I AM NOT A WITCH[/caption]
The Athena Film Festival (AFF) continues to showcase films about strong and courageous women leaders with its 2018 lineup of narrative, documentary, and short films. Among the feature films included in this year’s lineup are THE BREADWINNER, directed by Nora Twomey and executive produced by Angelina Jolie; the New York premiere of I AM NOT A WITCH, from first-time writer and director Rungano Nyoni; LADY BIRD, the directorial debut of Greta Gerwig (AFF ‘11 Honoree and 2006 Barnard graduate), starring Saoirse Ronan; MEGAN LEAVEY, directed by Gabriela Cowperthwaite and starring Kate Mara; WONDER WOMAN, directed by Patty Jenkins and starring Gal Gadot; and THE ZOOKEEPER’S WIFE, directed by Niki Caro and starring Jessica Chastain, among others.
The documentary category includes BOMBSHELL: THE HEDY LAMARR STORY, directed and written by Alexandra Dean; I AM EVIDENCE, directed by Trish Adlesic and Geeta Gandbhir and produced by Mariska Hargitay; the New York City premiere of IT’S CRIMINAL, directed by Signe Taylor (1987 Barnard graduate); and the international premiere of MY YEAR WITH HELEN, directed by Gaylene Preston, among others.
A wide variety of shorts will be featured, including the world premiere of FRONTIER, directed by Jillian Banner; and the New York premieres of AL IMAM, directed by Omar Al Dakheel; BEADS, directed by Rachel Byrd; CON MADRE, directed by Clancy McCarty; THE FAN directed by Mohammad Ghanefard and Ali Delkari; and THE RED THUNDER, directed by Alvaro Ron, among others.
In addition, the festival will feature several Virtual Reality experiences including Look But With Love: A Story of Women, Look But With Love: A Story of Dance from Oscar-winning director Sharmeen Obaid-Chinoy, Testimony from project creator Zohar Kfir, and Under the Net from director and writer Justin Perkison.
The festival will also host entertaining and informative panels including: The Female Gaze, Social Media and Branding For Filmmakers, and Revising the Canon.
“We are thrilled to announce an incredible line-up for the 2018 Athena Film Festival which highlights diverse female talent both in front of and behind the camera,” said Melissa Silverstein, co-founder and Artistic Director of the Festival and founder of Women and Hollywood. “Our goal as a festival has always been to highlight and recognize the strong and unique female voices and points of view in the industry by giving them a platform for their stories to be shared and amplified.”
“It’s an honor to once again host this inspiring festival that celebrates the stories of courageous and bold women leaders and the filmmakers who create them,” said Kathryn Kolbert, co-founder of the Festival and Constance Hess Williams ‘66 Director of the Athena Center for Leadership Studies at Barnard College. “We are thrilled to recognize the diverse talents of current filmmakers, actors and executives and ignite a spark in the next generation.”
The 2018 Athena Film Festival Awardees include two-time Academy Award®-winning documentary filmmaker Barbara Kopple who will receive the Laura Ziskin Lifetime Achievement Award; BAFTA-winning writer and director Amma Asante who will receive the Athena Award; world-renowned cabaret artist and actress Bridget Everett who will receive the inaugural Breakthrough Award; and director, producer and screenwriter J.J. Abrams who will receive the Athena Leading Man Award.
The 2018 festival co-chairs include Ava DuVernay, Julie Parker Benello, Debra Martin Chase, Geralyn Dreyfous, Paul Feig, Sherry Lansing, Jon Levin, Dylan McDermott, Sheila Nevins, David Oyelowo, Gina Prince-Bythewood, Susan Rovner, Regina K. Scully, and Rachel Weisz.
The eighth annual festival, co-founded by the Athena Center for Leadership Studies at Barnard College and Women and Hollywood, will take place February 22 to 25, 2018, at Barnard College in New York City.
The Divine Order
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2018 Athena Film Festival Announces Lineup, I AM NOT A WITCH, LADY BIRD and More…
[caption id="attachment_25151" align="aligncenter" width="1200"] I AM NOT A WITCH[/caption]
The Athena Film Festival (AFF) continues to showcase films about strong and courageous women leaders with its 2018 lineup of narrative, documentary, and short films. Among the feature films included in this year’s lineup are THE BREADWINNER, directed by Nora Twomey and executive produced by Angelina Jolie; the New York premiere of I AM NOT A WITCH, from first-time writer and director Rungano Nyoni; LADY BIRD, the directorial debut of Greta Gerwig (AFF ‘11 Honoree and 2006 Barnard graduate), starring Saoirse Ronan; MEGAN LEAVEY, directed by Gabriela Cowperthwaite and starring Kate Mara; WONDER WOMAN, directed by Patty Jenkins and starring Gal Gadot; and THE ZOOKEEPER’S WIFE, directed by Niki Caro and starring Jessica Chastain, among others.
The documentary category includes BOMBSHELL: THE HEDY LAMARR STORY, directed and written by Alexandra Dean; I AM EVIDENCE, directed by Trish Adlesic and Geeta Gandbhir and produced by Mariska Hargitay; the New York City premiere of IT’S CRIMINAL, directed by Signe Taylor (1987 Barnard graduate); and the international premiere of MY YEAR WITH HELEN, directed by Gaylene Preston, among others.
A wide variety of shorts will be featured, including the world premiere of FRONTIER, directed by Jillian Banner; and the New York premieres of AL IMAM, directed by Omar Al Dakheel; BEADS, directed by Rachel Byrd; CON MADRE, directed by Clancy McCarty; THE FAN directed by Mohammad Ghanefard and Ali Delkari; and THE RED THUNDER, directed by Alvaro Ron, among others.
In addition, the festival will feature several Virtual Reality experiences including Look But With Love: A Story of Women, Look But With Love: A Story of Dance from Oscar-winning director Sharmeen Obaid-Chinoy, Testimony from project creator Zohar Kfir, and Under the Net from director and writer Justin Perkison.
The festival will also host entertaining and informative panels including: The Female Gaze, Social Media and Branding For Filmmakers, and Revising the Canon.
“We are thrilled to announce an incredible line-up for the 2018 Athena Film Festival which highlights diverse female talent both in front of and behind the camera,” said Melissa Silverstein, co-founder and Artistic Director of the Festival and founder of Women and Hollywood. “Our goal as a festival has always been to highlight and recognize the strong and unique female voices and points of view in the industry by giving them a platform for their stories to be shared and amplified.”
“It’s an honor to once again host this inspiring festival that celebrates the stories of courageous and bold women leaders and the filmmakers who create them,” said Kathryn Kolbert, co-founder of the Festival and Constance Hess Williams ‘66 Director of the Athena Center for Leadership Studies at Barnard College. “We are thrilled to recognize the diverse talents of current filmmakers, actors and executives and ignite a spark in the next generation.”
The 2018 Athena Film Festival Awardees include two-time Academy Award®-winning documentary filmmaker Barbara Kopple who will receive the Laura Ziskin Lifetime Achievement Award; BAFTA-winning writer and director Amma Asante who will receive the Athena Award; world-renowned cabaret artist and actress Bridget Everett who will receive the inaugural Breakthrough Award; and director, producer and screenwriter J.J. Abrams who will receive the Athena Leading Man Award.
The 2018 festival co-chairs include Ava DuVernay, Julie Parker Benello, Debra Martin Chase, Geralyn Dreyfous, Paul Feig, Sherry Lansing, Jon Levin, Dylan McDermott, Sheila Nevins, David Oyelowo, Gina Prince-Bythewood, Susan Rovner, Regina K. Scully, and Rachel Weisz.
The eighth annual festival, co-founded by the Athena Center for Leadership Studies at Barnard College and Women and Hollywood, will take place February 22 to 25, 2018, at Barnard College in New York City.
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10 Best Foreign Language Submissions for 2018 Oscars to Compete at Heartland Film Festival
The 26th Heartland Film Festival will debut the inaugural “Foreign Language Best Picture Contender” sidebar featuring 10 films submitted as the respective country’s official entry for the Best Foreign Language Film category at the 2018 Academy Awards®. Each selection will play once during Heartland’s 11-day celebration of international independent film.
“Each year, Heartland Film Festival proudly showcases a healthy percentage of foreign language films which are much admired, roundly discussed and debated by our audiences,” said International Film Programmer Hannah Fisher. “We present this year – for the first time – a section of films submitted to the Academy of Motion Picture Arts and Sciences for consideration in the category known as ‘Best Foreign Language Film.‘
“We anticipate this program will grow and evolve in stature, in much the same way that that Heartland Film Festival continues to gain international recognition and prominence. Heartland is thrilled to be among the first North American film festivals to showcase these foreign language contenders,” concluded Fisher.
Set to award more than $100,000 in cash prizes across various categories, the 2017 Heartland Film Festival will bestow a $5,000 cash prize to one of these 10 films, as selected by the Festival’s foreign language contender jury.
Heartland Film Festival “Foreign Language Best Picture Contender” Lineup
“One Thousand Ropes” (2016) Country: New Zealand, Director: Tusi Tamales, Distributor: Transmission Films Synopsis: When a father reconnects with his estranged teenage daughter, he is given a rare chance to reshape the future of his family in unexpected ways. “Ayla: The Daughter of War” (2017) Country: Turkey, Director: Can Ulkay Synopsis: The true story or a little orphaned girl and the soldier who fell in love with her. “Saawan” (2017) Country: Pakistan, Director: Farhan Alam, Distributor: Kalaker Films Synopsis: A handicapped nine-year old boy who lives in a valley in the mountains of Balochistan is rejected by his father, intimidated by society, harassed by friends and left alone due to his disability. Strengthened by memories and dreams of the love of his mother, he begins a perilous journey back to his family in the main city. “White Sun” (2016) Country: Nepal, Director: Deepak Rauniyar, Distributor: Kimstim Films Synopsis: A former Maoist rebel struggles to reintegrate with his unwelcoming community and move beyond a painful past. “Newton” (2017) Country: India, Director: Amit Masurkar Synopsis: A government clerk on election duty in the conflict ridden jungle of Central India tries his best to conduct free and fair voting despite the apathy of security forces and the looming fear of guerrilla attacks by communist rebels. “BPM (Beats Per Minute)” (2017) Country: France, Director: Robin Campillo, Distributor: The Orchard Synopsis: In Paris in the early 1990s, a passionate group of activists goes to battle for those stricken with HIV/AIDS, taking on sluggish government agencies and major pharmaceutical companies. “Divine Order” (2017) Country: Switzerland, Director: Petra Volpe, Distributor: Kino Lorber Synopsis: A bucolic alpine village becomes a battleground for social change in 1970 Switzerland. “Reşeba: The Dark Wind” (2016) Country: Iraq, Director: Hussein Hassan Synopsis: Radical Islamist militants attack a village in Iraq where two young Yazidi prepare for marriage. From that moment onwards their lives are turned into a nightmare. “Pomegranate Orchard” (2017) Country: Azerbaijan, Director: Ilgar Najaf, Distributor: Buta Film Synopsis: Gabil returns home to the humble family farmstead, surrounded by an orchard of venerable pomegranate trees; since his sudden departure twelve years ago he was never once in contact. However, the deep emotional scars he left behind cannot be erased from one day to the next. “Thelma” (2017) Country: Norway, Director: Joachim Trier, Distributor: The Orchard Synopsis: A timid young woman leaves her rural home to study in Oslo. She does not understand her unique ability to manipulate her environment.
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92 countries in Competition for Foreign Language Film Oscar at the 90th Academy Awards
[caption id="attachment_19636" align="aligncenter" width="1200"]
Pop Aye – Kirsten Tan[/caption]
A record 92 countries have submitted films for consideration in the Foreign Language Film category for the 90th Academy Awards. Haiti, Honduras, Lao People’s Democratic Republic, Mozambique, Senegal and Syria are first-time entrants.
The 2017 submissions are:
Afghanistan, “A Letter to the President,” Roya Sadat, director;
Albania, “Daybreak,” Gentian Koçi, director;
Algeria, “Road to Istanbul,” Rachid Bouchareb, director;
Argentina, “Zama,” Lucrecia Martel, director;
Armenia, “Yeva,” Anahit Abad, director;
Australia, “The Space Between,” Ruth Borgobello, director;
Austria, “Happy End,” Michael Haneke, director;
Azerbaijan, “Pomegranate Orchard,” Ilgar Najaf, director;
Bangladesh, “The Cage,” Akram Khan, director;
Belgium, “Racer and the Jailbird,” Michaël R. Roskam, director;
Bolivia, “Dark Skull,” Kiro Russo, director;
Bosnia and Herzegovina, “Men Don’t Cry,” Alen Drljević, director;
Brazil, “Bingo – The King of the Mornings,” Daniel Rezende, director;
Bulgaria, “Glory,” Petar Valchanov, Kristina Grozeva, directors;
Cambodia, “First They Killed My Father,” Angelina Jolie, director;
Canada, “Hochelaga, Land of Souls,” François Girard, director;
Chile, “A Fantastic Woman,” Sebastián Lelio, director;
China, “Wolf Warrior 2,” Wu Jing, director;
Colombia, “Guilty Men,” Iván D. Gaona, director;
Costa Rica, “The Sound of Things,” Ariel Escalante, director;
Croatia, “Quit Staring at My Plate,” Hana Jušić, director;
Czech Republic, “Ice Mother,” Bohdan Sláma, director;
Denmark, “You Disappear,” Peter Schønau Fog, director;
Dominican Republic, “Woodpeckers,” Jose Maria Cabral, director;
Ecuador, “Alba,” Ana Cristina Barragán, director;
Egypt, “Sheikh Jackson,” Amr Salama, director;
Estonia, “November,” Rainer Sarnet, director;
Finland, “Tom of Finland,” Dome Karukoski, director;
France, “BPM (Beats Per Minute),” Robin Campillo, director;
Georgia, “Scary Mother,” Ana Urushadze, director;
Germany, “In the Fade,” Fatih Akin, director;
Greece, “Amerika Square,” Yannis Sakaridis, director;
Haiti, “Ayiti Mon Amour,” Guetty Felin, director;
Honduras, “Morazán,” Hispano Durón, director;
Hong Kong, “Mad World,” Wong Chun, director;
Hungary, “On Body and Soul,” Ildikó Enyedi, director;
Iceland, “Under the Tree,” Hafsteinn Gunnar Sigurðsson, director;
India, “Newton,” Amit V Masurkar, director;
Indonesia, “Turah,” Wicaksono Wisnu Legowo, director;
Iran, “Breath,” Narges Abyar, director;
Iraq, “Reseba – The Dark Wind,” Hussein Hassan, director;
Ireland, “Song of Granite,” Pat Collins, director;
Israel, “Foxtrot,” Samuel Maoz, director;
Italy, “A Ciambra,” Jonas Carpignano, director;
Japan, “Her Love Boils Bathwater,” Ryota Nakano, director;
Kazakhstan, “The Road to Mother,” Akhan Satayev, director;
Kenya, “Kati Kati,” Mbithi Masya, director;
Kosovo, “Unwanted,” Edon Rizvanolli, director;
Kyrgyzstan, “Centaur,” Aktan Arym Kubat, director;
Lao People’s Democratic Republic, “Dearest Sister,” Mattie Do, director;
Latvia, “The Chronicles of Melanie,” Viestur Kairish, director;
Lebanon, “The Insult,” Ziad Doueiri, director;
Lithuania, “Frost,” Sharunas Bartas, director;
Luxembourg, “Barrage,” Laura Schroeder, director;
Mexico, “Tempestad,” Tatiana Huezo, director;
Mongolia, “The Children of Genghis,” Zolbayar Dorj, director;
Morocco, “Razzia,” Nabil Ayouch, director;
Mozambique, “The Train of Salt and Sugar,” Licinio Azevedo, director;
Nepal, “White Sun,” Deepak Rauniyar, director;
Netherlands, “Layla M.,” Mijke de Jong, director;
New Zealand, “One Thousand Ropes,” Tusi Tamasese, director;
Norway, “Thelma,” Joachim Trier, director;
Pakistan, “Saawan,” Farhan Alam, director;
Palestine, “Wajib,” Annemarie Jacir, director;
Panama, “Beyond Brotherhood,” Arianne Benedetti, director;
Paraguay, “Los Buscadores,” Juan Carlos Maneglia, Tana Schembori, directors;
Peru, “Rosa Chumbe,” Jonatan Relayze, director;
Philippines, “Birdshot,” Mikhail Red, director;
Poland, “Spoor,” Agnieszka Holland, Kasia Adamik, directors;
Portugal, “Saint George,” Marco Martins, director;
Romania, “Fixeur,” Adrian Sitaru, director;
Russia, “Loveless,” Andrey Zvyagintsev, director;
Senegal, “Félicité,” Alain Gomis, director;
Serbia, “Requiem for Mrs. J.,” Bojan Vuletic, director;
Singapore, “Pop Aye,” Kirsten Tan, director;
Slovakia, “The Line,” Peter Bebjak, director;
Slovenia, “The Miner,” Hanna A. W. Slak, director;
South Africa, “The Wound,” John Trengove, director;
South Korea, “A Taxi Driver,” Jang Hoon, director;
Spain, “Summer 1993,” Carla Simón, director;
Sweden, “The Square,” Ruben Östlund, director;
Switzerland, “The Divine Order,” Petra Volpe, director;
Syria, “Little Gandhi,” Sam Kadi, director;
Taiwan, “Small Talk,” Hui-Chen Huang, director;
Thailand, “By the Time It Gets Dark,” Anocha Suwichakornpong, director;
Tunisia, “The Last of Us,” Ala Eddine Slim, director;
Turkey, “Ayla: The Daughter of War,” Can Ulkay, director;
Ukraine, “Black Level,” Valentyn Vasyanovych, director;
United Kingdom, “My Pure Land,” Sarmad Masud, director;
Uruguay, “Another Story of the World,” Guillermo Casanova, director;
Venezuela, “El Inca,” Ignacio Castillo Cottin, director;
Vietnam, “Father and Son,” Luong Dinh Dung, director.
Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018.
The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscars also will be televised live in more than 225 countries and territories worldwide.
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I, TONYA to Close Hamptons International Film Festival + Fest Announces Full Lineup
[caption id="attachment_24703" align="aligncenter" width="1200"]
I, TONYA[/caption]
Craig Gillespie’s I, TONYA, the film that tells the history of Olympic ice skater Tonya Harding and her fall from grace, will be the Closing Night Film of this year’s Hamptons International Film Festival. The film stars Margot Robbie, Sebastian Stan and Allison Janney.
The Hamptons International Film Festival (HIFF) announced the full slate for the 25th Anniversary festival, including the selections for Spotlight Films, World Cinema and Shorts Programs, as well as Signature Programs including Views from Long Island; Air, Land & Sea; Compassion, Justice & Animal Rights; and Conflict & Resolution.
The 2017 festival will take place October 5 to 9, Columbus Day Weekend, with over 65 features and 50 shorts representing a total of 40 countries across the globe.
New additions to the Spotlight section include Joe Wright’s DARKEST HOUR, starring Gary Oldman, Kristin Scott Thomas and Ben Mendelsohn; Paul McGuigan’s FILM STARS DON’T DIE IN LIVERPOOL, starring Annette Bening and Jamie Bell; Reginald Hudlin’s MARSHALL, starring Chadwick Boseman, Josh Gad, Sterling K. Brown and Kate Hudson; Noah Baumbach’s THE MEYEROWITZ STORIES (NEW AND SELECTED), starring Ben Stiller, Adam Sandler, Dustin Hoffman and Emma Thompson; and Todd Haynes’ WONDERSTRUCK, starring Julianne Moore and Michelle Williams. The section will also feature the previously announced Vincent Gagliostro’s AFTER LOUIE, Luca Guadagnino’s CALL ME BY YOUR NAME, Fatih Akin’s IN THE FADE, Rob Reiner’s LBJ, Guillermo del Toro’s THE SHAPE OF WATER, Alexandre Moors’ THE YELLOW BIRDS, and Brendan Malloy and Emmett Malloy’s THE TRIBES OF PALOS VERDES.
This year’s World Cinema Documentary titles include the East Coast Premiere of Lisa Immordino Vreeland’s LOVE, CECIL; the U.S. Premiere of Heidi Ewing and Rachel Grady’s ONE OF US; the New York Premiere of Stefan Avalos’ STRAD STYLE; the U.S. Premiere of Radu Jude’s THE DEAD NATION; and the World Premiere’s of previously announced Coodie & Chike’s THE FIRST TO DO IT and Tiffany Bartok’s LARGER THAN LIFE: THE KEVYN AUCOIN STORY. Other films in this section include Tony Zierra’s FILMWORKER; Trish Adlesic and Geeta Gandbhir’s I AM EVIDENCE; Susan Lacy’s SPIELBERG; Katie Green and Carlye Rubin’s THE FAMILY I HAD; Jairus McLeary and Gethin Aldous’ THE WORK; and Myles Kane and Josh Koury’s VOYEUR.
The World Cinema Narrative films include the U.S. Premiere of Jonas Carpignano’s A CIAMBRA; the East Coast Premiere of Sebastián Lelio’s A FANTASTIC WOMAN; the U.S. Premiere of Boris Khlebnikov’s ARRHYTHMIA; the U.S. Premiere of Michael Haneke’s HAPPY END; the East Coast Premiere of Andrey Zvyagintsev’s LOVELESS; the East Coast Premiere of Maggie Betts’ NOVITIATE; the U.S. Premiere of Paolo Virzì’s THE LEISURE SEEKER; and the previously announced World Premiere of Onur Tukel’s THE MISOGYNISTS. Other films in this section include Jim McKay’s EN EL SÉPTIMO DÍA; Nicolas Bedos’ MR AND MRS ADELMAN; Petra Volpe’s THE DIVINE ORDER; Sean Baker’s THE FLORIDA PROJECT; and Ruben Östlund’s THE SQUARE, winner of the Palme d’Or at the 2017 Cannes Film Festival.
As part of their Signature Programs, in the Views From Long Island section the festival will screen Yance Ford’s STRONG ISLAND, a deep and emotional investigation into the senseless death of Ford’s brother in 1992 and the judicial system that failed his family. This section will also screen the previously announced World Premiere of Ben Cummings and Orson Cummings’ KILLER BEES and the World Premiere of Josh Klausner’s WANDERLAND.
The Air, Land & Sea program will present the North American premiere of Richard Dale, Lixin Fan, and Peter Webber’s EARTH: ONE AMAZING DAY, a documentary narrated by Robert Redford exploring the natural wonders and creatures of the world over the course of one day. This section will also include Michael Bonfiglio’s FROM THE ASHES, a look at the coal and mining industry and how it will continue to affect the current state of economy, health, and climate.
The Compassion, Justice, & Animal Rights program will include a presentation of Brett Morgan’s JANE, profiling the life and work of Jane Goodall at the beginning of her career, including archival footage recently discovered on 16mm. This section will also include the previously announced Allison Argo’s THE LAST PIG.
The Conflict & Resolution program will consist of Rina Castelnuovo and Tamir Elterman’s MUHI—GENERALLY TEMPORARY, a story of Muhi, a young boy in Gaza taken to an Israeli hospital for emergency surgery and the political, cultural limbo Muhi and his grandfather face, as well as Aki Kaurismäki’s THE OTHER SIDE OF HOPE, about two individuals starting a new chapter of their life and how their lives intertwine. This section will also include the previously announced East Coast Premiere of Ai Weiwei’s HUMAN FLOW and Greg Campbell’s HONDROS.
HIFF also announced nine programs of short films this year, including Narrative and Documentary Short Film Competitions; New York Women In Film and Television: Women Calling the Shots; Soar! Shorts For All Ages; Student Short Films Showcase; Twist and Shout; I’ll Be On My Way; Come Together; and two short films that will play before features.
The festival will present a special screening of Bryan Fogel’s ICARUS, winner of the 2017 SummerDocs Audience Award.
This year the festival will honor Academy Award®-winning actress Julie Andrews with a Lifetime Achievement Award, including a special presentation of VICTOR/VICTORIA co-presented with the Academy of Motion Picture Arts and Sciences on Saturday, October 7, in East Hampton. The event will feature a post-screening conversation between Julie Andrews and Alec Baldwin.
The festival previously announced that Allison Chernick’s ITZHAK will open the festival on Thursday, October 5; Simon Curtis’ GOODBYE CHRISTOPHER ROBINSON will serve as the Friday Centerpiece; Martin McDonagh’s THREE BILLBOARDS OUTSIDE EBBING, MISSOURI will serve as the Saturday Centerpiece; and Andy Serkis’ BREATHE will serve as the Sunday Centerpiece. In addition, Emmy® Award-winning actor and Oscar®-nominated director Rob Reiner will participate in the “A Conversation With…” series.
OPENING NIGHT FILM
ITZHAK (USA) World Premiere Director: Allison Chernick Alison Chernick’s documentary ITZHAK examines the life and music of Itzhak Perlman, widely considered one of the world’s greatest living violinists. Exploring the ways in which Perlman’s passion for music allowed him to find a platform for personal expression against tremendous circumstances, Chernick creates a portrait of man whose remarkable will to survive is never removed from his tremendous generosity and humor. Through it all, the discipline we see at work is starkly contrasted with the world we see at home, as a modern Jewish family continues to embrace their heritage against a world of changing expectations. A co-production of American Masters Pictures for WNET.CLOSING NIGHT FILM
I, TONYA (USA) U.S. Premiere Director: Craig Gillespie For many, the revelations following the attack on figure skater Nancy Kerrigan in the lead-up to the 1994 Winter Olympics cemented the legacy of Tonya Harding as one of the most iconic villains in sports history. Craig Gillespie’s at turns hilarious and tragic look at the life of Harding (astonishingly realized by Margot Robbie) flips the script on this sensational narrative—following her from the tumultuous relationship with her abusive mother (Allison Janney) to the absurd moments that led to that fateful night in Cobo Arena. Fueled by a razor-sharp script that doesn’t let anyone in Harding’s orbit out of its sights, I, TONYA is an outrageous and surprising look at the players behind the notorious scandal.FRIDAY CENTERPIECE
GOODBYE CHRISTOPHER ROBIN (UK) North American Premiere Director: Simon Curtis Simon Curtis, director of MY WEEK WITH MARILYN (HIFF 2011), presents a heartfelt look into the complicated relationship between beloved children’s author A. A. Milne (Domhnall Gleeson) and his son Christopher Robin (newcomer Will Tilston), whose collection of toys and unbridled imagination inspired the enchanting world of Winnie the Pooh. As the whimsical adventures of this honey-loving bear quickly capture the attention of a traumatized, post-war England, the family suddenly finds themselves swept up in the international success—though not without paying the price that often accompanies such fame. While his mother (Margot Robbie) revels in the spotlight, her son struggles with the abrupt loss of his childhood. With great empathy, GOODBYE CHRISTOPHER ROBIN explores the complexities of family, war, and celebrity.SATURDAY CENTERPIECE
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI (USA) U.S. Premiere Director: Martin McDonagh With the local police force no closer to finding a culprit in the months following her daughter’s murder, Mildred (Academy Award® winner Frances McDormand) decides to make a statement of her own when she posts three signs leading into the town with a blatant message for the town’s chief of police (Woody Harrelson) and his rough-hewn second-in-command (Sam Rockwell). With the same bitingly dark and comedic tone of his previous two films, IN BRUGES and SEVEN PSYCHOPATHS (HIFF 2012), Academy Award® winning writer-director Martin McDonagh returns to feature filmmaking with this wildly entertaining and unpredictable story of a divided community simmering with tension and ready to blow.SUNDAY CENTERPIECE
BREATHE (UK) U.S. Premiere Director: Andy Serkis Best-known for his motion-capture work as Gollum in the LORD OF THE RINGS trilogy and Caesar in the PLANET OF THE APES series, Andy Serkis makes his directorial debut with the inspiring true story of activists Robin and Diana Cavendish (Academy Award® nominee Andrew Garfield and Golden Globe® winner Claire Foy). When Robin’s shocking contraction of rapid-onset polio leaves him paralyzed, the two make the controversial decision to remove him from the hospital and define a different life for him. Working together to both create a sustainable condition for Robin and break the stigma surrounding disability rights, the two begin a groundbreaking campaign captured with a warm and enlivening touch by Garfield, Foy, and Serkis.SPOTLIGHT FILMS
AFTER LOUIE (USA) New York Premiere Director: Vincent Gagliostro Still reeling from survivor’s guilt in the years following the AIDS epidemic, NYC artist Sam (Tony Award® winner Alan Cumming) spends his days working on a seemingly never-ending video tribute to the partner he lost along the way. While an intimate encounter with a younger man (Zachary Booth) at first seems like just another one-off, it soon forces Sam to re-assess his resentment for a generation he perceives to be oblivious to the political immediacy and pain of his own. Longtime activist and first-time filmmaker Vincent Gagliostro brings a knowing sensitivity to this poignant story of generational difference, all centered around Cumming’s raw and magnetic lead performance. Presented in partnership with Newfest. CALL ME BY YOUR NAME (Italy/France) Director: Luca Guadagnino As another summer in his family’s Italian villa lazily drifts by for 17-year-old Elio (Timothée Chalamet, Variety’s 10 Actors To Watch), 24-year-old Oliver (Armie Hammer) seems at first to be little more than the latest in a long line of his father’s (Michael Stuhlbarg) research assistants. However, as the weeks wind on, a tender connection develops between the two in Luca Guadagnino’s sun-soaked masterpiece. Refining the stylistic splendor of his previous work into a lush exploration of desire and intimacy, CALL ME BY YOUR NAME is an intoxicating reminder of the tentative gestures and fleeting moments that mark our first steps into the unknown, and their lasting ability to soften the sting of changing seasons. DARKEST HOUR (UK) East Coast Premiere Director: Joe Wright Joe Wright (PRIDE & PREJUDICE, ATONEMENT) returns with a thrilling drama centered on Winston Churchill—starring Academy Award® nominee, Gary Oldman in his most forceful and transformative role to date. Newly appointed as Prime Minister of Great Britain, Churchill faces one of the most defining trials of his career: negotiate peace with Nazi Germany or stand firm to fight for the ideals, liberty, and freedom of a nation. With the threat of invasion imminent as the unstoppable Nazi forces move across Western Europe, Churchill must withstand his darkest hour, rally a nation, and attempt to change the course of history FILM STARS DON’T DIE IN LIVERPOOL (UK) East Coast Premiere Director: Paul McGuigan Adapted from British actor Peter Turner’s memoir of the same name, the late-life relationship between legendary Golden-era actress Gloria Grahame (Academy Award®- nominee Annette Bening) and the significantly younger Turner (Jamie Bell) is lovingly recounted in Paul McGuigan’s moving period romance. As the two begin their relationship, we follow Grahame as she moves between Los Angeles, a town in which she seems eternally out of touch with an industry that doesn’t quite know how to treat her, and Turner’s native Liverpool. At the center of it all is Bening, whose lively and nuanced performance brilliantly pays homage to an actress denied the stature she deserved in her own lifetime. IN THE FADE (Germany/France) U.S. Premiere Director: Fatih Akin Selected as Germany’s official submission for the Academy Awards® Best Foreign Language Film, Fatih Akin’s tightly-wound revenge thriller stars Diane Kruger as a woman struggling to overcome her profound grief in the wake of a neo-Nazi terrorist attack that leaves her husband and son dead. Awarded the Best Actress prize at this year’s Cannes Film Festival, Kruger provides a stunningly fearless and grounded lead performance as the victim of an increasingly prevalent form of violence, pushed to the edge and forced to find her own justice in the wake of a failed judicial system. LBJ (USA) New York Premiere Director: Rob Reiner Led by a thunderous lead performance by Woody Harrelson in the titular role, Rob Reiner helms this eye-opening study of the controversial political career of Lyndon B. Johnson, ranging from his days as Senate Majority Leader to his sudden ascendancy to the presidency in the wake of John F. Kennedy’s assassination. Aided by an impressive supporting cast that includes Jennifer Jason Leigh, Richard Jenkins, and Bill Pullman, Reiner offers a panoramic look at Johnson’s long-debated presidency in a time of both major progress and strife for a nation at the peak of the Civil Rights Movement and the dawn of the Vietnam War. MARSHALL (USA) Director: Reginald Hudlin Long before Thurgood Marshall (Chadwick Boseman) sat on the U.S. Supreme Court, the NAACP sent the young, rabble-rousing attorney to defend a black chauffeur (Sterling K. Brown) against his wealthy employer (Kate Hudson) in a landmark case that became a media sensation. Partnered with Samuel Friedman (Josh Gad)—a green, Jewish lawyer who had never tried a criminal case—the pair struggle against a hostile storm of fear and prejudice, driven to discover the truth in the inspiring trial that set the groundwork for the Civil Rights Movement to come in Reginald Hudlin’s engrossing drama. THE MEYEROWITZ STORIES (NEW AND SELECTED) (USA) Director: Noah Baumbach Content in living out their individual lives in separation from one another, the three middle-aged siblings of the Meyerowitz family find themselves uncomfortably reunited when they are forced to come together to deal with the sudden health issues of their father (Dustin Hoffman), a sculptor who has long defined his career through his resentment to those around him. With a perfectly calibrated ensemble including Ben Stiller, Emma Thompson, and Adam Sandler (in a powerfully grounded performance), THE MEYEROWITZ STORIES finds director Noah Baumbach returning to the tales of familial dysfunction that defined his earlier work with a renewed understanding of the moments of lyrical humor and tenderness that arise alongside it. THE SHAPE OF WATER (USA) East Coast Premiere Director: Guillermo del Toro As the Cold War reaches its peak in the early 1960s, Elisa (Sally Hawkins), a mute janitor working at a US government facility, finds a strange creature held deep within the laboratory. Guillermo del Toro’s THE SHAPE OF WATER is a mesmerizing continuation of his fascination with on-screen monsters and their real-world counterparts, wonderfully realized through a brilliant cast (including Michael Shannon, Octavia Spencer, and Richard Jenkins), and jaw-dropping production design and cinematography. In creating perhaps the most realized synthesis of his many preoccupations to date, del Toro has created a wondrous take on the classic monster movie that seems to exist out of time and yet inseparable from our own. THE YELLOW BIRDS (USA) East Coast Premiere Director: Alexandre Moors In the midst of the Iraq War, Bartle (Alden Ehrenreich) and Murph (Tye Sheridan) find themselves woefully unprepared for the realities facing them upon their deployment into active duty. What starts off as a simple mission ends in tragedy, driving one traumatized soldier to return home desperate to escape the past while the other’s parents begins their own search for the truth. Aided by stand-out supporting turns from Jennifer Aniston and Toni Collette, THE YELLOW BIRDS provides a haunting look at the personal devastation facing both the soldiers on the ground and those they leave behind. THE TRIBES OF PALOS VERDES (USA) World Premiere Director: Emmett Malloy & Brendan Malloy When teenage Medina (Maika Monroe) moves with her family to the picture-perfect paradise of Palos Verdes, California, they seem headed for a happy new chapter in their lives. But old troubles soon catch up to them, as the disintegration of Medina’s parents’ marriage leads her mother (Jennifer Garner) into an emotional freefall and pushes her brother towards addiction. Caught in the middle of it all, Medina must rely on her inner strength to become the stabilizing force in her family, while finding refuge in a new passion: surfing. Set amidst the sun-kissed beaches and crystal blue waters of the California coast, THE TRIBES OF PALOS VERDES is a stirring look at how life’s greatest challenges forge who we become. WONDERSTRUCK (USA) Director: Todd Haynes Celebrated filmmaker Todd Haynes (CAROL, HIFF 2015) returns to the festival with a transcendent adaptation of Brian Selznick’s best-selling novel. Deftly alternating between two narratives set fifty years apart, WONDERSTRUCK follows a pair of runaway deaf children on their seemingly individual—though ultimately interconnected—adventures. Though separated by time and place, the mysterious symmetry between Ben and Rose’s (newcomers Oakes Fegley and Millicent Simmonds) journeys emerge with mesmerizing poignancy. Starring the incomparable Julianne Moore and Michelle Williams, and featuring breakout performances from its young leads, WONDERSTRUCK is an impeccably crafted and visually stunning coming-of-age tale.DOCUMENTARY COMPETITION
11/8/16 (USA) World Premiere Curator & Producer: Jeff Deutchman On the day of the 2016 presidential election, filmmaker Jeff Deutchman surveys the thoughts and feelings of ordinary Americans as they head to the ballot box. Told in brief vignettes from across the country, and focusing on voters from every side of the political spectrum—ranging from a Sikh man and his family in New York City to a coal miner in West Virginia—the film humanizes the electorate in an age of sweeping generalizations. In its panoramic form and disparate viewpoints, 11/8/16 provides a necessary counterpoint, finding moments of common humanity within a seemingly unbridgeable divide. LOTS OF KIDS, A MONKEY AND A CASTLE (Spain) New York Premiere Director: Gustavo Salmerón Julita Salmerón’s biggest wishes in life were to have lots of children and a pet monkey, and to live in a castle. Gustavo Salmerón’s humorously candid film follows his mother, and the rest of their family, as they rummage through the vast family archive over a period of fifteen years. She reflects on the dreams she managed to fulfill, along with the lingering effects of the economic crisis that forced her to almost lose it all. Filled with moments of warmth and sincerity, LOTS OF KIDS, A MONKEY, AND A CASTLE is a touching documentary about an eccentric, otherworldly family facing up to the harsh economic realities of living in contemporary Spain. LOVE MEANS ZERO (USA) New York Premiere Director: Jason Kohn With his notorious no-nonsense approach to coaching, Nick Bollettieri is regarded as a controversial figure in the world of tennis—but also, crucially, as a mentor with the know-how to push players to greatness. Director Jason Kohn balances the pointed questions to his subject, who remains intransigent throughout, with interviews with many of Bollettieri’s students—Boris Becker and Jim Courier among them—to shed light on the enigmatic figure. What emerges is a story of a coach fiercely determined to win at all costs, and a compelling look at what it takes to compete at the highest level. MOUNTAIN (Australia) U.S. Premiere Director: Jennifer Peedom Narrated by Willem Dafoe, MOUNTAIN takes the viewer on a sweeping journey to the most awe-inspiring summits on earth. A collaboration between BAFTA-nominated director Jennifer Peedom and Richard Tognetti’s Australian Chamber Orchestra, the film glorifies our species’ pursuit of peril: from ice climbers, snowboarders, and wingsuiters, the thrill-seekers’ daredevil antics will leave audiences gasping for breath. Filmed in 15 countries and assembled from 2,000 hours of hypnotizing footage, MOUNTAIN is a beautifully scored and visually stunning work that vividly captures the fear and reverence inspired by the world’s highest peaks. THE CHINA HUSTLE (USA) U.S. Premiere Director: Jed Rothstein In the midst of the 2008 market crash, investors on the fringes of the financial world feverishly sought new alternatives for high-return investments in the global markets. With Chinese indexes demonstrating explosive growth, the country suddenly emerged as a gold rush opportunity with one caveat: US investors were prohibited from investing directly into the country’s market. Makeshift solutions led to a market frenzy, until one investor discovered the massive web of fraud left in its wake. Jed Rothstein’s documentary rings the alarm on the need for transparency in an increasingly deregulated financial world by following those working to uncover the biggest heist you’ve never heard of.NARRATIVE COMPETITION
DISAPPEARANCE (Iran/Qatar) U.S. Premiere Director: Ali Asgari Rising Iranian filmmaker Ali Asgari, whose short film THE SILENCE took home the Best Narrative Short Competition prize at HIFF 2016, returns to the festival with his mesmerizing feature debut. Set against the backdrop of contemporary Iranian society, where conservative traditions often conflict with modern desires, DISAPPEARANCE is the tale of one couple’s race against time to solve an unsolvable problem over the course of one endlessly long night. Featuring outstanding performances from newcomers Sadaf Asgari and Reza Ranjbaran, and an impressively assured stylistic touch, DISAPPEARANCE establishes Asgari as one of the bold new voices in world cinema. OH LUCY! (USA/Japan) U.S. Premiere Director: Atsuko Hirayanagi In this delightfully offbeat tale, OH LUCY! follows Setsuko Kawashima (Shinobu Terajima)—a lonely, chain-smoking introvert who is wasting away at her office job in Tokyo. Setsuko’s world is turned upside down when she meets the charismatic English teacher, John (Josh Hartnett), who draws her out of her shell with the help of a blond wig and the promise of a bold new identity. When John abruptly departs for Southern California, the newly emboldened “Lucy” sets out to find him on a life-altering journey of self-discovery. Based on her award-winning short film, Atsuko Hirayanagi’s charming directorial debut explores the transformative power of individualism. SUMMER 1993 (Spain) New York Premiere Director: Carla Simón Following the death of her parents in Barcelona, six-year-old Frida (the haunting Laia Artigas) is sent to her uncle’s (David Verdaguer) picturesque countryside home, in Carla Simon’s autobiographical feature debut SUMMER 1993. Frida battles with a sense of loneliness and displacement while also yearning to fit into the picture with her new family. Punctuated by moments of youthful exuberance and mature ruminations, this coming-of-age drama, set amongst summery hues, is an extraordinarily moving snapshot of being a child in an adult world, anchored by a flawless performance by its young star. THOROUGHBREDS (USA) East Coast Premiere Director: Cory Finley Two wealthy teenage girls with violent impulses seek to inject excitement into their boring suburban lives in THOROUGHBREDS, Cory Finley’s deliciously twisted filmmaking debut. When Lily’s (Anya Taylor Joy, THE WITCH) stepfather threatens to send the troubled teen off to reform school, she recruits her equally unstable childhood friend, Amanda (Olivia Cooke, ME AND EARL AND THE DYING GIRL), in a dangerous plot that serves both of their interests. Featuring electrifying performances from its young leads—including the late Anton Yelchin, in his final appearance—this stylish neonoir establishes newcomer Finley as a filmmaker to watch. UNDER THE TREE (Iceland/Denmark/Poland/Germany) East Coast Premiere Director: Hafsteinn Gunnar Sigurðsson “Love thy neighbor” does not apply in the Iceland suburbs of UNDER THE TREE. After his wife kicks him out of the house, Atli (Steinþór Hróar Steinþórsson) stays with his parents—just as the passive aggressive hostility with their neighbors is ramping up over a large tree in the yard. Director Hafsteinn Gunnar Sigurðsson establishes character dynamics with jabs to the gut and enough dark humor to quell the uneasiness in your stomach. With a moody score and sound design that sways between the tension and release of the scenes, you may find yourself nervously laughing the next time you want to talk to your neighbors about the noise.WORLD CINEMA DOCUMENTARY
FILMWORKER (USA) Director: Tony Zierra At the age of 27, actor Leon Vitali met Stanley Kubrick during the filming of BARRY LYNDON. Despite having his own respected acting career, Vitali’s fascination with Kubrick led him to throw it away and pursue a life in service of the director as his personal assistant, right-hand man, and, most tumultuously of all, friend. With a treasure trove of behind-the-scene footage and stories recalled by both Vitali and Kubrick’s past collaborators, FILMWORKER provides a fascinating firsthand account of the complex relationship that facilitated the creation, and made possible the preservation, of some of the director’s most legendary work. I AM EVIDENCE (USA) Directors: Trish Adlesic, Geeta Gandbhir Produced by Mariska Hargitay (Law and Order: SVU), I AM EVIDENCE uncovers the many disturbing ways our criminal justice system neglects victims of sexual assault. In this revealing exposé, filmmakers Trish Adlesic and Geeta Gandbhir investigate the alarming number of untested evidence kits that have accumulated over the last several decades, denying justice to thousands of survivors in the process. Giving voice to the brave individuals affected by this misconduct and to the heroic law enforcement officials who tirelessly work to deliver long-awaited due process in these cases, I AM EVIDENCE is a powerful call to action. LARGER THAN LIFE, THE KEVYN AUCOIN STORY (USA) World Premiere Director: Tiffany Bartok LARGER THAN LIFE: THE KEVYN AUCOIN STORY explores the life of the iconic make-up artist, who transformed the profession into a prominent and influential art form. Director and fellow make-up artist Tiffany Bartok paints a beautiful and deeply personal portrait of a man who, as both an artist and LGBTQ advocate, dedicated his life to elevating the inner confidence and presence of others. Through intimate archival footage and interviews with his famous friends and clients, Bartok weaves through the journey of Aucoin’s life up until his tragic end—reminding everyone that he truly was larger than life. LOVE, CECIL (USA) East Coast Premiere Director: Lisa Immordino Vreeland Documentarian Lisa Immordino Vreeland (PEGGY GUGGENHEIM: ART ADDICT) presents an engaging portrait of the visionary Cecil Beaton. Known for his astounding work ethic and prickly personality, the celebrated and sometimes controversial photographer and costume designer shot iconic portraits of celebrities and took home two Academy Awards® for his work on GIGI and MY FAIR LADY. Expertly weaving thoughtful passages from Beaton’s diaries—brought to life through Rupert Everett’s keen narration—with archival interviews featuring his famous friends (and foes), LOVE CECIL tracks the artist’s long, illustrious career with equal amounts of affection and frankness. ONE OF US (USA) U.S. Premiere Director: Heidi Ewing, Rachel Grady In a borough defined by rapidly shifting identities and vastly increased visibility, Brooklyn’s Hasidic community exists as an anomaly—one virtually cut off from the change surrounding it and defined largely by the secrecy of what exists within it. Over the course of three years, Oscar-nominated® directors Heidi Ewing and Rachel Grady embed themselves with three former members who have removed themselves from the community, exploring the circumstances that led to their departure and capturing their new lives outside—despite persistent threats from the world they left behind. As in 2006’s JESUS CAMP, Ewing and Grady explore the boundaries of a community defined by religious connection, and shine a light on the disturbing conditions found within. SPIELBERG (USA) Director: Susan Lacy Emerging out of the New Hollywood era to become the biggest name in blockbuster film for the last four decades, Steven Spielberg has been defined by both the countless classics he directed and the constant risks that kept his streak alive throughout his career as a filmmaker, producer, and studio executive. With interviews from Spielberg’s consistent collaborators (Tom Hanks, Leonardo DiCaprio, John Williams), contemporaries (George Lucas, Martin Scorsese, Francis Ford Coppola), and friends and family, Susan Lacy’s wide-spanning portrait of the director provides an unprecedented look at the most influential figure in modern filmmaking. STRAD STYLE (USA) New York Premiere Director: Stefan Avalos Out on the vast middle American steppe, an eccentric loner named Daniel Houck passes the time cruising social media and obsessively whittling away violins inspired by Old World masters like Guarneri and Stradivarius. Stefan Avalos’s unlikely, rousing documentary STRAD STYLE follows Daniel as a chance encounter on Facebook with a famous violin soloist leads him on a singular, yearlong quest to craft an exact replica of the world’s finest violin. Avalos’s intimate camera paints an irresistible portrait of a Midwestern misfit with the chance to enter the rarefied world of classical music, far away from the windswept plains of Ohio. THE DEAD NATION (Romania) U.S. Premiere Director: Radu Jude Acclaimed narrative filmmaker Radu Jude explores Romania’s shifting identity throughout history in his first documentary, THE DEAD NATION. Using archival images found from the collection of a rural photographer, text excerpted from the journal of a Jewish doctor, and songs recorded from the nationalistic anthems of the time, Jude’s cinematic essay provides a harrowing yet captivating account of the rise of nationalism and anti-semitism in Romania during the 1930s-40s. Equal parts mesmerizing and horrifying, THE DEAD NATION is, as the narration describes, “torn between reality and poetry,” creating a necessary recollection of a period with eerie similarities to our own. THE FAMILY I HAD (USA) Director: Katie Green, Carlye Rubin In Katie Green and Carlyle Rubin’s THE FAMILY I HAD, Charity Lee recalls the harrowing moment her teenage son shattered her family with one unthinkable act of violence. Ten years into the wake of this unimaginable tragedy, the grieving mother is forced to come to terms with her new reality. With great empathy and unrivaled access to their subjects, Green and Rubin forgo true-crime sensationalism for a nuanced exploration of the family’s complicated history with mental illness, addiction, and domestic abuse. Highlighting our capacity to adapt to even the most unmooring of circumstances, THE FAMILY I HAD is a moving testament to human resilience. THE FIRST TO DO IT (USA) World Premiere Director: Coodie & Chike In 1950, three years after Jackie Robinson broke the color barrier in major league baseball, Earl Lloyd stepped onto an NBA basketball court and changed the game forever. During Lloyd’s 22-year NBA career, he became its first African American player, its first African American scout, and its first African American full time head coach. Through intimate conversations with family, childhood friends, and the legendary players whose lives he touched (including Oscar Robertson, Dave Bing, and Kawhi Leonard), THE FIRST TO DO IT chronicles the experience of Lloyd and other early African American players against the backdrop of the Civil Rights Movement and explores the role of sports in the lasting legacy of desegregation today. THE WORK (USA) Director: Jairus McLeary, Gethin Aldous Twice a year, the maximum-security Folsom State Prison allows free citizens from the outside to participate in an intensive group therapy program with the incarcerated men on the inside. With unprecedented access, directors Jairus McLeary and Gethin Aldous document these raw and revealing sessions—capturing harrowing moments of human vulnerability, catharsis, and connection in the process. Awarded the Best Documentary at the 2017 SXSW Film Festival, THE WORK is an extraordinary feat of verité filmmaking that looks behind prison walls to reveal a movement of redemption that transcends what we think of as rehabilitation. VOYEUR (USA) Director: Myles Kane, Josh Koury In 2016, legendary journalist Gay Talese published in The New Yorker an excerpt from his upcoming book, The Voyeur’s Motel, that quickly proved to be one of the most controversial stories of his career. Following the writer during this period, documentarians Myles Kane and Josh Koury track Talese as he investigates the story of the Colorado motel owner, Gerald Foos, who secretly built an observation platform to watch the most intimate moments in the lives of his guests. As questions emerge about Foos’ trustworthiness Talese is thrown in the middle of a controversy that is threatening to destroy the story he’s been working on for more than three decades.WORLD CINEMA NARRATIVE
A CIAMBRA (Italy/France/USA/Germany) U.S. Premiere Director: Jonas Carpignano Adapted from his eponymous short film, filmmaker Jonas Carpignano returns to the southern Italian setting of his debut MEDITERRANEA (HIFF 2015) in this neo-realist coming-of-age story. Desperate to join the ranks of the men of his Romany family, 14- year-old Pio finds his initiation into adulthood unexpectedly fast-tracked with the imprisonment of his father and older brother, as he gradually involves himself in the same criminal world that placed them there. Executive produced by Martin Scorsese and directed with a remarkably atmospheric touch that refuses to settle into the expected tropes of the genre, A CIAMBRA is another nuanced look at the difficulty of escaping a life of crime in a community defined by it, confirming Carpignano as a undeniable international force. A FANTASTIC WOMAN (Chile) East Coast Premiere Director: Sebastián Lelio A shatteringly intimate and nuanced performance from newcomer Daniela Vega anchors Chilean director Sebastián Lelio’s latest film, A FANTASTIC WOMAN. In this Hitchcockian drama, transgender woman Marina (Vega) and Orlando (Francisco Reyes) are in love and are planning to spend the rest of their lives together, but when tragedy strikes, Marina finds herself unexpectedly under criminal investigation. Much like with his previous film, 2013’s GLORIA, Lelio offers a complex portrayal of a strong female character unsure how to navigate a hostile environment defined by prejudice and intolerance. ARRHYTHMIA (Russia/Finland/Germany) U.S. Premiere Director: Boris Khlebnikov ARRHYTHMIA, Boris Khlebnikov’s explosive portrait of a fractured marriage, follows the young, gifted paramedic Oleg (Alexander Yatsenko) and his wife Katya (Irina Gorbacheva), who works as a nurse in the hospital’s emergency department. Headstrong, impulsive, and willing to bend the rules when necessary, Oleg frequently runs afoul of the new management that is trying to implement absurdly strict new rules that prioritize bureaucracy over the patients’ well-being. As their professional and personal lives collide, Oleg and Katya must deconstruct their familiar spaces in order to rebuild their marriage in Khlebnikov’s intriguing commentary on the anatomy of a relationship. EN EL SÉPTIMO DÍA (USA) Director: Jim Mckay Returning to feature filmmaking after a decade in television, indie veteran Jim McKay’s EN EL SÉPTIMO DÍA is a heartfelt, subtle, and captivating portrait of an undocumented Mexican immigrant in Brooklyn’s Sunset Park. José, played brilliantly by newcomer Fernando Cardona, is a hardworking delivery man whose only respite from his overwhelming schedule is his local soccer team. But when assigned a double shift on the day of the championship, José is forced to either let down his team or lose his only source of income. Refreshingly authentic and frequently humorous, EN EL SÉPTIMO DÍA is a rare film that highlights the consequences of the most seemingly simple decisions. HAPPY END (France/Austria/Germany) U.S. Premiere Director: Michael Haneke While living out their days in a Calais mansion against the backdrop of the city’s increasingly turbulent refugee crisis, the well-off Laurents find themselves slowly torn apart by the surprise arrival of a young guest. In the follow-up to his Academy Award®- winning (and five-time nominated) film AMOUR (HIFF 2012), acclaimed filmmaker Michael Haneke returns to the career-defining social and familial themes of his work in this story of the disintegration of a single bourgeois family. Anchored by powerful performances from past Haneke collaborators Isabelle Huppert and Jean-Louis Trintignant, HAPPY END is another unrelentingly singular work of social satire from a master filmmaker working at the top of his game. LOVELESS (Russia/France/Belgium/Germany) East Coast Premiere Director: Andrey Zvyagintsev Boris and Zhenya’s (Aleksey Rozin, Maryana Spivak) divorce has devolved into an endless series of arguments. Consumed with selling their apartment and beginning lives with new partners, their 12-year-old son Alyosha (Matvey Novikov) seems increasingly pushed out of their minds, until he suddenly disappears without a trace into the wintry expanse of Moscow. Using the foundation of a crime procedural to shed greater light on the stark inhumanity seeping into every aspect of contemporary Russian society, Andrey Zvyagintsev’s (LEVIATHAN) expertly crafted film applies his impeccable ability to portray human drama on a global scale to this bitingly vicious story of lost love. MR AND MRS ADELMAN (France) East Coast Premiere Director: Nicolas Bedos In his directorial debut, Nicolas Bedos stars opposite co-writer Doria Tillier as a French couple intertwined, consumed with, and defined by each other in life and work: he, an accomplished writer; she, his sometime-muse and editor. The chemistry between Bedos and Tillier is irresistible, as they quip back and forth through four decades of music, haircuts, and a romance that’s more shattered glass and Camus than chocolate and flowers. Biting and tender, MR & MRS ADELMAN packs the intricacies of marriage into a romantic comedy—with a twist. NOVITIATE (USA) East Coast Premiere Director: Maggie Betts Drawn in by the prospect of a higher calling despite her non-religious upbringing, Cathleen (Margaret Qualley), a teenager growing up in the early 1960s, soon finds herself among a group of young women who have devoted themselves to a training program within The Sisters of Blessed Rose convent. While their earnest devotion is quickly contrasted with the harsh realities of religious life, the sudden announcement of Pope John XXIII’s Second Vatican Council provides a new question for both the students and their Mother Superior (Academy Award® winner Melissa Leo): whether to transform along with the church’s plans of liberal reform or adhere to the strict principles that first compelled them into the convent. THE DIVINE ORDER (Switzerland) Director: Petra Volpe In 1971, a quaint Swiss village, seemingly untouched by the cultural and social upheavals of the 1960s, anticipates the vote for women’s suffrage. Following her exposure to a women’s rights demonstration in Zurich, a shy and well-liked housewife becomes the unexpected beacon of her village’s suffragette movement. Featuring a strong ensemble cast, led by the effortless Marie Leuenberger, THE DIVINE ORDER chronicles the challenges of a determined group of women who cast off the stubborn ways of the village and fight for independence. Directing with a keen eye for sincerity and humor, Petra Volpe captures the inspiring journey of harnessing your voice to both speak truth to power and tell your husband he can do his own laundry. THE FLORIDA PROJECT (USA) Director: Sean Baker Sean Baker supplants the West Hollywood setting of his 2015 festival hit TANGERINE with the cheap motels laying in the shadow of a certain Orlando mouse-themed amusement park, in another free-flowing and sincere look at those living in the shadows of the cities they call home. Living in one of the rooms are 6-year-old Moonee (Brooklynn Prince) and her 22-year-old mother Halley (Bria Vinaite), who struggle to keep a roof over their heads. Aided by Willem Dafoe’s remarkably warm performance as Bobby, a staff member of the hotel, Sean Baker has crafted another empathetic look at those existing on the fringes. THE LEISURE SEEKER (Italy) U.S. Premiere Director: Paolo Virzì Academy Award® winner Helen Mirren and two-time Golden-Globe® winner Donald Sutherland shine as Ella and John, an aging couple who embark on one final adventure in Paolo Virzi’s English-language feature debut. Foregoing the concerns of their doctors and grown children, the pair impulsively set off on a whirlwind, cross-country escapade in their beloved Winnebago. Experiencing equal moments of elation and frustration, the pair wind their way down the East Coast—rekindling their passion for life and their affection for one another along the way, in a journey full of humor and pathos. THE MISOGYNISTS (USA) World Premiere Director: Onur Tukel In a single, fully-stocked hotel room on the night of the 2016 general election, two Trump supporters celebrate the unexpected results, in the latest from indie provocateur Onur Tukel. As the night rages on, an ensemble of characters venture in and out of the room. Some match the two’s enthusiasm while others voice their terror at the prospect of the incoming President, but most struggle to find reasons to care less about the results that caused the debauched celebration occurring around them. Led by Dylan Baker’s gleefully deranged lead performance, Tukel’s tongue-in-cheek exploration of a divided America digs deep into the night’s mass existential crisis, and leaves with some disquieting results. THE SQUARE (Sweden) Director: Ruben Östlund Winner of the Palme d’Or at this year’s Cannes Film Festival, Ruben Östlund’s provocatively anarchic THE SQUARE follows Christian (Claes Bang), the suave director of a respected contemporary art museum who sees the museum, and his career, suddenly upended when the PR campaign surrounding his latest exhibit goes off the rails. Using the same razor-sharp humor utilized in his festival favorite FORCE MAJEURE (HIFF 2014), Östlund has created another masterful social satire that playfully disassembles the hypocrisy, privilege, and self-importance of the contemporary art world. Featuring fantastic turns by Terry Notary, Elisabeth Moss, and Dominic West, THE SQUARE skillfully orchestrates one standout sequence after another, and in the process creates one of the most memorable films of the year.VIEWS FROM LONG ISLAND
KILLER BEES (USA) World Premiere Directors: Benjamin Cummings, Orson Cummings KILLER BEES spotlights the famed Bridgehampton basketball team as they prepare to defend their state championship title. Following the young men on and off the court, filmmakers Benjamin and Orson Cummings explore the Bees’ historical importance within the local community. More than just a high school team, the Bees are a symbol of hope—particularly to those who are struggling to survive in one of the wealthiest districts in the country. Produced by NBA legend Shaquille O’Neill, KILLER BEES is a nuanced look at the powerful role sports play in overcoming racial, social, and economic adversity. STRONG ISLAND (USA/Denmark) Director: Yance Ford The dynamics of family, loss, and racial injustice converge in Yance Ford’s haunting meditation on the senseless death of his brother in 1992 and the judicial system’s failure to indict the killer. Moving beyond the tropes of traditional nonfiction filmmaking, Ford skillfully balances memoir with true crime investigation—interspersing intimate conversations with his family and revelatory moments of catharsis against the backdrop of the racial disparity that plagues our society. A work of profound resonance and relevance, STRONG ISLAND is a powerful examination of one grieving family’s quest for the truth. WANDERLAND (USA) World Premiere Director: Josh Klausner In an effort to briefly escape his humdrum life of isolation in New York City, Alex (Tate Ellington) impulsively accepts an invitation from an online acquaintance (Dree Hemingway) to house-sit at her picturesque “Enchanted Cottage” on Long Island. Despite his best attempts for a quiet weekend of relaxation, Alex suddenly finds himself lost on a surreal, all-night musical odyssey of misadventures. Filmed in and around the Hamptons area, and featuring a cast of wonderfully kooky local characters, Josh Klausner’s WANDERLAND is a madcap East End experience.AIR, LAND & SEA
EARTH: ONE AMAZING DAY (UK) Directors: Richard Dale, Lixin Fan, Peter Webber Narrated by Robert Redford and co-directed by Academy Award® nominee Peter Webber and BAFTA winner Richard Dale, EARTH: ONE AMAZING DAY takes us on a breathtakingly immersive voyage across the continents—revealing our planet’s natural wonders and unique animal behavior, and reminding us of its increasing vulnerability. Over the course of a single day, the filmmakers travel across the globe, following the sun from the highest peaks to far-flung islands and exotic jungles. Along the way, we spend time with animals ranging from the white-headed langur monkeys in the mountains of southwestern China to a colony of chinstrap penguins in the Antarctic Ocean, illuminating the awe-inspiring beauty of our planet on an epic and sprawling scale. FROM THE ASHES (USA) Director: Michael Bonfiglio Moving beyond the rhetoric that frequently muddies the debate, FROM THE ASHES reflects on the United States’ long and often fraught relationship to the coal and mining industry, and ponders its uncertain future under the current administration. Balancing the conflicting perspectives of those most closely affected—one, an idealized return to the glory days of a thriving industry and the other, a growing awareness of the environmental consequences from the world’s most destructive form of energy— documentarian Michael Bonfiglio presents a series of compelling stories that speak to what is at stake for our economy, health, and climate.CONFLICT & RESOLUTION
HONDROS (USA/Iraq/Liberia/Libya) Director: Greg Campbell Known for his probing and humane coverage of countries ravaged by conflict, Chris Hondros was one of the world’s most acclaimed war photographers when killed in action at the age of 41. Director Greg Campbell thoughtfully retraces Hondros’s numerous assignments to war-torn nations, with a visceral understanding of the invaluable power of photojournalism. Featuring interviews with Chris’s colleagues and subjects, Campbell creates a stirring portrait of the life of a pioneering photographer who committed himself to bearing witness to the human condition, to ennobling the suffering of others, and to telling their stories with compassion. HUMAN FLOW (Germany) East Coast Premiere Director: Ai Weiwei Visionary artist Ai Weiwei’s haunting new documentary follows the plight of migrants displaced from their homelands by war, poverty, and climate change. A sprawling global odyssey, HUMAN FLOW was filmed in 23 countries over the course of more than a year and examines the staggering scale of a crisis that has now reached epidemic proportions. Bearing witness to the atrocious refugee experience serves as a reminder that this is not just a refugee crisis, but rather a human crisis. The end result is a stirring and poignant essay on the profound impact and ways in which it shapes the word. MUHI – GENERALLY TEMPORARY (Israel/Germany) Director: Rina Castelnuovo, Tamir Elterman Jerusalem-based journalists Rina Castelnuovo-Hollander and Tamir Elterman present MUHI—GENERALLY TEMPORARY, an enchanting portrait of a sweet boy from Gaza who finds himself trapped between two conflicting nations. After an immune disorder threatens to take his life as an infant, Muhi is rushed to an Israeli hospital for emergency surgery and into the care of those considered to be his people’s enemy. Unable to leave due to the severity of his condition, the endlessly cheery Muhi and his doting grandfather remain in bureaucratic limbo for seven years—their moving story illustrating the far-reaching impact these paradoxical circumstances hold over the individuals caught in the crosshairs. THE OTHER SIDE OF HOPE (Finland/Germany) Director: Aki Kaurismäki At the same time Syrian refugee Khaled emerges from the coal freighter on which he has stowed away and takes his first hopeful steps into Helsinki, traveling salesman Wikström makes his own foray into the unknown when he leaves his wife and purchases a local restaurant—setting the stage for the surprise convergence of their two worlds. Applying his trademark deadpan visual style to a globally urgent backdrop, Finnish director Aki Kaurismäki (LE HAVRE) continues his legacy of advocating for those on the fringes with this gently tragicomic look at the necessity of hope and the power of even the smallest gestures of compassion.COMPASSION, JUSTICE, & ANIMAL RIGHTS
JANE (USA) Director: Brett Morgen Culled from hundreds of hours of recently discovered 16mm archival footage, Academy Award®-nominated filmmaker Brett Morgen crafts an enchanting portrait of legendary primatologist and activist Jane Goodall when her revolutionary work was still in its infancy. Shot by National Geographic during her first encounter with the chimpanzees of Tanzania’s Gombe Stream National Park, we witness the transformative period when Goodall first began to develop the methodology that would soon make her a household name. Scored by illustrious composer Philip Glass and featuring eye-opening new interviews with Goodall, Morgen has created the definitive account of how this maverick scientist became the world’s most beloved conservationist. THE LAST PIG (USA) New York Premiere Director: Allison Argo A moving meditation on a man’s crisis of faith, THE LAST PIG follows Bob Comis as he concludes his last season as a pig farmer. Peppered with reflections on his decade with the pigs, farmer Bob’s introspective voiceover guides us through the changing seasons on the farm, and the images, often filmed at ground-level, merge us with the drove. Director Allison Argo masterfully gives weight to what at first appear to be mundane daily rituals, and as an ethical question swells for farmer Bob, it does for us as well. In this intimate portrayal of a man at a crossroads, we are welcomed into the sacred moment of choice.SPECIAL SCREENING
ICARUS (USA) Director: Bryan Fogel The ruthless worlds of international sports and politics rarely collide as spectacularly as they do in Bryan Fogel’s ICARUS. While investigating the furtive world of illegal doping in sports, he connects with renegade Russian Scientist Dr. Grigory Rodchenkov—a pillar of his country’s “anti-doping” program. Fogel and Rodchenkov develop a close friendship, despite shocking allegations that place Rodchenkov at the center of Russia’s state-sponsored Olympic doping program. As signs point to illegalities running to Russia’s highest chains of command, they realize they hold the power to reveal the biggest international sports scandal in living memory and soon find themselves in the middle of an international conspiracy. Winner of the HIFF SummerDocs Audience Award, sponsored by Candescent Films.
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2017 San Diego International Film Festival Unveils Lineup + Sir Patrick Stewart to Receive Award
Actor Sir Patrick Stewart will be the recipient of the Gregory Peck Award for Excellence in Cinema at the 2017 San Diego International Film Festival (SDiFF). The awards will be presented October 5th at The VARIETY Night of the Stars Tribute.
“Patrick Stewart has captivated audiences for years with spectacular performances, from Star Trek to his career defining performance in Logan earlier this year, as well as his Emmy and Golden Globe-nominated performance as Captain Ahab in Moby Dick, a role which Mr. Peck made famous more than 40 years earlier. We couldn’t be more excited to honor him this year with the Gregory Peck Award,” said Tonya Mantooth, Executive and Artistic Director of the San Diego International Film Festival.
Created in honor of famed actor and San Diego area native Gregory Peck, with the support of his family, this award is given to an individual whose work has made a profound impact on the art of cinema. Launched in 2014, the first recipient of the award was Alan Arkin, with Annette Bening receiving the award last year.
The festival, now in its 16th year, will run from October 4th through October 8th in San Diego, California, and feature a lineup of 117 films total, 10 Narrative Spotlight Competition films, 18 Narrative Competition films, 12 Documentary Competition films, 5 Documentary Spotlight Competition films, and 72 Short films.
2017 San Diego International Film Festival Line-up
Narrative Spotlight Films
The Ballad of Lefty Brown, Dir. Jared Moshe, USA, West Coast Premiere Breathe, Dir. Andy Serkis, USA, West Coast Premiere Thelma, Dir. Joachim Trier, Norway, United States Premiere Dismissed, Dir. Benjamin Arfmann, USA, World Premiere Dog Years, Dir. Adam Rifkin, USA, West Coast Premiere The Divine Order, Dir. Petra Volpe, Switzerland, Southern California Premiere Juvenile, Dir. Bradley Buecker, USA, West Coast Premiere The Bachelors, Dir. Kurt Voelker, USA, San Diego Premiere Thumper, Dir. Jordan Ross, USA, California Premiere My Friend Dahmer, Dir. Marc Meyers, USA, San Diego PremiereNarrative Competition
Selling Isobel, Dir. Rudolf Buitendach, Sweden/USA, World Premiere Butterfly Caught, Dir. Manny Rodriguez Jr., USA, World Premiere The Lonely Italian, Dir. Lee Farber, USA, World Premiere Juggernaut, Dir. Daniel DiMarco, Canada, North American Premiere Otherlife, Dir. Ben C. Lucas, Australia, North American Premiere Storm Letters of Fire, Dir. Dennis Bots, Netherlands, North American Premiere Room for Rent, Dir. Matt Atkinson, Canada, United States Premiere Under the Rose, Dir. Josue Ramos, Spain, United States Premiere A Prominent Patient, Dir. Julius Sevcik, Czech Republic, Slovakia, United States Premiere Life Hack, Dir. Sloan Copeland, USA, West Coast Premiere Heart, Baby!, Dir. Angela Shelton, USA, San Diego Premiere Hard Surfaces, Dir. Zach Brown, USA, San Diego Premiere The Price, Dir. Anthony Onah, USA, West Coast Premiere Scent of Rain and Lightening, Dir. Blake Robbins, USA, California Premiere GUN, Dir. Sam Upton, USA, Southern California Premiere Entanglement, Dir. Jason James, Canada, San Diego Premiere And Then There Was Eve, Dir. Savannah Bloch, USA, San Diego Premiere 20 Weeks, Dir. Leena Pendharkar, USA, San Diego PremiereSpotlight Documentary Films
The Last Animals, Dir. Kate Brooks, UK/USA, California Premiere Apache Warrior, Dir. David Salzberg & Christian Tureaud, USA, World Premiere WASTED! Story of Food Waste, Dir. Anna Chia & Nari Kye, USA, San Diego Premiere Behind the Curtain: Todrick Hall, Dir. Katherine Fairfax Wright, USA, Southern California Premiere Resistance is Life, Dir. Apo W. Bazidi, USA/Turkey, San Diego PremiereDocumentary Competition
Becoming Who I Was, Dir. Moon Chang-Yong & Jeon Jin, South Korea, California Premiere 42 Grams, Dir. Jack C. Newell, USA, California Premiere Herd, Dir. Stefan Morel, Canada, California Premiere Blind Spot; Moments Unseen, Dir. Stefan Morel, Canada, California Premiere Down the Fence, Dir. MJ Isakson, USA, Southern California Premiere Spirit of Discovery, Dir. Eliana Alvarez Martinez, USA, World Premiere RiverBlue: Can Fashion Save the Planet?, Dir. David McIlvride & Roger Williams, Canada, San Diego Premiere Poisoning Paradise, Dir. Keely Shaye Brosnan & Teresa Tico, USA, San Diego Premiere Legion of Brothers, Dir. Greg Barker, USA, California Premiere Mankiller, Dir. Valerie Red-Horse Mohl, USA, San Diego Premiere The Lavender Scare, Dir. Josh Howard, USA, Southern California Premiere Hell on Earth: The Fall of Syria and Rise of Isis, Dir. Sebastian Junger & Nick Quested, USA, San Diego PremiereShorts Competition
Shorts in front of feature films: Lucky Me, Dir. Thomas Morgan, USA, World Premiere The Horse Whisperer, Dir. Richard Mullane, UK, United States Premiere The Velvet Abstract, Dir. James Hughes, UK, San Diego Premiere Shorts: American Indian Stories: Waabooz, Dir. Molly Katagiri, USA, San Diego Premiere Five Dollars, Dir. Ty Coughenour, USA, San Diego Premiere In the Beginning was Water and Sky, Dir. Ryan Ward, USA, San Diego Premiere Lost Face, Dir. Sean Meehan, Australia/Canada, San Diego Premiere Neemkomok’, Dir. Douglas Cushnie, USA, San Diego Premiere The Gift, Joel Edgerton, USA/Australia, California Premiere Shorts: For Shorts & Giggles: The Bouquet, Dir. Julien Segard & Romain Carciofo, France, San Diego Premiere Ostoja Will Move Your Piano, Dir. Sandra Mitrovic, Serbia, West Coast Premiere Annie Waits, Dir. Marnie Paxton-Harris, UK, San Diego Premiere A Ghost Named George, Dir. Harrison Macks, USA, World Premiere Dollar King, Dir. Drew Pollins, USA, Southern California Premiere The Heist, Dir. Luke Harris, USA, Southern California Premiere Love me Madly, Dir. Emre Okten, USA, World Premiere Shorts: A Stranger in Stranger Land: Picture Wheel, Dir. David O’Donnell, USA/Australia, San Diego Premiere Wyrm, Dir. Christopher Winterbauer, USA, North American Premiere Albedo Absolute, Dir. Vlad Marsavin, USA, Southern California Premiere Time Flies When I am Having Fun, Dir. Johan Tappert, Sweden, West Coast Premiere Cautionary Tales, Dir.Christopher Barrett & Luke Taylor, UK, North American Premiere See You Yesterday, Dir. Stefon Bristol, USA, Southern California Premiere Fairy Tales Anonymous, Dir. Jacob Lundgaard Andersen, USA, San Diego Premier Shorts: Illusion: Gridlock, Dir. Ian Hunt Duffy, Ireland, Southern California Premiere Cul-de-sac, Dir. Damon Russell, USA, San Diego Premiere The Obituary, Dir. Jonathan Thompson, USA, Southern California Premiere Standby, Dir. Daumoun Khakpour & Travis Pulchinski, Canada, United States Premiere The Peculiar Abilities of Mr. Mahler, Dir. Paul Philipp, Germany, California Premiere Frederick, Dir. Ty Coughenour, USA, San Diego Premiere Shorts: Independent Animation: The Wall, Dir.Nick Baker & Tristan Klein, Australia, West Coast Premiere Green Light, Dir. Seongmin Kim, South Korea, Southern California Premiere Tanguito Argentino, Dir. Joaquin Braga, Argentina,Southern California Premiere Wishing Box, Dir. Wenli Zhang & Nan Li, USA, San Diego Premiere Hope, Dir. Michael Scherrer, Switzerland, Southern California Premiere First Bloom, Dir. Tingting Liu, China, San Diego Premiere Revelation: City of Haze, Dir. Mao Qichao, China, San Diego Premiere Karma, Dir. Zhaoyu Zhou, USA, World Premiere Shorts: Heart of a Soldier: Orion, Dir. Spencer Currie, USA, San Diego Premiere Corpsman, Dir. Amanda Larsh, USA, World Premiere One Halloween, Dir. Rebecca Murga, USA, World Premiere Tango on the Balcony, Dir. Minos Papas, USA/Cyprus, Southern California Premiere Wandering Soul, Dir. Josh Tanner, Australia, San Diego Premiere Shorts: Twisted Humor: The Dog with the Woman, Dir. Phoebe Arnstein & Stephen Ledger-Lomas, UK, World Premiere A Done Deal, Dir. Pierre-Marc Drouin and Simon Lamarre-Ledoux, Canada, West Coast Premiere Eat and Drink, Dir. Jaime Figueroa, Spain, North American Premiere Nicole’s Cage, Dir. Josef Brandl, Germany, Southern California Premiere Unleaved Bread, Dir. Wilfried Méance, France, Southern California Premiere Shorts: On Pins and Needles: Will Wilson, Dir. David C. Herman, USA, San Diego Premiere Morning Has Broken, Dir. Olga Chajdas, Poland, United States Premiere Icarus, Dir. Tom Teller, USA, Southern California Premiere Warm Springs, Dir. Sean Wang, USA, San Diego Premiere Game, Dir. Joy Webster, Canada, United States Premiere Standby, Dir. Daumoun Khakpour & Travis Pulchinski, Canada, United States Premiere Shorts: When Worlds Collide: Lost Dogs, Dir. Cullan Bruce, USA, San Diego Premiere The Foster Portfolio, Dir. Danielle Katvan, USA, San Diego Premiere The Transfer, Dir. Michael Grudsky, Germany/Israel, San Diego Premiere Pickle, Dir. Grant Moore, USA, San Diego Premiere Brainstorm, Dir. Christophe Clin, Belgium, San Diego Premiere Temporary, Dir. Milena Govich, USA, San Diego Premiere Shorts: Global Consciousness: Shine, Dir. Barrett Lewis, Daniel Andreani & Austin Bousley, USA, World Premiere Witnesses, Dir. David Koch, France, California Premiere All of Us, Dir. Katja Benrath, Germany/ Kenya, United States Premiere Ravage, Dir. Leon Lee, Canada, West Coast Premiere Citizen, Dir. Robert Bracker, USA, West Coast Premiere The Fare, Dir. Santiago Paladines, Equador/USA, San Diego Premiere Shorts: Student Track: I Have to Kill my Professor, Dir. Jonathan Pickett, USA, World Premiere Dated, Dir. Daniel Lachman, USA, California Premiere Uncle Tommy, Dir. Tan Shi Ying, Singapore, World Premiere Hurt People, Dir. Gabriel Gaurano, Jayden Gillespie & Navin Bose, USA, World Premiere Dibashram, Dir. Weilee Yap, Singapore, World Premiere Head Above Water, Dir. Eric Shahinian, USA, West Coast Premiere Chicken Beauty Pageant, Dir. Nurul Amirah, Singapore, World Premiere
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THE DIVINE ORDER is Switzerland’s Entry for 2018 Oscar Race for Best Foreign Film | TRAILER
The Divine Order directed by Petra Volpe has been selected by Switzerland as the country’s official entry in the Foreign Language Film category of the 90th Academy Awards.
The period dramedy set in 1971 about the fight for women’s suffrage in Switzerland screened earlier this year at the 2017 Tribeca Film Festival, where it won the Audience Narrative Award, the Nora Ephron Prize for Petra Volpe, and Best Actress in an International Narrative Feature Film for Marie Leuenberger.
1971: Nora is a young housewife and mother, living in a quaint little village with her husband and their two sons. The Swiss countryside is untouched by the major social upheavals the movement of 1968 has brought about. Nora’s life is not affected either; she is a quiet person who is liked by everybody – until she starts to publicly fight for women’s suffrage, which the men are due to vote on in a ballot on February 7, 1971.
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First Wave of Films Announced for 2017 Calgary International Film Festival, BORG/MCENROE and More
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BORG/MCENROE[/caption]
The Calgary International Film Festival (Calgary Film) announced the First Wave of Films playing at the 2017 festival. The first 10 films include BORG/MCENROE which opens the Toronto International Film Festival just weeks before Calgary Film begins. Based on a true story, this film recounts the legendary 1980 Wimbledon match between fierce rivals Björn Borg and John McEnroe.
“We’re always looking for standout films that are buzzing on the circuit, but we handpick for Calgary, with themes that do particularly well with our audiences,” said Brenda Lieberman, Programming Manager of the Calgary International Film Festival. “It’s one of the best parts of our job when we find the perfect combination of titles that excite our festival fans.”
FIRST WAVE FILMS – 2017 Calgary International Film Festival
BORG/MCENROE – Directed by Janus Metz This highly-anticipated biopic about one of the world’s greatest sports rivalries will have its world premiere as the Opening Night Film of the Toronto International Film Festival, mere weeks before it’s on screen in Calgary. THE DIVINE ORDER – Directed by Petra Biondina Volpe Even though this Swiss suffrage story takes place in the 1970s, it still feels relevant today. Lighthearted with a powerful message, women’s voices are at the centre of the narrative and behind the lens. A FANTASTIC WOMAN – Directed by Sebastián Lelio When Marina’s much older boyfriend dies, she must confront the taboo of their relationship to his family and society. Just announced as part of TIFF’s Galas & Special Presentations, this Spanish film was nominated for the Golden Berlin Bear for Best Picture and took home the Silver Berlin Bear for Best Screenplay at the Berlin International Film Festival. FÉLICITÉ – Directed by Alain Gomis With a mesmerizing soundtrack featuring the Kinshasa Symphonic Orchestra, the Congo-set film won the Grand Jury Prize at this year’s Berlin International Film Festival. THE LIGHT OF THE MOON – Directed by Jessica Thompson A woman struggles to regain control of her life after being sexually assaulted. Audience Award Winner for at SXSW, this first-time feature filmmaker casts BROOKLYN NINE-NINE’s Stephanie Beatriz in a revelatory performance. LIPSTICK UNDER MY BURKHA – Directed by AlanKrita Shrivastava This narrative feature from India, packed with humour and plenty of heart, features four women united in their yearning for freedom from society’s restrictive framework. NOBODY’S WATCHING – Directed by Julia Solomonoff An Argentine actor’s failure to establish himself in New York City mirrors the struggle of many immigrants who stumble in their new setting. Star Guillermo Pfening won the Best Actor at the 2017 Tribeca Film Festival in the International Narrative Feature category. SCORE: A FILM MUSIC DOCUMENTARY – Directed by Matt Schrader Some of Hollywood’s greatest film score composers come together to give viewers an unparalleled, behind the scenes look at the creative process, resulting in this fascinating celebration of some of the most iconic scores of all time. SMALL TOWN CRIME – Directed by Ian Nelms This critically-acclaimed, noir-ish thriller features a powerful cast, including Academy Award Nominee John Hawkes (WINTER’S BONE, DEADWOOD), Academy Award Winner Octavia Spencer (THE HELP, HIDDEN FIGURES) and Academy Award Nominee Robert Forster (JACKIE BROWN). A SWINGERS WEEKEND – Directed by Jonathan Cohen Packed with recognizable Canadian actors, including Erin Karpluk from Calgary and Jonas Chernick from previous Calgary Film Selections including MY AWKWARD SEXUAL ADVENTURE and HOW TO PLAN AN ORGY IN A SMALL TOWN, this sex comedy explores the relationships and kinks of three couples, who are all swinging for different reasons. What could possibly go wrong?
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‘THE DIVINE ORDER’, ‘I AM EVIDENCE’ Among Winners of 2017 Traverse City Film Festival
[caption id="attachment_22818" align="aligncenter" width="1200"] The Divine Order[/caption]
The 2017 Traverse City Film Festival (TCFF), founded by Michael Moore in 2005, wrapped after screening 115 feature films and 66 shorts in its 13th year. For the first time in TCFF history, Moore was unable to attend the festival due to a conflict with his Broadway show “The Terms of My Surrender,” which opened Friday, July 28.
Audience Awards went to “The Divine Order” for Best Fiction Film and “I Am Evidence” for Best Documentary. The Founders Grand Prize went to filmmaker Raoul Peck for his two TCFF selections, “I Am Not Your Negro” and “The Young Karl Marx.”
The 14th Annual Traverse City Film Festival will take place July 31 to August 5, 2018.
2017 TCFF AWARD WINNERS
AUDIENCE AWARDS
AUDIENCE AWARD FOR BEST FICTION FILM “The Divine Order” by Petra Volpe Runner Up: “Truman” by Cesc Gay AUDIENCE AWARD FOR BEST DOCUMENTARY FILM “I Am Evidence” by Trish Adlesic, Geeta Gandbhir Runner Up: “Chasing Coral” by Jeff Orlowski AUDIENCE AWARD FOR BEST NARRATIVE SHORT “Viola, Franca” by Marta Savina AUDIENCE AWARD FOR BEST DOCUMENTARY SHORT “Knife Skills” by Thomas Lennon AUDIENCE AWARD FOR BEST KIDS SHORT “Hola Llamigo” by Charlie Parisi and Christina ChangFOUNDERS AWARDS
FOUNDERS GRAND PRIZE Raoul Peck for “I Am Not Your Negro” and “The Young Karl Marx” FOUNDERS AWARD FOR BEST US FICTION FILM “Mr. Roosevelt” by Noël Wells FOUNDERS AWARD FOR BEST FOREIGN FICTION FILM “The Divine Order” by Petra Volpe FOUNDERS AWARD FOR BEST US DOCUMENTARY FILM “500 Years” by Pamela Yates FOUNDERS AWARD FOR BEST FOREIGN DOCUMENTARY FILM “Cause of Death: Unknown” by Anniken Hoel ROGER EBERT PRIZE FOR BEST FILM BY A FIRST TIME FILMMAKER Pau Faus for “Ada for Mayor” SPECIAL FOUNDERS PRIZE FOR CITIZEN JOURNALISM Raqqa is Being Slaughtered Silently in “City of Ghosts” Nori Sharif in “Nowhere to Hide” Curt Guyette in “Here’s to Flint” Myron Dewey in “Awake, a Dream from Standing Rock” KNOWLEDGE IS POWER SPECIAL FOUNDERS SCIENCE PRIZE “AlphaGo” by Greg Kohs SPECIAL FOUNDERS PRIZE “Long Strange Trip” by Amir Bar-Lev BUZZ WILSON PRIZE FOR BEST AVANT GARDE FILM “Austerlitz” by Sergei Loznitsa STUART J. HOLLANDER PRIZE FOR BEST FAMILY FILM “Fanny’s Journey” by Lola DoillonSHORT FILM AWARD WINNERS
BEST FICTION SHORT FILM “Retouch” by Kaveh Mazaheri BEST DOCUMENTARY SHORT FILM “Ten Meter Tower” by Maximilien Van Aertryck and Axel Danielson LARS KELTO PRIZE FOR BEST COMEDY SHORT FILM “Hot Winter: A Film by Dick Pierre” by Jack Henry Robbins SPECIAL MENTION SHORT FILM “Skull + Bone” by Victoria Rivera SPECIAL MENTION SHORT FILM “It’s Alright” by Nina Knag
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Tribeca Film Festival Award Winning Film THE DIVINE ORDER Gets a Fall Release Date | Trailer
Petra Volpe’s The Divine Order, winner of the Audience Award at the 2017 Tribeca Film Festival, will open at New York’s Film Forum on October 27, 2017, before a national rollout during the Fall.
The Divine Order is the story of Nora, an agreeably submissive and seemingly unremarkable young housewife living in a small village in Switzerland in 1971, as the rest of the world is changing and women there still don’t have the right to vote. After Nora experiences unfamiliar stirrings of dissatisfaction with her place in society, she begins to stand up to the closed minded townsfolk of both sexes in her village. Despite obstacles and backlash (and some amusing sequences including one with a guru who has Nora and her compatriots use a mirror in an unusual way) Nora becomes a hero as she overthrows the status quo.
The release of The Divine Order is the first co-acquisition for Kino Lorber and Zeitgeist Films after announcing their unique strategic alliance yesterday.
Nancy Gerstman and Emily Russo: “We couldn’t be more excited that THE DIVINE ORDER will be the first collaboration between Kino Lorber and Zeitgeist Films. We were totally bowled over when we saw it at the Tribeca Film Festival this year, and not at all surprised when it won the Audience Award. It has everything that would entertain viewers — a compelling story, great acting and fine direction — and it’s sexy too!”
“We are very proud to be a part of this new power-collaboration between Kino Lorber and Zeitgeist Films,” wrote Susan Wendt in a prepared statement. “We are sure they will do a great job with The Divine Order.”
https://www.youtube.com/watch?v=rt5MvyLeq-4
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Tribeca 2017: THE DIVINE ORDER and HONDROS Win Audience Awards
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Liberia soldier Joseph Duo exults after firing a rocket at rebel forces in Monrovia, Liberia in 2003. The photo led to an unlikely and enduring friendship between the subject and the photographer, Getty Images photojournalist Chris Hondros. Film still from HONDROS. Photo by Chris Hondros.[/caption]
Festival goers at the 2017 Tribeca Film Festival voted The Divine Order (Die göttliche Ordnung) and Hondros the winners of the Audience Awards. The Divine Order (Die göttliche Ordnung), directed and written by Petra Volpe was chosen to receive the Narrative award and Hondros, directed by Greg Campbell, written by Greg Campbell, Jenny Golden, was chosen for the Documentary award. Each award comes with a cash prize of $10,000. Additionally, as part of the Tribeca Film Festival Artists Awards program, Divine Order receives R.H. Quaytman: Delphi Landscape, 2017, and Hondros receives Urs Fischer boomboomboom, 2016, The Transit of Venus (Melanie).
“It is always exited to see what resonates most with the audience, and this year both the narrative and documentary winners represent smart filmmaking and impactful storytelling,” said Tribeca Film Festival’s Paula Weinstein. “On behalf of the Tribeca team, we congratulate The Divine Order and Hondros as the 2017 Audience Award winners, and hope moviegoers worldwide get to experience these powerful films.”
The runners-up were Saturday Church, directed and written by Damon Cardasis, for the narrative audience award and Shadowman, directed and written by Oren Jacoby, for the documentary audience award. Throughout the Festival, which kicked off on April 19, audience members voted by using the official Tribeca Film Festival app on their mobile devices and rating the film they just experienced on a scale of 1-5 stars. Films in the U.S. Narrative Competition, International Narrative Competition, World Documentary Competition, Viewpoints, Spotlight, Specials, and Midnight sections were eligible.
THE AUDIENCE AWARD WINNING FILMS AND RUNNERS-UP:
WINNERS
The Divine Order (Die göttliche Ordnung), directed and written by Petra Volpe. (Switzerland) – International Premiere. Political leaders in Switzerland cited ‘Divine Order’ as the reason why women still did not have the right to vote as late as 1970. Director Petra Volpe explores this surprising history through the story of Nora, a quiet housewife from a quaint village searching for the fierce suffragette leader inside her. With Marie Leuenberger, Max Simonischek, Rachel Braunschweig, Sibylle Brunner, Marta Zoffoli, Bettina Stucky. In Swiss-German with subtitles.
The film played in the International Narrative Competition section.
Hondros, directed by Greg Campbell, written by Greg Campbell, Jenny Golden. (USA) – World Premiere. Beginning with the war in Kosovo in 1999, award-winning photographer Chris Hondros served as a witness to conflict for over a decade before being killed in Libya in 2011. In Hondros, director and childhood friend Greg Campbell creates a portrait of a man with not only great depth and sensitivity, but a passion for his craft, and an unending talent for creating breathtaking imagery. Executive produced by Jake Gyllenhaal. In Arabic, English with subtitles.
The film played in the Spotlight Documentary section.
RUNNERS UP
Saturday Church, directed and written by Damon Cardasis. (USA) – World Premiere. 14-year-old Ulysses is a shy and effeminate teen being raised in the Bronx by his strict Aunt Rose. He finds escape in a rich fantasy life of music and dance, and soon with a vibrant transgender youth community called Saturday Church. Damon Cardasis’ directorial debut is a rousing celebration of one boy’s search for his identity. With Luka Kain, Margot Bingham, Regina Taylor, Marquis Rodriguez, MJ Rodriguez, Indya Moore, Alexia Garcia.
The film played in the U.S. Narrative Competition section.
Shadowman, directed and written by Oren Jacoby. (USA) – World Premiere. In the early 1980s, Richard Hambleton was New York City’s precursor to Banksy, a rogue street artist whose silhouette paintings haunted the sides of Manhattan buildings. Like so many other geniuses of his time, he fell victim to drug addiction, even as his work continued to rise in both demand and value. Shadowman doubles as both a time capsule of a forgotten New York City era, and a redemption story.
The film played in the Documentary Competition section.
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Tribeca 2017: KEEP THE CHANGE, SON OF SOFIA, and BOBBI JENE Win Top Juried Awards
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Brandon Polansky as David Cohen and Samantha Elisofon as Sarah Silverstein in KEEP THE CHANGE. Photographer: Giacomo Belletti.[/caption]
Keep the Change, Son of Sofia and Bobbi Jene won the top competition awards at the 16th Tribeca Film Festival award ceremony earlier tonight.
Keep the Change won the award for Best U.S. Narrative, Son of Sofia won for Best International Narrative, and Bobbi Jene won for Best Documentary.
For the fifth year, Tribeca awarded innovation in storytelling through its Storyscapes Award for immersive storytelling, which went to TREEHUGGER: WAWONA.
“It is more important than ever to celebrate artists both in front of and behind the camera who have the unique ability to share different viewpoints to inspire, challenge and entertain us,” said Jane Rosenthal, Executive Chair and Co-Founder, Tribeca Film Festival. “The winning creators from across the Festival program shared stories that did exactly that, and we are honored to recognize them tonight. And how wonderful is it that the top awards in all five feature film categories were directed by women.”
This year’s Festival included 97 feature length films, 57 short films, and 30 immersive storytelling projects from 41 countries.
The winners of awards of the 2017 Tribeca Film Festival
U.S. NARRATIVE FEATURE COMPETITION CATEGORIES:
The Founders Award for Best Narrative Feature – Keep the Change, written and directed by Rachel Israel. Jury Comment: “For her heartwarming, hilarious and consistently surprising reinvention of the New York romantic comedy, which opens a door to a world of vibrant characters not commonly seen on film, the U.S. Narrative Jury gives the Founders Award to Rachel Israel for Keep the Change.” Best Actor in a U.S. Narrative Feature Film – Alessandro Nivola in One Percent More Humid. Jury Comment: “For his raw, complex and deeply human portrayal of middle-aged teacher and writer who tries to rekindle his creativity by plunging into an ill-advised affair with a student, the award for Best Actor goes to Alessandro Nivola, in Liz W. Garcia’s One Percent More Humid.” Best Actress in a U.S. Narrative Feature Film – Nadia Alexander in Blame. Jury Comment: “For her powerful, multilayered and risky portrayal of a troubled teenager in Quinn Shepard’s accomplished directorial debut Blame, the award for Best Actress goes to Nadia Alexander.” Best Cinematography in a U.S. Narrative Feature Film – Cinematography by Chris Teague for Love After Love. Jury Comment: “For creating a visual style that beautifully mirrors the fraught and messy landscape of grief, the cinematography award goes to Love After Love, shot by Chris Teague.” Best Screenplay in a U.S. Narrative Feature Film – Abundant Acreage Available written by Angus MacLachlan. Jury Comment: “For its portrayal, both universal and intimate, of two families who meet, clash and ultimately discover what it means to call a place home, the best screenplay award goes to Abundant Acreage, written and directed by Angus MacLachlan.”INTERNATIONAL NARRATIVE FEATURE COMPETITION CATEGORIES:
The Best International Narrative Feature – Son of Sofia (O Gios tis Sofias) written and directed by Elina Psykou (Greece, Bulgaria, France). Jury Comment: “When we were watching these movies we were looking for something we hadn’t seen before. We unanimously agree that one film challenged us to see in a new way, and we were seduced by the surprising humanity of its difficult characters. The direction was assured, and its tone unique, and we look forward to seeing Elina Psykou’s next work. The Best International Narrative Feature Award goes to Son of Sofia.” Best Actor in an International Narrative Feature Film – Guillermo Pfening in Nobody’s Watching (Nadie Nos Mira) (Colombia, Argentina, Brazil, USA, Spain). Jury Comment: “For a performance of extraordinary vulnerability and commitment that anchored the film, the Best Actor Award goes to Guillermo Pfening for Nobody’s Watching.” Best Actress in an International Narrative Feature Film – Marie Leuenberger in The Divine Order (Die göttliche Ordnung) (Switzerland). Jury Comment: “For a performance that is patient, intelligent and graceful, that captured the liberation of a young woman the Best Actress Award goes to Marie Leuenberger for The Divine Order.” Best Cinematography in an International Narrative Feature Film – Cinematography by Mart Taniel for November (Estonia, Netherlands, Poland). Jury Comment: “We were particularly impressed by the high level of the cinematography of the films we’ve just seen which had very different styles and demands. One film was particularly audacious and showed supreme command of its visual language. The Best Cinematography Award goes to Mart Taniel for November.” Best Screenplay in an International Narrative Feature Film – Ice Mother (Bába z ledu) written by Bohdan Sláma (Slovakia, France). Jury Comment: “A screenplay can create a world. With warmth and humor, this movie leads us into a specific and eccentric world driven by an unlikely love story. The Best Screenplay Award goes to Bohdan Sláma for Ice Mother.”DOCUMENTARY COMPETITION CATEGORIES:
Best Documentary Feature – Bobbi Jene, directed by Elvira Lind (USA, Denmark, Israel). Jury Comments: “In a diverse field of worthy films, one work captivated our jury with its exquisite blend of emotional depth and rigorous craft. Fulfilling the promise of classic cinema verite, where camera serves as both observer and provocation, this film connected two artists, filmmaker and subject, pushing nonfiction intimacy to bold new places. Our winner documents the deeply personal process of a brilliant woman finding her voice – paired with a director whose own artistic vision dances elegantly with that of her subject. We the jury give the Best Documentary Feature to Elvira Lind’s Bobbi Jene.” Best Documentary Cinematography – Cinematography by Elvira Lind for Bobbi Jene (USA, Denmark, Israel). Jury Comments: “For the film’s extraordinary relationship to an artist who is willing to go bare not only in performance but in stunningly intimate scenes that are poetic, honest and moving, seemingly without barriers between camera and subject, we give Best Cinematography to Elvira Lind for Bobbi Jene.” Best Documentary Editing – Editing by Adam Nielson for Bobbi Jene (USA, Denmark, Israel). Jury Comments: “For a film whose precise economy of construction creates space for the rich sensual palette of a committed artist going through a life change, and whose internal rhythms mirror the art it portrays, we give Best Editing to Adam Nielson for Bobbi Jene.” Special Jury Mention – True Conviction. “For its compelling storytelling and for introducing us to three heroic characters who transform the injustice they suffered into active change, we give a Special Jury Mention for Best Documentary Feature to Jamie Meltzer’s True Conviction.”BEST NEW NARRATIVE DIRECTOR COMPETITION:
Best New Narrative Director – Rachel Israel, director of Keep the Change (U.S.). Jury Comments: “For this award, we were looking for a filmmaker with a fearless, authentic voice. Our decision was unanimous. This filmmaker created a world full of vibrant characters often under-represented in cinema. It is a unique, yet universal love story told in a way we’ve never seen. We anxiously await to see what this filmmaker does next. We are so thrilled to present the award for Best New Narrative Director to Rachel Israel for Keep the Change.”BEST NEW DOCUMENTARY DIRECTOR COMPETITION
Albert Maysles New Documentary Director Award – Sarita Khurana and Smriti Mundhra for A Suitable Girl (U.S./India). Jury Comments: “For the top prize we chose a film that helped us to rethink the dynamics of love through a moving portrayal of a cultural tradition. With incredible access, heartfelt scenes and it’s strong verite style, The Albert Maysles Prize for first documentary feature goes to A Suitable Girl.” Special Jury Mention – Hondros. “In considering a wide range of subjects in our category we were moved by two different kinds of love stories. The film we decided to honor with a special mention delves into the fractured worlds of chaos and violence and the interconnectedness of humanity. A childhood friend carries on his legacy to show the enduring power of love. The special mention goes to Hondros.”:THE NORA EPHRON PRIZE
The Nora Ephron Prize: Petra Volpe, writer/director of The Divine Order (Switzerland). Jury Comments: “For its intrepid and compassionate storytelling, beautiful cinematography (DP-ed by a woman), complex characterization of the female experience, seamless navigation of both drama and comedy, and true embodiment of the personal being political, we award the Nora Ephron Prize to Petra Volpe for her film The Divine Order.” Special Jury Mention: Keep the ChangeSHORT FILM COMPETITION CATEGORIES:
Best Narrative Short – Retouch, directed by Kaveh Mazaheri (Iran). Jury Comments: “For its message of choice, liberty, and renewal where the lines of morality and honesty are blurred, leaving the audiences own projection of the events open for discussion and introspection. We appreciated the unification of the aesthetic and the ethical. The winner of the Best Narrative Short goes to Retouch.” Best Animated Short – Odd is an Egg (Odd er et egg) directed by Kristin Ulseth (Norway). Jury Comments: “We found the story of this animated short sweet and moving. We were also very impressed with beautiful visuals, which were artistic, cool and haunting. The filmmaker shows great promise. Best Animated Short goes to Kristin Ulseth for her film, Odd is an Egg.” Best Documentary Short – The Good Fight directed by Ben Holman (U.S., UK, Brail). Jury Comments: “An unflinching portrait of finding hope in a world of danger; a journey of perseverance in the face of tragedy; an uplifting and visually compelling story of redemption. The winner of the Best Documentary Short is The Good Fight.” Special Jury Mention – Resurface: “Shedding light on the struggle for normalcy, hope, and recovery that US Veterans face every day, this is the story of reviving the human spirit through connecting with something deeply powerful and larger than the self: the Natural World.” Student Visionary Award – Fry Day directed by Laura Moss (U.S.). Jury Comments: “For its success in balancing an immersive coming of age experience with relevant social commentary in a historically specific context; compelling performances and expert filmmaking, the student visionary award goes to Fry Day.” Special Jury Mention – Dive: “Visceral, deeply moving meditative and exquisitely constructed / A nuanced examination of love and moving on after grief. Dive receives a Special Jury Mention.”STORYSCAPES AWARD
Storyscapes Award: TREEHUGGER: WAWONA created by Barnaby Steel (Co-Founder, Creative Director), Ersin Han Ersin (artist, Creative Director) and Robin McNicholas (Co-founder, Creative Director) of Marshmallow Laser Feast . Jury Comments: “The project we chose exemplifies the highest standards of artistry and inventiveness. It explores the potential for new visual forms and investigates unique modes of storytelling that allow us to tap into aspects the world and our lived experience that are intuitively known but seldom articulated. Through its use of poetic abstraction, embodiment, and the viewer’s own imagination and interpretation, we are able to unlock new ways of understanding and experiencing the world around us. We’ve selected this piece because we hope it will inspire others to start creating in ways that take risks and use the limitations of technology to revamp story and experience. The Storyscapes Award goes to TREEHUGGER: WAWONA.” The Festival’s competition categories continue to incorporate storytelling in all its forms with two awards that were given out earlier in the week. The Tribeca X Award is a juried section recognizing the intersection of advertising and entertainment and Tribeca also presented the first Tribeca Snapchat Short Award, a new official categoryTRIBECA X AWARD
Tribeca X Award: Chris Fonseca: Keep It Moving by 72andSunny for Smirnoff Ice. Directed by Zachary HeinzerlingTRIBECA SNAPCHAT SHORTS
Tribeca Snapchat Short award: Magic Show directed by Annie Hubbard.
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2017 Tribeca Film Festival Announces Exiciting Feature Film Line Up
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Zuzana KrÛnerov· as Hana in ICE MOTHER.[/caption]
The Tribeca Film Festival today unveiled an exciting slate of films that will premiere at the 2017 festival. The Festival announced the feature films across the following programs: Competition, including U.S. Narrative, Documentary, and International Narrative categories; Spotlight, a selection of anticipated premieres from major talent; Viewpoints, which recognizes distinct voices in international and American independent filmmaking; and the popular Midnight Section, featuring the best in psychological thriller, horror, sci-fi, and cult cinema.
The 16th Tribeca Film Festival takes place April 19 to 3, 2017.
To honor Earth Day, which falls during the Festival, the programmers chose to highlight documentaries that focus on critical and timely issues that have an impact on our planet, including climate change, food waste, and animal extinction. Each of these films will screen on Earth Day, April 22, as well as throughout the Festival. This will be reflected in other sections of the festival programming as well, including VR and Tribeca N.O.W.
The films selections are as follows:
U.S. Narrative Competition
Aardvark, directed and written by Brian Shoaf. (USA) – World Premiere. While battling her own anxieties, therapist Emily Milburton (Jenny Slate) spends her time listening to other people’s problems. Her professional and personal worlds collide when Emily’s newest patient, Josh Norman (Zachary Quinto), walks through her door. Mentally ill and experiencing hallucinations, Josh harbors complex feelings for his estranged brother, Craig (Jon Hamm). Things begin to get interesting when Emily falls for Craig. With Sheila Vand, Tonya Pinkins, Marin Ireland. Abundant Acreage Available, directed and written by Angus MacLachlan. (USA) – World Premiere. Still reeling over the recent death of their father, siblings Jesse (Terry Kinney) and Tracy (Amy Ryan) are attempting to settle into their new lives in his absence. Their simple existence is unexpectedly disrupted by the sudden arrival of three mysterious brothers, camping on their land and possessing a surprising connection to their family farm. With Max Gail, Francis Guinan, Steve Coulter. Blame, directed and written by Quinn Shephard. (USA) – World Premiere. Abigail (Quinn Shephard) is an outcast who seeks solace in fantasy worlds. When high school drama teacher Jeremy (Chris Messina) casts her in Arthur Miller’s ‘The Crucible,’ Abigail’s confidence blooms. But soon her relationship with Jeremy begins to move beyond innocent flirtation, and it in turn fuels a vengeful jealousy that quickly spirals out of control and brings about a chain of events that draws parallels to Salem. With Nadia Alexander, Tate Donovan, Trieste Kelly Dunn, Tessa Albertson. The Endless, directed by Justin Benson and Aaron Moorhead, written by Justin Benson. (USA) – World Premiere. Years after escaping a cult as teenagers, brothers Aaron and Justin return to their former home after receiving a mysterious message. While Aaron is quickly drawn back into the fold, Justin remains uneasy. However, neither can deny it when strange events begin happening that seem to mirror the cult’s unusual axioms. Following their Tribeca breakout, Resolution, Justin Benson and Aaron Moorhead direct and star in another intensely original genre hybrid. With Tate Ellington, Callie Hernandez, James Jordan, Lew Temple. Flower, directed by Max Winkler, written by Alex McAulay, Max Winkler, Matt Spicer. (USA) – World Premiere. Rebellious and quick-witted, 17-year-old firecracker Erica Vandross (Zoey Deutch) kills time with her friends gawking at older men in bowling alleys and sexually scheming guys out of their money. However, her biggest scheme is still to come when her mother asks her boyfriend and his troubled, fresh-out-of-rehab son to move in with them in this biting dark comedy. With Kathryn Hahn, Adam Scott, Tim Heidecker, Joey Morgan, Dylan Gelula. Keep the Change, directed and written by Rachel Israel. (USA) – World Premiere. In a support group for adults living with autism, David—a smooth talker struggling to hide his disability—meets a woman with similar learning challenges, and they quickly forge an intimate bond. Starring a cast of nonprofessional actors on the autism spectrum, Keep the Change details an underrepresented community with authenticity, optimism and humor. With Brandon Polansky, Samantha Elisofon, Nicky Gottlieb, Will Deaver, Jessica Walter, Tibor Feldman. Love After Love, directed by Russell Harbaugh, written by Russell Harbaugh, Eric Mendelsohn. (USA) – World Premiere. The world of a mother and her two adult sons feels emotionally untethered following the death of their family’s patriarch. Andie MacDowell, Chris O’Dowd, and James Adomian deliver searing performances in this absorbing story of a family losing and regaining their equilibrium in the wake of loss. With Juliet Rylance, Dree Hemingway, Gareth Williams. One Percent More Humid, directed and written by Liz W. Garcia. (USA) – World Premiere. Catherine (Julia Garner) and Iris (Juno Temple) are childhood friends home from college for a hot New England summer. As they attempt to enjoy parties and skinny-dipping and the usual vacation hijinks, a shared trauma in their past becomes increasingly difficult to suppress. As the wedge between the friends grows, they each pursue forbidden affairs to cope. With Alessandro Nivola, Maggie Siff, Philip Ettinger, Mamoudou Athie. Saturday Church, directed and written by Damon Cardasis. (USA) – World Premiere. 14-year-old Ulysses is a shy and effeminate teen being raised in the Bronx by his strict Aunt Rose. He finds escape in a rich fantasy life of music and dance, and soon with a vibrant transgender youth community called Saturday Church. Damon Cardasis’ directorial debut is a rousing celebration of one boy’s search for his identity.With Luka Kain, Margot Bingham, Regina Taylor, Marquis Rodriguez, MJ Rodriguez, Indya Moore, Alexia Garcia. Thirst Street, directed by Nathan Silver, written by Nathan Silver, C. Mason Wells. (USA, France) – World Premiere. There’s a fine line between lust and obsession—and for flight attendant Gina (Lindsay Burdge), that line is often difficult to see. Grieving over a lover’s suicide, Gina loses her grip on reality after falling for a suave Parisian bartender. Tribeca alum Nathan Silver (Actor Martinez) takes cues from ‘70s Euro erotic psychodramas in this gorgeously retro and piercingly intimate look at one-sided love. With Damien Bonnard, Esther Garrel, Lola Bessis, Jacques Nolot, Françoise Lebrun. In English, French with subtitles.International Narrative Competition
The Divine Order (Die göttliche Ordnung), directed and written by Petra Volpe. (Switzerland) – International Premiere. Political leaders in Switzerland cited ‘Divine Order’ as the reason why women still did not have the right to vote as late as 1970. Director Petra Volpe explores this surprising history through the story of Nora, a quiet housewife from a quaint village searching for the fierce suffragette leader inside her. With Marie Leuenberger, Max Simonischek, Rachel Braunschweig, Sibylle Brunner, Marta Zoffoli, Bettina Sucky. In Swiss-German with subtitles. Holy Air (Hawa Moqaddas), directed and written by Shady Srour. (Israel) – World Premiere. Desperate to care for his pregnant wife and ailing father, Adam (writer/director Shady Srour) embarks on his latest, riskiest business venture: selling bottled holy air. A sharp comedy set in modern-day Nazareth, Holy Air examines the complicated emotions that go into living as a modern, progressive, Christian family on the world’s most spiritual ground. With Laëtitia Eïdo, Shmulik Calderon, Tareq Copti, Dalia Okal, Bian Anteer. In Arabic, English, French, Hebrew, Italian with subtitles. Ice Mother (Bába z ledu), directed and written by Bohdan Sláma. (Czech Republic, Slovakia, France) – International Premiere. Hana lives alone in a big villa with only weekly visits from her two belligerent sons and their families to look forward to. While on a stroll with her grandson one day, she rescues Brona, an elderly ice swimmer with a hen for a best friend, from drowning. This encounter invigorates Hana, introducing her to a new hobby and unexpected romance. With Zuzana Kronerová, Pavel Nový, Daniel Vízek, Václav Neužil. In Czech with subtitles. King of Peking, directed and written by Sam Voutas. (China, USA, Australia) – World Premiere. Big Wong and his son Little Wong are traveling film projectionists, screening Hollywood movies for local villagers. Faced with losing custody of his son, Big Wong starts making and selling illegal bootleg DVDs out of the old movie theater where he works, despite Little Wong’s objections. More than a father-son story, King of Peking is a love letter to cinema. With Zhao Jun, Wang Naixun, Han Qing, Si Chao, Geng Bowen, Yi Long. In Mandarin with subtitles. Newton, directed by Amit V Masurkar, written by Mayank Tewari, Amit V Masurka. (India) – North American Premiere. India, the world’s largest democracy, is preparing for an election—and with more than 800 million voters, this is a logistical puzzle of epic proportions. With disarming charm, this film probes the nature of democracy as Newton, a young, idealistic office worker, becomes the torch bearer for political fairness when he volunteers to head up a polling station in the deepest jungle for 76 remote voters. With Rajkummar Rao, Anjali Patil, Pankaj Tripathi, Raghubir Yadav. In Hindi with subtitles. Nobody’s Watching (Nadie Nos Mira), directed by Julia Solomonoff, written by Julia Solomonoff, Christina Lazaridi. (Colombia, Argentina, Brazil, USA, Spain) – World Premiere. After giving up a successful soap opera career in his native Argentina for a chance to make it in New York, Nico finds himself staying afloat with odd jobs bartending and babysitting. In a moving depiction of the vibrant city, Nobody’s Watchingquestions who is watching and how we adjust ourselves accordingly. With Guillermo Pfening, Rafael Ferro, Paola Baldion, Elena Roger, Cristina Morrison, Kerri Sohn, Marco Antonio Caponi. In English, Spanish with subtitles. November, directed and written by Rainer Sarnet. (Estonia) – International Premiere. Dive into the cold, snowy landscape of 19th-century Estonia, where werewolves and spirits roam free, and Jesus co-exists with kratts, the farmers’ mythological helpers made of tools and bones. Farmer girl Liina’s doomed romance with local boy Hans is at the center of director Rainer Sarnet’s pagan, black and white world, where the characters search for meaning in their surroundings and ponder the existence of the soul. With Rea Lest, Jörgen Liik, Arvo Kukumägi, Katariina Unt, Taavi Eelmaa, Dieter Laser. In Estonian with subtitles. Sambá, directed by Laura Amelia Guzmán and Israel Cárdenas, written by Ettore D’Alessandro, Carolina Encarnacion. (Dominican Republic) – World Premiere. Cisco has his back against the ropes. After spending 15 years in an American jail, he’s returned to the Dominican Republic yet is unable to get a job, a problem compounded by his mother’s ailing health and his younger brother’s delinquent habits. To make money, he’s resorted to illegal street fighting. But Cisco finds a possible salvation in Nichi, an Italian ex-boxer who sees dollar signs in Cisco’s gritty fighting skills. With Algenis Pérez Soto, Ettore D’Alessandro, Laura Gómez, Ricardo A. Toribio. In Spanish with subtitles. Son of Sofia (O Gios tis Sofias), directed and written by Elina Psykou. (Bulgaria, France, Greece) – World Premiere. Set during the 2004 Summer Olympic Games, 11-year-old Misha is travelling from Russia to live with his mother in Athens in the home of an elderly Greek man she works for. When he learns this man is actually his new father, Misha runs away but doesn’t have the stomach for life on the streets. Returning to his new home, he clings to the stories he grew up with, melding them with reality to create a dark urban fairytale. With Viktor Khomut, Valery Tcheplanowa, Thanasis Papageorgiou, Artemis Havalits, Christos Stergioglou, Iro Maltezou. In Greek, Russian with subtitles. Tom of Finland, directed by Dome Karukoski, written by Aleksi Bardy. (Finland, Sweden, Denmark, Germany) – International Premiere. This is the true story of cult artist Touko Laaksonen, better known as Tom of Finland, and the events that influenced his iconic homoerotic drawings. From Finnish army uniforms to motorcycle leathers, Tom finds inspiration in his European post-war surroundings, even as conservative Finland is not quite ready for his transgressive work. Eventually Tom and his art make their way to dazzling Los Angeles in time for the sexual revolution and its aftermath. With Pekka Strang, Lauri Tilkanen, Werner Daehn, Jessica Grabowsky. In Finnish with subtitles.World Documentary Competition
Bobbi Jene, directed by Elvira Lind, written by Elvira Lind, Adam Nielsen. (Denmark, Israel, USA) – World Premiere. In her moving and cinematic documentary, Elvira Lind follows American dancer Bobbi Jene Smith as she makes the decision of a lifetime. Bobbi returns to the U.S., leaving behind a loving boyfriend and a successful 10-year run as a star dancer of the famous Israeli dance company Batsheva. Lind intimately portrays Bobbi’s rigorous creative process as she starts fresh in San Francisco, while still working to maintain a long-distance relationship. Copwatch, directed by Camilla Hall. (USA) – World Premiere. In 1990, a California citizen journalist began recording police interactions with the public. A one-man operation, he titled his work “Copwatch.” Now, decades later, the initiative has expanded to cities around the country, including New York, where Ramsey Orta filmed Eric Garner’s fatal arrest. In her feature film debut, director Camilla Hall crafts an intriguing and timely profile of citizen-journalist-activists who seek to disrupt the ever-present challenge of police violence. The Death and Life of Marsha P. Johnson, directed by David France, written by David France, Mark Blane. (USA) – World Premiere. Featuring never-before-seen footage and rediscovered interviews, Academy Award nominee David France (How to Survive a Plague) follows a new investigation into the mysterious death of self-described “street queen” Marsha P. Johnson. Credited as one of the courageous black transgender activists who instigated the Stonewall Riots of 1969, thereby spearheading the modern gay civil rights movement. The Departure, directed by Lana Wilson. (USA) – World Premiere. Lana Wilson follows up her award-winning film, After Tiller, with this profile of Ittetsu Nemoto, a Buddhist priest renowned for saving the lives of countless suicidal people. But Nemoto, suffering from heart disease and supporting his wife and young son, risks his life carrying the heavy emotional load to support those who no longer want to live. When saving others takes such a toll, can he find the resiliency to save himself? In Japanese with subtitles. No Man’s Land, directed by David Byars. (USA) – World Premiere. “We are patriots,” utters one of the characters in David Byars’ detailed, on-the-ground account of the standoff between ranchers occupying Oregon’s Malheur National Wildlife Refuge and federal authorities. That statement—believed to be true by the armed occupiers—underlines the film, which unspools in measured pace and slowly unpacks its loaded meaning. The Reagan Show, directed by Pacho Velez and Sierra Pettengill, written by Josh Alexander, Pacho Velez. (USA) – World Premiere. Constructed entirely through 1980s network news and videotapes created by the Reagan administration itself, Velez and Pettengill’s prescient documentary presents Ronald Reagan as the first made-for-TV president—a man whose experience as a performer and public relations expert made him a unique match for an emerging modern political landscape, and for his chief rival: charismatic Soviet leader Mikhail Gorbachev. A River Below, directed by Mark Grieco. (Colombia, USA) – World Premiere. Deep in the Amazon, a renowned marine biologist and a reality TV star are each working to save the indigenous pink river dolphin from being hunted to extinction. When a scandal erupts, ethical questions are raised as murky as the waters of the Amazon River. Mark Grieco’s (Marmato) surprising documentary digs into the ethics of activism in the modern media age. In English, Portuguese, Spanish with subtitles. Earth Day Screening The Sensitives, directed by Drew Xanthopoulos. (USA) – World Premiere. Meet the Sensitives, people who are debilitatingly sensitive to modern life—electricity, chemicals, you name it. Their symptoms and coping mechanisms might vary, but they all face the unusual and heartbreaking choice of either living in dangerous and uncertain conditions with their loved ones, or in physical and technological isolation. Director Drew Xanthopoulos captures their lives in cinematic verite style. Shadowman, directed and written by Oren Jacoby. (USA) – World Premiere. In the early 1980s, Richard Hambleton was New York City’s precursor to Banksy, a rogue street artist whose silhouette paintings haunted the sides of Manhattan buildings. Like so many other geniuses of his time, he fell victim to drug addiction, even as his work continued to rise in both demand and value. Shadowman doubles as both a time capsule of a forgotten New York City era, and a redemption story. A Suitable Girl, directed by Smriti Mundhra and Sarita Khurana. (USA, India) – World Premiere. Dipti, Amrita, Ritu and Seema are all young, modern women in India looking to get married—some desperately, some reluctantly. A Suitable Girl follows them over the course of four years as they juggle family, career and friends, intimately capturing their thoughts on arranged marriage, giving them a voice, and offering a unique perspective into the nuances of this institution. In English, Hindi, Kannada, Marathi with subtitles. True Conviction, directed by Jamie Meltzer, written by Jamie Meltzer, Jeff Gilbert. (USA) – World Premiere. There’s a new detective agency in Dallas, Texas, started by three exonerated men, with decades in prison served between them, who look to free innocent people from behind bars. True Conviction follows these change-makers with no small task in front of them as they rebuild their lives and families, learn to investigate cases, work to support one another, and try and fix the criminal justice system. When God Sleeps, directed and written by Till Schauder. (USA, Germany) – World Premiere. “My songs didn’t make me famous. The fatwa did.” And so we embark on the journey of rapper Shahin Najafi, whose bold style and transgressive lyrics put him in the crosshairs of religious clerics in his native Iran. When God Sleeps tells the story of this tireless artist-activist against the backdrop of the 2015 Paris terrorist attacks and the European right-wing backlash against Middle Eastern refugees. In English, Farsi, German with subtitles.SPOTLIGHT NARRATIVE
The Boy Downstairs, directed and written by Sophie Brooks. (USA) – World Premiere. Zosia Mamet exhibits winsome charm as Diana, navigating the rite of passage of every single New Yorker: the search for an apartment. She seemingly finds a jewel of a home until realizing her downstairs neighbor is her ex whose heart she broke. Like a true New Yorker, she keeps the apartment. With Matthew Shear, Deirdre O’Connell, Sarah Ramos, Diana Irvine. Buster’s Mal Heart, directed and written by Sarah Adina Smith. (USA) – New York Premiere. A fugitive hotly pursued by rangers reviews the pathway to his present circumstances and finds conflicting stories. A spellbinding Rami Malek (Mr. Robot) brings impressive range to Sarah Adina Smith’s sophomore feature: a twisting, mind-bending thriller in which the typical rules don’t apply, least of all to a man who cannot be certain of anything he’s done. With DJ Qualls, Kate Lyn Sheil, Sukha Belle Potter, Lin Shaye. A Well Go USA release. Chuck, directed by Philippe Falardeau, written by Jeff Feuerzeig, Jerry Stahl. (USA) – US Premiere. Chuck is the true story of Chuck Wepner (Liev Schreiber), the man who inspired the billion-dollar film seriesRocky—a liquor salesman from New Jersey who went 15 rounds with Muhammad Ali. Wepner suffered numerous losses, knockouts, and broken noses in his ten years in the ring, and lived an epic life of drugs, booze, and wild women outside of it. With Elisabeth Moss, Ron Perlman, Naomi Watts, Jim Gaffigan, Michael Rapaport. An IFC Films release. The Clapper, directed and written by Dito Montiel. (USA) – World Premiere. Ed Helms stars as Eddie Krumble, a professional audience member who gains unwanted notoriety when a late-night talk show turns his life into a national obsession, threatening his budding relationship with gas station attendant Judy (Amanda Seyfried). Directed by Dito Montiel (Boulevard, Tribeca ‘14), The Clapper is a heartfelt comedy featuring Tracy Morgan, Adam Levine, Russell Peters, PJ Byrne, and appearances from Rob Gronkowski, Mark Cuban and the late Alan Thicke. Dabka, directed and written by Bryan Buckley. (USA) – World Premiere. When rookie journalist Jay Bahadur (Evan Peters) has an inspiring chance encounter with his idol (Al Pacino), he uproots his life and moves to Somalia looking for the story of a lifetime. Hooking up with a local fixer (Barkhad Abdi), he attempts to embed himself with the local Somali pirates, only to find himself quickly in over his head. Based on the true story of one reporter’s risk-taking adventure that ultimately brought the world an unprecedented first-person account of the pirates of Somalia. With Melanie Griffith. In English, Somali with subtitles. The Dinner, directed and written by Oren Moverman. (USA) – North American Premiere. Two brothers, congressman Stan and caustic former teacher Paul, are locked in sibling rivalry and are forced to come head to head over a dinner with their wives. As the two couples (Richard Gere, Laura Linney, Steve Coogan and Rebecca Hall) sit down to dine, their dark family secrets are drudged on to the table along with the main course, in this adaptation of the Herman Koch bestseller. With Chloe Sevigny. An Orchard release. Literally, Right Before Aaron, directed and written by Ryan Eggold. (USA) – World Premiere. Still reeling from his breakup with college sweetheart Allison (Cobie Smulders), Adam’s (Justin Long) world is thrown into further chaos when he’s surprisingly invited to attend her wedding. Over a surreal weekend, he stumbles through a nightmarish rehearsal dinner and drinks his way through the reception as he thinks back on where it all went wrong with the one that got away. Ryan Eggold directs this refreshingly unconventional romantic comedy. With John Cho, Luis Guzman, Kristen Schaal, Leah Thompson, Ryan Hansen. The Lovers, directed and written by Azazel Jacobs. (USA) – World Premiere. Years into a dispassionate marriage, a long-married couple, both seriously involved with other people, resolve to call it quits. To their surprise, their decision reignites a dormant spark that leads to an impulsive affair. Broadway legend Tracy Letts and the always-luminous Debra Winger shine in writer/director Azazel Jacob’s (Terri) latest. With Debra Winger, Tracy Letts, Melora Walters, Aiden Gillen, Tyler Ross, Jessica Sula. An A24 release. Manifesto, directed and written by Julian Rosefeldt. (Germany) – New York Premiere. All current art is fake. Nothing is original. These are some of the statements exposed in artist Julian Rosefeldt’s stunning piece. Starring Cate Blanchett, we witness a series of vignettes which draw upon artist manifestos that question the true nature of art. A chameleonic Blanchett gives a tour-de-force performance as she transforms in each segment like never before. A FilmRise Release. Permission, directed and written by Brian Crano. (USA) – World Premiere. Anna (Rebecca Hall) and Will (Dan Stevens) are the definition of long-term monogamy, and with great careers, an impending marriage, and a potential new home, things couldn’t be better. But after a close friend’s joke about her non-existent sexual experience hits too close to home, Anna proposes to Will an experiment to broaden their horizons without sabotaging their relationship: to try an open relationship—together. With Gina Gershon, Francois Arnaud, Morgan Spector, David Joseph Craig, Jason Sudeikis. Rock’n Roll, directed by Guillaume Canet, written by Guillaume Canet, Rodolphe Lauga, Philippe Lefebvre. (France) – International Premiere. Real-life couple Guillaume Canet and Marion Cotillard play themselves in this satirical comedy about a couple dealing with aging in the limelight. After Guillaume gets told by a co-star that he’s just not that cool anymore, he goes to increasingly extreme lengths to prove her wrong, putting his happy domestic life to the test. With Gilles Lellouche, Philippe Lefebvre, Camille Rowe, Yvan Attal. In French with subtitles. Sweet Virginia, directed by Jamie Dagg, written by The China Brothers. (USA) – World Premiere. Jon Bernthal, Rosemarie DeWitt, Imogen Poots, Odessa Young, and a spectacular Christopher Abbott star in this gritty neo-Western with echoes of the early Coen Brothers: a burglary-homicide rattles the residents of a small Alaska town. Jamie Dagg’s sophomore feature is a haunting drama about the predator in each of us, and the prices we pay to start over. Take Me, directed by Pat Healy, written by Mike Makowsky. (USA) – World Premiere. Ray is in the boutique simulated abduction business. It’s an understandably threadbare market, so he jumps at the chance when a mysterious call contracts him for a weekend kidnapping with a handsome payday at the end. But the job isn’t all that it seems. A black comedy that threads the needle between crime thriller and slapstick farce, Take Me is as twisty as it is funny. With Taylor Schilling, Pat Healy, Alycia Delmore, Jim O’Heir. Thumper, directed and written by Jordan Ross. (USA) – World Premiere. This suspenseful crime drama follows Kat Carter (Eliza Taylor), the troubled new girl in a school harboring a deep secret. When she attracts the attention of the volatile gang leader Wyatt (a menacing Pablo Schreiber), Kat’s own hidden secrets threaten to put her life in danger. Executive Produced by Cary Fukunaga, the film features raw supporting turns from Lena Headey, Daniel Webber, Ben Feldman, and Grant Harvey. The Trip to Spain, directed by Michael Winterbottom. (U.K.) – World Premiere. Steve Coogan and Rob Brydon reunite with director Michael Winterbottom for another chapter in their hilarious road trip series. This time taking their wit and appetites on a tour through picturesque Spain’s finest fine dining, Coogan and Brydon trade celebrity impressions and witty banter over paella and gazpacho, their comic observations on fame and friendship as dry as the finest Spanish wine. With Marta Barrio, Claire Keelan, Margo Stilley. An IFC Films release.SPOTLIGHT DOCUMENTARY
ACORN and the Firestorm, directed and written by Reuben Atlas and Sam Pollard. (USA) – World Premiere. For 40 years, the community-organizing group ACORN advocated for America’s poorest communities, while its detractors accused it of promoting government waste and the worst of liberal policies. Riding high on the momentum of Barack Obama’s presidential victory in 2008, ACORN was at its social zenith when a hidden-camera video sparked a national scandal and brought it all crashing down. AlphaGo, directed by Greg Kohs. (USA) – World Premiere. With simple rules but a near-infinite number of possible outcomes, the ancient Chinese board game Go has long been considered the holy grail of artificial intelligence. Director Greg Kohs’ absorbing documentary chronicles Google’s DeepMind team as it takes on one of the world’s top Go players in a weeklong tournament, pitting man against machine in a competition that reveals as much about the workings of the human mind as it does the future of AI. In English, Korean with subtitles. Blurred Lines: Inside the Art World, directed and written by Barry Avrich. (Canada) – World Premiere. Barry Avrich’s in-depth and eye-opening documentary pulls back the curtain on the behind-the-scenes dealings revolving around the contemporary art world. Reputable artists, critics, auctioneers and collectors demystify the often illusive and complex relationship between art and commerce in this film, which features extraordinary access to industry players. ELIÁN, directed by Tim Golden, Ross McDonnell. (USA) – World Premiere. Thanksgiving, 1999: Two fishermen on the Florida Straits find a young Cuban boy, Elián González, floating alone in an inner tube. Their discovery evolves into a custody battle between Elián’s Cuban father and his Miami-located relatives that brings the conflict between Cuba and the U.S. to the forefront. Eighteen years later, ELIÁN, executive produced by Alex Gibney, gives the now grown-up Elián the chance to tell his own side of the story. In English, Spanish with subtitles. Frank Serpico, directed and written by Antonino D’Ambrosio. (USA) – World Premiere. With unprecedented access to a notoriously reclusive subject, Antonino D’Ambrosio creates a powerful portrait of Frank Serpico, the former NYPD officer who in the 1970s blew the whistle on the corruption and payoffs running rampant in the department. The true story that inspired Sidney Lumet’s American crime classic that bears his name. Get Me Roger Stone, directed and written by Dylan Bank, Daniel DiMauro, Morgan Pehme. (USA) – World Premiere. With his bespoke suits and collection of Nixon memorabilia, political firebrand and noted eccentric Roger Stone has been a fixture of Republican politics since the 1970s, yet at the same time has always been an outsider. Despite its success, his brand of confrontational (some would say “dirty”) politics was always publicly rejected by the conservative mainstream, though with the shocking ascendancy of his longtime pet project Donald Trump (interviewed in the film), Stone—the ultimate political trickster—would likely say he was just ahead of his time. A Netflix release. Gilbert, directed by Neil Berkeley, written by Neil Berkeley, James Leche. (USA) – World Premiere. Legendary comedian Gilbert Gottfried has had quite a career. Rocketing to fame in the 1980s, he was thrust into the public consciousness almost immediately thanks to his brash personality, unique worldview, and off-kilter comic timing. Now, foul-mouthed and unapologetic after decades of flying solo in both his work and in his personal life, Gilbert has shockingly reinvented himself…as a family man. With Jay Leno, Bill Burr, Jeff Ross, Whoopi Goldberg, Howie Mandel. A Gray State, directed by Erik Nelson. (USA) – World Premiere. Christmas, 2014: filmmaker, veteran and charismatic up-and-coming voice of alt-right politics David Crowley and his family are killed in their suburban Minnesota home. Their shocking deaths quickly become a cause célèbre for conspiracy theorists. Executive produced by Werner Herzog, A Gray State combs through Crowley’s photographs, videos and recordings to investigate what happens when an ideology becomes an all-consuming obsession. Hell on Earth: The Fall of Syria and the Rise of ISIS, directed by Sebastian Junger and Nick Quested, written by Mark Monroe. (USA) – World Premiere. Chronicling Syria’s descent into unbridled chaos, this gripping and insightful work captures the Syrian war’s harrowing carnage, political and social consequences, and, most importantly, its human toll. From personal stories of family survival and tragedy to keen insight from top experts from around the world, acclaimed filmmaker and author Sebastian Junger and Nick Quested create an informative and comprehensive documentary, as the story continues to unfold. In English, French, Arabic, Kurdish with subtitles. A National Geographic release. Hondros, directed by Greg Campbell, written by Greg Campbell, Jenny Golden. (USA) – World Premiere. Beginning with the war in Kosovo in 1999, award-winning photographer Chris Hondros served as a witness to conflict for over a decade before being killed in Libya in 2011. In Hondros, director and childhood friend Greg Campbell creates a portrait of a man with not only great depth and sensitivity, but a passion for his craft, and an unending talent for creating breathtaking imagery. Executive produced by Jake Gyllenhaal. In Arabic, English with subtitles. I Am Evidence, directed by Trish Adlesic and Geeta Gandbhir. (USA) – World Premiere. Every year in cities around the United States, it is estimated that hundreds of thousands of rape kits are left untested in police storage facilities. Produced by Mariska Hargitay, I Am Evidence exposes this shocking reality, bringing attention to the way in which police have historically processed sexual assault cases. Through an exploration of survivors’ accounts, the film sheds light on these disturbing statistics, and shows what can be achieved when evidence—and the individuals it represents—are treated with the respect we all deserve. An HBO Documentary Film release. LA 92, directed by Daniel Lindsay, TJ Martin. (USA) – World Premiere. Few images are seared into the American consciousness with the anger and clarity of the beating of Rodney King and the riots following his abusers’ acquittal. Twenty-five years later, Academy Award-winning directors Daniel Lindsay and TJ Martin draw on archival news images and unseen footage to paint an in-depth portrait of those riots and the tempestuous relationship between Los Angeles’ African-American community and those charged with protecting it. A National Geographic release. No Stone Unturned, directed by Alex Gibney. (USA, Northern Ireland) – World Premiere. In 1994, six men were gunned down and five wounded in a pub while watching a World Cup soccer match in Loughinisland, Northern Ireland. With a police investigation that was perfunctory at best, the case remained unsolved. In this non-fiction murder mystery, Academy Award-winning documentarian Alex Gibney reopens the original case to investigate why no culprit was ever brought to justice. WASTED! The Story of Food Waste, directed by Anna Chai and Nari Kye. (USA) – World Premiere. Each year, $218 billion—or 1.3 billion tons—of food is thrown out. With nearly a billion people worldwide facing starvation, food conservation is a more urgent issue than ever before. Executive produced by Anthony Bourdain, Chai and Kye’s fast-paced and forward-thinking food doc takes viewers on a tour of inventive new ideas for recycling waste and maximizing sustainability from innovative chefs like Massimo Bottura, Dan Barber and Danny Bowien, who turn scraps into feasts before our eyes. Earth Day Screening Whitney. “can I be me,” directed by Nick Broomfield and Rudi Dolezal, written by Nick Broomfield. (U.K.) – World Premiere. Whitney Houston was the most awarded female recording artist of all time, with more consecutive number one hits than The Beatles, and on top of that she was America’s Sweetheart. Yet despite her fame, talent, and success, she died tragically at the age of 48. Featuring largely never-before-seen footage and Broomfield and Dolezal’s moving documentary tells the story of the girl behind the voice. A Showtime release. Year of the Scab, directed by John Dorsey. (USA) – World Premiere. During the 1987 NFL strike, teams scrambled to assemble temporary replacements to fill in for their boycotting players. The Washington Redskins were notable for their “scabs,” a collection of cast-offs who nonetheless rode a surprising wave of momentum against all odds. “Year of the Scab” revisits this ultimate underdog story and the men whose ordinary lives were interrupted. Those so-called “scabs” helped break the strike and bring their team to victory, only to struggle for their place in the sports history books. An ESPN Films release.VIEWPOINTS
City of Ghosts, directed by Matthew Heineman. (USA) – New York Premiere, Documentary. The fearless citizen-journalists of “Raqqa is Being Slaughtered Silently” (RBSS) risk their lives on a daily basis to document and expose the atrocities of the Islamic State in their home city of Raqqa, Syria. Academy Award-nominee Matthew Heineman (Cartel Land) returns to Tribeca with an immersive and deeply personal documentary chronicling the lives of these activists. In Arabic with subtitles. An Amazon Studios release. Dog Years, directed and written by Adam Rifkin. (USA) – World Premiere, Narrative. Vic Edwards (Burt Reynolds) was one of the biggest movie stars in the world, known for his mustachioed good looks and cocky swagger. With his Hollywood glory a distant memory, the now-octogenarian Vic is prompted to reassess his life with the passing of his beloved dog and the arrival of an invitation to receive a lifetime achievement award from the (fictional) International Nashville Film Festival. With Ariel Winter, Chevy Chase, Clark Duke, Ellar Coltrane, Juston Street. The Family I Had, directed by Katie Green and Carlye Rubin, written by Tina Grapenthin, Katie Green, Carlye Rubin. (USA) – World Premiere, Documentary. In The Family I Had, a mother recalls how her seemingly brilliant teenage son came to shatter their idyllic family through one horribly violent and shocking act. Now, left to pick up the pieces, the survivors test the boundaries of their newly defined reality in this moving true crime exploration of the nature and limits of familial love. The Farthest, directed and written by Emer Reynolds. (Ireland) – International Premiere, Documentary. On the 40th anniversary of Voyager’s eleven-billion-mile flight (and counting), experience a comprehensive behind-the-scenes account from those who built and nurtured this unprecedented deep space achievement. Emer Reynolds creates a vivid celebration of curiosity and exploration for the most audacious project in human history, and one of humankind’s greatest successes. Flames, directed and written by Zefrey Throwell and Josephine Decker. (USA) – World Premiere. Filmed over five years, Flames follows real-life couple Josephine Decker and Zefrey Throwell from the white-hot passion of first love to the heartbreak of breaking up. But for these two filmmakers, the end of the relationship wasn’t the end of the story. As they continue filming, reconstructing what happened and where it went wrong, lines begin to blur between what was real and what was “the film”—if there’s even a difference anymore. With Hollis Witherspoon, Michael Melamedoff, Joe Swanberg, Matthew Levy. For Ahkeem, directed by Jeremy S. Levine and Landon Van Soest. (USA) – North American Premiere, Documentary. Beginning one year before the events in Ferguson, Missouri, Levine and Van Soest’s intimate and cinematic For Ahkeem is the coming of age story of 17-year-old Daje Shelton in neighboring North St. Louis. Falling in love and fighting with mom, Daje struggles with typical teen growing pains, but also must increasingly combat the institutional and social roadblocks that keep black teens like her from succeeding in America. The Last Animals, directed by Kate Brooks, written by Kate Brooks and Mark Monroe. (USA) – World Premiere, Documentary. Photojournalist Kate Brooks turns her lens from war zones to a new kind of genocide in this sweeping and sobering film. As the single-digit population of the Northern White Rhino ticks closer to extinction, Brooks exposes the epidemic of highly effective poachers and trafficking syndicates, and the heroic efforts of conservationists, park rangers, and scientists to protect these majestic creatures. In Czech, English, French, Lingala with subtitles. Earth Day Screening Mr Long, directed and written by SABU. (Japan, Hong Kong, China, Taiwan R.O.C., Germany) – North American Premiere, Narrative. Following an assignment gone wrong in Tokyo, professional Taiwanese hitman Mr. Long (Chang Chen) finds himself stranded without a passport in a run-down Japanese village. So naturally Long does what any cold-hearted killer would do in his situation: befriend the locals and open a wildly popular noodle cart. Moving artfully between scenes of slickly choreographed violence and charming, whimsical drama, Japanese director SABU’s latest is a refreshing twist on the gangster genre, offering a surprisingly tender and heartwarming fable of redemption. In Japanese, Mandarin, Taiwanese with subtitles. My Art, directed and written by Laurie Simmons. (USA) – North American Premiere, Narrative. For cultured artist Ellie (Laurie Simmons), age really isn’t anything but a number. Unhappy with where her career has gone, the single New York City socialite flees upstate to recharge her creative spark away from the big city’s various distractions. There, she attracts the romantic interests of three men and figures out what she wants from life—even though she’s 65 years old. With Lena Dunham, Robert Clohessy, John Rothman, Josh Safdie, Parker Posey, Blair Brown, Barbara Sukowa. My Friend Dahmer, directed and written by Marc Meyers. (USA) – World Premiere, Narrative. Before Jeffrey Dahmer became one of the most notorious serial killers of all time, he was a teenage loner. Conducting grisly experiments in a makeshift backyard lab, Jeff was invisible to most, until his increasingly bizarre behavior unexpectedly attracted friends. Based on the cult graphic novel, My Friend Dahmer chronicles the origins of the man, the monster…the high school senior. With Ross Lynch, Anne Heche, Dallas Roberts, Alex Wolff, Tommy Nelson, and Vincent Kartheiser. Pilgrimage, directed by Brendan Muldowney, written by Jamie Hannigan. (USA, Ireland) – World Premiere, Narrative. In 13th-century Ireland, a cadre of monks travel through the war-torn countryside on a mission to bring their land’s most sacred relic to Rome. But other forces are gaining on them, as the true significance of the relic becomes dangerously apparent. A period drama crossed with an action/adventure road movie, Pilgrimage delivers a profound lesson on religious fervor and the savagery of soldiers with a cause. With Tom Holland, Richard Armitage, Jon Bernthal, John Lynch, Stanley Weber. A Thousand Junkies, directed and written by Tommy Swerdlow. (USA) – World Premiere, Narrative. Three heroin addicts crisscross Los Angeles in search of relief in this comedy balanced on the fine line between reliance and dependence. With a sensitive eye and gift for the absurd, writer/director/co-star Tommy Swerdlow crafts both the inevitable and the wholly unexpected: a drug movie that struggles to find any drugs, and a road movie that drives in circles. With TJ Bowen, Blake Heron, Bill Pullman, Steven Weber, Dinarte de Freitas. The Wedding Plan (Laavor et HaKir), directed and written by Rama Burshtein. (Israel) – New York Premiere, Narrative. Spirited bride-to-be Michal is dumped by her fiancé a month before their wedding. Undeterred, she keeps her wedding date, leaving it to fate to provide a suitable groom. With invitations sent, venue booked, and the clock counting down to the big day, Michal goes to increasingly elaborate lengths in her search for Mr. Right, in writer-director Rama Burshtein’s (Fill the Void) funny and poignant romantic comedy. With Noa Kooler, Amos Tamam, Oz Zehavi. In Hebrew with subtitles. A Roadside Attractions release.MIDNIGHT
Devil’s Gate, directed by Clay Staub, written by Peter Aperlo, Clay Staub. (Canada, USA) – World Premiere, Narrative. Struggling to overcome a recent professional tragedy, a tough-as-nails FBI agent (Amanda Schull) relocates to a small North Dakota town to investigate the disappearance of a local woman and her young son. The search leads to the missing woman’s husband’s (Milo Ventimiglia) secluded farm, on which answers, new mysteries, and God-fearing terrors await. Not to mention, something locked and caged down in the basement. With Shawn Ashmore, Bridget Regan, Jonathan Frakes. Dumb: The Story of Big Brother Magazine, directed by Patrick O’Dell. (USA) – World Premiere, Documentary. Dumb: The Story of Big Brother Magazine charts the rise and fall of the irreverent, boundary-pushing “Big Brother Magazine”, whose taboo-breaking stunts and unapologetically crass humor spawned MTV’s Jackass and a generation of skaters. Featuring a trove of original footage and interviews with the magazine’s major players, Dumb celebrates the lowbrow legacy of this touchstone of 90’s counterculture. With Johnny Knoxville, Spike Jonze, Steve Rocco, Bam Margera, Steve-O, Tony Hawk, Chad Muska. A Hulu release. Hounds of Love, directed and written by Ben Young. (Australia) – New York Premiere, Narrative. Dark forces lurk behind the sunny façade of an unassuming Australian suburb in Ben Young’s stylish directorial debut. This ‘80s-set true crime thriller follows 17-year-old Vicki on the night she’s abducted by a disturbed couple. While bound to a bed inside of the kidnappers’ home and subjected to psychological and physical torture, Vicki must find a way to drive a wedge between her unhinged captors and escape by any means necessary. With Emma Booth, Ashleigh Cummings, Stephen Curry, Susie Porter, Damian de Montemas, Harrison Gilbertson. A Gunpowder & Sky release. Presented in partnership with Venice Days. Psychopaths, directed and written by Mickey Keating. (USA) – World Premiere, Narrative. Over the course of one excessively blood-soaked night, multiple serial killers’ paths cross, leaving a trail of bodies and begging the question: Which psychopath will live to see morning? One of the most exciting and unclassifiable new voices in indie horror, Mickey Keating delivers his wildest ride yet with this ultra-stylish and uber-violent descent into madness. With Ashley Bell, James Landry Hébert, Mark Kassen, Angela Trimbur, Larry Fessenden, Jeremy Gardner, Sam Zimmerman. Super Dark Times, directed by Kevin Phillips, written by Ben Collins, Luke Piotrowski. (USA) – North American Premiere, Narrative. Teenagers Zach and Josh have been best friends their whole lives, but when a gruesome accident leads to a cover-up, the secret drives a wedge between them and propels them down a rabbit hole of escalating paranoia and violence in Kevin Phillips’ atmospheric ‘90s-set mystery-thriller. With Owen Campbell, Charlie Tahan, Elizabeth Cappuccino, Max Talisman, Sawyer Barth, Amy Hargreaves. Tilt, directed by Kasra Farahani, written by Jason O’Leary, Kasra Farahani. (USA) – World Premiere, Narrative. There’s something off about Joe. Although his pregnant girlfriend, Joanne, supports him as he devotes more and more time to his passion project, a sprawling documentary about America’s “golden age,” both the film and Joe are becoming increasingly unhinged. Joanne is growing worried about Joseph’s odd behavior…but not as worried as she should be. With Joseph Cross, Alexia Rasmussen, Kelvin Yu, Jessy Hodges, CS Lee.