IFC Midnight today released the poster and the red band trailer for Colin Minihan’s What Keeps You Alive. The film celebrated its World Premiere at SXSW, and will be screening next at Montreal’s Fantasia International Film Festival and Sitges International Fantastic Film Festival. What Keeps You Alive will open in cinemas and on VOD nationwide on August 24th, 2018.
How much can you really know about another person? The unsettling truth that even those closest to us can harbor hidden dimensions drives this thrillingly unpredictable, blood-stained fear trip. Jackie (Hannah Emily Anderson) and Jules (Brittany Allen) are a couple celebrating their one year anniversary at a secluded cabin in the woods belonging to Jackie’s family. From the moment they arrive, something changes in Jules’ normally loving wife, as Jackie (if that even is her real name) begins to reveal a previously unknown dark side—all building up to a shocking revelation that will pit Jules against the woman she loves most in a terrifying fight to survive. Defying expectations at every turn, Director Colin Minihan delivers a nerve-twisting cat and mouse thriller built around a shattering tale of heartbreak and betrayal.
What Keeps You Alive
What Keeps You Alive
NAME OF FILM: WHAT KEEPS YOU ALIVE
DIRECTOR(S): Colin Minihan
STARRING: Hannah Emily Anderson, Brittany Allen, Martha Macisaac, Joey Klein, Charlotte Lindsay Marron
GENRE: Thriller Film
SYNOPSIS: For their first wedding anniversary, Jackie and Jules retreat to a cozy cabin near a beautiful lake. The sudden appearance of Jackie’s childhood best friend sets off a chain of unlikely events that turn a quiet vacation into the deadliest game of cat and mouse in Overlook Alum Colin Minihan’s (writer of STILL/BORN) claustrophobic survivalist thriller.
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Watch New Red-Band Trailer for Colin Minihan’s Thriller WHAT KEEPS YOU ALIVE in Theaters on August 24
IFC Midnight today released the poster and the red band trailer for Colin Minihan’s What Keeps You Alive. The film celebrated its World Premiere at SXSW, and will be screening next at Montreal’s Fantasia International Film Festival and Sitges International Fantastic Film Festival. What Keeps You Alive will open in cinemas and on VOD nationwide on August 24th, 2018.
How much can you really know about another person? The unsettling truth that even those closest to us can harbor hidden dimensions drives this thrillingly unpredictable, blood-stained fear trip. Jackie (Hannah Emily Anderson) and Jules (Brittany Allen) are a couple celebrating their one year anniversary at a secluded cabin in the woods belonging to Jackie’s family. From the moment they arrive, something changes in Jules’ normally loving wife, as Jackie (if that even is her real name) begins to reveal a previously unknown dark side—all building up to a shocking revelation that will pit Jules against the woman she loves most in a terrifying fight to survive. Defying expectations at every turn, Director Colin Minihan delivers a nerve-twisting cat and mouse thriller built around a shattering tale of heartbreak and betrayal.
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Film Society of Lincoln Center Announces 11th Scary Movies Horror Film Festival Lineup
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Anna and the Apocalypse[/caption]
Scary Movies XI, the horror festival presented by New York’s Film Society of Lincoln Center returns August 17 to 23, 2018. The festival kicks off with the New York premiere of the delightful yet blood-soaked holiday-set high-school musical Anna and the Apocalypse, as a band of Scottish teens fight, sing, and dance to survive the undead horde taking over their small town in John McPhail’s sophomore feature. Closing Night is Jonas Åkerlund’s harrowing black-metal tragedy Lords of Chaos, the true story of legendary Norwegian band Mayhem starring Rory Culkin, Emory Cohen, and Sky Ferreira.
Other highlights of this year’s lineup include a trio of creepy Latin American offerings featuring possessions (Guillermo Amoedo’s The Inhabitant), dark fairy tales (Issa López’s Tigers Are Not Afraid), and haunted hospitals (J.C. Feyer’s The Trace We Leave Behind); the new film from last year’s closing night director Colin Minihan, who reunites with his It Stains the Sands Red actress Brittany Allen for What Keeps You Alive; and a selection of new indie horror at its most promising, including Sonny Mallhi’s gruesome slasher flick Hurt, Patrick von Barkenberg’s Swedish novelist nightmare Blood Paradise, and Andy Mitton’s house-flipping horror The Witch in the Window.
Scary Movies XI also presents the retrospective sidebar Tainted Waters, comprising a quartet of 35mm titles whose horrors take place above or below the surface—or sometimes come creeping onto the land: Phillip Noyce’s Dead Calm (featuring an early breakout performance by Nicole Kidman), Lewis Teague’s creature-feature classic Alligator, horror master Stuart Gordon’s H.P. Lovecraft adaptation Dagon, and Ken Wiederhorn’s Nazi zombie flick Shock Waves, starring the late, great Peter Cushing. Finally, the dynamic duo of Glenn McQuaid and Larry Fessenden present a brand new live edition of Glass Eye Pix’s acclaimed radio-play series Tales from Beyond the Pale. Entangling creatures, creeps, and ghouls with observations both personal and political, this special event offers two new Tales written and directed by Fessenden and McQuaid performed live on-stage with actors, foley artists, sound designers, and musicians.
FILMS AND DESCRIPTIONS
All screenings held at the Walter Reade Theater (165 West 65th Street) unless otherwise noted.
OPENING NIGHT
Anna and the Apocalypse
John McPhail, UK/USA, 2017, 92m
New York Premiere
As Anna (an enchanting Ella Hunt) nears the end of high school, the most pressing concerns are her questionable taste in guys and how to break the news to her widowed father that she plans to take a year of travel before heading to college. But those issues lose all importance when an unexplained plague begins spreading in her tiny Scottish town of Little Haven before Christmas break, and she and her classmates must battle hordes of zombies—and their unhinged headmaster (Paul Kaye)—in order to make it to graduation. Oh and they sing and dance, too… A highly accomplished musical, full of infectious songs and performance setpieces, and like one of its clear inspirations Shaun of the Dead, Anna and the Apocalypse features merriment and menace in perfect balance. An Orion Pictures release.
CLOSING NIGHT
Lords of Chaos
Jonas Åkerlund, UK/Sweden, 2018, 112m
New York Premiere
Pioneering Norwegian black-metal band Mayhem experienced a rise and fall so notorious that it’s provided the subject of multiple books and documentaries. And now a dramatization of their tragic tale finally makes it to the screen courtesy of Swedish music video and film director extraordinaire Jonas Åkerlund. It’s a devastating portrait of youth mixed with power in dangerous doses, yet it humanizes its antiheroes in unexpected ways, in part due to memorable performances from Rory Culkin as Euronymous, Mayhem co-founder and a key figure in the world of black metal; Emory Cohen as Varg Vikernes, his bandmate and eventual murderer; and Jack Kilmer as Mayhem’s ultra-melancholic first lead singer known as Dead. Like the best of Åkerlund’s video work and his dynamite 2002 film Spun, Lords of Chaos is profoundly disturbing but with a macabre, comical touch. A Gunpowder & Sky release.
Await Further Instructions
Johnny Kevorkian, UK, 2018, 91m
New York Premiere
Nick (Sam Gittins) brings his girlfriend Annji (Neerja Naik) home for the holidays after three years of avoiding his massively dysfunctional family. And it’s no wonder he chose to stay away: his grandfather (David Bradley) is a virulent racist, his father (Grant Masters) runs the family like it’s a business, and his mother (Abigail Cruttenden) just tries to hold it all together. Add in Nick’s high-strung pregnant sister (Holly Weston) and her dim-witted boyfriend (Kris Saddler) and Nick and Annji soon reach their breaking point. They attempt to leave early Christmas morning only to discover that a metallic substance has surrounded the house and there is no way out. The only clues to what’s happening come through the television, which, in the first of many cryptic messages, tells them to “STAY INDOORS AND AWAIT FURTHER INSTRUCTIONS.” Familial tensions and paranoia escalate into blood-soaked chaos in this ever-relevant chiller that contemplates the state of today’s technology-ruled world. A Dark Sky Films release.
Blood Paradise
Patrick von Barkenberg, USA/Sweden, 2018, 82m
English and Swedish with English subtitles
World Premiere
Reeling after her latest novel flops, best-selling crime writer Robin Richards (Andréa Winter) is sent by her publisher to the Swedish countryside to regain inspiration. There alone, she indeed comes across an assortment of peculiar characters, including her driver and most obsessive fan, his explosively jealous wife, and the progressively more unhinged man who owns the farm that’s hosting her. Totally out of place in her new surroundings—for one, she is always dressed for glamorous, big-city life—Robin discovers just how dangerous these oddballs may be. The unpredictable debut feature by Patrick von Barkenberg (who also appears as Robin’s boyfriend) is bathed in dreamy atmospherics and streaked with offbeat humor, but remains grounded throughout by Winter, who holds your attention rapt.
Boogeyman Pop
Brad Michael Elmore, USA, 2018, 90m
New York Premiere
Tony (James Paxton) is a punk who dreams of escaping his small town but finds his release in drugs—until a friend gives him a new kind of pill called Wendigo and can’t remember what he did the night before. Meanwhile, Danielle (Dominique Booth), who likes Tony, spends her night taking care of her drugged-out friends at a punk club and getting tied up with the town dealer, Matt (Greg Hill), who is trading in something much darker and more sinister than pills. And three kids from Danielle’s neighborhood have a run in with a bat-wielding, black Cadillac–driving, masked killer. This trio of perspective-shifting stories intersect into a maelstrom of murder, adolescent angst, sex, drugs, and black magic. Set during the course of one summer weekend, this indie film has punk-rock energy to spare and a distinct cinematic vision that transcends its micro budget.
Hurt
Sonny Mallhi, USA, 2018, 93m
New York Premiere
Halloween in New Caney, Texas, is slow and quiet. Rose (model Emily van Raay, in a striking debut performance) is having trouble connecting with her husband Tommy (Andrew Creer), who recently returned from military deployment and is struggling with PTSD. Rose’s sister and her husband urge them to head to the town’s haunted hayride to relive old traditions and maybe try to rekindle their relationship. The fairgrounds are filled with masked monsters and fake blood and death. Tommy runs off and the night gradually descends into chaos. Sonny Mallhi’s exquisitely realized third feature digs up the violence bubbling under the modern American experience and serves up a smart treatise on trauma. This truly gruesome and terrifying slasher flick reminds us that death is very real, and it’s not only the monstrous villains who wear masks.
Impossible Horror
Justin Decloux, Canada, 2017, 75m
New York Premiere
Following a bad breakup, aspiring filmmaker Lily (Haley Walker) struggles with a crippling creative block. Unable to sleep, she begins hearing a sinister scream outside her window every evening. Convinced she needs to help, she heads out into the dark night and meets Hannah (Creedance Wright), a veteran scream hunter obsessed with stopping the creepy occurrence. The two women team up to try and locate the source before they become the scream’s next victims. As much a horror movie as a movie about the horror of creation, Justin Decloux’s ultra-indie second feature references everything from Asian horror to giallo, and its DIY spirit and eerie underlying dread secures its place as a small but mighty genre discovery.
The Inhabitant / El habitante
Guillermo Amoedo, Mexico/Chile, 2017, 92m
Spanish with English subtitles
North American Premiere
In an attempt to secure some quick cash, three sisters break into the home of a super-wealthy family—and get a whole lot more than they bargained for. If this sounds tediously familiar, have no fear: The Inhabitant is no simple take on the old home-invasion-gone-wrong scenario. The film has serious political undertones—the house the women target belongs to a high-profile, and highly corrupt, senator—and its action opens up to also make room for a child possession tale like no other. Uruguayan-born, Chile-based filmmaker Guillermo Amoedo has made a name for himself working on screenplays for Eli Roth projects (The Green Inferno, Knock Knock, Aftershock), but this one outshines them all, featuring genuine chills and higher-gloss production values than usually found within such confined spaces. A Pantelion release.
Tales from Beyond the Pale Live Event
Larry Fessenden and Glenn McQuaid’s “Tales from Beyond the Pale” returns to the Film Society of Lincoln Center for a double bill of contemporary audio dramas. Now in its eighth year, the primarily spooky show, produced by Glass Eye Pix, has taken cues from the likes of Inner Sanctum Theatre and the Mercury Theatre Company while putting its own rich spin on the format. Observations both personal and political are often deeply entangled with whatever creature, creep, or ghoul Fessenden and McQuaid conjure up. Two new “Tales” written and directed by Fessenden and McQuaid will be performed live with actors, foley artists, sound designers, and musicians; it’s quite a sight, and if you dare to close your eyes, quite a listen! Previous shows have featured the vocal talents of the likes of Ron Perlman, Michael Cerveris, Lance Reddick, Doug Jones, Vincent D’Onofrio, Sean Young, and Alison Wright… so you never know who might show up.
Tigers Are Not Afraid / Vuelven
Issa López, Mexico, 2017, 83m
Spanish with English subtitles
New York Premiere
In the midst of a world plagued by gang violence, 10-year-old Estrella (Paolo Lara) is left to her own devices after her mom disappears. As a protection measure—or is it a stroke of the supernatural?—Estrella believes to have been granted three wishes, and she uses one to bring her mother back, though failing to mention that she wanted her alive. Haunted by the dead shell of her mother, she leaves home and ends up taking up camp with a group of local orphan boys in their small Mexican village, nervously trying to remain hidden from murderous drug-dealing local thugs and forming a strong familial bond in the process. A fantastical tale that is also steeped in hard-bitten realities, writer-director Issa López’s alternately heart-wrenching and chilling film inevitably elicits Guillermo del Toro comparisons, mostly for its ability to extract wholly believable performances from its young cast, but stands firmly on its own as inspired cinema. A Shudder release.
The Trace We Leave Behind / O Rastro
J.C. Feyer, Brazil, 2017, 96m
Portuguese with English subtitles
North American Premiere
João (a commanding Rafael Cardoso) is a doctor coordinating the removal of patients from a Rio de Janeiro public hospital that, despite harsh protests from the community, is scheduled to close due to Brazil’s recession. On the night of the transfer, a 10-year-old girl disappears without a trace and João must find her, even if just to prove to his pregnant wife Leila (Leandra Leal) that he can be a dependable father. The more he searches, the deeper he is drawn into a world he wishes he never entered. Long-kept secrets are unearthed and João struggles against the darkness that is closing in around him. Is the hospital haunted? Is he losing his mind? The feature debut by J.C. Feyer—a strong case for the resurgence of Brazilian horror—is relentless in both its dedication to scaring the pants off the audience and to shining a light on the country’s social unrest.
What Keeps You Alive
Colin Minihan, Canada, 2018, 98m
New York Premiere
The follow-up to Colin Minihan’s It Stains the Sands Red, a closing-night selection of last year’s Scary Movies, offers another twisty thrill ride starring the always compelling Brittany Allen. Here, she plays Jules, who heads to a lakeside cabin with her wife, Jackie (Hannah Emily Anderson), to celebrate their one-year anniversary. The tranquil setting—the nearest neighbors are Jackie’s childhood friend and her husband across the lake—quickly turns terrifying, but to say anything more would spoil the surprises. Audacious and unsparing, the film veers into pitch-black comedy to keep the bloodletting and betrayal fun and boasts impressive cinematography that captures both the beauty and isolation of its remote environment and the ferocious violence that unfurls within. An IFC Midnight release.
The Witch in the Window
Andy Mitton, USA, 2018, 77m
U.S. Premiere
A divorced dad (Alex Draper) takes his 12-year-old son (Charlie Tacker) to the farmhouse he’s purchased to flip in middle-of-nowhere Vermont. It was cheap—and for a reason: there is an old witch, Lydia (Carol Stanzione), haunting the premises, mainly planted in a chair by an upstairs window. At first her presence seems harmless enough, but as the renovations continue, it becomes more apparent that she, the previous owner, has no interest in sharing her home. As in the two previous features he co-directed, YellowBrickRoad and We Go On, Andy Mitton’s solo directorial debut proves that big scares can come in small packages, and his latest refreshingly character-driven film, which sees a father desperately trying to protect a child he wants to reconnect with and the house he has always fantasized about, has way more on its mind than it initially lets on. A Shudder release.
Tainted Waters Retrospective Sidebar
Alligator Lewis Teague, USA, 1981, 35mm, 91m Twelve years after a little girl’s alligator is flushed down the toilet by her father, body parts start showing up at the local sewage treatment plant. David Madison (Robert Forster) is the detective (haunted by his past, of course) assigned to the case, who must contend with his captain, city hall, the tabloids, an unscrupulous pharmaceutical company, and male pattern baldness, all while a giant gator is picking off cops and sewer workers, and starting to chomp its way up the socioeconomic ladder. David teams up with herpetologist Marisa Kendall (Robin Riker)—the girl who bought the alligator now all grown up—to try and stop the rampaging reptile. Featuring notable character actors (Henry Silva chewing his way through the scenery as the big-game hunter brought in to handle the beast is a particular highlight) and a script from John Sayles that’s smarter than it has any right to be, this is one of the all-time creature-feature classics. Dagon Stuart Gordon, Spain, 2001, 35mm, 98m English, Spanish, and Galician with English subtitles Horror master Stuart Gordon has looked to H.P. Lovecraft as an inspiration for many of his works, and this adaptation of the famed writer’s tale “The Shadow Over Innsmouth” ranks as his second finest—following the inimitable Re-Animator—even if it never received a proper U.S. theatrical release. The modern-day set Dagon sees two couples’ paradise sailing getaway quickly descend into hell. Their boat hits stormy waters and in the process of finding help on shore, Paul (Ezra Godden) is mysteriously separated from his travel mates. Alone, he learns that the Spanish island, infested with fishmen, is under the worship of Dagon, who demands blood sacrifices and women to procreate with in return for the town’s prosperity, and makes the acquaintance of Uxia (the great Macarena Gómez of past Scary Movies selections Sexykiller and Shrew’s Nest), a mermaid who has appeared in his dreams—which increasingly become a terrifying reality. Dead Calm Phillip Noyce, Australia, 1989, 35mm, 96m Mourning the tragic loss of their young son, Rae and John Ingram (Nicole Kidman and Sam Neill) take to the open seas with their dog for some peace and healing. Aboard their yacht mid-Pacific, they cross paths with the Orpheus, a sinking schooner whose sole survivor Hughie (Billy Zane) takes refuge with them. Loosely based on Charles Williams’s crackerjack 1963 novel—also the source of Orson Welles’s unfinished film The Deep—Dead Calm is the ultimate in edge-of-your-seat suspense, as John becomes trapped on the submerging vessel while investigating Hughie’s suspect account of the his crew’s demise, as his wife is left alone with a man who becomes progressively more unhinged. Featuring spectacular direction (by Phillip Noyce), cinematography (by the Oscar-winning DP Dean Semler), and performances (by its three leads), particularly a gorgeously natural Kidman in an early breakthrough role, the film is a true terror treat, not to be missed on the big screen. Shock Waves Ken Wiederhorn, USA, 1977, 35mm, 85m The same year he appeared as Grand Moff Tarkin in Star Wars, Peter Cushing also played another grand villain in Shock Waves: a former SS commander involved in the creation of aquatic Nazi zombies as secret weapons. The “Death Corps” project was a failed endeavor to say the least, and now, after their boat begins to sink, a group of tourists find themselves on the island where the commander and the water-based menaces still reside. With a cast that also includes Brooke Adams as one of the shipwrecked and John Carradine as the captain, this odd, atmospheric little shocker by Ken Wiederhorn (who dabbled again with the walking dead for Return of the Living Dead II), started a long tradition of Nazi zombie flicks, and it still remains the finest.
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Fantasia Completes 22nd Edition Lineup, Closes with MANDY Starring Nicolas Cage
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Mandy[/caption]
Fantasia International Film Festival dropped the final wave of 2018 announcements including the North American Premieres of Takashi Miike’s LAPLACE’S WITCH and Erick Zonca’s BLACK TIDE, the International Premiere of Joel Potrykus’ RELAXER, and the Canadian Premiere of Nicolas Pesce’s PIERCING.
With the final wave of programming, the 2018 edition of the Fantasia International Film Festival has now released its full lineup of over 125 features and 220 shorts, featuring the premieres of more than 100 cutting-edge visions from across the world.
Fantasia’s 22nd edition will close with the Canadian Premiere of the thunderously-acclaimed MANDY (Official Closing Film), Panos Cosmatos’ long awaited sophomore feature following the stunning BEYOND THE BLACK RAINBOW. The film makes its first screening in the country after transfixing audiences at Sundance and Cannes’ Director’s Fortnight. Starring an especially strong Nicolas Cage in a performance that seethes with internalized rage, MANDY also features a shredding experimental electronic score from the late Jóhann Jóhannsson that works hypnotically with the film’s pacing and imagery to create a dreamy mood of near-death intoxication. MANDY is a pounding, bleeding act of cinema that’s as singular as it is sensational.
BIG BROTHER (World Premiere)
Mixed martial arts meet high-school intrigue, with Hong Kong superhero Donnie Yen (ROGUE ONE: A STAR WARS STORY) at the blackboard! The closing night festivities of Fantasia 2018 will begin with the World Premiere of BIG BROTHER, which sees Yen reuniting with action director Kenji Tanigaki (GOD OF WAR, Fantasia 2017) and delivering an exhilarating, scholastic twist on the martial arts film. Having collaborated on the fight scenes in WU XIA (aka DRAGON, Fantasia 2011) and LEGEND OF THE FIST: RETURN OF CHEN ZHEN, Yen and Tanigaki once again land a bone-breaking bull’s-eye with BIG BROTHER.NORTH AMERICAN PREMIERE OF LAPLACE’S WITCH
Everyone knows the tight bond that has united Takashi Miike and Fantasia for over two decades, and the festival is honoured to continue the tradition with the North American Premiere of his spellbinding new murder mystery LAPLACE’S WITCH! Of course, in Miike’s hands, things quickly veer into the unexpected when a geochemistry professor investigating a double murder case meets a young mathematics genius with an almost supernatural level of knowledge. Crafting gorgeous imagery, stunning locations, and stellar special effects, Miike and his star-studded cast bring us down an unexpected path where the mystic and reality collide. Long-time Miike fans, as well as those just now learning of his work, will not be disappointed!A MASTER CLASS WITH TIMUR BEKMAMBETOV – AND THE CANADIAN PREMIERE OF PROFILE
Fantasia audiences were the first in the world to see UNFRIENDED when it launched at the festival under its original title, CYBERNATURAL. Producer Timur Bekmambetov pioneered its innovative, immersive storytelling approach – dubbed “Screenlife” – which brilliantly captures the way we communicate online. This year, Fantasia will showcase a trio of Screenlife features, each landing with an uncommon impact that’s wholly unique, and tells a very different kind of story. In addition to the previously-announced SEARCHING (Canadian Premiere) and UNFRIENDED: DARK WEB (International Premiere), the festival is proud to showcase the Canadian launch of PROFILE, a riveting award-winner at Berlinale and SXSW, about a journalist catfishing an ISIS recruiter, based on the non-fiction bestseller “In the Skin of a Jihadist”. On July 17, Bekmambetov will conduct a multimedia master class event specifically centered around the inception and production methodologies of this brilliant storytelling approach.PUNK SAMURAI SLASH DOWN SLICES ITS WAY TO A NORTH AMERICAN PREMIERE!
Japanese punk rocker Ko Machida’s 2004 maniacally meta novel rips up the silver screen in Gakuryu Ishii’s PUNK SAMURAI SLASH DOWN (North American Premiere). Loaded with loopy weirdness and jolts of anachronistic rock ’n’ roll energy, the cinematic adaptation by Ishii (formerly Sogo) is just as colourful, anarchic, and irreverent as you’d expect, given his bona fides as a key instigator of Japan’s punk film eruption of the 1980s. Collaborating here with screenwriter Kankuro Kudo (of TOO YOUNG TO DIE! fame), the film’s all-star cast includes Go Ayano (AJIN: DEMI HUMAN), Shota Sometani (PARASYTE), Jun Kunimura (ATTACK ON TITAN), Etsushi Toyokawa (20TH CENTURY BOYS), and Tadanobu Asano (KASANE).SWIM OUT TO THE NORTH AMERICAN PREMIERE OF BLACK TIDE
Adapted from Dror Mishani’s novel “The Missing File”, BLACK TIDE is a taut, methodical crime thriller told with quasi-Fincheresque precision by co-writer/director Erick Zonca (JULIA). Actor Romain Duris is fascinating and Sandrine Kiberlain is heartbreaking, but it’s Vincent Cassel who blows us away with his electrifying performance as an alcoholic cop, whose unkempt hair and beard reflect his tormented, equally-tousled soul. Obsessed with his case like a beast gnawing on a bone, this man-on-the-edge is determined to uncover the truth, no matter how horrible it ends up being.A HELLISHLY SPECIAL SCREENING OF L’INFERNO (1911), LIVE-SCORED BY GOBLIN’S MAURIZIO GUARINI
Fantasia presents a special screening of Italy’s first genre film (which also happens to be the world’s oldest surviving feature), the spectacularly surreal 1911 masterpiece L’INFERNO. Loosely based on Dante Alighieri’s Divine Comedy and influenced by Gustave Doré’s illustrations, the film was directed by Francesco Bertolini, Adolfo Padovan, and Giuseppe de Liguoro, working with more than 150 cast and crew members over a period of three years. For the film’s 107th anniversary, Fantasia will present a special screening of L’INFERNO with a live-score performance by none other than Maurizio Guarini of Goblin – the legendary band responsible for of some of Italian horror cinema’s most cherished musical scores!GET LAZY WITH RELAXER’S INTERNATIONAL PREMIERE!
Y2K is right around the corner, and Cam (David Dastmalchian) has just given his younger brother Abbie (Joshua Burge) the dopest challenge ever: to beat Johnny Mitchell’s infamous Pac-Man high score without ever getting off the couch! Not once! Not even to pee, eat, or drink! SLACKER by way of THE EXTERMINATING ANGEL (with a hint of BEAVIS AND BUTTHEAD), Joel Potrykus’ (BUZZARD, THE ALCHEMIST COOKBOOK) latest is a closed-room, mise-en-scène tour-de-force that transforms a gamer’s crummy apartment into a space of unlimited potential. A true punk film, RELAXER is at once indescribable, demanding, and completely insolent, encapsulating the best (and the worst) of ’90s pop culture in one experiential trip.BRING THE BEST MEMORIES OF YOUR FAVORITE PETS – AND PLENTY OF TISSUES – FOR THE WORLD PREMIERE OF THE TRAVELING CAT CHRONICLES
Kind-hearted Satoru (BLEACH’s Sota Fukushi) has been living happily with his cat Nana after rescuing it from a car accident. Despite the bond that unites them, Satoru’s new engagement forces them go on a road trip across Japan to find Nana a new owner. Following the Fantasia 2016 hit IF CATS DISAPPEARED FROM THE WORLD, Japan has provided a new, extremely efficient tear-jerker about man’s other best friend… with just a hint of fantasy. In THE TRAVELING CAT CHRONICLES (World Premiere), we can hear animals talk, which brings on great humour, heart, and a whole lot of tears. A beautiful tale of friendship and faithfulness, THE TRAVELLING CAT CHRONICLES provides a heartfelt lesson in life for the whole family.THE WORLD PREMIERE OF LIFECHANGER
Drew has the ability to transport from body to body, and his desire to reconnect with the woman he loves will ultimately prove to be the undoing of many – perhaps even Drew himself. The latest from Canadian genre vet Justin McConnell, LIFECHANGER is exactly the kind of smart and efficient genre piece that Fantasia takes pride in introducing to audiences. It’s a film that’s fresh, surprising, and alive, anchored by terrific performances from Lora Burke (POOR AGNES) and Jack Foley. LIFECHANGER is an excellent reminder that all great horror is also one part tragedy, and it’s that element that will help audiences remember this one long after they’ve left the theatre.CANADIAN PREMIERE OF TERRIFIED
Gifted Argentinean filmmaker Demián Rugna has single-handedly transformed his nation’s cinema with this genuinely terrifying paranormal nightmare that starts with a bloody bang and never lets go. Electric with the pure, raw kind of intense horror that makes your entire body ache with fear and adrenaline, TERRIFIED won accolades at Mar del Plata and has been, well, terrifying audiences everywhere from Sitges and Brussels to Brazil’s Fantaspoa. Prepare yourself, because Fantasia’s Canadian premiere is sure to elicit screams that will be heard a continent away.MEET AN ALTOGETHER NEW KIND OF EXORCIST IN ROOM LAUNDERING
In Japan, law requires landlords to divulge tragic passings to their next tenants – but that same law fails to specify just how many subsequent renters one needs to inform! Thus, Miko Yagumo (Elaiza Ikeda, of THE MANY FACES OF ITO), a shy and antisocial young girl, is a “room launderer”: a transitory occupant, with the ability to see the spirits of the deceased. With ROOM LAUNDERING (North American Premiere), first-time filmmaker Kenji Katagiri proves himself to be one to watch out for – perfectly juggling quirky comedy and supernatural drama. This gem co-stars veteran, fan-favourite actor Joe Odagiri (ADRIFT IN TOKYO, MR. GO, AIR DOLL) and Kiyohiko Shibukawa (LOWLIFE LOVE and PUNK SAMURAI SLASH DOWN),THE CAMERA LUCIDA SECTION UNVEILS ITS FINAL THREE TITLES!
Fantasia’s Camera Lucida section, dedicated to experimental, boundary-pushing and auteur-driven works on the borders of genre cinema, unveils its final three Canadian premieres: Blue is the colour of Mia, a 15-year-old with an odd new thirst. With BLUE MY MIND, Swiss filmmaker Lisa Brühlmann offers a masterful, fresh take on the horrific degeneration of a teenager’s anatomy, cleverly entwined with classic fairytale storytelling pitched somewhere between recent genre hits such as THE LURE and RAW. When the price of cigarettes goes up, thirty-something Miso embraces homelessness and sees it as an occasion to reconnect with old friends. MICROHABITAT, Jeon Go-woon’s surprising first feature, subtly reinvents the conventions of slacker cinema. From one social environment to the next, a complex, tragi-comic portrait of South Korean society emerges – its class consciousness, the ambitions that drive it, and the characters that populate it. When Reed (Christopher Abbott) meets Jackie (Mia Wasikowska), he realizes his meticulous night of murder isn’t going to go as planned. A cruel cat-and-mouse game is turned on its head, as writer-director Nicolas Pesce returns to Fantasia with PIERCING, a dark, twisted comedy about death and desire, adapted from Ryu Murakami’s novel (AUDITION).Full Camera Lucida line-up:
Being Natural, dir. Tadashi Nagayama (International Premiere); Blue My Mind, dir. Lisa Brülhmann (Canadian Premiere); Chained for Life, dir. Aaron Schimberg (International Premiere); Hanagatami, dir. Nobuhiko Obayashi (Québec Premiere); Luz, dir. Tilman Singer (North American Premiere); Madeline’s Madeline, dir. Josephine Decker (Canadian Premiere); Microhabitat, dir. Jeon Go-woon (Canadian Premiere); Piercing, dir. Nicolas Pesce (Canadian Premiere); Under the Silver Lake, dir. David Robert Mitchell (North American Premiere) All titles will compete for the AQCC-Camera Lucida prize, awarded by a jury of critics from the Québec’s Critics Association (AQCC), member of the FIPRESCI.CHINA’S ANIMATED DA HU FA IS A RAMBUNCTIOUS, REBELLIOUS FIND!
A formidable fighter discovers a hidden town where dread, violence, and corruption pervade in Chinese animator Busifan’s DA HU FA (North American Premiere), presented in eye-popping 3D at Fantasia. A wonderfully unusual and defiant work of rambunctious, rebellious fantasy animation, this beautifully-animated adventure has been largely unseen outside of China until now.IT’S A LITERAL FACE-OFF AS KASANE COMES TO NORTH AMERICA
Kasane must live with a face deformed by a giant scar, even though she is blessed with impressive performing skills. Nina is an arrogant actress who looks divine but is completely talentless. With the power of a magic tube of lipstick, they will change faces to create the ultimate actress. An adaptation of the popular manga, KASANE is a remarkably effective psychological thriller mixed with dark fantasy that forces us to confront our own superficiality regarding appearances – all without stuffing the lesson down our throat. A brilliant adaptation of mangaka Daruma Matsuura’s unique work, KASANE stars Kyoko Yoshine (the PRINCESS JELLYFISH series) and Tao Tsuchiya (RUROUNI KENSHIN: KYOTO INFERNO), while Tadanobu Asano (THOR) shines as the Machiavellian architect of their pact.NORTH AMERICAN PREMIERE OF TORNADO GIRL
After vowing to copy the coolest man he knows – real-life grungy hipster pop star Tamio Okuda – Koroki wins the admiration of his colleagues, but attracts the attention of Akari (Kiko Mizuhara), the publicist for a fashion brand who’s turned her sex appeal into a weapon of mass-distraction. Director Hitoshi One (BAKUMAN), who already amazed audiences in the rom-com genre with the MTV style musical hybrid LOVE STRIKES!, hits a bullseye again with TORNADO GIRL (North American Premiere), a cutting-edge romance that’s actually romantic, paired with surreal comedy that’s actually funny! With an amazing cast lead by the convincing duo Satoshi Tsumabuki (FOR LOVE’S SAKE) and Kiko Mizuhara (ATTACK ON TITAN), this one is sure to win audiences’ hearts.ADDITIONAL TITLES IN FANTASIA 2018’S FINAL WAVE INCLUDE:
1987: WHEN THE DAY COMES South Korea – Dir: Jang Joon-hwan Based on true events leading to the establishment of South Korea’s democracy, 1987: WHEN THE DAY COMES is the logical follow-up to the impactful A TAXI DRIVER. With its enthralling narrative, masterful performances, the colossal power of its subject matter and the masterful approach to its direction, 1987 qualifies as one of the best features of the year. Black Dragon Audience Award, Udine Far East Film Festival 2018. AJIN: DEMI-HUMAN Japan – Dir: Katsuyuki Motohiro AJIN: DEMI-HUMAN marks the first live-action adaptation of Gamon Sakurai’s popular manga series. Director Katsuyuki Motohiro (BAYSIDE SHAKEDOWN) gives us a rock solid adaptation that delivers on wild action but doesn’t forget to put its likeable characters in the forefront and give them something to fight for. Action fans will find much to like, while aficionados of the manga and anime it’s based upon will come out smiling. Official Selection: SXSW 2018. Canadian Premiere. ARIZONA USA – Dir: Jonathan Watson Sonny (Danny McBride) lives in Arizona, and he’s a totally cool guy. He’s definitely NOT a murderer. Set against the middle-class destruction of the 2009 housing crisis, Jonathan Watson’s feature debut co-stars Rosemarie DeWitt and Luke Wilson, and plays out like the pitch black comedy we always wanted John Carpenter to make but never got. Official Selection: Sundance 2018. Canadian Premiere. BELIEVER South Korea – Dir: Lee Hae-young Six years ago, Johnnie To gave us the impressive DRUG WAR. Now, Korean filmmaker Lee Hae-young (FOXY FESTIVAL) delivers a tense and effective remake, teaming up with the woman behind many of Park Chan-wook’s recent works, Chung Seo-kyung (THIRST). Together, they approach this re-imagining from a different angle, and manage to surpass the original material. The biggest difference between the two films is the way they develop their characters, allowing some of the strongest Korean actors to sink their teeth into the film’s deliciously over-the-top roles. BELIEVER is remarkable and entertaining, beginning to end. Quebec Premiere. BODIED USA – Dir: Joseph Kahn Produced by Eminem, written by popular Toronto battle rapper Kid Twist, and directed by music video icon Joseph Kahn (TORQUE; the unforgettable DETENTION, seen at Fantasia 2011), BODIED is a triumphant satire of today’s social and political climate, in which nothing and everything can be perceived offensively if that’s what one is looking for. Deftly walking on such eggshells, Kahn has assembled an outrageously hilarious ideological rollercoaster that grapples with race, cultural appropriation, and academia, forcing its spectators to confront their own assumptions with the ferocity of a rapper slinging insults in an opponent’s face. Official Selection: TIFF 2017, Sundance 2018, Paris International Fantastic Film Festival 2018. Quebec Premiere. BODY MELT (New 2K Restoration from Vinegar Syndrome) Australia – Dir: Philip Brophy In the sleepy suburban community of Pebbles Court, residents have been receiving free samples of a new diet pill, which has been developed to help the body achieve ultimate health. However, as the townspeople eagerly gobble them down, they begin to experience some unexpected side effects. It turns out these pills transform their users into hallucinating mutants, and their bodies disintegrate, grow tentacles, explode, and melt! A gore-and-slime-filled gross-out classic from the final days of the Ozsploitation era, Philip Brophy’s BODY MELT is a truly outrageous and satirical horror comedy, proudly presented in a brand new 2K restoration! CHAMPION South Korea – Dir: Kim Yong-wan Mark, a Korean raised in the U.S, is a former arm-wrestling champion. When a friend with tendencies for scams brings him back to Korea for a tournament, he’s confronted with the family who gave him in adoption. Anyone thinking that producing an arm-wrestling sports drama is not a genius idea should wait until they experience funny, exciting, and poignant film. CHAMPION succeeds at everything it does – and the phenomenal performance by Don Lee (TRAIN TO BUSAN) is the reason it wins at every level! Quebec Premiere. CINDERELLA THE CAT Italy – Dirs: Alessandro Rak, Ivan Cappiello, Marino Guarnieri, and Dario Sansone Murder, mayhem, melodrama, and musical numbers make fine bedfellows in Studio Rai’s CINDERELLA THE CAT, an animated noir-stained revisiting of the famous fairy tale, executed with flair and enhanced by a soundtrack of Neapolitan cabaret cool. Official Selection: Annecy 2018. Canadian Premiere. COLD SKIN France/UK – Dir: Xavier Gens Struggling for survival in the Antarctic, a weather surveyor (Ray Stevenson) must choose between a madman and a legion of creatures he does not fully understand. COLD SKIN feels fresh from the pages of H.P. Lovecraft in its portrayal of the period, the monsters that populate it, and the paranoia and tension between its characters. The film’s creatures are both terrifying and astoundingly dynamic in their realism – but what less would one expect from the director of THE DIVIDE, FRONTIERE(S), and HITMAN?! Official Selection: Frightfest Glasgow 2018, Morbido 2018. Canadian Premiere. DESTINY: THE TALE OF KAMAKURA Japan – Dir: Takashi Yamazaki Ghosts, goblins… even a charming local death god? For newlywed Akiko, the town of Kamakura will take some time getting used to. DESTINY is an enchanting, romantic fantasy adventure from director and visual effects wizard Takashi Yamazaki (PARASYTE). Don’t miss the otherworldly night market that’s a treat tailor-made for fans of Guillermo del Toro! Official Selection: Hawaii International Film Festival. Quebec Premiere. DETECTIVE DEE: THE FOUR HEAVENLY KINGS China/Hong Kong – Dir: Tsui Hark Pop cinema potentate and HK master Tsui Hark returns with latest installment of the ever-popular Detective Dee series. Set in China’s Tang Dynasty era – a time of worldliness and wonders – THE FOUR HEAVENLY KINGS explodes with action, innovation, inspiration, and utter delirium. A series of mysterious incidents have disrupted the city and China’s most famous detective must prove his innocence from Empress Wu – played by award winning actress Carina Lau (2046, ASHES OF TIME). Quebec Premiere. FIVE FINGERS OF DEATH – Restored 35mm Print Hong Kong – Dir: Walter Chung FIVE FINGERS OF DEATH (aka KING BOXER) is the classic action masterpiece that kick-started the kung fu craze in the West months before ENTER THE DRAGON. A shameless favourite among aficionados (most notably Quentin Tarantino, who used one of the film’s most iconic musical cues in KILL BILL), this lovable, ridiculous actioner about two competing kung fu schools has been beautifully restored as a 35mm print just in time to celebrate its 45th anniversary! THE FORTRESS South Korea – Dir: Hwang Dong-hyuk Versatile award-winning director Hwang Dong-hyuk (MISS GRANNY) now tackles the epic tragedy, revisiting a major episode in Korean history. Flawlessly photographed and informed by rigorous attention to historical detail, Hwang’s THE FORTRESS boasts numerous high-profile names, notably Kim Yoon-seok (THE CHASER) and Lee Byung-hun (I SAW THE DEVIL). Winner of the Best Screenplay, Blue Dragon Film Awards 2017. GASTON LAGAFFE France – Dir: Pierre-François Martin-Laval Bringing André Franquin’s iconic, episodic comic book to the screen has long proved to be quite the challenge, but Pierre-François Martin-Laval has skillfully adapted the material to the screen. Transposing the beloved books into the world of online commerce, the film still features Gaston, Prunelle, and Mr. de Mesmaeker, as well as favorites Mademoiselle Jeanne, Officer Longtarin, Yves Lebrac, Jules-de-chez-Smith-en-face, Bertrand Labévue, the crazy cat, and the laughing seagull. Martin-Laval’s wild visuals have delivered a delightful, unpretentious film that’s only goal is to make the entire family laugh. North American Premiere. GONJIAM: HAUNTED ASYLUM South Korea – Dir: Jeong Beom-sik When a YouTuber brings a group of young volunteers in for a livestream at Gonjiam‘s Namyang Mental Hospital (a real-life location, selected by CNN as “One of the Freakiest Places on the Planet”), they get way more than what his ad-based revenue stream was worth. The second-highest-grossing Korean horror movie of all time (right after A TALE OF TWO SISTERS), this found-footage scare fest lives up to its immense hype! Quebec Premiere. HEAVY TRIP Finland/Norway/Belgium – Dirs: Juuso Laatio and Jukka Vidgren Crack out the corpse paint and make an offering to Odin, because here comes the funny-as-hellfire Finnish rock ’n’ road saga that made its SXSW crowd shriek like damned souls! Rock video and TV veterans Juuso Laatio and Jukka Vidgren’s debut feature is the feel-good, follow-that-dream, underdog rock comedy for the blast-beat bunch. Being Scandinavian, the humour in HEAVY TRIP is dry and sharp – and the black metal riffage absolutely shreds. Official Selection: Cinepocalypse 2018. Canadian Premiere. LAUGHING UNDER THE CLOUDS Japan – Dir: Katsuyuki Motohiro In Restoration-era Japan, the three Kumo brothers stand guard against the return of the mythical dragon Orochi. Whirlwind thrills, eye-popping art direction, poignant drama, and swashbuckling adventure abound in this manga adaptation! Audiences who adored RUROUNI KENSHIN won’t want to miss out this one! Quebec Premiere. MY SON France – Dir: Christian Carion Writer-director Christian Carion (JOYEUX NOËL) and cowriter Laure Irrmann offer up an intense thriller in the vein of PRISONERS, featuring a desperate protagonist who is ready to do anything – including torturing people and risking his own life – to get his boy back. Frenetically shot and edited, MY SON keeps its audience breathless until its final frame. Canadian Premiere. NEOMANILA The Philippines – Dir. Mikhail Red Following the award-winning BIRDSHOT, director Mikhail Red unveils a neo-noir that brilliantly combines social realism and a dystopian reality to better comprehend the phenomenon of extrajudicial killings. Winner: Audience Choice Award and Best Artistic Achievement, Quezon City International Film Festival. Canadian Premiere. THE NIGHT EATS THE WORLD France – Dir: Dominique Rocher Sam wakes up to discover that Paris has been overrun by a zombified populace. This alt-zombie entry explores what it means to be human, and how to salvage it when all around you are no longer living. A project born from Frontières, Fantasia’s International Co-Production Market, THE NIGHT EATS THE WORLD has been devouring fest audiences from Rotterdam to Tribeca. Canadian Premiere. RIVER’S EDGE Japan – Dir. Isao Yukisada Adapted from Kyoko Okazaki’s (HELTER SKELTER) cult manga of the same name, director Yukisada’s latest is a chilling 1990s-set coming-of-age drama, forged in the darkness of Tokyo’s industrial suburbs. Official Selection: Berlin International Film Festival. Canadian Premiere. A ROUGH DRAFT Russia – Dir: Sergey Mokritskiy Kirill has watched his life vanish. A mysterious cabal has enlisted him as an inter-dimensional gatekeeper, opening the doors to a myriad of possible Moscows. With director Sergey Mokritskiy (BATTLE FOR SEVASTOPOL) at the helm and the writer behind NIGHT WATCH cleverly penning, it’s a given that every frame is an eyeful and every turn more twisted than the last. Canadian Premiere. THE SAINT BERNARD SYNDICATE Denmark – Dir: Mads Brügger After making his mark with satirical documentaries RED CHAPEL and THE AMBASSADOR (Fantasia 2011), Mads Brügger returns with his first scripted feature, the very droll and very wry THE SAINT BERNARD SYNDICATE – one part travelogue, and another part nightmare for anyone looking to make their mark in a country they know next to nothing about. Winner: Best Actor, Best Screenplay, Tribeca Film Festival 2018. Canadian Premiere. THE SCYTHIAN Russia – Dir: Rustam Mosafir A Christian Russian and his pagan captive/guide journey into ever more mysterious lands, and come face-to-face strange and sinister sights, and sudden, savage violence. THE SCYTHIAN is an epic historical action-fantasy that’s as beautiful as it is brutal. Official Selection: Brussels International Fantastic Film Festival 2018. North American Premiere. TOKYO VAMPIRE HOTEL Japan – Dir: Sion Sono Two vampire clans battle over mortal human livestock. Swerving from massive gun orgies to gaudy scenes of baroque excess, TOKYO VAMPIRE HOTEL is a confetti cannon full of blood squibs aimed at your face, courtesy of Fantasia fave Sion Sono. Imagine Sono in the style of Yoshihiro Nishimura, with massive bloodshed, wild colors, and sumptuous art direction. Are you in? Official Selection: Sitges International Fantastic Film Festival 2017, Taipei Golden Horse Film Festival 2017. Quebec Premiere. TRUE FICTION South Korea – Dir: Kim Jin-mook An arrogant aspiring mayor visits the second home of his in-laws to hide his corrupt congressman stepfather’s secret funds. Unfortunately, his encounter with wise locals – and the digging of his own hole – might just ruin his career. Starting like a hilarious black comedy and turning into a dark psychological thriller, TRUE FICTION is a true gem filled with sharp dialogue delivered with surgical precision. With this impressive debut feature, writer/director Kim Jin-mook establishes himself as one of the most interesting new voices in Korean Cinema. Best Screenplay Award, Directors’ Week Program, Fantasporto International Film Festival 2018. Canadian Premiere. UNITY OF HEROES China/Hong Kong – Dir: Lin Zhen-Hao Legendary Chinese folk hero Wong Fei-Hung strikes back with a vengeance after a 20-year hiatus – and is played once again by mainstay Vincent Zhao (TRUE LEGEND)! UNITY OF HEROES keeps its action and plot moving at breakneck speed, all while retaining an irreverent humour in the spirit of the original ONCE UPON A TIME IN CHINA films. North American Premiere. V.I.P South Korea – Dir: Park Hoon-jung After directing the swaggering gangster epic NEW WORLD and the swaggering man-vs-beast epic THE TIGER, the screenwriter behind Ryoo Seung-wan’s THE UNJUST and Kim Jee-woon’s I SAW THE DEVIL abandons his swagger to go very, very dark. V.I.P. will keep audiences on the edge of their seats and on the tips of their toes! Official Selection: AFI Fest 2017 – Midnight London East Asia Film Festival 2017, Filmasia Film Festival 2017. Quebec Premiere. WHAT A MAN WANTS South Korea – Dir: Lee Byeong-heon From the get-go, the stellar jazz score of this edgy yet lively romantic comedy about cheating calls to mind the mood of Woody Allen. Throughout, the film delights in witty dialogue, unexpected plot twists and playful touches. With its stellar cast including Shin Ha-kyun (THE VILLAINESS), Lee Sung-min (THE SPY GONE NORTH), and Jang Young-nam (I HAVE A DATE WITH SPRING), WHAT A MAN WANTS is a wonderful adult dramedy about eternal children. Official Selection: New York Asian Film Festival 2018. Quebec Premiere. WHAT KEEPS YOU ALIVE Canada – Dir: Colin Minihan An intensely smart, ferocity-fueled LGBT survival thriller that smashes conventions while dropping its audience off unexpected cliffs, WHAT KEEPS YOU ALIVE is built upon an eviscerating pair of performances from Brittany Allen and Hannah Emily Anderson. Writer/Director Colin Minihan (IT STAINS THE SANDS RED) has made one of the most gripping thrillers of the year, one that asks the unsettling question of what you would do if the person you trusted most unconditionally suddenly turned against you. Official Selection: Overlook Film Festival 2018, SXSW 2018, Sydney Film Festival 2018. Quebec Premiere.SPECIAL LIVE EVENTS AT FANTASIA 2018
Mick Garris’ POST MORTEM Live Podcast Event – The NIGHTMARE CINEMA Special In celebration of NIGHTMARE CINEMA’s World Premiere at Fantasia, celebrated filmmaker Mick Garris (THE STAND, SLEEPWALKERS) will host a special live recording of his popular podcast, Post Mortem, dedicated to the highly-anticipated anthology and its directors – of which he is one. Joining him onstage will be Joe Dante (THE HOWLING, GREMLINS), Ryûhei Kitamura (VERSUS, DOWNRANGE), Alejandro Brugués (JUAN OF THE DEAD, ABCs OF DEATH 2) and Fantasia programmer/former Fangoria magazine editor Tony Timpone The Miskatonic Institute of Horror Studies in association with Fantasia and Frontières Presents MICHAEL IRONSIDE: LIVE IN CONVERSATION Moderated by Heather Buckley In recognition of Fantasia’s screening of KNUCKLEBALL, a project birthed from its Frontières International Co-Production Market, The Miskatonic Institute is proud to present a career talk with one of the most iconic character actors of our time, and a true legend of the genre film world. Over the course of an hour-long illustrated discussion of key films, directors, and collaborators in his life, Ironside will discuss his many film roles – which include work with David Cronenberg, Claude Jutra, Jean-Claude Lord, Tony Scott, Walter Hill, James Glickenhaus, Paul Verhoeven, RKSS, and more – his origins and approach to acting, how he captures his characters, and his command of voice and physicality. Michael Gingold’s AD NAUSEAM: Newsprint Nightmares from the 1980’s Film critic Michael Gingold has been writing about genre cinema for over 30 years. Growing up in New York in the 1980s, his obsession with scary movies led him to take scissors to local newspapers to cut out and collect ads for just about every horror film he came across: mainstream, indie, arthouse, or grindhouse. Ad Nauseam: Newsprint Nightmares From the 1980s is a year-by-year deep dive into the critic’s personal collection. Within its pages you’ll see rare alternate art for Gremlins, Child’s Play, The Blob remake and entries in the Friday the 13th and A Nightmare on Elm Street franchises. You’ll be taken back to the era of the double bill, with notices for Aliens, The Fly, Drive-in Massacre, Driller Killer, Night of the Living Dead, and The Three Stooges (!?!). For this special Fantasia book launch event, Michael Gingold will be conducting a slideshow presentation illustrating highlights from his collection, highlighted with his own personal recollections and commentary.FANTASIA 2018’s JURIES
CHEVAL NOIR COMPETITION Fantasia’s flagship juried competition, a 14-film global selection of varied genre works from new and established, groundbreaking and unconventional auteurs. Fantasia’s 2018 Cheval Noir jury is comprised of: Jury President: Tim Matheson Actor, Director, Producer Abraham Castillo Flores Head Programmer, Morbido Film Festival E.L. Katz Filmmaker, Screenwriter Phil Nobile Jr. Editor-in-Chief, Fangoria magazine Victoria Sanchez Mandryk Actor, Screenwriter, Producer Stéphanie Trépanier Producer; Distribution Director, Métropole Films Distribution 2018 CHEVAL NOIR COMPETITION TITLES BIG BROTHER – Hong Kong / China – Dir: Kam Ka-Wai BLEACH – Japan – Dir: Shinsuke Sato CAM – USA – Dir: Daniel Goldhaber DANS LA BRUME (Just a Breath Away) – France/Canada – Dir: Daniel Roby FLEUVE NOIR (Black Tide) – France – Dir: Erick Zonca INUYASHIKI – Japan – Dir: Shinsuke Sato LAPLACE’S WITCH – Japan – Dir: Takashi Miike LOUDER! CAN’T HEAR WHAT YOU’RE SINGIN’, WIMP! – Japan – Dir: Satoshi Miki THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT – USA – Dir: Robert Krzykowski NUMBER 37 – South Africa – Dir: Nosipho Dumisa THE NIGHTSHIFTER – Brazil – Dir: Dennison Ramalho RELAXER – USA – Dir: Joel Potrykus SATAN’S SLAVES – Indonesia – Dir: Joko Anwar WITCH PART 1: THE SUBVERSION – South Korea – Dir: Park Hoon-jung FIRST FEATURE JURY FOR NEW FLESH AWARD Jury President: Ségolène Roederer General Manager, Québec Cinéma; Former Executive Director of the Rendez-vous du cinéma québécois Neil Calderone Founder, Chicago Cinema Society Liane Cunje Co-Founder, INIODYMUS, International Programming Associate, TIFF; Former Production Coordinator, Arrow Video Ezra Winton Co-Founder and Director of Programming, Cinema Politica Joe Yanick Co-President, Yellow Veil Pictures; Assistant Director of Festival and Non-Theatrical Bookings, Visit Films INTERNATIONAL SHORT FILM COMPETITION JURY Jury President: Jacqueline Castel Filmmaker, Curator, Archivist Kalyn Corrigan Critic, Collider, Bloody Disgusting, Birth. Movies. Death, ComingSoon James Fler Managing Partner, Raven Banner Entertainment 2018 International Short Film Competition Titles AURORE – France – Dir: Mael Le Mée BE MY GUEST – Canada – Dir: David Jermyn BEURRE NOIR – Canada – Dir: Jimmy G. Pettigrew BLOOM – Australia – Dir: Kieran Wheeler CLEAN BLOOD – USA – Dir: Jordan Michael Blake CRYING BITCH – Japan – Dir: Reiki Tsuno THE DAY MY MOTHER BECAME A MONSTER – France – Dir: Josephine Darcy Hopkins END TIMES – USA – Dir: Bobby Miller EXIT STRATEGY – USA – Dir: Travis Bible FAUVE – Canada – Dir: Jérémy Comte THE FLAPPING OF THE HUMMINGBIRD – Spain – Dir: Meritxell A. Valls HELLO, RAIN – Nigeria – Dir: C.J. “Fiery” Obasi THE INVADERS – Spain – Dir: Mateo Márquez LUCY’S TALE – USA – Dir: Chelsea Lupkin MILK – Canada – Dir: Santiago Menghini NOSE NOSE NOSE EYES! – South Korea – Dir: Jiwon Moon THE OLD WOMAN WHO HID HER FEAR UNDER THE STAIRS – UK – Dir: Faye Jackson PETITE AVARIE – France – Dir: Manon Alirol and Léo Hardt PUPPET MASTER – Finland – Dir: Hannah Bergholm RILEY WAS HERE – USA – Dir: Mike Marrero and Jonathan Rhoads SPIN – France – Dir: Léticia Belliccini THEY WAIT FOR US – UK – Dir: George Thomson and Lukas Schrank AXIS ANIMATION JURY FOR SATOSHI KON AWARD Jury President: Torill Kove Animation Director, Illustrator Lorraine Carpentier Artist, Teacher Marc Tessier Publisher, Writer, Photographer, Teacher Sarah Mercey Animator, Actress THE BARRY CONVEX AWARD FOR BEST CANADIAN FEATURE Administered by SPECTACULAR OPTICAL, with support from the Paul A. Ray Memorial Fund 2018 Barry Convex Jury Kier-La Janisse Author, Critic, Founder of Spectacular Optical Shelagh Rowan-Legg Critic, filmmaker, Festival Programmer (FrightFest) Michael Kronish Executive Producer Nora McHenny Arrow Video, technical advisor for INIODYMUS VR JURY Patrick Senécal Author, Screenwriter Patrick Boivin Filmmaker Gerard Lewis Screenwriter SÉQUENCE JURY Donato Totaro Critic, Teacher Pascal Grenier Critic Jules Couturier Critic

Unfriended: Dark Web[/caption]
The Overlook Film Festival today announced its second year programming lineup of 40 films (23 features and 17 short films from 12 countries) along with exciting parties, virtual reality, interactive events, and live performances – all taking place in America’s most haunted city: New Orleans, Louisiana.
On opening night of the festival, audience members will enjoy the chiller Unfriended: Dark Web (United States, 2018), from Blumhouse Productions and Bazelevs Productions, directed by Stephen Susco, and starring Colin Woodell, Betty Gabriel, Rebecca Rittenhouse, Andrew Lees, Connor del Rio, Stephanie Nogueras, and Savira Windyani.
The Overlook Film Festival will screen A24’s highly anticipated
Isle of Dogs[/caption]
The North American premiere of Wes Anderson’s