The Summit

  • Jason Reitman’s TULLY Starring Charlize Theron to Open 35th Miami Film Festival | Trailier

    [caption id="attachment_26870" align="aligncenter" width="1200"]TULLY, Starring Charlize Theron TULLY[/caption] Jason Reitman latest film Tully, written by Diablo Cody and starring Charlize Theron, will premiere as the Opening Night film of the 35th edition of  Miami Film Festival, on Friday, March 9th at the Olympia Theater. “Charlize Theron’s fearless performance as a struggling suburban mother on the brink of losing mental control is made possible by another brilliant collaboration by the creators of Juno and Young Adult,” said Festival director Jaie Laplante. “Tully is both a parable and a salve for our stressed-out times – it reminds us all of who we are, and there is no more beautiful way to open our 35th edition than with this film.” https://www.youtube.com/watch?v=QRtBP07gIHY The Festival will give its Precious Gem – Icon Award to the great French actress Isabelle Huppert, recent Oscar nominee for Elle and the most nominated actress in César Award history – a total of 16 nominations from France’s Academy – winning twice. She has also twice won the Best Actress award at the Cannes Film Festival, in a career that has seen her work with some of the greatest directors of contemporary times. Huppert will be honored on Friday, March 16th at the Olympia Theater. “Isabelle Huppert has made profound contributions to cinema over the course of her illustrious career,” Laplante said. “With her recent performances in Things to Come and Elle, as well as Souvenir and Claire’s Camera, both of which we will be screening in conjunction with her Festival appearance, Ms. Huppert reaches ever-new pinnacles that continually astonish us, and add to her iconic status.” The Festival will give its Precious Gem – Master Award to Spain’s greatest living filmmaker, Carlos Saura, on the occasion of a new documentary about the master’s career and family life, Félix Viscarret’s Goya-lauded Saura(s), on Sunday, March 11th at the Olympia Theater. “Carlos Saura returns to Miami after receiving the Festival’s Career Achievement Tribute Award at our 20th edition in 2003,” said Laplante. “At that time, he was 71. Now, he’s 86 and has made eight more brilliant films since his last visit to Miami – but with Saura(s), we see him in a new light, as both a filmmaker and a family-maker. He is a peerless master, and we celebrate the life that continues to nourish his art.” In all, the Festival will present 148 feature narratives, documentaries and short films of all genres, from 50 different countries, including three countries being represented in the Festival’s Official Selection for the first time– Benin, Georgia and Swaziland. The 35th edition of the Festival runs March 9th – 18th. Thirty-eight of the films are directed or co-directed by women filmmakers. The Festival will wrap up with an Awards Night Gala screening at Olympia Theater of the International premiere of Curro Velázquez’s smash hit Spanish comedy Holy Goalie (Que baje Dios y lo vea), with star Alain Hernández in attendance. All Olympia Theater screenings are part of the Festival’s CINEDWNTWN GALA series, sponsored by Miami Downtown Development Authority. A KORBEL Awards Night Party at The Historic Alfred I. Dupont Building will follow the Awards Night ceremony and screening. Academy Award winning filmmaker Michel Hazanavicius (The Artist) and revered American screenwriter and director Paul Schrader (Taxi Driver, Mishima: A Life in Four Chapters, Affliction) will attend the Festival for Marquee presentations of their newest films. The Festival’s Marquee series features screenings accompanied by on-stage conversations with major film personalities of the moment, discussing their career and sharing an exciting new work. Hazanavicius will present Godard Mon Amour, his serio-comic look at Jean-Luc Godard’s love affair with the actress Anne Wiazemsky during the shooting of his classic films La Chinoise and Weekend. Schrader will present First Reformed, a dramatic thriller starring Ethan Hawke, Amanda Seyfried and Cedric The Entertainer. They join (previously announced) Mateo Gil and Jean-Marc Barr in the Marquee section. Ten finalists were selected for the Festival’s signature $40,000 Knight Competition, open to feature films directed by filmmakers who have presented at least one feature in a previous edition of the Festival. Three of these films will also screen as CINEDWNTWN GALAS at the Olympia Theater. The finalists are: Another Story of the World (Uruguay, directed by Guillermo Casanova). April’s Daughter (Mexico, directed by Michel Franco). In Love & In Hate (Argentina, directed by Alejandro Maci). *CINEDWNTWN GALA The Laws of Thermodynamics (Spain, directed by Mateo Gil). *WORLD PREMIERE My Love or My Passion (Argentina, directed by Marcos Carnevale). *CINEDWNTWN GALA Sergio and Sergei (Cuba/Spain, directed by Ernesto Daranás). A Sort of Family (Argentina, directed by Diego Lerman). The Summit (Argentina/Spain, directed by Santiago Mitre). *CINEDWNTWN GALA Time Share (Mexico, directed by Sebastián Hofmann). The Warning (Spain, directed by Daniel Calparsoro). Eleven finalists were selected for the Festival’s inaugural $10,000 Knight Made in MIA Competition, which is open to any film – short or feature, documentary or narrative – in the Festival’s Official Selection that features a qualitatively/quantitatively substantial portion of its content (story, setting and actual filming location) in South Florida, from West Palm Beach to the Florida Keys, and that most universally demonstrates a common ground of pride, emotion, and faith for the South Florida community. The new award was inspired by the international success and 2017 Best Picture Oscar win by the Miami-set Moonlight, directed by former Miami resident Barry Jenkins and co-written by Tarell McCraney. The finalists are: “#THECONNECTEDMAN”, directed by Fabián Cárdenas. “Ayita’s Dream”, directed by Isis Masoud, Roger Ingraham. “Fight Like a Girl”, directed by Agustín Gonzalez, Nicole Wulf. Gladesmen: The Last of The Sawgrass Cowboys, directed by David Abel. Latinegras: The Journey of Self-Love Through An Afrolatina Lens, directed by Omilani Alarcón. *WORLD PREMIERE Love in Youth, directed by Quincy Perkins. *WORLD PREMIERE Make Love Great Again, directed by Aaron Agrasanchez. “Noa”, directed by Angel Barrota. *WORLD PREMIERE Operation Odessa, directed by Tiller Russell. “Roadside Attraction”, directed by Ivette Lucas, Patrick Bresnan. “Supermarket”, directed by Rhonda Mitrani. *WORLD PREMIERE Two significant Soiree nights will pair a major film event with one of Miami Film Festival’s world-famous parties. An Evening with Tim Clancy, the showrunner of HBO’s acclaimed Vice series through six seasons, will present a big-screen return look at three significant Vice episodes, followed by an in-depth, on-stage conversation about Vice’s Emmy Award-winning approach, philosophies and techniques. “HBO NIGHT” continues with a party at downtown Miami’s newest hotspot, The Wharf. Greg Berlanti’s Love, Simon will have its Festival premiere at the Regal Cinemas South Beach and continue with a Light Box Love Story soiree at Miami Light Project’s Goldman Warehouse in Wynwood. The fiercely-contested, audience-voted $10,000 Knight Documentary Achievement Award, sponsored by Knight Foundation, returns with 24 finalists, including 4 world premieres, and new films from Oscar winner Morgan Neville (20 Feet From Stardom), Oscar nominee Djimon Hounsou (Blood Diamond, In America), Goya winners Félix Viscarret and Gustavo Salmerón, Emmy winner Rene Balcer (Law & Order), Sundance 2018 prize winners Tim Wardle and Maxim Pozdorovkin, Pulitzer Prize winning journalist David Abel and the late Oscar winner Jonathan Demme, as executive producer on The Foreigner’s Home. Subjects featured in the films include Ruth Bader Ginsburg, Edwidge Danticat, Toni Morrison, Mr. Rogers, Andre Agassi, Imagine Dragons’ Dan Reynolds in the Live Nation production Believer, Cuban-America playwright María Irene Fornés and Miami’s Rene Lecour. The finalists are: 6 Weeks To Mother’s Day (USA, directed by Marvin Blunte). Above The Drowning Sea (Canada, directed by Rene Balcer, Nicola Zavaglia). Amigo Skate, Cuba (USA, directed by Vanesa Wilkey-Escobar). *WORLD PREMIERE Believer (USA, directed by Don Argott). Cuban Food Stories (USA, directed by Asori Soto). Dolphin Man (Greece/Canada/France/Japan, directed by Lefteris Charitos). Foreign Land (Israel, directed by Shlomi Eldar). The Foreigner’s Home (USA/France, directed by Rian Brown, Geoff Pingree). Gladesmen: The Last of The Sawgrass Cowboys (USA, directed by David Abel). In Search of Voodoo: Roots To Heaven (USA/Benin, directed by Djimon Hounsou). *WORLD PREMIERE Liyana (USA/Qatar/Swaziland, directed by Aaron Kopp, Amanda Kopp). Lots of Kids, A Monkey and a Castle (Spain, directed by Gustavo Salmerón). Love Means Zero (USA, directed by Jason Kohn). The Music of the Spheres (Cuba/USA, directed by Marcel Beltrán). *WORLD PREMIERE Nuyorican Basquet (Puerto Rico, directed by Julio César Torres, Ricardo Olivero Lora). The Oldies (Cuba/USA/Venezuela, directed by Rosana Matecki). Operation Odessa (USA, directed by Tiller Russell). Our New President (USA, directed by Maxim Pozdorovkin). RBG (USA, directed by Betsy West, Julie Cohen). The Rest I Make Up (USA, directed by Michelle Memran). Saura(s) (Spain, directed by Félix Viscarret). Three Identical Strangers (USA, directed by Tim Wardle). When The Beat Drops (USA, directed by Jamal Sims). *WORLD PREMIERE Won’t You Be My Neighbor? (USA, directed by Morgan Neville). HBO returns as sponsor of the Festival’s $10,000 Ibero-American Feature Film Competition, this year featuring 25 finalists, including three world premieres. Three of the films in this section star Argentine actress Dolores Fonzi, prompting Festival organizers to declare Monday, March 12th “DOLORES FONZI DAY” at Miami Film Festival. The finalists are: Al Berto (Portugal, directed by Vicente Alves do Ó). Another Story of the World (Uruguay, directed by Guillermo Casanova). April’s Daughter (Mexico, directed by Michel Franco). Ashes (Ecuador/Uruguay, directed by Juan Sebastián Jácome). *WORLD PREMIERE Bingo: The King of the Mornings (Brazil, directed by Daniel Rezende). Candelaria (Colombia/Cuba/Argentina/Germany/Norway, directed by Jhonny Hendrix-Hinestroza). Cocote (Dominican Republic, directed by Nelson Carlo de Los Santos Arias). The Eternal Feminine (Mexico, directed by Natalia Beristáin). The Future Ahead (Argentina, directed by Constanza Novick). *DOLORES FONZI DAY Film Hunting Season (Argentina/USA/Germany/France, directed by Natalia Garagiola). In Love & In Hate (Argentina, directed by Alejandro Maci). *CINEDWNTWN GALA Killing Jesus (Colombia/Argentina, directed by Laura Mora). La Familia (Venezuela/Chile/Norway, directed by Gustavo Rondón Córdova). The Last Suit (Argentina/Spain, directed by Pablo Solarz). The Laws of Thermodynamics (Spain, directed by Mateo Gil). *WORLD PREMIERE On The Seventh Day (USA, directed by Jim McKay). The River (Bolivia/Ecuador, directed by Juan Pablo Richter). *WORLD PREMIERE Sergio and Sergei (Cuba/Spain, directed by Ernesto Daranás). The Skin of the Wolf (Spain, directed by Samu Fuentes). A Sort of Family (Argentina, directed by Diego Lerman). The Summit (Argentina/Spain, directed by Santiago Mitre). *CINEDWNTWN GALA Tigre (Argentina, directed by Silvina Schnicer, Ulises Porra Guardiola). Time Share (Mexico, directed by Sebastián Hofmann). The Warning (Spain, directed by Daniel Calparsoro). Wind Traces (Mexico, directed by Jimena Montemayor Loyo). *DOLORES FONZI DAY Film The highly sought-after $10,000 Jordan Ressler Screenwriting Award, won in recent years by Oscar nominated Theeb, Venice Golden Lion winner From Afar and Chilean world premiere launch Little White Lie, has 20 diverse and intriguing first-produced screenplays in competition. All but two of the finalists also directed his or her screenplay. The finalists are: Michael Pearce for Beast (UK). Cory Bowles for Black Cop (Canada). Taylor Allen, Andrew Logan for Chappaquiddick (USA). Nelson Carlo de Los Santos Arias for Cocote (Dominican Republic). Xavier Legrand for Custody (France). Feifei Wang for From Where We’ve Fallen (China). Constanza Novick for The Future Ahead (Argentina). Sonja Maria Kröner for The Garden (Germany). Lucien Bourjeily for Heaven Without People (Lebanon). Natalia Garagiola for Hunting Season (Argentina). Christian Papierniak for Izzy Gets the F*ck Across Town (USA). Blake Jenner for Juvenile (USA). Quincy Perkins for Love in Youth (USA). *WORLD PREMIERE Molly McGlynn for Mary Goes Round (Canada). Ziyang Zhou for Old Beast (China). Juan Pablo Richter for The River (Bolivia/Ecuador). *WORLD PREMIERE Ana Urushadze for Scary Mother (Georgia). Samu Fuentes for The Skin of the Wolf (Spain). Silvina Schnicer for Tigre (Argentina). Hlynur Palmason for Winter Brothers (Denmark). Films showing out of competition include selections by Oscar-nominee Michaël R. Roskam (Bullhead), Oscar-nominee and Emmy-winner Armando Iannucci (In the Loop, HBO’s Veep), and a US premiere starring retired NFL veteran and South Florida resident, actor/producer Thomas Q. Jones (A Violent Man). The films are: Ali’s Wedding (Australia, directed by Jeffrey Walker). Darling (Denmark, directed by Birgitte Stærmose). The Death of Stalin (UK, directed by Armando Iannucci). “The Driver is Red” (USA, directed by Randall Christopher). Grace and Splendor (Panama/Dominican Republic, directed by Arturo Montenegro). The Journey (Iran/UK/France/Qatar/The Netherlands, directed by Mohamed Jabarah Al-Daradji). Kiss Me Not (Egypt, directed by Ahmed Amer). Life is a Bitch (Brazil, directed by Julia Rezende). Racer and the Jailbird (Belgium/France, directed by Michaël R. Roskam). Sollers Point (USA, directed by Matthew Porterfield). Three Peaks (Germany/Italy, directed by Jan Zabeil). Under The Tree (Iceland/Denmark/Poland/Germany, directed by Hafsteinn Gummar). A Violent Man (USA, directed by Matthew Berkowitz). Wajib (Palestine/France/Germany/Colombia/Norway/Qatar, directed by Annemarie Jacir). The Festival takes a special look at the Chinese film market this year in Cinema & China. This section features the Florida premiere of the Cannes Film Festival 2017’s Palme d’Or winner for Best Short Film, “A Gentle Night”, directed by Yang Qui, and the documentary Above the Drowning Sea, a historical look at an amazing story of European Jews being safeguarded by Shanghai and Chinese diplomats during World War II. A day-long symposium on the trends and markets will be held, in conjunction with the Festival screening of four Chinese-produced features: From Where We’ve Fallen, directed by Feifei Wang. Love Education, directed by Sylvia Chang. Old Beast, directed by Ziyang Zhou. *KEYNOTE FILM Walking Past The Future, directed by Li Ruijun. The Festival’s exceedingly popular Reel Music section returns with five outstanding selections, including a world premiere from Panama and a feature about famed flamenco star Diego “El Cigala” as he explores the world of salsa in Cuba and beyond: Guaco: Semblanza (Venezuela, directed by Alberto Arvelo). I Tita, A Life of Tango (Argentina, directed by Teresa Constantini). Indestructible: The Soul of Salsa (Spain, directed by David Pareja). Me, My Father and the Cariocas: 70 Years of Music in Brazil (Brazil, directed by Lucia Verissimo). A Night of Calypso (Panama, directed by Fernando Muñoz). *WORLD PREMIERE MIFFecito, the beloved Films for Families section, returns with four new feature films for film fans of all ages. This section includes Fishtronaut The Movie (Brazil), Home Team (Uruguay/Brazil/Argentina), Lila’s Book (Colombia/Uruguay) and Zombillenium (France/Belgium). An animated short film winner from MDC’s Miami Animation and Gaming International Complex 2017 MIA Animation Conference & Festival will also be shown in this section. South Florida’s college film students will again battle it out in Cinemaslam 2018. The nine finalists include films from Center of Cinematography, Arts & Television’s Lidia Rosa Hernandez; Miami Dade College’s Armando Stephano Rivero, Robert Requejo Ramos, Christopher Foode and Fernando Dumas; and University of Miami’s Chantal Gabriel, Jorge Martinez and Vasisth Sukul. The Festival’s parallel industry activities include a French film market sponsored by Unifrance, and a Producing in South Florida panel moderated by Kevin Sharpley. The Festival will co-present three special events during this year’s event. A “From The Vault” of Todd Haynes’ classic Velvet Goldmine will be held on Sunday, March 11th in partnership with Flaming Classics. On Friday, March 16th, in partnership with The Black Lounge Series, a screening of In The Morning with filmmaker Nefertiti Nguvu in person. In celebration of the Festival’s Tribute to Carlos Saura, one of Saura’s greatest classics, Cría cuervos, will screen on Sunday, March 18th at Miami Beach Cinematheque.

    Read more


  • Film Society of Lincoln Center’s 3rd Neighboring Scenes to Showcase Latin American Cinema

    [caption id="attachment_24570" align="aligncenter" width="1200"]ALANIS ALANIS[/caption] The Film Society of Lincoln Center and Cinema Tropical will present the third annual Neighboring Scenes, a 17-film showcase of contemporary Latin American cinema from February 28 to March 4, 2018 at the Walter Reade Theater in New York City. Opening night is the U.S. premiere of Anahí Berneri’s award-winning Alanis, an unflinching portrait of a young mother eking out a living as a prostitute in Buenos Aires. Unfolding over the course of three days, Berneri’s fifth film explores the challenges of urban life as an immigrant woman, and is anchored by Sofía Gala’s fearless performance. Closing out the weekend is the world premiere of a new restoration of Pizza, Beer, and Cigarettes (1998), celebrating its 20th anniversary. Bruno Stagnaro and Adrián Caetano’s landmark film, which follows a pair of less than talented thieves, launched the New Argentine Cinema movement and has continued inspiring Latin American filmmakers for generations. Other highlights in this year’s lineup include such festival favorites as Niles Atallah’s formally daring Rey, which won the Special Jury Prize at Rotterdam; Santiago Mitre’s political thriller The Summit, an Un Certain Regard selection from Cannes, featuring an impressive international cast; and Fellipe Barbosa’s around-the-world travelogue Gabriel and the Mountain, a two-time prizewinner at Cannes Critics’ Week. The festival also features documentaries about Mexican fishermen, showgirls of the ’70s and ’80s, and the colonialist history of Easter Island; adaptations of Dostoevsky (António, One, Two, Three) and Hans Christian Andersen (The Little Match Girl); and a number of debut features including visual artist Adrián Villar Rojas’s The Theater of Disappearance, a cinematic reimagining of his acclaimed Met rooftop installation.

    FILMS & DESCRIPTIONS

    Opening Night Alanis Anahí Berneri, Argentina, 2017, 82m U.S. Premiere Winner of the Best Director and Best Actress awards at the San Sebastian Film Festival, the fifth feature by Argentinian filmmaker Anahí Berneri is a poignant and compelling drama that portrays three days in the life of a young Buenos Aires mother and sex worker struggling to survive. Featuring a potent performance by Sofía Gala Castaglione in the title role (alongside her real-life son Dante), the film offers an unsentimental and non-moralizing take on a self-determined woman trying to live her unapologetic life while facing contradictory prostitution laws that are intended to protect her but often do the opposite. António, One, Two, Three / António um dois três Leonardo Mouramateus, Portugal/Brazil, 2017, 95m Portuguese with English subtitles U.S. Premiere Reminiscent of the films of Hong Sangsoo and Matías Piñeiro, Mouramateus’s debut offers a simple yet scrambled tale of love, longing, and the theater. After angering his father, António seeks refuge in his ex-girlfriend Mariana’s Lisbon apartment, where he meets Débora, a Brazilian woman on her way to Russia. Inevitably, he ends up romantically involved in different ways with each of them. Meanwhile, António’s autobiographical play—which borrows from Dostoevsky’s White Nights—complicates our understanding of his motivations and our own relationship to the film (which is also based on White Nights). As the film goes on, repetitions of scenes (with slight alterations) further speak to the ambivalence of young love. Beauties of the Night / Bellas de noche María José Cuevas, Mexico, 2016, 91m Spanish with English subtitles New York premiere María José Cuevas’s engrossing and captivating debut feature, winner of the Best Documentary award at the Morelia Film Festival, is a moving portrait of five of Mexico’s most popular and iconic showgirls of the late 1970s and ’80s, almost 40 years after they ruled Mexico’s entertainment world. Eight years in the making, with a keen eye and devoid of any sensationalism, the documentary enters the fascinating world of these women, who have struggled to reinvent themselves after the decline of the burlesque heyday. Fuera del campo Marcelo Guzmán and Mauricio Durán, Bolivia, 2017, 60m Spanish, Aymara with English subtitles U.S. Premiere On November 2, 1972, 67 Bolivian political prisoners executed a daring escape from a makeshift jail in the middle of Lake Titicaca during a soccer game; the prisoners then sought asylum in Peru. Their stand against the brutality of Hugo Banzer’s dictatorship was a watershed moment, but interviews with locals who were forced to assist the dissidents reveal the cruel and complicated legacy of this “heroic” tale. The directors of this film admit their inability (personal and creative) to fully deal with history and memory, relying on a series of narrative devices, sometimes controversial, but always cinematic, to tell the story. Screening with: Las nubes Juan Pablo González, 2018, Mexico/USA, 20m Spanish with English subtitles New York Premiere Affected by violence and broken family relationships, a man goes on a journey through memory and time. Gabriel and the Mountain / Gabriel e a Montanha Fellipe Barbosa, Brazil/France, 2017, 131m Portuguese, English, and French with English subtitles New York Premiere Winner of two prizes at Cannes’ Critics’ Week in 2017, Fellipe Barbosa’s follow-up to his acclaimed debut, Casa Grande, follows Gabriel Buchmann (Joao Pedro Zappa) as he travels the world for one year before entering a prestigious American university. After ten months on the road, he arrives in Kenya determined to discover the African continent. Everything changes, however, when he reaches the top of Mount Mulanje, Malawi. The film is based on the true story of Barbosa’s friend from school. Lightning Falls Behind / Atrás hay relámpagos Julio Hernández Cordón, Costa Rica/Mexico, 2017, 82m Spanish with English subtitles New York Premiere The sixth film by Mexican-Guatemalan filmmaker Julio Hernández Cordón (I Promise You Anarchy, ND/NF 2016), and his first shot in Costa Rica, is a rakish slacker movie that follows rebellious girls Sole (Adriana Alvarez) and Ana (Natalia Arias). While biking around San José, and planning to create a vintage cab company, they find something inside the trunk of a car that they’d rather forget. Lightning Falls Behind, featuring playful and fluid camerawork, is a prime example of the kind of recent Central American cinema that has delighted viewers on the international film circuit. The Little Match Girl / La vendedora de fósforos Alejo Moguillansky, Argentina, 2017, 71m Spanish with English subtitles U.S. Premiere Moguillansky’s follow-up to The Gold Beetle is a fantasia that elegantly weaves together disparate elements: Hans Christian Andersen’s tale of the title, Bresson’s saintly abused donkey Balthazar, a Red Army Faction member’s correspondence with an Argentine pianist, and a composer trying to mount an opera at the Teatro Colón. Winner of Best Argentine Film at last year’s BAFICI, The Little Match Girl is infused with emotion, and never devolves into the obscure or didactic, despite its many literary and cinematic references. Featuring exquisite cinematography from Inés Duacastella, this spectacular work is not to be missed. Mariana Chris Gude, Colombia, 2017, 64m Spanish with English subtitles U.S. Premiere In this experimental road movie, director Chris Gude (Mambo Cool) follows two smugglers attempting to cross into Colombia from Venezuela. As the men drive across the sun-soaked terrain of the Guajira Peninsula, occasionally stopping off to wander or play pool in the lonely ruins of abandoned buildings, their journey comes to symbolize a search for an idealized land. Gesturing toward Colombia’s colonial legacy (such as when the pair listen to a Hugo Chávez radio broadcast about Simón Bolívar), this beautifully photographed film gives the viewer ample room to ponder questions of space and identity. Screening with: The Mouth / La Bouche Camilo Restrepo, France, 2017, 19m Susu with English subtitles U.S. Premiere Following his 2016 film Cilaos, Restrepo again experiments with the musical genre in a film that uses radical aesthetics as a means of standing up to social injustice. Rey / King Niles Atallah, France/Chile/The Netherlands/Germany/Italy/Qatar, 2017, 90m Spanish and Mapuche with English subtitles U.S. Premiere Recipient of the Special Jury Prize at Rotterdam, Rey tells the curious story of Orélie-Antoine de Tounens, a French lawyer who attempted to create an independent state for the indigenous peoples of Araucanía (part of present-day Chile) and Patagonia (Argentina) in 1860 and claimed he was its king. Honoring the ambiguous nature of Tounens’s life—it’s unclear if he was a spy, a huckster, an above-average colonial exploiter, or actually summoned by a Mapuche deity—Rey uses a variety of formal techniques and visual styles, including papier-mâché masks, battered 16mm stock, and educational film aesthetics. Ruinas tu reino / Ruins, Your Realm Pablo Escoto, Mexico, 2016, 64m Spanish with English subtitles U.S. Premiere This lyrical and immersive documentary, reminiscent of films by Peter Hutton and Kazuhiro Soda, follows the rhythms of Mexican fishermen in extreme, minute detail. Fish are glimpsed underneath the water and gasping on the deck of a ship; men hoist their nets and sails. Interspersed with these quotidian images are snippets of text and poetry, juxtaposed against a black background. Screening with: Amundsen’s Dogs / Los perros de Amundsen Rafael Ramírez, Cuba 2017, 27m Spanish and English with English subtitles Rafael Ramírez connects the avant-garde and the political in this intertwining of fiction and documentary that tells the story of an industrial accidents inspector. Solitary Land / Tierra Sola Tiziana Panizza, Chile, 2017, 107m Spanish, Rapa Nui, and English with English subtitles U.S. Premiere Easter Island (Rapa Nui) has long been a grand mystery of archeology—how did such a large civilization fall, and does it foreshadow our own ruin? For the indigenous people who currently live there, the island’s past carries a very different legacy: one of colonial abuse and inescapable remoteness. Panizza’s film shows the legacy of this exploitation, as well as the daily rhythms of the small prison on the island, in a film constructed from pieces of 32 documentaries (many of which include similar voiceovers and framing, despite being shot by crews from different countries) and original present-day footage. Winner of Best Chilean Film at the Valdivia Film Festival. The Summit / La cordillera Santiago Mitre, Argentina/France/Spain, 2017, 114m Spanish with English subtitles New York premiere Santiago Mitre (The Student) continues his ongoing cinematic investigation into politics with his third feature, set at a summit of Latin American presidents in Chile. Here, the Argentine president—played by acclaimed actor Ricardo Darín—endures a political and familial drama that will force him to face his own demons. This high-profile thriller, an official selection at the Cannes Film Festival’s Un Certain Regard section, boasts an impressive international cast including Dolores Fonzi, Erica Rivas (Wild Tales), Elena Anaya (The Skin I Live In), Paulina García (Gloria), Daniel Giménez Cacho (Zama), Alfredo Castro (The Club), and Christian Slater. The Theater of Disappearance / El teatro de la desaparición Adrián Villar Rojas, Argentina/South Korea, 2017, 120m U.S. Premiere Sharing the same title as his 2017 installation from the Metropolitan Museum of Art’s rooftop, acclaimed Argentine visual artist Adrián Villar Rojas’s The Theater of Disappearance is a hypnotic triptych portraying the current state of latent war on different continents. Using disparate styles and sensual, sometimes randomly connected imagery, Villar Rojas searches for beauty through a wordless portrait of a Moroccan pottery workshop, an almost surreal study of the demilitarized zone between North and South Korea, and a camera tour of different locations around the world. 20th Anniversary Screening—New restoration! Pizza, Beer, and Cigarettes / Pizza, birra, faso Bruno Stagnaro & Adrián Caetano, Argentina, 1998, 80m Spanish with English subtitles Restoration World Premiere Bruno Stagnaro and Adrián Caetano’s milestone debut feature heralded the deeply influential New Argentine Cinema, fostered the careers of a vast generation of international filmmakers, and fueled the Latin American cinema renaissance of the past two decades. Rarely seen in the United States, Pizza, Beer, and Cigarettes is set in the Buenos Aires criminal underworld, and follows two impoverished teens who graduate from petty theft to armed robbery, though they’re incompetent at both. This restoration, by the Action Program to rescue the Argentine cinema, a joint initiative between CINAIN (Cinematheque and National Image Archive of Argentina) and the DAC (Argentine Cinematographic Directors), was carried out in 4K from the original negative in the framework of the Plan Recuperar DAC / Gótika, in Buenos Aires, Argentina, under the supervision of Bruno Stagnaro, Adrián Caetano and cinematographer Marcelo Lavintman.

    Read more


  • 48 Films from International Filmmakers Among Contemporary World Cinema Slate of 2017 Toronto International Film Festival

    [caption id="attachment_23745" align="aligncenter" width="1200"]Marlina the Murderer in Four Acts (Marlina si Pembunuh dalam Empat Babak) Marlina the Murderer in Four Acts (Marlina si Pembunuh dalam Empat Babak)[/caption] The Contemporary World Cinema slate of the 2017 Toronto International Film Festival will feature 48 titles from international filmmakers, that covers disparate regions of the world with a strong presence from Latin America, Scandinavia, and Central Europe. “Each film in Contemporary World Cinema offers a much-needed look at another part of the world through the eyes of a storyteller embedded in that culture,” said Cameron Bailey, Artistic Director of TIFF. “Taken together, these four dozen films invite us all to expand and deepen our picture of the world.” The Contemporary World Cinema program is being bolstered with a series of 23 World Premieres, among them Argentinian filmmaker Diego Lerman’s A Sort of Family, South African Khalo Matabane’s The Number, Iraqi Mohamed Jabarah Al-daradji’s The Journey, Finnish Teemu Nikki’s Euthanizer and Australian actor Simon Baker’s directorial debut, Breath. The program also highlights an impressive selection of films that have captivated audiences worldwide, including Félicité by Alain Gomis and the animated film The Big Bad Fox & Other Tales by Benjamin Renner and Patrick Imbert.

    2017 Toronto International Film Festival Contemporary World Cinema Program

    A Ciambra Jonas Carpignano, Italy/France/USA/Germany International Premiere A Sort of Family (Una Especie de Familia) Diego Lerman, Argentina/Brazil/France/Poland World Premiere Alanis Anahí Berneri, Argentina World Premiere Ana, mon amour Călin Peter Netzer, Romania/Germany/France North American Premiere Angels Wear White (Jia Nian Hua) Vivian Qu, China/France North American Premiere April’s Daughter (Las Hijas de Abril) Michel Franco, Mexico North American Premiere Arrhythmia Boris Khlebnikov, Russia/Finland/Germany North American Premiere Beyond Words Urszula Antoniak, Netherlands/Poland World Premiere Birds Without Names (Kanojo ga Sono Na wo Shiranai Toritachi) Kazuya Shiraishi, Japan World Premiere Breath Simon Baker, Australia World Premiere Dark is the Night (Madilim ang Gabi) Adolfo Alix Jr., Philippines World Premiere Directions (Posoki) Stephan Komandarev, Bulgaria/Germany/Macedonia North American Premiere Disappearance (Verdwijnen) Boudewijn Koole, Netherlands/Norway International Premiere Euthanizer (Armomurhaaja) Teemu Nikki, Finland World Premiere Félicité Alain Gomis, France/Senegal/Belgium/Germany/Lebanon North American Premiere Good Favour Rebecca Daly, Ireland/Belgium/Denmark/Netherlands World Premiere Hannah Andrea Pallaoro, Italy/Belgium/France North American Premiere Insyriated Philippe Van Leeuw, Belgium/France/Lebanon Canadian Premiere Life and nothing more Antonio Méndez Esparza, Spain/USA World Premiere Longing (Gaagua) Savi Gabizon, Israel North American Premiere Looking for Oum Kulthum Shirin Neshat, Germany/Austria/Italy/Lebanon/Qatar North American Premiere Marlina the Murderer in Four Acts (Marlina si Pembunuh dalam Empat Babak) Mouly Surya, Indonesia/France/Malaysia/Thailand North American Premiere Miami Zaida Bergroth, Finland International Premiere Motorrad Vicente Amorim, Brazil World Premiere Nina Juraj Lehotský, Slovakia/Czech Republic North American Premiere On Body and Soul Ildikó Enyedi, Hungary North American Premiere Samui Song (Mai Mee Samui Samrab Ter) Pen-ek Ratanaruang, Thailand/Germany/Norway North American Premiere Sergio & Sergei (Sergio & Serguéi) Ernesto Daranas Serrano, Spain/Cuba World Premiere The Big Bad Fox & Other Tales (Le Grand Méchant Renard et autres contes) Benjamin Renner, Patrick Imbert, France North American Premiere The Insult (L’Insulte) Ziad Doueiri, France/Lebanon Canadian Premiere The Journey (Al Rahal) Mohamed Jabarah Al-daradji, Iraq/United Kingdom/France/Qatar/Netherlands World Premiere The Lodgers Brian O’Malley, Ireland World Premiere The Number Khalo Matabane, South Africa World Premiere The Royal Hibiscus Hotel Ishaya Bako, Nigeria World Premiere The Summit (La Cordillera) Santiago Mitre, Argentina/Spain/France North American Premiere Tulipani, Love, Honour and a Bicycle Mike van Diem, Netherlands/Italy/Canada World Premiere Under the Tree (Undir Trénu) Hafsteinn Gunnar Sigurðsson, Iceland/Denmark/Poland/Germany International Premiere Veronica (Verónica) Paco Plaza, Spain International Premiere Wajib Annemarie Jacir, Palestine/France/Germany/Colombia/Norway/Qatar/United Arab Emirates North American Premiere Western Valeska Grisebach, Germany/Bulgaria/Austria North American Premiere Previously announced Canadian titles in the Contemporary World Cinema programme include Simon Lavoie’s The Little Girl Who Was Too Fond Of Matches, Adam MacDonald’s Pyewacket, Kyle Rideout’s Public Schooled, Ingrid Veninger’s Porcupine Lake, Mina Shum’s Meditation Park, Robin Aubert’s Les Affamés, Pat Mills’ Don’t Talk to Irene, and Tarique Qayumi’s BLACK KITE. The 42nd Toronto International Film Festival runs September 7 to 17, 2017.

    Read more


  • Twenty-One Spanish Films Among Official Selections for San Sebastian Festival

    [caption id="attachment_23355" align="aligncenter" width="1200"]Life and Nothing More Life and Nothing More[/caption] Twenty-one films with Spanish production are among the official selection films confirmed for the 65th edition of the San Sebastian Festival.  From September 22 to 30 the Festival will premiere Life and Nothing More, the second film by Antonio Méndez Esparza, winner of the Cannes Critics’ Week award with Aquí y allá; Handia, the latest proposal from Jon Garaño and Aitor Arregi, director and screenwriters of Loreak (Flowers); El autor, by Manuel Martín Cuenca, third-time contender for the Golden Shell; Marrowbone, the directorial debut of screenwriter Sergio G. Sánchez; the first two episodes of the series La peste (The Plague), directed by Alberto Rodríguez; and Morir (Dying), the second film by Fernando Franco. Manuel Martín Cuenca returns to the Official Selection with El autor, a film based on the novel El móvil (The Motive), by Javier Cercas, starring Javier Gutiérrez, María Leon and Antonio de la Torre, with a soundtrack by José Luis Perales. Handia, based on the true story of Miguel Joaquín Eleizegi (1818-1861), known as the Altzo giant, explores his human side and how he related to the society of his time. Handia is the new film by Aitor Arregi and Jon Garaño. Jon Garaño directed Loreak (Flowers, Official Selection, 2014) together with Jose Mari Goenaga; Aitor Arregi wrote Loreak and directed Lucio (premiered in Zabaltegi Special Screenings in 2007) also with Goenaga. Having landed the Cannes Critics’ Week award for Aquí y allá, his take on Mexican emigration, the moviemaker from Madrid, Antonio Méndez Esparza turns his eyes in Life and Nothing More towards the situation of a single mother and her 14 year-old son in the state of Florida. Featuring out of competition in the Official Selection is Marrowbone, directorial debut of Sergio G. Sánchez, screenwriter of El Orfanato (The Orphanage), The Impossible (2012 Official Selection) and Palmeras en la nieve (Palm Trees in the Snow), who has recruited young British and North American talents for the film: Anya Taylor-Joy (The Witch, Split), George Mackay (Captain Fantastic), Mia Goth (A Cure for Wellness, Nymphomaniac. Vol. II) and Charlie Heaton (As You Are, Stranger Things). Featuring in the special screenings section is Morir (Dying) by Fernando Franco, winner of the Special Jury Prize at the San Sebastian Festival and of the Goya Award to Best New Director for his first work, La herida. Morir (Dying), a free adaptation of the book of the same name by Arthur Schnitzler, stars Andrés Gertrúdix and Marian Álvarez, also winner with La herida of the Best Actress Silver Shell, endorsed by the Goya for Best Actress. Spanish participation can also be found in La cordillera (The Summit), the film directed by Santiago Mitre which will be shown in a special screening to celebrate presentation of the Donostia Award to its leading man, the Argentine actor Ricardo Darín. In New Directors, Nicolás Combarro (A Coruña, 1979), a well-known artist who uses different forms of expression including photography and sculpture, presents his first film, Alberto García-Alix. La línea de la sombra (Alberto García-Alix. The Shadow Line), portraying the universe of the Spanish photographer. Also in the section dedicated to new talents is the co-production between Chile, Spain and Argentina, Princesita (Princess), directed by Marialy Rivas, whose first feature, Joven & Alocada (Young & Wild, 2012), won the Best Screenplay Award at Sundance. Princesita (Princess) was a participant in the Films in Progress selection in 2015. The co-production between Chile, Germany, Spain and United States Una mujer fantástica (A Fantastic Woman) by Sebastián Lelio, winner of the Silver Bear for Best Screenplay at the Berlinale, will open Horizontes Latinos, the selection of which includes La educación del Rey (Rey’s Education), by Santiago Esteves, winner of the two Films in Progress awards last year (Films in Progress 30 Industry Award and the CAACI / Ibermedia TV Films in Progress Award). Competitors for the Zabaltegi-Tabakalera award include the first work as a director from Gustavo Salmerón, the documentary Muchos hijos, un mono y un castillo (Lots of Kids, a Monkey and a Castle), an allegory of the crisis which garnered the Best Documentary Award at the Karlovy Vary Festival, and the shorts Plágan (Kimuak 2017), by Koldo Almandoz, who competed in the same section last year with Sipo Phantasma (Ghost Ship), and Plus Ultra, by Samuel M. Delgado and Helena Girón, selected for the Locarno Festival. The coming feature film project by Delgado and Girón, Eles transportan a morte, has been selected for the Ikusmira Berriak 2017 program. Furthermore, the co-production Loving Pablo, the film about drug lord Pablo Escobar, directed by Fernando León de Aranoa and starring Javier Bardem and Penélope Cruz, will close the Pearls section and will be screened in the Anoeta Velodrome. The Velodrome also will host the premieres of Operación Concha (Operation Golden Shell), a screwball comedy set at the San Sebastian Festival, directed by Antonio Cuadri (El corazón de la tierra /The Heart of the Earth) and starring Jordi Mollà and Karra Elejalde, and Fe de etarras, fourth feature as a director from Borja Cobeaga, written by Diego San José and starring Javier Cámara, Julián López, Miren Ibarguren and Gorka Otxoa. The Spanish Television gala will host the premiere of La llamada, the adaptation of the homonymous musical. The directors of the play, Javier Calvo and Javier Ambrossi, take their first steps in feature film territory with this movie starring Macarena García (Best Actress Silver Shell for Blancanieves / Snow White), Anna Castillo and Belén Cuesta. Lastly, competing at the International Film Students Meeting is L’home llop (The Wolfman), directed by a student of the ESCAC (Escola Superior de Cinema i Audiovisuals de Catalunya), Lluís Sellarés.

    OFFICIAL SELECTION

    In competition

    EL AUTOR MANUEL MARTÍN CUENCA (SPAIN – MEXICO) Production: LAZONA FILMS, ALEBRIJE CINE Y VÍDEO, ICÓNICA PRODUCCIONES, LA LOMA BLANCA P.C. Cast: Javier Gutiérrez, María León, Adelfa Calvo, Adriana Paz, Tenoch Huerta, Rafael Téllez, Antonio de la Torre Álvaro wants to be an author, but everything he puts down on paper rings false, pretentious and insipid. He works as a clerk at a notary’s office in Seville and his life is dull, only coloured by his dreams. His wife, Amanda, is quite the opposite. She’s always had her feet firmly on the ground and has never dreamt of becoming an author. However, she sets out to write and produces a bestseller. The ironies of life. Separation is inevitable. Just then, Álvaro decides to fulfil his dream: to write a great novel. But he can’t; he has neither the talent nor the imagination. Guided by Juan, his writing teacher, he studies the fundamentals of the novel, until discovering one day that fiction is in fact based on reality. Álvaro starts manipulating his neighbours and friends to create a story, a real story bigger than fiction. HANDIA AITOR ARREGI, JON GARAÑO (SPAIN) Production: IRUSOIN, MORIARTI PRODUKZIOAK, KOWALSKI FILMS S.L., AUNDIYA FILM A.I.E. Cast: Eneko Sagardoy, Joseba Usabiaga, Iñigo Aranburu, Ramon Agirre, Aia Kruse Having fought in the First Carlist War, Martin returns to his family farm in Gipuzkoa only to find that his younger brother, Joaquín, towers over him in height. Convinced that everyone will want to pay to see the tallest man on Earth, the siblings set out on a long trip all over Europe, during which ambition, money and fame will forever change the family’s fate. A story based on true events. LIFE AND NOTHING MORE ANTONIO MÉNDEZ ESPARZA (SPAIN – USA) Production: AQUÍ Y ALLÍ FILMS Cast: Andrew Bleechington, Regina Williams, Robert Williams, Ry’nesia Chambers Life and Nothing More portrays the reality of a single mother who lives in north Florida state with her children. In a context of social inequality, her life is nothing but a constant struggle to make it to the end of the month, while coping with routine and everyday difficulties, among which are the problem of her son’s behaviour and her permanent conflict when trying to become part of society.

    Not in competition

    LA PESTE (THE PLAGUE) ALBERTO RODRÍGUEZ (SPAIN) Production: MOVISTAR+, ATÍPICA FILMS Cast: Pablo Molinero, Paco León, Sergio Castellanos, Patricia López Arnaiz, Manolo Solo, Lupe del Junco, Tomás del Estal, Paco Tous, Cecilia Gómez During an outbreak of the bubonic plague in the magnificent Seville of 1587, Mateo, a former soldier, returns, honouring his word to find and extract a dead friend’s son from the city. Previously, Mateo had been forced to flee the city to save his life, having been sentenced to death by the Inquisition for printing forbidden books. Before he can complete his task, Mateo is arrested by the Inquisitor’s bailiffs, who promise to pardon his life in exchange for solving a series of crimes of diabolic overtones being committed in Seville. MARROWBONE SERGIO G. SÁNCHEZ (SPAIN) Production: MARROWBONE, S.L, TELECINCO CINEMA Cast: George MacKay, Anya Taylor-Joy, Charlie Heaton, Mia Goth, Matthew Stagg Jack and his siblings struggle to survive at the rundown Marrowbone farm. Despite the blow of their mother’s early death, the four brothers have created in this remote and labyrinthine spot a refuge suited to their needs, safe from the outside world and with no adult help whatsoever. They stay together, observing their mother’s last wish; but the danger closing in around them isn’t to be found outside the farm. Strange noises and occurrences start shaking Marrowbone’s old walls, as if haunted by an ancient curse. With no other option but to stay in the mansion, the four brothers will have to find a way to overcome the threatening ominous presence.

    Special screenings

    MORIR (DYING) FERNANDO FRANCO (SPAIN) Production: KOWALSKI FILMS, FERDYDURKE FILMS Cast: Andrés Gertrúdix, Marian Álvarez The lives of Luis and Marta are abruptly paralysed. Lies, guilt and fear put the couple’s stability and love to the test.

    DONOSTIA AWARD SPECIAL SCREENING

    LA CORDILLERA (THE SUMMIT) SANTIAGO MITRE (ARGENTINA – SPAIN – FRANCE) Production: KRAMER & SIGMAN FILMS, MOD PRODUCCIONES, MANEKI FILMS, LA UNIÓN DE LOS RÍOS Cast: Ricardo Darín, Dolores Fonzi, Érica Rivas, Elena Anaya, Daniel Giménez-Cacho, Alfredo Castro, Gerardo Romano, Leonardo Franco, Paulina García, Christian Slater At a Summit for Latin American presidents in Chile, where the region’s geopolitical strategies and alliances are in discussion, Argentine president Hernán Blanco endures a political and family drama that will force him to face his own demons. He will have to come to two decisions that could change the course of his public and private life forever: one regarding a complicated emotional situation with his daughter, and the other, the most important political decisión of his career.

    NEW DIRECTORS

    ALBERTO GARCÍA-ALIX. LA LÍNEA DE SOMBRA (ALBERTO GARCÍA-ALIX. THE SHADOW LINE) NICOLÁS COMBARRO (SPAIN) Production: MORELLI PRODUCCIONES Alberto García-Alix. La línea de sombra is the portrait of one of the most important photographers on the Spanish artistic scene, reference of an entire generation. A direct testimony of the lights and shadows through which Alberto García-Alix has had to make his way in order to find his path. Narrated from the intimacy of his studio, the film takes the shape of a voyage between the present and the past. A dialogue between his life and work. PRINCESITA (PRINCESS) MARIALY RIVAS (CHILE – SPAIN – ARGENTINA) Production: FABULA, SETEMBRO CINE, SUDESTADA CINE Cast: Sara Caballero, Marcelo Alonso, Maria Gracia Omegna Films in Progress 28 In a far-off country at the end of the world Tamara, aged 12, lives under the wing of charismatic cult leader Miguel, a man she adores. That summer the girl will be given a mission: to have a holy child with him immediately she has her first period. Tamara realises that the life she wants for herself is not the same as the fate imposed on her. Her disobedience will lead to her violent development from child to woman, forcing her to gain her freedom in a way she had never imagined.

    HORIZONTES LATINOS

    UNA MUJER FANTÁSTICA (A FANTASTIC WOMAN) SEBASTIÁN LELIO (TXILE – GERMANY – SPAIN – USA) Production: FABULA, KOMPLIZEN FILM, SETEMBRO CINE Cast: Daniela Vega, Francisco Reyes, Luis Gnecco, Paulina García, Néstor Cantillana, Alonso Torres, Cristián Chaparro, Senén Arancibia OPENING FILM (IN COMPETITION) Marina is a young waitress and wannabe singer; Orlando owns a printing company. Together they plan their future. When Orlando dies suddenly, Marina has to stand up to her family and society to show them what she truly is: a complex, strong, forthright and… fantastic woman. Teddy Award and Silver Bear for Best Screenplay at the Berlinale 2017. LA EDUCACIÓN DEL REY (REY’S EDUCATION) SANTIAGO ESTEVES (ARGENTINA – SPAIN) Production: 13 CONEJOS, NEPHILIM S.A. Cast: Germán De Silva, Matías Encinas, Jorge Prado, Mario Jara, Martín Arrojo, Elena Schnell, Marcelo Lacerna, Esteban Lamothe Bolting from his first ever heist, Reynaldo Galíndez, alias ‘Rey’, lands in the patio of the house inhabited by Carlos Vargas, a retired security guard. Vargas proposes a deal: the young boy will repair the damage to his home in return for not being handed over to the police. The lessons given to the teenager by the former guard develop into a relationship not unlike the old legends of educating a king (for the “Rey” of his name, meaning “king”). But the agreement will start to fall apart when the loose ends of the robbery Reynaldo had been involved in start closing in around them. Films in Progress Industry Award and CAACI / Ibermedia TV Films in Progress Award in 2016.

    ZABALTEGI-TABAKALERA

    MUCHOS HIJOS, UN MONO Y UN CASTILLO (LOTS OF KIDS, A MONKEY AND A CASTLE.) GUSTAVO SALMERÓN (SPAIN) Production: GUSTAVO SALMERÓN P.C. Cast: Julia Salmerón, Antonio García Cabanes, Gustavo Salmerón, Nacho Salmerón, Ramón García Salmerón, David García Salmerón, Paloma García Cabanes This is the story about Julita, a matriarch whose three childhood wishes have been granted: lots of kids, a monkey, and a Spanish castle. At her 81 years old, one of her children needs to find the vertebra of his murdered great-grandmother, lost among the exorbitant amount of weird objects she has hoarded throughout her life, revealing a very picturesque family history. This unique old lady is about to find the meaning of life. Winner of the Award to the Best Documentary at Karlovy Vary. PLÁGAN (PLAGUE) Short film KOLDO ALMANDOZ (SPAIN) Production: TXINTXUA FILMS SL, MKM Plague: From the Latin plague ‘blow’, ‘wound’. Meaning: Massive and sudden appearance of living beings of a same species which cause serious damage to animal or vegetable populations. Abundance of something harmful. PLUS ULTRA Short film SAMUEL M. DELGADO, HELENA GIRÓN (SPAIN) Production: EL VIAJE FILMS, FILMIKA GALAIKA Cast: David Pantaleón, Rubén Rodríguez, María Isabel Díaz, Elena Navarro, Mercedes Pintado Plus Ultra is Spain’s motto. It was used to encourage seafarers to conquer new lands, forgetting Greek mythology’s warning: Non Terrae Plus Ultra (No Land Beyond). The Canary Islands – test bench for the tactics used to colonise America – become the scene of a fable about the territory. VERGÜENZA JUAN CAVESTANY, ÁLVARO FERNÁNDEZ ARMERO (SPAIN) Production: MOVISTAR+, APACHE FILMS S.L. Cast: Javier Gutiérrez, Malena Alterio, Vito Sanz Jesús and Nuria have a problem: no matter what they do, they’re always the laughing stock of their family and friends, stupidly making a fool of themselves. He is a wedding and christening photographer, but believes he has a calling to show his true talent in ‘artistic’ photography. She believes that after her temporary crises she’ll start to have a more interesting life. Together they must decide whether being so pathetic is just a passing virus or if they actually have a chronic disease. Vergüenza is a ten chapter television series. SAURA(S) FÉLIX VISCARRET (SPAIN) Production: IMVAL PRODUCCIONES, PANTALLA PARTIDA Félix Viscarret is a young director. Carlos Saura is a living legend. United by the Cineastas Contados initiative tribute to the genius from Aragon, Viscarret devises a plan for his personal portrayal of the veteran filmmaker. It’s brilliant. It will show the most intimate Saura through conversations between the master and his 7 children. All accept. Saura isn’t fond of talking about the past. Viscarret insists. Saura likes painting. And photography.

    PEARLS

    LOVING PABLO FERNANDO LEÓN DE ARANOA (SPAIN – BULGARIA) Production: ESCOBAR FILMS AIE, B2Y OOD LTD, JAVIER BARDEM Cast: Javier Bardem, Penélope Cruz CLOSING NIGHT FILM Not in competition The true story of the notorious drug kingpin Pablo Escobar, who killed thousands, made billions and struck up an unlikely love affair with his polar opposite, a glamorous television host named Virginia Vallejo.

    VELODROME

    FE DE ETARRAS BORJA COBEAGA (SPAIN) Production: NETFLIX, MEDIAPRO Cast: Javier Cámara, Gorka Otxoa, Julian López, Miren Ibarguren, Ramón Barea Fe de etarras is an unusual dark comedy set in the warm summer of 2010 in a Spanish provincial capital. A peculiar commando composed of a veteran desperate to prove he’s not a coward, a couple whose commitment depends on continuity of the outfit and a guy from La Mancha who thinks that joining the commando will turn him into Chuck Norris, hole up in a safe house while waiting for the call to tell them they can take action. Meanwhile, the Spanish football team notches up victories in the South Africa World Cup and the whole country is celebrating around them, causing enormous frustration among the farcical commando. OPERACIÓN CONCHA (OPERATION GOLDEN SHELL) ANTONIO CUADRI (SPAIN – MEXICO) Production: ABRA PROD S.L., SPLINE PRODUCCIÓN AUDIOVISUAL S.A. DE CV (CARIBBEAN FIMS) Cast: Jordi Mollà, Karra Elejalde, Unax Ugalde, Ramón Agirre, Bárbara Goenaga, Bárbara Mori, Mara Escalante, Alosian Vivancos Unscrupulous businessman Marcos Ruiz de Aldazábal (Karra Elejalde) is the head of a film production company gone bust. Desperate and penniless, Marcos and his team come up with a plan to hoodwink a millionnaire investment company with a lookalike of prestigious actor Ray Silvela (Jordi Mollà), who has declined the offer to work on their film. Making the most of the San Sebastian Festival context, they set about contriving a massive hoax where nothing is what it seems to be.

    TVE SPECIAL SCREENING

    LA LLAMADA (HOLY CAMP) JAVIER CALVO, JAVIER AMBROSSI (SPAIN) Production: APACHE FILMS, LO HACEMOS Y YA VEMOS AIE, SÁBADO PELÍCULAS Cast: Macarena García, Anna Castillo, Belén Cuesta, Gracia Olayo Segovia. A Christian Summer camp, called ‘The Compass’. Bernarda, a nun who has just got there, wants to save the camp with her song Viviremos firmes en la fe. Sister Milagros, a young woman who doubts, remembers she liked Presuntos Implicados very much. María and Susana, two adolescents who are there as a punishment, have a band called Suma Latina. But since God appeared to María, everything is changing. And that’s because God loves Whitney Houston.

    INTERNATIONAL FILM STUDENTS MEETING

    L’HOME LLOP (THE WOLFMAN) Short film LLUÍS SELLARÈS (SPAIN) Cast: Nico Roig, Mar del Hoyo ESCAC (Spain) Nico is half of the couple who stays at home while Mar is working, looking out the window the vastness of the forest and seeking for new ways to procrastinate.

    Read more


  • Argentine Actor Ricardo Darín to Receive Donostia Award at San Sebastian Film Festival

    The Summit (La cordillera) Ricardo Darin Argentine actor Ricardo Darín will receive a Donostia Award on September 26 at the 65th edition of the San Sebastian Festival, at the screening of his film The Summit (La cordillera). The Festival’s most important honorary award acknowledges the career of the Argentine actor, who has worked with filmmakers including Adolfo Aristarain, Juan José Campanella, Fabián Bielinsky, Fernando Trueba, Pablo Trapero, Cesc Gay and Santiago Mitre. The Summit (La cordillera) is written and directed by Santiago Mitre; and stars Dolores Fonzi, Érica Rivas, Elena Anaya, Daniel Giménez Cacho, Alfredo Castro, Paulina García and Christian Slater. The film premiered in the Un Certain Regard section of the 2017 Cannes Film Festival, and will be screened on Tuesday 26 at the Kursaal Auditorium. Warner Bros Pictures will release the film in Spanish cinemas on September 29. The Summit (La cordillera) is set at a Summit for Latin American presidents in Chile, where the region’s geopolitical strategies and alliances are in discussion, Argentine president Hernán Blanco endures a political and family drama that will force him to face his own demons. He will have to come to two decisions that could change the course of his public and private life forever: one regarding a complicated emotional situation with his daughter, and the other, the most important political decision of his career. Ricardo Darín is known for El hijo de la novia (Son of the Bride, 2001, nominee for the Best Foreign Language Film Academy Award), Luna de Avellaneda (Moon of Avellaneda,2004) and El secreto de sus ojos (The Secret in Their Eyes, 2009, Best Foreign Language Film Academy Award), all three directed by Juan José Campanella. In 2007 he made his directorial debut with the film La señal alongside Martín Hodara, with whom he repeated the experience this year on Nieve negra (Black Snow). His filmography also includes the role of a professor of Criminal Law in Tesis sobre un homicidio (Thesis on a Homicide, Hernán Goldfrid, 2012), a desperate father in Séptimo (7th Floor, Patxi Amezcua, 2013), an explosives expert in Relatos Salvajes (Wild Tales, Damián Szifron, 2014), which competed in Cannes and was nominated for Best Foreign Language Film Academy Award, and his part as the President of Argentina in La cordillera (The Summit). He is also a member of the cast on the latest film by the Iranian director Asghar Farhadi, as yet untitled, on which he will share the credits with Penelope Cruz and Javier Bardem. The Donostia Award culminates a list of more than 20 national and international wards including five Silver Condors, two Konex, two Sur by the Argentine Academy of Cinematography Arts and Sciences Awards, a Goya, a José María Forqué, a Gaudí, a CEC (Cinema Writers Circle) award, a Feroz, a Platino Audience Award, a Sant Jordi, awards at the Valladolid, Havana and Biarritz festivals, the aforementioned Silver Shell in San Sebastian, the Honorary Platino received last year and the Gold Medal for Merits in the Fine Arts he will receive this year. All recognize the extraordinary career of an actor who has worked indistinctly in television, cinema and theatre (with the award-winning Algo en común, Art and Escenas de la vida conyugal).

    Read more