professional lives to make that possibility a reality. Progress vs. Perfection Presented by Mattel Whether you’re an individual or a business, when striving for gender equality and cultural diversity, fear of failure and the paralyzing desire to “do it right” can keep you from ever reaching the finish line. If we wish to leave behind a legacy of lasting change, these panelists explain why the future is counting on us to seek progress, and not unattainable perfection, to measure our success. Gender Norms in Entertainment Presented by Common Sense Media In today’s media world, kids are flooded with messages about how they should look and act. As parents navigate entertainment for their children, how women, girls, men, and boys are portrayed on screen is critical — something that 80% of surveyed Common Sense members agree on and want more information about. In this panel, we’ll discuss why this topic is so important for kids, families, content creators, and more. Geena and Friends Presented by L’Oreal Each year, Geena Davis and a handful of celebrity friends come together to swap gender roles while reading scenes from some of Hollywood’s favorite scripts to expose implicit bias and have some fun! This year’s guests include Brooklyn 99’s Melissa Fumero and Stephanie Beatriz, Meg Ryan, and other special guests! If You Can Read it, See It, Play It, Be It… All forms of media have the power to inspire and change lives. That’s why our founder Geena likes to say, “If they can see it, they can be it.” Looking beyond film and television, this event showcases forward-looking companies, innovative artists, and cutting-edge creators on their mission to create BOOKS, GAMES, TOYS, and TECH that inspire everyone.

    STEM to STEAM

    Adding the “A” for Arts to STEM creates STEAM. Creativity is important to fueling the innovation that companies seek in order to stay competitive. The solution to narrowing the STEM pipeline gap and innovation may lay in the arts for engaging the underrepresented demographic of girls and kids of color. This panel is dedicated to demonstrating why the Arts are just as essential as the disciplines of Science, Technology, Engineering, and Math. Kids: Shaping Tomorrow’s Influencers Today Presented by Mattel If our destiny is diversity, then it’s never too early to begin these important conversations with our kids. Meet the children’s television programmers and product developers who have dedicated their life’s work to making those conversations a little bit easier. Game Changers Success in Sports hinges on teamwork and collaboration. We rise together or fall together… Winning does not discriminate. These game changers discuss what inspired them to accomplish the incredible! Sustainability: Going Further Recycle, reduce, reuse, right? Sustainability actually goes way beyond all that. From managing our natural resources to maintaining health, safety, and labor rights for workers, learn why this issue is becoming increasingly vital to all industries and discover what inspired our panelists to commit significant portions of their lives to fighting for this cause. #OurPurposeIsProgress Samsung Create Student Short Film Competition Student filmmakers were challenged to make a short film based on the mission of BFF by utilizing the incredibly powerful Samsung Galaxy phone and tablet. The top films will premier at BFF followed by a Q&A with the student filmmakers. A League Of Their Own 25h Anniversary Game Yes it has been 25 years! Join our BFF’s Geena Davis, select cast members from the film, and the Rockford Peaches for an afternoon at the ballpark with the family. The game will feature Celebrity and Professional athletes competing against our BFF partners. And remember, “THERE IS NO CRYING IN BASEBALL!”

    SHOWCASE FILMS

    3 Generations, directed by Gaby Dellal, written by Nikole Beckwith and Gaby Dellal. (USA) After Ray decides to transition from female to male, Ray’s mother, Maggie, must come to terms with the decision while tracking down Ray’s biological father to get his legal consent. 6 Below, directed by Scott Waugh, written by Madison Turner. (USA) An adrenaline seeking snowboarder gets lost in a massive winter storm in the back-country of the High Sierras where he is pushed to the limits of human endurance and forced to battle his own personal demons as he fights for survival. Animal Crackers, directed by Tony Bancroft, Scott Christian Sava and Jaime Maestro (USA) A family must use a magical box of Animal Crackers to save a run-down circus from being taken over by their evil uncle Horatio P. Huntington. Cries From Syria, directed by Evgeny Afineevsky. (USA). We follow child protesters, revolution icons, activists and their relatives, and high-ranking Army generals who defected to join the fight of the people. It tells the story of the Syrian people who have never lost hope. Despite the Falling Snow, directed and written by Shamim Sarif. (UK). In 1950s Moscow, communist Katya secretly spies for the Americans in the Cold War arms race. When she lands her biggest assignment, stealing secrets from rising government star Alexander, the last thing she expects is to fall in love with him. Guardians of the Galaxy 2, directed and written by James Gunn. (USA) In Marvel’s “Guardians of the Galaxy Vol. 2,” the Guardians must fight to keep their newfound family together as they unravel the mystery of Peter Quill’s true parentage. Leap!, directed by Eric Summer and Eric Warin, written by Carol Noble, Laurent Zeitoun & Eric Summer. (USA) An orphan girl dreams of becoming a ballerina and flees her rural Brittany for Paris, where she passes for someone else and accedes to the position of pupil at the Grand Opera house. Lowriders, directed by Ricardo de Montreuil, written by Cheo Hodari Coker, Elgin James. (USA) A young street artist in East Los Angeles is caught between his father’s obsession with lowrider car culture, his ex-felon brother and his need for self-expression. Painted Woman, directed by James Cotton (USA) A young woman with a dark past finds wisdom in her identity in the romance of the old west. Paris Can Wait, directed and written by Eleanor Coppola. (USA) Long married to a successful, driven but inattentive movie producer, Anne unexpectedly finds herself taking a car trip from Cannes to Paris with a business associate of her husband. What should be a seven-hour drive turns into a carefree two-day adventure replete with diversions involving picturesque sights, fine food and wine, humor, wisdom and romance, reawakening Anne’s senses and giving her a new lust for life. Resident Evil: The Final Chapter, directed by Paul W. S. Anderson (USA) Alice returns to where the nightmare began: The Hive in Raccoon City, where the Umbrella Corporation is gathering its forces for a final strike against the only remaining survivors of the apocalypse. Sonic The Hedgehog: Just A Guy, a CGI showcase episodic starring Sega’s iconic Sonic the Hedgehog, directed by Natalys Raut Sieuzac (USA/Japan/France). When Sonic insults his friend Mike the Ox by calling him “just a guy,” the village teaches Sonic the important lesson that it’s better not to judge or label anyone. We all are special. The Eagle Huntress, directed by Otto Bell (UK) Thirteen-year-old Aisholpan trains to become the first female in twelve generations of her Kazakh family to become an eagle huntress. The Red Turtle, directed by Michael Dudok de Wit (France/Belgium/Japan) The dialogue-less film follows the major life stages of a castaway on a deserted tropical island populated by turtles, crabs and birds. The Forever Tree, a showcase short film directed by Alrick Brown. (USA) Tawny Bennett, an antiquarian’s apprentice, receives a visitor in the middle of the night with a mysterious clue to a legend which threatens to disrupt her quiet life. (paired with opening film, “3 Generations”) Underworld: Blood Wars, directed by Anna Foerster (USA) Vampire death dealer, Selene (Kate Beckinsale) fights to end the eternal war between the Lycan clan and the Vampire faction that betrayed her. Writer’s Block, a showcase short film directed by Troy Miller. (USA) Past her prime and afflicted with a severe case of writer’s block, a veteran songwriter finds new inspiration in a bird that takes up residence outside her home, starring Jane Lynch. (paired with showcase feature, “Paris Can Wait”)

    ADDITIONAL SPOTLIGHT FILMS

    Like Cotton Twines, directed and written by Leila Djansi. (USA) Micah Brown, an American volunteer takes a teaching job in a remote African village where he meets Tuigi, a 13-year old girl who is to become Trokosi, wife to the gods. A practice of religious sexual slavery. Accepting of her fate, Tuigi’s only desire it to be able to write her GED.

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  • Florida Film Festival to Feature 182 Films, Opens with THE HERO

    [caption id="attachment_19932" align="aligncenter" width="1213"]The Hero The Hero[/caption] The upcoming 26th Florida Film Festival taking place April 21 to 30, 2017, in Maitland and Winter Park, Florida, will feature a lineup of 182 films. The festival will open with the feature film The Hero, directed by Brett Haley, preceded by the Florida premiere of the short film 5 Films About Technology directed by Peter Huang. 

    2017 OFFICIAL SELECTION:

    OPENING NIGHT FILM:

    The Hero – Directed by Brett Haley, USA, 2016, 96 minutes Preceded by: 5 Films About Technology – Directed by Peter Huang, Canada, 2016, 5 minutes, Florida Premiere

    SPOTLIGHT FILMS:

    Bitch – Directed by Marianna Palka, USA, 2017, 93 minutes, Florida Premiere Buster’s Mal Heart – Directed by Sarah Adina Smith, USA, 2016, 98 minutes, In English and Spanish with English Subtitles, Southeast Premiere Colossal – Directed by Nacho Vigalondo, Canada/Spain, 2016, 110 minutes The Commune – Directed by Thomas Vinterberg, Denmark/Sweden/Netherlands, 2016, 111 minutes, In Danish with English Subtitles, Southeast Premiere Dean – Directed by Demetri Martin, USA, 2016, 87 minutes, Rated PG-13 The Exception – Directed by David Leveaux, UK, 2016, 107 minutes, Southeast Premiere/2nd US Showing Manifesto – Directed by Julian Rosefeldt, Germany, 2017, 95 minutes, Southeast Premiere Menashe – Directed by Joshua Z. Weinstein, USA, 2017, 81 minutes, In Yiddish with English Subtitles Paris Can Wait – Directed by Eleanor Coppola, USA, 2016, 92 minutes, In English and French with English Subtitles, Rated PG Patti Cake$ – Directed by Geremy Jasper, USA, 2017, 108 minutes Soul on a String – Directed by Zhang Yang, China/Tibet, 2016, 142 minutes, In Tibetan with English Subtitles,East Coast Premiere Step – Directed by Amanda Lipitz, USA, 2017, 83 minutes, Rated PG

    NARRATIVE FEATURES COMPETITION:

    The Archer – Directed by Valerie Weiss, USA, 2017, 86 minutes, East Coast Premiere/2nd US Showing Camera Obscura – Directed by Aaron B. Koontz, USA, 2017, 95 minutes, World Premiere Dave Made a Maze – Directed by Bill Watterson, USA, 2017, 81 minutes, Southeast Premiere Girl Flu. – Directed by Dorie Barton, USA, 2016, 94 minutes Katie Says Goodbye – Directed by Wayne Roberts, USA, 2016, 88 minutes My Entire High School Sinking into the Sea – Directed by Dash Shaw, USA, 2016, 75 min, Southeast Premiere Pushing Dead – Directed by Tom E. Brown, USA, 2016, 111 minutes Some Freaks – Directed by Ian MacAllister-McDonald, USA, 2016, 97 minutes, Florida Premiere The Strange Ones – Directed by Lauren Wolkstein and Christopher Radcliff, USA, 2017, 80 minutes A Stray – Directed by Musa Syeed, USA, 2016, 82 minutes, In English and Somali with English Subtitles,Southeast Premiere

    DOCUMENTARY FEATURES COMPETITION:

    8 Borders, 8 Days – Directed by Amanda Bailly, USA/Lebanon, 2017, 60 minutes, In Arabic with English Subtitles, World Premiere Cassette: A Documentary Mixtape – Directed by Zack Taylor, USA/Germany/Netherlands/UK, 2016, 92 minutes,East Coast Premiere/2nd US Showing Circus Kid – Directed by Lorenzo Pisoni, USA, 2016, 71 minutes, Southeast Premiere For Ahkeem – Directed by: Jeremy S. Levine and Landon Van Soest, USA, 2017, 90 minutes, Southeast Premiere/2nd US Showing The Peacemaker – Directed by James Demo, USA, 2016, 90 minutes, Southeast Premiere/2nd US Showing Rat Film – Directed by Theo Anthony, USA, 2016, 82 minutes Strad Style – Directed by Stefan Avalos, USA, 2017, 104 minutes, Southeast Premiere This Cold Life – Directed by Darren Mann, USA, 2017, 88 minutes, US Premiere Woman on Fire – Directed by Julie Sokolow, USA, 2016, 84 minutes, Southeast Premiere

    DOCUMENTARY SHORTS COMPETITION:

    116 Cameras – Directed by Davina Pardo, USA, 2017, 16 minutes, Southeast Premiere/2nd US Showing All Good Things – Directed by Chloe Domont, USA, 2017, 26 minutes, Florida Premiere Bayard & Me – Directed by Matt Wolf, USA, 2017, 16 minutes, Florida Premiere Brillo Box (3¢ Off) – Directed by Lisanne Sklyer, USA, 2016, 40 minutes, Florida Premiere The Carousel – Directed by Jonathan Napolitano, USA, 2016, 12 minutes, Southeast Premiere The Christmas Light Killer – Directed by James P. Gannon, USA, 2016, 7 minutes, Southeast Premiere/2nd US Showing Clean Hands – Directed by Lauren DeFilippo, USA, 2017, 9 minutes, East Coast Premiere The Collection – Directed by Adam Roffman, USA, 2017, 11 minutes Commodity City – Directed by Jessica Kingdon, USA, 2017, 11 minutes, In Mandarin with English Subtitles The Hama Hama Way – Directed by Treva Wurmfeld, USA, 2017, 12 minutes, Southeast Premiere Heaven is a Traffic Jam on the 405 – Directed by Frank Stiefel, USA, 2016, 40 minutes, East Coast Premiere High Chaparral – Directed by David Freid, USA/Sweden, 2016, 9 minutes, Florida Premiere The John Show – Directed by Julie Sokolow, USA, 2017, 13 minutes, East Coast Premiere Long Term Parking – Directed by Lance Oppenheim, USA, 2017, 8 minutes, Florida Premiere Oddball – Directed by Joshua Moore, USA, 2016, 5 minutes, East Coast The Rabbit Hunt – Directed by Patrick Bresnan, USA, 2017, 12 minutes Refugee – Directed by Joyce Chen and Emily Moore, USA/Senegal, 2016, 28 minutes, In English, Wolof, and French with English Subtitles, Florida Premiere Richard Twice – Directed by Matthew Salton, USA, 2017, 10 minutes, East Coast Premiere

    NARRATIVE SHORTS COMPETITION:

    August – Directed by Caitlyn Greene, USA, 2017, 8 minutes, Florida Premiere The Candidate – Directed by Michael Hilf, USA, 2016, 6 minutes Cat Killer – Directed by Wes Jones, USA, 2017, 11 minutes, World Premiere Cul-de-Sac – Directed by Damon Russell, USA, 2016, 15 minutes, Florida Premiere Cycle – Directed by Caleb Wild, USA, 2017, 10 minutes, World Premiere Get the Life – Directed by Ozzy Villazòn, USA, 2016, 12 minutes Good Crazy – Directed by Rosa Salazar, USA, 2017, 14 minutes, East Coast Premiere Hijo Por Hijo – Directed by Juan Avella, USA/Venezuela, 2016, 11 minutes, In Spanish with English Subtitles,East Coast Premiere Horseshoe Theory – Directed by Jonathan Daniel Brown, USA, 2017, 12 minutes, East Coast Premiere/2nd US Showing Hot Seat – Directed by Anna Kerrigan, USA, 2017, 13 minutes, Southeast Premiere I’m in Here – Directed by Willy Berliner, USA, 2017, 12 minutes, Southeast Premiere It’s Been Like a Year – Directed by Cameron Fay, USA, 2017, 9 minutes, East Coast Premiere/2nd US Showing Judy – Directed by Ariel Gardner and Alex Kavutskiy, USA, 2016, 10 minutes, Southeast Premiere La Ramona – Directed by Antonio De Jesus Sanchez, USA, 2017, 27 minutes, In Spanish with English subtitles,World Premiere Laurels – Directed by David Brundige, USA, 2017, 7 minutes, North American Premiere The Lemon Tree – Directed by Amanda Yam, USA, 2016, 11 minutes, Florida Premiere Mrs. Nebile’s Wormhole – Directed by Pinar Yorgancioğlu, USA/Germany/Turkey, 2016, 14 minutes, In Turkish and German with English Subtitles, Southeast Premiere New Neighbors – Directed by E.G. Bailey, USA, 2017, 9 minutes, East Coast Premiere Night Shift – Directed by Marshall Tyler, USA, 2017, 16 minutes, East Coast Premiere/2nd US Showing No Other Way to Say It – Directed by Tim Mason, USA, 2016, 7 minutes, East Coast Premiere Red Apples – Directed by George Sikharulidze, USA/Georgia/Armenia, 2016, 15 minutes, In Armenian with English Subtitles, East Coast Premiere Rosie, Oh – Directed by Andy Koeger and Apple Xenos, USA, 2016, 9 minutes, East Coast Premiere Scooter Joe – Directed by Steve Collins, USA, 2017, 7 minutes, World Premiere Shift – Directed by Kristen Hester, USA, 2016, 9 minutes, Southeast Premiere Surrogate – Directed by Olivia Hamilton, USA, 2016, 16 minutes, East Coast Premiere, 2nd US Showing Tiny Mammals – Directed by Dagny Looper, USA, 2017, 8 minutes, World Premiere The Visitor – Directed by Ferran Mendoza Soler, USA, 2016, 16 minutes, North American Premiere Vitamins for Life – Directed by Grier Dill, USA, 2016, 2 minutes, Southeast Premiere You Can Go – Directed by Christine Turner, USA, 2016, 10 minutes, Florida Premiere Your Day – Directed by Ginger Gonzaga, USA, 2017, 32 minutes, Florida Premiere Zaar – Directed by Ibrahim Nada, USA, 2016, 11 minutes, Southeast Premiere Zero-Zero – Directed by Randall Whittinghill, USA, 2017, 15 minutes, World Premiere 

    ANIMATED SHORTS COMPETITION:

    149th and Grand Concourse – Directed by Andy & Carolyn London, USA, 2016, 3 minutes, 2nd US Screening The Biggest Wad is Mine – Directed by: Sam Gurry, USA, 2016, 3 minutes, East Coast Premiere Chella Drive – Directed by Adele Han Li, USA, 2016, 3 minutes, Southeast Premiere Cop Dog – Directed by Bill Plympton, USA, 2017, 6 minutes, World Premiere Fabricated – Directed by Brett Foxwell, USA, 2016, 19 minutes, East Coast Premiere/2nd US Showing Have Sex with Us – Directed by: Rob Frese, USA, 2016, 6 minutes, East Coast Premiere/2nd US Showing The History of Magic: Ensueño – Directed by Josè Luis González, USA, 2016, 5 minutes, In English and Spanish with English Subtitles, Southeast Premiere Hot Dog Hands – Directed by Matt Reynolds, USA, 2017, 7 minutes, East Coast Premiere Insect Bite – Directed by Grace Nayoon Rhee, USA/South Korea, 2016, 2 minutes, Southeast Premiere It’s a Date – Directed by Zachary Zezima, USA, 2016, 7 minutes, Southeast Premiere Legal Smuggling with Christine Choy – Directed by Lewie Kloster, USA, 2016, 4 minutes Slow Wave – Directed by Andy Kennedy, USA, 2016, 4 minutes, Florida Premiere Summer Camp Island – Directed by Julia Pott, USA, 2016, 9 minutes Trouble Brewing – Directed by Timothy Heath, USA, 2017, 8 minutes, East Coast Premiere/2nd US Showing Vocabulary 1 – Directed by Becky James, USA, 2016, 4 minutes, Southeast Premiere

    INTERNATIONAL SHOWCASE FEATURES:

    I Dream in Another Language (Sueño en Otro Idioma) – Directed by Ernesto Contreras, Mexico/Netherlands, 2017, 101 minutes, In Spanish with English Subtitles, Southeast Premiere Pop Aye – Directed by Kirsten Tan, Thailand/Singapore, 2017, 101 minutes, In Thai with English Subtitles,Southeast Premiere Sami Blood – Directed by Amanda Kernell, Sweden/Norway/Denmark, 2016, 107 minutes, In Swedish and South Sami with English Subtitles, East Coast Premiere White Sun – Directed by Deepak Rauniyar, Nepal/USA/Qatar/Netherlands, 2016, 89 minutes, In Nepali with English Subtitles

    INTERNATIONAL SHORTS:

    5 Films About Technology – Directed by Peter Huang, Canada, 2016, 5 minutes, Florida Premiere Add Contact – Directed by David Oeo, Spain, 2016, 3 minutes, In Spanish with English Subtitles, Southeast Premiere Fish Story – Directed by Charlie Lyne, UK, 2017, 14 minutes, East Coast Premiere Gryla – Directed by Tomas Heidar Johannesson, Iceland, 2016, 6 minutes, In Icelandic with English Subtitles, Florida Premiere Home – Directed by More Raça, Kosovo, 2016, 23 minutes, In Albanian with English Subtitles, East Coast Premiere Irregulars – Directed by Fabio Palmieri, Italy, 2015, 9 minutes, Florida Premiere Jonah the Wet Nurse – Directed by Shalom Hager, Israel, 2015, 30 minutes, In Hebrew with English Subtitles,North American Premiere The Other Side – Directed by Griselda San Martin, Spain, 2017, 6 minutes, In Spanish with English Subtitles, East Coast Premiere Overtime – Directed by Craig D. Foster, Australia, 2016, 9 minutes, Florida Premiere Pria – Directed by Yudho Aditya, Indonesia, 2017, 22 minutes, In Bahasa with English Subtitles, Southeast Premiere Saigo – Directed by TOCHKA (Takeshi Nagata, Kazue Monno), Japan, 2015, 2 minutes, Florida Premiere/2nd US Showing Searching for Wives – Directed by Zuki Juno Tobgye, Singapore, 2016, 12 minutes, In English and Tamil with English Subtitles, Southeast Premiere Slapper – Directed by Luci Schroder, Australia, 2016, 15 minutes, East Coast Premiere/2nd US Showing Stallion (Hingsten) – Directed by Ninja Thyberg, Sweden, 2016, 15 minutes, In Swedish with English Subtitles,World Premiere Supot – Directed by Phil Giordano, Philippines/USA, 2015, 13 minutes, In Tagalog with English Subtitles, North American Premiere White – Directed by Paul Cioran, Romania, 2016, 20 minutes, In Romanian with English Subtitles, North American Premiere

    INTERNATIONAL ANIMATED SHORTS:

    The Absence of Eddy Table – Directed by Rune Spaans, Norway, 2016, 12 minutes, Florida Premiere Arts + Crafts Spectacular #3 – Directed by Sébastien Wolf and Ian Ritterskamp, Germany, 2015, 4 minutes,Southeast Premiere Curse of the Flesh – Directed by Yannick Lecoeur and Leslie Lavielle, France, 2016, 16 minutes, No Dialogue,North American Premiere Decorado – Directed by Alberto Vázquez, Spain/France, 2016, 11 minutes, In Spanish with English Subtitles,Florida Premiere Fears – Directed by Nata Metlukh, Canada, 2015, 2 minutes, No Dialogue, Florida Premiere How Long, Not Long – Directed by Michelle and Uri Kranot, Denmark, 2016, 6 minutes, Southeast Premiere Jonas and the Sea – Directed by Marlies van der Wel, Netherlands, 2015, 12 minutes, No Dialogue, Southeast Premiere Journal Animé – Directed by Donato Sansone, France, 2016, 4 minutes, No Dialogue, East Coast Premiere/2nd US Showing Nou Nen Feat.Utae – Directed by Sawako Kabuki, Japan, 2016, 3 minutes, No Dialogue, East Coast Premiere/2nd US Showing Pussy – Directed by Renata Gąsiorowska, Poland, 2016, 8 minutes, No Dialogue, Southeast Premiere SimSim (The Realm of Deepest Knowing) – Directed by Seunghee Kim, South Korea, 2017, 4 minutes, No Dialogue, World Premiere This is Not an Animation – Directed by Federico Kempke, Canada/Mexico, 2016, 5 minutes, Florida Premiere

    MIDNIGHT FEATURES:

    68 Kill – Directed by Trent Haaga, USA, 2017, 93 minutes, Southeast Premiere Bad Black – Directed by Nabwana IGG, Uganda, 2016, 70 minutes, East Coast Premiere/2nd US Showing Bad Day For The Cut – Directed by Chris Baugh, UK/Northern Ireland, 2017, 99 minutes, East Coast Premiere Birdboy: The Forgotten Children (Psiconautas) – Directed by Alberto Vázquez and Pedro Rivero, Spain, 2015, 76 minutes, In Spanish with English Subtitles, US Premiere

    MIDNIGHT SHORTS:

    Bad Dog – Directed by Tom Putnam, USA, 2017, 4 minutes, World Premiere Death Metal – Directed by Chris McInroy, USA, 2016, 5 minutes Do No Harm – Directed by Roseanne Liang, New Zealand, 2017, 12 minutes, East Coast Premiere Feeding Time – Directed by Matt Mercer, USA, 2016, 13 minutes, East Coast Premiere Girl #2 – Directed by David Jeffery, USA, 2016, 9 minutes Hold Me (Ca Caw Ca Caw) – Directed by Renee Zhan, USA, 2016, 11 minutes, Southeast Premiere Horses – Directed by Leah Shore, USA, 2016, 1 minutes, World Premiere The Investment – Directed by Steve Collins, USA, 2017, 4 minutes, East Coast Premiere It is My Fault – Directed by Liu Sha, China, 2016, 5 minutes, East Coast Premiere Ivan’s Need – Directed by Manuela Leuenberger, Veronica L. Montaño, and Lukas Suter, Switzerland, 2015, 6 minutes, Florida Premiere Pigskin – Directed by Jake Hammond, USA, 2016, 13 minutes Pinky Toe – Directed by Lina July, USA, 2016, 1 minutes, Florida Premiere Showing it All – Directed by Lasse Persson and Lisa Tulin, Sweden, 2017, 2 minutes, World Premiere Sisyphus – Directed by Grace Nayoon Rhee, USA, 2016, 3 minutes, East Coast Premiere/2nd US Showing Summer’s Puke is Winter’s Delight – Directed by Sawako Kabuki, Japan, 2016, 3 minutes, Florida Premiere We Together – Directed by Henry Kaplan, USA, 2016, 7 minutes, Southeast Premiere

    SPECIAL SCREENINGS:

    FAMILY FILMS:

    Albion: The Enchanted Stallion – Directed by Castille Landon, USA/Bulgaria, 2016, 103 minutes, Florida Premiere Big Booom – Directed by Marat Narimanov, Russian Federation, 2016, 4 minutes, Southeast Premiere Supergirl – Directed by Jessie Auritt, USA, 2016, 80 minutes

    FOOD FILMS:

    Bugs – Directed by Andreas Johnsen, Denmark/Netherlands/France/Germany, 2016, 73 minutes New Chefs on the Block – Directed by Dustin Harrison-Atlas, USA, 2017, 96 minutes, Florida Premiere One Hundred Thousand Beating Hearts – Directed by Peter Byck, USA, 2016, 15 minutes, Florida Premiere

    MUSIC FILMS:

    Honky Tonk Heaven: The Legend of the Broken Spoke – Directed by Sam Wainwright Douglas and Brenda Mitchell, USA, 2016, 75 minutes, Southeast Premiere Rumble: The Indians Who Rocked The World – Directed by Catherine Bainbridge and Alfonso Maiorana, Canada, 2017, 103 minutes, Florida Premiere Vinyl Revival – Directed by Shasta Ford, USA, 2016, 10 minutes, World Premiere

    FLORIDA FILMS:

    FLORIDA SHORTS: THE BEST OF BROUHAHA:

    Amerigo – Directed by Todd Thompson, 2016, 19 minutes, In Italian with English Subtitles Bad Town – Directed by Daniel Smith, 2016, 13 minutes, Southeast Premiere Blackface – Directed by Malcolm Baity, 2016, 7 minutes Burp – Directed by Benjamin L. Gill, 2016, 6 minutes Cartoon Characters – Directed by Carey Kight, 2016, 9 minutes The D in David – Directed by: Michelle Yi and Yaron Farkash, 2016, 2 minutes Dorothy’s Video Application – Directed by Sara Ambra, 2017, 4 minutes Dust Buddies – Directed by Beth Tomashek and Sam Wade, 2016, 4 minutes Flora – Directed by Alexandrina Andre, 2016, 11 minutes, East Coast Premiere For Will – Directed by Grayson Goga and Grace Stalley, 2016, 13 minutes The Goat on the Roof – Directed by Erin Smyth, 2016, 7 minutes Rupee Run – Directed by Tarun Lak, 2016, 2 minutes The Wooden Mannequin – Directed by Stephanie Hunton, 2016, 1 minutes, World Premiere

    FLORIDA DOCUMENTARIES:

    Ain’t Nothing Like Being Free – Directed by John Meyer, USA, 2017, 48 minutes, World Premiere I Am Another You – Directed by Nanfu Wang, USA, 2017, 80 minutes, East Coast Premiere The Original Richard McMahan – Directed by Olympia Stone, USA, 2017, 21 minutes

    RETRO FILMS:

    Popcorn Flick in the Park: Barefoot in the Park – Directed by Gene Saks, USA, 1967, 106 minutes Closing Night Retro: Faster, Pussycat! Kill! Kill! – Directed by Russ Meyer, USA, 1965, 83 minutes

    SPECIAL SCREENING:

    Unrest – Directed by Jennifer Brea, USA, 2017, 97 minutes, In English and Danish with English Subtitles,Southeast Premiere

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  • Amanda Lipitz’s STEP to Open and Zoe Lister-Jones’ BAND AID to Close 2017 Montclair Film Festival

    [caption id="attachment_19944" align="alignnone" width="1200"]Step by Amanda Lipitz STEP[/caption] The 6th Montclair Film Festival, taking place April 28 to May 7, 2017, will open with Amanda Lipitz’s STEP on Friday, April 28 and close with Zoe Lister-Jones’ BAND AID on Saturday, May 6.  In addition, the fiction centerpiece film, Geremy Jasper’s PATTI CAKE$, will be presented on Friday, May 5 and the documentary centerpiece film, Stanley Nelson’s TELL THEM WE ARE RISING: AMERICA’S BLACK COLLEGES AND UNIVERSITIES will be presented on Saturday, May 6. Montclair Film is teaming up with the American Black Film Festival (ABFF) on a partnership that helps build meaningful opportunity for African American professionals in the film and television industry, and which celebrates the work of established artists in the field. This year’s partnership includes a new program, Emerging Black Voices, which will offer opportunity to filmmakers and producers at both the MFF and ABFF, as well as multiple panel discussions, screenings, and the House Party, a celebration of African American filmmakers held each year at the MFF. The festival will welcome Retro Report as the partner for a two-part series at this year’s festival that examines the state of news, reporting, and media consumption. The partnership features a program of films, curated by the Retro Report team and including the premiere of their latest film ZAPRUDER , that examines the way in which media stories can shape the public conversation, as well as a conversation entitled TRUE OR FALSE?: REPORTING IN THE AGE OF “FAKE NEWS” which will feature a panel of distinguished journalists and offer a look inside the job of reporting the facts when audiences are more inclined than ever to challenge them. Two special restorations – George Romero’s NIGHT OF THE LIVING DEAD and Andrei Tarkovsky’s STALKER will be presented at this year’s festival. First, George Romero’s NIGHT OF THE LIVING DEAD will screen in a stunning new 4K restoration and will be presented on April 29 at the Wellmont Theater. Featured special guests will include Producer Russ Streiner, who also played Johnny in the film and delivered the now-famous line “They’re coming to get you, Barbara,” actress Kyra Schon, who portrayed the 11 year-old Karen Cooper in the film and provided one of the film’s most unforgettable moments, and investor and the film’s sound recordist Gary Streiner, who oversaw the film’s restoration on behalf of Image Ten. Next, the Festival will present Mosfilm’s beautiful new 2K restoration of Andrei Tarkovsky’s STALKER, screening Saturday, April 29. This restoration will be the first film ever screened in Cinema505, Montclair Film’s own cinema located in their new home at the Investors Bank Film and Media Center at 505 Bloomfield Avenue in downtown Montclair.

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