Lost Bayou by Brian C Miller Richard[/caption]
The Independent Filmmaker Project (IFP) has selected 20 feature films for the IFP Filmmaker Labs, IFP’s year-long fellowship for first-time filmmakers currently in post-production on their debut feature. Combining documentary and narrative features together for the first time, the program begins today, running May 21-25 at the Made in NY Media Center by IFP located in DUMBO, Brooklyn.
The Filmmaker Labs continues its dedication to supporting underrepresented voices, with over 60% of this year’s attending Lab Fellows, and over 70% of the directors specifically, being diverse in regards to gender, ethnicity, sexual oreientation, and disability. Furthermore, this year’s Labs projects represent a range of creative visions from all over the world, with films shot around the United States, as well as Brazil, Costa Rica, Ghana, Lebanon, Mexico, Russia, South Korea, and the United Kingdom.
“In today’s independent film landscape, with modes of distribution and exhibition in seemingly constant flux, the Filmmaker Labs remain firm in their commitment to supporting the next generation of boundary-pushing filmmakers,” says Joana Vicente, IFP’s Executive Director. “By removing the boundaries between non-fiction and fiction storytelling labs, these ambitious, wildly diverse and highly international Lab projects will receive more opportunities than ever to have their voices heard.”
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20 Feature Films Selected For 2018 IFP Filmmaker Labs
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Lost Bayou by Brian C Miller Richard[/caption]
The Independent Filmmaker Project (IFP) has selected 20 feature films for the IFP Filmmaker Labs, IFP’s year-long fellowship for first-time filmmakers currently in post-production on their debut feature. Combining documentary and narrative features together for the first time, the program begins today, running May 21-25 at the Made in NY Media Center by IFP located in DUMBO, Brooklyn.
The Filmmaker Labs continues its dedication to supporting underrepresented voices, with over 60% of this year’s attending Lab Fellows, and over 70% of the directors specifically, being diverse in regards to gender, ethnicity, sexual oreientation, and disability. Furthermore, this year’s Labs projects represent a range of creative visions from all over the world, with films shot around the United States, as well as Brazil, Costa Rica, Ghana, Lebanon, Mexico, Russia, South Korea, and the United Kingdom.
“In today’s independent film landscape, with modes of distribution and exhibition in seemingly constant flux, the Filmmaker Labs remain firm in their commitment to supporting the next generation of boundary-pushing filmmakers,” says Joana Vicente, IFP’s Executive Director. “By removing the boundaries between non-fiction and fiction storytelling labs, these ambitious, wildly diverse and highly international Lab projects will receive more opportunities than ever to have their voices heard.”
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First Ever Lumbee Film Festival to Spotlight Films by American Indians
The first ever Lumbee Film Festival showcasing bold, original new films made by American Indians, especially members of the Lumbee Tribe living in North Carolina and across the United States takes place on Saturday, June 23, 2018 at the UNC Pembroke Entrepreneurship Incubator.
The Festival features a panel discussion with community organizers, filmmakers and tribe members discussing cultural extraction, cultural appropriation, and other issues faced by indigenous communities and their work within the cultural sector. The Festival also presents the “Lumbee Filmmaking Challenge” as the grand finale screening, in which every submitted film under three minutes — no jury, no rules — will be shown. The Lumbee Filmmaking Challenge encourages creativity and storytelling in many forms, from many voices – young and old, far and near – anyone with a cell phone can make a short video and send it in.
American Indian filmmakers can submit narrative, documentary or experimental films of any length or genre to the festival by June 7, 2018. Submissions can be made through the Cucalorus website . There is no entry fee – so submit a film for free!
“It is wonderful to have an opportunity for the community to come for free to see films made for and by American Indians, amplifying our voices, our challenges and our accomplishments. I think I am most excited about ‘What Lumbee Means To Me’ as we express our pride in our people, culture, place and traditions,” said Festival Director Kim Pevia.
Pevia is joined on the staff by graphic designer Chad Locklear and a programming committee including artist Ashley Minner and filmmaker Malinda Maynor Lowery.
The Lumbee Film Festival is a partnership between the Lumbee Tribe of NC, Cucalorus, and the NC Arts Council. It takes place at the UNCP Entrepreneurship Incubator at 202 Main Street- downtown Pembroke, NC on Saturday, June 23, 2018.
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PRISON LOGIC, MINDING THE GAP, WEED THE PEOPLE Among Winners of 2018 Nashville Film Festival
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Prison Logic[/caption]
The 49th Annual Nashville Film Festival concluded its 10-day festival on Friday with the highly-anticipated announcement of the 2018 Award Winners. The top feature film awards went to Prison Logic directed by Romany Malco, winning the Narrative Competition Grand Jury Prize, and Minding the Gap directed by Bing Liu taking the Documentary Competition Grand Jury Prize.
Feature Film Awards
Narrative Competition Grand Jury Prize – Romany Malco, Prison Logic Documentary Competition Grand Jury Prize – Bing Liu, Minding the Gap Belmont University New Directors Competition Grand Jury Prize – Jim Cummings, Thunder Road Animation Compeition Grand Jury Prize – Benjamin Renner & Patrick Imbert, The Big Bad FOX and Other Tales Music Films/Music City Grand Jury Prize – Scott Balcerek, Satan & AdamShort Film Awards
Live Action Short – Grand Jury Prize – Cyril Aris, The President’s Visit US Narrative Short – Julio O. Ramos, Debris International Narrative Short – Nicolas Boucart, Icarus Animated Short – Grand Jury Prize – Trevor Jiminez, Weekends Documentary Short – Grand Jury Prize – Gordon Quinn, ’63 Boycott Experimental Short – Grand Jury Prize – Douwe Dijkstra, Green Screen Gringo Student Short – Grand Jury Prize – Maria Eriksson-Hecht, Schoolyard Blues Young Filmmakers Short – Alex Alford & Zak Denley, The Hitchhiker’s Guide to SuburbiaEpisodic Awards
Short Form – The Passage Long Form – Tammy’s Tiny Tea Time – The Full SeriesVR | 360
Grand Jury Prize – I Am a Man, created by Derek Ham Honorable Mention – MicroGiants, created by Yifu ZhouGraveyard Shift Awards
Graveyard Shift Grand Jury Prize for Feature Film – Mickey Reece, Mickey Reece’s Alien Graveyard Shift Grand Jury Prize for Short Film – Bo MaGuire, Socks on Fire: Uncle John and the COPPER Headed Water Rattlers Graveyard Shift, Best Actress – Cate Jones, Mickey Reece’s Alien Graveyard Shift, Best Actor (tie) – C.J. Jones, Door in the Woods Graveyard Shift, Best Actor (tie) – Jacob Ryan Snovel, Mickey Reece’s Alien Special Jury Prize for Imagination Philosophical and Scientific Rigor and Visual Inventiveness, Graveyard Shift – The LaPlace’s DemonTennessee Awards
Tennessee First Grand Jury Prize Feature – Brett Hanover, Rukus Tennessee First Grand Jury Prize Narrative Short – Hillary Bell, Hunter Tennessee First Grand Jury Prize Documentary Short – Karen Bullis, Kathy Lee Heuston, Clarksville, 1937 Tennessee First Grand Jury Prize Student Short – Jason Luckett, PilotsSong
Best Original Song – “Talk to Me,” from Blindspotting. Written by Anthony HamiltonAudience Awards
Narrative Competition – Prison Logic Documentary Competition – Weed the People New Directors Competition – Mountain Rest Music Films/Music City Competition – If I Leave Here Tomorrow: A Film About Lynyrd Skynyrd (tie) Music Films/Music City Competition – Stay Human (tie) Special Presentations – Sammy Davis Jr.: I’ve Gotta Be Me Spectrum – Into the Okavango Graveyard Shift – The Odds Tennessee First – Other Versions of YouNon-Cash Awards
Honorable Mention, Narrative Competition – Robert Machoian, Rodrigo Ojeda-Beck, When She Runs Best Actor, Narrative Competition – Romany Malco, Prison Logic Best Actress, Narrative Competition – Elise Van’t Laar in Craving Best Screenplay – Vivien Qu, Angels Wear White Best Music – Carl Thiel, Prison Logic Special Jury Prize for Breakout Performances by a Young Actress – Meijun Zhou & Vicky Chen in Angels Wear White Honorable Mention, Documentary Competition – Laura Nix, Inventing Tomorrow Special Jury Prize for Openly and Honestly Expressing Love at a Critical Time – Ron Yassen, Crossroads Honorable Mention, New Directors Competition (tie) – Bierta Zeqiri, The Marriage Honorable Mention, New Directors Competition (tie) – Takashi Doscher, Still Honorable Mention, Music Films/Music City Competition – Stephen Kijack, If I Leave Here Tomorrow: A Film About Lynyrd Skynyrd Honorable Mention, Graveyard Shift Competition – Christopher Kirkley, Zerzura Honorable Mention, Best International Short – Estefania Cortés, Miss Wamba Honorable Mention, Best U.S. Short – Carey Williams, Emergency Honorable Mention, Best Animated Short – Florian Brauch, Kim Tailhades, Matthieu Pujol, Romain Thirion, Yohan Thireau, Hybrids Special Jury Prize, Actor in a Narrative Short – Tom Doran, Time Traveller Special Jury Prize, Actress in a Narrative Short – Shaquita Lopez, Audition Special Jury Prize for Unique and Important Storytelling – Fabien Gorgeart, The Devil is in the Details Honorable Mention, Documentary Short – Shelby Hadden, Tightly Wound Honorable Mention, Documentary Short – Maris Curran, While I Yet Live Honorable Mention, Experimental Short – Eve Duhame, Julian Vallée, Strangers Honorable Mention, Best Graveyard Shift Short – John Boisen, Björn Fävremark, Paralys Honorable Mention Colleg Student Short – Alireza Ghasemi, Lunch Time Honorable Mention, Best Tennessee Narrative Short – Chad Cunningham, The Order Special Jury Prize for Best Tennessee Animated Short – John McAmis, QWERTY Special Jury Prize for Cinematography – Luca Caruso-Moro, Every Grain of Rice Special Jury Prize for Music Films/Music City – Bathtubs Over BroadwaySponsored Awards
VER Prize for Cinematography – Ashley Connor, Mountain Rest Lipscomb University Prize of the Ecumenical Jury – Nicolo Donato, Across the Waters
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Rooftop Films Kicked off 2018 Summer Series with an Evening of Short Films at Green-Wood Cemetery [Photos]
After the rain caused the opening night to move to Sunday May 20, Rooftop Films opened up its Summer Series last night with the first ever outdoor film screening in Green-Wood Cemetery. Rooftop Films always kicks off the Summer Series with a program of short films, and this program included wild and adventurous works from all over the world, including three recipients of Rooftop Films Filmmakers Fund grants: Mauricio Arango’s To The Dead, Marc Johnson’s Ultraviolet, and Niki Lindroth Von Bahr’s award winning animated masterpiece, The Burden. Despite being pushed back a day due to weather, the event was a huge success, with more than 650 guests in attendance.
The screening took place along Sylvan Water, located in the scenic and historic Green-Wood Cemetery. The evening also included live music from L’Rain, gorgeous projection mapping on Green-Wood Chapel designed by Brendan Bercik, and an after-party featuring a DJ set from DJ Tara, courtesy of Lay’s Poppables, as well as drinks from Corona Extra, Ketel One Family Made Vodka, and Fever-Tree.
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Photos (Courtesy of Emily Hawkes) | Rooftop Films
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President Barack Obama and Michelle Obama to Produce Documentaries , Docu-series for Netflix
President Barack Obama and Michelle Obama have entered into a multi-year agreement to produce films and series with Netflix.
The Obamas will produce a diverse mix of content, including the potential for scripted series, unscripted series, docu-series, documentaries and features. These projects will be available to the 125 million member Netflix households in 190 countries.
The Obamas have established Higher Ground Productions as the entity under which they will produce content for Netflix.
“One of the simple joys of our time in public service was getting to meet so many fascinating people from all walks of life, and to help them share their experiences with a wider audience,” said President Obama. “That’s why Michelle and I are so excited to partner with Netflix – we hope to cultivate and curate the talented, inspiring, creative voices who are able to promote greater empathy and understanding between peoples, and help them share their stories with the entire world.”
“Barack and I have always believed in the power of storytelling to inspire us, to make us think differently about the world around us, and to help us open our minds and hearts to others,” said Mrs. Obama. “Netflix’s unparalleled service is a natural fit for the kinds of stories we want to share, and we look forward to starting this exciting new partnership.”
“Barack and Michelle Obama are among the world’s most respected and highly-recognized public figures and are uniquely positioned to discover and highlight stories of people who make a difference in their communities and strive to change the world for the better,” said Netflix Chief Content Officer Ted Sarandos. “We are incredibly proud they have chosen to make Netflix the home for their formidable storytelling abilities.”
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Netflix Acquires Cannes Film Festival Award Winners ‘Happy As Lazzaro’ and ‘Girl’
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Happy as Lazzaro[/caption]
Netflix has acquired Cannes Film Festival 2018 award winners “Happy As Lazzaro” and “Girl.” “Happy as Lazzaro” premiered in competition and was awarded Best Screenplay for Alice Rohrwacher, and the Camera d’Or for best first film was awarded to Lukas Dhont for “Girl.” “Girl” premiered in Un Certain Regard at the Cannes Film Festival where it was awarded Best Actor for Victor Polster
“HAPPY AS LAZZARO”
Alice Rohrwacher was awarded Best Screenplay for Happy as Lazzaro (it was a tie with Nader Saeivar for 3 Faces) Synopsis: This is the tale of a meeting between Lazzaro, a young peasant so good that he is often mistaken for simple-minded, and Tancredi, a young nobleman cursed by his imagination. Life in their isolated pastoral village Inviolata is dominated by the terrible Marchesa Alfonsina de Luna, the queen of cigarettes. A loyal bond is sealed when Tancredi asks Lazzaro to help him orchestrate his own kidnapping. This strange and improbable alliance is a revelation for Lazzaro. A friendship so precious that it will travel in time and transport Lazzaro in search of Tancredi. His first time in the big city, Lazzaro is like a fragment of the past lost in the modern world. Writer & Director: Alice Rohrwacher Cast: Adriano Tardiolo, Luca Chikovani, Alba Rohrwacher, Agnese Graziani, Tommaso Ragno, Sergi Lopez, Natalino Balasso, Gala Othero Winter, David Bennent, Nicoletta Braschi. Producer: Carlo Cresto-Dina Co-producers: Tiziana Soudani, Alexandra Henochsberg, Grégory Gajos, Arthur Hallereau, Pierre-François Piet, Michel Merkt, Michael Weber, Viola Fügen About Alice Rohrwacher Alice Rohrwacher directed Le Meraviglie (The Wonders), winner of the Grand Jury Prize at the 2014 Cannes Film Festival. Born in 1981 in Fiesole, she studied in Turin and Lisbon. She has worked in music and documentary projects. She has also worked as an editor and composer for theatre. Her first feature Corpo Celeste made its world premiere in the Directors’ Fortnight (Cannes 2011). [caption id="attachment_29317" align="aligncenter" width="1200"]
Girl by Lukas Dhont[/caption]
“GIRL”
The Camera d’Or, for best first film, was awarded to Girl Vincent Polster won the Best Actor Prize for Un Certain Regard for his performance in Girl Lukas Dhont’s Un Certain Regard entry Girl was awarded this year’s Queer Palm award. (The Queer Palm launched in 2010 and selects its winner from all LGBTQ-themed films across the official selection of the Cannes film festival, Un Certain Regard, Directors’ Fortnight, Critics’ Week and the unofficial ACID section.) Synopsis: Determined 15-year-old Lara is committed to becoming a professional ballerina. With the support of her father, she throws herself into this quest for the absolute at a new school. Lara’s adolescent frustrations and impatience are heightened as she realizes her body does not bend so easily to the strict discipline because she was born a boy. Director: Lukas Dhont Cast: Victor Polster, Arieh Worthalter, Oliver Bodart, Tijmen Govaerts, Katelijne Damen, Valentijn Dhaenens, Magali Elali, Alice de Broqueville Screenwriters: Lukas Dhont, Angelo Tijssens Producer: Dirk Impens Production companies: Menuet, Frakas Productions, Topkapi Films International Sales: The Match Factory About Lukas Dhont Lukas Dhont was born in Ghent, Belgium. He graduated with a diploma in audiovisual arts from the KASK School Of Arts in Ghent. His short films, Corps Perdu and L’Infini, received numerous prizes. L’Infini was the Belgian entry for the Academy Awards in 2015. Throughout his studies, he focused on fiction but also explored the possibilities of documentary. In 2016, Lukas Dhont participated in the Cannes Cinéfondation residency with the script for his first feature film, Girl. This film combines themes the filmmaker has already explored, like dance, transformation and identity. Lukas Dhont collaborates regularly with choreographer and dancer Jan Martens with whom he co-signed a performance titled “The Common People.”
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5 Indie Films Win $100,000 in Funding from SFFILM and Westridge Foundation
Five filmmaking teams will receive a total of $100,000 in funding in the inaugural round of SFFILM Westridge Grants to help support the screenwriting and project development stages of their narrative feature films. SFFILM Westridge Grants, which are awarded twice annually, are designed for US-based filmmakers whose stories take place primarily in the United States and focus on the significant social issues and questions of our time. The next application period is now open.
SFFILM Westridge Grants provide film projects support in their critical early stages, safeguarding filmmakers’ creative processes and allowing artists to concentrate on thoughtfully developing their stories while building the right strategy and infrastructure to guide them through financing and production. In addition to cash grants, recipients will benefit from SFFILM’s comprehensive and dynamic artist development program, SFFILM Makers, as well as support and counsel from SFFILM and Westridge Foundation staff and the 2018 FilmHouse Mentor Advisory Board. All grantees will spend one week in the Bay Area attending a retreat geared towards honing their craft, strengthening their scripts, and making connections to other filmmakers and industry professionals.
The panelists who reviewed the finalists’ submissions were Noah Cowan, SFFILM Executive Director; Lauren Kushner, SFFILM Senior Manager of Artist Development; Nicole Perlman, screenwriter (Guardians of the Galaxy, Captain Marvel) and 2018 FilmHouse screenwriting mentor; Shelby Rachleff, Westridge Foundation Program Manager; and Caroline von Kühn, SFFILM Director of Artist Development.
“The Westridge Foundation is an incredible new ally in empowering US-based filmmakers grounded in Bay Area values,” said Caroline von Kühn, SFFILM Director of Artist Development. “This grant supports artists grappling with important topics in our country’s culture. This group of inaugural winners, through their valuable perspectives and historically underrepresented voices, will shape how we engage in conversations about these topics, collectively and with one another.”
“We are proud to provide resources to these filmmakers in the crucial early stages of telling their unique, important stories,” said Shelby Rachleff, Westridge Foundation Program Manager. “Westridge is thrilled to partner with SFFILM both in supporting these five outstanding projects, and in helping to amplify the powerful and nuanced voices of the filmmakers who are bringing them to life.”
SPRING 2018 SFFILM WESTRIDGE GRANT WINNERS
Back Seat Lana Wilson, writer/director; Shrihari Sathe, producer – screenwriting – $20,000 An immigrant woman leaves her young son alone in the back seat of a car, setting off a firestorm of controversy in the liberal community where she lives. As the town’s latent xenophobia bubbles to the surface, and the woman’s parenting abilities are scrutinized in increasingly disturbing ways, she fights to prove that she’s a worthy mother — to the town, to her children, and to herself. Mandeville Russell Nichols, writer – screenwriting – $20,000 A traumatized Black boy, whose brother was killed by a cop, volunteers for an experiment that tests his powers of prediction to prevent future murders. Miss Juneteenth Channing Godfrey Peoples, writer/director; Neil Creque Williams, producer – development – $20,000 Turquoise, a former beauty pageant queen turned hardworking single mother, enrolls her rebellious daughter, Kai, in the “Miss Juneteenth” pageant to compete for the grand prize — a college scholarship. Determined to keep Kai from making her same mistakes in life, Turquoise saves her tips from working at a juke joint to buy her daughter the grandest pageant dress of all. However, Kai is more interested in her school’s dance team and chasing her high school crush. Stay Awake Jaime Sisley, writer/director; Kelly Thomas and David Ariniello, producers – development – $20,000 For years, teen brothers Ethan and Derek Reynolds have tried to help their mother, Michelle, overcome her prescription drug addiction with little success. When Michelle goes missing after another binge, Ethan and Derek begin to question whether they should continue trying to find and help Michelle, or move on with their lives at the expanse of saving her. Taliesin Maya Perez, writer – screenwriting – $20,000 Based on actual events, Taliesin tells the story of a young Black couple hired to work at the infamous Taliesin home of architect Frank Lloyd Wright. The remote location becomes a pressure cooker, and tensions around race and gender boil over with tragic consequences — the most horrific mass murder in Wisconsin history.
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Sundance Institute Awards Over Half a Million Dollars to Groundbreaking Documentary Projects
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Central Airport THF[/caption]
The Sundance Institute will award $585,000 in targeted grants to twenty-three projects from independent nonfiction storytellers. 57% of the supported projects are helmed by women, and 48% are from outside the U.S.; 34% of grantees are first-time feature filmmakers.
“These artists are hard at work on projects that capture the world as it is, as well as imagining it as it could be,” said Hajnal Molnar-Szakacs, the recently-appointed Director of the Sundance Institute’s Documentary Film Fund. “The stories here deeply reflect my team’s collaborative vision for this fund and we are thrilled to highlight voices with richly diverse sensibilities and perspectives. In our current cultural and political moment, independent storytelling is vital: to help make meaning and present a layered, complex interpretation of truth.”
Sundance Institute has a long history and firm commitment to championing the most distinctive nonfiction films from around the world. Recently-supported films include Hale County This Morning This Evening; I Am Not Your Negro; Last Men in Aleppo; An Insignificant Man; Casting JonBenet; Strong Island; Hooligan Sparrow; Newtown and Weiner.
Sundance Institute 2018 Documentary Fund grantees
DEVELOPMENT
Body Parts (United States) Director: Kristy Guevara-Flanagan Producer: Helen Hood Scheer Body Parts (working title) is a documentary feature exploring the nude female body in Hollywood media—hyper-sexualized, under attack, exploited on- and off- screen. From a wide range of perspectives, the film examines how actresses protect their bodies, how studios push back, and how unions have fought for better standards. The film also looks at how the female and queer gaze are redefining desire and sexuality. From the first body doubles in the 1920s to the digital enhancements of the internet age, the film asks: when scenes are about sex, to whom are they sexy? By what standards? How do race, age and body type factor in? The Hunt (United States) Directors: Michael Dweck and Gregory Kershaw Producers: Michael Dweck and Gregory Kershaw The Hunt is an immersive, cinematic documentary that will explore the mysterious and magical world of Italian truffle hunters and their quest for the world’s rarest and most valuable ingredient. The film will follow an ensemble of spirited old truffle hunters and their prized dogs who lead them through secret Piedmont forests during the yearly “gold rush” when the elusive white Alba truffle is in season. The narrative will capture their struggle to hold onto a centuries-old tradition in the face of globalization, climate change, and their own mortality in a place where mystery and magic still flourish. Mars (Switzerland, France) Director: Dea Gjinovci Producers: Britta Rindelaub, Jasmin Basic and Sophie Faudel Ibadeta and Djeneta Demiri have been in a coma for several years, victims of the “syndrome of resignation”. Traumatized, their bodies mysteriously stopped working. In central Sweden, the whole family is still trying to rebuild a normal life, far from their native Kosovo. But so far, their asylum applications have been refused one after the other. Furkan, 10, is the youngest in the family. He tries to escape this situation by building his own rocket to fulfill his dream: to go live on Mars to save his sisters. The Mole Agent (Chile) Director: Maite Alberdi Producer: Marcela Santibañez Romulo is a private investigator who has been hired to do a study of a retirement home where residents are thought to be victims of abuse. To this end, he trains an 83-year-old man, to live as The Mole Agent inside the home. Once the mole has infiltrated the facility, he struggles to assume his role as he gradually becomes more familiar with the residents and the routine at the home in pursuit of the truth. Untitled Religious Activism Documentary (United States) Director: Penny Lane Producer: Gabriel Sedgwick A wildly entertaining and surprising look at the intersection of faith and activism, that follows one of the most controversial religious movements in modern American history. Third River Film (United States) Director and Producer: Robb Moss The third of a trilogy, the film explores the lives of five friends over forty years, from being young to becoming old–a film about time, friendship, and the mysteries of aging.PRODUCTION
Enemies of the State (United States) Director: Sonia Kennebeck Producer: Ines Hofmann Kanna An average American family becomes entangled in a bizarre web of espionage and corporate secrets when their hacker son is targeted by the U.S. government, making them all Enemies of the State. Mississippi Red (United States) Director: Kelly Duane de la Vega Producer: Jessica Anthony In Mississippi, women have fewer rights or protections than in any other part of the country. Mississippi Red looks at the status of women in the deep South through the lens of race, religion and the political establishment with a constellation of close-to-the-bone stories that revolve around the fight to pass an equal pay law through a resistant male dominated state legislature. Untitled Safe Schools Project (United States) Director: Todd Chandler Producer: Danielle Varga Untitled Safe Schools Project explores the landscape of 21st century school safety in the United States, illuminating the complex ways in which we as a nation struggle to understand and prevent violence, and endeavor to create safer schools. Scheme Birds (United Kingdom, Sweden) Directors: Ellen Fiske, Ellinor Hallin Producers: Ruth Reid, Mario Adamson Scheme Birds is the story of Gemma, a teenage troublemaker, growing up in a world of violence and pigeons. From childhood to motherhood, her life unfolds on screen as childish games turn towards serious crime. The Silhouettes (Iran, Philippines) Director: Afsaneh Salari Producers: Jewel Maranan, Afsaneh Salari At the height of the USSR’s invasion of Afghanistan in 1982, 1.5 million Afghans took a long journey to the border of Iran to flee war. Taghi, born after that generation and unwilling to inherit the limitations of his parents’ refugee status, navigates outside the protective walls of his family to trace his identity and the doors to his future in the homeland he never knew. As war continues to rage in Afghanistan, what future awaits him in which land? TransFormed (United States) Director: Lisa Leeman Producers: Lisa Leeman, Thomas G. Miller What are the costs of living an authentic life? Twenty-six years after intimately chronicling artist Gabi P.’s gender transition in the groundbreaking film Metamorphosis (Sundance’s Filmmakers Trophy; POV), Lisa Leeman reconnects with Gabi. Now age 65, one year sober, and a devout Christian, Gabi stands at a new and unexpected crossroads. Probing universal themes of aging, faith, and identity, TransFormed is a story of struggle and resiliency- against the backdrop of society’s persistent transphobia. When Claude Got Shot (working title) (United States) Director and Producer: Brad Lichtenstein Three strangers are tragically united and changed forever by a weekend of gun violence in When Claude Got Shot, an intimate and unflinching personal documentary that investigates the problem of gun violence in America’s black communities. Made possible with support from The Kendeda Fund Untitled (United States, Kenya) Director: Daphne Matziaraki Producers: Toni Kamau, Maya Craig This feature documentary explores land use in Africa. It examines the ubiquitously 21st Century question of who controls natural resources, and at what cost?POST PRODUCTION
Caballerango (Mexico, United States) Director: Juan Pablo González Producers: Jamie Gonçalves, Makena Buchanan, Ilana Coleman A family reflects on a young man’s disappearance in a Mexican village under the watchful eyes of the horse who saw him last. Central Airport THF (Germany, France) Director: Karim Aïnouz Producer: Felix von Boehm Co-Producers: Charlotte Uzu, Joana Mariani, Diane Maia Berlin’s historic defunct Tempelhof Airport remains a place of arrivals and departures. Today its massive hangars are used as one of Germany’s largest emergency shelters for asylum seekers, like 18-year-old Syrian student Ibrahim and Iraqi physiotherapist Qutaiba. As they adjust to a transitory daily life of social services interviews, German lessons and medical exams, they try to cope with homesickness and the anxiety of whether or not they will gain residency or be deported. The Gospel of Eureka (United States) Directors: Michael Palmieri and Donal Mosher Producer: Charlotte Cook Love, faith and civil rights collide in a southern town as evangelical Christians and drag queens step into the spotlight to dismantle stereotypes. Gospel drag shows and passion plays set the stage for one hell of a show. Narrated by Mx Justin Vivian Bond. In Real Life (United States) Director: Liza Mandelup Producers: Bert Hamelinck, Lauren Cioffi This intimate contemplation on modern youth follows 16-year-old Austyn Tester as he flirts with the world of social media fame. Driven by a wide-eyed desire for stardom, Austyn cultivates a singularly positive online persona that’s at odds with growing up in small town Tennessee. After trading in a high school education for management and devoted fangirl followers, Austyn confronts his own motivation and questions whether he’s cut out for the business of virtual connection. Kids (Australia) Director: Maya Newell Producers: Sophie Hyde, Rachel Nanninaaq Edwardson, Larissa Behrendt, Maya Newell Like many Indigenous kids before him, 10-year-old Dujuan is fighting an enemy he cannot see, which makes him strike out at everything. When he cannot run, nor fight alone, he realises that not only has he inherited the trauma and dispossession of his land, but also the resilience and resistance of many generations of his people which holds the key to his future. Made with and alongside those represented, this feature doc by Australian filmmaker Maya Newell (Gayby Baby) is the second in her series about child perspectives. Midnight Family (United States, Mexico) Director: Luke Lorentzen Producers: Kellen Quinn, Daniela Alatorre, Elena Fortes, Luke Lorentzen In Mexico City’s wealthiest neighborhoods, the Ochoa family runs a private ambulance, competing with other for-profit EMTs for patients in need of urgent help. As they try to make a living in this cutthroat industry, they struggle to keep their financial needs from compromising the people in their care. Midnight Traveler (United States, Afghanistan) Director: Hassan Fazili Producer: Emelie Mahdavian Midnight Traveler follows a family of Afghan filmmakers on the run from the Taliban. Told from refugee-Director Hassan Fazili’s unique first-person perspective, their story provides unprecedented access to the complex refugee encounter with the West. The Seer and the Unseen (United States) Director: Sara Dosa Producer: Shane Boris The Seer and the Unseen is an unexpected environmental film about invisible elves, the free market and the surprising power of belief told through the story of an Icelandic woman’s quest to save a threatened landscape and the beloved home her family has lived in for generations. Unfolding through vérité magical realism, the film explores the unseen forces that shape our visible worlds and transform our natural landscapes – and, the profound meaning of home.
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Cannes Film Festival 2018 Awards – SHOPLIFTER Wins Palme d’or, Spike Lee’s BLACKKKLANSMAN Wins Grand Prix
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BlacKkKlansman[/caption]
The 71st Cannes Film Festival came to a close today, with the announcement of the 2018 winners, decided by the Feature Film Jury presided over by Cate Blanchett. Shoplifters (Manbiki Kazoku directed by Kore-Eda Hirokazu was awarded the Palme d’or and BlacKkKlansman by Spike Lee won the Grand Prix.
FEATURE FILMS
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MANBIKI KAZOKU(Shoplifters) by KORE-EDA Hirokazu[/caption]
PALME D’OR
MANBIKI KAZOKU (Shoplifters) by KORE-EDA Hirokazu After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, barely making enough money to survive through petty crime, they seem to live happily together until an unforeseen incident reveals hidden secrets, testing the bonds that unite them…GRAND PRIX
BLACKKKLANSMAN (BlacKkKlansman) by Spike LEE Ron Stallworth, an African-American police officer from Colorado, successfully managed to infiltrate the local Ku Klux Klan and almost became the head of the local chapter.JURY PRIZE
CAPHARNAÜM (Capernaum) by Nadine LABAKI INT. COURTROOM ZAIN, a 12-year-old boy, faces THE JUDGE. THE JUDGE: Why are you suing your own parents? ZAIN: For giving me life.BEST PERFORMANCE BY AN ACTOR
Marcello FONTE in DOGMAN by Matteo GARRONEBEST DIRECTOR
ZIMNA WOJNA (Cold War) by Pawel PAWLIKOWSKIBEST SCREENPLAY (tie)
Alice ROHRWACHER for LAZZARO FELICE (Happy as Lazzaro) Jafar PANAHI for SE ROKH (3 Faces)BEST PERFORMANCE BY AN ACTRESS
Samal YESLYAMOVA in AYKA by Sergey DVORTSEVOYSPECIAL PALME D’OR
LE LIVRE D’IMAGE (The Image book) by Jean-Luc GODARDSHORT FILMS
PALME D’OR
ALL THESE CREATURES by Charles WILLIAMSMENTION DISTINCTION BY THE JURY
YAN BIAN SHAO NIAN (On the order) by WEI ShujunCAMÉRA D’OR
GIRL by Lukas DHONT presented at UN CERTAIN REGARD The CST Jury decided to award the VULCAIN PRIZE FOR ARTIST-TECHNICIAN to: SHIN Joom-Hee artistic director, of BURNING for his exceptional contribution to the portrayal of his characters.
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Cannes Film Festival 2018: ‘BORDER’ ‘SOFIA’ ‘GIRL’ ‘DONBASS’ Win Un Certain Regard Prizes
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GRÄNS (BORDER) by Ali Abbasi[/caption]
Un Certain Regard 2018 at Cannes Film Festival presented 18 films in competition. 6 of them were first films. The Opening film was DONBASS by Sergei Loznitsa which went on to win the prize for Best Director.
Under the presidency of Benicio Del Toro (Puerto Rican-American actor), the Jury was comprised of Annemarie Jacir (Palestinian director and writer), Kantemir Balagov (Russian director), Virginie Ledoyen (French actress) and Julie Huntsinger (American executive director, Telluride Film Festival).
“We feel that out of 2000 films considered by the Festival, the 18 we saw in UN CERTAIN REGARD – from Argentina to China – were all in their own way winners. Over the past 10 days, we were extremely impressed by the high quality of the work presented, but in the end we were the most moved by the following 5 films.
“UN CERTAIN REGARD” PRIZE
GRÄNS (BORDER) by Ali Abbasi Customs officer Tina is known for her extraordinary sense of smell. It’s almost as if she can sniff out the guilt on anyone hiding something. But when Vore, a suspicious-looking man, walks past her, her abilities are challenged for the first time ever. Tina can sense Vore is hiding something she can’t identify. Even worse, she feels a strange attraction to him. As Tina develops a special bond with Vore and discovers his true identity, she also realizes the truth about herself. Tina, like Vore, does not belong to this world. Her entire existence has been one big lie and now she has to choose: keep living the lie or embrace Vore’s terrifying revelations.PRIZE FOR BEST SCREENPLAY
SOFIA by Meryem Benm’Barek Sofia, 20, lives with her parents in Casablanca. Suffering from pregnancy denial, she finds herself breaking the law by giving birth to a baby out of wedlock. The hospital gives her 24 hours to provide the father’s papers before informing the authorities…PRIZE FOR BEST PERFORMANCE
Victor Polster for GIRL by Lukas Dhont Determined 15-year-old Lara is committed to becoming a professional ballerina. With the support of her father, she throws herself into this quest for the absolute at a new school. Lara’s adolescent frustrations and impatience are heightened as she realizes her body does not bend so easily to the strict discipline because she was born a boy.PRIZE FOR BEST DIRECTOR
Sergei Loznitsa for DONBASS In the Donbass, a region of Eastern Ukraine, a hybrid war takes place, involving an open armed conflict alongside killings and robberies on a mass scale perpetrated by separatist gangs. In the Donbass, war is called peace, propaganda is uttered as truth and hatred is declared to be love. A journey through the Donbass unfolds as a chain of curious adventures, where the grotesque and drama are as intertwined as life and death. This is not a tale of one region, one country or one political system. It is about a world, lost in post-truth and fake identities. It is about each and every one of us.JURY SPECIAL PRIZE
CHUVA É CANTORIA NA ALDEIA DOS MORTOS (The Dead and The Others) by João SALAVIZA and Renée NADER MESSORA There are no spirits or snakes tonight and the forest around the village is quiet. Fifteen year old Ihjãc has nightmares since he has lost his father. He is an indigenous Krahô from the north of Brazil. Ihjãc walks into darkness, his sweaty body moves with fright. A distant chant comes through the palm trees. His father’s voice calls him to the waterfall: it´s time to organize the funerary feast so the spirit can depart to the dead´s village. The mourning must cease. Denying his duty and in order to escape a crucial process of becoming a shaman, Ihjãc runs away to the city. Far from his people and culture, he faces the reality of being an indigenous in contemporary Brazil.
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‘SEARCHING’ ‘MINDING THE GAP’ ‘IN THE LIFE OF MUSIC’ Win Audience Awards at 34th Los Angeles Asian Pacific Film Festival
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John Cho stars in the LAAPFF Audience Award Winning film SEARCHING – directed by Aneesh Chaganty. Photo Courtesy of Screen Gems[/caption]
The 34th Los Angeles Asian Pacific Film Festival (LAAPFF) came to a close this past weekend and announced their audience awards for best films at this year’s film extravaganza that began on May 3 and ended on May 12, 2018.
The thriller, mystery film “SEARCHING” – directed by first time feature filmmaker Aneesh Chaganty – won the LAAPFF Audience Award for Outstanding North American Narrative Feature Film. The film, starring John Cho and Debra Messing, was a double award winner at the 2018 Sundance Film Festival, as well. Audiences at LAAPFF were impressed by the cast, the screenplay, and the direction of the film that centered on a father’s search for his missing teenage daughter and has to turn to the Internet to try and find her. Audiences were abuzz about the film throughout the eight-day festival. “SEARCHING” will open nationally in August in theaters through Screen Gems.
The personal documentary “MINDING THE GAP” – directed by Bing Liu – won the LAAPFF Audience Award for Outstanding North American Documentary Feature. Audiences were moved by the filmmaker’s intimate story of three friends who come of age in their twenties and have to face growing up and possibly giving up their skateboarding days. The film also won the LAAPFF Special Jury Prize for Best Director and was an award winner at the 2018 Sundance Film Festival, as well.
In the International Narrative Feature category, the LAAPFF Audience Award went to “IN THE LIFE OF MUSIC” – directed by Caylee So and Visal Sok – for telling a powerful inter-generational tale that explores love, war, and a family’s relationship to the song Champa Battambang, made famous by Sinn Sisamouth, the King of Cambodian music. The film depicts the lives of people whose world is inevitably transformed by the emergence of the Khmer Rouge. The film also won the LAAPFF Special Jury Prize for Best Director in the International Narrative Feature category.
In the International Documentary Feature category, the audience gave the award to “LATE LIFE: THE CHIEN-MING WANG STORY” – directed by Frank W. Chen. This moving film chronicles the life of Taiwanese pro-baseball player Chien-Ming Wang, who was once so dominating on the mound that he was named New York Yankees’ starting pitcher for the inaugural game at New Yankee Stadium in 2009. But after a terrible ankle injury, Wang’s pitches lost their effectiveness, and he soon fell off major league rosters. LATE LIFE follows Wang through his grueling workout routines and unglamorous minor league pit stops as he mounts his remarkable comeback. He is helped along the way by his loyal agent, trainers, Yankees fans, and his family, creating a de-facto support network that keeps him going.
2018 LAAPFF AUDIENCE AWARD WINNERS
NORTH AMERICAN NARRATIVE FEATURE
SEARCHING Directed by Aneesh ChagantyNORTH AMERICAN DOCUMENTARY FEATURE
MINDING THE GAP Directed by Bing LiuINTERNATIONAL NARRATIVE FEATURE
IN THE LIFE OF MUSIC Directed by Caylee So and Visal SokINTERNATIONAL DOCUMENTARY FEATURE
LATE LIFE: THE CHIEN-MING WANG STORY Directed by Frank W. Chen
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2018 Brooklyn Film Festival to Open with Mix of NY Times’ Short Documentaries + Animated Films
The Brooklyn Film Festival (BFF) will kick off the 2018 festival with a selection of short documentaries from The New York Times’ Times Documentaries co-presented with a mix of BFF’s animated and experimental films for the opening night program of the festival’s 21st edition: THRESHOLD. The event will take place on Friday, June 1st at Wythe Hotel in Williamsburg. The screening will be followed by a Q&A with the BFF and the Times Documentaries filmmakers, and will be moderated by Brooklyn Film Festival Executive Director Marco Ursino.
“This will be an evening truly experimental in nature,” said Brooklyn Film Festival Executive Director Marco Ursino. “The catch is that we are inviting, and at times, forcing the audience in and out of reality. And at times it is a painful reality. The emotional rollercoaster this strategy will trigger is both fun and harsh, but certainly unforgettable. Our goal is to offer in one single evening as many nuances our mind can conceive and to provoke a meaningful conversation between the filmmakers and the audience. 2018 must become the time of healthy, intense and real communication among people of different backgrounds and cultures. We all need that and look forward to it.”
“It’s a cool and somewhat unexpected mix of subjects and film styles, which speaks to the breadth of video journalism at the Times and what it means to favor story over format,” said said Mona El-Naggar, Senior Producer of enterprise video at the Times and one of the filmmakers whose work is showing on opening night. “It’s always a privilege to be able to engage directly with your audience, to be in the same room and have a conversation. There’s a quality to that experience, which is often lost in the scattered space of online consumption.”
The opening night film program comes on the heels of BFF announcing its film lineup last week. Like an aircraft entering the threshold on runway “21,” BFF takes off on Friday, June 1st at returning venue: Wythe Hotel in Williamsburg. Over the course of the 10-day festival, BFF proudly presents film programs at Wythe Hotel, nearby returning venue Windmill Studios in Greenpoint, and five more screening venues throughout Brooklyn.
This year’s festival is comprised of approximately 125 features and shorts from 30 countries spread over all continents, except Antarctica. The lineup includes 19 world premieres, 21 USA bows, 37 east coast debuts and 30 first-time screenings in NYC. The festival will present in total 36 short narrative films, 16 short documentary films, 25 animated films and 20 experimental films.
OPENING NIGHT FILM PROGRAM:
“Unexpected Discoveries” Dir. James Mabery USA, 2 min., Animation A young fellow finds himself stumbling upon an ordinary flashlight that allows him to explore other places. “Lieutenant of the Alt-Right” By Emma Cott and Andrew Michael Ellis USA, 21 min., Times Documentaries Elliott Klein, a.k.a. Eli Mosley, is a rising white supremacist leader who depicts himself as an American patriot and Iraq war veteran. But our investigation found that his personal narrative — like much of the alt-right’s messaging — is built on deception. “Johnno’s Dead” Dir. Shepherd Chris France, 8 min, Experimental Despite having time to reflect upon his twelve years behind bars, he can’t shake off the ghosts of the past. “Weird” Dir. Fausto Montanari Italy, 2 min., Animation A short animated film about diversity, “Weird” is a shout out to a girl who is usually judged to be weird and different. “The Story of Esraa” By Mona El-Naggar, Mark Meatto and Yousur Al-Hlou USA 21 min., Times Documentaries Esraa is looking to rent an apartment with her friends. In Egypt, where personal freedom can be routinely compromised in the name of religion, family and country, that makes her a rebel. Like many in her generation, she is gasping for change. Can she win? “Contact (Vosta)” Dir. Alessandro Novelli\ Spain, 8 min., Animation Between reality and fantasy, a woman’s inner journey awakens her consciousness. “Deportation Deadline” By Brent McDonald, John Woo and Jonah M. Kessel USA, 12 min., Times Documentaries His daughter graduates. He faces deportation. “My Yiddish Papi” Dir: Éléonore Goldberg Canada, 7 min., Animation A young woman misses her grandfather’s last phone call. After his death, she remembers a promise not kept. “How an Alleged Sonic Attack Shaped US Policy on Cuba” By Jonah M. Kessel, Melissa Chan and John Woo USA, 14 min., Times Documentaries In 2016, diplomats at the U.S. embassy in Havana were mysteriously stricken. Was it an attack? There is no official explanation for it, yet it has played a big role in America’s current political disengagement with Cuba. “Genesis” Dir. Abtin Mozafari, Iran, 10 min, Experimental A fantasy short film with a critical point of view about the horrible situation in Syria.
