Won’t You Be My Neighbor?

  • First 12 Films Revealed for 12th Dallas International Film Festival

    [caption id="attachment_25672" align="aligncenter" width="1200"]Won't You Be My Neighbor? Won’t You Be My Neighbor?[/caption] In honor of its 12t​h​ anniversary, Dallas International Film Festival (DIFF) released a preview of 12 features and shorts screening up the upcoming festival in Dallas taking place from ​Thursday, May 3​ to Thursday, May 10​, 2018. This year, for the first time ever, all competition feature and short film screenings at the Dallas International Film Festival (DIFF) ​will take place at ​The Magnolia ​in Uptown’s​ West Village​ shopping center. ​The ​2018 Dallas International Film Festival (DIFF) ​will screen over 110 films from 25 countries and will include the 12 films listed below and a series of Special Events including a 25t​h​ anniversary event for Steven Spielberg’s three-time Academy Award®​-winning blockbuster ​Jurassic Park​.​​ Won’t You Be My Neighbor​ – A film focused on the legacy of Mister Rogers by Academy Award-winning filmmaker Morgan Neville (​Twenty Feet from Stardom​) McQueen​ – The fashion motion picture, directed by Ian Bonhôte, offers a personal look at the extraordinary life, career and artistry of fashion designer Alexander McQueen First Reformed​ – A film directed by Paul Schrader following Reverend Ernst Toller (Ethan Hawke), a solitary, middle-aged parish pastor at a small Dutch Reform church in upstate New York on the cusp of celebrating its 250th anniversary Sammy Davis Jr.: I’ve Gotta Be Me​ – Directed by Samuel D. Pollard, the film is the first major film documentary to examine Davis’ vast talent and his journey for identity through the shifting tides of civil rights and racial progress during 20th-century America 1985 ​– Inspired by the award-winning short film of the same name by director Yen Tan, the film follows a young man during the wave of the AIDS crisis Eighth Grade ​–Bo Burnham directs this film about 13-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school Loud Crazy Love ​(Texas Premiere)​ ​– Trey Hill and Scott Mayo direct this music documentary focused on Brian Welch’s (Korn) vicious battle with crystal meth, ultimately finding solace in one place he never thought he could belong: church The Iron Orchard​ (World Premiere) – The story of Jim McNeely, a young man thrust into the vibrant and brutal West Texas oil fields circa 1939 who works his way through the ranks to ultimately become a formidable wildcatter, directed by Ty Roberts Puppet Master: The Littlest Reich ​(Texas Premiere) – A reimagining of the Charles Band classic, from Dallas-Based, Cinestate. This Horror Comedy will headline DIFF’s “Almost Midnight” category. Sons of St. Clair ​– A music documentary directed by Tim Newfang following Krayzie and Bizzy of iconic R&B group Bone Thugs N Harmony into the recording studio as the duo sets out to prove to the younger generation that they can still create relevant music today Tejano ​(World Premiere)​ ​- Desperate for cash to pay his grandfather’s medical bills, a young man resorts to smuggling drugs across the Texas – Mexico border in this film directed by David Garcia

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  • DocLands Documentary Film Festival Unveils 2018 Lineup – ‘Ask The Sexpert’ ‘McQueen’ ‘The King’ and More…

    [caption id="attachment_27868" align="aligncenter" width="1200"]Ask The Sexpert Ask The Sexpert[/caption] DocLands Documentary Film Festival unveiled the lineup for the 2nd annual Festival, taking place May 3 to 6, 2018; and that includes 43 documentary films from 10 countries, the inaugural DocLands Honors award presentation to award-winning filmmaker and photographer Louie Psihoyos  (The Cove, Racing Extinction, The Game Changers), along with special programs. DocLands will host the World Premieres of 16 Bars with director Sam Bathrick, and film subjects Todd “Speech” Thomas of hip-hop group Arrested Development (Tennessee, Mr. Wendell), Teddy Kane and Loretta Simmons-Jackson attending, and Olompali: A Hippie Odyssey with filmmakers director Gregg Gibbs and producer Maura McCoy attending. Additional films premiering at the Festival include the US Premiere of DugOut; the North American Premiere of Have You Heard from Johannesburg: Oliver Tambo with director Connie Field in attendance; and the California Premieres of Anote’s Ark with director Matthieu Rytz and former president of Kiribati/film subject Anote Tong; The Guardians with directors Tessa Moran and Ben Crosbie attending; Into Twin Galaxies: A Greenland Epic; and Shiners with director Stacey Tenebaum and film subject Kealani Lada attending. Festival Sections include The Great Outdoors, films that transport us outside to truly appreciate, explore, and ultimately compel us to save and conserve our environment and the wilds of our one precious and precarious planet; Wonderlands, films that lift our spirits through stories of joy, wonder and possibility; and Art of Impact, films that engage and spark action by sharing stories that open our eyes to the global community and its disparate cultures, politics, personal narratives and biographies. Additionally, the Festival is host to DocLife, an interactive industry forum consisting of three programs, DocPitch a program designed to connect filmmakers and their ideas to funders, distributors, philanthropists, fellow filmmakers and future audiences, DocTalk an intimate conversation focusing this year on the story enhancing power of music, and an experiential workshop, Metamorphosis Journey, that explores transformation in the face of planetary emergency. Big Nights – Opening  | Closing  |  DocLand Honors Award Opening Night ANOTE’S ARK – California Premiere Former president of Kiribati and film subject Anote Tong joins director Martthieu Rytz for the Festival’s Opening Night film Anote’s Ark. Climate change is no abstraction to the people of Kiribati, a series of low-lying atolls in the central Pacific Ocean that are being swallowed by the rising sea. Photographer-ethnologist Matthieu Rytz’s exquisitely shot film portrays the slow, dignified demise of an entire culture—soon to be global refugees. Rytz and Tong will take part in an on-stage conversation and audience Q&A following the screening. Opening Night Party following screening and onstage conversation will be held at the San Rafael Elks Lodge. Closing Night 16 BARS – World Premiere In Sam Bathrick’s transformative film, Todd “Speech” Thomas of hip-hop group Arrested Development is involved with a unique rehabilitation program in Richmond, Virginia, helping prisoners write and record their own songs. The filmmaker lovingly follows four inmates battling cycles of incarceration and addiction. Through superbly produced recording sessions, the men reach out from behind bars to bring their poignant stories to life through music. Director Sam Bathrick will be joined on-stage by film subjects Todd “Speech” Thomas of hip-hop group Arrested Development (Tennessee, Mr. Wendell), Teddy Kane and Loretta Simmons-Jackson following the premiere of 16 Bars for an on-stage Q&A and special performance featuring Speech and Kane. Closing Night Party following the screening, onstage conversation, and special performance will be held at Art Works Downtown. DocLands Honors Award Presented to a filmmaker in recognition of exceptional storytelling within the documentary genre, an artist whose films resonate universally, emphasizing our common humanity – no matter the subject. The inaugural DocLands Honors Award is presented to iconic photographer and award-winning filmmaker Louie Psihoyos (The Cove, Racing Extinction, The Game Changers) for his dogged determination and tenacity in exposing wrongs and expanding awareness. We also show our appreciation for his astounding efforts in outreach, bringing some of our most pressing environmental and social issues to a worldwide audience.

    DocLife Events

    Metamorphosis Journey An experiential workshop, lead by award-winning filmmakers and certified coaches, Nova Ami and Velcrow Ripper, explores transformation in the face of planetary emergency. Participants move through the stages of Chrysalis, Crisis, Catharsis, Symbiosis and Metamorphosis, personalizing this arc, and applying it to their own lives. Short films representing each of the stages are integrated throughout the workshop. DocPitch Five filmmaker teams with feature documentary projects currently in development will present a three minute verbal pitch, three-to-five minute trailer and participate in a ten-minute Q&A with an audience comprised of potential funders, distributors, fellow filmmakers and the general public. All members of the audience will be given a ballot prior to the presentations and will vote for their favorite pitch. Winning project will receive a $10,000 cash prize.

    DocTalk 

    Story Arc, Music Arc – Do The Follow the Same Beat?  The story-enhancing power of music and score is palpable in the films that stick with us. But how do you achieve this sought-after influence and emotion? Join our panelists for an intimate conversation as they share their strategies for hitting all the right notes. Panelists:
    • Alexandria Bombach, ON HER SHOULDERS
    • Connie Field, HAVE YOU HEARD FROM JOHANNESBURG: OLIVER TAMBO
    • Louie Psihoyos, RACING EXTINCTION
    • Velcrow Ripper, METAMORPHOSIS
    • Todd “Speech” Thomas, 16 BARS

    DocLands Full Program – Features 

    16 Bars (dir. Sam Bathrick) Section: Art of Impact – In Sam Bathrick’s transformative film, Todd “Speech” Thomas of hip-hop group Arrested Development is involved with a unique rehabilitation program in Richmond, Virginia, helping prisoners write and record their own songs. The filmmaker lovingly follows four inmates battling cycles of incarceration and addiction. Through superbly produced recording sessions, the men reach out from behind bars to bring their poignant stories to life through music. Albatross (dir. Chris Jordan) Sections: Art of Impact/The Great Outdoors – Shot on Midway, a remote North Pacific atoll and home to the world’s largest albatross colony, this film captures extraordinarily intimate footage of the birds, and features a hauntingly beautiful score. Yet, as the birds feed their young, we learn of a hidden danger that implicates us all. Watching Albatross may well change your life. Anote’s Ark (dir. Matthieu Rytz) Sections: Art of Impact/The Great Outdoors – Climate change is no abstraction to the people of Kiribati, a series of low-lying atolls in the central Pacific Ocean that are being swallowed by the rising sea. Photographer-ethnologist Matthieu Rytz’s exquisitely shot film portrays the slow, dignified demise of an entire culture—soon to be global refugees—while sounding a clarion call for meaningful political action. Ask The Sexpert (dir. Vaishali Sinha) Section: Wonderlands – Gynecologist Mahinder Watsa writes a popular Mumbai sex advice column, and, at 91 years of age, he has heard it all. But whether in person or in print, he does what he’s always done: deliver witty, nonjudgmental truths about sexual health. Not everyone agrees with his usual prognosis — “it’s normal” — and India’s vocal conservatives lay bare just how much more work Watsa has yet to do. Becoming Who I Was (dirs. Chang-Yong Moon, Jin Jeon) Section: Wonderlands – Padma Angdu is a rosy-cheeked young Rinpoche, or reincarnation of a spiritual master. Under the care of a local lama, Urgyan Rickzen, in the remote mountainous Ladakh region of southern India, Padma must eventually re-join his monastic order in Tibet. With delicately intimate moments and breathtaking aerial cinematography, this is a masterpiece of epic proportions. Drawn Together (dir. Harleen Singh) Section: Art of Impact – From comics to cosplay, diverse and progressive artists such as Keith Knight, Vishavjit Singh, and Eileen Kaur Alden are breaking new ground. This survey highlights exciting changes in cartooning. Mr. Fish: Cartooning From The Deep End (dir. Pablo Bryant) – One of the world’s greatest editorial cartoonists finds his acidic equal-opportunity political critiques are too hot to handle in today’s ever-shrinking, increasingly cautious publishing marketplace. DugOut (dir. Benjamin Sadd) Section: The Great Outdoors – The vibrant green Ecuadorian Amazon, bursting with life, is the star of this eco-adventure. With generous help of a local Huaorani family, two young British men set out to make a traditional dugout canoe and row it down a river. It’s an arduous journey, but this duo is all charm as they encounter the taste of howler monkey, overcome G.I. woes, and evade unfriendly darts. Finding Hygge (dir. Rocky Walls) Section: Wonderlands – What is hygge? A colorful cast of characters share humorous, surprising and often deeply philosophical thoughts about this Danish concept in a delightful, heartwarming film. Ranked among the happiest people in the world, Danes share their secrets about loving life. The moral of the story? Maybe we all have a little hygge, even if we’re not Danish. The Guardians (dirs. Tessa Moran, Ben Crosbie) Section: Art of Impact Every year majestic Monarch butterflies make their way on a 3,000-mile journey from Canada to their winter home in the ancient forests of Michoacán, Mexico, and it is here that the struggling community of Donaciano Ojeda strives to preserve the delicate balance between humans and nature. Like the millions of monarchs that also call this forest home, their survival depends on it. Have You Heard From Johannesburg: Oliver Tambo (dir. Connie Field) Section: Wonderlands – A religious man heading a secular movement, a pacifist commanding its army, Oliver Tambo was a man of many contradictions who largely orchestrated a revolution that shook institutionalized racism to its core. This is a thrilling portrait of a towering yet little-remembered figure by Berkeley-based director Connie Field, who adds an essential chapter to her original eight-hour epic series. Into Twin Galaxies (dir. Jochen Schmoll) Section: The Great Outdoors – Two pro kayakers and a polar expert set out on the “most epic expedition ever” across Greenland in this incredible real-life adventure. Their goal is an unknown river canyon they’ll run to the ocean—but first there are weeks of treacherous cross-country travel by hoof and kite-ski, in gale-force winds. It’s a perilous, visually stunning journey. The King (dir. Eugene Jarecki) Section: Wonderlands) – A road trip ostensibly tracing the rise and fall of Elvis Presley, director Eugene Jarecki outlines the deep fallacies in the story America tells about its greatness. Driving around the country in the singer’s 1963 Rolls-Royce accompanied by an articulate array of celebrities, musicians, and political pundits, Jarecki’s captivating documentary searches for a truer tale, one that might still allow for an American Dream. McQueen (dirs. Ian Bonhôte, Peter Ettedgui) Section: Art of Impact/Wonderlands – This superb film traces designer Alexander McQueen’s meteoric rise to stardom from his first forays into tailoring to worldwide fame as a fashion icon. Through touching interviews and dazzling footage of McQueen’s fashion show extravaganzas, the documentary expertly weaves the tale of a tortured man whose universe of designs reflected not only the beauty he saw in the world, but his own dark side. Metamorphosis (dirs. Nova Ami, Velcrow Ripper) Sections: Art of Impact/The Great Outdoors – What is our capacity for change? It’s a prescient question given a whole new spin in Nova Ami and Velcrow Ripper’s striking film. The answers here are eye opening, the visuals mesmerizing, and the sound bewitchingly portentous as it evokes Earth’s final breaths. Does the change we’re facing offer us an opportunity for transformation? This film gives us a chance to discover—and accept—the wonder of impermanence. Minding The Gap (dir. Bing Liu) Section: Art of Impact – Set in blue-collar Rockford, Illinois, director Bing Liu’s fresh and discerning film follows a group of his skateboarding friends. In between the excellent skate scenes, Bing unearths some deeper truths affecting all three buddies. An unorthodox filmmaking style and unique access make this film about skateboarding, friendship, and acceptance as uplifting and heartwarming as it is gritty and honest. Olompali: A Hippie Odyssey (dir. Gregg Gibbs) Section: Wonderlands – “Turning on, tuning in, and dropping out, a group of kindred spirits calling itself the “Chosen Family” in the late ’60s built its base camp 30 miles north of San Francisco. Clothing was optional, authority disdained, and weed widely distributed. Peter Coyote narrates this warmly reflective story, which crosses paths with tragedy–as well as the Grateful Dead, Hells Angels, and the Diggers–as it celebrates the spirit of invention. On Her Shoulders (dir. Alexandria Bombach) Section: Art of Impact – The plight of the Yazidi community, who face mass extermination at the hands of ISIL extremists, is told elegantly through delicately lit interviews and the selfless lobbying of 23-year-old reluctant activist, Nadia Murad. Although the toll of retelling her own harrowing story is clearly evident in her face, Murad refuses to rest lest the atrocities continue to go unnoticed by those who may be able to help. Pick of the Litter (dir. Don Hardy, Dana Nachman) Section: Wonderlands – In Pick of the Litter, we follow five dogs, from the moment they are born through the intense two-year program that will prepare them to become working guide dogs and unite with their blind partners. The stakes are high and not every dog will make the cut, but those who graduate will all go on to provide life-changing services for those in need. Racing Extinction (dir. Louie Psihoyos) Sections: Art of Impact/The Great Outdoors – Scientists believe we are in the sixth major extinction event in the planet’s history, and unlike the previous five, this one is being caused by humankind. Half of all species are threatened with annihilation by the end of this century, and Academy Award-winning director Louie Psihoyos’ remarkable film tackles this monumental challenge by focusing on activists, scientists, and artists dedicated to saving those without a voice—the vanishing species of our globe. Psihoyos has created an ode to life on our planet with a documentary that takes us on an unforgettable visual journey. The Rescue List (dirs. Alyssa Fedele, Zachary Fink) Section: Art of Impact – Ghana’s Lake Volta, the most massive man-made lake in the world, is also the site of a monumental human rights failure: the selling of area children into slavery. This riveting, gorgeously photographed documentary by Bay Area filmmakers Zachary Fink and Alyssa Fedele chronicles the brave efforts to find these children, bring them to safety, and return them to their families of origin. A River’s Last Chance (dir. Shane Anderson) Sections: Art of Impact/The Great Outdoors– One of the most diverse rivers in the United States, the Eel, ran dry in 2014, for the first time in history. Once victimized by logging, damming, and drought, the Eel faced new challenges in the new century from some of California’s favorite commodities: wine and weed. This urgent and compelling documentary makes a renewed case for regulation and collaboration in protecting this vital resource. Saving Brinton (filmmakers Tommy Haines, John Richard, Andrew Sherburne) Section: Wonderlands – An eccentric collector and the self-appointed local historian of a small town in Iowa stumbles upon a cache of old dusty film reels that will end up consuming him for more than thirty-two years. The treasure trove he discovers in a farmhouse basement includes a collection of magical films from cinematic pioneer George Méliés long thought to be lost to cinematic history. Shiners (dir. Stacey Tenenbaum) Section: Wonderlands – Shoe-shiners from New York to Tokyo, often invisible to the disdainful eye of the public, get the spotlight in a film directed with compassion and skill. These illusive artists speak of class differences, job satisfaction, and the meaning of life. Just as the shoe-shining philosophers bring pleasure and conversation to their clientele, this entertaining and polished film has never a dull moment. Soufra (dir. Thomas Morgan) Section: Art of Impact – Mariam Shaar lives in a refugee camp just south of Beirut. When she and other enterprising women refugees resolve to grow a small catering business, named Soufra, or “spread” in Arabic, obstacles emerge. As a bevy of colorful, mouthwatering food parades by, we find ourselves rooting for Mariam’s success and her courage reminds us that every refugee has a dream for a better life. Three Identical Strangers (dir. Tim Wardle) Section: Art of Impact – Bobby, David, and Eddy—triplets who find each other by chance in their late teens—generate heartwarming headlines in the 1980s. Their three identical smiles, mop-top heads, and wide shoulders charmed the public almost as much as the circumstances of their reunification. But we soon learn a far-fetched story that goes much further than their exultant initial encounter. The Valley of the Wolves (dir. Jean-Michel Bertrand) Section: The Great Outdoors – With unabating good humor and infinite patience and enthusiasm, filmmaker and wildlife enthusiast Jean-Michel Bertrand keeps himself—and us—amused as he spends months amid the magnificent beauty of a remote valley in the French Alps searching for a family of wolves he believes (with all his heart) have established a den there. Wall (dir. Cam Christiansen) Section: Art of Impact– Adapted from the 2009 monologue by renowned British playwright and screenwriter David Hare, Wall ruminates over the terminology, philosophy, and reality of what Israelis call a “security fence” and Palestinians “an apartheid wall.” Canadian animation filmmaker Cam Christiansen employs a largely black-and-white canvas as a malleable, clarifying backdrop for Hare’s journey of inquiry about the barrier’s implications for Middle East peace. Won’t You By My Neighbor? (dir. Morgan Neville) Section: Wonderlands – “Love is the root of everything: all learning, all parenting, all relationships. Love or the lack of it.” These are the wise and seemingly prescient words of Fred Rogers, the originator/host of public television’s, Mr. Rogers’ Neighborhood. Speaking to children as equals on any topic in an open and unruffled manner, he taught tolerance above all else. He was one of a kind, a man whose teachings are even more relevant today.

    DocLands Full Program – Shorts 

    Colors of Change (dir. Jenny Nichols) – Through the eyes of an artist, a scientist, and an Inuit Elder, we experience Greenland’s beauty as it tackles climate change. Dear Erik (dir. Bryan Wetzel) – A lark quickly becomes an obsession for an eccentric collector of personal letters received from stars of Hollywood’s Golden Era. The Last Honey Hunter (dir. Ben Knight) – After being visited by a spirit in his dreams, Maule Dhan Rail is determined to pass along a dangerous generations-old Nepali tradition. Little Fiel (dir. Irina Patkanian) – This unique short animated documentary is based on and features the sculptures of a Mozambican artist whose creations comment on war, resistance, and hope. My Irnik (dirs. Matthew Hood, François Lebeau) – Deep within the Arctic, a young father teaches his son about his ancestral Inuit heritage and the value of shared adventures. Objector (dir. Molly Stuart) – Torn between love of country, family, and her dedication to Palestinian rights, a young Israeli woman refuses her military service. Person of the Forest (dirs. Melissa Lesh, Tim Laman) – In the vanishing lowland rainforests of Borneo, a team of environmentalists seek to understand the unique cultural behavior of wild orangutans before it’s too late. Plant (dirs. David Zlutnick, Flavia Cassani) – From seed to harvest, a cinematic look at the beauty of a small, family-run cannabis farm in California’s famed Emerald Triangle. The Reason to Live (dir. Boyoung Kim) – An optimistic street musician busking in San Francisco shares inspirational stories of music, transformation, and making people smile. Spark Plug Cowboys (dirs. Kramer Herzog, Leonard Marcel) – Rally car enthusiasts, friends since their 1950s, meet weekly in downtown San Rafael to reminisce about their daredevil days. Surviving International Boulevard (dir. Sian Taylor Gowan) – The complex reality of domestic child sex trafficking is revealed through the experiences of two local women from Oakland, California. Swan (dirs. Laetitia Jacquart, J.P. Dobrin) – As the loudspeaker announces 15 minutes until the start of the show, a ballet soloist prepares to dance. Water Town (dir. Maya Craig) – The city of Weed embarks upon a David vs. Goliath battle to win back their water rights from a large timber company. Wrangling Russia (dir. Ilie Mitaru) – Seemingly out of place, four American cowboys take on the task of training Russian ranchers as they set out to resurrect the local beef industry.

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  • Watch First trailer for Mr. Rogers Documentary WON’T YOU BE MY NEIGHBOR?

    Won’t You Be My Neighbor? Earlier this week, on the 90th birthday of Fred Rogers, Focus Features released the new trailer for “Won’t You Be My Neighbor?” from Academy Award-winning filmmaker Morgan Neville (20 Feet from Stardom). “Won’t You Be My Neighbor?” had its world premiere at the 2018 Sundance Film Festival, and will open in theaters on June 8, 2018. A feature documentary about the lessons, ethics and legacy of iconic children’s television host, Fred Rogers. WON’T YOU BE MY NEIGHBOR? looks at children’s television host Mr. Rogers’ hard-fought campaign to influence generations of kids and adults in the ways of kindness. Fred Rogers led a singular life. He was a puppeteer. A minister. A musician. An educator. A father, a husband, and a neighbor. Fred Rogers spent 50 years on children’s television beseeching us to love and to allow ourselves to be loved. With television as his pulpit, he helped transform the very concept of childhood. He used puppets and play to explore the most complicated issues of the day—race, disability, equality and tragedy. He spoke directly to children and they responded by forging a lifelong bond with him—by the millions. And yet today his impact is unclear. WON’T YOU BE MY NEIGHBOR? explores the question of whether or not we have lived up to Fred’s ideal. Are we all good neighbors? https://www.youtube.com/watch?v=FhwktRDG_aQ

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  • 42nd Atlanta Film Festival to Feature Lineup of Record +200 Films, ‘EIGHTH GRADE’ ‘BLINDSPOTTING’ ‘TULLY’ and More

    [caption id="attachment_27761" align="aligncenter" width="1200"]Eighth Grade Eighth Grade[/caption] The 42nd Annual Atlanta Film Festival (ATLFF), less than a month away, announced the full lineup of films includes 58 feature length films and 150 short films from 56 countries, along with special programming, that will take place from April 12 to April 22, 2018. Director Bo Burnham, the comedian known for his popular stand-up routines and YouTube career, will attend the Closing Night presentation of his new film EIGHTH GRADE at the Plaza Theatre on Saturday, April 21. EIGHTH GRADE joins ATLFF’s previously announced Opening Night and Marquee presentations, including BLINDSPOTTING from ‘Hamilton’ actor and Tony Award-winner Daveed Diggs and TULLY from the Academy Award® -nominated director Jason Reitman. “The growth of the Atlanta Film Festival reflects the rising importance of Georgia’s film industry, and we’re proud to showcase that connection by hosting a record 49 films with Georgia ties,” ATLFF Executive Director Christopher Escobar said. “We are 100 percent committed to providing a unique festival experience that honors our roots and creates a diverse opportunity for filmmakers of all levels, while also displaying an important role that our city represents in the film and television community.” The Atlanta Film Festival is pleased to showcase diverse feature and short films that connect audiences to filmmakers from around the world. This year, ATLFF will host the world premiere of seven feature-length films and more than 50 short films during the 2018 festival. In addition, 68 percent of this year’s selected submissions were directed by either a woman or filmmaker of color.

    OPENING NIGHT PRESENTATION

    BLINDSPOTTING Directed by Carlos López Estrada USA, 2018, English, 95 minutes Collin (Daveed Diggs) must make it through his final three days of probation for a chance at a new beginning.  He and his troublemaking childhood best friend, Miles (Rafael Casal), work as movers and are forced to watch their old neighborhood become a trendy spot in the rapidly gentrifying Bay Area. When a life-altering event causes Collin to miss his mandatory curfew, the two men struggle to maintain their friendship as the changing social landscape exposes their differences. Lifelong friends Daveed Diggs and Rafael Casal co-wrote and star in this timely and wildly entertaining story about friendship and the intersection of race and class set against the backdrop of Oakland.  Bursting with energy, style and humor, “Blindspotting,” boldly directed by Carlos López Estrada in his feature film debut, is a provocative hometown love letter that glistens with humanity. Actors/Writers/Producers Daveed Diggs & Rafael Casal are scheduled to attend. Prior to the film, Daveed Diggs will be presented with the ATLFF Innovator Award.

    CLOSING NIGHT PRESENTATION

    EIGHTH GRADE Directed by Bo Burnham USA, 2018, English, 94 minutes Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school—the end of her thus far disastrous eighth grade year—before she begins high school.

    MARQUEE FILMS

    AMERICAN ANIMALS Directed by Bart Layton USA, 2018, English, 117 minutes The unbelievable but true story of four young men who mistake their lives for a movie and attempt one of the most audacious art heists in US history. #Marquee HEARTS BEAT LOUD Directed by Brett Haley USA, 2018, English, 97 minutes Frank (Nick Offerman) and his daughter Sam (Kiersey Clemons) form a songwriting duo shortly before she leaves for college. As they grow closer through their music, Frank must come to terms with letting go of his daughter. Toni Collette, Ted Danson, Sasha Lane and Blythe Danner also star. #Marquee LEAN ON PETE Directed by Andrew Haigh UK/USA, 2017, English, 121 minutes Fifteen-year-old Charley Thompson (Charlie Plummer) arrives in Portland, Oregon with his single father Ray (Travis Fimmel), both of them eager for a fresh start after a series of hard knocks. While Ray descends into personal turmoil, Charley finds acceptance and camaraderie at a local racetrack where he lands a job caring for an aging Quarter Horse named Lean On Pete. The horse’s gruff owner Del Montgomery (Steve Buscemi) and his seasoned jockey Bonnie (Chloë Sevigny) help Charley fill the void of his father’s absence—until he discovers that Pete is bound for slaughter, prompting him to take extreme measures to spare his new friend’s life. Charley and Pete head out into the great unknown, embarking on an odyssey across the new American frontier in search of a loving aunt Charley hasn’t seen in years. They experience adventure and heartbreak in equal measure, but never lose their irrepressible hope and resiliency as they pursue their dream of finding a place they can call home. #Marquee LEAVE NO TRACE Directed by Debra Granik USA, 2018, English, 108 minutes Will (Ben Foster) and his teenage daughter, Tom (Harcourt McKenzie), have lived off the grid for years in the forests of Portland, Oregon. When their idyllic life is shattered, both are put into social services. After clashing with their new surroundings, Will and Tom set off on a harrowing journey back to their wild homeland. #NewMavericks, #Marquee A PRAYER BEFORE DAWN Directed by Jean-Stéphane Sauvaire France/Thailand/UK, 2017, English/Thai, 116 minutes “A Prayer Before Dawn” is the remarkable true story of Billy Moore, a young English boxer incarcerated in two of Thailand’s most notorious prisons. He is quickly thrown into a terrifying world of drugs and gang violence, but when the prison authorities allow him to take part in the Muay Thai boxing tournaments, he realizes this might be his chance to get out. Billy embarks on a relentless, action-packed journey from one savage fight to the next, stopping at nothing to do whatever he must to preserve his life and regain his freedom. Shot in a an actual Thai prison with a cast of primarily real inmates, “A Prayer Before Dawn” is a visceral, thrilling journey through an unforgettable hell on earth. #Marquee RBG Directed by Betsy West, Julie Cohen USA, 2018, English, 97 minutes U.S. Supreme Court Justice Ginsburg has created a breathtaking legal legacy for women’s rights while becoming an unexpected pop culture icon. The personal journey of this diminutive, quiet warrior’s rise to the nation’s highest court during a hostile time for women, is revealed in this inspiring and multidimensional portrait. Now 84, Ginsburg refuses to relinquish her passionate duty, continues to have vigorous dissenting opinions and her exercise workouts. #NewMavericks, #Marquee SUMMER 03 Directed by Becca Gleason USA, 2018, English, 96 minutes Inspired by true events, “Summer 03” centers on Jamie, a 16-year-old girl (Joey King) and her extended family who are left reeling after her calculating grandmother (June Squibb) unveils an array of family secrets on her deathbed. Jamie is left to navigate her nascent love life and maintain her closest friendships in the midst of this family crisis. #Georgia, #NewMavericks, #Marquee TULLY Directed by Jason Reitman USA, 2018, English, 94 minutes A new comedy from Academy Award-nominated director Jason Reitman (“Up in the Air”) and Academy Award-winning screenwriter Diablo Cody (“Juno”). Marlo (Academy Award-winner Charlize Theron), a mother of three including a newborn, is gifted a night nanny by her brother (Mark Duplass). Hesitant to the extravagance at first, Marlo comes to form a unique bond with the thoughtful, surprising, and sometimes challenging young nanny named Tully (Mackenzie Davis). #Marquee WON’T YOU BE MY NEIGHBOR? Directed by Morgan Neville USA, 2018, English, 94 minutes Academy Award®-winning filmmaker Morgan Neville’s latest documentary takes an intimate look at America’s favorite neighbor: Mister Fred Rogers. A portrait of a man whom we all think we know, this documentary is an emotional and moving film that takes you beyond zip-up cardigans and the land of make-believe, and into the heart of a creative genius, who inspired generations of children with compassion and limitless imagination. #FamilyFriendly, #Marquee YOU WERE NEVER REALLY HERE Directed by Lynne Ramsay UK/France/USA, 2017, English, 85 minutes A traumatized veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, Joe’s nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening. #Marquee

    NARRATIVE FEATURES

    LOS AÑOS AZULES (THE BLUE YEARS) Directed by Sofía Gómez-Córdova Mexico, 2017, Spanish, 103 minutes Four young adults as different as the four seasons have managed to craft a home for themselves in the shattered relic of a once beautiful house. When a new tenant throws a wrench into their precariously balanced dynamic, the group will both grow closer and drift apart as they journey into adulthood. #CineMás  I’M HERE Directed by Noor Gharzeddine USA/Lebanon, 2018, Arabic/English, 83 minutes Kirsten, brazen American post-grad, befriends her next-door neighbor, Nadine, an intelligent mother relegated to full-time Beirut housewife. The greater the unlikely friendship grows, the harder it becomes for the women to dismiss the obvious abuse and neglect of Nadine’s husband. As the final days of Kirsten’s life in Beirut draw to a close, Nadine must face her husband and settle things once and for all. #NewMavericks, #WorldPremiere CABEZA MADRE (MOTHER’S HEAD) Directed by Edouard Salier Cuba/France, 2017, Spanish, 89 minutes John, a first-generation American, travels to visit his estranged mother in her home country of Cuba for the first time in years. Upon his arrival John is shocked to learn that not only was his mother mixed up with a checkered group of criminals, but she has died in incredibly extreme circumstances. Desperately seeking answers, John will be forced to reckon with the realities of his mother’s life and answer to his own responsibility in her fate. #CineMás CARDINALS Directed by Grayson Moore, Aidan Shipley Valerie has just returned home from a prison sentence served for a drunk driving accident that cost her neighbor his life. All Valerie wants is to return to a normal life with her husband and two daughters, but when her victim’s son shows up at her door it becomes clear that the past is not behind her. His lingering suspicions cast doubt on her motivations – was his father’s death an accident after all? #Competition CLARA’S GHOST Directed by Bridey Elliott USA, 2018, English, 93 minutes Clara Reynolds is the under-appreciated matriarch of a family in the spotlight. Her husband is an aging comedian that is beginning to recognize his career may be behind him and her daughters are a pair of former child stars attempting to claim a place in the industry as adults. When the family reunites at their home in rural New England, Clara’s long tradition of being relegated to the sidelines drives her to a breaking point. Desperate for connection, Clara finally finds it with the ghost of a woman who only has eyes for her. #NewMavericks DEAD PIGS Directed by Cathy Yan China, 2017, Chinese/English, 132 minutes A Chinese farmer loses his livelihood when pigs mysteriously die across the country. An eccentric woman fights to save her family home from encroaching gentrification, as an American expat architect spearheads the same project in order to make a name for himself in a new land. A young man scraping by as a busboy in a glitzy Shanghai restaurant enters a complicated relationship with a young socialite seeking something outside of her privileged upbringing. As the government struggles to explain the dead pig crisis, each of these stories interconnects in surprising ways as our motley cast of characters searches for a meaningful life. #Competition DISAPPEARANCE Directed by Ali Asgari Iran/Qatar, 2017, Persian, 88 minutes When a young virgin decides to sleep with her boyfriend, she finds herself under threat from her conservative society. Desperate for a solution, the couple travels from hospital to hospital searching for help and finds their relationship tested in the face of the consequences of their actions. #Competition FACADES Directed by Nathalie Basteyns, Kaat Beels Belgium, 2017, Dutch/French, 91 minutes Alex’s world is turned upside down when her mother abruptly abandons her dementing father. But when Alex moves home to care from him, she finds herself forced to confront a traumatic incident from her childhood and the things she should not have seen. The journey to reckon with her past will find Alex addressing the ways her parents’ marriage has shaped her own relationships, most importantly with her adulterous husband. In order to move forward, Alex must confront the reality of her past. #Competition, #NewMavericks FAT TUESDAY Directed by Jorge Torres-Torres USA, 2017, English, 80 minutes Caught up in the glitz and pageantry of Mardi Gras, a group of friends find themselves enamored with the infamous city of New Orleans. However, as their celebratory night draws to a close, a sinister presence begins to prey upon the unsuspecting tourists. IN THE SHADOWS Directed by Dipesh Jain UK/India, 2017, Hindi, 117 minutes A reclusive shopkeeper spends his life isolated from the outside world, interacting with his home of Old Delhi solely through hidden closed-circuit cameras. Meanwhile, a boy struggles to protect his mother and younger brother from the harsh sting of his father’s hands. When the shopkeeper overhears this abuse he must break free from his self-imposed prison in order to help the boy, discovering a shocking truth along the way. IT’S A PARTY Directed by Weldon Wong Powers USA, 2018, English, 78 minutes Successful Atlanta rap artist Cory Masters is late for his own surprise birthday party. While his friends anxiously await his arrival, each one individually addresses their own existential crisis. As the night drags on, hilarity ensues amongst the party-goers as they ponder life, careers, and relationships with Cory. Get yo’ a** to the party. #Georgia LAMP LIGHT Directed by Mason Rey USA, 2018, English, 90 minutes Crippled by insecurity and doubt, Don Gos struggles with a stilted career and dating life. As he contemplates his failures while driving home one evening, a tunnel collapses on top of him. Buried alive with no hope of rescue, he is unsure of whether or not he will survive and he ceremoniously bids adieu to the rest of his life. #Georgia, #WorldPremiere MELOCOTONES (PEACHES) Directed by Hector Valdez Dominican Republic/UK, 2017, Spanish/English, 80 minutes In the retrofuture, Diego attempts to salvage his relationship with girlfriend Laura by taking her to the hotel where they once vacationed as a happy couple. But when they arrive, the hotel is no longer in business and Laura’s ex-boyfriend shows up, demanding to have her back. In an attempt to rectify the situation, Diego accidentally traps himself and Laura in a continuous time loop. #CineMás NEVER STEADY, NEVER STILL Directed by Kathleen Hepburn Canada, 2017, English, 111 minutes Living in a remote part of Canada, Judy battles daily with the pain and inconvenience of Parkinson’s Disease. After her husband dies suddenly, Judy’s world is turned upside down, leaving her with the daunting task of caring for herself. Judy’s son Jamie has recently left home at his father’s insistence to find work on the harsh Canadian oil fields. In the face of his mother’s illness, Jamie will grapple with balance between his responsibility to her and his mother’s desire to see him forge his own life. #NewMavericks POOR JANE Directed by Katie Orr USA, 2017, English, 89 minutes Jane is a stay at home mom who has just realized she doesn’t love her husband anymore. She decides to bid her family adieu for the holidays and spends her time reconnecting with herself by dating other men, reconnecting with old flames, and writing poetry. When the holidays are over, Jane must choose between her new life or the one she left behind. #Georgia, #NewMavericks PRISON LOGIC Directed by Romany Malco USA, 2018, English, 93 minutes Two college students film a documentary on larger-than-life, chain-smoking inmate Tijuana Jackson, who is currently serving time in prison. After he is released, Tijuana arrives back home where he is met with the demands of both his family and his parole officer. He leaves home and embarks on a road trip to follow his dreams of becoming a life coach and motivational speaker, but is met with some surprises along the way. RESTOS DE VIENTO (WIND TRACES) Directed by Jimena Montemayor Loyo Mexico, 2017, Spanish, 93 minutes In the wake of losing their father and patriarch, a family drifts aimlessly through life. The mother, Carmen, struggles with depression and the task of caring for her children in the wake of her abandonment. Disappointed by the adults in her life, oldest daughter Ana shuts down while her brother opens himself up to the mysterious otherworldly figure that has suddenly appeared in his life. Together, the family will have to grow and let go of their fears in order to survive. #Competition, #CineMás, #NewMavericks SAVAGE YOUTH Directed by Michael Curtis Johnson USA, 2018, English, 97 minutes Elena, an aspiring young artist, meets and falls in love with Jason, a horrorcore rapper. Suddenly engrossed in his world, Elena finds herself binging drugs and alcohol as her young love quickly fizzles. Driven into a friendship with drug dealer Gabe, Elena tries to find herself within this new world. But when a robbery in the midst of a house party goes terribly wrong, Elena will be thrust into a much more violent and dangerous confrontation. STILL Directed by Takashi Doscher USA, 2018, English, 88 minutes When Lily (Madeline Brewer) loses her way on a hike through the Appalachian wilderness, she finds rescue in the form of a peculiar married couple, Ella (Lydia Wilson) and Adam (Nick Blood), who have completely isolated themselves from the outside world. As the couple nurses Lily back to health, she begins to discover evidence of a dark and dangerous secret a century in the making. As Ella and Nick’s mystery begins to unravel, Lily comes to understand the couple’s desperation to keep themselves hidden from the world. #Georgia, #WorldPremiere STRANGE COLOURS Directed by Alena Lodkina Australia, 2017, English, 85 minutes When Milena learns her estranged father has fallen ill, she travels to the remote opal mining community he calls home. Crossing paths with many of the fellow male miners, Milena discovers the opals themselves are not nearly the most colorful facet of this freedom oasis. As the bond between father and daughter strives to mend, Milena discovers that the “here and now” may be far more valuable than any unearthed gem. #Competition, #NewMavericks T-JUNCTION Directed by Amil Shivji Tanzania, 2017, Swahili, 106 minutes When her estranged father suddenly passes, Fatima finds herself struggling to mourn a person to which she had no connection. As she helps her grieving mother collect records from the nearby hospital, she meets Maria, a patient with a complex past and mysterious injuries. Maria begins to tell Fatima a story of her home, T-Junction, and the family that she found amongst its colorful residents. As the two women bond, Fatima begins to come to terms with the complexity of her own home, family, and life. TELL ME YOUR NAME Directed by Jason DeVan USA, 2018, English, 89 minutes Abused by her father and abandoned by her mother as a young child, Ashley is sent to live with her estranged Aunt Tanya.  During her stay, she becomes obsessed with investigating the disappearance of her mother and she calls upon the spirit world to answer her questions.  In her quest, she is ensnared by a powerful demon who refuses to leave its host. #Georgia THY KINGDOM COME Directed by Eugene Richards USA, 2018, English, 42 minutes A priest visits the residents of a small town and demonstrates the healing power of listening. From prisons to living rooms, the priest compassionately listens to people from all walks of life openly reveal their deepest secrets, hopes and dreams as they struggle to reconcile their past with their present. #Competition TIGRE Directed by Silvina Schnicer, Ulises Porra Guardiola Argentina, 2017, Spanish, 92 minutes Sixty-five year old Rina visits her home in the Tigre Delta accompanied by her forty-something friend Elena. They await the arrival of their estranged children, hoping that the island sanctuary will create a space for reconnection. Instead, they find that the home is threatened by encroaching industrialization and their children feel more distant than ever. The two women struggle to hold onto a way of life that may be already out of reach. #Competition, #CineMás, #NewMavericks VENUS Directed by Eisha Marjara Canada, 2017, English, 95 minutes Having recently embraced her own identity, Sid, a transgender woman, finds herself tangled in a complex web of expectations and aspirations when she discovers she has a 14-year-old son. With new relationships adding to the struggle of culture, religion, and romance in Sid’s journey to acceptance, everyone’s in for a wild ride. #PinkPeach WHEN SHE RUNS Directed by Robert Machoian, Rodrigo Ojeda-Beck USA/Denmark, 2018, English, 71 minutes Kirstin, a young wife and mother, competes for a spot in the the Olympic trials. In her quest to win, she sacrifices it all as she moves out of her house and leaves behind her husband and young son. While her marriage and finances suffer, she trains obsessively, embarking on a strict diet, exercise and motivational plan she hopes will bring her to Olympic gold. YAMASONG: MARCH OF THE HOLLOWS Directed by Sam Koji Hale USA, 2017, English, 95 minutes In a futuristic world filled with fantastical, mechanized creatures, one automaton girl joins forces with a tortoise warrior and a band of outlaws to defeat a sinister army bent on world domination. Their only hope? A perilous journey to find a legendary relic with the power to save them all. Starring Nathan Fillion, Abigail Breslin, Whoopi Goldberg, Malcolm McDowell, Bruce Davison, Freida Pinto, George Takei, Peter Weller and Ed Asner, “Yamasong: March of the Hollows” is the first feature length non-muppet puppetry film in over a decade. #FamilyFriendly, #WorldPremiere

    DOCUMENTARY FEATURES

    ABU Directed by Arshad Khan Canada/Pakistan, 2017, English/Urdu/Hindi, 80 minutes Using home videos and classic Bollywood films, a filmmaker crafts an intimate portrait of his Pakistani-Muslim family grappling with the realities of having a gay son in a modern world. Torn between sexuality and religion, tradition and migration, a gay son and his father test the boundaries of love, home, and the meaning of family. #PinkPeach ARMED WITH FAITH Directed by Geeta Gandbhir, Asad Faruqi USA/ Pakistan, 2017, Pashto/Urdu, 74 minutes Hidden within the mountainous border of Pakistan and Afghanistan are some of the most violent homegrown terrorist groups. For years, Al-Qaeda and the Taliban have attacked local Pakistani residents with improvised explosive devices in a bid to control the region. Operating on a low budget and scarce resources, the Khyber Pakhtunkhwa Bomb Disposal Unit risk their lives daily to counter this terrorism and safeguard their neighbors with their unparalleled faith and courage. BLACK MEMORABILIA Directed by Chico Colvard USA/China, 2018, English/Chinese, 64 minutes In the history of racism in the United States, one major physical manifestation of oppression has survived into the present, wrapped in the protective embrace of antiquity and historical preservation—black memorabilia. What was once a brand of trinket that played on racial stereotypes for the delight of white buyers, finds itself suspended in a limbo of race and time. As different forces in the United States fight to preserve, consume, and reclaim black memorabilia, the journey to address present day racism is only further complicated by industrialization in China and a desire to save cultural context for future generations. #Competition COCAINE PRISON Directed by Violeta Ayala Bolivia/Australia/France/USA, 2017, Spanish, 77 minutes In a world dominated by drug trade and ineffectual police forces, it is often the lowest, replaceable workers in the hierarchy who find themselves imprisoned. Enter the claustrophobic world of Bolivia’s infamous San Sebastian prison. This detailed look at a broken system of arrests and jail time follows the story of one young cocaine mule, Hernan, as he suffers the same fate a countless other disposable workers. At the same time, his sister, Deisy, treds a careful line between freeing her brother and avoiding entanglement in the same cocaine trade that destroyed his life. #CineMás FREEDOM FOR THE WOLF Directed by Rupert Russell Hong Kong/Tunisia/India/USA/Germany, 2018, English/Mandarin/Arabic/Hindi, 89 minutes What is a democracy? Across the globe, this heralded form of government is under attack by the very leaders it elected. In this groundbreaking documentary, we follow the crisis of faith in five different countries. From Hong Kong, to Tunisia, to India, to Japan, and even to the so called birthplace of democracy—the United States of America—what was once believed to be the pinnacle of human society is being torn at by hungry wolves seeking power and status for themselves. In the face of threats that come in the guise of friendly leaders, what can the people do to save their democratic freedoms? Can the tides be turned back, or is “freedom for the wolf” destined to bring “death for the sheep?” #Competition INGRID Directed by Morrisa Maltz USA, 2018, English, 52 minutes Ingrid, a successful fashion designer and mother, dropped everything to create a new life for herself in the middle of the woods. Since then, she has carved out an isolated existence, surviving off her own wit and labor while creating art from the land she now calls home. But as Ingrid’s past is uncovered in this meditative documentary, the question of what drives someone to leave a life of ordinary comforts to pursue a life spent in solitude comes to light. #Competition, #NewMavericks ISLAND SOLDIER Directed by Nathan Fitch USA/Federated States of Micronesia/Afghanistan, 2017 English/Kosraean, 85 minutes Every year, young Micronesian citizens leave their families and island homes on military deployment—as United States soldiers fighting for the American dream. Torn between the failing economics of their native country and a complicated historical relationship with the United States, these young islanders become the pieces is larger puzzle that pits jobs and security against the reality of fighting for a country you neither belong to nor have any rights in. #Georgia LIYANA Directed by Aaron Kopp, Amanda Kopp USA/Swaziland, 2017, English/siSwati, 77 minutes Five orphaned children living in Swaziland collectively weave a cathartic tale of love, hope, and bravery through a fictional character they create named Liyana. When Liyana’s parents die and her brothers are kidnapped, she embarks on a perilous journey to face her darkest fears and reclaim her family’s future. While the children immerse themselves in the imaginary, the viewer catches an intimate glimpse of a truer paralleled reality and the childlike wonder that persist through it all. #Georgia, #FamilyFriendly MAN MADE Directed by T Cooper USA, 2018, English, 93 minutes At the world’s only all-transgender bodybuilding competition, four male bodybuilders take the stage. What precedes this triumphant moment are a set of personal and diverse journeys taken on the path to self-identity and empowerment. Told through the intimate and honest lens of a trans filmmaker, this documentary intertwines the nuances of manhood, the drive for social justice, and the competitive desire to forge our own paths and be our personal best. #Competition, #Georgia, #PinkPeach, #WorldPremiere MAN ON FIRE Directed by Joel Fendelman USA, 2017, English, 54 minutes Grand Saline seemed like your average small town in Texas until the day when Charles Moore, an elderly white preacher, publicly set himself on fire to protest the town’s long history of racism. Catapulted to the spotlight by this powerful act of self-harm, the ordinary small town of Grand Saline was asked to address its storied past. What was recorded instead is a town’s deeply rooted internal divisions and an overwhelming attempt to ignore and vehemently deny any wrongdoing by many members of Grand Saline’s mostly white population. MAYNARD Directed by Sam Pollard USA, 2017, English, 99 minutes In 1970, Maynard Jackson Jr. was elected as mayor of the city of Atlanta, sparking a revolution in the black community. As the first black mayor elected in a major Southern city, his campaign ignited African American voter turnout and his service in office paved the way for the creation of diversity and inclusion norms, still practiced and revered in present day. #Georgia MERMAIDS Directed by Ali Weinstein USA/Canada, 2017, English, 76 minutes All throughout the United States, there exists a vibrant and mythical subculture dedicated to the existence of real life mermaids. In the exploration of the history and present of this peculiar passion, Mermaids takes us on a journey into the lives of five incredible women who spend their free time, and sometime work hours, donning full-size tails at pools, beaches, and bars. In watching them transform into the sea-creatures of their dreams, we gain beautiful insight into the complicated lives of women who differ in every way but are drawn to the same ideal of unearthly beauty and freedom. #NewMavericks, #PinkPeach NOS LLAMAN GUERRERAS (THEY CALL US WARRIORS) Directed by Jennifer Socorro, Edwin Corona Ramos, David Alonso Venezuela/USA/Mexico/Jordan, 2018, Spanish/English, 81 minutes In a country torn apart by political and economic upheaval, a team of young women finds refuge in a sport that rises above their personal poverty and gendered social status. But when this new soccer team goes undefeated in all of South America, these women find themselves in the position to win Venezuela’s first World Cup and gain a new acceptance and voice in their home country. #Competition, #CineMás, #WorldPremiere NOTHING WITHOUT US: THE WOMEN WHO WILL END AIDS Directed by Harriet Hirshorn Burundi/France/Spain/Nigeria/USA, 2017, English/French, 67 minutes For the past 30 years, women around the world have been on the move to tear down the forces that would silence them. Forgotten and overlooked in the global fight against HIV/AIDS, these women, particularly women of color, are fighting to destroy the myths and stigmas that surround this disease. Following the lives of present day activists around the world, this documentary charts the fight of women living with HIV/AIDS while also exploring the historical blind eye turned toward women during this long epidemic. Through education, medical and emotional support, and government action, these women will not stop until their voices are heard and HIV/AIDS is eradicated. #Georgia, #NewMavericks ONIBO Directed by Julien Mauranne, Victor Guillon France/Peru, 2017, Spanish/Shipibo, 60 minutes Curious about urban life outside of their rural Peruvian village, two teenage brothers of the Amazonian Shipibo Indians leave for Lima to chase their dreams. Aware of the sage advice and dutiful hesitation of their parents, the boys arrive only to discover that dark realities are hiding inside a booming metropolis. Together, they’ll have to make their own way and reconcile their desire for modernity with an ancestral knowledge that is soon to be theirs. #Competition, #CineMás SILAS Directed by Anajli Nayar, Hawa Essuman Canada/South Africa/Kenya/Liberia, 2017, English, 80 minutes Faced with environmental destruction and governmental corruption, Liberian activist Silas Siakor is fighting back to save the country he loves. In this stunning ode to grassroots resistance, Silas highlights how the power of an individual and the use of modern technology empowers local communities to rise up and lead the environmental struggle on a global scale. #Competition TAKE LIGHT Directed by Shasha Nakhai Nigeria/Canada, 2018, Pidgin English, 78 minutes When it comes to power and electricity, Nigeria is a country in crisis. Torn between its desire to enter the global stage and its inability to provide one of the major first world utilities, the country lives in limbo. Through the door to door travellings of an optimistic electrician and a hesitant power company representative, the complicated dynamics of a country’s ineffectual energy structure and the havoc it wreaks begins to unfold. 306 HOLLYWOOD Directed by Elan Bogarín, Jonathan Bogarín USA/Italy/Hungary, 2018, English/Italian, 94 minutes After the loss of their grandmother, a brother and sister foray into the depths of magical realism to excavate and appreciate the home she left behind. Their journey examines an individual’s microcosmic universe and the physical and emotional weight that indelibly carries on after a life ends. In this documentary, the ordinary becomes the extraordinary and a New Jersey home becomes a classical ruin to be revered by archaeologists, archivists and scientists alike. #Competition WAITING FOR DAVID Directed by Emelie Svensson, Karin Oleander USA/Sweden, 2018, English, 41 minutes April 19, 1993. After a grueling 51-day standoff between the FBI and the Branch Davidian cult in Waco, Texas, over 70 members of the cult perished when their compound went up in flames. Now 25 years later, survivor Clive Doyle is still waiting for cult leader and messiah David Koresh to resurrect alongside Clive’s own deceased daughter. #WorldPremiere

    SHORT FILMS

    CARBON COPY Filaments of connection floating in projector light. Documentary, 95 minutes The Last Tape | directed by Cyprien Clément-Delmas & Igor Kosenko, Ukraine/Germany, 12:12 A young man and a veteran meet for the last time before the Ukraine war separates them. Charming Strangers | directed by Weichao Xu, USA, 22:24 Through the lens of a vintage film camera, a Chinese photographer and his 8-year-old students rediscover their experience as immigrants in the United States. #Competition Dengê min Hilgirt (Carry My Voice) | directed by Hasan Demirtas, USA/Turkey, 19:02 A personal story of love and separation against the backdrop of an episode of Kurdish history with profound consequences to this day. Hallo Salaam (Hello Salaam)| directed by Kim Brand, The Netherlands/Greece, 15:07 Two young boys visit a refugee camp on the Greek island of Lesbos. First encounters of handing out food and careful greetings soon become playful gatherings and good conversations. All The Leaves Are Brown | directed by Daniel Robin, USA, 11:00 A short film about memory, loss, family, and a sugar maple tree. #Competition, #Georgia Oma | directed by Bill Kirstein, USA, 15:24 A rich discovery in a dusty attic raises long forgotten questions for a centenarian facing the loss of her short-term memory. An exploration of memory, secrets and living to be 100. HARD WORLD FOR SMALL THINGS Portraits of young minds and steel spines. Narrative, 102 minutes Chandler | directed by Julia Kennelly, USA, 9:14 Feeling ignored on an important day, a 12-year-old girl seeks attention from an unexpected source. #NewMavericks وقت نهار  (Lunch Time) | directed by Alireza Ghasemi, Iran, 15:57 A 16 year old girl goes to the hospital to identify the body of her mother.  But age, bureaucracy, and culture might prevent her from seeing her mother one last time. Varg (Wolf) | directed by Frida Kempff & Erik Andersson, Sweden, 11:41 In the shadow of a violent threat, a young woman must decide whether or not to take action to save her family’s way of life. Marlon | directed by Jessica Palud, France, 19:50 Marlon, 14 years old, is visiting her mother in jail for the first time since her imprisonment. Protected by her family, she stubbornly believes that her mother is still her childhood heroine… #NewMavericks 茧 (Cocoon) | directed by Mei Liying, China, 25:41 When Qingqing questions her mom’s odd relationship with a female friend, she discovers a secret that will unravel her peaceful family life and her burgeoning conceptions of love, sex, and female desire. #NewMavericks, #PinkPeach San Miguel | directed by Cris Gris, Mexico/USA, 19:30 In order to help heal her grieving mother, Ana, a devout 9 year old girl, pushes her faith to its limit in hopes of divine intervention. #Competition, #CineMás, #NewMavericks IMAGINARY FLYING MACHINES Renderings of an animated technicolor world. Animation, 102 minutes Tête à Tête | directed by Natasha Tonkin, United Kingdom, 7:41 One family’s search for connection in a digital world. #Competition, #NewMavericks Negative Space | directed by Max Porter & Ru Kuwahata, France, 5:30 My dad taught me how to pack. Tokri (The Basket) | directed by Suresh Eriyat, India, 14:22 Two insignificant lives lost and found in time. Two Balloons | directed by Mark C. Smith, USA, 9:08 Two travelers return to a place crossed by stars and clouds where love is at the beginning of everything. #Competition Heaven | directed by Miguel Anaya, Mexico, 11:19 In the late 40’s, a pilot, who visits isolated communities to bring them food and rescue the sick, loses his brother who wanted to be like him. #Competition, #CineMás Railment | directed by Shunsaku Hayashi, Japan, 9:40 In a continuous scenery, his physical movement stays in the same position. #Competition Ming | directed by Danski Tang, USA, 3:07 A Chinese woman’s experience as a live figure model while abroad. #Competition, #NewMavericks 10 | directed by Yu-Ting Cheng, USA, 3:38 An autistic 5-year-old with leukemia suffering both physically and mentally in the darkness of pain. INN | directed by Zion Chen, USA, 4:26 A strange girl draws a young man’s attention in the inn. And the Moon Stands Still | directed by Yulia Ruditskaya, Belarus/Germany/USA, 10:47 The presence of the moon affects all under its glow. The film explores the lunar cycle and the energies invoked by its radiance. #Competition SOG | directed by Jonatan Schwenk, Germany, 10:14 A people of humanlike creatures lash out viciously against a shoal of fish that had unintentionally entered their desolate land. #Competition The Box | directed by Dušan Kastelic, Slovenia, 12:12 The Box is full of miserable creatures. One of them doesn’t belong there. He’s thinking outside the box… #Competition KABOOM Unicorns, Rasputin, Sharknado – oh my! Puppets and clay that will blow your mind. Puppetry & Stop Motion Animation, 64 minutes You Can’t Play With Us | directed by Jason Rhein & Serene Bacigalupi, USA, 15:44 When an inquisitive dinosaur happens upon some musical unicorns at Marshmallow Mountain, they aren’t as friendly as he expects. TubeHeads – Haie im Weltraum (TubeHeads – Sharks in Space) | directed by Henning Ricke & Daniel Raboldt, Germany, 5:18 A puppet sketch comedy for the generation Y, ‘TubeHeads’ is a wired and wonderful joyride through pop- and high culture with nerdy humor and general mischief. Quarters | directed by FIG House, Canada, 5:00 A flippantly animated portrait of typical flat denizens who live together, yet apart. To Be | directed by Farzaneh Omidvarnia, Iran/Denmark, 6:01 Seeking refuge, a group of migrants must brave unknown perils and one unfriendly climate after the next. #NewMavericks Nevada | directed by Emily Ann Hoffman, USA, 12:07 A young couple’s romantic weekend getaway is interrupted by a birth control mishap in this stop-motion animated comedy. #Competition, #NewMavericks The Legend of Rasputin | directed by Jamie Shannon, Canada, 12:40 A dark historical comedy about the first tabloid star Grigori Rasputin, presenting a chapter in his life through puppets. Don’t Think of a Pink Elephant | directed by Suraya Raja, United Kingdom, 7:20 A teenage girl fights her intrusive thoughts. #NewMavericks LAST LIFE IN THE UNIVERSE Glimpses beyond the veil of time and space. Narrative, 110 minutes Arlo Alone | directed by Nicole Dorsey, Canada, 16:28 A futuristic drama that follows a young woman as she comes to terms with her own loneliness in a world where in-person contact has become a rarity. #Competition, #NewMavericks Expire (Exhale) | directed by Magali Magistry, France, 13:12 In a world blanketed by toxic fog, one young woman, alone in the world, tries to connect despite the inherent danger in stepping outside. #NewMavericks Low Tide | directed by Joseph Sackett, USA, 10:05 A queer supernatural break-up album about a woman who falls in love with an angel. #PinkPeach Paleonaut | directed by Eric McEver, China/Japan/USA/Singapore, 15:51 A scientist studying the first human time traveller falls in love with her subject. But if her research succeeds they will become separated by eons of history… The Emissary | directed by Bryan Tan, USA, 21:17 Liv Laika embarks on a solitary mission to a distant planet in search of her ancestors who fled the earth nearly a century prior. #Georgia After Her | directed by Aly Migliori, USA, 14:39 A wayward teenage girl goes missing and her friend is haunted by her disappearance. An atmospheric sci-fi about first love and the lost girl. Souls of Totality | directed by Richard Raymond, USA, 18:44 A relationship story about the sacrifices we make, the things we don’t say, and love’s seemingly supernatural ability to conquer all. LAUGHTER Humorous collisions of circumstance and character. Narrative, 77 minutes Sticky | directed by Richard Turley, United Kingdom, 13:06 A suburban tale of lust, chewing gum and first class stamps. My Lethal Weapon | directed by Hope Leigh, USA, 9:24 A young blonde must navigate treacherous power dynamics when she’s pulled over late at night by a “friendly” cop. #Georgia, #NewMavericks The Homestay | directed by Priyanka Mattoo, USA, 11:48 A sheltered Indian couple visits their son in the U.S. for the first time and bungles their apartment rental, ending up in close quarters with their hosts, a gay couple and their dogs. #PinkPeach Offstage | directed by Andrei Huțuleac, Romania, 25:15 A famous Romanian actor is kidnapped by the obsessed mother of his biggest fan. Hail Mary Country | directed by Tannaz Hazemi, USA, 18:09 Macho Grandmother Irene Dandy has to defend her family of football fanatics when they are robbed by Nora, a cocky thief with an all male posse. #NewMavericks MADEINUSA Broad stripes and bright stars, the American ethos. Documentary, 99 minutes Footprint | directed by Sara Newens, USA, 17:05 A purely observational meditation on how different people engage with the World Trade Center Memorial, exploring the ways we choose to commemorate tragedy in the age of technology, social media, and changing attitudes toward patriotism. #Competition Shot. | directed by Aemilia Scott, USA, 9:30 Footage from every police shooting over the last two years, taken unedited, and aligned ⎯⎯⎯ synchronised to the moment of the first gunshot. #Competition Nuuca | directed by Michelle Latimer, USA/Canada, 12:58 The oil boom in North Dakota has brought tens of thousands of new people to the region and with that has come an influx of drugs, crime and sex trafficking. #Competition, #NewMavericks Socks on Fire: Uncle John and the Copper Headed Water Rattlers | directed by Bo McGuire, USA, 15:05 A failed poet takes up cinematic arms when he returns home to Hokes Bluff, Alabama to discover his homophobic aunt has locked his drag queen uncle out of the family home. #Competition, #PinkPeach The Fourth Kingdom | directed by Adan Aliaga & Alex Lora, Spain/USA, 14:21 The kingdom of plastics, a redemption center in NY for immigrants and underdogs where the American Dream becomes possible indeed. Brooklynn | directed by Charlie Mysak, USA, 12:14 A deeply personal look into how gun violence impacts a family long after the media spotlight fades away. Towards the North | directed by Jessica Chermayeff & Joshua Bennett, Mexico/USA, 17:48 With their sights set on the U.S., mother and daughter cover the length of Mexico, facing immigration officials and taking selfies along the way – only to arrive in Tijuana where the US border suddenly becomes a dark reality. #CineMás NOBODY’S WOMAN Painstaking accounts of lives led, loved, and lost. Narrative, 103 minutes Pas Papa (Not Daddy) | directed by Tamara Vittoz, France, 24:24 Anna doesn’t feel like an ordinary girl. Her violent father has gone for what seems like forever, and her mom keeps pushing her to forget he exists. Still, she dreams of meeting him. #NewMavericks, #PinkPeach Ράγες (Tracks) | directed by Elina Fessa, Greece, 12:08 A student on her way to class. A mother trying to cope. One accident where they’ll learn what they’re made of. #NewMavericks Nevada | directed by Emily Ann Hoffman, USA, 12:07 A young couple’s romantic weekend getaway is interrupted by a birth control mishap in this stop-motion animated comedy. #Competition, #NewMavericks هایلایت (Highlight) | directed by Shahrzad Dadgar, Iran, 23:42 The reflection of sexual issues such as virginity, abortion and sex reassignment surgery in lives of three women spending an afternoon in a beauty salon in Tehran, Iran. #NewMavericks, #PinkPeach Counterfeit Kunkoo | directed by Reema Sengupta, India, 15:00 In a city that houses millions, Smita finds herself fighting beasts of a different kind as she discovers a strange prerequisite to renting a house in middle-class Mumbai. #Competition, #NewMavericks Ming Wang Shin Tu (To Pluto) | directed by Yen-Ju Lee, Taiwan/United Kingdom, 15:58 A nurse who finds herself stuck in her current job and a dying long-distance relationship meets a cancer patient who is trying to find the family he abandoned before it is too late. #NewMavericks OF ONE BLOOD Family ghosts of the past, present, and future. Narrative, 99 minutes Pantheon | directed by Ange-Régis Hounkpatin, France, 24:35 Cut off from his family roots, Solomon is about to donate his deceased father’s Voodoo costume to a museum when a young street-dancer reminds him that the ancestral soul still remains. #Competition Forgive Me | directed by Besim Ugzmajli, Kosovo, 15:00 Manipulated into joining a terrorist group, Bujar tries to convince his brother Agron to help his wife Mimosa join him in Syria. Upset Body | directed by Delphine Le Courtois, Canada, 20:30 Gabrielle, a young independent woman, must face difficult questions when unexpected news comes hurtling into her life. #NewMavericks Ke | directed by Jun Chong, Singapore, 13:05 An elderly Taiwanese lady goes to Singapore’s only Hakka cemetery to try and find her late grandfather’s grave before the cemetery is relocated. Një Muaj (A Month) | directed by Zgjim Terziqi, Kosovo, 26:19 The real life story of a blind woman with no home and her four sisters’ pact to keep her at their respective residences for a month each. THE PLACE PROMISED IN OUR EARLY DAYS Meditations on weathered hands and patient hearts. Narrative, 104 minutes For Nonna Anna | directed by is Luis De Filippis, Canada, 13:17 A trans girl cares for her Italian grandmother. She assumes that her Nonna disapproves of her – but instead discovers a tender bond in their shared vulnerability. #Competition, #PinkPeach Saturday Night Special | directed by Esteban Garcia Vernaza, USA, 12:00 In a fit of anger, young Wesley embarks on a journey through the dangerous streets in search of some food for his baby sister. Khane Sefid (White House) | directed by Madeh Arastoo Mafakheri, Iran, 20:00 A brand new religious leader, searching for identity, finds himself in over his head and isolated during his first rural village assignment. Emergency | directed by Carey Williams, USA, 11:40 Faced with an emergency situation, a group of young Black and Latino friends carefully weigh the pros and cons of calling the police. Altmuligmand (Odd Job Man) | directed by Marianne Blicher, Denmark, 22:00 An old man struggling with life gets the chance to pursue a dusty dream. #PinkPeach Magic ‘85 | directed by Annika Kurnick, USA, 25:00 During the height of the AIDS epidemic in LA, Gabriel, a lonely hospice worker, helps lead his patients to a conscious death. #Competition, #PinkPeach REBELS OF THE NEON GOD Turbulent intersections of love and tech. Narrative, 96 minutes Wyrm | directed by Christopher Winterbauer, USA, 19:45 Wyrm has two days to complete his Level 1 Sexuality Requirement, typically osculation (aka kissing), or he’ll be held back as part of the school district’s No Child Left Alone program and forced to wear his My.E.Q. Electronic Monitoring Collar through high school. #Competition They Wait For Us | directed by Lukas Schrank & George Thomson, United Kingdom, 21:48 In a near-future end-of-life care facility, a reclusive hospital worker starts to believe a coma patient is secretly communicating with him. 基石 (Fundamental) | directed by ShihChieh Chiu, Taiwan, 7:10 A story of a teenager who discovers the strange and terrifying reality behind fundamentalism. #Competition STHLM HUNTERS | directed by Tor Helmstein, Sweden, 17:11 Amateur vigilantes Bibi and Kenneth must prove that the man they’ve taken hostage really is the internet pedophile they’re looking for. Long Bueno | directed by Abílio Dias, Brazil, 29:57 Mauro runs and runs, but Long Bueno remains far far away. #CineMás SPRING IN MY HOMETOWN Films and filmmakers grown in Georgia clay. Narrative (Local), 85 minutes M.A.F.I.A. | directed by Frances Chang, USA, 4:45 Discouraged by online dating, these women have turned to a new app, M.A.F.I.A., to find love. #Georgia Something Bigger | directed by Chris Anthony Hamilton, USA, 8:57 Teea confides in her best friend about her existential crisis when an ominous visitor interrupts their moment of connection. #Georgia Jukebox Girl | directed by Alex Richard Thomas, USA, 9:32 The mayor’s daughter, Brenda moonlights as a criminal stuck between putting her delinquent days behind her or succumbing to a life of crime. #Georgia Beeda After the Wake | directed by Nina Marinov, USA, 10:04 In a southern magical realism story of loss, an observant five year old girl is left on her own to navigate death and grief. #Georgia, #NewMavericks Pupae | directed by Ryan Hope Travis, USA, 8:32 Compelled to confront his past, Moses returns home after living in a swamp for 7 years. #Georgia Cells | directed by Raymond Wood, USA, 12:00 A doctor is held captive by a group of masked intruders who force him to answer why billions of dollars go wasted each year in the name of medical research. #Georgia Jookuhdo | directed by Crystal Jin Kim, USA, 12:30 An antique shopkeeper is floored when her long-lost, yakuza-involved love suddenly reappears four years after his supposed death and is dying to find if this can be true. #Georgia, #NewMavericks On the Fence | directed by Cassidy Detmer & Jared Callahan, USA, 8:00 Pete attempts to reconnect with his family after escaping from a drug recovery center. #Georgia Snapshot | directed by Brett Bagwell, USA, 9:59 Expressed through the memories and dreams of a 12-year old boy, a mother and son struggle to cope with the absence of the father. #Georgia STUD LIFE What makes a man? Narrative & Documentary, 104 minutes Gutten er Sulten (The Hunger) | directed by Kenneth Karlstad, Norway, 20:59 A sixteen year old boy with an intense desire for recognition seeks out a vicious criminal to prove his boundless grit. Street Racers | directed by Aurélien Heilbronn, Dominican Republic/USA/France, 9:09 Deep in the Dominican Republic’s illegal motorbiking culture, a tight-knit community of teens risk their lives to entertain themselves, blocking off motorways and hitting high speeds on small custom bikes. #Competition Rice Ball | directed by Yusuke Oishi, Japan, 15:00 In the wake of a matriarch’s death, a father and son grapple with their grief and the sudden realization that nothing, not even food, will ever be the same. ZION | directed by Floyd Russ, USA, 10:25 A portrait of Zion Clark, a young wrestler who was born without legs and grew up in foster care. #Competition The Things You Think I’m Thinking | directed by Sherren Lee, Canada, 14:17 A black male burn-survivor and amputee goes on a date with a regularly-abled man. #PinkPeach Make Them Believe | directed by Taimi Arvidson, USA/Russia, 13:59 A Russian wrestler enchanted by the United States plays the ultimate villain as the stars and stripes-clad character “American Hope” in Moscow’s underground wrestling ring. Men Don’t Whisper | directed by Jordan Firstman, USA, 22:00 After being emasculated at a sales conference, gay couple Reese and Peyton set out to do the most masculine thing they can think of – sleep with some women. #Competition, #PinkPeach THOSE WHO MAKE TOMORROW Exceptional avant-garde works that transform through beauty, wit and wonder. Experimental, 83 minutes Civilized Landscapes | directed by Taryn Ward, USA, 1:04 The evolution of corporation culture and its overwhelming presence on contemporary life. Dream Phone | directed by Kendra Lohr, USA, 3:43 Who — who — who’s got a crush on you! Was it all a dream? #NewMavericks Royal Jelly | directed by Stephanie Burbano, Canada, 9:53 A vivid exploration of drag brought about by experimentation and a unique insight into life. #PinkPeach 165708 | directed by Josephine Massarella, Canada, 6:37 A woman looks out from the shoreline, acting as a point of departure to disparate yet interconnected sequences, prompting the viewer to engage in a structurally unique mode of inquiry and experience. #NewMavericks Blot | directed by Benjamin Rouse, USA, 2:15 A film about loss. #Georgia Because I Love You | directed by Yu-Ting Cheng, USA, 4:01 Nothing else matters other than love. #NewMavericks, #PinkPeach Farewell Transmission | directed by Mike Rollo, Canada, 14:05 Equal parts indexical record of the demolition of the Canadian Broadcasting Corporation’s CBK Transmitter Station in 2015 and subjective response to the residual media documenting the event. 601 Revir Drive | directed by Josh Weissbach, USA, 8:40 An animal carefully guards an outlined space as a river runs backwards. gutterball | directed by Sam Gurry, USA, 1:07 I was in a bowling league in third grade where I routinely rolled my ball into the next lane and ate a lot of cheese fries. #NewMavericks Down Escalation | directed by Shunsaku Hayashi, Japan, 7:20 Falling down, it feels ecdysone is filling up its body. Delving into the deeper layers of itself, the flesh is melted down in the shell until the form is no longer. SDtoHDuprezMaxV2_009.mp4 | directed by Anna Spence, USA, 4:10 Booted from the limelight, Max Headroom now roves the video signal on the search for his life’s meaning. #Georgia Edge of Alchemy | directed by Stacey Steers, USA, 19:00 Mary Pickford and Janet Gaynor, delicately lifted from their early silent films, are cast into a surreal epic with an upending of the Frankenstein story amid a contemporary undercurrent of hive collapse. #NewMavericks UNDER THE SAME MOON Blueprints of borders fabricated internally and externally. Narrative & Documentary, 107 minutes Eighth Continent | directed by Yorgos Zois, Greece, 11:00 On Lesvos Island, an old abandoned dump lies within two big craters, overflowing with thousands of life jackets from the refugee waves. #Competition Abu Adnan (Adnan’s Father) | directed by Sylvia Le Fanu, Denmark, 25:13 Sayid wants to keep his status as a father and the family patriarch in a new linguistic and cultural setting, despite his sons progress in assimilating to the Danish language culture. #Competition I Have a Message for You | directed by Matan Rochlitz, Israel/United Kingdom/Belgium, 12:45 To save her life, a woman left her father to die. Decades later, she got a message from him. The Driver is Red | directed by Randall Christopher, USA, 14:37 Set in Argentina 1960, this true crime documentary follows the story of secret agent Zvi Aharoni as he hunted down one of the highest ranking Nazi war criminals on the run. EUNA | directed by Seung-Hyun Chong, Korea/Germany, 18:45 A young factory worker tries to come to grips with her life as an outsider. Sin Cielo (Without Heaven) | directed by J.S. Maarten, USA, 24:59 Delia and Memo are like most teenagers; defiant, hormonal, always on their phones; except they live in one of the most dangerous neighborhoods bordering Northern Mexico – where Dollars rule and missing girls’ bodies turn up mysteriously in the river or never at all. #CineMás WALKING DISTANCE Snapshots of peach state roots. Documentary (Local), 61 minutes The Last Man You Meet | directed by Chris Bone, USA, 5:00 Take an exclusive look inside the gritty business of death as a third-generation funeral director reflects on his life. #Georgia Archive | directed by Adam Forrester, USA, 2:00 Filmed in a single-take, this experimental documentation of the demise of the iconic Georgia Archives Building in Atlanta, Georgia, explores our desire to preserve the past, our appetite to make way for the future, and the complex intersection of those urges. #Georgia The Whole Speaks | directed by Caroline Rumley, USA, 2:15 In two minutes we follow Nelms Creekmur through the process of creating a bottle opener out of a discarded railway tie. But it’s more than that. It’s a two minute manifesto on the creative process as a whole, applicable to any medium. #Georgia AWARE | directed by Jeremy Cournyea, USA, 7:08 The AWARE Wildlife Center is a non-profit that cares for injured and orphaned Georgia wildlife and promotes peaceful coexistence with our animal neighbors. #Georgia Magic is Everywhere | directed by Jordan Noel, USA, 14:48 A short documentary following the final few shows of Wil Wright, AKA Lil Iffy, who borrows characters, language and situations from the Harry Potter books to tell his own version of typical hip hop stories and themes. #Georgia Walls of Hope | directed by Elisabeth Pritchett, USA, 8:16 A short documentary about the Walls of Hope project in Savannah, Georgia and its creative and inspiring impact on the community. #Georgia American Dreaming | directed by Matthew Hashiguchi, USA, 10:56 With no guarantees of employment or opportunity, undocumented immigrants strive to obtain a college degree in the state of Georgia, where they are barred from enrolling in its most selected colleges and universities. #Georgia Atlanta From the Ashes | directed by Andrew Litten, USA, 10:07 An exploration of Atlanta’s resiliency, and how the youth of Atlanta can look to the past for leadership and perseverance to move forward. #Georgia WHAT WE DO IN THE SHADOWS A weird and wacky balm for the soul. Narrative, Animation, & Documentary, 68 minutes ME OLEMME UNESSA (WE ARE IN A DREAM) | directed by Henna Välkky & Eesu Lehtola, Finland, 6:15 Based on personal recordings of people narrating their recurring dreams and nightmares, we race through their unconscious desires and fears. Miedo De Monos (Fear of Monkeys) | directed by Michael Arcos, USA, 5:35 My father told me a story about why he is afraid of monkeys. His fear dates back to 1958 in Ecuador. This is what happened… #CineMás Ceviche | directed by Doménica García, USA, 9:37 Six women from different generations reveal the hidden emotions behind the preparation of Ceviche. #NewMavericks, #CineMás Stay Ups | directed by Joanna Rytel, Sweden, 11:00 A middle-aged woman is about to get nightly visits from a young man. Her child is, as usual, in the way. #Competition, #NewMavericks Sinformist | directed by Jade Yuchun Chao, USA, 2:08 Each person is accompanied by a demon that represents his/her biggest faults. Namoro à Distância (Long Distance Relationship) | directed by Carolina Markowicz, Brazil, 4:48 A brief story about a gentleman who’s obsessed about having sex with ETs. #CineMás Raisin | directed by Danny Hunt, USA, 13:05 Two young sisters are abducted by strange creatures that pretend to be their parents. AI ZAI SHI JIE MO RI (Love After Time) | directed by Tsai Tsung-han, Taiwan, 15:24 After a nuclear explosion, two mutant humans fall in love. YEAR OF THE CARNIVORE Tales of breaking points, cruelty, and carnage. Narrative, 108 minutes Krista | directed by Danny Madden, USA, 9:24 In her high school theater class, Krista uses her scene study as catharsis. #Competition Kudzu | directed by Connor Simpson, USA, 14:50 During a scorching summer in rural Alabama, a young boy wrestles with a deepening sense of remorse after the disappearance of his friend. Runner | directed by Clare Cooney, USA, 12:40 A woman goes for a jog and witnesses something she can’t run away from. #NewMavericks Retouch | directed by Kaveh Mazaheri, Iran, 19:37 While bearing witness to a serious accident, Maryam must decide whether to act or live with the consequences. U Plavetnilo (Into the Blue) | directed by Antoneta Alamat Kusijanovic, Croatia/Slovenia/Sweden, 22:08 An abused teenage girl thirsts for love, but her best friend’s cruelty awakens in her the violence she’s been desperately trying to escape. #NewMavericks TV in the Fishtail | directed by Iesh Thapar, USA/India/United Kingdom, 13:20 As electricity is introduced to a remote Trans-Himalayan village, an adolescent boy struggles to reconcile his excitement with the abjection that surrounds him. Home Shopper | directed by Dev Patel, USA, 16:32 In a loveless marriage, Penny finds solace in the hypnotic escape of the home shopping channel. When things take an unexpected turn, the channel proves to be her saving grace … or perhaps it was the origin of the problem all along. YOUNG AND WILD Fables for kids who still believe in magic. Animation & Puppetry (Family Friendly), 49 minutes Undiscovered | directed by Sara Litzenberger, USA, 2:49 Sasquatch has always remained elusive in photos–but not for the reasons we think. 那個午後的冒險  (The Adventure of the Afternoon) | directed by Vance Yang & Stella Huang, Taiwan, 7:45 The tale of a boy who meets an unexpected friend on a beautiful afternoon. They start an adventure journey to discover the world. The Puppy Trials | directed by Thomas Nicol & Becky Nicol, USA, 4:02 An older dog teaches puppies how to behave. Goodbye Sam | directed by Theo Taplitz, USA, 4:59 A boy and his posse say goodbye to a beloved friend. Voyagers | directed by Gauthier Ammeux, Valentine Baillon, Benjamin Chaumény, Alexandre Dumez, Léa Finucci, & Marina Roger, France, 7:33 A tiger, escaping his hunter, ends up in a space station occupied by an astronaut and his goldfish… Babushka | directed by Sabrina Brady, USA, 4:01 A young girl’s day spirals out of control after she meddles with her grandmother’s potion and sets off an unwanted explosion. #NewMavericks You Can’t Play With Us | directed by Jason Rhein & Serene Bacigalupi, USA, 15:44 When an inquisitive dinosaur happens upon some musical unicorns at Marshmallow Mountain, they aren’t as friendly as he expects. SHORT FILMS ATTACHED TO FEATURES Ablution | directed by Omar Al Dakheel, USA, 15:00 The bond between a disabled Muslim father and his son is tested when love is pitted against religion. #PinkPeach Absent | directed by Sudarshan Suresh, USA/India, 16:15 Resigned to a mundane life of caring for a mother with dementia, Zola sees a fleeting chance at escape when she runs into an old crush. Broke | directed by Asad Farooqui, USA, 12:46 A struggling Muslim couple attends their first therapy session to save their marriage, but things don’t go as planned. #Georgia Color Blind | directed by Daniel Oramas, USA, 4:47 A rookie cop and his senior partner find themselves at odds over the current political climate during a long night on the job in this charged satire. #Georgia Doug | directed by Daniel Oramas, USA, 8:02 A night home alone gets weird when Rebecca and her brother Kevin hear a knock at the door. #Georgia The Last Honey Hunter | directed by Ben Knight, Nepal/USA, 35:50 In the mist-shrouded mountains of Nepal’s Hongu River valley, you will find a wiry and unassuming man named Mauli Dhan Rai, who is believed to be chosen by the gods for the perilous rite of honey harvesting. #Competition Laws of the Game | directed by Aegina Brahim, United Kingdom/ Suriname, 18:00 A fierce Surinamese female referee fights for her place in the world of men’s football. #Competition, #NewMavericks, #CineMás Los Comandos | directed by Joshua Bennett & Juliana Schatz-Preston, El Salvador/USA, 29:32 Sixteen-year-old Mimi, a dedicated medical emergency volunteer, lives in the cross hairs of gang violence. When her fellow Comando, 14-year-old Erick, is gunned down while serving, she faces pressure to flee El Salvador and head north. #CineMás Mi Tesoro (My Treasure) | directed by Michael Flores, El Salvador, 22:35 A cleaning woman steals a Salvadoran Civil War map and hunts for a treasure in the hopes of reuniting with her son. #CineMás Pink Dolphin | directed by Tuo Kan, USA, 4:11 A story about the one and only Pink Dolphin living in the ocean looking for his companions and trying to survive from the assaults and taunts of other sea creatures. #PinkPeach Saltwater Baptism | directed by Jared Callahan & Russell Sheaffer, USA, 17:22 Santiago Gonzalez IV, a first generation Mexican-American, struggles with the tensions between his sexuality, nationality, and religion as he prepares for his college graduation. #PinkPeach The Shadow | directed by Isaac Switzer, USA, 2:27 A girl faces a looming darkness. Towards the Sun | directed by Monica Santis, USA/United Kingdom, 20:00 Under the looming threat of deportation, an unaccompanied minor at an immigrant children’s shelter in Texas embarks on a healing journey and learns to express herself through the power of art. #CineMás, #NewMavericks Umbrella | directed by Rhys Ernst, USA, 15:50 Against the backdrop of rising anti-trans legislation, Umbrella chronicles the stories of four transgender individuals across America united in their passion to create change. #PinkPeach #Georgia The Wolf Guru | directed by Mian Qin, USA/China, 4:50 A man is attacked by a group of wolves and their monster leader. When he finally makes it to safety, however, he must face one more challenge in the form of the monster’s real identity. #Competition

    VIRTUAL REALITY

    Deerbrook Directed by Grayson Moore, Aidan Shipley, Jon Riera, Connor Illsley Canada, 2017, English, 14:34 Two strangers show up at a family’s cottage claiming to have spent their childhood summers there, but their behaviour seems to be driven by something more sinister than nostalgia. Lá Camila Directed by Jak Wilmot USA, 2018, English, 20:00 When the storms of nature threaten her very existence, the viewer must help a young shepherd girl take on the responsibilities of her deceased papá. #Georgia Hoodoo Directed by Catherine Salkeld UK, 2017, English, 6:30 A short adventure where we follow the adventures of Claw a simple cat exploring a mysterious fragment of a forgotten world. Reading Room Directed by Alexander Sandy White USA, 2017, English, 5:09 Driven to protect his identity, an introspective bookkeeper explores the power of thought and memory within a broken world of book burning and censorship. Micro Giants Directed by Yifu Zhou China, 2017, English, 6:00 “Micro Giants” tells the story of insects and plants in the microecosystem with vivid detail and elaborate design. Ready to Learn, Ready to Live Directed by Thomas Nybo USA/Afghanistan, 2017, English, 5:30 In remote Afghanistan, an illiterate girl takes you on her journey to learn how to read and write. #Georgia Step to the Line Directed by Ricardo Laganaro USA/Brazil, 2017, English, 11:43 Step to the Line takes you inside maximum-security prisons in the US and provides a new perspective on prisoners, the system, and yourself. #Georgia Submerged Directed by Nishtha Jain India, 2016, Hindi/English, 8:10 An immersive experience about how climate change and defective government policies are precipitating one of the largest exoduses of migrant labour in the world. Naive New Beaters ‘Heal Tomorrow’ Directed by Romain Chassaing France, 2016, English, 3:48 Follow the story of Naive New Beaters’ singer through his spectacular rise and unfortunate demise in a series of events during a live performance. Anicca Directed by Cecilia Sweet-Coll USA, 2016, No Dialogue, 6:06 An exploration of impermanence through visual music in virtual reality.

    EPISODIC SHOWCASE

    The Midnight Service – Home Invasion Directed by Brett Potter, Dean Colin Marcial  | USA, 2017, English, 7:13 A broke Miami comedian’s retreat into the Everglades is interrupted by an uninvited visitor. The Rick and Stanley Show Directed by Mike Lars White | USA, 2017, English, 7:00 Two men in a beat-up car discuss love, sex, Kenny G, and potato guns. Hug It Out Directed by Jason Eksuzian | USA, 2017, English, 7:17 Gwen, recently-divorced with longstanding intimacy issues, becomes a professional snuggler in L.A. to make ends meet. Limits Directed by Kevon Pryce | USA, 2017, English, 17:40 How not to maintain a relationship in the social media era. #Georgia 2 Kawaii 4 Comfort Directed by Luke Palmer, John Bickerstaff | USA, 2017, English, 23:17 5 emotionally stunted anime fans are forced to confront everything they are hiding from at the one convention where they go to escape reality Manic Directed by Kate Marks | USA, 2017, English, 17:02 An Ivy-league bound, overachieving teen is derailed after a manic episode lands her in a school for kids with mental illness.

    MUSIC VIDEOS

    Don Broco: “Technology” Directed by Benjamin Roberds | USA, 2017, English, 3:51 #Georgia Apoc’s: “Hurricane Goddamn!” Directed by Scott Upshur | USA, 2017, English, 6:00 Original Swimming Party: “Biggest Curse” Directed by Amy Allais | South Africa, 2017, English, 5:04 Surfer Blood: “Taking Care of Eddy” Directed by Sachio Cook, Niko Guardia  | English, 2017, USA, 3:29 Strangers (Feat. “Pressure” by Milk & Bone) Directed by Eve Duhamel, Julien Vallee | Canada, 2017, English, 3:16 Casey Benjamin: “Dig” Directed by Video Rahim | USA, 2017, English, 4:01 #Georgia K.R.U.S.H.: “No Fucks Given” Directed by Brit Wigintton | USA, 2017, English, 3:25 #Georgia The Invisible Man: “Let Me Ride” Directed by Francesca Mirabella | USA, 2017, English, 4:48 Meinschaft: “The Midday Sun At Midnight” Directed by Haoyan of America | USA, 2017, English, 6:15 Dizzee Rascal: “Bop N Keep It Dippin” Directed by Romain Chassaing | UK/France, 2017, English, 6:13 DEDSA: “Annihilation” Directed by Robbie Ward | USA, 2017, English, 6:17 Ben Burden: “White Lighters” Directed by Zelda June | USA, 2017, English, 2:00 LUNICE: “Distrust” feat. Denzel Curry, J.K. the Reaper and Nell Directed by Sam Rolfes | USA, 2017, English, 3:04 Tom Rosenthal: “Oh No Pedro” Directed by Annlin Chao | UK, 2017, English, 3:26 #PinkPeach Porter: “La China” Directed by Jorge G. Camarena | Mexico, 2016, Spanish, 5:11 #CineMás Ty Segall: “Break a Guitar” Directed by Matt Yoka | USA, 2017, English, 4:27

    SPECIAL PRESENTATIONS

    ATLFF Screenplay Competition: Script Read Join us for a script read of selections from each of the three 2018 Atlanta Film Festival Feature Screenplay Competition winners, featuring local SAG-AFTRA actors. #Georgia re:imagine/ATL Presents: CURRENTS on Tour – Teen Takeover Film festivals have long been an anchor for allowing a platform for stories surrounding cultural influences to be brought to light—now it’s time to listen to youth voices. This screening will be featuring content conceived of and produced by Atlanta teens. Join us opening night of the Atlanta Film Festival for a showcase of content based around teen social commentary, followed by a panel discussion from the teen storytellers themselves. #Georgia, #FamilyFriendly The Rocky Horror Picture Show It’s a Plaza Theatre institution! Lips Down On Dixie performs the interactive version of “The Rocky Horror Picture Show” at Midnight each Friday. YOU42 Presents: “Dead By Midnight/11 PM Central” Directed by Torey Haas, Tony Reames, Eric Davis, Jay Holloway, Anissa Matlock USA, 2018, English, 88 minutes It’s Halloween at WKIZ when the malicious Mistress of Midnight (Erin Brown) arrives to host her annual horror movie marathon ‘Dead by Midnight.’ When the WKIZ staff begins disappearing only to turn up in the increasingly darker films, it’s up to line producer Candice Spelling (Hannah Fierman) to stop the Mistress of Midnight before her final and most diabolical film goes to air. #Georgia The Art Institute of Atlanta Presents: Senior Film Screening A showcase of short films created by senior level students from The Art Institute of Atlanta. #Georgia Dad’s TV The film/video side of Dad’s Garage Theatre returns with a collection of projects from the past year. Watch the first public screening of a new television pilot, “Weird City,” which is an offbeat travel show. Laugh along with a new short film by DGTV produced in collaboration with Jerry’s Habima Theatre (a nonprofit working with special needs actors) that has lots of heart and some awesome floor hockey. Finally, the screening will give a sneak peak at a new web series set behind the scenes of the theatre itself, “The Garage.” #Georgia The Florida State University College Of Motion Picture Arts Presents: Selected Keylight Films The FSU College of Motion Pictures Arts presents a showcase of eight short student films followed by a panel discussion with representatives from the College. Ranked by The Hollywood Reporter as one of the top 25 film schools in the country, FSU College of Motion Picture Arts produces student films that regularly win prestigious awards like the Student Emmys and Oscars. Join us for an evening of cinematic entertainment as we showcase this year’s selected Keylight Films. Miss Richfield 1989 “Born Again” Logo Founder Matt Farber presents Miss Richfield 1981 “Born Again” at Plaza Theatre. In her all-new show, Miss Richfield 1981 is “Born Again” finding new religion to bring our divided world together. With all new songs, videos, and unique audience activities, Miss R brings all faiths together in 2018. Atheists welcome! #PinkPeach PLAZADROME: “The Astrologer” Directed by Craig Denney USA, 1976, English, 96 minutes Videodrome and The Plaza Theatre’s cult film series continues with Craig Denney’s “The Astrologer.” Alexander is running a con game at a circus as a psychic. When he finds that he actually does possess psychic powers, he uses them for his own ends.

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  • 2018 Sarasota Film Festival Announces Lineup, ‘1985’ EIGHTH GRADE’ ‘THE RIDER’ and More…

    [caption id="attachment_27753" align="aligncenter" width="1200"]EIGHTH GRADE EIGHTH GRADE[/caption] The 2018 Sarasota Film Festival (SFF) announced its full line-up, including its Centerpiece, Spotlight, Narrative Feature Competition, Independent Visions Competition, Documentary Feature Competition, Narrative, Documentary, and Short Films. The Festival also announced its five SFF Focus Panels – Sports in Cinema, Environment, Science, and Sustainability, Women’s Comedic Voices, Redefining Manhood, and Musings on Musicians. “In honor of our 20th anniversary, we have programmed a lineup that celebrates the past, present, and future of the Sarasota Film Festival that is sure to delight our dedicated and passionate audiences,” said Mark Famiglio, Chairman and President of the Sarasota Film Festival. “The selection includes a diverse group of narratives and voices that will create engaging conversations about today’s most important topics.” In the Festival’s Centerpiece section is 1985, about a closeted gay man, unable to come out to his friends and family during the beginning of the AIDS crisis, staring Academy Award®-nominated actress Virginia Madsen, who will be attendance at the Festival. Also a Centerpiece selection is Bo Burnham’s feature film directorial debut, EIGHTH GRADE, a portrait of young teenagers discovering their identities online and in reality. Bo will be in attendance for a Q&A following the film’s screening during the Festival. The Spotlight section will include narrative films Brett Haley’s HEARTS BEAT LOUD, Silas Howard’s A KID LIKE JAKE, Andrew Haigh’s LEAN ON PETE, Hannah Fidell’s THE LONG DUMB ROAD, Dominic Cooke’s ON CHESIL BEACH, Chloé Zhao’s THE RIDER, and Madeline Olnek’s WILD NIGHTS WITH EMILY, and documentary films Eugene Jarecki’s THE KING, Ali Weinstein’s MERMAIDS, Barbara Kopple’s A MURDER IN MANSFIELD, and Morgan Neville’s WON’T YOU BE MY NEIGHBOR? Each year the Sarasota Film Festival focuses on social issues to highlight throughout its program. The Sports in Cinema Focus returns this year, welcoming Ben and Orson Cummings and their film KILLER BEES, produced by Shaquille O’Neill. Other films in this focus include the Closing Day Film, Jason Kohn’s LOVE MEANS ZERO and Dana Adam Shapiro’s DAUGHTERS OF THE SEXUAL REVOLUTION: THE UNTOLD STORY OF THE DALLAS COWBOY CHEERLEADERS. In consideration of sustainability of communities and the planet, films in the SFF Environment, Science, and Sustainability Focus include Susan Kucera’s LIVING IN THE FUTURE’S PAST, Chad Freidrichs’ EXPERIMENTAL CITY, Quinn Costello, Chris Metzler, and Jeff Springer’s RODENTS OF UNUSUAL SIZE, and Rory Kennedy’s ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW. In a groundbreaking year for women, the festival presents SFF Focus: Women’s Comedic Voices, a lineup featuring all female directors. Films in the category include Wendy McColm’s BIRDS WITHOUT FEATHERS, Bridey Elliott’s CLARA’S GHOST, Caroline Golum’s A FEAST OF MAN as well as LONG DUMB ROAD and WILD NIGHTS WITH EMILY. The films in the SFF Focus: Redefining Manhood, provide a glimpse at the questions regarding masculine identities, include Bing Liu’s MINDING THE GAP, as well as 1985, THE RIDER, and WON’T YOU BE MY NEIGHBOR? The final SFF Focus: Musings on Musicians, presents an array of films exploring the relationships between music and film. Films in the category include Laura Parnes’ TOUR WITHOUT END, T.G. Herrington and Danny Clinch’s A TUBA TO CUBA, Derek Ahonen’s THE TRANSCENDENTS, Sophie Fiennes’ GRACE JONES: BLOODLIGHT AND BAMI, Jake Meginsky and Neil Young’s MILFORD GRAVES FULL MANTIS, Scott Smith’s CHASING THE BLUES, Stephen Loveridge’s MATANGI / MAYA / M.I.A, as well as THE KING and HEARTS BEAT LOUD. The Narrative Feature Competition will showcase DON’T LEAVE HOME directed by Michael Tully, I AM NOT A WITCH, directed by Rungano Nyoni, MADELINE’S MADELINE, directed by Josephine Decker, THE QUEEN OF FEAR directed by Valeria Bertuccelli and Fabiana Tiscornia, THE SEEN AND THE UNSEEN directed by Kamila Andini, SUPPORT THE GIRLS directed by Andrew Bujalski as well as CLARA’S GHOST. The Documentary Feature Competition will include GENERATION WEALTH directed by Lauren Greenfield, GENESIS 2.0 directed by Christian Frei and Maxim Arbugaev, HALE COUNTY THIS MORNING, THIS EVENING directed by RaMell Ross, OF FATHERS AND SONS directed by Talal Derki, THE SENTENCE directed by Rudy Valdez, as well as DAUGHTERS OF THE SEXUAL REVOLUTION: THE UNTOLD STORY OF THE DALLAS COWBOY CHEERLEADERS and MINDING THE GAP. The Independent Visions Competition will feature BLACK MOTHER directed by Khalik Allah, LIFE AND NOTHING MORE directed by Antonio Méndez Esparza, MAISON DU BONHEUR directed by Sofia Bohdanowicz, NOTES ON APPEARANCE directed by Ricky D’Ambrose, as well as BIRDS WITHOUT FEATHERS, A FEAST OF MAN, MILFORD GRAVES FULL MANTIS, and TOUR WITHOUT END. The jury for the competition films will consist of the following individuals: producer Autumn Bailey-Ford, Emmy®-nominated writer and producer Mark Bailey, documentary filmmaker Orson Cummings, New York Magazine film critic David Edelstein, Factory 25 film distributor Matt Grady, Academy of Motion Picture Arts and Sciences Director – New York Programs and Membership Patrick Harrison, film professor Del Jacobs, Academy Award®-nominated filmmaker Penny Lane, actress Penelope Ann Miller, The Hollywood Reporter film writer Tatiana Siegel, founder and publisher of Women and Hollywood Melissa Silverstein, and Sarasota County Circuit court judge and filmmaker Charles Williams. Narrative films include: ALL YOU CAN EAT BUDDHA directed by Ian Lagarde, AMERICAN ANIMALS directed by Bart Layton, AUGUST IN BERLIN directed by Becky Smith, BIKINI MOON directed by Milcho Manchevski, BLACK KITE directed by Tarique Qayumi, CAN HITLER HAPPEN HERE? directed by Saskia Rifkin, COLD SKIN directed by Xavier Gens, COME SUNDAY directed by Joshua Marston, DELENDA directed by Ralph Moffettone, DIMINUENDO directed by Adrian Stewart, EN EL SÉPTIMO DÍA directed by Jim McKay, FIRST REFORMED directed by Paul Schrader, A FRENCHMAN IN FLORIDA directed by Dante Rhev, HOLIDAY directed by Isabella Eklof, LET THE SUNSHINE IN directed by Claire Denis, MAKTUB directed by Oded Raz, SANTA INOCENCIA directed by Maritxell Campos Olivé, SHELTER directed by Eran Riklis, TATTERDEMALION directed by Ramaa Mosley, TINKER directed by Sonny Mahrler, VIRGINIA, MINNESOTA directed by Daniel Stine, VIRUS TROPICAL directed by Santiago Caicedo, WE THE ANIMALS directed by Jeremiah Zagar, WHITE RABBIT directed by Daryl Wein, ZAMA directed by Lucrecia Martel, as well as CHASING THE BLUES and THE TRANSCENDENTS. Documentary films include: 306 HOLLYWOOD directed by Elan Bogarin and Jonathan Bogarin, ANTONIO LOPEZ 1970: SEX FASHION & DISCO directed by James Crump, ASK THE SEXPERT directed by Vaishali Sinha, BISBEE ’17 directed by Robert Greene, CHEF FLYNN directed by Cameron Yates, CRACKING ACES: A WOMAN’S PLACE AT THE TABLE directed by H. James Gilmore, CRIME + PUNISHMENT directed by Stephen Maing, DISTANT CONSTELLATION directed by Shevaun Mizrahi, FATHER’S KINGDOM directed by Lenny Feinberg, FREEDOM FOR THE WOLF directed by Rupert Russell, THE GREAT FLIP-OFF directed by Dafna Yachin, HALF THE PICTURE directed by Amy Adrion, LA FLOR DE LA VIDA directed by Adriana Leoff and Claudia Abend, LOTS OF KIDS, A MONKEY AND A CASTLE directed by Gustavo Salmerón, MAYNARD directed by Sam Pollard, OLD DOG directed by Sally Rowe, ON HER SHOULDERS directed by Alexandria Bombach, THE PAIN OF OTHERS directed by Penny Lane, RBG directed by Betsy West and Julie Cohen, SISTERS directed by Justyna Tafel, THAT SUMMER directed by Göran Hugo Olsson, THREE IDENTICAL STRANGERS directed by Tim Wardle as well as THE EXPERIMENTAL CITY, GRACE JONES: BLOODLIGHT AND BAMI, KILLER BEES, LIVING IN THE FUTURE’S PAST, MATANGI / MAYA / M.I.A., RODENTS OF UNUSUAL SIZE, and A TUBA TO CUBA. As previously announced Golden Globe®-nominated and Independent Spirit Award®-nominated Eric Stoltz’s coming-of-age comedy CLASS RANK will be the Festival’s Opening Night film and Academy Award®-nominated and Emmy®-winning Rory Kennedy’s ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW will serve as Closing Night film. The Festival will also be honoring renowned actor Steve Guttenberg and Academy Award®-nominated actress Virginia Madsen with Career Achievement Awards during the closing weekend.

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  • 2018 Florida Film Festival Announces Lineup, Opens with “American Animals”

    Jared Abrahamson, Evan Peters, Blake Jenner and Barry Keoghan appear in American Animals by Bart Layton, an official selection of the U.S. Dramatic Competition at the 2018 Sundance Film Festival. Courtesy of Sundance Institute. Today the Florida Film Festival announced the program lineup of 183 films representing 38 countries, for the 27th Annual Festival, taking place April 6 to 15, 2018, in Maitland and Winter Park, Florida. The festival will open with American Animals directed by Bart Layton, and close with the 75th Anniversary Screening of  Alfred Hitchcock’s Shadow of a Doubt. “This is going to be a banner year in every aspect,” commented Matthew Curtis, Florida Film Festival Programming Director. “With a greater number of films making their Florida debut than ever before, we could not be more excited about introducing these talented filmmakers and presenting such an extraordinary and diverse group of films to our audience. We are proud that this year’s lineup includes 82 women filmmakers–the most ever and more than 45% of our total programming! Their voices will be represented everywhere in the Festival, including our first-ever experimental shorts program (“Sunspots: New Visions of the Avant Garde”), and our first-ever “X Real” Doc shorts program completely directed by women. Let the story-gazing begin!” The 21 features and 59 short films in the American Independent Competition will be eligible for up to three awards each: a Grand Jury Award for best film in that category, a Special Jury Award given at the jury’s discretion for exceptional achievements, and an Audience Award determined by audience votes for Narrative Feature, Documentary Feature, and Best Short Film. International films are also eligible for Audience Awards for Best International Feature and Best International Short, and an Audience Award will be given for the Best Midnight Short as well.

    2018 Florida Film Festival OFFICIAL SELECTION:

    OPENING NIGHT FILM:

    American Animals – Directed by Bart Layton, USA, 2018, 116 MIN, East Coast Premiere Star Blake Jenner will be in attendance for the Opening Night Film and Party, and will participate in a post-film Q&A with the audience

    SPOTLIGHT FILMS:

    Borg McEnroe – Directed by Janus Metz, Sweden/Denmark/Finland, 2017, 107 MIN, Rated R, In English and Swedish with English subtitles The Guilty – Directed by Gustav Möller, Denmark, 2018, 85 MIN, In English and Danish with English subtitles, East Coast Premiere Hearts Beat Loud – Directed by Brett Haley, USA, 2018, 97 MIN, East Coast Premiere A Kid Like Jake – Directed by Silas Howard, USA, 2018, 92 MIN, Florida Premiere Lean on Pete – Directed by Andrew Haigh, UK, 2017, 121 MIN, Southeast Premiere RBG – Directed by Julie Cohen and Betsy West, USA, 2018, 97 MIN Scotty and the Secret History of Hollywood – Directed by Matt Tyrnauer, USA, 2017, 98 MIN, Southeast Premiere Three Identical Strangers – Directed by Tim Wardle, UK, 2018, 96 MIN Tully – Directed by Jason Reitman, USA, 2018, 94 MIN, Rated R We the Animals – Directed by Jeremiah Zagar, USA, 2018, 94 MIN, East Coast Premiere Won’t You Be My Neighbor? – Directed by Morgan Neville, USA, 2018, 94 MIN

    NARRATIVE FEATURES COMPETITION:

    Call Me Brother – Directed by David Howe, USA, 2018, 77 MIN, World Premiere Cold November – Directed by Karl Jacob, USA, 2017, 92 MIN, Southeast Premiere The Feels – Directed by Jenée LaMarque, USA, 2017, 90 MIN Locating Silver Lake – Directed by Eric Bilitch, USA, 2018, 110 MINS, East Coast Premiere Prison Logic – Directed by Romany Malco Jr., USA, 2018, 95 MINS, Florida Premiere Quality Problems – Directed by Brooke & Doug Purdy, USA, 2017, 107 MIN, Southeast Premiere Savage Youth – Directed by Michael Curtis Johnson, USA, 2018, 97 MIN, Southeast Premiere Say You Will – Directed by Nick Naveda, USA, 2017, 98 MIN, Southeast Premiere Tatterdemalion – Directed by Ramaa Mosley, USA, 2017, 101 MIN, East Coast Premiere/2nd US Showing White Rabbit –  Directed by Daryl Wein, USA, 2018, 71 MIN, East Coast Premiere

    DOCUMENTARY FEATURES COMPETITION:

    Ask the Sexpert – Directed by Vaishali Sinha, USA/India, 2017, 83 MIN, Southeast Premiere Dark Money – Directed by Kimberly Reed, USA, 2018, 98 MIN, Florida Premiere Getting Naked: A Burlesque Story – Directed by James Lester, USA, 2017, 86 MIN, Southeast Premiere The Last Race – Directed by Michael Dweck, USA, 2018, 74 MIN, Florida Premiere Mole Man – Directed by Guy Fiorita, USA, 2017, 87 MIN, Southeast Premiere Mr. Fish: Cartooning from the Deep End – Directed by Pablo Bryant, USA, 2017, 70 MIN, Southeast Premiere My Indiana Muse – Directed by Ric & Jen Serena, USA, 2018, 44 MIN, Southeast Premiere The Power of Glove – Directed by Andrew Austin and Adam Ward, USA, 2017, 65 MIN, Southeast Premiere Samantha’s Amazing Acro-Cats – Directed by Jacob Feiring, USA, 2017, 58 MIN, Southeast Premiere This is Home – Directed by Alexandra Shiva, USA/Jordan, 2018, 91 MIN, Southeast Premiere TransMilitary – Directed by Gabriel Silverman and Fiona Dawson, USA, 2018, 92 MIN, East Coast Premiere/2nd US Showing

    DOCUMENTARY SHORTS COMPETITION:

    Alaska DGAF – Directed by David Freid, USA, 2018, 11 MIN, World Premiere Curious Kaleo – Directed by Judie Muhrez, Shana Kheradyar, Dylan McGale, and Tara Salveson, USA, 2018, 11 MIN, East Coast Premiere/2nd US Showing A Few Things About Robert Irwin. – Directed by Lisanne Skyler, USA, 2017, 7 MIN, Southeast Premiere Footprint – Directed by Sara Newens, USA, 2018, 17 MIN, World Premiere The Forger – Directed by Alexandra Garcia, Samantha Stark, and Pamela Druckerman, USA, 2017, 16 MIN, In French with English subtitles, Florida Premiere JessZilla – Directed by Emily Sheskin, USA, 2017, 7 MIN, Florida Premiere Let My People Vote – Directed by Gilda Ann Brasch, USA, 2018, 17 MIN, World Premiere Little Fiel – Directed by Irina Patkanian, USA/Mozambique, 2017, 16 MIN, Southeast Premiere Lotte That Silhouette Girl – Directed by Elizabeth Beecherl and Carla Patullo, USA, 2018, 10 MIN, East Coast Premiere Nueva Vida – Directed by Jonathan Seligson, USA, 2017, 7 MIN, Southeast Premiere Please – Directed by Erica Rose, USA, 2018, 7 MIN, World Premiere The Shift – Directed by Elivia Shaw and Paloma Martinez, USA, 2017, 8 MIN, Southeast Premiere The Tables – Directed by Jon Bunning, USA, 2017, 15 MIN, Florida Premiere Taobao – Directed by Noah Sheldon, USA/China, 2018, 4 MIN, In Mandarin with English subtitles, East Coast Premiere Used: A Documentary – Directed by Rolando Nieves, USA, 2017, 15 MIN, Southeast Premiere Winter’s Watch – Directed by Brian Bolster, USA, 2017, 14 MIN, Florida Premiere

    NARRATIVE SHORTS COMPETITION:

    The Accomplice – Directed by Jonathan Hoeg and John F. Beach, USA, 2017, 8 MIN, Florida Premiere After Her – Directed by Aly Migliori, USA, 2018, 15 MIN, World Premiere An Alien Walks Into A Bar – Directed by Eli Bildner, USA, 2017, 5 MIN, Florida Premiere/2nd US Showing Anna & the Asteroid – Directed by Scott Sherman, USA, 2017, 25 MIN, Southeast Premiere/2nd US Showing Artifice – Directed by Kevin Byrnes, USA, 2018, 4 MIN, World Premiere Caroline – Directed by Celine Held and Logan George, USA, 2018, 12 MIN, Southeast Premiere/2nd US Showing Control – Directed by Kimmy Gatewood, USA, 2017, 15 MIN, Florida Premiere El Afilador (The Sharpener) – Directed by James Casey, USA/MEXICO, 2018, 9 MIN, North American Premiere, In Spanish with English subtitles Emergency – Directed by Carey Williams, USA, 2017, 12 MIN, Southeast Premiere End Times – Directed by Bobby Miller, USA, 2018, 9 MIN, Southeast Premiere/2nd US Showing everything’s gonna be okay – Directed by Matt Soson, USA, 2018, 15 MIN, World Premiere Falling – Directed by Ewen Wright, USA, 2018, 19 MIN, East Coast Premiere Five Minutes – Directed by Justine Bateman, USA, 2017, 10 MIN, Southeast Premiere Flatbush Misdemeanors – Directed by Dan Perlman and Kevin Iso, USA, 2017, 15 MIN, Southeast Premiere Fran This Summer – Directed by Mary Evangelista, USA, 2018, 9 MIN, East Coast Premiere/2nd US Showing Haircut – Directed by David Brundige, USA, 2018, 7 MIN, World Premiere Home Shopper – Directed by Dev Patel, USA/Singapore, 2018, 16 MIN, East Coast Premiere I Got This – Directed by Erik Bork, USA, 2018, 22 MIN, World Premiere Iron Hands – Directed by Johnson Cheng, USA/China, 2017, 11 MIN, In Mandarin with English Subtitles, Florida Premiere Life After – Directed by Ria Tobaccowala, USA, 2018, 12 MIN, Florida Premiere Life Boat – Directed by Lorraine Nicholson, USA, 2017, 18 MIN, Southeast Premiere Magic Bullet – Directed by Amanda Lovejoy Street, USA, 2018, 19 MIN, East Coast Premiere/2nd US Showing Mama Jane – Directed by Lisa Maria Hall, USA, 2018, 12 MIN, World Premiere Men Don’t Whisper – Directed by Jordan Firstman, USA, 2017, 22 MIN, Florida Premiere My Loyal Audience – Directed by Megan Seely, USA, 2017, 12 MIN Painting with Joan – Directed by Jack Henry Robbins, USA, 2018, 4 MIN, East Coast Premiere Sweet & Lo – Directed by Clay Liford, USA, 2018, 14 MIN, World Premiere Valentina – Directed by Mary Angélica Molina, USA, 2017, 8 MIN, Florida Premiere , In English and Spanish with English subtitles Wyrm – Directed by Christopher Winterbauer, USA, 2017, 20 MIN, East Coast Premiere

    ANIMATED SHORTS COMPETITION:

    Abnie Oberfork: A Tale of Self-Preservation – Directed by Shannon Fleming, USA, 2017, 5 MIN, Florida Premiere Aquacade – Directed by Caroline Voagen Nelson, USA, 2017, 3 MIN, Southeast Premiere The Driver is Red – Directed by Randall Christopher, USA, 2017, 15 MIN Fired Up – Directed by Elyse Kelly and Dan Fipphen, USA/Colombia/Israel, 2017, 3 MIN, Florida Premiere For Educational Purposes Only – Directed by David Nessl, USA, 2018, 3 MIN, US Premiere Fundamental – Directed by Shih-Chieh Chiu, USA/Taiwan, 2017, 7 MIN, Southeast Premiere Jeom – Directed by Kangmin Kim, USA/South Korea, 2018, 4 MIN, In Korean with English subtitles, Florida Premiere Nevada – Directed by Emily Ann Hoffman, USA, 2017, 12 MIN, Southeast Premiere Phototaxis – Directed by Melissa Ferrari, USA, 2017, 7 MIN, Southeast Premiere Seahorse Man – Directed by Diana Carter, USA, 2018, 3 MIN, East Coast Premiere/2nd US Showing Shahkboy – Directed by Jake Peckar, USA, 2017, 5 MIN, Southeast Premiere/2nd US Showing Undiscovered – Directed by Sara Litzenberger, USA, 2017, 3 MIN The Velvet Underground Played At My High School – Directed by Robert Pietri and Tony Jannelli, USA, 2018, 7 MIN, Southeast Premiere Weekends – Directed by Trevor Jimenez, USA, 2017, 15 MIN, Florida Premiere

    INTERNATIONAL SHOWCASE:

    The Cakemaker – Directed by Ofir Raul Graizer, Israel/Germany, 2017, 104 MIN, In English, Hebrew and German with English subtitles Euthanizer – Directed by Teemu Nikki, Finland, 2017, 85 MIN, In Finnish with English subtitles, East Coast Premiere Mama – Directed by Nicholas Brennan, USA/Uganda, 2017, 7 MIN, In Luganda with English subtitles, Florida Premiere Marlina the Murderer in Four Acts – Directed by Mouly Surya, Indonesia/France/Malaysia/Thailand, 2017, 93 MIN, In Indonesian with English subtitles, Southeast Premiere Soufra – Directed by Thomas Morgan, USA/Lebanon, 2017, 73 MIN, In Arabic with English subtitles, Florida Premiere

    INTERNATIONAL SHORTS:

    The App – Directed by Julián Merino, Spain, 2017, 15 MIN, In Spanish with English subtitles, Florida Premiere Beatrice – Directed by Lorena Alvarado, Italy, 2017, 9 MIN, In Italian with English subtitles, Southeast Premiere Daughter – Directed by Mara Tamkovich, Poland, 2018, 29 MIN, In Polish with English subtitles, World Premiere Do I Have Boobs Now? – Directed by Milena Salazar and Joella Cabalu, Canada, 2017, 7 MIN, East Coast Premiere Fern – Directed by Johnny Kelly, UK, 2017, 6 MIN, East Coast Premiere Gaze – Directed by Farnoosh Samadi, Iran/Italy, 2017, 14 MIN, In Persian with English subtitles, East Coast Premiere Iris – Directed by Gabrielle Demers, Canada, 2017, 10 MIN, In French with English subtitles, Southeast Premiere Limit – Directed by Javad Daraei, Iran, 2017, 8 MIN, In Persian with English subtitles, East Coast Premiere The Log (Halko) – Directed by Teemu Nikki, Finland, 2016, 7 MIN, In Finnish with English subtitles, Florida Premiere Merry-Go-Round – Directed by Ruslan Bratov, Russian Federation, 2017, 13 MIN, In Russian with English subtitles, North American Premiere My Dead Dad’s Porno Tapes – Directed by Charlie Tyrell, Canada, 2018, 14 MIN, East Coast Premiere The Old Woman Who Hid Her Fear Under the Stairs – Directed by Faye Jackson, UK, 2018, 16 MIN, World Premiere Shadow Animals – Directed by Jerry Carlsson, Sweden, 2017, 22 MIN, In Swedish with English subtitles, East Coast Premiere Slap Happy – Directed by Madeleine Sims-Fewer and Dusty Mancinelli, Canada, 2017, 11 MIN, East Coast Premiere State of Emergency Motherfucker – Directed by Sébastien Petretti, Belgium, 2017, 6 MIN, In French with English subtitles Thursday Night – Directed by Gonçalo Almeida, Portugal, 2017, 8 MIN, Southeast Premiere True Love in Pueblo Textil – Directed by Horatio Baltz, Cuba/USA, 2017, 5 MIN, In Spanish with English subtitles, Southeast Premiere Wren Boys – Directed by Harry Lighton, UK, 2017, 11 MIN, East Coast Premiere

    INTERNATIONAL ANIMATED SHORTS:

    The Burden – Directed by Niki Lindroth von Bahr, Sweden, 2017, 14 MIN, In Swedish with English subtitles, Southeast Premiere Catherine – Directed by Britt Raes, Belgium, 2017, 12 MIN Dead Horses – Directed by Marc Riba and Anna Solanas, Spain, 2016, 6 MIN, In Catalan with English subtitles, Florida Premiere The Death, Dad & Son – Directed by Denis Walgenwitz and Winshluss, France, 2017, 14 MIN, East Coast Premiere Intimity – Directed by Elodie Dermange, Switzerland, 2017, 5 MIN, East Coast Premiere The Laughing Spider – Directed by Keiichi Tanaami, Japan, 2016, 7 MIN, Florida Premiere Life Before Life – Directed by Rao Heidmets, Estonia, 2017, 7 MIN, In English and Estonian with English subtitles, Florida Premiere Negative Space – Directed by Max Porter and Ru Kuwahata, France, 2017, 6 MIN The Noise of Licking – Directed by Nadja Andrasev, Hungary, 2016, 9 MIN, Southeast Premiere Perfect Town – Directed by Anaïs Voirol, Switzerland, 2017, 4 MIN, Florida Premiere Wicked Girl – Directed by Ayce Kartal. France/Turkey, 2017, 8 MIN, In Turkish with English subtitles

    SUNSPOTS: NEW VISIONS OF THE AVANT GARDE:

    Animal Cinema – Directed by Emilio Vavarella, USA, 2017, 12 MIN, East Coast Premiere Blot – Directed by Benjamin Rouse, USA, 2017, 2 MIN, Florida Premiere A Diptych to Educate Birds – Directed by Noah Engel, USA, 2017, 1 MIN, East Coast Premiere/2nd US Showing Dot Matrix – Directed by Lauren Cook, USA, 2017, 4 MIN, Southeast Premiere Edge of Alchemy – Directed by Stacey Steers, USA, 2017, 19 MIN, Florida Premiere The Garden of Delight – Directed by Michael Fleming, Netherlands/USA, 2017, 12 MIN, East Coast Premiere Growing Girl – Directed by Marnie Ellen Hertzler, USA, 2017, 12 MIN Holy Pink: Fragrant – Directed by Clementine Leger and Benjamin Whatley, USA, 2018, 2 MIN, World Premiere The Knits – Directed by Lisa Birke, Canada, 2017, 10 MIN, Florida Premiere Mountain Castle Mountain Flower Plastic – Directed by Annapurna Kumar, USA, 2017, 3 MIN, Southeast Premiere OK, Call Me Back – Directed by Emily Ann Hoffman, USA, 2017, 5 MIN, Southeast Premiere

    MIDNIGHT FEATURES:

    Ghost Stories – Directed by Jeremy Dyson and Andy Nyman, UK, 2017, 98 MIN, Florida Premiere King Cohen – Directed by Steve Mitchell, USA/Canada, 2017, 109 MIN Revenge – Directed by Coralie Fargeat, France, 2017, 108 MIN, In English and French with English Subtitles, East Coast Premiere Summer of 84 – Directed by François Simard, Anouk Whissell, and Yoann-Karl Whissell, USA/Canada, 2018, 105 MIN, East Coast Premiere

    MIDNIGHT SHORTS:

    BFF Girls – Directed by Brian Lonano, USA, 2018, 13 MIN, In English and Japanese with English subtitles, Southeast Premiere/2nd US Showing Bigfoot’s Love Slave – Directed by Heather Tom, USA, 2017, 5 MIN, Southeast Premiere Cee Cee’s Bedtime Stories #3 Cee Cee and the Ex-Calibahhh – Directed by Joy Buran and Noelle Melody, USA, 2017, 1 MIN, Southeast Premiere/2nd US Showing DaemonRunner – Directed by Kiah Roache-Turner, Australia, 2017, 5 MIN, East Coast Premiere Empire of Dirt – Directed by Adam Mason, USA, 2018, 8 MIN, US Premiere Hair Wolf – Directed by Mariama Diallo, USA, 2018, 12 MIN, East Coast Premiere The Jerry Show – Directed by Stephen Stull, USA, 2017, 9 MIN Little Donnie (The Ten Inch Terror) – Directed by Chel White, USA, 2018, 4 MIN, North American Premiere Little Wonder – Directed by Jordan Carlman, USA, 2018, 3 MIN, East Coast Premiere/2nd US Showing Master Blaster – Directed by Sawako Kabuki, Japan, 2016, 4 MIN, In Japanese with English subtitles, East Coast Premiere The Order of the Orchid – Directed by Alex Italics, USA, 2018, 7 MIN, East Coast Premiere/2nd US Showing Peen Zine – Directed by Simeon Kondev, USA, 2017, 3 MIN, East Coast Premiere/2nd US Showing We Love You, Stephanie! – Directed by Sara Ambra, USA, 2018, 6 MIN, World Premiere We Summoned a Demon – Directed by Chris McInroy, USA, 2017, 6 MIN, Florida Premiere Zablah – Directed by Rachel Nakawatase and Ryan Betschart, USA, 2018, 4 MIN, World Premiere

    SPECIAL SCREENINGS:

    FAMILY FILMS:

    The Big Bad Fox and Other Tales… – Directed by Benjamin Renner and Patrick Imbert, France/Belgium, 2017, 83 MIN, Rated G, In French with English subtitles, Southeast Premiere Lu Over the Wall – Directed by Masaaki Yuasa, Japan, 2017, 112 MIN, Southeast Premiere

    FOOD FILMS:

    Back to Burgundy – Directed by Cédric Klapisch, France, 2017, 113 MIN, In English, French, and Spanish with English subtitles Ramen Heads – Directed by Koki Shigeno, Japan, 2017, 93 MIN, In Japanese with English subtitles, Florida Premiere

    MUSIC FILMS:

    40 Years in the Making: The Magic Music Movie – Directed by Lee Aronsohn, USA, 2017, 99 MIN, Southeast Premiere The Godfathers of Hardcore – Directed by Ian McFarland, USA/Belgium/Cuba/France/Germany/Italy/Netherlands/Switzerland, 2017, 95 MIN, Florida Premiere Grace Jones: Bloodlight and Bami – Directed by Sophie Fiennes, Ireland/UK, 2017, 115 MIN, East Coast Premiere

    FLORIDA FILMS:

    FLORIDA SHORTS: THE BEST OF BROUHAHA:

    Barely There – Directed by Hannah Lee, USA, 2017, 2 MIN Blood for Blood – Directed by Jared Bolhuis, USA, 2017, 8 MIN The Day Comedy Died – Directed by Nick Pletcher and Angelo Guevara-Malavé, USA, 2017, 6 MIN Extinguished – Directed by Ashley Anderson and Jacob Mann, USA, 2017, 4 MIN Flicker – Directed by Amanda Belawski, USA, 2018, 3 MIN, World Premiere A Grave Matter – Directed by Dylan Thompson, USA, 2017, 6 MIN, World Premiere If – Directed by Gabriel Valbuena, USA, 2017, 7 MIN, Florida Premiere In a Heartbeat – Directed by Esteban Bravo and Beth David, USA, 2017, 4 MIN Mama I Wanna March – Directed by Malcolm Baity, USA, 2017, 15 MIN Peacekeeper – Directed by Tyler Knutt and Nicholas Markart, USA, 2017, 13 MIN The Stranger – Directed by Katherine Oostman, USA, 2018, 13 MIN, World Premiere Thump – Directed by Ben Roth, USA, 2017, 2 MIN Tom in Couchland – Directed by James Just, USA, 2017, 2 MIN

    FLORIDA FILMS:

    A Greater Society – Directed by Craig A. Colton and Stacy Goldate, USA, 2018, 87 MIN, World Premiere Long Time Coming – Directed by Jon Strong, USA, 2018, 90 MIN, World Premiere A Mediocre Documentary with Tom and Dan – Directed by Kirk Murray, USA, 2018, 77 MIN, World Premiere

    CLOSING NIGHT RETRO FILM:

    Shadow of a Doubt – Directed by Alfred Hitchcock, USA, 1943, 108 minutes, 75th Anniversary Screening!

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  • “Ice Mother” and “Science Fair” Win Top Audience Awards at 41st Portland International Film Festival

    [caption id="attachment_27542" align="aligncenter" width="1200"]Ice Mother (Czech Republic) directed by Bohdan Sláma Ice Mother[/caption] Ice Mother (Czech Republic) directed by Bohdan Sláma and Cristina Costantini and Darren Foster’s Science Fair (United States) snagged the top audience accolades at the 41st Portland International Film Festival. Ice Mother won the award for Best Narrative Feature and Science Fair took the Best Documentary Feature award. Director Ryôta Nakano is the winner of this year’s Best New Director award for his debut feature, Her Love Boils Bathwater (Japan). Tehran Taboo (Austria/Germany) director Ali Soozandeh takes home the Audience Award for Best Animated Feature. This year’s Best International Short Film Award goes to director Britt Raes for her film Catherine (Belgium). Portland-based director Dawn Jones Redstone’s film We Have Our Ways is the recipient of the Best Oregon Short Film Award.

    Best Narrative Feature

    1. Ice Mother / Czech Republic/France/Slovakia / dir. Bohdan Sláma *winner Best Narrative Feature 2. A Taxi Driver / South Korea / dir. Hun Jang 3. Foxtrot / Israel/Switzerland/Germany/France / dir. Samuel Maoz

    Best Documentary Feature

    1. Science Fair / United States / dir. Cristina Costantini, Darren Foster *winner Best Documentary Feature 2. Won’t You Be My Neighbor? / United States / dir. Morgan Neville 3. Soufra / Lebanon/United States/Singapore / dir. Thomas A. Morgan

    Best New Director

    1. Her Love Boils Bathwater / Japan / dir. Ryôta Nakano *winner Best New Director 2. Bad Genius / Thailand / dir. Nattawut Poonpiriya 3. The Rider / United States / dir. Chloé Zhao

    Best Animated Feature

    1. Tehran Taboo / Austria/Germany / dir. Ali Soozandeh *winner Best Animated Feature 2. The Big Bad Fox & Other Tales / France / dir. Benjamin Renner, Patrick Imbert 3. Big Fish & Begonia / China / dir. Xuan Liang, Chun Zhan

    Best International Short Film

    1. Catherine / Belgium / dir. Britt Raes *winner Best International Short Film 2. World of Tomorrow Episode Two / United States / dir. Don Hertzfeldt 3. Edith & Eddie / United States / dir. Laura Checkoway

    Best Oregon Short Film

    1. We Have Our Ways / Portland, OR / dir. Dawn Jones Redstone *winner Best Oregon Short Film 2. Lovely Legs / Portland, OR / dir. Abby Thompson 3. Two Balloons / Portland, OR / dir. Mark Smith

    Best of Masters sidebar

    On Body and Soul / Hungary / dir. Ildikó Enyedi

    Best of PIFF After Dark sidebar

    Bodied / United States / dir. Joseph Kahn

    Best of Ways of Seeing sidebar

    The Nothing Factory / Portugal / dir. Pedro Pinho

    Best of Films for Families sidebar

    Science Fair / United States / dir. Cristina Costantini, Darren Foster

    Best of Global Panorama sidebar

    A Taxi Driver / South Korea / dir. Hun Jang

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  • 2018 Full Frame Documentary Film Festival Announces Lineup – “306 Hollywood” “Boom for Real” and More…

    [caption id="attachment_27448" align="aligncenter" width="1200"]306 Hollywood by Elan Bogarín and Jonathan Bogarín 306 Hollywood by Elan Bogarín and Jonathan Bogarín[/caption] The Full Frame Documentary Film Festival, today announced its lineup of features and short films. The 21st annual festival will take place April 5 to 8, 2018, in Durham, North Carolina. The NEW DOCS program includes 42 titles – 32 features and 10 shorts – selected from nearly 1,800 submissions from around the globe. These films are eligible for the Full Frame Audience Award and are shortlisted for a variety of additional juried awards offering a combined value of $40,000 in cash prizes. Award winners will be announced at the annual Awards Barbecue on Sunday, April 8. The Invited Program includes 22 feature films screening out of competition. Renowned filmmaker Joe Berlinger will curate the 2018 Thematic Program, and the festival will honor Jehane Noujaim’s illustrious body of work with the 2018 Tribute. Delving into the fascinating genre of true crime, the Thematic Program will feature films that follow individual cases and consider the ways documentary uniquely represents the complexities, and limitations, of the American judicial system. For the Tribute, Full Frame will showcase Noujaim’s lauded films exploring themes of resilience, freedom, democracy, and free speech.

    NEW DOCS

    306 Hollywood (Directors: Elan Bogarin, Jonathan Bogarin) When their beloved grandmother dies, two siblings embark on an imaginative exploration of her home, sifting through her belongings, and their own cherished memories, to discover her essence. América (Directors: Erick Stoll, Chase Whiteside) When their father is unexpectedly arrested, three brothers come together to care for their aging grandmother, América. This sensitive portrait delicately captures the frustrations and connections that evolve as they navigate her physical decline and their expectations of one another. The Area (Director: David Schalliol) Charismatic activist Deborah Payne tirelessly battles developers of a new multibillion-dollar freight yard that threatens to destroy Englewood, her neighborhood on Chicago’s South Side. World Premiere The Bastard (Director: Floris-Jan van Luyn) The Hoeks are united in name but severed by history: Ethiopian-born Daniel and his estranged Dutch father, Joop, each tell their story, but who can be trusted in this tangled tale of regret and misdeed? Bending Lines: The Sculpture of Robert Wiggs (Directors: Peter DeHart, Allison Bohl DeHart) Inspired by the geometry of nature—from the cracks in dried mud to the structure of pine cones to the scales on armadillos—Wiggs’s artistic process reveals the intriguing interplay between mathematics and art. World Premiere The Blessing (Directors: Hunter Robert Baker, Jordan Fein) In this stunningly and candidly shot film, Lawrence, a Navajo coal miner, wrestles with his relationship to land to which he is spiritually bound but employed to destroy, while his daughter, Caitlin, forms her own identity amid cultural pressures. World Premiere Cielo (Director: Alison McAlpine) Enter a wondrous exploration of the meeting of heaven and Earth in this dynamic exchange between humans and the starry skies of Chile’s Atacama Desert. Crime + Punishment (Director: Stephen Maing) This powerful film follows twelve brave whistleblowers who speak out against illegal policing quotas in the NYPD and the retaliation they experience after refusing to make arrests targeting minority populations. David. The Return to Land (David. El regreso a la tierra) (Director: Anaïs Huerta) Haitian, French, and adopted by Jewish parents, 34-year-old David embarks on a mission to better understand who he is in this beautifully nuanced observation of self-discovery. North American Premiere The Deminer (Director: Hogir Hirori; Co-director: Shinwar Kamal) After the fall of Saddam Hussein, Colonel Fakhir of the Iraqi army devotes his life to disarming landmines, with only a pocket knife and wire cutters, in this deeply suspenseful film that makes use of Fakhir’s own extensive video footage. North American Premiere A Friendship in Tow/Toe (Director: Atsushi Kuwayama) In the brief ascent up a flight of stairs, a pair of strangers find a rapport across languages and generations. From Parts Unknown (Director: Michael T. Workman) The poignant experience of a young man who determines an unlikely outlet for his pain and hardships: In local wrestling, he finds catharsis, community, and a sense of purpose. The Good Struggle (Director: Celia Peterson) Although few words are spoken between themselves, monks at a Greek Orthodox monastery in Lebanon provide voiceovers to their daily routines—their devout thoughts echo the beauty of their solitude. World Premiere Hale County This Morning, This Evening (Director: RaMell Ross) Observational and impressionistic, this poetic film is a humanist exploration of an Alabama community, where mostly black, working-class families live, work, dream, celebrate, and struggle together. I Am Bisha ( انا% ةش) ( Director: Roopa Gogineni) As an act of pure creative resilience, Ganja and his friends film a humorous and satirical web series, Bisha TV, starring puppets to combat the violent, genocidal regime of Sudanese president Omar al-Bashir. World Premiere Inventing Tomorrow (Director: Laura Nix) Six young scientists from around the globe compete in the largest international high school science fair—with their ingenious solutions to environmental problems, they don’t just aim to bring home the top prize, they hope to change the world. The Issue of Mr. O’Dell (Director: Rami Katz) The work of Jack O’Dell, who once worked alongside Martin Luther King, Jr., is revealed through a conversation with the 94-year-old activist, who delves into his historical involvement in the civil rights struggle as well as the movement’s contemporary incarnation under the stewardship of groups like Black Lives Matter. Lovers of the Night (Director: Anna Frances Ewert) Seven elderly monks at a Cistercian abbey in Ireland humorously muse on their spiritual experiences, way of life, and the inevitable end to it all. Maj Doris (Director: Jon Blåhed) Ever-able, 74-year-old Maj Doris Rimpi is a renowned Sámi artist who lives alone in Sweden and tends to her home and herd of reindeer, but after another long winter she wonders, is it time to consider a new way of life? North American Premiere The Mauritania Railway: Backbone of the Sahara (Director: MacGregor) In this expansive, gorgeously composed short, ride atop the railway car that serves as a 704- kilometer-long lifeline that supplies goods and iron ore to people in different cities in the Sahara Desert. World Premiere MELTING SOULS (NORILSK, L’étreinte de glace) (Director: François-Xavier Destors) This exquisitely photographed portrait documents a remote Arctic city centered around a metal refinery, where residents endure extreme, subzero temperatures to survive on the resource that lies beneath the tundra. North American Premiere Messenger on a White Horse (El mensajero) (Director: Jayson McNamara) This homage to the fearless investigative reporting of the Buenos Aires Herald during the disappearances and murders of Argentinians between 1976 and 1983, utilizes impeccable archival footage and testimonies from surviving members of the Mothers of the Plaza de Mayo as well as lead newspaper editor Robert Cox. North American Premiere Minding the Gap (Director: Bing Liu) Skateboarding and strained family relationships bond three friends together in this introspective saga about the journey from youth to adulthood. Las Nubes (Director: Juan Pablo González) As a father drives through an unidentified countryside, his car becomes a space for reflection as he recounts the impact of cartel violence on his home and family. Of Fathers and Sons (Director: Talal Derki) With rare and chilling insights, this film takes us into the lives of a Syrian family, led by an Al-Nusra fighter, where we observe how swiftly the innocence of childhood can fade. Our New President (Director: Maxim Pozdorovkin) By turns provocative, disorienting, and astonishing, this feature weaves clips from Russian state-owned news coverage of the 2016 U.S. presidential election to portray the perils of bias, conspiracy theories, and manufactured narratives. Owned: A Tale of Two Americas (Director: Giorgio Angelini) This energetic film unpacks the complex history of home ownership in America to reveal the postwar housing economy’s racist underpinnings—the creation of a large middle class simultaneous with the systematic defunding and segregating of communities. World Premiere PATRIMONIO (Directors: Lisa F. Jackson, Sarah Teale) When a multinational corporation attempts to covertly develop plans to build a resort on the fishermen’s coast in Todos Santos, Mexico, the locals unite for a momentous and riveting fight for their resources and their heritage—their patrimonio. North American Premiere Personal Truth (Director: Charlie Lyne) Spurred from the fake “Pizzagate” scandal, this frenetic and provocative observational film about the power of fake news suggests that conspiracy theories may be more believable than one might like to admit. The Providers (Directors: Laura Green, Anna Moot-Levin) The El Centro Family Health system in northern New Mexico covers 22,000 square miles and suffers from a chronic shortage of health care providers. This film follows three dedicated practitioners in their daily work and private lives. World Premiere The Pushouts (Directors: Katie Galloway, Dawn Valadez) This inspiring film follows the transformative work of Dr. Victor Rios, a former gang member and high school dropout, as he works to support students, through tools for selfreflection and expression, in an educational system that is failing to reach them. World Premiere Rebuilding in Miniature (Director: Veena Rao) In this short, miniaturist Ali Alamedy, an Iraqi refugee, painstakingly creates exquisitely detailed dioramas of places he’s never been in an attempt to heal his disrupted relationship to home. The Rescue List (Directors: Alyssa Fedele, Zachary Fink) In a Ghanaian safe house, a team works to rehabilitate two young men who were trafficked into slavery to fisherman on Lake Volta. As it moves from rescue operation to healing process, this riveting film follows the men through their recovery and reveals the extraordinary dedication of their rescuer. Shirkers (Director: Sandi Tan) A film lover’s dream quickly turns to nightmare: Sandi Tan recounts making her first film in Singapore in 1992 and how she loses everything when her mentor, Georges Carandos, steals the footage. This unique diary is a bright ode to cinema, and a moving story of friendship, betrayal, and failure. A Singular Garden (Um Jardim Singular) (Director: Monica Klemz) This experimental documentary blends old and new images of the garden next to the presidential palace in Rio de Janeiro and incorporates natural sound as a way to connect past and present. World Premiere Sky and Ground (Directors: Talya Tibbon, Joshua Bennett) Incorporating a refugee family’s own footage, Sky and Ground follows a Syrian-Kurdish refugee family as they flee from a holding camp at the Greece-Macedonia border and take their chances at reaching asylum by foot on a perilous one-way trip to Berlin. Tempting Promises (Le allettanti promesse) (Directors: Chiara Campara, Lorenzo Faggi) A small town tucked quietly away in the Italian Alps is chosen to host the 2016 Wikimania conference—an annual meeting of international Wikipedia contributors—and the townspeople unite to welcome the newcomers and the new technological age. North American Premiere This Is Home (Director: Alexandra Shiva) Through brilliant observational filmmaking, This Is Home tells the story of four Syrian families on the path to self-sufficiency, and success, in a resettlement program in Baltimore, Maryland. Three Identical Strangers (Director: Tim Wardle) A chance encounter leads three teenagers to discover that they are in fact triplets. Sharing this undeniable bond, they become fast friends and embark upon living their lives together, but the roots of their separation prove to be more sinister than they could have imagined. Thy Kingdom Come (Director: Eugene Richards) A priest bears witness to the personal stories of people in a mid-American town: Heartbreak, regret, faith, resignation all resonate profoundly in this succession of exquisitely photographed scenes of intimate communion. Time Trial (Director: Finlay Pretsell) Former doper and Tour de France champion David Millar is clean and ready to win the right way. This sensory ride travels alongside him for every breath, turn, and fall, through the thrills and hardships of professional cycling. The Unafraid (Directors: Anayansi Prado, Heather Courtney) The gripping and vital stories of three DACA students unfold as they work for immigrant rights, and the future of their families, after being banned from attending Georgia’s top universities or receiving in-state tuition. World Premiere

    Invited Program

    12th and Clairmount (Director: Brian Kaufman) Contemporary interviews bring to life scenes from home movies, newsreels, and photographs of one of the most violent civil disturbances in U.S. history, the 1967 Detroit riot, when police brutality against African American citizens ignited a five-day standoff. Bisbee ’17 (Director: Robert Greene) In 1917, a strike in an Arizona mining town culminated in the exile of over a thousand immigrant workers. One hundred years later, a large-scale reenactment of the shocking events serves as a catalyst for remembrance and reflection. Boom for Real: The Late Teenage Years of Jean-Michel Basquiat (Director: Sara Driver) This portrait of the pop culture icon revisits the years before he took the art world by storm.  Archival footage and intimate stories from a circle of friends, lovers, and neighbors recall both a singular talent and the New York City scene that influenced his career. Capturing the Flag (Director: Anne de Mare) During the 2016 U.S. presidential election, three friends travel to North Carolina to do voter protection work at the polls. This on-the-ground look at their efforts to help potential voters navigate the new laws and requirements that may prevent their vote reveals shocking accounts of voter suppression in play. World Premiere The Cleaners (Directors: Hans Block, Moritz Riesewieck) In the Philippines, a team of “cleaners” specialize in identifying and eliminating obscene content from the internet. Their personal accounts of the pressures and personal judgements inherent in their work give way to a broader examination of the global impact of manipulating content on social media. Dark Money (Director: Kimberly Reed) This modern-day political thriller follows investigative reporter John Adams into Montana’s fight against corrupt campaign financing, a struggle that could alter the devastating effects of unlimited anonymous funding on elections nationwide. Generation Wealth (Director: Lauren Greenfield) For 25 years, Lauren Greenfield has documented affluence around the world. In this fascinating overview of her immense body of work, the photographer reconnects with subjects of her images to consider their relationships to money, then and now, and her own fascination with the topic. Hal (Director: Amy Scott) Hal Ashby’s controversial films about race, sex, politics, and unconventional love made him a Hollywood rarity in the 1970s—a director who made films outside studio control. This loving remembrance by his peers celebrates the iconoclastic filmmaker. The Jazz Ambassadors (Director: Hugo Berkeley) During the Cold War, the U.S. government deployed some of its greatest jazz musicians around the world to promote democracy, even as many of them suffered Jim Crow racism in their own country. Rich archival material and powerful interviews delve into the deep conflict at the heart of the story. World Premiere The Judge (Director: Erika Cohn) Devoted to the law and unwilling to mince words, Kholoud Al-Faqih, the West Bank’s first female judge, navigates Palestine’s family court system, providing a rare glimpse into Islamic courts and gendered justice. Larger Than Life: The Kevyn Aucoin Story (Director: Tiffany Bartok) In the 1980s, Kevyn Aucoin redefined the role of the makeup artist. Home movies and recollections from family, friends, and an impressive roster of famous clients retrace his meteoric rise and his lasting impact. Love Means Zero (Director: Jason Kohn) Tennis coach Nick Bollettieri trained some of the sport’s greatest champions, but his volatility and harsh methods came at a price. Conversations between director and subject revisit moments of triumph and anguish, including Bollettieri’s infamous falling out with Andre Agassi. MAYNARD (Director: Sam Pollard) Interviews with family, friends, and political luminaries combine with archival footage and photographs in this captivating portrait of Maynard Jackson, Atlanta’s first black mayor, whose extraordinary influence spanned three terms in office. A Murder in Mansfield (Director: Barbara Kopple) Twelve-year old Collier Boyle’s testimony put his father in jail for the 1989 murder of his mother. Still imprisoned more than 25 years later, the father maintains his innocence, and Boyle returns to his Ohio hometown, in this sensitive examination of reconciling with the past. On Her Shoulders (Director: Alexandria Bombach) When ISIS devastates her Yazidi community, survivor Nadia Murad becomes the prevailing voice for her people. Following Murad as she recounts her harrowing experience time and again, this film intimately details the burden of imploring the world to intervene. The Price of Everything (Director: Nathaniel Kahn) Moving between auction houses, collectors, artists, and coveted works, this analysis of the art market questions how we determine value, the impact of purchasing art as a form of financial investment, and the cultural implications when pieces are only available to the highest bidder. RBG (Directors: Betsy West, Julie Cohen) This triumphant look at the life and career of Supreme Court Justice Ruth Bader Ginsburg revisits landmark cases and decisions, but also reveals the woman behind the robe and the personal experiences that continue to shape her legacy. The Rape of Recy Taylor (Director: Nancy Buirski) In 1944, Recy Taylor, a 24-year-old black woman, was abducted and raped by six white men in Alabama. The film centers on her unprecedented response—a fight for justice, with the aid of Rosa Parks and other black activists—whose profound influence on the civil rights movement still reverberates today. Rodents of Unusual Size (Directors: Quinn Costello, Chris Metzler, Jeff Springer) Kill them as invasive pests destroying coastal wetlands or keep them as part of the region’s culture? In this quirky account, citizens are divided on what to do about nutria, the giant 20-pound rodents with protruding orange teeth who have made southern Louisiana their home for decades. Solitary Land (Tierra Sola) (Director: Tiziana Panizza) This innovative meditation on Easter Island and its indigenous inhabitants uses historical and present-day footage to illustrate the legacy of colonial exploitation in one of the world’s most remote inhabited locales—a place of beauty, isolation, and tradition. North American Premiere Studio 54 (Director: Matt Tyrnauer) Rare footage transports us back in time and behind the velvet rope into the famed Manhattan disco, as a collection of insiders, including one of the co-founders, recall the rise and fall of the pioneering nightclub and iconic cultural landmark. Won’t You Be My Neighbor? (Director: Morgan Neville) Fred Rogers revolutionized children’s television. This remarkable portrait of the visionary behind Mr. Roger’s Neighborhood reveals the origins of the groundbreaking show, the ways it connected to current events, and its impact on the lives of children, and adults, across the country.

    FULL FRAME TRIBUTE Jehane Noujaim

    Control Room (Director: Jehane Noujaim) It’s 2003, and the United States is on the brink of war with Iraq. Control Room follows journalists of the Al Jazeera satellite channel—broadcasting news to some 40 million Arab viewers—as they try to cut through American rhetoric and awaken the viewers to the realities on the ground. Rafea: Solar Mama (Director: Jehane Noujaim) In this resounding global testament to the power and necessity of equal access to education, Rafea attends Barefoot College in India to become a solar engineer, learning with other women from developing areas how to create sustainable futures for their hometowns. The Square (Director: Jehane Noujaim) After the 2011 Egyptian revolution in Tahrir Square, citizens realize that former president Mubarak’s corrupt regime is still in power; they return to the streets to bring an end to the government, combatting controlled international media coverage, enduring violence, and navigating fragile relationships. Startup.com (Directors: Chris Hegedus, Jehane Noujaim) In the late 1990s, two high school friends attempt to turn the spark of an idea into a multimillion-dollar company. But when passion leads to tension, and the dot-com rush gives way to the dot-com bust, will they be able to deliver on their dream?

    THEMATIC PROGRAM Crime and Punishment

    Curated by Joe Berlinger Brother’s Keeper (Directors: Joe Berlinger, Bruce Sinofsky) A murder trial ignites the small farming community of Munnsville, New York, when Delbert Ward, an eccentric and uneducated man, confesses to suffocating his brother in the isolated home they shared with two other brothers. Was the killing an act of mercy? Was Delbert’s confession coerced? In Brother’s Keeper, a surprisingly complicated story emerges. The Farm: Angola, USA (Directors: Liz Garbus, Jonathan Stack) In The Farm, life at the Louisiana State Penitentiary in Angola, the largest maximumsecurity prison in the United States, is seen through the eyes of both its wardens and its prisoners—many of whom will die there—with disturbing parallels to plantation life. Gone: The Forgotten Women of Ohio (Director: Joe Berlinger) After numerous women go missing, leaving their families and local law-enforcement officers with more questions than answers, this stunning series investigates whether or not a serial killer is responsible. In Cold Blood (Director: Richard Brooks) Mixing elements of reality and fiction, In Cold Blood delves into the real-life murders of the Clutter family at the hands of Perry Smith and Dick Hickock in this scripted true-crime cinematic narrative based on Truman Capote’s novel. Paradise Lost: The Child Murders at Robin Hood Hills (Directors: Joe Berlinger, Bruce Sinofsky) When three young boys are brutally murdered, three teenagers are accused of committing the crime as part of a satanic ritual, and are convicted by their community before they even reach the courtroom. Paradise Lost is the first film of the groundbreaking trilogy that documented the case of the West Memphis Three. Scenes of a Crime (Directors: Grover Babcock, Blue Hadaegh) When a four-month-old boy dies, officers are convinced he was killed by his father, who after more than ten hours of questioning, confesses to the crime. Medical experts, police officers, and lawyers offer their opinions on this controversial admission of guilt, but the film’s focal point is the videotaped interrogation itself. The Thin Blue Line (Director: Errol Morris) A man is sent to prison for shooting a Dallas police officer. The documentary questions the veracity of the verdict through interviews with detectives, lawyers, and the alleged murderer, who all paint very different accounts of events, which are represented in stunning reenactments. Titicut Follies (Director: Frederick Wiseman) An intense, purely observational look at the stark conditions of inmate life in the 1960s at the Bridgewater State Hospital for the criminally insane in Massachusetts.

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  • Jason Reitman’s TULLY Starring Charlize Theron to Open 35th Miami Film Festival | Trailier

    [caption id="attachment_26870" align="aligncenter" width="1200"]TULLY, Starring Charlize Theron TULLY[/caption] Jason Reitman latest film Tully, written by Diablo Cody and starring Charlize Theron, will premiere as the Opening Night film of the 35th edition of  Miami Film Festival, on Friday, March 9th at the Olympia Theater. “Charlize Theron’s fearless performance as a struggling suburban mother on the brink of losing mental control is made possible by another brilliant collaboration by the creators of Juno and Young Adult,” said Festival director Jaie Laplante. “Tully is both a parable and a salve for our stressed-out times – it reminds us all of who we are, and there is no more beautiful way to open our 35th edition than with this film.” https://www.youtube.com/watch?v=QRtBP07gIHY The Festival will give its Precious Gem – Icon Award to the great French actress Isabelle Huppert, recent Oscar nominee for Elle and the most nominated actress in César Award history – a total of 16 nominations from France’s Academy – winning twice. She has also twice won the Best Actress award at the Cannes Film Festival, in a career that has seen her work with some of the greatest directors of contemporary times. Huppert will be honored on Friday, March 16th at the Olympia Theater. “Isabelle Huppert has made profound contributions to cinema over the course of her illustrious career,” Laplante said. “With her recent performances in Things to Come and Elle, as well as Souvenir and Claire’s Camera, both of which we will be screening in conjunction with her Festival appearance, Ms. Huppert reaches ever-new pinnacles that continually astonish us, and add to her iconic status.” The Festival will give its Precious Gem – Master Award to Spain’s greatest living filmmaker, Carlos Saura, on the occasion of a new documentary about the master’s career and family life, Félix Viscarret’s Goya-lauded Saura(s), on Sunday, March 11th at the Olympia Theater. “Carlos Saura returns to Miami after receiving the Festival’s Career Achievement Tribute Award at our 20th edition in 2003,” said Laplante. “At that time, he was 71. Now, he’s 86 and has made eight more brilliant films since his last visit to Miami – but with Saura(s), we see him in a new light, as both a filmmaker and a family-maker. He is a peerless master, and we celebrate the life that continues to nourish his art.” In all, the Festival will present 148 feature narratives, documentaries and short films of all genres, from 50 different countries, including three countries being represented in the Festival’s Official Selection for the first time– Benin, Georgia and Swaziland. The 35th edition of the Festival runs March 9th – 18th. Thirty-eight of the films are directed or co-directed by women filmmakers. The Festival will wrap up with an Awards Night Gala screening at Olympia Theater of the International premiere of Curro Velázquez’s smash hit Spanish comedy Holy Goalie (Que baje Dios y lo vea), with star Alain Hernández in attendance. All Olympia Theater screenings are part of the Festival’s CINEDWNTWN GALA series, sponsored by Miami Downtown Development Authority. A KORBEL Awards Night Party at The Historic Alfred I. Dupont Building will follow the Awards Night ceremony and screening. Academy Award winning filmmaker Michel Hazanavicius (The Artist) and revered American screenwriter and director Paul Schrader (Taxi Driver, Mishima: A Life in Four Chapters, Affliction) will attend the Festival for Marquee presentations of their newest films. The Festival’s Marquee series features screenings accompanied by on-stage conversations with major film personalities of the moment, discussing their career and sharing an exciting new work. Hazanavicius will present Godard Mon Amour, his serio-comic look at Jean-Luc Godard’s love affair with the actress Anne Wiazemsky during the shooting of his classic films La Chinoise and Weekend. Schrader will present First Reformed, a dramatic thriller starring Ethan Hawke, Amanda Seyfried and Cedric The Entertainer. They join (previously announced) Mateo Gil and Jean-Marc Barr in the Marquee section. Ten finalists were selected for the Festival’s signature $40,000 Knight Competition, open to feature films directed by filmmakers who have presented at least one feature in a previous edition of the Festival. Three of these films will also screen as CINEDWNTWN GALAS at the Olympia Theater. The finalists are: Another Story of the World (Uruguay, directed by Guillermo Casanova). April’s Daughter (Mexico, directed by Michel Franco). In Love & In Hate (Argentina, directed by Alejandro Maci). *CINEDWNTWN GALA The Laws of Thermodynamics (Spain, directed by Mateo Gil). *WORLD PREMIERE My Love or My Passion (Argentina, directed by Marcos Carnevale). *CINEDWNTWN GALA Sergio and Sergei (Cuba/Spain, directed by Ernesto Daranás). A Sort of Family (Argentina, directed by Diego Lerman). The Summit (Argentina/Spain, directed by Santiago Mitre). *CINEDWNTWN GALA Time Share (Mexico, directed by Sebastián Hofmann). The Warning (Spain, directed by Daniel Calparsoro). Eleven finalists were selected for the Festival’s inaugural $10,000 Knight Made in MIA Competition, which is open to any film – short or feature, documentary or narrative – in the Festival’s Official Selection that features a qualitatively/quantitatively substantial portion of its content (story, setting and actual filming location) in South Florida, from West Palm Beach to the Florida Keys, and that most universally demonstrates a common ground of pride, emotion, and faith for the South Florida community. The new award was inspired by the international success and 2017 Best Picture Oscar win by the Miami-set Moonlight, directed by former Miami resident Barry Jenkins and co-written by Tarell McCraney. The finalists are: “#THECONNECTEDMAN”, directed by Fabián Cárdenas. “Ayita’s Dream”, directed by Isis Masoud, Roger Ingraham. “Fight Like a Girl”, directed by Agustín Gonzalez, Nicole Wulf. Gladesmen: The Last of The Sawgrass Cowboys, directed by David Abel. Latinegras: The Journey of Self-Love Through An Afrolatina Lens, directed by Omilani Alarcón. *WORLD PREMIERE Love in Youth, directed by Quincy Perkins. *WORLD PREMIERE Make Love Great Again, directed by Aaron Agrasanchez. “Noa”, directed by Angel Barrota. *WORLD PREMIERE Operation Odessa, directed by Tiller Russell. “Roadside Attraction”, directed by Ivette Lucas, Patrick Bresnan. “Supermarket”, directed by Rhonda Mitrani. *WORLD PREMIERE Two significant Soiree nights will pair a major film event with one of Miami Film Festival’s world-famous parties. An Evening with Tim Clancy, the showrunner of HBO’s acclaimed Vice series through six seasons, will present a big-screen return look at three significant Vice episodes, followed by an in-depth, on-stage conversation about Vice’s Emmy Award-winning approach, philosophies and techniques. “HBO NIGHT” continues with a party at downtown Miami’s newest hotspot, The Wharf. Greg Berlanti’s Love, Simon will have its Festival premiere at the Regal Cinemas South Beach and continue with a Light Box Love Story soiree at Miami Light Project’s Goldman Warehouse in Wynwood. The fiercely-contested, audience-voted $10,000 Knight Documentary Achievement Award, sponsored by Knight Foundation, returns with 24 finalists, including 4 world premieres, and new films from Oscar winner Morgan Neville (20 Feet From Stardom), Oscar nominee Djimon Hounsou (Blood Diamond, In America), Goya winners Félix Viscarret and Gustavo Salmerón, Emmy winner Rene Balcer (Law & Order), Sundance 2018 prize winners Tim Wardle and Maxim Pozdorovkin, Pulitzer Prize winning journalist David Abel and the late Oscar winner Jonathan Demme, as executive producer on The Foreigner’s Home. Subjects featured in the films include Ruth Bader Ginsburg, Edwidge Danticat, Toni Morrison, Mr. Rogers, Andre Agassi, Imagine Dragons’ Dan Reynolds in the Live Nation production Believer, Cuban-America playwright María Irene Fornés and Miami’s Rene Lecour. The finalists are: 6 Weeks To Mother’s Day (USA, directed by Marvin Blunte). Above The Drowning Sea (Canada, directed by Rene Balcer, Nicola Zavaglia). Amigo Skate, Cuba (USA, directed by Vanesa Wilkey-Escobar). *WORLD PREMIERE Believer (USA, directed by Don Argott). Cuban Food Stories (USA, directed by Asori Soto). Dolphin Man (Greece/Canada/France/Japan, directed by Lefteris Charitos). Foreign Land (Israel, directed by Shlomi Eldar). The Foreigner’s Home (USA/France, directed by Rian Brown, Geoff Pingree). Gladesmen: The Last of The Sawgrass Cowboys (USA, directed by David Abel). In Search of Voodoo: Roots To Heaven (USA/Benin, directed by Djimon Hounsou). *WORLD PREMIERE Liyana (USA/Qatar/Swaziland, directed by Aaron Kopp, Amanda Kopp). Lots of Kids, A Monkey and a Castle (Spain, directed by Gustavo Salmerón). Love Means Zero (USA, directed by Jason Kohn). The Music of the Spheres (Cuba/USA, directed by Marcel Beltrán). *WORLD PREMIERE Nuyorican Basquet (Puerto Rico, directed by Julio César Torres, Ricardo Olivero Lora). The Oldies (Cuba/USA/Venezuela, directed by Rosana Matecki). Operation Odessa (USA, directed by Tiller Russell). Our New President (USA, directed by Maxim Pozdorovkin). RBG (USA, directed by Betsy West, Julie Cohen). The Rest I Make Up (USA, directed by Michelle Memran). Saura(s) (Spain, directed by Félix Viscarret). Three Identical Strangers (USA, directed by Tim Wardle). When The Beat Drops (USA, directed by Jamal Sims). *WORLD PREMIERE Won’t You Be My Neighbor? (USA, directed by Morgan Neville). HBO returns as sponsor of the Festival’s $10,000 Ibero-American Feature Film Competition, this year featuring 25 finalists, including three world premieres. Three of the films in this section star Argentine actress Dolores Fonzi, prompting Festival organizers to declare Monday, March 12th “DOLORES FONZI DAY” at Miami Film Festival. The finalists are: Al Berto (Portugal, directed by Vicente Alves do Ó). Another Story of the World (Uruguay, directed by Guillermo Casanova). April’s Daughter (Mexico, directed by Michel Franco). Ashes (Ecuador/Uruguay, directed by Juan Sebastián Jácome). *WORLD PREMIERE Bingo: The King of the Mornings (Brazil, directed by Daniel Rezende). Candelaria (Colombia/Cuba/Argentina/Germany/Norway, directed by Jhonny Hendrix-Hinestroza). Cocote (Dominican Republic, directed by Nelson Carlo de Los Santos Arias). The Eternal Feminine (Mexico, directed by Natalia Beristáin). The Future Ahead (Argentina, directed by Constanza Novick). *DOLORES FONZI DAY Film Hunting Season (Argentina/USA/Germany/France, directed by Natalia Garagiola). In Love & In Hate (Argentina, directed by Alejandro Maci). *CINEDWNTWN GALA Killing Jesus (Colombia/Argentina, directed by Laura Mora). La Familia (Venezuela/Chile/Norway, directed by Gustavo Rondón Córdova). The Last Suit (Argentina/Spain, directed by Pablo Solarz). The Laws of Thermodynamics (Spain, directed by Mateo Gil). *WORLD PREMIERE On The Seventh Day (USA, directed by Jim McKay). The River (Bolivia/Ecuador, directed by Juan Pablo Richter). *WORLD PREMIERE Sergio and Sergei (Cuba/Spain, directed by Ernesto Daranás). The Skin of the Wolf (Spain, directed by Samu Fuentes). A Sort of Family (Argentina, directed by Diego Lerman). The Summit (Argentina/Spain, directed by Santiago Mitre). *CINEDWNTWN GALA Tigre (Argentina, directed by Silvina Schnicer, Ulises Porra Guardiola). Time Share (Mexico, directed by Sebastián Hofmann). The Warning (Spain, directed by Daniel Calparsoro). Wind Traces (Mexico, directed by Jimena Montemayor Loyo). *DOLORES FONZI DAY Film The highly sought-after $10,000 Jordan Ressler Screenwriting Award, won in recent years by Oscar nominated Theeb, Venice Golden Lion winner From Afar and Chilean world premiere launch Little White Lie, has 20 diverse and intriguing first-produced screenplays in competition. All but two of the finalists also directed his or her screenplay. The finalists are: Michael Pearce for Beast (UK). Cory Bowles for Black Cop (Canada). Taylor Allen, Andrew Logan for Chappaquiddick (USA). Nelson Carlo de Los Santos Arias for Cocote (Dominican Republic). Xavier Legrand for Custody (France). Feifei Wang for From Where We’ve Fallen (China). Constanza Novick for The Future Ahead (Argentina). Sonja Maria Kröner for The Garden (Germany). Lucien Bourjeily for Heaven Without People (Lebanon). Natalia Garagiola for Hunting Season (Argentina). Christian Papierniak for Izzy Gets the F*ck Across Town (USA). Blake Jenner for Juvenile (USA). Quincy Perkins for Love in Youth (USA). *WORLD PREMIERE Molly McGlynn for Mary Goes Round (Canada). Ziyang Zhou for Old Beast (China). Juan Pablo Richter for The River (Bolivia/Ecuador). *WORLD PREMIERE Ana Urushadze for Scary Mother (Georgia). Samu Fuentes for The Skin of the Wolf (Spain). Silvina Schnicer for Tigre (Argentina). Hlynur Palmason for Winter Brothers (Denmark). Films showing out of competition include selections by Oscar-nominee Michaël R. Roskam (Bullhead), Oscar-nominee and Emmy-winner Armando Iannucci (In the Loop, HBO’s Veep), and a US premiere starring retired NFL veteran and South Florida resident, actor/producer Thomas Q. Jones (A Violent Man). The films are: Ali’s Wedding (Australia, directed by Jeffrey Walker). Darling (Denmark, directed by Birgitte Stærmose). The Death of Stalin (UK, directed by Armando Iannucci). “The Driver is Red” (USA, directed by Randall Christopher). Grace and Splendor (Panama/Dominican Republic, directed by Arturo Montenegro). The Journey (Iran/UK/France/Qatar/The Netherlands, directed by Mohamed Jabarah Al-Daradji). Kiss Me Not (Egypt, directed by Ahmed Amer). Life is a Bitch (Brazil, directed by Julia Rezende). Racer and the Jailbird (Belgium/France, directed by Michaël R. Roskam). Sollers Point (USA, directed by Matthew Porterfield). Three Peaks (Germany/Italy, directed by Jan Zabeil). Under The Tree (Iceland/Denmark/Poland/Germany, directed by Hafsteinn Gummar). A Violent Man (USA, directed by Matthew Berkowitz). Wajib (Palestine/France/Germany/Colombia/Norway/Qatar, directed by Annemarie Jacir). The Festival takes a special look at the Chinese film market this year in Cinema & China. This section features the Florida premiere of the Cannes Film Festival 2017’s Palme d’Or winner for Best Short Film, “A Gentle Night”, directed by Yang Qui, and the documentary Above the Drowning Sea, a historical look at an amazing story of European Jews being safeguarded by Shanghai and Chinese diplomats during World War II. A day-long symposium on the trends and markets will be held, in conjunction with the Festival screening of four Chinese-produced features: From Where We’ve Fallen, directed by Feifei Wang. Love Education, directed by Sylvia Chang. Old Beast, directed by Ziyang Zhou. *KEYNOTE FILM Walking Past The Future, directed by Li Ruijun. The Festival’s exceedingly popular Reel Music section returns with five outstanding selections, including a world premiere from Panama and a feature about famed flamenco star Diego “El Cigala” as he explores the world of salsa in Cuba and beyond: Guaco: Semblanza (Venezuela, directed by Alberto Arvelo). I Tita, A Life of Tango (Argentina, directed by Teresa Constantini). Indestructible: The Soul of Salsa (Spain, directed by David Pareja). Me, My Father and the Cariocas: 70 Years of Music in Brazil (Brazil, directed by Lucia Verissimo). A Night of Calypso (Panama, directed by Fernando Muñoz). *WORLD PREMIERE MIFFecito, the beloved Films for Families section, returns with four new feature films for film fans of all ages. This section includes Fishtronaut The Movie (Brazil), Home Team (Uruguay/Brazil/Argentina), Lila’s Book (Colombia/Uruguay) and Zombillenium (France/Belgium). An animated short film winner from MDC’s Miami Animation and Gaming International Complex 2017 MIA Animation Conference & Festival will also be shown in this section. South Florida’s college film students will again battle it out in Cinemaslam 2018. The nine finalists include films from Center of Cinematography, Arts & Television’s Lidia Rosa Hernandez; Miami Dade College’s Armando Stephano Rivero, Robert Requejo Ramos, Christopher Foode and Fernando Dumas; and University of Miami’s Chantal Gabriel, Jorge Martinez and Vasisth Sukul. The Festival’s parallel industry activities include a French film market sponsored by Unifrance, and a Producing in South Florida panel moderated by Kevin Sharpley. The Festival will co-present three special events during this year’s event. A “From The Vault” of Todd Haynes’ classic Velvet Goldmine will be held on Sunday, March 11th in partnership with Flaming Classics. On Friday, March 16th, in partnership with The Black Lounge Series, a screening of In The Morning with filmmaker Nefertiti Nguvu in person. In celebration of the Festival’s Tribute to Carlos Saura, one of Saura’s greatest classics, Cría cuervos, will screen on Sunday, March 18th at Miami Beach Cinematheque.

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  • SCIENCE FAIR Wins First-ever Festival Favorite Award at 2018 Sundance Film Festival | VIDEO

    [caption id="attachment_26784" align="aligncenter" width="1200"]Science Fair directed by Cristina Costantini and Darren Foster Science Fair directed by Cristina Costantini and Darren Foster[/caption] Science Fair directed by Cristina Costantini and Darren Foster is the winner of the first-ever Festival Favorite Award at the Sundance Film Festival, which ran January 18 to 28, 2018.  The Award was selected by audience votes from the 123 feature films screened at the 2018 Sundance Film Festival. Science Fair, which had its world premiere at the 2018 Festival, follows nine high school students from around the globe as they navigate rivalries, setbacks, and of course, hormones, on their journey to compete at the international science fair. As they face off against 1,700 of the smartest, quirkiest teens from 78 different countries, only one will be named Best in Fair. The film was directed by Cristina Costantini and Darren Foster, and produced by Cristina Costantini, Darren Foster, Jeffrey. John Cooper, Director, Sundance Film Festival, said “Audiences responded to the hope in this film, and how it thoughtfully depicted a rising generation of innovators. The film was so engaging and inspiring that we felt it would delight audiences and be a strong contender for this award.”
    Runners-up for the Festival Favorite, as ballots were counted, included: Believer / U.S.A. (Director: Don Argott, Producers: Heather Parry, Sheena M. Joyce, Robert Reynolds) — Imagine Dragons’ Mormon frontman Dan Reynolds is taking on a new mission to explore how the church treats its LGBTQ members. With the rising suicide rate amongst teens in the state of Utah, his concern with the church’s policies sends him on an unexpected path for acceptance and change. World Premiere Won’t You Be My Neighbor? / U.S.A. (Director: Morgan Neville, Producers: Caryn Capotosto, Nicholas Ma) — Fred Rogers used puppets and play to explore complex social issues: race, disability, equality and tragedy, helping form the American concept of childhood. He spoke directly to children and they responded enthusiastically. Yet today, his impact is unclear. Have we lived up to Fred’s ideal of good neighbors? World Premiere. SALT LAKE CITY OPENING NIGHT FILM Other strong-showing audience favorites included: Assassination Nation / U.S.A. (Director and screenwriter: Sam Levinson, Producers: David S. Goyer, Anita Gou, Kevin Turen, Aaron L. Gilbert, Matthew J. Malek) — This is a one-thousand-percent true story about how the quiet, all-American town of Salem absolutely lost its mind. Cast: Odessa Young, Suki Waterhouse, Hari Nef, Abra, Bill Skårsgard, Bella Thorne. World Premiere Hearts Beat Loud / U.S.A. (Director: Brett Haley, Screenwriters: Brett Haley, Marc Basch, Producers: Houston King, Sam Bisbee, Sam Slater) — In Red Hook, Brooklyn, a father and daughter become an unlikely songwriting duo in the last summer before she leaves for college. Cast: Nick Offerman, Kiersey Clemons, Ted Danson, Sasha Lane, Blythe Danner, Toni Collette. World Premiere. CLOSING NIGHT FILM Juliet, Naked / United Kingdom (Director: Jesse Peretz, Screenwriters: Tamara Jenkins, Jim Taylor, Phil Alden Robinson, Evgenia Peretz, Producers: Judd Apatow, Barry Mendel, Albert Berger, Ron Yerxa, Jeffrey Soros) — Annie is the long-suffering girlfriend of Duncan, an obsessive fan of obscure rocker Tucker Crowe. When the acoustic demo of Tucker’s celebrated record from 25 years ago surfaces, its release leads to an encounter with the elusive rocker himself. Based on the novel by Nick Hornby. Cast: Rose Byrne, Ethan Hawke, Chris O’Dowd. World Premiere What They Had / U.S.A. (Director and screenwriter: Elizabeth Chomko, Producers: Keith Kjarval, Bill Holderman, Albert Berger, Ron Yerxa, Alex Saks, Andrew Duncan)— Bridget returns home to Chicago at her brother’s urging to deal with her mother’s Alzheimer’s and her father’s reluctance to let go of their life together. Cast: Hilary Swank, Michael Shannon, Blythe Danner, Robert Forster. World Premiere The 2019 Sundance Film Festival will take place January 24 to February 3, 2019. Image: A film still from Science Fair directed by Cristina Costantini and Darren Foster, an official selection of the Kids program at the 2018 Sundance Film Festival. Courtesy of Sundance Institute | photo by Pete Alton. 

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  • SXSW Film Festival Announces 2018 Features Film Lineup, Opens with John Krasinski’s “A Quiet Place”

    A Quiet Place by John Krasinski
    A Quiet Place (Credit: Paramount Pictures © 2017 Paramount Pictures. All rights reserved.)

    The South by Southwest (SXSW) Conference and Festivals announced the features lineup and opening night film for the 25th edition of the Film Festival, running March 9 to 18, 2018 in Austin, Texas. During the nine days of SXSW 132 features will be shown.

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  • #PIFF41 2018 Portland International Film Festival Announces Lineup

    41st Portland International Film Festival The Portland International Film Festival (PIFF 41) has revealed the lineup for this year’s 41st edition of the Festival, which begins on Thursday, February 15th and runs through Thursday, March 1st. The Opening Night selection is the new comedy The Death of Stalin from writer/director Armando Iannucci (Veep, In the Loop). The film, adapted from the graphic novel by Fabien Nury, stars Steve Buscemi, Olga Kurylenko, Jason Isaacs, and Michael Palin. In addition to the Opening Night film, the Festival will host the Portland premiere of a handful of Oscar-nominated films, including Ildikó Enyedi’s On Body and Soul (Hungary), nominated for the Best Foreign Language Film Academy Award, Laura Checkoway’s Edith & Eddie (United States), which is in competition for the Best Documentary (Short Subject) Oscar, and Reed Van Dyk’s Dekalb Elementary (United States), nominated for the Best Short Film (Live Action) Academy Award. Also present in the lineup are multiple Best Foreign Language Film Academy Award submissions, including Tatiana Huezo’s Tempestad (Mexico), Jonas Carpignano’s A Ciambra (Italy), Deepak Rauniyar’s White Sun (Nepal), Ryôta Nakano’s Her Love Boils Bathwater (Japan), Lucrecia Martel’s Zama (Argentina), Hafsteinn Gunnar Sigurðsson’s Under the Tree (Iceland), and many others. Submissions for the Best Animated Feature Film Academy Award in the festival include Kenji Kamayama’s Napping Princess (Japan), Alberto Vázquez and Pedro Rivero’s Birdboy: The Forgotten Children (Spain), and Benjamin Renner and Patrick Imbert’s The Big Bad Fox & Other Tales (France). As in past years, the Festival features an abundance of short films. This year’s lineup boasts eight discrete short film programs, including two blocks devoted entirely to films made in Oregon, an animated shorts program, a collection exploring innovative experimental short form works, and a program of short films by Charlie Chaplin featuring live musical accompaniment by silent film composer and pianist Robert Israel. Israel has performed solo, and with orchestras, worldwide, in addition to past performances at the festival. Other highlights of PIFF 41 include screenings of Andrew Haigh’s (45 Years) Lean on Pete, Morgan Neville’s (20 Feet from Stardom) Won’t You Be My Neighbor?, Valeska Grisebach’s (Longing) Western, Portland-based director Sky Fitzgerald’s (50 Feet from Syria) 101 Seconds, the late Abbas Kiarostami’s (A Taste of Cherry) final film 24 Frames, Thomas Riedelsheimer’s (Rivers and Tides) Leaning Into the Wind: Andy Goldsworthy, Joseph Kahn’s (Detention) Bodied, Xuan Liang and Chun Zhan’s animated debut Big Fish & Begonia, Sergei Loznitsa’s (My Joy) A Gentle Creature, former Portlander Aaron Katz’ (Cold Weather) Gemini, a trio of features (Claire’s Camera, The Day After, and On the Beach At Night Alone) from South Korean director Hong Sang-Soo (The Day He Arrives), Christina Costantini and Darren Foster’s documentary debut Science Fair, Michael Matthew’s debut feature Five Fingers for Marseilles, Joshua Bonnetta and J.P. Sniadecki’s (People’s Park) El Mar La Mar, Rungaro Nyoni’s debut feature I Am Not a Witch, Ben Russell’s (A Spell to Ward Off the Darkness) Good Luck, Justin Benson and Aaron Moorhead’s (Spring) The Endless, Neïl Beloufa’s (Tonight and the People) Occidental, Samuel Maoz’ (Lebanon) Foxtrot, Warwick Thornton’s (Samson & Delilah) Sweet Country, Hélène Cattet and Bruno Forzani’s (Amer) Let the Corpses Tan, Milad Alami’s (Nordic Factory) The Charmer, Cory Finley’s feature debut Thoroughbreds, and many others.

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