The Miseducation of Cameron Post (2018)

  • Rooftop Films Announces 2018 Summer Series Feature Film Lineup, Blindspotting, Dead Pigs and More..

    [caption id="attachment_28664" align="aligncenter" width="1253"]Blindspotting Blindspotting[/caption] This year’s 22nd Rooftop Films Summer Series, taking place May 19th to August 25th, today announced the majority of the feature film slate. The open-air festivities will kick off on Saturday, May 19th, with “This is What We Mean by Short Films,” a collection of some of the most innovative short films of the past year. The 2018 Summer Series will continue through August with screenings of exceptional new films. Highlights include Desiree Akhavan’s Sundance-winning The Miseducation of Cameron Post; Bart Layton’s true-crime, heist movie American Animals; Jean-Stéphane Sauvaire’s scintillating Muay Thai prison drama, A Prayer Before Dawn; the New York Premiere of Suzi Yoonessi’s Unlovable, starring Charlene deGuzman and John Hawkes; Brett Haley’s Hearts Beat Loud, starring Nick Offerman in his debut leading role; Augustine Frizzel’s slacker comedy Never Goin’ Back; the U.S. premiere of Exit Music, a documentary celebration of the life of 28-year-old Ethan Rice as he faces terminal illness; and a special Rooftop Films members-only sneak preview screening of Carlos López Estrada’s Blindspotting, starring Daveed Diggs. “Rooftop Films is famous for creating fun, custom-curated, large-scale events that augment the experience of watching our favorite new films,” said Dan Nuxoll, Artistic Director of Rooftop Films. “This year we have put extra effort into adding exciting components to every event, including a performance from the vivacious Arkansas drag queens from Michael Palmieri and Donal Mosher’s The Gospel of Eureka. This year we will showcase a wider variety of fascinating locations than ever before, as we are adding historic new venues like Green-Wood Cemetery and Brooklyn Army Terminal to our impressive mainstay locations like the roofs of The William Vale Hotel, New Design High School, and The Old American Can Factory. It’s going to be a memorable summer.” Rooftop always tries to pair each film with a venue specifically chosen to augment the experience of that movie and this year we will take advantage of the unique atmosphere of one of our newest venues: the historic Green-Wood Cemetery. Two films set in the 19th Century will screen in the fitting setting of the Green-Wood grounds: David and Nathan Zellner’s hilariously twisted western Damsel, and Madeleine Olnek’s Wild Nights with Emily, a comic re-telling of the life of Emily Dickinson. Green-Wood will also host a night of Gotham-based documentaries: our annual “New York Non-Fiction” short film. Green-Wood Cemetery will provide a poignant backdrop for our screening of Cameron Mullenneaux’s Exit Music, a moving film that intimately captures the final days of a young man with cystic fibrosis. Additionally, Rooftop will present a special community screening of Jim McKay’s En el Séptimo Día at Brooklyn Army Terminal, right in the center of the Sunset Park community where it was shot. As always, the Summer Series brings the triumphant return of several Rooftop Filmmakers’ Fund Grantees. In addition to Michael Palmieri and Donal Mosher, returning grantees include Rooftop Films TCS Grant recipient Khalik Allah, who will screen his intimate and immersive documentary Black Mother, Robert Greene with a special screening of Rooftop Films Garbo grantee Bisbee ’17; and Rooftop Films Eastern Effects grantee Christina Choe, who brings her enigmatic and cerebral character study Nancy to the Summer Series. Venues this year include Green-Wood Cemetery in Greenwood Heights, The William Vale in Williamsburg, The Old American Can Factory in Gowanus, Industry City and Brooklyn Army Terminal in Sunset Park, MetroTech Commons in Downtown Brooklyn, New Design High School in the Lower East Side, and Socrates Sculpture Park in Long Island City.

    ROOFTOP FILMS 2018 SUMMER SERIES

    EARLY SUMMER EVENTS

    Saturday, May 19, 2018 Opening Night: This is What We Mean by Short Films At Green-Wood Cemetery. 500 25th Street. Brooklyn. For 22 years, Rooftop Films has kicked off our Summer Series with an explosive program of amazing new short films from all over the world–films that express the power of new beginnings, highly entertaining films that tear apart tired old structures and display the creative potential of the cinematic form. This year’s opening program will include Rooftop Filmmakers Fund grantee Niki Lindroth Von Bahr’s award-winning short film, The Burden, a darkly comical musical that reminds us that every apocalypse can also be a tempting liberator. After the screening, we’ll keep the celebration going at the after-party in Green-Wood Cemetery! More titles to be announced soon. *Featuring live music from L’Rain Wednesday, May 30, 2018 American Animals (Bart Layton) On the roof of The William Vale. 111 N 12th Street. Brooklyn. The unbelievable but true story of four young men who brazenly attempt to execute one of the most audacious art heists in US history. Determined to live lives that are out of the ordinary, they formulate a daring plan for the perfect robbery, only to discover that the plan has taken on a life of its own. An Orchard release. *Filmmaker Bart Layton in attendance Thursday, May 31, 2018 Nancy (Christina Choe) At MetroTech Commons. 5 MetroTech Center. Brooklyn. Nancy is a provocative psychological thriller about love, intimacy, and trust – and what happens when lies become truth. Craving connection with others, Nancy creates elaborate identities and hoaxes under pseudonyms on the internet. When she meets a couple whose daughter went missing thirty years ago, fact and fiction begin to blur in Nancy’s mind, and she becomes increasingly convinced these strangers are her real parents. As their bond deepens, reasonable doubts give way to willful belief – and the power of emotion threatens to overcome all rationality. A Samuel Goldwyn Films release. *NY Premiere *Filmmaker Christina Choe in attendance *Free Event. No Tickets Needed *Recipient of the 2014 Rooftop Films and Eastern Effects Equipment Grant Saturday, June 2, 2018 Damsel (David Zellner, Nathan Zellner) In Green-Wood Cemetery. 500 25th Street. Brooklyn. An affectionate reinvention of the western genre that showcases the Zellners’ trademark unpredictability, off-kilter sense of humor and unique brand of humanism, Damsel follows an affluent pioneer Samuel Alabaster (Pattinson) as he ventures across the American Frontier to find and marry the love of his life, Penelope (Wasikowska). As Samuel traverses the Wild West with a drunkard named Parson Henry (David Zellner) and a miniature horse called Butterscotch, their once-simple journey grows treacherous, increasingly blurring the lines between hero, villain and damsel. A Magnolia Pictures release. *NY Premiere Saturday, June 30, 2018 New York Non-Fiction At Green-Wood Cemetery. 500 25th Street. Brooklyn. One of Rooftop’s oldest traditions is our New York Non Fiction program, an annual collection of fantastic new short documentaries made by and about New Yorkers. These films aren’t about celebrities and tabloid scandals—these are the fascinating tales of the people you see every day on the train, at the bodega, in the gym, and at school. There are 8 million amazing stories in NYC, and on June 30th we will share a few of them with you. Titles to be announced soon.

    FEATURE FILMS

    A Prayer Before Dawn (Jean-Stéphane Sauvaire) The remarkable true story of Billy Moore, a young English boxer incarcerated in two of Thailand’s most notorious prisons. He is quickly thrown into a terrifying world of drugs and gang violence, but when the prison authorities allow him to take part in the Muay Thai boxing tournaments, he realizes that this might be his chance to get out. Billy embarks on a relentless, action-packed journey from one savage fight to the next, stopping at nothing to do whatever he must to preserve his life and regain his freedom. Shot in an actual Thai prison with a cast of primarily real inmates, A Prayer Before Dawn is a visceral, thrilling journey through an unforgettable hell on earth. An A24 release. An Evening with Beverly Luff Linn (Jim Hosking) Lulu Danger’s unsatisfying marriage takes a fortunate turn for the worse when a mysterious man from her past comes to town to perform an event called “An Evening With Beverly Luff Linn for One Magical Night Only.” A Universal Content Group release. Bisbee ’17 (Robert Greene) Bisbee ’17 will follow characters in Bisbee, Arizona as they struggle to commemorate the 100th anniversary of the controversial Bisbee Deportation, where 1200 striking miners were violently exiled from town. The film will combine observational documentary with uncanny reenactments, leading up to a centennial dramatization of Bisbee’s “darkest day.” *Co-presented with BAMcinemaFest *Recipient of the 2016 Rooftop Films and Garbo NYC Feature Films Grant Black Mother (Khalik Allah) Part film, part baptism, in Black Mother director Khalik Allah brings us on a spiritual odyssey through Jamaica. Soaking up its bustling metropolises and tranquil countryside, Allah introduces us to a succession of vividly rendered souls who call this island home. Their candid testimonies create a polyphonic symphony, set against a visual prayer of indelible portraiture. *Recipient of the 2015 Rooftop Films and Technological Cinevideo Services Camera Grant. Blindspotting (Carlos López Estrada) Collin (Daveed Diggs) must make it through his final three days of probation for a chance at a new beginning. He and his troublemaking childhood best friend, Miles (Rafael Casal), work as movers, and when Collin witnesses a police shooting, the two men’s friendship is tested as they grapple with identity and their changed realities in the rapidly-gentrifying neighborhood they grew up in. Longtime friends and collaborators, Daveed Diggs and Rafael Casal co-wrote and star in this timely and wildly entertaining story about friendship and the intersection of race and class set against the backdrop of Oakland. Bursting with energy, style, and humor, and infused with the spirit of rap, hip hop, and spoken word, Blindspotting, boldly directed by Carlos López Estrada in his feature film debut, is a provocative hometown love letter that glistens with humanity. A Summit Entertainment presentation, in association with Codeblack Films and Snoot Entertainment. The Breaker Upperers (Jackie van Beek, Madeleine Sami) Fifteen years ago, Mel (Madeleine Sami) and Jen (Jackie van Beek) discovered they were being two-timed by the same man. Bitter and cynical they became fast friends and formed The Breaker Upperers, a small-time business breaking up couples for cash. Now they’re in their late-thirties and business is booming. They’re a platonic, codependent couple who keep their cynicism alive by not getting emotionally involved with anybody else. But when they run into an old victim, Mel develops a conscience and their friendship is truly put to the test. Executive Produced by Taika Waititi (director of Hunt For the Wilder People and Thor: Ragnarok). *NY Premiere Dead Pigs (Cathy Yan) The lives of a bumbling pig farmer, a feisty salon owner, a sensitive busboy, an ambitious expat-architect and a disenchanted rich girl converge and collide as thousands of dead pigs float down the river toward a rapidly modernizing Shanghai, China. Based on true events. *NY Premiere En el Séptimo Día (Jim McKay) En el Séptimo Día (On the Seventh Day) is a fiction feature from director Jim McKay (Girls Town, Our Song, Everyday People) which follows a group of undocumented immigrants living in Sunset Park, Brooklyn over the course of seven days. Bicycle delivery guys, construction workers, dishwashers, deli workers, and cotton candy vendors, they work long hours six days a week and then savor their day of rest on Sundays on the soccer fields of Sunset Park. José, a bicycle delivery worker, is the team’s captain – young, talented, hardworking and responsible. When José’s team makes it to the finals, he and his teammates are thrilled. But his boss throws a wrench into the celebration when he tells José he has to work on Sunday, the day of the finals. José tries to reason with his boss or replace himself, but his efforts fail. If he doesn’t work on Sunday, his job and his future will be on the line. But if he doesn’t stand up for himself and his teammates, his dignity will be crushed. Shot in the neighborhoods of Sunset Park, Park Slope, and Gowanus, En el Séptimo Día is a humane, sensitive, and humorous window into a world rarely seen. The film’s impact is made quietly, with restraint and respect for the individual experiences, everyday challenges, and small triumphs of its characters. A Cinema Guild release. Exit Music (Cameron Mullenneaux) Born with cystic fibrosis, 28-year-old Ethan Rice has been preparing to die his entire life. His father Ed, a Vietnam veteran with PTSD, immersed him in a world of imagination and documented it on camera, a hobby that provided relief from the fear of his son’s prognosis and his own painful past. Equal parts comedy and darkness, Exit Music is the last year, last breath, and final creative act of Ethan as he awaits the inevitable. Interweaving home movies with Ethan’s original music and animation, his story is an unflinching meditation on mortality and invites the viewer to experience Ethan’s transition from reality to memory. In a culture that often looks away from death, this film demystifies the dying process, a universal cornerstone of the human experience. *US Premiere Family (Laura Steinel) Kate Stone’s a workaholic. She hates kids. She hates most social situations, because she doesn’t know what to do with her arms. So when her estranged brother Joe tracks her down to watch her awkward and bullied 12 year old niece Maddie, Kate thinks babysitting for the week can’t get any worse — until Maddie runs away to become a juggalo. *NY Premiere The Gospel of Eureka (Michael Palmieri, Donal Mosher) Love, faith and civil rights collide in a southern town as evangelical Christians and drag queens step into the spotlight to dismantle stereotypes. Taking a personal, and often comical look at negotiating differences between religion and belief through performance, political action, and partnership, gospel drag shows and passion plays set the stage for one hell of a show. Narrated by Mx Justin Vivian Bond. *NY Premiere *Co-presented with BAMcinemaFest *Recipient of the 2017 Rooftop Films and Brigade Festival Publicity Grant Hearts Beat Loud (Brett Haley) In the hip Brooklyn neighborhood of Red Hook, single dad and record store owner Frank (Nick Offerman) is preparing to send his hard-working daughter Sam (Kiersey Clemons) off to college, while being forced to close his vintage shop. Hoping to stay connected through their shared musical passions, Frank urges Sam to turn their weekly “jam sesh” into a father-daughter live act. After their first song becomes an Internet breakout, the two embark on a journey of love, growing up and musical discovery. A GUNPOWDER & SKY release. *NY Premiere The Miseducation of Cameron Post (Desiree Akhavan) Cameron Post (Chloë Grace Moretz) looks the part of a perfect high school girl. But after she’s caught with another girl in the back seat of a car on prom night, Cameron is quickly shipped off to a conversion therapy center that treats teens “struggling with same-sex attraction.” At the facility, Cameron is subjected to outlandish discipline, dubious “de-gaying” methods, and earnest Christian rock songs—but this unusual setting also provides her with an unlikely gay community. For the first time, Cameron connects with peers, and she’s able to find her place among fellow outcasts. A FilmRise release. Never Goin’ Back (Augustine Frizzell) A fresh and funny look at female friendship, following lifelong best friends Angela and Jessie, who dream of escaping their waitressing jobs at a low-rent Texas diner. Taking place over the course of just a few days, the film follows their hilarious and unpredictable misadventures on the streets of suburban Dallas, as they attempt increasingly madcap and wild schemes to try and raise some cash. An A24 release. *NY Premiere Our New President (Maxim Pozdorovkin) The story of Donald Trump’s election told entirely through Russian propaganda. By turns horrifying and hilarious, the film is a satirical portrait of Russian meddling in the 2016 election that reveals an empire of fake news and the tactics of modern day information warfare. , In the small, central Polish town of Aleksandrów Kujawski, the director of the local culture centre announces a competition. The theme… a creative presentation of your personal patriotic attitude. Entrants are free to demonstrate their creativity in whatever form they like; in song, recitation or gesture, by giving a speech or staging their piece. Anything goes. There’s just one requirement; entrants may only present their own, original work. The eleventh day of the eleventh month arrives… Poland’s Independence Day. And on this very day, the jury, consisting of the director, the mayor, a priest and a local poetess, will select the region’s number one patriot. Pick of the Litter (Dana Nachman, Don Hardy Jr.) Pick of the Litter follows a litter of puppies from the moment they’re born and begin their quest to become guide dogs for the blind. Cameras follow these pups through an intense two-year odyssey as they train to become dogs whose ultimate responsibility is to protect their blind partners from harm. Along the way, these remarkable animals rely on a community of dedicated individuals who train them to do amazing, life-changing things in the service of their human. The stakes are high and not every dog can make the cut. Only the best of the best. The pick of the litter. Courtesy of Sundance Selects. Shirkers (Sandi Tan) In 1992, teenage VHS-bootlegger Sandi Tan and her fellow film-geek pals Jasmine Ng and Sophie Siddique shot Singapore’s first road movie with their enigmatic American mentor, Georges. It was called “Shirkers.” Sandi wrote the script and played the lead, S, a 16-year-old assassin collecting and then eliminating her own tribe. After shooting wrapped, Georges absconded with all of the footage…The 16mm Kodak cans are recovered 20 years later, sending Sandi, now a novelist in Los Angeles, on a personal, singular odyssey across two continents in search of Georges’ vanishing footprints—and her own. Skate Kitchen (Crystal Moselle) In the first narrative feature from The Wolfpack director Crystal Moselle, Camille, an introverted teenage skateboarder (newcomer Rachelle Vinberg) from Long Island, meets and befriends an all-girl, New York City-based skateboarding crew called Skate Kitchen. She falls in with the in-crowd, has a falling-out with her mother, and falls for a mysterious skateboarder guy (Jaden Smith), but a relationship with him proves to be trickier to navigate than a kickflip. Writer/director Crystal Moselle immersed herself in the lives of the skater girls and worked closely with them, resulting in the film’s authenticity, which combines poetic, atmospheric filmmaking and hypnotic skating sequences. Skate Kitchen precisely captures the experience of women in male-dominated spaces and tells a story of a girl who learns the importance of camaraderie and self-discovery. A Magnolia Pictures release. This One’s for the Ladies (Gene Graham) On Thursday evenings, a children’s karate school transforms into a male strip joint. Hundreds of women convene for a potluck fundraiser and the opportunity to throw singles at the hot New Jersey Nasty Boyz. This One’s for the Ladies isn’t just about the tips or the dancing. It’s a heartwarming story about friendship, community, these incredible women, and the resilience they show toward whatever comes their way. A NEON release. *NY Premiere Unlovable (Suzi Yoonessi) Joy (Charlene deGuzman,) a 20-something lost soul, realizes she has a problem and seeks help at a 12-step meeting for sex and love addiction. There she meets Maddie (Melissa Leo), who becomes her sponsor. Maddie allows Joy to stay at her grandmother’s guesthouse if she agrees to go 30 days off boys, sex, and romance. Joy struggles to get sober and Maddie suggests she find a hobby. Joy finds a drum kit in the garage and meets Jim (John Hawkes), Maddie’s clinically awkward brother. Joy and Jim create music together, and a secret friendship develops. Joy teaches Jim to take risks with his music and his heart, and Jim shows Joy that she can have a healthy relationship with a man as a friend. *NY Premiere We The Animals (Jeremiah Zagar) Us three. Us brothers. Us kings, inseparable. Three boys tear through their rural New York home town, in the midst of their young parents’ volatile love that makes and unmakes the family many times over. While Manny and Joel grow into versions of their loving and unpredictable father, Ma seeks to keep her youngest, Jonah, in the cocoon of home. More sensitive and conscious than his older siblings, Jonah increasingly embraces an imagined world all his own. With a screenplay by Dan Kitrosser and Jeremiah Zagar based on the celebrated Justin Torres novel, We the Animals is a visceral coming-of-age story propelled by layered performances from its astounding cast – including three talented, young first-time actors – and stunning animated sequences which bring Jonah’s torn inner world to life. Drawing from his documentary background, director Jeremiah Zagar creates an immersive portrait of working class family life and brotherhood. An Orchard release. Wild Nights with Emily (Madeleine Olnek) Fresh off its SXSW premiere, the dramatic comedy Wild Nights with Emily stars Molly Shannon as the poet Emily Dickinson. The film was inspired by an article in the New York Times that documented how infrared technologies restored erasures that hid romantic content in Dickinson’s letters. The poet’s persona, popularized since her death, was that of a reclusive spinster – a delicate wallflower, too sensitive for this world. This film explores her passionate, vivacious side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman (Susan Ziegler). After Emily died, a rivalry emerged when her brother’s mistress (Amy Seimetz) along with editor T.W. Higginson (Brett Gelman) published a book of Emily’s poems. Irreverent and surreal, Wild Nights was one of “The 50 Most Anticipated American Independent Films of 2018″(Filmmaker Magazine); you will never look at Dickinson the same way again. Wrestle (Suzannah Herbert, co-directed by Lauren Belfer) Wrestle is an intimate and nuanced documentary that follows the wrestling team at JO Johnson High School in Huntsville, which has been on Alabama’s failing schools list for many years. As they fight their way towards the State Championship and the doors they hope it will open, wrestlers Jailen, Jamario, Teague, and Jaquan each face injustices and challenges on and off the mat. Together they grapple with obstacles that jeopardize their success, and their coach – coming to terms with his own past conflicts – pushes them forward while unwittingly wading into the complexities of class and race in the South. Through it all, the young heroes of Wrestle – with humor and grit – strive towards their goals, making Wrestle an inspiring coming of age journey and an impassioned depiction of growing up disadvantaged in America today.

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  • First 26 Films Revealed for 2018 Sydney Film Festival

    [caption id="attachment_27940" align="aligncenter" width="1200"]Westwood: Punk, Icon, Activist Westwood: Punk, Icon, Activist[/caption] The Sydney Film Festival has revealed a sneak peek of 26 new films to be featured in this year’s 65th edition of the festival, taking place from June 6th to 17th, 2018; and a new Festival location: HOYTS Entertainment Quarter. Leading the titles is Westwood: Punk, Icon, Activist. The film is a fascinating profile of revolutionary fashion designer and punk icon Vivienne Westwood from UK model-turned filmmaker Lorna Tucker. https://www.youtube.com/watch?v=qvYmFcAegH4 Also topping the list is the winner of Venice Film Festival’s 2017 Grand Jury Prize, Foxtrot, from award-winning Israeli director Samuel Maoz; and 2018 Sundance Film Festival Grand Jury Award winner, The Miseducation of Cameron Post, featuring rising stars Chloë Grace Moretz (Carrie), Sasha Lane (American Honey) and Forrest Goodluck (The Revenant). Two Oscar winners will also present their latest works: Sebastián Lelio’s (A Fantastic Woman, SFF 2017) Disobedience starring Rachel Weisz and Rachel McAdams, and Debra Granik’s (Winter’s Bone) Leave No Trace featuring young New Zealand actress Thomasin Harcourt McKenzie. Bold psychosexual thriller, Piercing, starring Australian actress Mia Wasikowska (Madame Bovary, SFF 2015), and spine-tingling British chiller Ghost Stories starring Martin Freeman (The Hobbit), kicks off the 2018 Festival’s Freak Me Out program. Anchor and Hope also delivers more star power with Natalia Tena (Harry Potter) and Oona Chaplin (Game of Thrones) alongside her mother, Golden Globe nominee Geraldine Chaplin (Chaplin), in the second feature by award-winning Spanish director Carlos Marques-Marcet (10.000 Km). Closer to home, Australian journalist Travis Beard’s fascinating documentary RocKabul examines Afghanistan’s first metal band District Unknown, and I Used to be Normal: A Boyband Fangirl Story, is a coming-of-age documentary about the intense love of boybands, from The Beatles to One Direction. Maya the Bee: The Honey Games is a new family adventure – voiced by an all-star Australian cast including Richard Roxburgh, The Umbilical Brothers’ Dave Collins and Shane Dundas, and Justine Clarke (ABC’s Play School) – from Australian animation veteran Noel Cleary (Blinky Bill). An exhilarating debut feature from Australian director Jason Raftopoulos, West of Sunshine, starring Damien Hill (Pawno) alongside his real life step-son Ty Perham, and Kat Stewart (Offspring), will also screen in 2018. Favorites selected from the international festival circuit include: Sundance 2018 Special Jury Prize winner, Genesis 2.0, a documentary following scientific efforts to resurrect the woolly mammoth in an Arctic spin on Jurassic Park; and Berlinale Silver Bear winner, Mug, from renowned Polish filmmaker Małgorzata Szumowska. Also highly anticipated are Oscar-nominated films: The Breadwinner and The Insult. The Breadwinner was nominated for Best Animated Feature and produced by a team of Academy Award winners including Angelina Jolie and animation studio Cartoon Saloon (Song of the Sea – SFF 2015). Lebanese filmmaker Ziad Doueiri’s potent legal thriller The Insult was nominated for the Best Foreign Language Oscar. Sundance Grand Jury Prize nominee American Animals stars a cast of young Hollywood talent including Evan Peters (American Horror Story) and Barry Keoghan (Dunkirk, The Killing of a Sacred Deer). The brand-new digital restoration, from the National Film and Sound Archive, of iconic Australian Oscar nominated film My Brilliant Career (1979) – from acclaimed director Gillian Armstrong and featuring Judy Davis in her movie debut – will revive this multiple award winner for new audiences. Sydney Film Festival’s documentary program will again deliver the most exciting true stories about people, places, enterprises and phenomena from Australia and around the globe. The Festival opens a window into the lives of extraordinary young people, from Chef Flynn, about prodigy chef Flynn McGarry who became one of the world’s top chefs at just 13 years old, to students finding innovative ways to tackle the most complex environmental issues facing humanity today in Inventing Tomorrow. A light is shone in dangerous places, from the murder that made true crime an American obsession in Cold Blooded: The Clutter Family Murders, to the life of a veteran Kurdish soldier deactivating landmines in Iraq using only a pen knife in The Deminer, to The Long Season, an intimate record of daily life for women in a Syrian refugee camp. The Festival also features heart-warming fly-on-the-wall glimpses into personal places, such as the family castle of Spanish director Gustavo Salmeron’s eccentric mother in Lots of Kids, A Monkey and A Castle. And the roly-poly lives of five guide puppies as they train for the ultimate canine career in Pick of the Litter – also screening in Sydney Film Festival’s brand new Screen Day Out program, developed for high school students. Interracial love, religious cults, Thai high society, and an appetite for raw offal complete a preview of the Festival’s more avant-garde works, with classic noir Samui Song from Thai auteur Pen-ek Rataranuang (Last Life In the Universe).

    DOCUMENTARIES

    [caption id="attachment_26690" align="aligncenter" width="1200"]Flynn McGarry appears in Chef Flynn by Cameron Yates Flynn McGarry appears in Chef Flynn by Cameron Yates[/caption] CHEF FLYNN What makes a great chef? Follow teenage culinary sensation Flynn McGarry’s rapid ascent from the home kitchen to the cover of New York Times Magazine. Bored with his mom’s dinners, and inspired by television cooking shows, young Flynn decided to take over the kitchen. At thirteen, he was serving multiple courses in his front room to friends and family, with his mother providing table service and complex equipment. As his menus became more ambitious and mouth-watering, Flynn ultimately attracted the attention of the media. It’s not all smooth sailing, however, as his talent is called into question in an online backlash. His adoring single mother, Meg, obsessively documented her son’s passion from childhood. It’s this intimate footage that offers a unique insight into the world of a culinary wunderkind, and the challenges he faces as he reaches adulthood. COLD BLOODED: THE CLUTTER FAMILY MURDERS A highly detailed reconstruction of the infamous Clutter family murders, which inspired Truman Capote’s bestseller In Cold Blood, directed by Oscar nominee Joe Berlinger. In 1959, in a small town in Kansas, farmer Herbert Clutter, his wife Bonnie, and their teenage children, Nancy and Kenyon, were savagely murdered. Capote visited the town, interviewed the killers (Perry Smith and Richard Hickock) and subsequently wrote his highly influential work; considered the first book in the true crime genre. Director Joe Berlinger has a history of working in this realm, with films such as Paradise Lost (SFF 1996) on the West Memphis Three. He was curious to know what the relatives and townsfolk felt about the murders and the impact of Capote’s book. The resulting documentary is a fascinating reconstruction of the case, from the backgrounds of the victims and perpetrators, to the trial, Capote’s visit and beyond. GENESIS 2.0 Winner of a Special Jury Award at Sundance, this striking documentary connects Siberian hunters of woolly mammoth remains with cutting edge 21st century cloning technology. Scavengers on a remote Arctic island spend the summer digging for prized mammoth tusks to sell to the Chinese market. Whole and partial skeletons of these long-extinct animals can be found in the melting permafrost. It’s not just the tusks that are valued: pioneering scientists want hair, blood or skin, so the creature’s genome can be sequenced and the beast cloned. The locals believe it’s unlucky to touch the remains, and this sense of wrongdoing permeates the film as it shifts to the biotech world, where dogs are cloned and an entire population’s genetic data is mapped. Siberian co-director Maxim Arbugaev worked with director Christian Frei (War Photographer, SFF 2002) to capture these two worlds, the boggy landscape and clinical laboratory, to chilling effect. I USED TO BE NORMAL: A BOYBAND FANGIRL STORY The coming of age stories of four Melbourne women whose lives were changed forever by their love of boybands Backstreet Boys, One Direction, Take That and The Beatles. Melbourne filmmakers Jessica Leski and Rita Walsh interviewed three generations of fangirls. The women are not, as you might expect, hysterical and hormonal teenagers. They are obsessive, sure, but also insightful and vulnerable. Their ages reflect the bands they adore: the oldest of the quartet being a fan of the Fab Four. The youngest, Elif, lives at home with parents, who fail to appreciate her One Direction devotion. Sydneysider and Take That fangirl Dara can’t understand her own obsession with heartthrob Gary Barlow. Loving a boyband has helped the women through difficult times, and shaped their relationships, faith, and sexuality. Ultimately though, they’ve all found joy in the fandom world. INVENTING TOMORROW Enterprising high school students from Indonesia, India, Mexico and Hawaii tackle environmental issues in their own backyard, as they prepare for the world’s largest science fair. In Bangalore, Sahithi is developing an app to track toxic water levels in neighborhood lakes. Across the globe, in one of Mexico’s most industrial cities, Jesus, Jose and Fernando are exploring ways to improve air quality. Nuha is seeking a solution to the ocean pollution affecting her Indonesian island home, and Jared is investigating arsenic levels in the soil of Hawaii. Director Laura Nix follows these inspiring, innovative and community-minded students as they develop their presentations, finding optimistic experts and fellow enthusiasts along the way. LOTS OF KIDS, A MONKEY AND A CASTLE A hugely charming portrait of a Spanish family headed by an eccentric matriarch, whose teenage dreams for lots of kids, a monkey and a castle came true. Julita’s newly-wed wish for many children rapidly came about, and surprisingly so did her more outrageous desires. But in her old age she, her husband and six children must face reality. Their rambling home must be sold, and horde of bric-a-brac (including her grandmother’s long-misplaced remains) squeezed into a modest apartment. Gustavo intercuts old and new footage to craft a loving (and multiple award-winning) portrait of his laid-back family and its history, which cuts across Spain’s recent past from the Civil War to the financial collapse. At its core is larger-than-life Julita; alternately questioning the premise of her youngest son’s film and swooping on treasured knickknacks. PICK OF THE LITTER We follow the two-year journey, from birth through training to graduation, of five cute but determined Labrador puppies, destined to become guide dogs for the blind. At eight weeks old, a litter of puppies is distributed to volunteer ‘puppy raisers’ responsible for training and socializing the dogs. Some handlers are experienced and others nervous first-timers. The pups are an equally mixed bag – two girls, three boys, black and golden, rowdy and shy. They are evaluated throughout their growing years, before starting an intensive training course. We also meet two people with low vision, waiting patiently for a new dog. The film demonstrates the independence that guide dogs can provide as it delves into the dog-human affinity. ROCKABUL Australian musician, journalist and debut director Travis Beard chronicles Afghanistan’s only metal band as they take to the stage, risking their lives for rock music. When Beard met District Unknown back in 2009, Kabul’s fiercely conservative and traditional community frowned upon music, and the underground party scene was for expats only. The four, later five, young Afghan men in the band could barely find instruments, let alone a rehearsal space. Practice sessions were interrupted by power cuts and exploding bombs. Nonetheless, the musicians persevered, excitedly performing their first gig to an audience as much at risk as the band themselves. But as their notoriety grew, Qasem, Pedram, Qais, Lemar and Yousef had to choose whether to stay or go, knuckle under or keep rockin’. THE DEMINER The Deminer is an edge-of-your-seat portrait of a bomb disposal expert in Iraq. Winner of a Jury Prize at the International Documentary Film Festival Amsterdam. Colonel Fakhir is committed to making his homeland a safer place for everyone, but he has very few tools to help in this hazardous task. He tackles booby traps and mines with a penknife and garden pliers, even his bare hands. Watching our hero stride into the danger zone is the stuff of action movies: the clock ticking, the mobile phone detonator primed. Fakhir shot much of the nerve-wracking footage himself. A Kurdish man serving in the Iraqi army and a loving father of eight, Fakhir’s successful ‘de- mining’ makes him an Al-Qaeda target. Despite this hefty threat, he doggedly continues, as his family waits in fear and pride. THE LONG SEASON Multi-award-winning filmmaker Leonard Retel Helmrich (Shape of the Moon, Position Among the Stars, SFF 2011) focuses his camera lens on life in a Syrian refugee camp. Just across the border from Syria, Majdal Anjar in Lebanon’s Bekaa valley is a sprawling, ramshackle collection of shelters. Helmrich spent over a year there filming, with his female collaborator Ramia Suleiman, steadily gaining the trust of his subjects. The duo filmed mothers battling to keep their children fed, clothed and educated, bickering wives and husbands, and young women bemoaning their loss of freedom. With his trademark single shot technique (utilising fluid camera movements to shoot a scene in one take), Helmrich captures the resilience of the refugees with tenderness and compassion, particularly the womenfolk, as they face an uncertain future. WESTWOOD: PUNK, ICON, ACTIVIST The wonderfully eccentric, endlessly inventive Vivienne Westwood is the reluctant star of this fabulous documentary. The British fashion designer stomped into the limelight in ’70s London, when the Sex Pistols (managed by her then-husband Malcolm McLaren) sported her designs. Over the decades, Westwood’s aberrant focus has shifted from punk to eco-activism. Her working life, chaotic creative process and close collaboration with her third husband – the endlessly patient Andreas – is revealed through archival footage and interviews. Long shunned by the establishment, in 1992 she was awarded an OBE for services to fashion (true to form, she attended the Buckingham Palace ceremony knicker-less). Straight talking Dame Vivienne considers her history to be “so boring”, but in this she’s wrong: there’s loads to entertain in Lorna Tucker’s fine documentary.

    FEATURES

    [caption id="attachment_26622" align="aligncenter" width="1200"]Jared Abrahamson, Evan Peters, Blake Jenner and Barry Keoghan appear in American Animals by Bart Layton, an official selection of the U.S. Dramatic Competition at the 2018 Sundance Film Festival. Courtesy of Sundance Institute. American Animals[/caption] AMERICAN ANIMALS Bart Layton’s (The Imposter, SFF 2012) first feature is a wildly entertaining docu-fiction hybrid about four young men who attempt one of the most audacious art-heists in history. American Animals is an unbelievable but true story of four college students who are determined to transcend their boring middle class existence. They hatch a plot to pull off an incredible heist: stealing a number of incredibly valuable volumes from their college’s under-protected rare books collection. Using a great cast of young talents like Barry Keoghan and Blake Jenner, Layton’s brilliant strategy is to also incorporate the four actual subjects into the film. Older, and perhaps wiser, these four men reflect on their past misdeeds, frequently contradicting each other in their Rashomon-like testimonies. Quite unlike any other heist film, American Animals is an energetic, boundary-pushing thriller. ANCHOR AND HOPE A lesbian couple contemplate parenthood in a funny and free-wheeling comic drama by rising Spanish filmmaker Carlos Marques-Marcet. Eva and Kat live a happy life in a houseboat on England’s Regent Canal, until the thorny question of parenthood comes up. Eva desperately wants to be a mother. Kat thinks procreation is narcissistic. But wait, perhaps there’s an answer. Kat’s lifelong bestie, Roger, is coming to visit. Could this randy womanizer be the ideal sperm donor? So begins a fresh and funny tale about love, friendship and the different ways in which modern families can take shape. This hugely entertaining slice of alternative life features wonderful performances by Oona Chaplin (Game of Thrones), Natalia Tena and David Verdaguer. A delightful and insightful cameo by Oona’s real-life mother Geraldine Chaplin tops things off very nicely. DISOBEDIENCE Oscar-winner (A Fantastic Woman, SFF 2017) Sebastián Lelio’s new film is about the love affair between two women (Rachel Weisz and Rachel McAdams) in an Orthodox Jewish community. Ronit (Weisz) is a New York-based photographer, long estranged from her rabbi father and her life in London. When the respected rabbi dies, Ronit returns to pay her respects and claim her inheritance. The welcome she receives is not exactly warm, and there’s poor news on the inheritance front too. Ronit is taken in by her childhood friend Dovid (Alessandro Nivola) and his wife Esti (McAdams). Ronit and Esti had a passionate affair when they were younger and the old attraction simmers, but soon desire comes up against duty and faith. Gloria (SFF 2013) and A Fantastic Woman showed that Lelio is a sensitive and perceptive chronicler of desire and sexuality. With Disobedience, he has made a delicate, emotional and rewarding film. FOXTROT Winner of the Venice Grand Jury Prize and eight Israeli Ophir Awards, Foxtrot is a thrillingly inventive, tragic and funny examination of Israeli military culture. When Michael and Dafna are visited by army officials, who inform them of the death of their soldier son, the couple is devastated. Michael’s grief leads to anger and frustration, until a strange twist sets the narrative on its head, leading to a dizzying exploration of history and fate. Maoz won the Venice Golden Lion for his superb debut film, Lebanon (SFF 2010), set almost entirely in a tank. Here his view is more expansive, and Foxtrot zips back and forth in time and place, incorporating animation, music and an unforgettable dance sequence. Laced with irony and humor, and intellectually and viscerally powerful, Foxtrot is a meticulously crafted and beautifully acted film. GHOST STORIES Three terrifying tales unfold in this anthology by Jeremy Dyson (The League of Gentlemen) and Andy Nyman (Dead Set). Martin Freeman features in this classy British chiller. Three screaming cheers for the return of the British horror anthology! And what a grand return this is. Professor Philip Goodman is a professional debunker of psychics and all things paranormal. After exposing yet another fraud on the cheesy TV show he hosts, Goodman receives a package from an academic he once idolized. The contents propel Goodman into a series of investigations that force him to confront everything he doesn’t believe in. And it gets worse, much worse. Superbly evoking a drab gothic England of rising damp, peeling wallpaper, musty pubs and stale tobacco, Ghost Stories is a scary and wickedly clever fright fest that’ll give you a mountain of goosebumps. We dare you to enter this Vault of Horror! LEAVE NO TRACE Debra Granik (Winter’s Bone, SFF 2010) returns with a delicate drama about a father and daughter who are found by authorities after living off-grid in the wilderness for years. Will (Ben Foster) and his teenage daughter, Tom (Thomasin Harcourt McKenzie), have lived in the Oregon wilderness for years, far from the prying eyes of authorities. They forage for food, and Will passes on survival skills to the smart and curious Tom. When the two are discovered, they’re removed from the park and placed under the care of social services. Adjustment to mainstream society proves difficult, particularly for the traumatized Will. Granik, who famously discovered Jennifer Lawrence for Winter’s Bone, has again found an actress of immense talent. New Zealander McKenzie delivers a spectacular portrayal of a loving daughter torn between her devotion to her father and her own desires. Leave No Trace is a film of great sensitivity and compassion. MAYA THE BEE: THE HONEY GAMES Maya the plucky bee returns in this charming animated adventure. A colorful tale of buzzy derringdo for kids aged three and up, directed by top Sydney animators. Bubbly Maya (voiced by Coco Jack Gillies – Oddball, Mad Max: Fury Road) is set a challenge when she accidentally embarrasses the Empress of Buzztropolis. The little bee must win the prestigious Honey Games to save her hive’s honey harvest. With her best friend Willi (Benson Jack Anthony) beside her, she meets her ragtag team, including old friends Arnie and Barnie (David Collins and Shane Dundas of The Umbilical Brothers). She also encounters a jealous bee called Violet, who’s determined her team will come out on top. Maya eventually learns how to get the best from her insect crew, with a little advice from Flip (Richard Roxburgh) and his band, and Justine Clark as the wise Queen Bee. MUG A bitingly funny satire and Berlinale Grand Jury Prize winner; Poland’s first facial transplant patient awakes to find that – new face aside – it’s his community that’s changed, not him. Jacek is a young man living in a Polish town who loves heavy metal, his girlfriend and his dog. While working on the construction of the tallest statue of Jesus in the world, Jacek is completely disfigured by a severe accident, requiring him to undergo a facial transplant. Surprisingly, Jacek emerges from the radical medical intervention unchanged in disposition – he’s still funny, optimistic and wishes to marry his girlfriend. But all around him, people have changed and Jacek finds himself an outsider in his own community. Director Szumowska is unsparing in her criticism of the hypocrisy in this religious town, and aided by striking cinematography depicting a deformed world, has created a hilarious, stirring film. MY BRILLIANT CAREER A brand-new digital restoration of Gillian Armstrong’s award-winning adaptation of Miles Franklin’s classic novel, featuring Judy Davis in her movie debut. Set in late 19th century rural Australia, the film focuses on Sybylla (Davis), a headstrong woman determined to be a writer, who refuses to follow conventions. Armstrong’s 1979 film was nominated for the Palme d’Or at Cannes, an Oscar and a Golden Globe award, and was awarded two BAFTAs (for Davis), and six AFI Awards (Best Film, Best Director, Best Adapted Screenplay, Best Production Design, Best Costume Design and Best Cinematography for Don McAlpine). Predating Frances McDormand’s ‘Inclusion Rider’ speech by several decades, the film’s director, producers, scriptwriter, leading actor, production designer and costume designer were all women. Nearly 40 years on, Armstrong’s film has lost none of its relevance or screen power. PIERCING Nicolas Pesce follows his monochrome nightmare The Eyes of My Mother (SFF 2016) with a color-saturated tale of deviant desire and unspeakable urges starring Mia Wasikowska. Reed is a seemingly ordinary husband and father. Except that he has an uncontrollable urge to kill. On a “business trip,” Reed checks into a hotel and calls an escort service. His plan to murder sex worker Jackie turns out to be anything but straightforward. Pesce’s lusciously filmed adaptation of Ryū Murakami’s 1994 novel delves into the darkest domains of human nature. Christopher Abbott and Mia Wasikowska deliver outstanding performances as a perpetrator and victim whose notional roles reverse and reset multiple times during an extremely feverish night. Killer production design and a fabulous soundtrack of classic giallo tracks by Bruno Nicolai and legendary outfit Goblin complete the utterly compelling picture. SAMUI SONG Murder, marriage and religion are the ingredients of this juicy film noir by leading Thai filmmaker Pen-ek Ratanaruang (Last Life in the Universe, Headshot, SFF 2012). There’s style to burn in this classy Thai riff on the eternal theme of a fed-up wife who wants her no good husband dead. Vi is an actress who’s sick of playing soap opera bitches and wants to make an indie arthouse film. Worse still, her abusive and impotent French hubby is blindly devoted to a sleazy cult guru known as the Holy One. The answer to all Vi’s problems seems to be Guy, a scuzzy hitman who desperately needs dough to pay his ailing mother’s medical bills. Naturally everything goes haywire but not in ways we might expect. Dotted with gallows humour, sharp social satire and surreal sequences that’ll keep you guessing, Samui Song is a hard-boiled and highly polished tale of unholy alliances. THE BREADWINNER Oscar-nominated animation about an 11-year-old Afghan girl, Parvana, who must pose as a boy to support her family when her father is unjustly jailed. Adapted from the popular novel by Deborah Ellis, this portrait of life in Afghanistan under Taliban rule is the powerful tale of a young girl who faces adversity with creativity and courage. Animated by a team of over 200 artists, it was produced by Ireland’s Cartoon Salon, the studio behind Oscar nominees The Secret of Kells and Song of the Sea. The Breadwinner is an unflinching indictment of a culture that oppresses women and girls. It is also an appeal for human rights and the power of imagination against tyranny. THE INSULT Ziad Doueiri’s (The Attack, SFF 2013) thrilling, Oscar-nominated legal drama explores festering historical, political and religious divisions in his native Lebanon. When Palestinian Muslim foreman Yasser installs a new drainpipe on Lebanese Christian Tony’s balcony without his permission, Tony’s dislike of Palestinians leads to what appears to be a minor disagreement. But insults are hurled, and the situation soon escalates out of control. What begins with a petty argument leads to a highly publicized trial that captivates a nation, and also gives a range of people an opportunity to settle old scores. Doueiri masterfully takes this private clash of wills as a starting point to explore historic rifts amongst Lebanese communities, and the aftermath of the civil war. Intelligently using humor and pathos, The Insult is ultimately a plea for empathy, forgiveness and peace. THE MISEDUCATION OF CAMERON POST Desiree Akhavan (Appropriate Behavior, SFF 2014) won the Sundance Grant Jury Prize for her latest film, a moving comedy-drama set in a “gay conversion” camp. 16-year-old Cameron Post (Chloë Grace Moretz, Kick-Ass) is living with her born-again Evangelical aunt while secretly sleeping with the prom queen. When the girls are caught in the back of a car, Cameron is sent to God’s Promise, a Christian conversion therapy centre where teens are “cured” of their homosexual attractions. It’s in this surreal setting that she forms a close bond with two friends, Jane (Sasha Lane, American Honey) and Adam (Forrest Goodluck, The Revenant). Akhavan charmed SFF audiences with her hilarious debut Appropriate Behavior, in which she played a bisexual Persian woman concealing her true self from her family. She finds wit and poignancy again in this timely film about sexuality and self-acceptance. WEST OF SUNSHINE A working-class dad must settle a crippling debt in this punchy slice of Australian social realism. Jason Raftopoulos’ impressive first feature debuted at Venice Film Festival. Jim’s a decent guy who works for a courier company. But he has one terrible problem that’s cost him his marriage. Jim’s gambling addiction has also left him $15,000 in debt to a loan shark. Full payment is due today – or else. Jim’s first thought is to place a big bet on a sure thing in race two at Ballarat. He has no plan B. It’s also school holidays, forcing Jim to take young son Alex around town in search of a solution – or a miracle. Marked by excellent performances and filmed in vibrant, little-seen Melbourne locations, West of Sunshine beautifully captures a father-son relationship and those moments in a child’s life when the adult world comes suddenly and sharply into focus.  

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  • Sean Baker and Chloë Grace Moretz to Receive Awards at Provincetown International Film Festival

    Sean Baker and Chloë Grace Moretz to Receive Awards at 2018 Provincetown International Film Festival Director Sean Baker (THE FLORIDA PROJECT, TANGERINE) has been named the 2018 “Filmmaker on the Edge” of the upcoming 20th anniversary of the Provincetown International Film Festival (PIFF); and will be in attendance to accept the award in conversation with resident artist John Waters on Saturday, June 16. Additionally, actress Chloë Grace Moretz (THE MISEDUCATION OF CAMERON POST, IF I STAY), will receive the festival’s second annual “Next Wave Award,” which recognizes those who have exciting and distinctive voices, take artistic risks, and have a passionate commitment to independent film. Moretz will also be in attendance to accept the award in conversation with Sundance Film Festival Director John Cooper on Friday, June 15, and in support of her film THE MISEDUCATION OF CAMERON POST, which is a PIFF Spotlight selection. [caption id="attachment_27857" align="aligncenter" width="1200"]Wild Nights With Emily Wild Nights With Emily[/caption] The festival will kick off with the New England premiere of WILD NIGHTS WITH EMILY, a dramatic comedy about the secret life of Emily Dickinson, portrayed by Molly Shannon. Hailed by Indiewire as “the best lesbian comedy in years,” this independent film explores Dickinson’s vivacious, irreverent side — most notably Emily’s lifelong romantic relationship with another woman. The film premiered at the SXSW Film Festival where it received rave reviews. Writer/director Madeleine Olnek was awarded the prestigious Guggenheim Fellowship for the film. The Opening Night Film will screen on Wednesday, June 13 at Provincetown Town Hall. The Provincetown International Film Festival runs June 13 to 17, 2018 in Provincetown, MA.

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  • 2018 Tribeca Film Festival Unveils Feature Film Lineup + Closes with World Premiere of “The Fourth Estate”

    [caption id="attachment_27371" align="aligncenter" width="1200"]The Fourth Estate The Fourth Estate[/caption] The 2018 Tribeca Film Festival revealed its feature film lineup championing the discovery of emerging voices and celebrating new work from established filmmaking talent. To close the Festival, Tribeca will World Premiere The Fourth Estate, from Oscar®-nominated director Liz Garbus, which follows The New York Times’ coverage of the Trump administration’s first year. The Centerpiece Gala will be the World Premiere of Drake Doremus’ sci-fi romance Zoe starring Ewan McGregor, Léa Seydoux, Rashida Jones, and Theo James. The 2018 Tribeca Film Festival takes place April 18-29. The 2018 feature film program includes 96 films from 103 filmmakers. Of the 96 films, 46% of them are directed by women, the highest percentage in the Festival’s history. The lineup includes 75 World Premieres, 5 International Premieres, 9 North American Premieres, 3 U.S. Premieres, and 4 New York Premieres from 27 countries. This year’s program includes 46 first time filmmakers, with 18 directors returning to the Festival with their latest feature film projects. Tribeca’s 2018 slate was programmed from more than 8,789 total submissions. Fifty-one narratives and 45 documentaries will debut over the course of the 12-day festival. The Competition section features 12 documentaries, 10 U.S. narratives and 10 international narratives; 14 Spotlight Narratives, 15 Spotlight Documentaries; 5 Midnight, 16 Viewpoints selections; and 11 Special Screenings. The films in competition will compete for cash prizes totaling $165,000, as well as artwork from the Artists Awards program, offering work from acclaimed contemporary artists in select categories. One of the first awards to honor excellence in storytelling by a female writer or director, the 6th annual Nora Ephron Award, presented by CHANEL, will award a $25,000 prize to a woman who embodies the spirit and boldness of the late filmmaker. This year’s Tribeca/ESPN Sports Film Festival, sponsored by Mohegan Sun, includes 5 documentaries and 1 narrative feature film, as well as a shorts program and more to be announced. The 2018 film selections are as follows:

    CENTERPIECE:

    Zoe, directed by Drake Doremus, written by Richard Greenberg. Produced by Kevin Walsh, Michael Pruss, Drake Doremus, Robert George. (USA) – World Premiere, Feature Narrative. In a future world where cutting-edge technologies can simulate the high of true love, two colleagues at a revolutionary research lab yearn for a connection that’s real. With Léa Seydoux, Ewan McGregor, Christina Aguilera, Rashida Jones, Theo James, Miranda Otto, Matthew Gray Gubler, Anthony Shim

    CLOSING NIGHT:

    The Fourth Estate, directed by Liz Garbus. Produced by Jenny Carchman, Liz Garbus, Justin Wilkes (USA) – World Premiere, Documentary. For the journalists at The New York Times, the election of Donald Trump presented a once in a generation challenge in how the press would cover a president who has declared the majority of the nation’s major news outlets “the enemy of the people.” Oscar-nominated filmmaker Liz Garbus witnessed the inner workings of journalism and investigative reporting from the front lines during this administrations’ first history-making year. A Showtime release After the movie: A conversation with The New York Times Executive Editor Dean Baquet, Washington Bureau Chief Elisabeth Bumiller, White House Correspondent Maggie Haberman, Washington Investigative Correspondent Mark Mazzetti, and director Liz Garbus.

    U.S. NARRATIVE COMPETITION

    All About Nina, directed and written by Eva Vives. Produced by Eric B. Fleischman, Sean Tabibian, Natalie Qasabian, Eva Vives. (USA) – World Premiere. Nina Geld’s passion and talent have made her a rising star in the comedy scene, but she’s an emotional mess offstage. When a new professional opportunity coincides with a romantic one, she is forced to reckon with the intersection of her life and her art. With Mary Elizabeth Winstead, Common, Chace Crawford, Clea DuVall, Kate del Castillo, Beau Bridges. Diane, directed and written by Kent Jones. Produced by Luca Borghese, Ben Howe, Caroline Kaplan, Oren Moverman. (USA) – World Premiere. Diane is a devoted friend and caretaker, particularly to her drug-addicted son. But as those around her begin to drift away in the last quarter of her life, she is left to reckon with past choices and long-dormant memories in this haunting character study. With Mary Kay Place, Jake Lacy, Estelle Parsons, Andrea Martin, Deirdre O’Connell, Glynis O’Connor, Phyllis Somerville, Joyce Van Patten. Duck Butter, directed by Miguel Arteta, written by Miguel Arteta, Alia Shawkat. Produced by Mel Eslyn, Natalie Qasabian. (USA) – World Premiere. Two women, jaded by dishonest and broken relationships, make a pact to spend 24 uninterrupted hours together, having sex on the hour. Their romantic experiment intends to create a new form of intimacy, but it doesn’t quite go as planned. With Alia Shawkat, Laia Costa, Hong Chau, Kate Berlant, Kumail Nanjiani, Mark Duplass, Jay Duplass, Lindsay Burdge. A release from The Orchard. Ghostbox Cowboy, directed and written by John Maringouin. Produced by Molly Lynch, John Maringouin, John Montague, George Rush, Sean Gillane. (USA, China) – World Premiere. In this darkly comedic morality tale, tech entrepreneur Jimmy Van Horn arrives in China armed with an invention and confidence, only to learn that being American is not enough to succeed. With David Zellner, Robert Longstreet, Johnny Robichaux, Vincent Xie, Carrie Gege Zhang. Little Woods, directed and written by Nia DaCosta. Produced by Rachael Fung, Gabrielle Nadig. (USA) – World Premiere. In this dramatic thriller set in the fracking boomtown of Little Woods, North Dakota, two estranged sisters are driven to extremes when their mother dies, leaving them with one week to pay back her mortgage. With Tessa Thompson, Lily James, Luke Kirby, James Badge Dale, Lance Reddick. Maine, directed and written by Matthew Brown. Produced by Summer Shelton, Michael B. Clark, Alex Turtletaub. (USA) – World Premiere. A married woman’s journey of self-discovery and introspection while solo-hiking the Appalachian Trail ends up sidetracked when she encounters a lone hiker. With Laia Costa, Thomas Mann. Mapplethorpe, directed and written by Ondi Timoner. Produced by Eliza Dushku, Nathaniel Dushku, Richard J. Bosner, Ondi Timoner. (USA) – World Premiere. In the late 1960s, art-school dropout Robert Mapplethorpe moves into the Chelsea Hotel with dreams of stardom. He quickly becomes the enfant terrible of the photography world as the downtown counterculture of 1970s New York reaches its zenith. With Matt Smith, Marianne Rendón, John Benjamin Hickey, Brandon Sklenar, McKinley Belcher III, Mark Moses. O.G., directed by Madeleine Sackler, written by Stephen Belber. Produced by Madeleine Sackler, Boyd Holbrook. (USA) – World Premiere. An inmate entering the final weeks of a twenty-plus-year sentence must navigate between old loyalties and a new protégé, while he also grapples with the looming uncertainty of his return to life outside bars. With Jeffrey Wright, William Fichtner, Theothus Carter, Mare Winningham, Boyd Holbrook, David Patrick Kelly. Song of Back and Neck, directed and written by Paul Lieberstein. Produced by Paul Lieberstein, Jennifer Prediger, Kim Leadford. (USA) – World Premiere. A hapless man seeking treatment for his crippling back pain discovers a very unusual talent and unexpected love in this inventive romantic comedy from writer-director-star Paul Lieberstein (The Office). With Paul Lieberstein, Rosemarie DeWitt, Clark Duke, Brian d’Arcy James, Robert Pine, Paul Feig. State Like Sleep, directed and written by Meredith Danluck. Produced by Eddie Vaisman, Julia Lebedev, Angel Lopez. (USA) – World Premiere. Following the death of her husband, Katherine travels to Brussels, where a few loose ends become a whole web of secrets as she untangles her late spouse’s mysterious last days alive. With Katherine Waterston, Michael Shannon, Luke Evans, Michiel Huisman, Mary Kay Place.

    DOCUMENTARY COMPETITION

    Blowin’ Up, directed and written by Stephanie Wang-Breal. Produced by Carrie Weprin. (USA) – World Premiere. In a courtroom in Queens, women facing prostitution charges may earn a chance at redemption thanks to an experimental program established by a team of rebel heroines working to change the system. Call Her Ganda, directed by PJ Raval, written by PJ Raval, Victoria Chalk. Produced by PJ Raval, Lisa Valencia-Svensson, Marty Syjuco, Kara Magsanoc-Alikpala. (USA, Philippines) – World Premiere. When a transgender Filipina woman is found dead in the motel room of a U.S. Marine, grassroots activists demand accountability. The ensuing case lays bare a constellation of social and political tensions between the United States and the Philippines. Island of the Hungry Ghosts, directed and written by Gabrielle Brady. Produced by Alexander Wadouh, Samm Haillay, Alex Kelly, Gizem Acarla, Gabrielle Brady. (Australia, Germany, UK) – World Premiere. Christmas Island, Australia is home to one of the largest land migrations on earth—that of forty million crabs journeying from jungle to sea. But the jungle holds another secret: a high-security facility that indefinitely detains individuals seeking asylum. The Man Who Stole Banksy, directed by Marco Proserpio, written by Marco Proserpio, Filippo Perfido, Christian Omodeo. Produced by Marco Proserpio, Filippo Perfido. (Italy) – World Premiere. In 2007, the anonymous graffiti artist Banksy painted a series of political works around Palestine, only to have them cut down and sold off to the highest bidder. A stylish examination of public space and the commodification of street art, narrated by Iggy Pop. Momentum Generation, directed and written by Jeff Zimbalist, Michael Zimbalist. Produced by Jeff Zimbalist, Michael Zimbalist, Colby Gottert, Greg Little, Justine Chiara, Karen Lauder, Laura Michalchyshyn, Lizzie Friedman, Tina Elmo. (USA) – World Premiere. In the 1990s, a motley band of teen surfers from the north shore of Oahu brought professional surfing to new heights. But as their stars rose, the competition threatened to tear their group apart. With Kelly Slater, Rob Machado, Shane Dorian, Taylor Knox, Benji Weatherley, Kalani Robb, and Ross Williams. No Greater Law, directed by Tom Dumican, written by Tom Dumican, Jesse Lichtenstein. Produced by Jesse Lichtenstein. (UK, USA) – World Premiere. In Idaho’s rugged Treasure Valley, the Followers of Christ believe in God, family, and faith healing. As an investigation into the community’s high infant mortality rate closes in on the church, one patriarch fights for his right to his faith. An A&E release. Phantom Cowboys, directed by Daniel Patrick Carbone. Produced by Ryan Scafuro, Annie Waldman, Daniel Patrick Carbone. (USA) – World Premiere. This searing documentary, which spans nearly a decade, is a meditation on youth, tradition, and the evolving hopes and dreams of modern adolescents in the forgotten industrial towns across America. The Rachel Divide, directed by Laura Brownson, written by Laura Brownson, Jeff Gilbert. Produced by Laura Brownson, Bridget Stokes, Khaliah Neal. (USA) – World Premiere. Rachel Dolezal became infamous when she was unmasked as a white woman passing for black so thoroughly that she had become the head of her local N.A.A.C.P. chapter. This portrait cuts through the very public controversy to reveal Dolezal’s motivations. A Netflix release. Tanzania Transit, directed by Jeroen van Velzen, written by Jeroen van Velzen, Esther Eenstroom. Produced by Digna Sinke. (Netherlands) – World Premiere. A train journey across Tanzania captures a microcosm of contemporary African society in Tribeca alum Jeroen van Velzen’s captivating and visually stunning road movie. United Skates, directed and produced by Dyana Winkler, Tina Brown. (USA) – World Premiere. Credited with incubating East Coast hip-hop and West Coast rap, America’s roller rinks have long been bastions of regional African-American culture, music, and dance. As rinks shutter across the country, a few activists mount a last stand. When Lambs Become Lions, directed by Jon Kasbe. Produced by Jon Kasbe, Innbo Shim, Tom Yellin, Andrew Harrison Brown. (USA) – World Premiere. In the Kenyan bush, a crackdown on ivory poaching forces a silver-tongued second-generation poacher to seek out an unlikely ally in this fly-on-the-wall look at both sides of the conservation divide. Yellow is Forbidden, directed and written by Pietra Brettkelly. Produced by Pietra Brettkelly, Richard Fletcher, Naomi Wallwork. (New Zealand) – World Premiere. Celebrated Chinese couturier Guo Pei is perhaps best known for designing the brilliant gold gown Rihanna wore to the Met Ball in 2015. But Guo’s quest to be recognized by the gatekeepers of Paris haute couture goes beyond the red carpet and taps into global power dynamics and the perpetual tension between art and commerce.

    INTERNATIONAL NARRATIVE COMPETITION

    Amateurs (Amatörer), directed by Gabriela Pichler, written by Jonas Hassen Khemiri, Gabriela Pichler. Produced by Anna-Maria Kantarius. (Sweden) – North American Premiere. In this irresistibly charming social comedy, local officials, in a bid to lure a superstore chain to their quiet hamlet, set about producing a promotional video about their town—only to find themselves disrupted at every turn by two teens making their own rival film. With Fredrik Dahl, Yara Ebrahim, Zahraa Aldoujaili. Dry Martina, directed and written by Che Sandoval. Produced by Florencia Larrea, Gregorio González, Hernán Musaluppi, Natacha Cervi. (Chile, Argentina) – International Premiere. Passion and obsession mingle in this fresh comedy about an aging pop star who takes off to pursue a lover, and, while she’s at it, a better sense of self. With Antonella Costa, Patricio Contreras, Geraldine Neary, Pedro Campos, Héctor Morales. Lemonade (Luna de Miere), directed by Ioana Uricaru, written by Ioana Uricaru, Tatiana Ionașcu. Produced by Cristian Mungiu, Yanick Létourneau, Eike Goreczka, Christoph Kukula, Sean Wheelan, Anthony Muir. (Romania, Canada, Germany, Sweden) – International Premiere. Mara hopes to move her son from Romania to the U.S. and obtain a green card. But bureaucratic processes give way to authoritarian nightmares in this simmering social drama about American immigration and the institutional corruption of power. With Mălina Manovici, Steve Bacic, Dylan Scott Smith, Milan Hurduc, Ruxandra Maniu. The Night Eats the World (La nuit a dévoré le monde), directed and written by Dominique Rocher. (France) – North American Premiere. Following one hell of a party, Sam wakes up to the worst-ever morning after—blood-stained walls, an empty apartment building, and Parisian streets filled with the living dead. Even worse, he’s all alone. With Anders Danielsen Lie, Golshifteh Farahani, Denis Lavant. Obey, directed and written by Jamie Jones. Produced by Emily Jones, Ross Williams. (UK) – World Premiere. In the midst of the 2011 London riots, Leon grapples with the stark reality of his life and his relationship with his alcoholic mother while falling in love for the first time. With Marcus Rutherford, Sophie Kennedy Clark, Sam Gittens, T’Nia Miller, Jay Walker. The Party’s Just Beginning, directed and written by Karen Gillan. Produced by Mali Elfman, Andru R. Davies, Claire Mundell. (Scotland) – International Premiere. Lucy is a sharp-witted, foul-mouthed, heavy-drinking twenty-something who is still reeling from a recent loss. This surreal coming-of-age tale is a love letter to Gillan’s hometown in the Scottish Highlands. With Karen Gillan, Lee Pace, Matthew Beard, Paul Higgins, Siobhan Redmond, Jamie Quinn, Rachel Jackson. The Saint Bernard Syndicate, directed by Mads Brugger, written by Lærke Sanderhoff. Produced by Emilie Lebech Kaae, Jakob Kirstein Høgel. (Denmark) – World Premiere. Subversive satirist Mads Brugger’s latest is an odd-couple comedy about the pitfalls of striking out into the economic frontier; it charts two hapless Danes’ scheme to sell Saint Bernards to China’s middle class. Smuggling Hendrix, directed and written by Marios Piperides. Produced by Janine Teerling, Marios Piperides, Thanassis Karathanos, Martin Hampel, Costas Lambropoulos. (Cyprus) – World Premiere. Though caught between the mob and border patrol, washed-up musician Yiannis must put his plans to leave Cyprus on hold his when his beloved dog escapes across the wall to the island’s Turkish side. With Adam Bousdoukos, Fatih Al, Vicky Papadopoulou, Özgür Karadeniz. Sunday’s Illness (La Enfermedad del Domingo), directed by Ramón Salazar Hoogers, written by Ramón Salazar Hoogers. Produced by Francisco Ramos. (Spain) – North American Premiere. After Anabel hosts an opulent dinner, she is confronted by Chiara, the daughter she abandoned decades earlier. Chiara arrives with just one request: that she and her mother spend ten days together. With Barbara Lennie, Susi Sanchez. Virgins (Vierges), directed by Keren Ben Rafael, written by Keren Ben Rafael, Elise Benroubi. Produced by Caroline Bonmarchand. (France, Israel, Belgium) – World Premiere. Teenage Lana is languishing in her run-down hometown on Israel’s sun-soaked north coast—until an older, attractive writer arrives with tales of a mermaid sighting off the shore of the declining resort town. With Joy Rieger, Evgenia Dodina, Michael Aloni, Manuel Elkaslassy Vardi, Rami Heuberger.

    SPOTLIGHT NARRATIVE

    All These Small Moments, directed and written by Melissa Miller Costanzo. Produced by Lauren Avinoam, Jed Mellick, Katie Leary. (USA) – World Premiere. Howie Sheffield is at a turning point. As he watches his parents’ relationship crumbling, he becomes infatuated with Odessa, a woman he sees each day on the bus ride to school. With Brendan Meyer, Jemima Kirke, Molly Ringwald, Brian d’Arcy James, Sam McCarthy, Harley Quinn Smith. Back Roads, directed by Alex Pettyfer, written by Tawni O’Dell, Adrian Lyne. Produced by Craig Robinson, Michael Ohoven, Ashley Mansour, Alex Pettyfer, Jake Seal, Dan Spilo. (USA) – World Premiere. A young man cares for his sisters after their mother is imprisoned for murdering their abusive father. When he strikes up an affair with a married woman, long-dormant family secrets bubble to the surface in this noir thriller. With Alex Pettyfer, Jennifer Morrison, Nicola Peltz, June Carryl, Juliette Lewis. Blue Night, directed by Fabien Constant, written by Laura Eason. Produced by Andrea Iervolino, Monika Bacardi, Sarah Jessica Parker, Alison Benson. (USA) – World Premiere. A devastating diagnosis sends a famous singer reeling through the streets of New York City in this French New Wave-inspired drama. With Sarah Jessica Parker, Simon Baker, Jacqueline Bisset, Common, Taylor Kinney, Renée Zellweger, Waleed Zuaiter. Daughter of Mine (Figlia mia), directed by Laura Bispuri, written by Francesca Manieri, Laura Bispuri. Produced by Marta Donzelli, Gregorio Paonessa, Maurizio Totti, Alessandro Usai, Viola Fügen, Michael Weber, Dan Wechsler. (Italy, Germany, Switzerland) – North American Premiere. On the windswept coast of Sardinia, two women compete for the affections of 10-year old Vittoria: her troubled, alcoholic birth mother Angelica and her doting adoptive mother Tina. With Valeria Golino, Alba Rohrwacher, Sara Casu, Udo Kier, Michele Carboni. Disobedience, directed by Sebastian Lelio, written by Sebastián Lelio, Rebecca Lenkiewicz. Produced by Frida Torresblanco, Ed Guiney, Rachel Weisz. (UK) – U.S. Premiere. After the death of her estranged rabbi father, a New York photographer returns to the Orthodox Jewish community in North London where she grew up and, in doing so, reignites long-dormant passions and controversies. With Rachel Weisz, Rachel McAdams, Alessandro Nivola. A Bleecker Street release. Egg, directed by Marianna Palka, written by Risa Mickenberg. Produced by Michele Ganeless, Alysia Reiner, David Alan Basche. (USA) – World Premiere. In provocateur Marianna Palka’s sharp and unflinching satire, two couples and a surrogate lay bare the complications, contradictions, heartbreak, and absurdities implicit in how we think about motherhood. With Christina Hendricks, Anna Camp, Alysia Reiner, David Alan Basche, Gbenga Akinnagbe. In a Relationship, directed and written by Sam Boyd. Produced by Jorge Garcia Castro, David Hunter, Ross Putman. (USA) – World Premiere. Long-term couple Owen and Hallie are breaking up—or maybe not?—and just as their relationship reaches a turning point, Matt and Willa embark on a romance of their own. A funny and deeply felt chronicle of one summer in the lives of two couples in Los Angeles. With Emma Roberts, Michael Angarano, Dree Hemingway, Patrick Gibson, Jay Ellis, Melora Walters. Jonathan, directed by Bill Oliver, written by Peter Nickowitz, Bill Oliver, Gregory Davis. Produced by Randy Manis, Ricky Tollman. (USA) – World Premiere. Jonathan is a young man with a strange condition that only his brother understands. But when he begins to yearn for a different life, their unique bond becomes increasingly tested in this twisty sci-fi drama. With Ansel Elgort, Suki Waterhouse, Patricia Clarkson. Mary Shelley, directed by Haifaa Al Mansour, written by Emma Jensen. Produced by Amy Baer, Alan Moloney, Ruth Coady. (Ireland, UK, Luxembourg, USA) – U.S. Premiere. The story of Mary Wollstonecraft Godwin’s whirlwind romance with the tempestuous poet Percy Shelley, a romance that led to her creation of one of the most enduring works of gothic literature before the age of 20: Frankenstein. With Elle Fanning, Douglas Booth, Bel Powley, Joanne Froggatt, Tom Sturridge, Maisie Williams. An IFC release. The Miseducation of Cameron Post, directed by Desiree Akhavan, written by Desiree Akhavan, Cecilia Frugiuele. Produced by Michael B. Clark, Alex Turtlelaub, Cecilia Frugiuele, Jonathan Montepare. (USA) – New York Premiere. After Cameron is caught making out with another girl on prom night, her conservative guardians send her to gay conversion therapy. There, she forges an unlikely community with her fellow teens in this Sundance-winning coming of age story. With Chloë Grace Moretz, Sasha lane, Forrest Goodluck, John Gallagher Jr., Jennifer Ehle. Nico, 1988, directed and written by Susanna Nicchiarelli. Produced by Marta Donzelli, Gregorio Paonessa, Joseph Rouschop, and Valérie Bournonville. (Italy, Belgium) – North American Premiere. This whirlwind road movie follows the final months on tour of the singer-songwriter Nico, one-time Warhol superstar and Velvet Underground vocalist. With Trine Dyrholm, John Gordon Sinclair, Anamaria Marinca, Sandor Funtek, Thomas Trabacchi, Karina Fernandez, Calvin Demba. A Magnolia release. The Seagull, directed by Michael Mayer, written by Stephen Karam. Produced by Jay Franke, David Herro, Robert Salerno, Tom Hulce, Leslie Urdang. (USA) – World Premiere. A sumptuous adaptation of the classic Chekhov play transports the audience to a picturesque lakeside estate, where a love triangle unfolds between the legendary diva Irina, her lover Boris, and the ingénue Nina. With Annette Bening, Saoirse Ronan, Corey Stoll, Elisabeth Moss, Mare Winningham, Jon Tenney, Glenn Fleshler, Michael Zegen, Billy Howle, Brian Dennehy. A Sony Pictures Classic release. Stockholm, directed and written by Robert Budreau. Produced by Nicholas Tabarrok, Robert Budreau, Jonathan Bronfman. (Canada, Sweden, USA) – World Premiere. In 1973, an unhinged American outlaw walked into a bank in Sweden demanding millions in cash in exchange for his hostages. The events that followed would capture the attention of the world and ultimately give a name to a new psychological phenomenon: Stockholm syndrome. With Ethan Hawke, Noomi Rapace, Mark Strong, Christopher Heyerdahl, Bea Santos, Thorbjorn Harr. Untogether, directed and written by Emma Forrest. Produced by Scott LaStaiti, Luke Daniels, Brandon Hogan. (USA) – World Premiere. Former writing prodigy Andrea tries not to fall for her one-night stand, while her sister Lisa throws herself into a newfound religious zeal (and the arms of her charismatic rabbi) to avoid the truth about her current relationship in this multi-character romantic drama. With Jamie Dornan, Jemima Kirke, Lola Kirke, Ben Mendelsohn, Billy Crystal, Alice Eve, Jennifer Grey, Scott Caan.

    SPOTLIGHT DOCUMENTARY

    Bethany Hamilton: Unstoppable, directed by Aaron Lieber, written by Aaron Lieber, Carol Martori. Produced by Penny Edmiston, Jane Kelly Kosek. (USA) – World Premiere. One of the most fearless and accomplished athletes of her generation, Bethany Hamilton became a surfing wunderkind when she returned to the sport following a devastating shark attack at age 13. As she continues to chase waves she also now tackles motherhood. Also playing as part of the Tribeca/ESPN Sports Film Festival. The Bleeding Edge, directed by Amy Ziering, Kirby Dick. Produced by Kirby Dick, Amy Ziering. (USA) – World Premiere. Each year in the United States, unparalleled innovations in medical diagnostics, treatment, and technology hit the market. But when the same devices designed to save patients end up harming them, who is accountable? A Netflix release. General Magic, directed by Matthew Maude, Sarah Kerruish, written by Matt Maude, Sarah Kerruish, Jonathan Keys. Produced by Matt Maude, Sarah Kerruish. (UK, USA) – World Premiere. A Silicon Valley startup built by the best and brightest minds of the 1980s tech world, General Magic shipped the first handheld wireless personal communicator in 1994. It was decades ahead of its time—and a complete failure. With Tony Fadell, Marc Porat, Andy Hertzfeld, Megan Smith, Joanna Hoffman, Kevin Lynch. House Two, directed and written by Michael Epstein. Produced by Michael Epstein, Tony Wood. (USA) – World Premiere. In 2005, a group of U.S. Marines killed 24 unarmed Iraqi men, women, and children in a matter of minutes, sparking the largest criminal investigation in Marine Corps history. House Two delves into that investigation and the ensuing court proceedings, all the way up to the case’s shocking conclusion. Howard, directed and written by Don Hahn. Produced by Don Hahn, Lori Korngiebel. (USA) – World Premiere. Howard Ashman, the once-in-a-generation songwriting talent, penned the lyrics for Little Shop of Horrors and revitalized Disney with his work on The Little Mermaid, Beauty and the Beast, and Aladdin. Howard is a tribute to the lyricist and to the power of musical storytelling. With Howard Ashman, Alan Menken, Jeffrey Katzenberg, Bill Lauch, Sarah Gillespie, Peter Schneider. Into the Okavango, directed by Neil Gelinas, written by Neil Gelinas, Brian Newell. Produced by Neil Gelinas. (USA) – World Premiere. Botswana’s Okavango Delta is one of the planet’s last remaining true wildernesses, but studies have shown it is shrinking. A group of intrepid scientists embark on a four-month, 1500-mile journey upriver to the Okavango’s source to investigate why. A National Geographic release McQueen, directed Ian Bonhôte, Peter Ettedgui, written by Peter Ettedgui. Produced by Ian Bonhôte, Andee Ryder, Nick Taussig, Paul Van Carter. Legendary couturier Alexander McQueen’s rags to riches story is vividly brought to life by his closest friends and family, and through his revolutionary body of work, as inspired, tortured, and visionary as the man himself. A Bleecker Street release Roll Red Roll, directed by Nancy Schwartzman. Produced by Nancy Schwartzman, Jessica Devaney, Steven Lake. (USA) – World Premiere. At a 2012 pre-season high-school football party in Steubenville, Ohio, a young woman was raped. The aftermath exposed an entire culture of complicity—and Roll Red Roll maps out the roles that peer pressure, denial, sports machismo, and social media each played in the tragedy. Also playing as part of the Tribeca/ESPN Sports Film Festival. Ryuichi Sakamoto: Coda, directed and written by Stephen Nomura Schible. Produced by Eric Nyari, Yoshiko Hashimoto, Stephen Nomura Schible. (USA) – North American Premiere. Ryuichi Sakamoto has had a prolific career spanning over four decades, from techno-pop stardom to Oscar-winning film composer. Coda offers an intimate portrait of a legendary artist and a passionate activist. Say Her Name: The Life and Death of Sandra Bland, directed by Kate Davis, David Heilbroner. Produced by David Heilbroner, Kate Davis. (USA) – World Premiere. Sandra Bland was a bright, energetic activist whose life was cut short when a traffic stop resulted in a mysterious jail cell death just three days later. Say Her Name follows the two-year battle to uncover the truth. An HBO release. Serengeti Rules, directed and written by Nicolas Brown. Produced by David Allen. (UK) – World Premiere. A band of young scientists discover a radical new theory of the natural world—one that could help confront some of the biggest environmental challenges of our time. Songwriter, directed and written by Murray Cummings. Produced by Kimmie Kim. (UK) – North American Premiere. Songwriter is an intimate immersion into the intense and collaborative process that created Ed Sheeran’s chart-topping album, ÷. Studio 54, directed by Matt Tyrnauer. Produced by Matt Tyrnauer, Corey Reeser, John Battsek. (USA) – New York Premiere. In 1977, Studio 54 and its founders, Ian Schrager and Steve Rubell, epitomized New York hedonism. But by, 1979 the fantasy was over—and Studio 54 goes inside that meteoric rise and catastrophic fall. With Steve Rubell, Ian Schrager, Nile Rodgers, Norma Kamali, Karin Bacon, Myra Scheer. An A&E release. Time for Ilhan, directed by Norah Shapiro. Produced by Jennifer Steinman Sternin, Chris Newberry, Norah Shapiro. (USA) – World Premiere. In November 2016, Ilhan Omar made history as the first Somali Muslim woman to be elected for state office in America. Time for Ilhan offers an inspiring look at her campaign and the changing face of American politics. Tiny Shoulders: Rethinking Barbie, directed and written by Andrea Nevins. Produced by Cristan Crocker, Andrea Nevins. (USA) – World Premiere. Since her debut nearly 60 years ago, Barbie has been at turns a fashion idol and a cultural lightning rod. Tiny Shoulders steps behind the scenes as the icon undergoes her greatest reinvention yet. With Kim Culmone, Michelle Chidoni, Gloria Steinem, Roxane Gay, Peggy Orenstein. A Hulu release.

    VIEWPOINTS

    Charm City, directed by Marilyn Ness, written by Marilyn Ness, Don Bernier. Produced by Katy Chevigny. (USA) – World Premiere, Feature Documentary. Charm City takes viewers beyond the television headlines and over the front lines of violence in Baltimore; in doing so, it reveals the grit and compassion of the city’s citizens, police, and government officials trying to reclaim their future. Crossroads, directed by Ron Yassen. Produced by Lauren Griswold. (USA) – World Premiere, Feature Documentary. Despite never having played the game before, a group of underprivileged teens emerge as a talented lacrosse team under the tutelage of Coach Bobby Selkin in this inspiring documentary. An ESPN Films release. Also playing as part of the Tribeca/ESPN Sports Film Festival. Dead Women Walking, directed and written by Hagar Ben-Asher. Produced by Clara Levy, Lorne Hiltser, Michael M. McGuire. (USA) – World Premiere, Feature Narrative. Nine vignettes depict the stages leading to execution for women on death row in this emotional account of the human toll of the death penalty—on both the inmates and those they encounter in their final hours. With Dale Dickey, Dot Marie Jones, Lynn Collins, Colleen Camp, June Carryl, and Ashton Sanders. The Elephant and the Butterfly (Drôle de Père), directed and written by Amélie van Elmbt. Produced by Adrienne D’Anna, Delphine Tomson. (Belgium, France) – North American Premiere, Feature Narrative. When her babysitter doesn’t show, a single mother is forced to leave her precocious five-year-old daughter with the girl’s estranged father for a long weekend in this heartfelt drama executive produced by Martin Scorsese and the Dardenne Brothers. With Isabelle Barth, Thomas Blanchard, Judith Chemla, Alice de Lencquesaing, Lina Doillon. The Feeling of Being Watched, directed and written by Assia Boundaoui. Produced by Jessica Devaney, Assia Boundaoui. (USA) – World Premiere, Feature Documentary. Journalist Assia Bendaoui sets out to investigate long-brewing rumors that her quiet, predominantly Arab-American neighborhood was being monitored by the FBI—and in the process, she exposes a surveillance program on a scale no one could have imagined. The Great Pretender, directed by Nathan Silver, written by Jack Dunphy. Produced by Matt Grady, Danelle Eliav, Nathan Silver, Jack Dunphy, Jere B Ford. (USA) – World Premiere, Feature Narrative. The lives of a French theater director, her ex-boyfriend, and the two actors playing them intersect dramatically in this tangled and darkly funny roundelay set in the New York theater world. With Esther Garrel, Keith Poulson, Maelle Poesy, Linas Phillips. Home + Away, directed by Matt Ogens. Produced by Todd Makurath, Luke Ricci, Nathaniel Greene, Matt Ogens, Nina Chaudry. (USA) – World Premiere, Feature Documentary. For the mostly Mexican-American students of El Paso’s Bowie High School, sports can offer a path to a better life. Home + Away follows three students as they pursue that route in search of success. Also playing as part of the Tribeca/ESPN Sports Film Festival. Jellyfish, directed by James Gardner, written by James Gardner, Simon Lord. Produced by James Gardner, Nikolas Holttum. (UK) – World Premiere, Feature Narrative. Sarah Taylor’s hardscrabble life has turned her into a teenage terror. When her drama teacher helps her channel her ferocious wit into comedy, her life’s delicate balance is set on a collision course with her newfound passion. With Liv Hil, Sinéad Matthews, Cyril Nri, Angus Barnett. Kaiser: The Greatest Footballer Never To Play Football, directed by Louis Myles, written by Louis Myles, Ivor Baddiel. Produced by Louis Myles, Tom Markham. (UK, Brazil) – World Premiere, Feature Documentary. Soccer stars were at the center of the scene in the glamorous nightlife meccas of 1980s Brazil. But in their midst, one of the biggest sports celebrities of his generation harbored a secret: He had never played a single game. With Carlos Henrique Raposo, Carlos Alberto Torres, Zico, Bebeto, Renato Gaúcho, Ricardo Rocha. Also playing as part of the Tribeca/ESPN Sports Film Festival. M, directed and written by Sara Forestier. Produced by Hugo Selignac. (France) – North American Premiere, Feature Narrative. Written by, directed by, and starring César Award winner Sara Forestier, this steamy drama explores the passionate relationship between a girl with a crippling speech impediment and an undereducated drag racer. With Sara Forestier, Redouanne Harjane, Jean-Pierre Léaud, Liv Andren. Presented in partnership with Venice Days. The Proposal, directed by Jill Magid. Produced by Jarred Alterman, Laura Coxson, Charlotte Cook. (USA) – World Premiere, Feature Documentary. When artist-turned-filmmaker Jill Magid learns that the archives of Mexico’s most famous architect are being held in a private collection, she devises a radical plan to return his legacy to the public. Satan & Adam, directed by V. Scott Balcerek, written by V. Scott Balcerek, Ryan Suffern. Produced by Frank Marshall, Ryan Suffern. (USA) – World Premiere, Feature Documentary. One was a demon on guitar; the other was fresh out of school and no slouch on harmonica. Satan & Adam is a rousing celebration of the blues that comprises documentary footage shot over the course of two decades. With Sterling Magee, Adam Gussow, The Edge, Rev. Al Sharpton, Harry Shearer, Quint Davis. Slut in a Good Way, directed by Sophie Lorain, written by Catherine Léger. Produced by Martin Paul-Hus. (Canada) – International Premiere, Feature Narrative. Three 17-year-old girlfriends get a job at the Toy Depot for the holiday season and become smitten with the guys who work alongside them in this charming teen sex comedy. With Marguerite Bouchard, Rose Adam, Romane Denis, Alex Godbout, Anthony Therrien, Vassili Schneider. We the Animals, directed by Jeremiah Zagar, written by Dan Kitrosser. Produced by Jeremy Yaches, Christina D. King, Andrew Goldman, Paul Mezey. (USA) – New York Premiere, Feature Narrative. This lyrical coming-of-age tale, based on the acclaimed novel, weaves magic realism into an exquisite portrait of three brothers, their troubled parents, and the secret that the youngest of them holds. With Raul Castillo, Sheila Vand, Evan Rosado, Isaiah Kristian, Josiah Gabriel. A release from The Orchard. When She Runs, directed by Robert Machoian, Rodrigo Ojeda-Beck, written by Kirstin Anderson, Robert Machoian, Rodrigo Ojeda-Beck. Produced by Laura Heberton. (USA) – World Premiere, Feature Narrative. Kristin is a young mother struggling to get by in her small town. One all-consuming passion—the chance to train for Olympic gold with a world-renowned running coach—offers a possible escape. With Kirstin Anderson, Ivan Gehring, Jonah Graham. Also playing as part of the Tribeca/ESPN Sports Film Festival. White Tide: The Legend of Culebra, directed by Theo Love. Produced by Bryan Storkel, Theo Love. (USA) – World Premiere, Feature Documentary. After he’s wiped out by the Great Recession, Rodney hears a story that could be his ticket out of debt. A map, an island, and buried treasure: If you knew where $2 million worth of cocaine was buried, would you dig that shit up?

    MIDNIGHT

    7 Stages to Achieve Eternal Bliss By Passing Through the Gateway Chosen By the Holy Storsh, directed by Vivieno Caldinelli, written by Christopher Hewitson, Clayton Hewitson, Justin Jones. Produced by Patrick McErlean, Michael Moran, Daniel Noah, Josh C. Waller, Lisa Whalen, Elijah Wood. (USA) – World Premiere. Midwestern couple Claire and Paul are thrilled to find a great deal on an affordable Los Angeles apartment. But the rent is cheap for a reason: cult members keep breaking in at random to commit ritual suicide in their bathtub. With Kate Micucci, Sam Huntington, Dan Harmon, Taika Waititi, Mark McKinney. Braid, directed and written by Mitzi Peirone. Produced by Logan Steinhardt, Arielle Elwes. (USA) – World Premiere. Two drug dealers on the lam seek refuge inside their mentally unstable friend’s mansion. But in order to stay, they have to participate in her elaborate, and increasingly dangerous, game of permanent make-believe. With Madeline Brewer, Imogen Waterhouse, Sarah Hay, Scott Cohen. Cargo, directed by Ben Howling, Yolanda Ramke, written by Yolanda Ramke. Produced by Russell Akerman, Samantha Jennings, John Schoenfelder, Kristine Ceyton. (Australia) – World Premiere. An infected father navigates a zombie-riddled Australian Outback with his infant daughter. Fortunately, he’s found an Aboriginal community that may hold the disease’s cure. Unfortunately, he has only 48 hours to live. With Martin Freeman. A Netflix release. The Dark, directed and written by Justin P. Lange. Produced by Danny Krausz, Kurt Stocker, Laura Permutter, Andrew Nicholas McCann Smith. (Austria) – World Premiere. Undead and hating it, young flesh-eater Mina haunts the woods surrounding her childhood home. When she befriends a physically abused boy, she must figure out why, for once, she isn’t feeling homicidal. With Nadia Alexander, Toby Nichols, Karl Markovics. You Shall Not Sleep (No dormirás), directed by Gustavo Hernandez, written by Juma Fodde. Produced by Pablo Bossi, Pol Bossi, Agustin Bossi, Guido Rud, Juan Ignacio Cucucovich, Maria Luisa Gutierrez, Cristina Zumarraga, Juan Pablo Buscarini. (Argentina, Spain, Uruguay) – International Premiere. A young actress joins an experimental play set inside an abandoned asylum. The objective is clear: The actors must stay awake for as long as possible. The hospital’s former residents, however, have different plans. With Belen Rueda, Eva de Dominici, Natalia de Molina, German Palacios Eugenia, Tobal Juan Guilera.

    SPECIAL SCREENINGS

    The American Meme, directed and written by Bert Marcus. Produced by Bert Marcus, Cassandra Hamar. (USA) – World Premiere, Feature Documentary. Paris Hilton, the Fat Jew, Kirill Bichutsky, and Brittany Furlan have all used social media to achieve massive internet fame. But, is it worth it? With DJ Khaled, Emily Ratajkowski, Hailey Baldwin. After the movie: A conversation with director Bert Marcus, subjects Paris Hilton, Kirill Bichutsky, and Brittany Furlan. Bathtubs Over Broadway, directed by Dava Whisenant, written by Ozzy Inguanzo, Dava Whisenant. Produced by Amanda Spain, Dava Whisenant, Susan Littenberg. (USA) – World Premiere, Feature Documentary. Comedy writer Steve Young’s assignment to scour bargain-bin vinyl for a Late Night segment becomes an unexpected, decades-spanning obsession when he stumbles upon the strange and hilarious world of industrial musicals in this musical-comedy-documentary. With David Letterman, Chita Rivera, Martin Short, Susan Stroman, Sheldon Harnick, Jello Biafra. After the movie: A conversation with members of the cast and a special performance inspired by the film with surprise guests. Blue Note Records: Beyond the Notes, directed and written by Sophie Huber. Produced by Sophie Huber, Chiemi Karasawa, Susanne Guggenberger, Hercli Bundi. (Switzerland, USA) – World Premiere, Feature Documentary. This is the history of Blue Note Records, the label that, since 1939, has recorded jazz giants ranging from Miles Davis to Robert Glasper—revolutionizing not only music, but also the world. With Herbie Hancock, Wayne Shorter, Robert Glasper, Don Was, Norah Jones. After the movie: A special guest performance by Blue Note artists Robert Glasper, Derrick Hodge, and Kendrick Scott. Every Act of Life, directed and written by Jeff Kaufman. Produced by Jeff Kaufman, Marcia Ross. (USA) – World Premiere, Feature Documentary. Every Act of Life presents a revealing portrait of four-time Tony-winning playwright Terrence McNally’s ground-breaking, six-decade career in the theater, fight for LGBTQ rights, and triumph over addiction. With Terrence McNally, Audra McDonald, Nathan Lane, Larry Kramer, Angela Lansbury, Christine Baranski. After the movie: A conversation with director Jeff Kaufman, playwright Terrence McNally, actor/director Joe Mantello, and actors F. Murray Abraham, Christine Baranski, and Chita Rivera. Moderated by New York Magazine writer-at-large Frank Rich. The Gospel According to André, directed by Kate Novack. Produced by Kate Novack, Andrew Rossi. (USA) – New York Premiere, Feature Documentary. From the segregated South to the fashion capitals of the world, The Gospel According to André recounts fashion editor André Leon Talley’s storied life and career through intimate conversations, rich archival, and testimonials from fashion luminaries including Anna Wintour, Tom Ford, and Marc Jacobs. With André Leon Talley. A Magnolia release. After the movie: A conversation with director Kate Novack and subject André Leon Talley, producer Andrew Rossi, executive producer Roger Ross Williams and producer Josh Braun. It’s a Hard Truth Ain’t It, directed by Madeleine Sackler. Produced by Stacey Reiss, Madeleine Sackler. (USA) – World Premiere, Feature Documentary. Given unprecedented access to a maximum security prison, filmmaker Madeleine Sackler worked with a group of inmates to tell their own stories, giving rise to this collaborative, intimate documentary project. It’s a Hard Truth Ain’t It is a companion piece to the Tribeca-premiering O.G. It is co-directed by thirteen men incarcerated at the Pendleton Correctional Facility in Pendleton, Indiana Netizens, directed, written, and produced by Cynthia Lowen. (USA) – World Premiere, Feature Documentary. In the midst of the #MeToo movement, three very different women whose lives were torn apart by online harassment devote themselves to fighting back against the internet’s Wild West of unpoliced misogyny, cyberstalking, and nonconsensual pornography. With Carrie Goldberg, Anita Sarkeesian, Tina Reine, Soraya Chemaly, Jamia Wilson, Mary Anne Franks. After the movie: A conversation with director Cynthia Lowen, subjects Tina Reine, Carrie Goldberg, and Anita Sarkeesian. Nigerian Prince, directed by Faraday Okoro, written by Faraday Okoro & Andrew Long. Produced by Oscar Hernandez, Bose Oshin, Faraday Okoro. (USA, Nigeria) – World Premiere, Feature Narrative. A troubled American teenager, sent away to his mother’s native Nigeria, finds himself entangled in a dangerous web of scams and corruption with a con-artist cousin as his guide. With Antonio J. Bell, Chinaza Uche, Tina Mba, Bimbo Manuel, Toyin Oshinaike, Craig Stott. To Dust, directed by Shawn Snyder, written by Shawn Snyder, Jason Duran. Produced by Emily Mortimer, Alessandro Nivola, Ron Perlman, Josh Crook, Scott Lochmus. (USA) – World Premiere, Feature Narrative. Traumatized by the death of his wife, a Hasidic cantor obsesses over how her body will decay. He seeks answers from a local biology professor in this, unlikeliest of buddy comedies. With Geza Rohrig, Matthew Broderick. After the movie: Tribeca Film Institute will host a conversation with writer/director Shawn Snyder, producers Emily Mortimer, Alessandro Nivola and Ron Perelman, cast members Geza Rohrig and Matthew Broderick, and biologist Dawnie Steadman. Hosted by Alfred P. Sloan Foundation Unbanned: The Legend of AJ1, directed and written by Dexton Deboree. Produced by Dexton Deboree, Stefanie Fink. (USA) – World Premiere, Feature Documentary. Through interviews with Michael Jordan, Spike Lee, and more, this vibrant documentary tells the origin story of the Air Jordan, and the impact it had on sports, hip-hop, and the birth of sneaker culture. With Spike Lee, Anthony Anderson, Chuck D, DJ Khaled, Michael Jordan, Michael B Jordan, Jason Sudeikis, Lena Waithe, Russell Westbrook. After the movie: A musical tribute to the film and the Air Jordan from Kid Ink, Gizzle, and more. Woman Walks Ahead, directed by Susanna White, written by Steven Knight. Produced by Edward Zwick, Marshall Herskovitz, Erika Olde, Richard Solomon, Andrea Calderwood. (USA) – U.S. Premiere, Feature Narrative. Based on a true story, 19th-century Brooklyn artist Catherine Weldon journeys west on a mission to paint a portrait of the legendary chief Sitting Bull, only to find a very different world—and man—than she was expecting. With Jessica Chastain, Michael Greyeyes, Chaske Spencer, Sam Rockwell, Ciarán Hinds, Bill Camp. A DirecTV/A24 release. After the movie: A conversation with director Susanna White, actor Sam Rockwell, and more.

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  • 2018 Sundance Film Festival Awards – “The Miseducation of Cameron Post,” “Kailash” Win Top Awards

    [caption id="attachment_26747" align="aligncenter" width="1200"]Forrest Goodluck, Sasha Lane and Chloë Grace Moretz appear in The Miseducation of Cameron Post by Desiree Akhavan, an official selection of the U.S. Dramatic Competition at the 2018 Sundance FIlm Festival. Courtesy of Sundance Institute | photo by Jeong Park. Forrest Goodluck, Sasha Lane and Chloë Grace Moretz appear in The Miseducation of Cameron Post by Desiree Akhavan.
    Courtesy of Sundance Institute | photo by Jeong Park.[/caption] The 2018 Sundance Film Festival’s Awards Ceremony took place last night and presented 28 prizes for feature filmmaking. The Grand Jury Prizes was awarded to The Miseducation of Cameron Post (U.S. Dramatic), Kailash (U.S. Documentary), Of Fathers and Sons (World Cinema Documentary) and Butterflies (World Cinema Dramatic). “From the beginning, the purpose of the Sundance Film Festival has been to support artists and their stories,” said Sundance Institute President and Founder Robert Redford, “and this year, our mission seemed especially relevant. Supporting independent voices, and listening to the stories they tell, has never been more necessary.” Feature film award winners in previous years include: I don’t feel at home in this world anymore., Weiner, Whiplash, Fruitvale Station, Beasts of the Southern Wild, Twenty Feet from Stardom, Searching for Sugarman, The Square, Me and Earl and the Dying Girl, Cartel Land, The Wolf Pack, The Diary of a Teenage Girl, Dope, Dear White People, The Cove and Man on Wire.

    2018 SUNDANCE FILM FESTIVAL FEATURE FILM AWARDS

    U.S. Grand Jury Prize: Documentary Kailash / U.S.A. (Director: Derek Doneen, Producers: Davis Guggenheim, Sarah Anthony) — As a young man, Kailash Satyarthi promised himself that he would end child slavery in his lifetime. In the decades since, he has rescued more than eighty thousand children and built a global movement. This intimate and suspenseful film follows one man’s journey to do what many believed was impossible. U.S. Grand Jury Prize: Dramatic The Miseducation of Cameron Post / U.S.A. (Director: Desiree Akhavan, Screenwriters: Desiree Akhavan, Cecilia Frugiuele, Producers: Cecilia Frugiuele, Jonathan Montepare, Michael B. Clark, Alex Turtletaub) — 1993: after being caught having sex with the prom queen, a girl is forced into a gay conversion therapy center. Based on Emily Danforth’s acclaimed and controversial coming-of-age novel. Cast: Chloë Grace Moretz, Sasha Lane, Forrest Goodluck, John Gallagher Jr., Jennifer Ehle. World Cinema Grand Jury Prize: Documentary Of Fathers and Sons / Germany, Syria, Lebanon, Qatar (Director: Talal Derki, Producers: Ansgar Frerich, Eva Kemme, Tobias N. Siebert, Hans Robert Eisenhauer) — Talal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses on Osama and his younger brother Ayman, providing an extremely rare insight into what it means to grow up in an Islamic Caliphate. World Cinema Grand Jury Prize: Dramatic Butterflies / Turkey (Director and screenwriter: Tolga Karaçelik, Producers: Tolga Karaçelik, Diloy Gülün, Metin  Anter) — In the Turkish village of Hasanlar, three siblings who neither know each other nor anything about their late father, wait to bury his body. As they start to find out more about their father and about each other, they also start to know more about themselves. Audience Award: U.S. Documentary The Sentence / U.S.A. (Director: Rudy Valdez, Producers: Sam Bisbee, Jackie Kelman Bisbee) — Cindy Shank, mother of three, is serving a 15-year sentence in federal prison for her tangential involvement with a Michigan drug ring years earlier. This intimate portrait of mandatory minimum drug sentencing’s devastating consequences, captured by Cindy’s brother, follows her and her family over the course of ten years. Audience Award: U.S. Dramatic Burden / U.S.A. (Director and screenwriter: Andrew Heckler, Producers: Robbie Brenner, Jincheng, Bill Kenwright) — After opening a KKK shop, Klansman Michael Burden falls in love with a single mom who forces him to confront his senseless hatred. After leaving the Klan and with nowhere to turn, Burden is taken in by an African-American reverend, and learns tolerance through their combined love and faith. Cast: Garrett Hedlund, Forest Whitaker, Andrea Riseborough, Tom Wilkinson, Usher Raymond. Audience Award: World Cinema Documentary This Is Home / U.S.A., Jordan (Director: Alexandra Shiva, Producers: Lindsey Megrue, Alexandra Shiva) — This is an intimate portrait of four Syrian families arriving in Baltimore, Maryland and struggling to find their footing. With eight months to become self-sufficient, they must forge ahead to rebuild their lives. When the travel ban adds further complications, their strength and resilience are put to the test. Audience Award: World Cinema Dramatic The Guilty / Denmark (Director: Gustav Möller, Screenwriters: Gustav Möller, Emil Nygaard Albertsen, Producer: Lina Flint) — Alarm dispatcher Asger Holm answers an emergency call from a kidnapped woman; after a sudden disconnection, the search for the woman and her kidnapper begins. With the phone as his only tool, Asger enters a race against time to solve a crime that is far bigger than he first thought. Cast: Jakob Cedergren, Jessica Dinnage, Johan Olsen, Omar Shargawi. Audience Award: NEXT Search / U.S.A. (Director: Aneesh Chaganty, Screenwriters: Aneesh Chaganty, Sev Ohanian, Producers: Timur Bekmambetov, Sev Ohanian, Adam Sidman, Natalie Qasabian) — After his 16-year-old daughter goes missing, a desperate father breaks into her laptop to look for clues to find her. A thriller that unfolds entirely on computer screens. Cast: John Cho, Debra Messing. Directing Award: U.S. Documentary Alexandria Bombach for her film On Her Shoulders / U.S.A. (Director: Alexandria Bombach, Producers: Hayley Pappas, Brock Williams) — Nadia Murad, a 23-year-old Yazidi, survived genocide and sexual slavery committed by ISIS. Repeating her story to the world, this ordinary girl finds herself thrust onto the international stage as the voice of her people. Away from the podium, she must navigate bureaucracy, fame and people’s good intentions. Directing Award: U.S. Dramatic Sara Colangelo, for her film The Kindergarten Teacher / U.S.A. (Director and screenwriter: Sara Colangelo, Producers: Talia Kleinhendler, Osnat Handelsman-Keren, Maggie Gyllenhaal, Celine Rattray, Trudie Styler) — When a Staten Island kindergarten teacher discovers what may be a gifted five year-old student in her class, she becomes fascinated and obsessed with the child– spiraling downward on a dangerous and desperate path in order to nurture his talent. Cast: Maggie Gyllenhaal, Parker Sevak, Rosa Salazar, Anna Barynishikov, Michael Chernus, Gael Garcia Bernal. Directing Award: World Cinema Documentary Sandi Tan, for her film Shirkers / U.S.A. (Director and screenwriter: Sandi Tan, Producers: Sandi Tan, Jessica Levin, Maya Rudolph) — In 1992, teenager Sandi Tan shot Singapore’s first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Twenty years later, the 16mm film is recovered, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges’ vanishing footprints. Directing Award: World Cinema Dramatic Ísold Uggadóttir, for her film And Breathe Normally / Iceland, Sweden, Belgium (Director and screenwriter: Ísold Uggadóttir, Producers: Skúli Malmquist, Diana Elbaum, Annika Hellström, Lilja Ósk Snorradóttir, Inga Lind Karlsdóttir) — At the edge of Iceland’s Reykjanes peninsula, two women’s lives will intersect – for a brief moment – while trapped in circumstances unforeseen. Between a struggling Icelandic mother and an asylum seeker from Guinea-Bissau, a delicate bond will form as both strategize to get their lives back on track. Cast: Kristín Thóra Haraldsdóttir, Babetida Sadjo, Patrik Nökkvi Pétursson. Waldo Salt Screenwriting Award: U.S. Dramatic Christina Choe, for her film NANCY / U.S.A. (Director and screenwriter: Christina Choe, Producers: Amy Lo, Michelle Cameron, Andrea Riseborough) — Blurring lines between fact and fiction, Nancy becomes increasingly convinced she was kidnapped as a child. When she meets a couple whose daughter went missing thirty years ago, reasonable doubts give way to willful belief – and the power of emotion threatens to overcome all rationality. Cast: Andrea Riseborough, J. Smith-Cameron, Steve Buscemi, Ann Dowd, John Leguizamo. U.S. Documentary Special Jury Award for Creative Vision Hale County This Morning, This Evening / U.S.A. (Director: RaMell Ross, Screenwriter: Maya Krinsky, Producers: Joslyn Barnes, RaMell Ross, Su Kim) — Composed of intimate and unencumbered moments of people in a community, this film is constructed in a form that allows the viewer an emotive impression of the Historic South – trumpeting the beauty of life and consequences of the social construction of race, while simultaneously a testament to dreaming. U.S. Documentary Special Jury Award for Social Impact Crime + Punishment / U.S.A. (Director: Stephen Maing) — Over four years of unprecedented access, the story of a brave group of black and Latino whistleblower cops and one unrelenting private investigator who, amidst a landmark lawsuit, risk everything to expose illegal quota practices and their impact on young minorities. U.S. Documentary Special Jury Award for Storytelling Three Identical Strangers / U.S.A. (Director: Tim Wardle, Producer: Becky Read) — New York,1980: three complete strangers accidentally discover that they’re identical triplets, separated at birth. The 19-year-olds’ joyous reunion catapults them to international fame, but also unlocks an extraordinary and disturbing secret that goes beyond their own lives – and could transform our understanding of human nature forever. U.S. Documentary Special Jury Award for Breakthrough Filmmaking Minding the Gap / U.S.A. (Director: Bing Liu, Producer: Diane Quon) — Three young men bond together to escape volatile families in their Rust Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship. U.S. Dramatic Special Jury Award for Outstanding First Feature Monsters and Men / U.S.A. (Director and screenwriter: Reinaldo Marcus Green, Producers: Elizabeth Lodge Stepp, Josh Penn, Eddie Vaisman, Julia Lebedev, Luca Borghese) — This interwoven narrative explores the aftermath of a police killing of a black man. The film is told through the eyes of the bystander who filmed the act, an African-American police officer and a high-school baseball phenom inspired to take a stand. Cast:John David Washington, Anthony Ramos, Kelvin Harrison Jr., Chanté Adams, Nicole Beharie, Rob Morgan. U.S. Dramatic Special Jury Award for Excellence in Filmmaking I Think We’re Alone Now / U.S.A. (Director: Reed Morano, Screenwriter: Mike Makowsky, Producers: Fred Berger, Brian Kavanaugh-Jones, Fernando Loureiro, Roberto Vasconcellos, Peter Dinklage, Mike Makowsky) — The apocalypse proves a blessing in disguise for one lucky recluse – until a second survivor arrives with the threat of companionship. Cast: Peter Dinklage, Elle Fanning. U.S. Dramatic Special Jury Award for Achievement in Acting Benjamin Dickey, for BLAZE / U.S.A. (Director: Ethan Hawke, Screenwriters: Ethan Hawke, Sybil Rosen, Producers: Jake Seal, John Sloss, Ryan Hawke, Ethan Hawke) — A reimagining of the life and times of Blaze Foley, the unsung songwriting legend of the Texas Outlaw Music movement; he gave up paradise for the sake of a song. Cast: Benjamin Dickey, Alia Shawkat, Josh Hamilton, Charlie Sexton. World Cinema Documentary Special Jury Award Stephen Loveridge and M.I.A., for MATANGI / MAYA / M.I.A. / Sri Lanka, United Kingdom, U.S.A. (Director: Stephen Loveridge, Producers: Lori Cheatle, Andrew Goldman, Paul Mezey) — Drawn from a never before seen cache of personal footage spanning decades, this is an intimate portrait of the Sri Lankan artist and musician who continues to shatter conventions. World Cinema Documentary Special Jury Award for Editing Editors Maxim Pozdorovkin and Matvey Kulakov, for Our New President / Russia, U.S.A. (Director: Maxim Pozdorovkin, Producers: Maxim Pozdorovkin, Joe Bender, Charlotte Cook) — The story of Donald Trump’s election told entirely through Russian propaganda. By turns horrifying and hilarious, the film is a satirical portrait of Russian media that reveals an empire of fake news and the tactics of modern-day information warfare. World Cinema Documentary Special Jury Award for Cinematography Cinematographers Maxim Arbugaev and Peter Indergand, for Genesis 2.0 / Switzerland (Directors: Christian Frei, Maxim Arbugaev, Producer: Christian Frei) — On the remote New Siberian Islands in the Arctic Ocean, hunters search for tusks of extinct mammoths. When they discover a surprisingly well-preserved mammoth carcass, its resurrection will be the first manifestation of the next great technological revolution: genetics. It may well turn our world upside down. World Cinema Dramatic Special Jury Award for Screenwriting Screenwriters Julio Chavezmontes and Sebastián Hofmann, for Time Share (Tiempo Compartido) / Mexico, Netherlands (Director: Sebastián Hofmann, Screenwriters: Julio Chavezmontes, Sebastián Hofmann, Producer: Julio Chavezmontes) — Two haunted family men join forces in a destructive crusade to rescue their families from a tropical paradise, after becoming convinced that an American timeshare conglomerate has a sinister plan to take their loved ones away. World Cinema Dramatic Special Jury Award for Acting Valeria Bertuccelli, for The Queen of Fear / Argentina, Denmark (Directors: Valeria Bertuccelli, Fabiana Tiscornia, Screenwriter: Valeria Bertuccelli, Producers: Benjamin Domenech, Santiago Gallelli, Matias Roveda, Juan Vera, Juan Pablo Galli, Christian Faillace) — Only one month left until the premiere of The Golden Time, the long-awaited solo show by acclaimed actress Robertina. Far from focused on the preparations for this new production, Robertina lives in a state of continuous anxiety that turns her privileged life into an absurd and tumultuous landscape. Cast: Valeria Bertuccelli, Diego Velázquez, Gabriel Eduardo “Puma” Goity, Darío Grandinetti. World Cinema Dramatic Special Jury Award for Ensemble Acting Dead Pigs / China (Director and screenwriter: Cathy Yan, Producers: Clarissa Zhang, Jane Zheng, Zhangke Jia, Mick Aniceto, Amy Aniceto) — A bumbling pig farmer, a feisty salon owner, a sensitive busboy, an expat architect and a disenchanted rich girl converge and collide as thousands of dead pigs float down the river towards a rapidly-modernizing Shanghai, China. Based on true events. Cast: Vivian Wu, Haoyu Yang, Mason Lee, Meng Li, David Rysdahl. NEXT Innovator Prize (tie) Night Comes On / U.S.A. (Director: Jordana Spiro, Screenwriters: Jordana Spiro, Angelica Nwandu, Producers: Jonathan Montepare, Alvaro R. Valente, Danielle Renfrew Behrens) — Angel LaMere is released from juvenile detention on the eve of her 18th birthday. Haunted by her past, she embarks on a journey with her 10 year-old sister that could destroy their future. Cast: Dominique Fishback, Tatum Hall, John Earl Jelks, Max Casella, James McDaniel. We the Animals / U.S.A. (Director: Jeremiah Zagar, Screenwriters: Daniel Kitrosser, Jeremiah Zagar, Producers: Jeremy Yaches, Christina D. King, Andrew Goldman, Paul Mezey) — Us three, us brothers, us kings. Manny, Joel and Jonah tear their way through childhood and push against the volatile love of their parents. As Manny and Joel grow into versions of their father and Ma dreams of escape, Jonah, the youngest, embraces an imagined world all his own. Cast: Raul Castillo, Sheila Vand, Evan Rosado, Isaiah Kristian, Josiah Gabriel. SHORT FILM AWARDS: Short Film Grand Jury Prize Matria / Spain (Director and screenwriter: Director and screenwriter: Álvaro Gago). Short Film Jury Award: U.S. Fiction Hair Wolf / U.S.A. (Director and screenwriter: Director and screenwriter: Mariama Diallo). Short Film Jury Award: International Fiction Would You Look at Her / Macedonia (Director and screenwriter: Goran Stolevski). Short Film Jury Award: Nonfiction The Trader (Sovdagari) / Georgia (Director: Tamta Gabrichidze). The Short Film Jury Award: Animation GLUCOSE / U.S.A. (Director and screenwriter: Jeron Braxton). Special Jury Awards without designation Emergency / U.S.A. (Director: Carey Williams, Screenwriter: K.D. Dávila), Fauve / Canada (Director and screenwriter: Jérémy Comte) For Nonna Anna / Canada (Director and screenwriter: Luis De Filippis). SUNDANCE INSTITUTE OPEN BORDERS FELLOWSHIP PRESENTED BY NETFLIX Of Fathers and Sons (Syria) / Talal Derki Untitled (India) / Chaitanya Tamhane Night On Fire (Mexico) / Tatiana Huezo Sundance Institute / NHK Award His House (United Kingdom) / Remi Weekes. SUNDANCE INSTITUTE | ALFRED P. SLOAN FEATURE FILM PRIZE The 2018 Alfred P. Sloan Feature Film Prize, presented to an outstanding feature film about science or technology, was presented to Aneesh Chaganty and Sev Ohanian’s Search. The filmmakers received a $20,000 cash award from Sundance Institute with support from the Alfred P. Sloan Foundation. SUNDANCE INSTITUTE | AMAZON STUDIOS PRODUCERS AWARDS Sev Ohanian received the 2018 Sundance Institute | Amazon Studios Producers Awards. The award recognizes bold vision and a commitment to continuing work as a creative producer in the independent space, and grants money (via the Sundance Institute Feature Film Program and Documentary Film Program) to emerging producers of films at the Sundance Film Festival. Image: Forrest Goodluck, Sasha Lane and Chloë Grace Moretz appear in The Miseducation of Cameron Post by Desiree Akhavan, an official selection of the U.S. Dramatic Competition at the 2018 Sundance FIlm Festival. Courtesy of Sundance Institute | photo by Jeong Park.

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  • 2018 Sundance Film Festival Unveils Feature Film Lineup of 110 Films

    [caption id="attachment_25705" align="aligncenter" width="1200"]The Kindergarten Teacher The Kindergarten Teacher[/caption] The 2018 Sundance Film Festival returns to Park City, Salt Lake City and at Sundance Mountain Resort, from January 18 to 28, and today announced the feature films lineup showcasing bold, independent storytelling. For the 2018 Festival, 110 feature-length films were selected, representing 29 countries and 47 first-time filmmakers, including 30 in competition.These films were selected from 13,468 submissions including 3,901 feature-length films and  8,740 short films. Of the feature film submissions, 1,799 were from the U.S. and 2,102 were international. One-hundred feature films at the Festival will be world premieres Robert Redford, President and Founder of Sundance Institute, said, “The work of independent storytellers can challenge and possibly change culture, illuminating our world’s imperfections and possibilities. This year’s Festival is full of artfully-told stories that provoke thought, drive empathy and allow the audience to connect, in deeply personal ways, to the universal human experience.”

    U.S. DRAMATIC COMPETITION

    American Animals / U.S.A. (Director and screenwriter: Bart Layton, Producers: Derrin Schlesinger, Katherine Butler, Dimitri Doganis, Mary Jane Skalski) — The unbelievable but mostly true story of four young men who mistake their lives for a movie and attempt one of the most audacious art heists in U.S. history. Cast: Evan Peters, Barry Keoghan, Blake Jenner, Jared Abrahamson, Ann Dowd, Udo Kier. World Premiere BLAZE / U.S.A. (Director: Ethan Hawke, Screenwriters: Ethan Hawke, Sybil Rosen, Producers: Jake Seal, John Sloss, Ryan Hawke, Ethan Hawke) — A reimagining of the life and times of Blaze Foley, the unsung songwriting legend of the Texas Outlaw Music movement; he gave up paradise for the sake of a song. Cast: Benjamin Dickey, Alia Shawkat, Josh Hamilton, Charlie Sexton. World Premiere Blindspotting / U.S.A. (Director: Carlos Lopez Estrada, Screenwriters: Rafael Casal, Daveed Diggs, Producers: Keith Calder, Jess Calder, Rafael Casal, Daveed Diggs) — A buddy comedy in a world that won’t let it be one. Cast: Daveed Diggs, Rafael Casal, Janina Gavankar, Jasmine Cephas Jones. World Premiere. DAY ONE Burden / U.S.A. (Director and screenwriter: Andrew Heckler, Producers: Robbie Brenner, Jincheng, Bill Kenwright) — After opening a KKK shop, Klansman Michael Burden falls in love with a single mom who forces him to confront his senseless hatred. After leaving the Klan and with nowhere to turn, Burden is taken in by an African-American reverend, and learns tolerance through their combined love and faith. Cast: Garrett Hedlund, Forest Whitaker, Andrea Riseborough, Tom Wilkinson, Usher Raymond. World Premiere Eighth Grade / U.S.A. (Director and screenwriter: Bo Burnham, Producers: Scott Rudin, Eli Bush, Christopher Storer, Lila Yacoub) — Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school — the end of her thus far disastrous eighth grade year — before she begins high school. Cast: Elsie Fisher, Josh Hamilton. World Premiere. I Think We’re Alone Now / U.S.A. (Director: Reed Morano, Screenwriter: Mike Makowsky, Producers: Fred Berger, Brian Kavanaugh-Jones, Fernando Loureiro, Roberto Vasconcellos, Peter Dinklage, Mike Makowsky) — The apocalypse proves a blessing in disguise for one lucky recluse – until a second survivor arrives with the threat of companionship. Cast: Peter Dinklage, Elle Fanning. World Premiere The Kindergarten Teacher / U.S.A. (Director and screenwriter: Sara Colangelo, Producers: Celine Rattray, Trudie Styler, Maggie Gyllenhaal, Osnat Handelsman-Keren, Talia Kleinhendler) — Lisa Spinelli is a Staten Island teacher who is unusually devoted to her students. When she discovers one of her five-year-olds is a prodigy, she becomes fascinated with the boy, ultimately risking her family and freedom to nurture his talent. Based on the acclaimed Israeli film. Cast: Maggie Gyllenhaal, Parker Sevak, Rosa Salazar, Anna Barynishikov, Michael Chernus, Gael Garcia Bernal. World Premiere Lizzie / U.S.A. (Director: Craig William Macneill, Screenwriter: Bryce Kass, Producers: Naomi Despres, Liz Destro) — Based on the 1892 murder of Lizzie Borden’s family in Fall River, MA, this tense psychological thriller lays bare the legend of Lizzie Borden to reveal the much more complex, poignant and truly terrifying woman within — and her intimate bond with the family’s young Irish housemaid, Bridget Sullivan. Cast: Chloë Sevigny, Kristen Stewart, Jamey Sheridan, Fiona Shaw, Kim Dickens, Denis O’Hare. World Premiere The Miseducation of Cameron Post / U.S.A. (Director: Desiree Akhavan, Screenwriters: Desiree Akhavan, Cecilia Frugiuele, Producers: Cecilia Frugiuele, Jonathan Montepare, Michael B. Clark, Alex Turtletaub) — 1993: after being caught having sex with the prom queen, a girl is forced into a gay conversion therapy center. Based on Emily Danforth’s acclaimed and controversial coming-of-age novel. Cast: Chloë Grace Moretz, Sasha Lane, Forrest Goodluck, John Gallagher Jr., Jennifer Ehle. World Premiere Monster / U.S.A. (Director: Anthony Mandler, Screenwriters: Radha Blank, Cole Wiley, Janece Shaffer, Producers: Tonya Lewis Lee, Nikki Silver, Aaron L. Gilbert, Mike Jackson, Edward Tyler Nahem) — “Monster” is what the prosecutor calls 17 year old honors student and aspiring filmmaker Steve Harmon. Charged with felony murder for a crime he says he did not commit, the film follows his dramatic journey through a complex legal battle that could leave him spending the rest of his life in prison. Cast: Kelvin Harrison Jr., Jeffrey Wright, Jennifer Hudson, Rakim Mayers, Jennifer Ehle, Tim Blake Nelson. World Premiere Monsters and Men / U.S.A. (Director and screenwriter: Reinaldo Marcus Green, Producers: Elizabeth Lodge Stepp, Josh Penn, Eddie Vaisman, Julia Lebedev, Luca Borghese) — This interwoven narrative explores the aftermath of a police killing of a black man. The film is told through the eyes of the bystander who filmed the act, an African-American police officer and a high-school baseball phenom inspired to take a stand. Cast: John David Washington, Anthony Ramos, Kelvin Harrison Jr., Chanté Adams, Nicole Beharie, Rob Morgan. World Premiere NANCY / U.S.A. (Director and screenwriter: Christina Choe, Producers: Amy Lo, Michelle Cameron, Andrea Riseborough) — Blurring lines between fact and fiction, Nancy becomes increasingly convinced she was kidnapped as a child. When she meets a couple whose daughter went missing thirty years ago, reasonable doubts give way to willful belief – and the power of emotion threatens to overcome all rationality. Cast: Andrea Riseborough, J. Smith-Cameron, Steve Buscemi, Ann Dowd, John Leguizamo. World Premiere Sorry to Bother You / U.S.A. (Director and screenwriter: Boots Riley, Producers: Nina Yang Bongiovi, Forest Whitaker, Charles King, George Rush, Jonathan Duffy, Kelly Williams) — In a speculative and dystopian not-too-distant future, black telemarketer Cassius Green discovers a magical key to professional success – which propels him into a macabre universe. Cast: Lakeith Stanfield, Tessa Thompson, Steven Yeun, Jermaine Fowler, Armie Hammer, Omari Hardwicke. World Premiere The Tale / U.S.A. (Director and screenwriter: Jennifer Fox, Producers: Oren Moverman, Lawrence Inglee, Laura Rister, Mynette Louie, Sol Bondy, Simone Pero) — An investigation into one woman’s memory as she’s forced to re-examine her first sexual relationship and the stories we tell ourselves in order to survive; based on the filmmaker’s own story. Cast: Laura Dern, Isabel Nelisse, Jason Ritter, Elizabeth Debicki, Ellen Burstyn, Common. World Premiere TYREL / U.S.A. (Director and screenwriter: Sebastian Silva, Producers: Jacob Wasserman, Max Born) — Tyler spirals out of control when he realizes he’s the only black person attending a weekend birthday party in a secluded cabin. Cast: Jason Mitchell, Christopher Abbott, Michael Cera, Caleb Landry Jones, Ann Dowd. World Premiere Wildlife / U.S.A. (Director: Paul Dano, Screenwriters: Paul Dano, Zoe Kazan, Producers: Andrew Duncan, Alex Saks, Oren Moverman, Ann Ruark, Jake Gyllenhaal, Riva Marker) — Montana, 1960: A portrait of a family in crisis. Based on the novel by Richard Ford. Cast: Carey Mulligan, Ed Oxenbould, Bill Camp, Jake Gyllenhaal. World Premiere

    U.S. DOCUMENTARY COMPETITION

    Bisbee ’17 / U.S.A. (Director and screenwriter: Robert Greene, Producers: Douglas Tirola, Susan Bedusa, Bennett Elliott) — An old mining town on the Arizona-Mexico border finally reckons with its darkest day: the deportation of 1200 immigrant miners exactly 100 years ago. Locals collaborate to stage recreations of their controversial past. Cast: Fernando Serrano, Laurie McKenna, Ray Family, Mike Anderson, Graeme Family, Richard Hodges. World Premiere Crime + Punishment / U.S.A. (Director: Stephen Maing) — Over four years of unprecedented access, the story of a brave group of black and Latino whistleblower cops and one unrelenting private investigator who, amidst a landmark lawsuit, risk everything to expose illegal quota practices and their impact on young minorities. World Premiere Dark Money / U.S.A. (Director and screenwriter: Kimberly Reed, Producer: Katy Chevigny) — “Dark money” contributions, made possible by the U.S. Supreme Court’s Citizens United ruling, flood modern American elections – but Montana is showing Washington D.C. how to solve the problem of unlimited anonymous money in politics. World Premiere The Devil We Know / U.S.A. (Director: Stephanie Soechtig, Producers: Kristin Lazure, Stephanie Soechtig, Joshua Kunau, Carly Palmour) — Unraveling one of the biggest environmental scandals of our time, a group of citizens in West Virginia take on a powerful corporation after they discover it has knowingly been dumping a toxic chemical — now found in the blood of 99.7% of Americans — into the local drinking water supply. World Premiere. THE NEW CLIMATE Hal / U.S.A. (Director: Amy Scott, Producers: Christine Beebe, Jonathan Lynch, Brian Morrow) — Hal Ashby’s obsessive genius led to an unprecedented string of Oscar®-winning classics, including Harold and Maude, Shampoo and Being There. But as contemporaries Coppola, Scorsese and Spielberg rose to blockbuster stardom in the 1980s, Ashby’s uncompromising nature played out as a cautionary tale of art versus commerce. World Premiere Hale County This Morning, This Evening / U.S.A. (Director: RaMell Ross, Screenwriter: Maya Krinsky, Producers: Joslyn Barnes, RaMell Ross, Su Kim) — An exploration of coming-of-age in the Black Belt of the American South, using stereotypical imagery to fill in the landscape between iconic representations of black men and encouraging a new way of looking, while resistance to narrative suspends conclusive imagining – allowing the viewer to complete the film. World Premiere Inventing Tomorrow / U.S.A. (Director: Laura Nix, Producers: Diane Becker, Melanie Miller, Laura Nix) — Take a journey with young minds from around the globe as they prepare their projects for the largest convening of high school scientists in the world, the Intel International Science and Engineering Fair (ISEF). Watch these passionate innovators find the courage to face the planet’s environmental threats while navigating adolescence. World Premiere. THE NEW CLIMATE Kailash / U.S.A. (Director: Derek Doneen, Producers: Davis Guggenheim, Sarah Anthony) — As a young man, Kailash Satyarthi promised himself that he would end child slavery in his lifetime. In the decades since, he has rescued more than eighty thousand children and built a global movement. This intimate and suspenseful film follows one man’s journey to do what many believed was impossible. World Premiere. DAY ONE Kusama – Infinity / U.S.A. (Director and screenwriter: Heather Lenz, Producers: Karen Johnson, Heather Lenz, Dan Braun, David Koh) — Now one of the world’s most celebrated artists, Yayoi Kusama broke free of the rigid society in which she was raised, and overcame sexism, racism, and mental illness to bring her artistic vision to the world stage. At 88 she lives in a mental hospital and continues to create art. World Premiere The Last Race / U.S.A. (Director: Michael Dweck, Producers: Michael Dweck, Gregory Kershaw) — A cinematic portrait of a small town stock car track and the tribe of drivers that call it home as they struggle to hold onto an American racing tradition. The avant-garde narrative explores the community and its conflicts through an intimate story that reveals the beauty, mystery and emotion of grassroots auto racing. World Premiere Minding the Gap / U.S.A. (Director: Bing Liu, Producer: Diane Quon) — Three young men bond together to escape volatile families in their Rust Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship. World Premiere On Her Shoulders / U.S.A. (Director: Alexandria Bombach, Producers: Marie Therese Guirgis, Hayley Pappas, Brock Williams, Bryn Mooser, Adam Bardach) — A Yazidi genocide and ISIS sexual slavery survivor, 23-year-old Nadia Murad is determined to tell the world her story. As her journey leads down paths of advocacy and fame, she becomes the voice of her people and their best hope to spur the world to action. International Premiere The Price of Everything / U.S.A. (Director: Nathaniel Kahn, Producers: Jennifer Blei Stockman, Debi Wisch, Carla Solomon) — With unprecedented access to pivotal artists and the white-hot market surrounding them, this film dives deep into the contemporary art world, holding a funhouse mirror up to our values and our times – where everything can be bought and sold.World Premiere Seeing Allred / U.S.A. (Directors: Sophie Sartain, Roberta Grossman, Producers: Roberta Grossman, Sophie Sartain, Marta Kauffman, Robbie Rowe Tollin, Hannah KS Canter) — Gloria Allred overcame trauma and personal setbacks to become one of the nation’s most famous women’s rights attorneys. Now the feminist firebrand takes on two of the biggest adversaries of her career, Bill Cosby and Donald Trump, as sexual violence allegations grip the nation and keep her in the spotlight. World Premiere The Sentence / U.S.A. (Director: Rudy Valdez, Producers: Sam Bisbee, Jackie Kelman Bisbee) — Cindy Shank, mother of three, is serving a 15-year sentence in federal prison for her tangential involvement with a Michigan drug ring years earlier. This intimate portrait of mandatory minimum drug sentencing’s devastating consequences, captured by Cindy’s brother, follows her and her family over the course of ten years. World Premiere Three Identical Strangers / U.S.A. (Director: Tim Wardle, Producer: Becky Read) — New York,1980: three complete strangers accidentally discover that they’re identical triplets, separated at birth. The 19-year-olds’ joyous reunion catapults them to international fame, but also unlocks an extraordinary and disturbing secret that goes beyond their own lives – and could transform our understanding of human nature forever. World Premiere

    WORLD CINEMA DRAMATIC COMPETITION

    And Breathe Normally / Iceland, Sweden, Belgium (Director and screenwriter: Ísold Uggadóttir, Producers: Skúli Malmquist, Diana Elbaum, Annika Hellström, Lilja Ósk Snorradóttir, Inga Lind Karlsdóttir) — At the edge of Iceland’s Reykjanes peninsula, two women’s lives will intersect – for a brief moment – while trapped in circumstances unforeseen. Between a struggling Icelandic mother and an asylum seeker from Guinea-Bissau, a delicate bond will form as both strategize to get their lives back on track. Cast: Kristín Thóra Haraldsdóttir, Babetida Sadjo, Patrik Nökkvi Pétursson. World Premiere Butterflies / Turkey (Director and screenwriter: Tolga Karaçelik, Producers: Tolga Karaçelik, Diloy Gülün, Metin  Anter) — In the Turkish village of Hasanlar, three siblings who neither know each other nor anything about their late father, wait to bury his body. As they start to find out more about their father and about each other, they also start to know more about themselves. Cast: Tolga Tekin, Bartu Küçükçağlayan, Tuğçe Altuğ, Serkan Keskin, Hakan Karsak. World Premiere Dead Pigs / China (Director and screenwriter: Cathy Yan, Producers: Clarissa Zhang, Jane Zheng, Zhangke Jia, Mick Aniceto, Amy Aniceto) — A bumbling pig farmer, a feisty salon owner, a sensitive busboy, an expat architect and a disenchanted rich girl converge and collide as thousands of dead pigs float down the river towards a rapidly-modernizing Shanghai, China. Based on true events. Cast: Vivian Wu, Haoyu Yang, Mason Lee, Meng Li, David Rysdahl. World Premiere The Guilty / Denmark (Director: Gustav Möller, Screenwriters: Gustav Möller, Emil Nygaard Albertsen, Producer: Lina Flint) — Alarm dispatcher Asger Holm answers an emergency call from a kidnapped woman; after a sudden disconnection, the search for the woman and her kidnapper begins. With the phone as his only tool, Asger enters a race against time to solve a crime that is far bigger than he first thought. Cast: Jakob Cedergren, Jessica Dinnage, Johan Olsen, Omar Shargawi. World Premiere Holiday / Denmark, Netherlands, Sweden (Director: Isabella Eklöf, Screenwriters: Isabella Eklöf, Johanne Algren, Producer: David B. Sørensen) — A love triangle featuring the trophy girlfriend of a petty drug lord, caught up in a web of luxury and violence in a modern dark gangster tale set in the beautiful port city of Bodrum on the Turkish Riviera. Cast: Victoria Carmen Sonne, Lai Yde, Thijs Römer. World Premiere Loveling / Brazil, Uruguay (Director: Gustavo Pizzi, Screenwriters: Gustavo Pizzi, Karine Teles, Producers: Tatiana Leite, Rodrigo Letier, Agustina Chiarino, Fernando Epstein) — On the outskirts of Rio de Janeiro, Irene has only a few days to overcome her anxiety and renew her strength before sending her eldest son out into the world. Cast: Karine Teles, Otavio Muller, Adriana Esteves, Konstantinos Sarris, Cesar Troncoso. World Premiere. DAY ONE Pity / Greece, Poland (Director: Babis Makridis, Screenwriters: Efthimis Filippou, Babis Makridis, Producers: Amanda Livanou, Christos V. Konstantakopoulos, Klaudia Śmieja, Beata Rzeźniczek) — The story of a man who feels happy only when he is unhappy: addicted to sadness, with such need for pity, that he’s willing to do everything to evoke it from others. This is the life of a man in a world not cruel enough for him. Cast: Yannis Drakopoulos, Evi Saoulidou, Nota Tserniafski, Makis Papadimitriou, Georgina Chryskioti, Evdoxia Androulidaki. World Premiere The Queen of Fear / Argentina, Denmark (Directors: Valeria Bertuccelli, Fabiana Tiscornia, Screenwriter: Valeria Bertuccelli, Producers: Benjamin Domenech, Santiago Gallelli, Matias Roveda, Juan Vera, Juan Pablo Galli, Christian Faillace) — Only one month left until the premiere of The Golden Time, the long-awaited solo show by acclaimed actress Robertina. Far from focused on the preparations for this new production, Robertina lives in a state of continuous anxiety that turns her privileged life into an absurd and tumultuous landscape. Cast: Valeria Bertuccelli, Diego Velázquez, Gabriel Eduardo “Puma” Goity, Darío Grandinetti. World Premiere Rust / Brazil (Director: Aly Muritiba, Screenwriters: Aly Muritiba, Jessica Candal, Producer: Antônio Junior) — Tati and Renet were already trading pics, videos and music by their cellphones and on the last school trip they started making eye contact. However, what could be the beginning of a love story becomes an end. Cast: Giovanni De Lorenzi, Tifanny Dopke, Enrique Diaz, Clarissa Kiste, Duda Azevedo, Pedro Inoue. World Premiere Time Share (Tiempo Compartido) / Mexico, Netherlands (Director: Sebastián Hofmann, Screenwriters: Julio Chavezmontes, Sebastián Hofmann, Producer: Julio Chavezmontes) — Two haunted family men join forces in a destructive crusade to rescue their families from a tropical paradise, after becoming convinced that an American timeshare conglomerate has a sinister plan to take their loved ones away. Cast: Luis Gerardo Mendez, Miguel Rodarte, Andrés Almeida, Cassandra Ciangherotti, Monserrat Marañon, R.J. Mitte. World Premiere Un Traductor / Canada, Cuba (Directors: Rodrigo Barriuso, Sebastián Barriuso, Screenwriter: Lindsay Gossling, Producers: Sebastián Barriuso, Lindsay Gossling) — A Russian Literature professor at the University of Havana is ordered to work as a translator for child victims of the Chernobyl nuclear disaster when they are sent to Cuba for medical treatment. Based on a true story. Cast: Rodrigo Santoro, Maricel Álvarez, Yoandra Suárez. World Premiere Yardie / United Kingdom (Director: Idris Elba, Screenwriters: Brock Norman Brock, Martin Stellman, Producers: Gina Carter, Robin Gutch) — Jamaica, 1973. When a young boy witnesses his brother’s assassination, a powerful Don gives him a home. Ten years later he is sent on a mission to London. He reunites with his girlfriend and their daughter, but then the past catches up with them. Based on Victor Headley’s novel. Cast: Aml Ameen, Shantol Jackson, Stephen Graham, Fraser James, Sheldon Shepherd, Everaldo Cleary. World Premiere

    WORLD CINEMA DOCUMENTARY COMPETITION

    A Polar Year / France (Director: Samuel Collardey, Screenwriters: Samuel Collardey, Catherine Paillé, Producer: Grégoire Debailly) — Anders leaves his native Denmark for a teaching position in rural Greenland. As soon as he arrives, he finds himself at odds with tightly-knit locals. Only through a clumsy and playful trial of errors can Anders shake his Euro-centric assumptions and embrace their snow-covered way of life. Cast: Anders Hvidegaard, Asser Boassen, Julius B. Nielsen, Tobias Ignatiussen, Thomasine Jonathansen, Gert Jonathansen. World Premiere Anote’s Ark / Canada (Director: Matthieu Rytz, Producers: Bob Moore, Mila Aung-Thwin, Daniel Cross, Shari Plummer, Shannon Joy) — How does a nation survive being swallowed by the sea? Kiribati, on a low-lying Pacific atoll, will disappear within decades due to rising sea levels, population growth, and climate change. This exploration of how to migrate an entire nation with dignity interweaves personal stories of survival and resilience. World Premiere. THE NEW CLIMATE The Cleaners / Germany, Brazil (Directors: Moritz Riesewieck, Hans Block, Screenwriters: Moritz Riesewieck, Hans Block, Georg Tschurtschenthaler, Producers: Christian Beetz, Georg Tschurtschenthaler, Julie Goldman, Christopher Clements, Fernando Dias, Mauricio Dias) — When you post something on the web, can you be sure it stays there? Enter a hidden shadow industry of digital cleaning, where the Internet rids itself of what it doesn’t like: violence, pornography and political content. Who is controlling what we see…and what we think? World Premiere Genesis 2.0 / Switzerland (Directors: Christian Frei, Maxim Arbugaev, Producer: Christian Frei) — On the remote New Siberian Islands in the Arctic Ocean, hunters search for tusks of extinct mammoths. When they discover a surprisingly well-preserved mammoth carcass, its resurrection will be the first manifestation of the next great technological revolution: genetics. It may well turn our world upside down. World Premiere MATANGI / MAYA / M.I.A. / Sri Lanka, United Kingdom, U.S.A. (Director: Stephen Loveridge, Producers: Lori Cheatle, Andrew Goldman, Paul Mezey) — Drawn from a never before seen cache of personal footage spanning decades, this is an intimate portrait of the Sri Lankan artist and musician who continues to shatter conventions. World Premiere Of Fathers and Sons / Germany, Syria, Lebanon (Director: Talal Derki, Producers: Ansgar Frerich, Eva Kemme, Tobias N. Siebert, Hans Robert Eisenhauer) — Talal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses on Osama and his younger brother Ayman, providing an extremely rare insight into what it means to grow up in an Islamic Caliphate. North American Premiere The Oslo Diaries / Israel, Canada (Directors and screenwriters: Mor Loushy, Daniel Sivan, Producers: Hilla Medalia, Ina Fichman) — In 1992, Israeli-Palestinian relations reached an all time low. In an attempt to stop the bloodshed, a group of Israelis and Palestinians met illegally in Oslo. These meetings were never officially sanctioned and held in complete secrecy. They changed the Middle East forever. World Premiere Our New President / Russia, U.S.A. (Director: Maxim Pozdorovkin, Producers: Maxim Pozdorovkin, Joe Bender) — The story of Donald Trump’s election told entirely through Russian propaganda. By turns horrifying and hilarious, the film is a satirical portrait of Russian media that reveals an empire of fake news and the tactics of modern-day information warfare. World Premiere. DAY ONE Shirkers / U.S.A. (Director and screenwriter: Sandi Tan, Producers: Sandi Tan, Jessica Levin, Maya Rudolph) — In 1992, teenager Sandi Tan shot Singapore’s first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Twenty years later, the 16mm film is recovered, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges’ vanishing footprints. World Premiere This is Home / U.S.A., Jordan (Director: Alexandra Shiva, Producer: Lindsey Megrue) This is an intimate portrait of four Syrian families arriving in Baltimore, Maryland and struggling to find their footing. With eight months to become self-sufficient, they must forge ahead to rebuild their lives. When the travel ban adds further complications, their strength and resilience are put to the test. World Premiere Westwood / United Kingdom (Director: Lorna Tucker, Producers: Eleanor Emptage, Shirine Best, Nicole Stott, John Battsek) — Dame Vivienne Westwood: punk, icon, provocateur and one of the most influential originators in recent history. This is the first film to encompass the remarkable story of one of the true icons of our time, as she fights to maintain her brand’s integrity, her principles – and her legacy. World Premiere A Woman Captured / Hungary (Director and screenwriter: Bernadett Tuza-Ritter, Producers: Julianna Ugrin, Viki Réka Kiss, Erik Winker, Martin Roelly) — A European woman has been kept by a family as a domestic slave for 10 years – one of over 45 million victims of modern-day slavery. Drawing courage from the filmmaker’s presence, she decides to escape the unbearable oppression and become a free person. North American Premiere

    NEXT

    306 Hollywood / U.S.A., Hungary (Directors: Elan Bogarín, Jonathan Bogarín, Screenwriters: Jonathan Bogarín, Elan Bogarín, Nyneve Laura Minnear, Producers: Elan Bogarín, Jonathan Bogarín, Judit Stalter) — When two siblings undertake an archaeological excavation of their late grandmother’s house, they embark on a magical-realist journey from her home in New Jersey to ancient Rome, from fashion to physics, in search of what life remains in the objects we leave behind. World Premiere. DAY ONE A Boy, A Girl, A Dream. / U.S.A. (Director: Qasim Basir, Screenwriters: Qasim Basir, Samantha Tanner, Producer: Datari Turner) — On the night of the 2016 Presidential election, Cass, an L.A. club promoter, takes a thrilling and emotional journey with Frida, a Midwestern visitor. She challenges him to revisit his broken dreams – while he pushes her to discover hers. Cast: Omari Hardwick, Meagan Good, Jay Ellis, Kenya Barris, Dijon Talton, Wesley Jonathan. World Premiere An Evening With Beverly Luff Linn / United Kingdom, U.S.A. (Director: Jim Hosking, Screenwriters: Jim Hosking, David Wike, Producers: Sam Bisbee, Theodora Dunlap, Oliver Roskill, Emily Leo, Lucan Toh, Andy Starke) — Lulu Danger’s unsatisfying marriage takes a fortunate turn for the worse when a mysterious man from her past comes to town to perform an event called ‘An Evening With Beverly Luff Linn For One Magical Night Only.’ Cast: Aubrey Plaza, Emile Hirsch, Jemaine Clement, Matt Berry, Craig Robinson. World Premiere Clara’s Ghost / U.S.A. (Director and screenwriter: Bridey Elliott, Producer: Sarah Winshall) — Set over the course of a single evening at the Reynolds’ family home in Connecticut, Clara, fed up with the constant ribbing from her self-absorbed showbiz family, finds solace in and guidance from the supernatural force she believes is haunting her. Cast: Paula Niedert Elliott, Chris Elliott, Abby Elliott, Bridey Elliott, Haley Joel Osment, Isidora Goreshter. World Premiere Madeline’s Madeline / U.S.A. (Director and screenwriter: Josephine Decker, Producers: Krista Parris, Elizabeth Rao) — Madeline got the part! She’s going to play the lead in a theater piece! Except the lead wears sweatpants like Madeline’s. And has a cat like Madeline’s. And is holding a steaming hot iron next to her mother’s face – like Madeline is. Cast: Helena Howard, Molly Parker, Miranda July, Okwui Okpokwasili, Felipe Bonilla, Lisa Tharps. World Premiere Night Comes On / U.S.A. (Director: Jordana Spiro, Screenwriters: Jordana Spiro, Angelica Nwandu, Producers: Jonathan Montepare, Alvaro R. Valente, Danielle Renfrew Behrens) — Angel LaMere is released from juvenile detention on the eve of her 18th birthday. Haunted by her past, she embarks on a journey with her 10 year-old sister that could destroy their future. Cast: Dominique Fishback, Tatum Hall, John Earl Jelks, Max Casella, James McDaniel. World Premiere Search / U.S.A. (Director: Aneesh Chaganty, Screenwriters: Aneesh Chaganty, Sev Ohanian, Producers: Timur Bekmambetov, Sev Ohanian, Adam Sidman, Natalie Qasabian) — After his 16-year-old daughter goes missing, a desperate father breaks into her laptop to look for clues to find her. A thriller that unfolds entirely on computer screens. Cast: John Cho, Debra Messing. World Premiere. WINNER: 2018 Alfred P. Sloan Feature Film Prize.  Skate Kitchen / U.S.A. (Director: Crystal Moselle, Screenwriters: Crystal Moselle, Ashlihan Unaldi, Producers: Lizzie Nastro, Izabella Tzenkova, Julia Nottingham, Matthew Perniciaro, Michael Sherman, Rodrigo Teixeira) — Camille’s life as a lonely suburban teenager changes dramatically when she befriends a group of girl skateboarders. As she journeys deeper into this raw New York City subculture, she begins to understand the true meaning of friendship as well as her inner self. Cast: Rachelle Vinberg, Dede Lovelace, Jaden Smith, Nina Moran, Ajani Russell, Kabrina Adams. World Premiere We The Animals / U.S.A. (Director: Jeremiah Zagar, Screenwriters: Daniel Kitrosser, Jeremiah Zagar, Producers: Jeremy Yaches, Christina D. King, Andrew Goldman, Paul Mezey) — Us three, us brothers, us kings. Manny, Joel and Jonah tear their way through childhood and push against the volatile love of their parents. As Manny and Joel grow into versions of their father and Ma dreams of escape, Jonah, the youngest, embraces an imagined world all his own. Cast: Raul Castillo, Sheila Vand, Evan Rosado, Isaiah Kristian, Josiah Santiago. World Premiere White Rabbit / U.S.A. (Director: Daryl Wein, Screenwriters: Daryl Wein, Vivian Bang, Producers: Daryl Wein, Vivian Bang) —A dramatic comedy following a Korean American performance artist who struggles to be authentically heard and seen through her multiple identities in modern Los Angeles. Cast: Vivian Bang, Nana Ghana, Nico Evers-Swindel, Tracy Hazas, Elizabeth Sung, Michelle Sui. World Premiere

    PREMIERES

    A Kid Like Jake / U.S.A. (Director: Silas Howard, Screenwriter: Daniel Pearle, Producers: Jim Parsons, Todd Spiewak, Eric Norsoph, Paul Bernon, Rachel Song) — As married couple Alex and Greg navigate their roles as parents to a young son who prefers Cinderella to G.I. Joe, a rift grows between them, one that forces them to confront their own concerns about what’s best for their child, and each other. Cast: Claire Danes, Jim Parsons, Octavia Spencer, Priyanka  Chopra, Ann Dowd, Amy Landecker. World Premiere Beirut / U.S.A. (Director: Brad Anderson, Screenwriter: Tony Gilroy) — A U.S. diplomat flees Lebanon in 1972 after a tragic incident at his home. Ten years later, he is called back to war-torn Beirut by CIA operatives to negotiate for the life of a friend he left behind. Cast: Jon Hamm, Rosamund Pike, Shea Whigham, Dean Norris. World Premiere The Catcher Was a Spy / U.S.A. (Director: Ben Lewin, Screenwriter: Robert Rodat, Producers: Kevin Frakes, Tatiana Kelly, Buddy Patrick, Jim Young) — The true story of Moe Berg – professional baseball player, Ivy League graduate, attorney who spoke nine languages – and a top-secret spy for the OSS who helped the U.S. win the race against Germany to build the atomic bomb. Cast: Paul Rudd, Mark Strong, Sienna Miller, Jeff Daniels, Guy Pearce, Paul Giamatti. World Premiere Colette / United Kingdom (Director: Wash Westmoreland, Screenwriters: Wash Westmoreland, Richard Glatzer, Producers: Pamela Koffler, Christine Vachon, Elizabeth Karlsen, Stephen Woolley) — A young country woman marries a famous literary entrepreneur in turn-of-the-century Paris: At her husband’s request, Colette pens a series of bestselling novels published under his name. But as her confidence grows, she transforms not only herself and her marriage, but the world around her. Cast: Keira Knightley, Dominic West, Fiona Shaw, Denise Gough, Elinor Tomlinson, Aiysha Hart. World Premiere Come Sunday / U.S.A. (Director: Joshua Marston, Screenwriter: Marcus Hinchey, Producers: Ira Glass, Alissa Shipp, Julie Goldstein, James Stern, Lucas Smith, Cindy Kirven) — Internationally-renowned pastor Carlton Pearson — experiencing a crisis of faith — risks his church, family and future when he questions church doctrine and finds himself branded a modern-day heretic. Based on actual events. Cast: Chiwetel Ejiofor, Danny Glover, Condola Rashad, Jason Segel, Lakeith Stanfield, Martin Sheen. World Premiere Damsel / U.S.A. (Directors and screenwriters: David Zellner, Nathan Zellner, Producers: Nathan Zellner, Chris Ohlson, David Zellner) — Samuel Alabaster, an affluent pioneer, ventures across the American Frontier to marry the love of his life, Penelope. As Samuel, a drunkard named Parson Henry and a miniature horse called Butterscotch traverse the Wild West, their once-simple journey grows treacherous, blurring the lines between hero, villain and damsel. Cast: Robert Pattinson, Mia Wasikowska, David Zellner, Robert Forster, Nathan Zellner, Joe Billingiere. World Premiere Don’t Worry, He Won’t Get Far On Foot / U.S.A. (Director: Gus Van Sant, Screenwriters: Gus Van Sant (screenplay), John Callahan (biography), Producers: Charles-Marie Anthonioz, Mourad Belkeddar, Steve Golin, Nicolas Lhermitte) — John Callahan has a talent for off-color jokes…and a drinking problem. When a bender ends in a car accident, Callahan wakes permanently confined to a wheelchair. In his journey back from rock bottom, Callahan finds beauty and comedy in the absurdity of human experience. Cast: Joaquin Phoenix, Jonah Hill, Rooney Mara, Jack Black. World Premiere Futile and Stupid Gesture / U.S.A. (Director: David Wain, Screenwriters: John Aboud, Michael Colton, Producers: Peter Principato, Jonathan Stern) — The story of comedy wunderkind Doug Kenney, who co-created the National Lampoon, Caddyshack, and Animal House. Kenney was at the center of the 70’s comedy counter-culture which gave birth to Saturday Night Live and a whole generation’s way of looking at the world. Cast: Will Forte, Martin Mull, Domhnall Gleeson, Matt Walsh, Joel McHale, Emmy Rossum. World Premiere The Happy Prince / Germany, Belgium, Italy (Director and screenwriter: Rupert Everett) — The last days of Oscar Wilde—and the ghosts haunting them—are brought to vivid life. His body ailing, Wilde lives in exile, surviving on the flamboyant irony and brilliant wit that defined him as the transience of lust is laid bare and the true riches of love are revealed. Cast: Colin Firth, Emily Watson, Colin Morgan, Edwin Thomas, Rupert Everett. World Premiere Hearts Beat Loud / U.S.A. (Director: Brett Haley, Screenwriters: Brett Haley, Marc Basch, Producers: Houston King, Sam Bisbee, Sam Slater) — In Red Hook, Brooklyn, a father and daughter become an unlikely songwriting duo in the last summer before she leaves for college. Cast: Nick Offerman, Kiersey Clemons, Ted Danson, Sasha Lane, Blythe Danner, Toni Collette. World Premiere Juliet, Naked / United Kingdom (Director: Jesse Peretz, Screenwriters: Tamara Jenkins, Jim Taylor, Phil Alden Robinson, Evgenia Peretz, Producers: Judd Apatow, Barry Mendel, Albert Berger, Ron Yerxa) — Annie is the long-suffering girlfriend of Duncan, an obsessive fan of obscure rocker Tucker Crowe. When the acoustic demo of Tucker’s celebrated record from 25 years ago surfaces, its release leads to an encounter with the elusive rocker himself. Based on the novel by Nick Hornby. Cast: Rose Byrne, Ethan Hawke, Chris O’Dowd. World Premiere Ophelia / United Kingdom (Director: Claire McCarthy, Screenwriter: Semi Chellas, Producers: Daniel Bobker, Sarah Curtis, Ehren Kruger, Paul Hanson) — A mythic spin on Hamlet through a lens of female empowerment: Ophelia comes of age as lady-in-waiting for Queen Gertrude, and her singular spirit captures Hamlet’s affections. As lust and betrayal threaten the kingdom, Ophelia finds herself trapped between true love and controlling her own destiny. Cast: Daisy Ridley, Naomi Watts, Clive Owen, George MacKay, Tom Felton, Devon Terrell. World Premiere Puzzle / U.S.A. (Director: Marc Turtletaub, Screenwriter: Oren Moverman, Producers: Peter Saraf, Wren Arthur, Guy Stodel) — Agnes, taken for granted as a suburban mother, discovers a passion for solving jigsaw puzzles which unexpectedly draws her into a new world – where her life unfolds in ways she could never have imagined. Cast: Kelly Macdonald, Irrfan Khan, David Denman, Bubba Weiler, Austin Abrams, Liv Hewson. World Premiere Untitled Debra Granik Project / U.S.A. (Director: Debra Granik, Screenwriters: Debra Granik, Anne Rosellini, Producers: Anne Harrison, Linda Reisman, Anne Rosellini) — A father and daughter live a perfect but mysterious existence in Forest Park, a beautiful nature reserve near Portland, Oregon, rarely making contact with the world. A small mistake tips them off to authorities sending them on an increasingly erratic journey in search of a place to call their own. Cast: Ben Foster, Thomasin Harcourt McKenzie, Jeff Korber, Dale Dickey. World Premiere What They Had / U.S.A. (Director and screenwriter: Elizabeth Chomko) — Bridget returns home to Chicago at her brother’s urging to deal with her mother’s Alzheimer’s and her father’s reluctance to let go of their life together. Cast: Hilary Swank, Michael Shannon, Blythe Danner, Robert Forster. World Premiere

    DOCUMENTARY PREMIERES

    Bad Reputation / U.S.A. (Director: Kevin Kerslake, Screenwriter: Joel Marcus, Producers: Peter Afterman, Carianne Brinkman) — A look at the life of Joan Jett, from her early years as the founder of The Runaways and first meeting collaborator Kenny Laguna in 1980 to her enduring presence in pop culture as a rock ‘n’ roll pioneer . World Premiere Believer / U.S.A. (Director: Don Argott, Producers: Heather Parry, Sheena M. Joyce, Robert Reynolds) — Imagine Dragons’ Mormon frontman Dan Reynolds is taking on a new mission to explore how the church treats its LGBTQ members. With the rising suicide rate amongst teens in the state of Utah, his concern with the church’s policies sends him on an unexpected path for acceptance and change. World Premiere Chef Flynn / U.S.A. (Director: Cameron Yates, Producer: Laura Coxson) — Ten-year-old Flynn transforms his living room into a supper club, using his classmates as line cooks and serving a tasting menu foraged from his neighbors’ backyards. With sudden fame, Flynn outgrows his bedroom kitchen and mother’s camera, and sets out to challenge the hierarchy of the culinary world. World Premiere The Game Changers / U.S.A. (Director: Louie Psihoyos, Screenwriters: Mark Monroe, Joseph Pace, Producers: Joseph Pace, James Wilks) — James Wilks, an elite special forces trainer and winner of The Ultimate Fighter, embarks on a quest for the truth in nutrition and uncovers the world’s most dangerous myth. World Premiere Generation Wealth / U.S.A. (Director: Lauren Greenfield, Producers: Lauren Greenfield, Frank Evers) — Lauren Greenfield’s postcard from the edge of the American Empire captures a portrait of a materialistic, image-obsessed culture. Simultaneously personal journey and historical essay, the film bears witness to the global boom–bust economy, the corrupted American Dream and the human costs of late stage capitalism, narcissism and greed. World Premiere. DAY ONE Half The Picture / U.S.A. (Director: Amy Adrion, Producers: Amy Adrion, David Harris) — At a pivotal moment for gender equality in Hollywood, successful women directors tell the stories of their art, lives and careers. Having endured a long history of systemic discrimination, women filmmakers may be getting the first glimpse of a future that values their voices equally. World Premiere Jane Fonda in Five Acts / U.S.A. (Director: Susan Lacy, Producers: Susan Lacy, Jessica Levin, Emma Pildes) — Girl next door, activist, so-called traitor, fitness tycoon, Oscar winner: Jane Fonda has lived a life of controversy, tragedy and transformation – and she’s done it all in the public eye. An intimate look at one woman’s singular journey. World Premiere King In The Wilderness / U.S.A. (Director: Peter Kunhardt, Producers: George Kunhardt, Teddy Kunhardt) From the passage of the Voting Rights Act in 1965 to his assassination in 1968, Martin Luther King, Jr. remained a man with an unshakeable commitment to nonviolence in the face of an increasingly unstable country. A portrait of the last years of his life. World Premiere Quiet Heroes / U.S.A. (Director: Jenny Mackenzie, Co-Directors: Jared Ruga, Amanda Stoddard, Producers: Jenny Mackenzie, Jared Ruga, Amanda Stoddard) — In Salt Lake City, Utah, the socially conservative religious monoculture complicated the AIDS crisis, where patients in the entire state and intermountain region relied on only one doctor. This is the story of her fight to save a maligned population everyone else seemed willing to just let die. World Premiere RBG / U.S.A. (Directors and producers: Betsy West, Julie Cohen) — An intimate portrait of an unlikely rock star: Justice Ruth Bader Ginsburg. With unprecedented access, the filmmakers show how her early legal battles changed the world for women. Now this 84-year-old does push-ups as easily as she writes blistering dissents that have earned her the title “Notorious RBG.” World Premiere Robin Williams: Come Inside My Mind / U.S.A. (Director: Marina Zenovich, Producers: Alex Gibney, Shirel Kozak) — This intimate portrait examines one of the world’s most beloved and inventive comedians. Told largely through Robin’s own voice and using a wealth of never-before-seen archive, the film takes us through his extraordinary life and career and reveals the spark of madness that drove him. World Premiere STUDIO 54 / U.S.A. (Director: Matt Tyrnauer, Producers: Matt Tyrnauer, John Battsek, Corey Reeser) — Studio 54 was the pulsating epicenter of 1970s hedonism: a disco hothouse of beautiful people, drugs, and sex. The journeys of Ian Schrager and Steve Rubell — two best friends from Brooklyn who conquered New York City — frame this history of the “greatest club of all time.” World Premiere Won’t You Be My Neighbor? / U.S.A. (Director: Morgan Neville, Producers: Caryn Capotosto, Nicholas Ma) — Fred Rogers used puppets and play to explore complex social issues: race, disability, equality and tragedy, helping form the American concept of childhood. He spoke directly to children and they responded enthusiastically. Yet today, his impact is unclear. Have we lived up to Fred’s ideal of good neighbors? World Premiere. SALT LAKE CITY OPENING NIGHT FILM

    MIDNIGHT

    Arizona / U.S.A. (Director: Jonathan Watson, Screenwriter: Luke Del Tredici, Producers: Dan Friedkin, Bradley Thomas, Ryan Friedkin, Danny McBride, Brandon James) — Set in the midst of the 2009 housing crisis, this darkly comedic story follows Cassie Fowler, a single mom and struggling realtor whose life goes off the rails when she witnesses a murder. Cast: Danny McBride, Rosemarie DeWitt, Luke Wilson, Lolli Sorenson, Elizabeth Gillies, Kaitlin Olson. World Premiere Assassination Nation / U.S.A. (Director and screenwriter: Sam Levinson, Producers: David Goyer, Anita Gou, Kevin Turen, Aaron L. Gilbert, Matthew J. Malek) — This is a one-thousand-percent true story about how the quiet, all-American town of Salem, Massachusetts, absolutely lost its mind. Cast: Odessa Young, Suki Waterhouse, Hari Nef, Abra, Bill Skarsgard, Bella Thorne. World Premiere Mandy / Belgium, U.S.A. (Director: Panos Cosmatos, Screenwriters: Panos Cosmatos, Aaron Stewart-Ahn, Producers: Daniel Noah, Josh Waller, Elijah Wood, Nate Bolotin, Adrian Politowski) — Pacific Northwest. 1983 AD. Outsiders Red Miller and Mandy Bloom lead a loving and peaceful existence. When their pine-scented haven is savagely destroyed by a cult led by the sadistic Jeremiah Sand, Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire. Cast: Nicolas Cage, Andrea Riseborough, Linus Roache, Olwen Fouéré, Richard Brake, Bill Duke. World Premiere Never Goin’ Back / U.S.A.  (Director and screenwriter: Augustine Frizzell, Producers: Toby Halbrooks, Liz Cardenas , James Johnston, David Lowery) — Jessie and Angela, high school dropout BFFs, are taking a week off to chill at the beach. Too bad their house got robbed, rent’s due, they’re about to get fired and they’re broke. Now they’ve gotta avoid eviction, stay out of jail and get to the beach, no matter what!!! Cast: Maia Mitchell, Cami Morrone, Kyle Mooney, Joel Allen, Kendal Smith, Matthew Holcomb. World Premiere Piercing / U.S.A. (Director and screenwriter: Nicolas Pesce, Producers: Josh Mond, Antonio Campos, Schuyler Weiss, Jake Wasserman) — In this twisted love story, a man seeks out an unsuspecting stranger to help him purge the dark torments of his past. His plan goes awry when he encounters a woman with plans of her own. A playful psycho-thriller game of cat-and-mouse based on Ryu Murakami’s novel. Cast: Christopher Abbott, Mia Wasikowska, Laia Costa, Marin Ireland, Maria Dizzia, Wendell Pierce. World Premiere Revenge / France (Director and screenwriter: Coralie Fargeat, Producers: Marc-Etienne Schwartz, Jean-Yves Robin, Marc Stanimirovic) — Three wealthy married men get together for their annual hunting game in a desert canyon. This time, one of them has brought along his young mistress, who quickly arouses the interest of the other two. Things get dramatically out of hand as a hunting game turns into a ruthless manhunt. Cast: Matilda Lutz, Kevin Janssens, Vincent Colombe, Guillaume Bouchede, Jean-Louis Tribes. Utah Premiere Summer of ’84 / Canada, U.S.A. (Directors: Francois Simard, Anouk Whissell, Yoann Whissell, Screenwriters: Matt Leslie, Stephen J. Smith, Producers: Shawn Williamson, Jameson Parker, Matt Leslie, Van Toffler, Cody Zwieg) — Summer, 1984: a perfect time to be a carefree 15-year-old. But when neighborhood conspiracy theorist Davey Armstrong begins to suspect his police officer neighbor might be the serial killer all over the local news, he and his three best friends begin an investigation that soon turns dangerous. Cast: Graham Verchere, Judah Lewis, Caleb Emery, Cory Grüter-Andrew, Tiera Skovbye, Rich Sommer. World Premiere

    SPOTLIGHT

    BEAST / United Kingdom (Director and screenwriter: Michael Pearce, Producers: Ivana MacKinnon, Lauren Dark, Kristian Brodie) — In a small island community, a troubled young woman falls for a mysterious outsider who empowers her to escape from her oppressive family. When he comes under suspicion for a series of brutal murders, she learns what she’s capable of as she defends him at all costs. Cast: Jessie Buckley, Johnny Flynn, Trystan Gravelle, Geraldine James, Charley Palmer Rothwell. U.S. Premiere The Death of Stalin / France, United Kingdom, Belgium (Director: Armando Iannucci, Screenwriters: Armando Iannucci, David Schneider, Ian Martin, Producers: Yann Zenou, Laurent Zeitoun, Nicolas Duval Adassovsky, Kevin Loader) — The internal political landscape of 1950’s Soviet Russia through a darkly comic lens. In the days following Stalin’s collapse, his core ministers tussle for control; some want positive change, others have more sinister motives. Their one common trait? They’re all just desperately trying to remain alive. Cast: Steve Buscemi, Jeffrey Tambor, Andrea Riseborough, Rupert Friend, Olga Kurylenko, Jason Isaacs. U.S. Premiere Foxtrot / Israel (Director and screenwriter: Samuel Maoz, Producers: Michael Weber, Viola Fügen, Eitan Mansuri, Cedomir Kolar, Marc Baschet, Michel Merkt) — Michael and Dafna are devastated when army officials show up at their home, announcing the death of their son Jonathan. While his sedated wife rests, Michael spirals into a whirlwind of anger only to experience one of life’s unfathomable twists, which rivals his son’s surreal military experiences. Cast: Lior Ashkenazi, Sarah Adler, Yonatan Shiray. I Am Not a Witch / United Kingdom (Director and screenwriter: Rungano Nyoni, Producers: Juliette Grandmont, Emily Morgan) — After a minor incident, nine-year old Shula is exiled to a witch camp where she is told that if she escapes, she’ll be transformed into a goat. As she navigates through her new life, she must decide whether to accept her fate or risk the consequences of seeking freedom. Cast: Margaret Mulubwa, Henry B.J. Phiri, Nancy Mulilo, Margaret Sipaneia. U.S. Premiere The Rider / U.S.A. (Director and screenwriter: Chloé Zhao, Producers: Chloé Zhao, Bert Hamelinck, Sacha Ben Harroche, Mollye Asher) — After a tragic riding accident, young cowboy and rising rodeo circuit star Brady Jandreau is told that his competition days are over. In an attempt to regain control of his fate, Brady undertakes a search for new identity and tries to redefine his idea of manhood in America’s heartland. Cast: Brady Jandreau, Tim Jandreau, Lily Jandreau, Lane Scott, Cat Clifford. Utah Premiere Super Size Me 2: Holy Chicken! / U.S.A. (Director: Morgan Spurlock, Screenwriters: Jeremy Chilnick, Morgan Spurlock, Producers: Keith Calder, Jessica Calder, Spencer Silna, Nicole Barton, Jeremy Chilnick, Matthew Galkin) — Muckraking filmmaker Morgan Spurlock reignites his battle with the food industry – this time from behind the register – as he opens his own fast food restaurant. U.S. Premiere

    KIDS

    Lu Over the Wall / Japan (Director: Masaaki Yuasa, Screenwriters: Reiko Yoshida, Masaaki Yuasa, Producer: Eunyoung Choi) — Kai is a lonely teenage boy who lives in a small fishing village. One day, he meets and befriends Lu, a fun-loving mermaid whose singing is hypnotic to all who hear it. But the townspeople have always thought that mermaids bring disaster… World Premiere Science Fair / U.S.A. (Directors: Cristina Costantini, Darren Foster, Producers: Cristina Costantini, Darren Foster, Jeffrey Plunkett) — Nine high school students from around the globe navigate rivalries, setbacks, and of course, hormones, on their journey to compete at the international science fair. Facing off against 1,700 of the smartest, quirkiest teens from 78 different countries, only one will be named Best in Fair. World Premiere White Fang / U.S.A. (Director: Alexandre Espigares, Screenwriters: Dominique Monfery, Philippe Lioret, Serge Frydman, Producers: Jeremie Fajner, Clement Calvet, Peter Saraf, Marc Turtletaub) — An updated reimagining of Jack London’s classic novel, this thrilling tale of kindness, survival and the twin majesties of the animal kingdom and mankind traces the loving and magnificent hero White Fang, whose intense curiosity leads him on the adventure of a lifetime. Cast: Rashida Jones, Nick Offerman, Eddie Spears, Paul Giamatti. World Premiere

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