Following its successful release in its native Philippines, GOYO: The Boy General (Goyo: Ang Batang Heneral), a film written and directed by Jerrold Tarog will open theatrically in New York on September 21, with Los Angeles and other key US cities to follow.
GOYO: The Boy General is a historical biopic that focuses on the last months in the life of Gregorio del Pilar (Paulo Avelino), one of the youngest generals of the Philippine Revolution (against Spain) and the Philippine-American War. He was the most trusted ally of Emilio Aguinaldo, the Philippine President and Commander-in-Chief during the Revolution and War. GOYO is the next installment, following the surprise 2015 blockbuster hit HENERAL LUNA, a film that chronicled Revolutionary General Antonio Luna’s life (and which also had a US theatrical release in October 2015).
After five months of relative peace, the U.S. Army begins its final push to crush the Philippine army and capture Aguinaldo. Goyo faces the biggest challenge of his life as he oversees the large caravan of officers, soldiers and civilians making their perilous escape through the mountains of the Northern regions.
The hovering presence of death and failure throughout the journey ultimately calls into question Goyo’s accomplishments and public popularity. The boy general is forced to grow up and ask the only question that matters during times of war: What does it really mean to be a hero?
https://www.youtube.com/watch?v=sYK_6W_seNg
Director’s Statement – Jarrold Tarog:
For many, Gregorio del Pilar was a true hero of the revolution, but for some, he was nothing more than an arrogant henchman of Revolutionary President Emilio Aguinaldo. Yet his willingness to give up his life reveals a level of determination and perhaps humility that cannot be easily dismissed. For someone so young and popular to face death head on, Goyo, as del Pilar is known to his friends, deserves to be examined using both a wider and a more intimate lens.
As the second part in the envisioned historical trilogy that began with HENERAL LUNA (2015), GOYO: ANG BATANG HENERAL continues an attempt to examine our faults as a people by using the past as a reflection of the present. With multiple points of view and the same characteristic freedom to move between historical fact and fiction as in HENERAL LUNA, GOYO expounds on themes of maturity and responsibility, contrasts the naivete of youth with sobriety of adulthood, and attempts to ask questions about our readiness for a task of nation building. How does one attain honor when facing certain death? What should a man like Goyo hold close to his heart when forced to make the ultimate sacrifice?-
Filipino Film GOYO: THE BOY GENERAL Sets US Release Date [Trailer]
Following its successful release in its native Philippines, GOYO: The Boy General (Goyo: Ang Batang Heneral), a film written and directed by Jerrold Tarog will open theatrically in New York on September 21, with Los Angeles and other key US cities to follow.
GOYO: The Boy General is a historical biopic that focuses on the last months in the life of Gregorio del Pilar (Paulo Avelino), one of the youngest generals of the Philippine Revolution (against Spain) and the Philippine-American War. He was the most trusted ally of Emilio Aguinaldo, the Philippine President and Commander-in-Chief during the Revolution and War. GOYO is the next installment, following the surprise 2015 blockbuster hit HENERAL LUNA, a film that chronicled Revolutionary General Antonio Luna’s life (and which also had a US theatrical release in October 2015).
After five months of relative peace, the U.S. Army begins its final push to crush the Philippine army and capture Aguinaldo. Goyo faces the biggest challenge of his life as he oversees the large caravan of officers, soldiers and civilians making their perilous escape through the mountains of the Northern regions.
The hovering presence of death and failure throughout the journey ultimately calls into question Goyo’s accomplishments and public popularity. The boy general is forced to grow up and ask the only question that matters during times of war: What does it really mean to be a hero?
https://www.youtube.com/watch?v=sYK_6W_seNg
Director’s Statement – Jarrold Tarog:
For many, Gregorio del Pilar was a true hero of the revolution, but for some, he was nothing more than an arrogant henchman of Revolutionary President Emilio Aguinaldo. Yet his willingness to give up his life reveals a level of determination and perhaps humility that cannot be easily dismissed. For someone so young and popular to face death head on, Goyo, as del Pilar is known to his friends, deserves to be examined using both a wider and a more intimate lens.
As the second part in the envisioned historical trilogy that began with HENERAL LUNA (2015), GOYO: ANG BATANG HENERAL continues an attempt to examine our faults as a people by using the past as a reflection of the present. With multiple points of view and the same characteristic freedom to move between historical fact and fiction as in HENERAL LUNA, GOYO expounds on themes of maturity and responsibility, contrasts the naivete of youth with sobriety of adulthood, and attempts to ask questions about our readiness for a task of nation building. How does one attain honor when facing certain death? What should a man like Goyo hold close to his heart when forced to make the ultimate sacrifice?
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World Premiere of BAD TIMES AT THE EL ROYALE to Close San Sebastian International Film Festival [Trailer]
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Bad Times at the El Royale[/caption]
The world premiere of Bad Times at the El Royale, directed by Drew Goddard and starring Jeff Bridges, Chris Hemsworth, Jon Hamm and Dakota Johnson, will close the Official Selection of the San Sebastian International Film Festival’s 66th edition, out of competition. This is Drew Goddard’s second film, following his first feature, The Cabin in the Woods (2012).
Goddard, who penned the scripts for Cloverfield (2008), War World Z (2013) and The Martian (2015) and has produced TV series including Lost or Alias, boasts a cast headed by Donostia Award winner Jeff Bridges, Chris Hemsworth (Thor, The Avengers), Dakota Johnson (Fifty Shades of Grey, Suspiria) and Jon Hamm (Mad Men, The Town).
In the film, seven strangers, each with a secret to bury, meet at Lake Tahoe’s El Royale, a rundown hotel with a dark past. Over the course of one fateful night, everyone will have a last shot at redemption… before everything goes to hell.
The soundtrack of the film, which brings seven strangers together in a rundown hotel on Lake Tahoe, is composed by Michael Giacchino (Jurassic World, Coco, Up) and its director of photography is Seamus McGarvey (Godzilla, Nocturnal Animals, Darkest Hour).
https://www.youtube.com/watch?v=SQmOaJciI7Q
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Mill Valley Film Festival Announces Full Lineup, Opens with U.S. Premieres of A PRIVATE WAR and GREEN BOOK
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Green Book[/caption]
The Mill Valley Film Festival (MVFF) will showcase a diverse lineup of 204 films with 45% of all film directed by women, for the 41st edition of the festival, from October 4 to 14, 2018. The Festival will open with a double header – the U.S. Premiere of A Private War, starring Rosamund Pike, and Green Book starring Mahershala Ali.
Opening Night – U.S. Premieres of A PRIVATE WAR and GREEN BOOK
Opening night kicks off Thursday, October 4 with the U.S. Premiere of Aviron Pictures’ A Private War, starring Rosamund Pike as Marie Colvin, one of the most celebrated war correspondents of our era, and Universal Pictures’ Green Book, a sharply observed drama, inspired by real-life events, featuring Mahershala Ali as a classically trained Black jazz piano prodigy Dr. Don Shirley on a 1962 concert tour of the American South. Director Matthew Heineman and Rosamund Pike will be in attendance for A Private War and Oscar® winner Mahershala Ali and director Peter Farrelly for Green Book. Centerpiece Presentation – ROMA MVFFs 2018 Centerpiece presentation, ROMA, is the most personal project to date from Academy Award®-winning director and writer Alfonso Cuarón (Children of Men, Gravity). ROMA follows Cleo (Yalitza Aparicio), a young domestic worker for a family in the middle-class neighborhood of Roma in Mexico City. Delivering an artful love letter to the women who raised him, Cuarón draws on his own childhood to create a vivid and emotional portrait of domestic strife and social hierarchy amidst political turmoil of the 1970s. Attending will be director/writer Alfonso Cuarón.Closing Night – IF BEALE STREET COULD TALK
MVFF41 will close with the Bay Area premiere of IF BEALE STREET COULD TALK, Barry Jenkins’ much anticipated follow up to his Oscar winning MOONLIGHT (MVFF39). Jenkins will be present for the screening. The film, based on James Baldwin’s novel of the same name, was adapted by Jenkins’, and follows a pregnant African-American who sets out to clear her fiance’s name after he is falsely imprisoned. The Closing Night Party following the film will be held at Elks Lodge in San Rafael.Spotlights
MVFF41 will bestow a number of Spotlights throughout the Festival including: honoring rising star Amandla Stenberg for her work in The Hate U Give; Joel Edgerton for his work directing and co-starring in Boy Erased; Karyn Kusama for her directorial effort Destroyer; esteemed actor Richard E. Grant for his performance in Can You Ever Forgive Me?; acclaimed actress Maggie Gyllenhaal for The Kindergarten Teacher; and acknowledge Paul Dano and Carey Mulligan for their creative collaboration on Wildlife.Tribute – Pawel Pawlikowski
Academy Award winning Polish director Pawel Pawlikowski (Ida) will receive a special Tribute from the Festival to celebrate his latest film Cold War, a star-crossed romance set during 1950s Cold War in Poland. Pawlikowski will be present for the awards presentation and an onstage conversation following the film.Special Presentation – BEAUTIFUL BOY
The Festival will present a Special Presentation screening of Beautiful Boy with Academy Award nominated actor Timothée Chalamet (Call Me By Your Name), Academy Award Nominated actress Amy Ryan (Gone Baby Gone), and Academy Award nominated Belgian director Felix van Groeningen (The Broken Circle Breakdown).Behind the Screens – Panels | Master Classes | Workshops
The Festival will present another strong slate of Panels, Master Classes, and Workshops to supplement the outstanding film programming and to continue the discussion for Festival attendees. They include: back for a second year, the Mind The Gap Summit will again feature an extraordinary lineup of thought leaders and creatives in film and tech for a full day intensive to help work and share ideas as the Festival advocates gender equity in film; the annual State of the Industry panel will feature leaders of the independent film world to talk about the current pulse of the independent film community; the From Scene to Screen For Teens workshop, facilitated by Tom Franco and Iris Torres, will allow teenage participants the chance to workshop scenes from Gerrard Conley’s memoir Boy Erased; the Crowdfunding to Build Independence workshop teaches filmmakers the essentials for engaging their audience at every stage of their project; Tom Schlesinger will facilitate the workshop The Heroine’s Journey Onscreen Dramedy, a dive into utilizing the Heroine’s Journey for storytelling; the Medical Marijuana panel, following a screening of Weed the People will focus on the medical uses of marijuana and the many benefits to utilizing cannabis to treat a host of ailments; 420: Welcome The Waldos will illuminate the story behind the origins of the term 420; and finally, Graphic Novel Writing for Teens, is a hands-on workshop following the screening of the film Virus Tropical, and will introduce students to the work of several cartoonists and guide them through the process.MVFF Music
MVFF Music returns for a fourth year with a diverse series of concerts at the Sweetwater Music Hall. Nine nights of live music include performances by artists featured in MVFF films, as well as local, national, and international musicians. Musicians include: Freddy Jones Band, Jarvis Cocker introducing Jarv is…, Holly Near with Tammy Hall and Jan Martinelli, Michael Franti, Black Zeppelin, the Oakland Interfaith Gospel Choir, Half Pint, and Honus Honus.¡VIVA EL CINE!
MVFF’s ¡Viva El Cine! Initiative showcases prize-winning Spanish Language and Latin American films that seek to engage and embrace our Spanish speaking and loving audiences. Highlights in this section include: Alfonso Cuarón’s Roma from Mexico, Birds of Passage from Columbia, El Ángel from Argentina, Richard Levien’s Collisions featuring Mexican American characters, Ernesto from Cuba, Too Late to Die Young from Chile, and The Silence of Others from Spain.Active Cinema
Once again the MVFF’s Active Cinema initiative will showcase film’s power to inspire people to take action to create positive change. Screenings throughout the Festival support the grassroots activism of the filmmakers and engage with the work of the special guests, co-presenters and partners. Highlights include: Charm City in association with Ritter Center; From Baghdad to the Bay in association with the international Rescue Committee, Horizons Foundation, LGBT Asylum Project and Human Rights Watch; Harvest Season in association with La Luz Center; Stay Human in association with Do It For The Love; Time For Ilhan in association with Marin County Young Democrats; Who Killed Lt. Van Dorn? In association with Investigative Reporting Program at the Graduate School of Journalism, UC Berkeley and the Center for Investigative Reporting; Wild DaZe in association with Wildlife Works; and the Active Cinema Hike, a free networking in nature event.Mind The Gap Award – Stacy L. Smith
Mind The Gap, MVFF’s gender equity initiative, amplifies and champions work by women filmmakers, who are changing the narrative that shapes the culture. The Festival is committed to programming 50/50 by 2020 – 50% women directors across all Festival sections by 2020. As part of Mind The Gap this year, the Festival will give Stacy L. Smith the Mind the Gap Award for Visionary Leadership. Smith is a visionary leader in the movement towards gender equity in the film industry. She is an associate professor at USC Annenberg and Founder and Director of the USC Annenberg Inclusion Initiative, the leading think tank globally studying issues of inequality in entertainment. Smith will receive the Mind the Gap Award during the Mind the Gap Summit on Saturday, October 6 where she will also present some of her most recent work.Focus | Black Is
MVFF’s Focus Black Is will showcase emotionally and socially resonant films that explore what it means to be Black in the contemporary world. Films in this Focus include: the co-opening night film Green Book; The Hate U Give; the Closing Night film If Beale Street Could Talk; Little Woods; Long Time Coming: A 1955 Baseball Story; and Obey.Focus | Teens & 20’s
The Festival’s Focus Teens & 20’s, is a focus on young adult films about that defining – and sometimes challenging – post-adolescent/pre-adult time of life. Films in this Focus include: the short program 5@5 The Way It Is; Angst; the Special Presentation Beautiful Boy; Ben is Back; The Hate U Give; Rafiki; The Silent Revolution; Too Late to Die Young; and Virus Tropical.Focus | Queer-ish
Diverse stories of queer representation found in a wide, genre-twisting array of films will be showcased in the Festival’s Focus Queer-ish. Films in this Focus include: Alifu The Prince/ss; El Ángel; Border; Joel Edgerton’s Spotlight presentation film Boy Erased; Richard E. Grant’s Spotlight presentation film Can You Ever Forgive Me?; The Favorite; From Baghdad to the Bay; Holly Near: Singing For Our Lives; The Parting Glass; and Rafiki.Focus | Animation Nation
An assemblage of gorgeous, entertaining, and occasionally kooky animation fiction and non-fiction films from around the globe highlight the Focus Animation Nation. Films in this Focus include: the short program 5@5 Circle Game; The Big Bad Fox and Other Tales; Chris The Swiss; Coco; Seder-Masochism; A Ton O’Toons; Virus Tropical; and Zootopia.
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2018 Whistler Film Festival Confirms First 6 Films + Award Honorees
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Hugh Hefner’s After Dark: Speaking Out in America[/caption]
With just 12 weeks to go until its 18th edition, the Whistler Film Festival (WFF) confirmed the first films plus the BC talent that will be honored at Almost WFF, its’ annual benefit in Vancouver. From November 28th to December 2nd, the Whistler Film Festival will welcome both fans and filmmakers to experience fresh films, special guests, epic events, unique industry and talent programs.
Top lining this year’s Canadian titles are selections from past WFF Alumni, three of which are eligible for WFF’s coveted Borsos Competition for Best Canadian Feature which offers a $15,000 cash prize presented by the Directors Guild of Canada, British Columbia.
First six films that will be playing at the 2018 Whistler Film Festival (WFF):
AN AUDIENCE OF CHAIRS (2018, Canada, Western Canadian Premiere) – directed by Deanne Foley (RELATIVE HAPPINESS screened WFF14) A concert pianist on a rural retreat has to deal with mental health issues and how it may affect the custody of her two children. A deeply moving story of artistic talent, motherly love and psychological imbalance all leading up to an emotionally shattering resolution. FALLS AROUND HER (2018, Canada, Western Canadian Premiere) – Directed by Darlene Naponse and starring WFF Alumnus Tantoo Cardinal, who gives the performance of her career as a First Nations singer who decides to return to the reservation to rekindle her creative batteries and extricate herself from an abusive relationship. A beautiful depiction of how the land and community can help heal the soul. FUCK YOU ALL – THE UWE BOLL STORY (2018, Canada, World Premiere) – Directed by Sean Patrick Shaul, this no-holds barred, warts and all documentary features one of BC’s most controversial filmmakers Uwe Boll (TUNNEL RATS screened at WFF in 2008). Considered by some to be the world’s worst directors, the feisty but now retired film entrepreneur, who once publicly boxed a number of film critics who did not like his movies, is still refusing to take guff from any of his detractors. HUGH HEFNER’S AFTER DARK: SPEAKING OUT IN AMERICA (2018, USA, Canadian Premiere) – Academy Award winning Brigitte Berman’s follow-up to 2009’s HUGH HEFNER: PLAYBOY, ACTIVIST, AND REBEL (WFF, 2009) focuses on the treasure trove of archival footage derived from Playboy’s two groundbreaking late night syndicated TV series (Playboy’s Penthouse and Playboy After Dark) and features unforgettable performances by Sammy Davis Jr., Sarah Vaughan, Nina Simone, Lenny Bruce and Smokey Robinson among many others. A time capsule through the racial and political times of the progressive 60s. MAN RUNNING (2018, Canada, BC Premiere) – Director Gary Burns, who is arguably one of Western Canada’s most important filmmakers ever since his breakout film WAYDOWNTOWN (WFF 2001), new film is set during a running marathon in the Kananaskis region. A doctor in questionable health questions his life and the decisions he made in the area of assisted suicide. An existential trek through the beautiful Rockies. THE GREAT DARKENED DAYS (2018, Canada, Western Canadian Premiere) – From director Maxime Giroux, winner of WFF’s Borsos Competition for Best Canadian Feature for FELIX ET MEIRA (WFF 2014), comes a completely new and exciting road movie about a Chaplinesque vagabond who walks and hitchhikes across a sometimes bleak rural American landscape, while learning that it is not safe for him to return home to Quebec.WFF will shine the spotlight on five honorees at the event:
Industry Impact Award: UBCP/ACTRA WFF’s Industry Impact Award recognizes an organization whose contributions have led to the success of their members, their partners and the British Columbia Film and TV industry as a whole, and whose support in the community continues to put the province on the map. UBCP/ACTRA has been a partner of WFF since 2005 and has supported our Stars to Watch talent program, an immersion experience for four UBCP/ACTRA member actors poised for international recognition with features premiering at the festival, since 2015. WFF will honour UBCP/ACTRA for its ongoing support of the industry in BC and the WFF Stars to Watch program, which collectively have been vital to their ongoing success. BC Woman on Top Award: Marie Clements WFF’s BC Woman on Top Award highlights a woman who has created her own niche in the film and media landscape while supporting and encouraging creators in the BC Industry. Marie Clements (WFF 2011) has ignited her brand of artistry within a variety of mediums including film, TV radio, new media and live performance. Marie wrote and directed THE ROAD FORWARD, a feature music-doc that premiered at Hot Docs and opened the 2017 DOXA Documentary Film Festival. The film received five Leo Awards including Best Production, Best, Director, and Best Screenwriter. THE ROAD FORWARD has screened at over 100 venues in North America, also receiving a Best Director Award at the North American Indian Festival in San Francisco, as well as a Writer’s Guild Nomination for Best Documentary Screenplay in 2018. Her documentary LOOKING AT EDWARD CURTIS premiered at DOXA and The Yorkton Film Festival this spring and will broadcast on Knowledge Network this Summer. She is currently in post production for her feature drama, RED SNOW, a WIDC feature film award winner due to release in 2019. A multi-award-winner for her previous work, Marie Clements’ films have screened at Cannes, TIFF, MOMA, VIFF, Whistler Film Festival, American Indian Film Festival and imagineNATIVE Film Festival. MCM is an independent media production company owned and operated by Clements specializing in the development, creation and production of innovative works of media that explore an Indigenous and intercultural reality. BC Creates Award: Amber Ripley WFF’s BC Creates Award celebrates independent producers in the BC Film and TV industry who continue to nurture, create and or produce in the province. Amber Ripley was a finalist for the MPPIA Short Film Award at WFF in 2011 with her short film Mermaid in a Jar. She recently produced the comedy-horror DEAD SHACK, the debut feature from Peter Ricq, one-half of the Juno-nominated band Humans (WFF 2014), who also composed the score for the film. Ricq penned the script along with Philippe Ivanusic and Davila LeBlanc, the co-creators of the award-winning animated TV series “The League of Super Evil.”. Currently, Amber is producing I’M NOT A BAD PERSON, the sophomore effort of the team behind the award-winning film VIOLENT, and Bruce McDonald’s DREAMLAND, a noir thriller that is an international co-production shooting in Luxembourg and Belgium. WFF Talent to Watch: Lawrence Le Lam WFF’s Talent to Watch Award recognizes a BC filmmaker or actor on a trajectory for success. Lawrence Le Lam is an award-winning filmmaker from Richmond, who loves exploring underground worlds. His short film, The Blue Jet, about a rebellious radio DJ broadcasting banned rock & roll in 1970s Taiwan premiered at Festival Du Nouveau Cinéma 2015, and has screened at festivals all around the world. It has won many awards including Best Student Production (Whistler Film Festival / Leo Awards 2016), and Best in Canada at the Toronto Shorts International Film Festival. His last short, Cypher, explores the conflict between the Korean and Black communities in LA during the 90s through the underground hip hop scene. Lawrence was a part of the TIFF Talent Lab program in 2017. He has also directed and co-wrote a feature documentary about the social enterprise movement, NOT BUSINESS AS USUAL which premiered at the Chicago Social Change Film Festival, and continues to spread online and in classrooms for free, accumulating more than 100,000 views. Lawrence is currently working as a co-director and editor on Ying Wang’s conspiracy thriller feature docudrama, THE BOY WITH A GUITAR. His next project, and first narrative feature, currently titled HONGCOUVER will explore the world of real estate, wealth migration, and ultra rich Chinese kids with luxury cars. Industry Toast: Angie Nolan Angie Nolan has been involved with the Whistler Film Festival since its inception and has worked in WFF’s Industry Programming since 2004. She most recently acted as Director of Industry Programming, overseeing all of WFF’s industry, project development and talent programs associated with the Whistler Film Festival and Summit. Angie recently moved on from WFF to work on her own creative projects. To recognize her commitment to WFF and passion for our industry and talent programs that she helped to create and nurture over the years, WFF will honor her with our Industry Toast Award.
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World Premiere of NOMIS Starring Henry Cavill to Close 2018 LA Film Festival
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Nomis[/caption]
This yea’r 2018 LA Film Festival will come to a close with the World Premiere of David Raymond’s Nomis starring Henry Cavill, Sir Ben Kingsley, Nathan Fillion, Minka Kelly, Alexandra Daddario and Stanley Tucci. Additionally there will be a Gala Screening of Maryam Keshavarz’s Viper Club, starring Susan Sarandon, Matt Bomer, Lola Kirke, Julian Morris, Sheila Vand, Adepero Oduye, Amir Malaklou and Edie Falco; Global Media Makers Fellow Nejib Belkadhi’s Look At Me to screen; two additional series added including Tenacious D’s Post-Apocalypto and Terence Nance’s Random Acts of Flyness; and Retrospective screenings of Gregory Nava’s El Norte and Ang Lee’s The Wedding Banquet.
“As a festival that has always championed new voices it is only fitting to be closing this year with the work of a first time writer director,” said Jennifer Cochis, LA Film Festival Director. “In Nomis David Raymond created a thrilling film made all the more terrifying by the performances from his incredible cast.”
Closing Night Film
Nomis, dir. David Raymond, USA, World Premiere When police trap online predator Simon Stulls, they soon realize that the extent of his crimes go far beyond that of his own psychological trauma. Nothing quite makes sense that is until people involved in the case, on both sides of the law, start getting murdered…Additional Gala
Viper Club, dir. Maryam Keshavarz, USA, US Premiere ER nurse Helen Sterling (Susan Sarandon) struggles to free her grown son, a journalist captured by terrorists in the Middle East. After hitting walls with the FBI and state agencies, she discovers a clandestine community of journalists, advocates, and philanthropists who might be able to help.Global Media Makers Special Screening
Global Media Makers is an innovative mentoring initiative and cultural exchange program that connects international filmmakers with leading U.S. entertainment professionals. The program is sponsored by the U.S. Department of State’s Bureau of Educational and Cultural Affairs and produced in partnership with Film Independent. Look At Me, Nejib Belkadhi, Tunisia, U.S. Premiere Lotfi, a Tunisian immigrant in Marseille, returns to his country to take care of his autistic son after the boy’s mother suffers a stroke. When institutionalizing his son proves difficult, he discovers unexpected ways to connect with his estranged son, thus understanding true fatherhood and coming to terms with his masculinity.Additional Series
Post-Apocalypto, dir. Tenacious D, USA, World Premiere Post-Apocalypto is an original, six-part animated video series from the minds of Tenacious D. Each frame of every episode was hand-drawn by Jack Black himself, with every character voiced by Black and Kyle Gass. The series begins rolling out on September 28, 2018, via Tenacious D’s YouTube page, with a new episode every Friday after that. Random Acts of Flyness, USA, LA Premiere Random Acts of Flyness is a HBO late-night series from artist Terence Nance (An Oversimplification of Her Beauty) that explores cultural idioms such as patriarchy, white supremacy and sensuality from a new, thought-provoking perspective. #01 “What are your thoughts on raising free black children?” – Written by Terence Nance & Jamund Washington; Directed by Terence Nance, Frances Bodomo, Shaka King #02 “two piece and a biscuit” – Written by Terence Nance & Jamund Washington & Frances Bodomo & Naima Ramos-Chapman & Nelson Nance & Shaka King; Directed by Terence Nance, Frances Bodomo, Darius Clark Monroe, Naima Ramos-Chapman, Jamund WashingtonRetrospectives
Rediscover classic, cult and beloved films on the big screen, often celebrating anniversaries or restored versions. El Norte, dir. Gregory Nava, Mexico/USA, 35th Anniversary Academy Restoration The Oscar-nominated classic film about the plight of the undocumented. Siblings, Rosa and Enrique flee persecution in Guatemala and journey to the promised land of “El Norte” only to encounter more injustice. The Wedding Banquet, dir. Ang Lee, Taiwan/USA, 25th Anniversary 35mm Presentation A Chinese yuppie hopes a marriage will prevent his parents from discovering he is gay, but his plan hilariously backfires when they insist on coming to New York for the wedding.Panel
The Future of Producing, hosted by Rebecca Green, joined by panelists Steven J. Berger (Lorena), Mel Jones (Dear White People), Lacey Leavitt (Sadie) and Avril Z. Speaks (Jinn).Additional Podcast
Welcome to the Clambake – USA (CREATORS/HOSTS Lindsay Stidham and Angela Gulner) – From Campfire Media, two hilarious women explore what it means to be a feminist in the current cultural climate.Seattle Story Award
Prior to the Closing Night Film, independent Seattle filmmaker Claire Buss will debut her new short film, “I’m Sorry Happy Birthday,” which playfully showcases everyday life in Seattle’s neighborhoods through whimsical vignettes that border on the fantastical – complete with a little bit of Pacific Northwest quirkiness. Buss’ short film, playing out of competition, was funded by the Seattle Story Award grant from Visit Seattle. This is the second film grant awarded by Visit Seattle as part of a larger partnership with Film Independent, after debuting the Seattle Story Award at the 2018 Film Independent Spirit Awards. The Seattle Story Award is given to a filmmaker who exhibits innovation, diversity and uniqueness of vision while having a history of transforming perspectives through rich stories. The recipient uses this grant to create a short film inspired by Seattle’s deep textures and independent spirit. Following the LA Film Festival’s Closing Night, “I’m Sorry Happy Birthday” will be available for viewing on VISITSEATTLE.tv.
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Watch Captivating MAKING COCO: THE GRANT FUHR STORY Trailer on Controversial NHL Goalie
The new trailer is here for Making Coco : The Grant Fuhr Story, Don Metz’s captivating cinematic chronicle on one of the most celebrated, yet enigmatic goalies in the history of the NHL. The feature has been announced as the closing Gala film at the Calgary International Film Festival.
Featured contributors in the documentary include Wayne Gretzky, Mark Messier, Martin Brodeur, Brett Hull, Chris Pronger and many more of the NHL’s royalty.
Fuhr, along with a number of his teammates, will provide a never-before-seen exclusive look into the high-flying Oilers dynasty of the 80’s, what made them so successful, and the infamous challenges that they faced. All-time rivals will speak to what it was like playing against the greatest goalie on the greatest team in the NHL’s 100-year history. Those closest to Grant will take the audience on a journey behind the mask to understand who the mixed-race superstar truly is.
Barely 19, Grant ‘Coco’ Fuhr became starting goalie for the most exciting team in NHL history. In his mid-30’s, he played 76 consecutive and 79 total games in an 82-game season to set two league records, then followed that ironman performance by playing 73 the following season on a completely rebuilt knee. During the decade and a half between, he employed his acrobatic style and cat-like reflexes to backstop five Stanley Cup champions and two Canada Cup winners, cementing a reputation as the ultimate “money goalie”. He also got himself demoted to the minors for calling the hometown fans jerks, announced his retirement at the age of 26 in an attempt to force a famously hard-nosed general manager to renegotiate a long-term contract, and was suspended for an entire NHL season for conduct deemed “dishonourable and against the welfare of the league” for substance use, only to return and redeem himself as one of the game’s true greats.
“I think he’s the best goaltender in the history of the NHL.” – Wayne Gretzky
Upstream Flix is partnering again with Award winning producer Adam Scorgie (Ice Guardians, The Culture High, Inmate #1: The Rise of Danny Trejo) in conjunction with Oilers Entertainment Group VP Don Metz and Co-Producer Shane Fennessey for Making Coco: The Grant Fuhr Story. Upstream Flix plan to release the film in late 2018.
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Boots Riley to Deliver Keynote Address at Indie Memphis Film Festival’s Black Creators Forum
Boots Riley still riding high off the success of Sorry To Bother You, will attend the Indie Memphis Film Festival to deliver the keynote address at the Black Creators Forum (November 1st – 5th), discussing his interdisciplinary background as a musician, labor organizer, and filmmaker. Riley will talk about how filmmakers can use backgrounds in other arts to make films in radical new ways. He will also present a classic film of his choice during the film festival.
Another special event is a live film presentation by Zia Anger entitled My First Film. Anger will offer live-commentary on previously unseen work, by way of a split screen and text edit, as she attempts to recount the stories behind her lost and abandoned work — including her first feature — and her struggles in an industry that’s often hostile to women filmmakers beyond the short film stage of their careers. This combination screening/performance/artist’s talk includes innovative new formats, including short videos airdropped directly to audience members.
Senior Programmer Miriam Bale said, “I have attended dozens or maybe hundreds of talks about the lack of women feature film directors, an issue I care deeply about. But after awhile, they all sound the same. Zia Anger has figured out a new way to discuss these issues, in an incredibly moving, personal, and creative way. I’ve never seen anything like it!”
After developing My First Film at the Spectacle Theater in Brooklyn, Indie Memphis will be the festival debut of this traveling live cinema event.
The Black Creators Forum at the Indie Memphis Film Festival will conclude with a free public celebration, the Black Filmmakers Pitch Rally (with crowdfunding partner Seed&Spark) on Friday, November 2nd at Memphis’ Playhouse on the Square, featuring a jury-selected $10,000 “bounty prize” provided by Epicenter Memphis for projects to garner support for production in Memphis. Production must begin in Memphis before August 1, 2019 to claim the bounty cash or forfeit it to next year’s prize. Sponsors and donors are encouraged to match the inaugural prize offer leading up to the rally.
Half of the pitching filmmakers have been selected from the finalists of the Indie Memphis Black Filmmaker Residency for Screenwriting program. The remaining six slots are available for feature films, both narrative and documentary, proposing to shoot in Memphis. Applications to pitch are open through September 16th.
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New Orleans Film Festival Announces 28 Finalists of Inaugural Screenplay Competition
The New Orleans Film Festival selected the 28 finalists of its inaugural Screenplay Competition, from over 700 submissions, in Feature, Short, Episodic and Louisiana Screenplay categories. All finalists will be provided with an All-Access Pass to the 29th New Orleans Film Festival running October 17 to 25, 2018. Finalists will take advantage of the screenings, panels, roundtables, and numerous opportunities to connect with other writers, filmmakers, and industry professionals. Winners in each category will be announced at a special reception during the festival. The winner of Feature Screenplays category will receive a cash prize of $1000; Short and Episodic Screenplay category winners will receive a cash prize of $500. For Louisiana residents: the Louisiana Film & Entertainment Association (LFEA) is sponsoring a $1000 prize for the best screenplay from a Louisiana-based writer and a runner-up prize of $500.
29th New Orleans Film Festival – Screenplay Competition Finalists
Feature Screenplay Finalists
All See None by Zev Aaron – Traumatized by the discovery of two dead inmates, an architect tries to sabotage the construction of a prison he’s designed. When the prison corporation that hired him finds out, he and his young daughter must run for their lives. Zev Aaron Bio – Zev Aaron was born in 1990 in New York and presently lives there. He received a B.A. in History from the University of Pennsylvania and an M.A. in Liberal Studies from The New School. He has made a series of experimental analog shorts and is currently shooting two narrative shorts, one on 16mm and one on 35mm. Audrey, 2.0 by Imogen Grace – A Hollywood actress struggling to make a comeback begins to form a deep and dangerous attachment to her android body double, in this lo-fi sci-fi set in a near future. Imogen Grace Bio – Imogen is a screenwriter based in Toronto, Canada. She studied dramatic arts in New York City and has written and directed short films that have appeared in international film festivals. Her feature screenplay Audrey, 2.0 is an official selection of Oaxaca Film Festival and Catalina Film Festival. She is the co-founder of the women in film initiative The Bechel Bill. Delos by María A. Otero – A Mexican girl with unusual powers struggles to deal with her impending womanhood, her disastrous family, the constant torment of bullies and her crumbling sense of identity while fighting to keep her sanity and avoid her breaking point. María A. Otero Bio – María Otero was born in Mexico in 1996. She started writing as soon as she learned how to at age 6. A few years later, before she was allowed to watch “grown-up” movies, she defied her parent’s rules and saw Schindler’s List. This changed her life. From that moment on, she lived for films. She divides her time between MX and NYC. Johnny Ace by Moon Molson – On the night of Christmas Day in 1954, two Houston Homicide Detectives are called to the City Auditorium to investigate the accidental suicide of R&B singer Johnny Ace and discover that the death of the legendary crooner is anything but an “open and shut” case of drunken Russian Roulette. Moon Molson Bio – Moon Molson’s short films Pop Foul (2007), Crazy Beats Strong Every Time (2011), and The Bravest, The Boldest (2014) all premiered at the Sundance Film Festival, have screened at over 250 international film festivals, and won over 100 awards worldwide. He is a 2015 Guggenheim Fellow in Film-Video and currently an Assistant Professor in Visual Arts at Princeton University. Kibou by Cassie Hayasaka and Keith Hayasaka – In a political and cultural backdrop acutely relevant today as 75 years ago, a young Japanese-American loses everything – his freedom, cultural identity, and the love of his life – when his family is split up by the government and forced to relocate to a desolate internment camp during WWII. When faced with the prospect of post-war renewal, the bonds of family and loyalty to country threaten to eclipse his happiness. Cassie Hayasaka and Keith Hayasaka Bio – Cassie and Keith Hayasaka have collectively lived all over the United States but now call the Pacific Northwest home. Drawing on diverse experiences and socioeconomic/cultural backgrounds, they strive to craft engaging narratives while exploring timely issues of race, social disparity, and family. Plaçage by G. Michelle Robinson – In early 19th Century New Orleans, it was not uncommon for a White man to enter into consensual common-law union with a woman of color. The practice was called Plaçage. Emilie, a 17-year-old mixed-race woman, has been raised in a life of relative luxury in just such a household. Her sister, Marie Elaine, is about to embark into the same lifestyle. But for Emilie, enchanted by stories of the West she reads of in penny novels, the life she’s known holds no allure. G. Michelle Robinson Bio – Originally from Washington State, Michelle is a Brooklyn-based actor and writer. She’s been on TV and film, most notably a recurring role on HBO’s Boardwalk Empire, and theatre, including the 2002 Edinburgh Fringe First winning Black to My Roots. Shock by Rosie Rosato – Baltimore City has become a haven for queers all over the state of Maryland. Everything is temporary here; both this kind of love, and this kind of life. Mandatory conversion therapy plucks everyone at random from the city for a country retreat at a center outside of town. Zooey, a 24-year-old painter who is startled by how much falling in love has changed her life, has recently lost her girlfriend Sam. Zooey and her group of friends navigate their city, and live their lives the way they feel they should for as long as they can. Shock is a social horror that slides in and out of memories; it is a soft boil through and through. Rebellion can exist in small acts, like falling in love, and staying true to yourself. Shock questions our permanence and our strength to be honest with ourselves. Rosie Rosato Bio – Rosie Rosato is a Brooklyn, NY based screenwriter/filmmaker from Baltimore, MD. She bleeds genres, playing with Horror, Drama, and Syfy, suspending disbelief to dive deep into ourselves. Shock, a queer-social-horror based in her hometown, is her current project in pre-production. Shock is Rosato’s first feature-length script. Rosato holds a BFA in Film/Video from Pratt Institute. True Blue Masters by Hadley Witcher – An aspiring young copywriter investigates water rights and stumbles into an underhanded political scheme surrounding the emerging gaming industry in 1990s New Mexico. Hadley Witcher Bio – Hadley Witcher received her BFA from Cornell University, then settled in Tesuque, New Mexico, where she worked in photography and video production. She also wrote commentary and film reviews for KUNM, Albuquerque’s NPR affiliate. She later moved to her native Philadelphia area with her husband and two children. She earned her MFA in Creative Writing at Rosemont College in 2017.Episodic Screenplay Finalists
Banshees by Cari Daly – After her Irish mob-boss husband is arrested by the FBI, a mother of three with plans to escape, steps up to lead the family business. Cari Daly Bio – Cari Daly is the granddaughter of Irish immigrants who may not have been on the right side of the law. She made good by attending NYU’s Tisch School of the Arts, receiving her BFA in Directing and Dramaturgy, followed by the AFI Conservatory, where she received her MFA in Screenwriting. She won’t break your kneecaps…she promises… Deadline by Branden Hampton – A relentless black journalist struggles through the world’s top journalism school in the midst of racism, politics and corruption in Chicago. Branden Hampton Bio – Branden T. Hampton is an award-winning director, producer, musician and writer from Atlanta, Georgia. The award-winning documentary “FEARLESS” that he co-directed/co-produced was nominated at the Chicago/Midwest Emmys for two College Production Awards and has premiered at major international film festivals. He is a proud graduate of Howard University and Northwestern University’s Medill School of Journalism. Generation-Y by Chelsea Holmes-McKnight – Gen-Y (Generation-Y) follows the life of Elisha Danbrooke, an African American woman whose world is turned upside down when she discovers she’s contracted an incurable STD. Throughout the series, viewers will learn how she navigates through the dating world with this stigma. Chelsea Holmes-McKnight Bio – My name is Chelsea Holmes-McKnight, I am from Charlotte, North Carolina. I began writing in high school for the newspaper and yearbook, but my love for storytelling developed during my college years. I originally went to school to become a journalist, yet after taking several fiction writing courses, I was hooked. The rest is history. The Quickening by Brittany Worthington – Eleanor Murphy Ballard is a 19th-century housewife who is not only struggling to conceive a child with her wealthy husband but struggling to conceal her past and true identity as a runaway slave. She is forced to confront her true self when a close friend finds herself pregnant with nowhere to go. It is soon revealed that Eleanor aided in providing illegal abortions to women across the city. Pulled back into that world with the promise that she might find the daughter she gave up nearly a decade ago, Eleanor starts down a path towards becoming Chicago’s most-notorious abortionist. But with the Council of the Suppression of Vice and a Chicago mobster after her, Eleanor must face some hard choices as she confronts who she is and what she truly wants. Brittany Worthington Bio – Brittany Worthington is a native Michiganer –Grand Rapids, MI to be exact– who completed her MFA in screenwriting at the University of Texas at Austin. Brittany is currently pursuing her screenwriting career in Los Angeles. She was recently named the second place finalist in the LAUNCH Million Dollar Screenplay competition. The Realm by Crystal Ellington – Episodic fantasy drama The Realms explores the notion that there is life after death. The protagonist, Kyna, is struck with amnesia at the time of her death, and must navigate the new realm to uncover the truth behind her life and death. In order to unlock the details of her existence, she must master the role of Guardian, one who assists the dead with life’s unfinished business. With each soul assisted, she unlocks a key to her life and death. As she gets closer to the truth, tensions rise in the world of the living and the dead. The barrier between the realms is thinning. All hell is about to break loose. Crystal Ellington Bio – Born and raised in Florida, Crystal studied journalism and communication at Ashford University. After a brief stint as an on-air radio personality, she moved to Europe for a couple years before returning to her hometown to care for her two daughters. She now works in banking and spends her free time indulging her passion for writing. The Reservoir by Dylan Allen (Teleplay), Eddy Vallante + Dylan Allen (Story) – In an age when water is rapidly becoming the new oil, an ambitious engineer reluctantly returns home after public doubt is cast on the sustainability of the local reservoir. But as she reconnects with the family she fled and the community she left behind, she begins to struggle with the reason she’s back: to flood her hometown. Amalgamated Picture Co. – Amalgamated Picture Co. is an award-winning production house based in Brooklyn, NY. Their most recent short film THE PRIVATES won Hammer to Nail’s Spring ‘17 Short Film Contest and was released as a Vimeo Staff Pick Premiere. It was featured on Short of the Week, io9, Film Shortage and won New Hampshire FF’s Best NH Short Narrative award.Short Screenplay Finalists
Flight by Alexis Stratton – In 1950s small-town South Carolina, Dee helps her lover Sam break free from the South by cutting off their hair. Alexis Stratton Bio – Alexis Stratton has spent their life in many homes, from New Orleans to South Korea. They received an MFA in Creative Writing from the University of South Carolina, and they currently work as a freelance writer. Previously, they wrote and directed two short films, “Crosswalk” and “GHOST_GIRL,” which have been screened at festivals in the U.S. and beyond. Freya by Jo Fox and Sophia Tamaro – A grieving painter finds solace and creative inspiration through sexual encounters with strangers. Jo Fox and Sophia Tamaro Bios – A former doctor and teacher, Yorkshire writer/producer and married mother-of-two, Jo is a Nicholl Fellowship Quarterfinalist, with a passion for sharp dialogue and rich characterisation. | Writer/director and UK Film School graduate, multilingual German/Italian born Sophia has a flair for intriguing, original stories and is committed to increasing diversity in film. My Black Friend by James M. Martin – A new premiere subscription service seeks to help young, woke, progressives avoid costly social mistakes related to issues of race and help demonstrate their allegiance to black causes; all without actually needing to get involved. James M. Martin Bio – James M. Martin is a lifelong writer and college educator who loves creating worlds that are outside of the norm. If there’s a way to work a bit of the unusual or the outright weird into everyday situations, he’s all for it. As a writer, director, and editor he knows he should be doing less, but sometimes has trust issues. Strangers on the Outside by Derek Weissbein – After discovering they can recapture the feeling of falling in love for the first time by inhabiting the bodies of others, a couple begins playing an addictive game to reinvigorate their monotonous relationship while ignoring the ethical and physical implications. Derek Weissbein Bio – Derek Weissbein is a screenwriter located in Los Angeles. He was featured on the 2016 Hollywood Blacklist with his screenplay, Layla and Other Assorted Love Songs, about Eric Clapton and George Harrison. He has since been attached to write three more biopics. Although he enjoys bringing non-fiction stories to life, he is just as passionate about telling grounded sci-fi stories. The Frog by Tate Nova & Courtney Powell – A young woman working as a maid on a remote Hawaiian island drinks an herbal tincture she hopes will solve all her problems, but she discovers her troubles have just begun. Tate Nova & Courtney Powell Bios – Courtney Powell and Tate Nova have been making films together in New York City since 2015. Their first film, The Surf Report, was an official selection of the New Orleans Film Festival in 2016 and they are excited to show their new film The Future Is Bright at #NOFF2018. Wa Wa by Amy Wang – A 5-year-old girl attempts to overcome feelings of inadequacy and isolation at a boarding school for overworked parents. Amy Wang Bio – Amy Wang is a Chinese-Australian filmmaker who grew up in the suburbs of Sydney, Australia. She graduated from the American Film Institute where her thesis film screened at numerous festivals around the world including being nominated for the Grand Prix at Clermont-Ferrand. She’s a recipient of the Young Directors Award at Cannes Lions 2018 and is a Bluecat Screenplay Winner.Louisiana Screenplay Finalists
Bird by Renso Amariz – A young woman who can’t leave her apartment has a difficult time finding love, until an alluring, fast living, neighbor shows up. The two women find comfort in each other, but there is a bigger secret on why she can’t leave her apartment that will change the lives of both women. Renso Amariz Bio – Renso Amariz spent 9 years working as a military photojournalist. Since leaving the military, he has followed his passion for storytelling and focusing on film. He’s written and produced several shorts, and one ill-fated feature. Currently he’s working with Invisible Pictures and writing a digital series for internet release. Empyrean by Meghann McCracken – In 2047 Silicon Valley, genetics researcher, Nia Donne, becomes embroiled in an international cover-up with implications for all of humanity. Meghann McCracken Bio – Meghann’s plays have been read, produced, or honored at the Last Frontier Theatre Conference (Alaska), The Playwrights’ Center (Minneapolis), Southern Rep (New Orleans) and American Blues Theatre (Chicago). She also has been a quarterfinalist for the Nicholl Fellowship in Screenwriting. She has a B.A. in Film Production from U.C., Santa Cruz. She lives in New Orleans with her husband and son. Gun Island by Max Cusimano – A federal agent is called to a remote Louisiana island to investigate a high-profile murder and uncovers a conspiracy involving the American arms industry. Max Cusimano Bio – Max is a Louisiana native who gained an arguably overrated film degree from USC and spent a few years wandering about Southern California. Ridley Scott said some nice things about his short film, “The Rhapsody” (see IMDB.) Max’s documentary feature “New City” is available on Amazon Prime. He lives in New Orleans with his wife, daughter, and two dogs. Homesick by Adrian Ferrara & Gavin Ferrara – When a horrific virus that turns those infected into savage, animalistic creatures sweeps through the grounds of a children’s summer camp, a precocious eight-year-old girl and her friends must fight to survive their summer of fun. Adrian Ferrara & Gavin Ferrara Bios – Screenwriters Adrian and Gavin Ferrara are cousins who co-own New Orleans-based, award-winning production company Flittermouse Films. Growing up in a show business family led them to pursue careers in filmmaking and screenwriting, an endeavor that would eventually culminate in the production of several films and the creation of numerous screenplays. Looking to the future, they hope to continue creating together! Little Lying Wild by Samantha Aldana & Bryce Parsons-Twesten – In Belize, Carmen, an outcast girl with an obsession for stories is the only witness of a depraved murder that happens in her village. Being seen as a liar for constantly spinning tall tales, Carmen has to prove to her people that what she has seen this time is not an illusion. Samantha Aldana & Bryce Parsons-Twesten Bios – Samantha Aldana is a Belizean-American award-winning director/writer. Her love of stories was born from the fusion of storytelling traditions of the American South and the folktales of Belize. At the age of 12, she began putting her stories on screen. Samantha’s work has been featured on PBS, The Film Shortage, Comic Con, and other festivals and platforms around the world. | Bryce Parsons-Twesten grew up on a farm in Southern Illinois. He is the literary manager of PRIME, a theatre company that specializes in 24-hour play festivals. He worked previously with Samantha Aldana, co-writing THE MELANCHOLY MAN which has won “Best Narrative Film” in the Audience Awards Women’s Film Challenge and various other honors. Seven Kinds of Soup by Kim Turner – Following the sudden death of her husband, a woman must navigate her way through her grief with the help of her friends and a mythic creature who may be a manifestation of that grief. Kim Turner Bio – Kim Turner is a writer and a graduate of the Conservatory at Second City in Chicago. Additionally, she studied writing at iO and the Annoyance Theater. Her screenplay, Christy’s Got Cancer!, was one of twelve works selected for the inaugural Meryl Streep Screenwriters’ Lab in 2015. Kim resides in Mandeville and daily tests the physiological limits for human caffeine ingestion. Swanson by Shaq Cosse – In parallel time periods, ACE’s life mirrors the challenges of growing up in an adopted family and working in a group home for teenage boys placed out of their homes. While working in the group home, Ace comes up with the idea to start a bootleg therapy practice, which he’s strongly urged against because of his lack of formal training. Ace must now deal with the dangers of his illegitimate practice, everyday group home problems, and the memories of his own dark past. Each episode will take us on a journey through a flashback into Ace’s past, which will present a theme mirroring a theme going on in the present day, inside of the group home. Shaq Cosse Bio – Shaq Cosse is a hip hop journalist from New Orleans, LA who has spent the last six years publishing stories in national media about the rise of New Orleans’ underground music, and art culture. After spending a year and a half living and gathering research inside of one of Louisiana’s most notorious out-of-home facilities for teenage boys, Shaq has embarked on the journey of telling the stories of his, “lil homies”. The Funeral Band Pilot by Nicholas Manuel Pino – On his first day as the newest member of “Thicker than Blood Brass Band,” John, a now teenager displaced by Katrina, learns all about the unique community he’s been disconnected from for so long and the traditions that follow them to the grave. Nicholas Manuel Pino Bio – Nicholas Manuel Pino is a Chilean-American Award-Winning Writer/Director/DP and composer. His passion is writing comedy with heart. In 2017, he was awarded the “Emerging Voices” fellowship from New Orleans Film Festival.
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2018 Brooklyn Horror Film Festival Unveils Full Line-up, STARFISH, WELCOME TO MERCY, and More
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Welcome To Mercy[/caption]
The Brooklyn Horror Film Festival today unveiled the remainder of the massive line-up for the third edition, with highly anticipated TIFF Midnight Madness premieres IN FABRIC and THE WIND, World Premiere of brand new Vinegar Syndrome restoration of clown slasher BLOOD HARVEST and first-ever Secret Screening.
The films also completed the brand new Head Trip program lineup of films that push the boundaries of horror with Starfish and The Clovehitch Killer, and introduces the expansion of six shorts blocks, including the return of the showcase of locally made chills Home Invasion (previously Local’s Only) and new LGBT block Slayed: LGBT Horror Shorts, co-presented by NewFest.
The festival will return to Nitehawk Cinema, Syndicated, LIU Kumble Theatre, Videology, and the Wythe Hotel Cinema; and this year the IFP’s Made in NY Media Center.
STARFISH (East Coast Premiere)
USA | 2018 | 101 Min | Dir. A.T. White
Presented by Brooklyn Fireproof Stages
Stricken with grief, Aubrey is having a difficult time coping with the death of her best friend, Grace. To combat the overwhelming sadness, she breaks into Grace’s apartment and quietly picks up where her late friend left off, caring for her pets and using her possessions, not to mention sleeping in her bed. The next morning, though, everything’s changed. The streets outside are desolate, fires engulf the city, and people are being attacked by something inhuman. There’s only one person who can potentially save the world: Aubrey, thanks to clues found on mixtapes left by Grace.
An endlessly creative gambit that fuses multiple genres, including cosmic horror, director A.T. White’s STARFISH is one of the most ambitious feature debuts in years. It’s also one of the year’s best films, an emotionally potent, frequently terrifying, and wholly disorienting mash-up of a film that plays like ETERNAL SUNSHINE OF THE SPOTLESS MIND as remixed by H.P. Lovecraft.
WELCOME TO MERCY (World Premiere)
USA | 2018 | 104 Min | Dir. Tommy Bertelsen
After returning to her family’s native Latvia to mourn her father’s death, American single mother Madaline begins suffering from inexplicable visions and physical scars, all of which point to the gift—or curse, rather—the Holy Stigmata. To seek help, Madaline travels to an island convent and ingratiates herself within the sisterhood of nuns. But much to her detriment, Madaline’s new acquaintances pray to something far more sinister than the Holy Spirit, leading her to realize that those newfound afflictions come from anywhere but Heaven.
Providing an effectively retro spin on modern religious horror, WELCOME TO MERCY utilizes the best sacrilegious genre tropes, everything from evil nuns to weaponized crosses, to weave a powerful story of tested faith and hard-earned redemption. Anchored by a fierce performance from lead actress Kristen Ruhlin, who also wrote the screenplay, WELCOME TO MERCY packs a serious punch.
IN FABRIC (East Coast Premiere)
UK | 2018 | 118 Min | Dir. Peter Strickland
There’s something off about the vintage department store in which single mother Sheila finds herself looking for a fancy new dress. The store’s employees are nearly robotic in their stone-faced dedication to sales, the mannequins seem to be whispering to one another, women nearly trample each other to enter as its doors, and its television commercials are hypnotically sinister. Nevertheless, Sheila buys a lavish red dress. Little does she know, her life will soon be overcome by a series of random misfortunes, supernatural phenomena, and living nightmares. And, it seems, the dress is to blame.
Having already proven his singular merits with the giallo-minded brain-scrambler BERBERIAN SOUND STUDIO and the gorgeously erotic DUKE OF BURGUNDY, British filmmaker Peter Strickland ups the ante with IN FABRIC, his most awe-inspiring film to date. Combining the aesthetics and influences of his two previous films into a barrage of visually dazzling surrealism, IN FABRIC is an inventive, unsettling and mesmerizing ghost story about the doomed pursuit of happiness. Cynicism has rarely been this stunning.
THE WIND (East Coast Premiere)
USA | 2018 | 87 Min | Dir. Emma Tammi
A devastating scene sets the stage for a haunting account of demonic terror on the American frontier in the 1800’s. Lizzy and Isaac welcome a couple, Emma and Gideon from Illinois, who take up residence in a nearby abandoned cabin. Not long after, Emma fears she is being hunted down by an evil spirit who wants her unborn baby and violently succumbs to her mania. This event reawakens Lizzy’s buried memories of her encounters with the demons on the land and when Isaac leaves to accompany Gideon back to Illinois, Lizzy is left alone to wage battle against the evil on the land.
Emma Tammi’s narrative feature debut makes astoundingly affective use of the American Western frontier. The wide open, barren and desolate wastelands combined with the atmospheric sounds of the elements and unrelenting gusts of wind (or are they whispers from the dead?) create a sense of helplessness unmatched by the claustrophobia of a haunted house and makes a strong case that we need more western horror films in our lives.
POSSUM (US Premiere)
UK | 2018 | 85 Min | Dir. Matthew Holness
Following an undisclosed shame, former puppeteer Philip returns to his shabby Norfolk childhood home and only surviving family member, gratingly unpleasant stepfather Maurice. Hanging off the edge of his own sanity, Philip tries to destroy his horrid memories which are encapsulated in the form of Possum, a large and hideous spider puppet. But Possum only pretends to be dead.
Under-appreciated character actor Sean Harris (recently recognizable as MISSION: IMPOSSIBLE antagonist Solomon Lane) stars with an insanely nuanced and chilling portrayal of isolation and trauma. Shot on 35mm with a fittingly yellow-and-brown-rotted palette and a puppet that delivers some seriously disturbing imagery, writer-director Matthew Holness’ first feature is a twisted psychological thriller that deep-dives into a bleak surrealist nightmare.
PARTY HARD, DIE YOUNG (North American Premiere)
Austria | 2018 | 93 Min | Dir. Dominik Hartl
To celebrate graduating from high school, Julia and her classmates take off for a party-resort in Croatia to experience the banger to end all bangers. As the epic party rages on, Julia’s best friend Jessica mysteriously disappears leaving nothing but a suspicious text and a Snapchat photo with her face scratched out. Then another friend slips off a roof to her death—and Julia receives another Snapchat photo. Uh oh.
Energetic and aesthetically gorgeous (mostly shot at the actual X-Jam Festival), Austrian director Dominic Hartl’s glossy homage to ‘90s teen slasher films is high on style while choosing to embrace new age connectivity when so many recent genre films would rather run from it, updating the slasher for the iPhone and EDM generation.
THE CLOVEHITCH KILLER (East Coast Premiere)
USA | 2018 | 109 Min | Dir. Duncan Skiles
Young churchgoing boy scout Tyler’s reputation takes a hit when his crush finds a pornographic bondage picture in his dad’s truck, believing it to be his. Ostracized from his group of friends, he falls in with Kassi, a teenage orphan obsessed with the Clovehitch Killer, a serial killer with a penchant for the clove hitch knot who once terrorized their town and was never found. After discovering more photos hidden in his dad’s work shed he’s left to fear the worst.
Rising talent Charlie Plummer is excellent as the innocent Tyler, but it’s Dylan McDermott playing his father, Don, who really owns the film with his paternal suburban transformation that’s every bit as campy and creepy as you would hope it to be. Directed by newcomer Duncan Skiles and written by Christopher Ford, frequent collaborator of Jon Watts on films such as CLOWN and COP CAR, this small town thriller has a sinister edge and sports an exciting narrative device that flips the story on its head.
GHOST MASK: SCAR (US Premiere)
South Korea | 2018 | 81 Min | Dir. Takeshi Sone
Miyu travels from Japan to Seoul, Korea trying to track down her older sister who has been missing for two years. Shortly after she arrives she meets plastic surgeon Hana, who invites her home to meet her lover Hyoshin. The three women cohabitate as Miyu’s search for her sister intensifies meanwhile Hyoshin, haunted by disturbing nightmares, becomes suspicious of Hana and Miyu’s relationship.
A tragic story of two Japanese sisters separated at childhood and plagued by jealousy, negligence and abandonment, GHOST MASK: SCAR is directed and shot by prolific cinematographer Takeshi Sone (he also shot recent festival hit ONE CUT OF THE DEAD) and features a ricocheting narrative that comes together beautifully in a bloody, gonzo final act.
BLOOD HARVEST (World Premiere of New Restoration)
USA | 2018 | 88 Min | Dir. Bill Rebane
Within the slasher movie canon, there are the indisputable giants: Jason Voorhees, Freddy Krueger, Michael Myers. But what about Marvelous Mervo? Sure, he’s not the omnipresent icon that those other homicidal maniacs are, but there’s something to be said about a madman who’s played by eccentric ’80s music star Tiny Tim dressed like a clown and who leaves victims’ bodies hanging upside down in a barn like cattle.
If that sounds weird enough on its own, just wait until you experience the entirety of BLOOD HARVEST, one of the strangest ’80s slasher movies you’ll ever see. BHFF is thrilled to host the world premiere of a newly restored print of director Bill Rebane’s unnerving and often uncomfortably hilarious oddity, courtesy of Vinegar Syndrome. Full of gnarly kills, Tiny Tim’s signature brand of weirdness, and relentless unpredictability, BLOOD HARVEST is ripe for watch-it-with-a-rowdy-crowd rediscovery.
SECRET SCREENING
??? | ??? | ?? Min | Dir. ???
For the first time ever, the Brooklyn Horror Film Festival is excited to present a mystery film, and, sorry, we won’t give any easy-to-solve hints for all of you proud cinema sleuths out there! Okay, fine, we’ll give you a little something: Our inaugural “Secret Screening” film will either be a can’t-miss new horror gem that everyone, both genre folks and general film lovers alike, will be talking about for years to come or an unexpected yet prescient genre classic from deep in the vaults. Sorry, that’s all you’re going to get. Now let the speculation begin!
Home Invasion 2018 – annual showcase of local NYC films featuring the popular shorts block and a spotlight screening of Yedidya Gorsetman’s dark indie sci-fi EMPATHY, INC.
EMPATHY, INC. (East Coast Premiere)
USA | 2018 | 96 Min | Dir. Yedidya Gorsetman
In the “high risk, high reward” world of venture capitalists, rising star Joel lets it all ride on a deal that, sadly for he and his actress wife, painfully falls apart, leaving him with no other choice than to move in with his wife’s parents for financial reasons. Feeling like a huge failure, Joel unexpectedly finds some hope via a run-in with an old friend, whose business partner asks Joel to invest in a new experiential technology called XVR, or Xtreme Virtual Reality, the latest product of which allows wealthy folks to see life through the eyes of the less fortunate. Unfortunately for Joel, XVR’s makers’ intentions aren’t what they seem.
Shot in stark black-and-white and going into exceedingly dark narrative places, NYC-bred director Yedidya Gorsetman’s EMPATHY, INC. is the best kind of lo-fi sci-fi, an intimate character piece rooted in big ideas and blending doses of brutal horror into its cerebral tapestry. Comparable to an extended and decidedly bleak BLACK MIRROR episode, EMPATHY, INC. is a homegrown slice of pure genre-mashing ambition.
2018 BHFF Shorts
HOME INVASION Covering the expansive scope of the genre from coming-of-age body horror to child-eating boogeymen, our annual local filmmaker showcase proves you don’t have to go far to find the future of horror. It’s right here at home—standing right next to you. An Actor Prepares, dir. Carey Knight, The Trouble With One-Night Stands, dirs. A.K. Espada, Belén Ferrer, Hushed, dir. Chase Kuertz, El Cuco is Hungry, dir. Daniel Garcia, Abeyance, dir. Charles Beale, The Woods, dir. Robbie Lemieux, Fell, dir. Holly Voges, Lucy’s Tale, dir. Chelsea Lupkin, 4:48 Psychosis, dir. Ariel Sinelnikoff, Witch Hunt, dirs. Conor Shillen, Justin Paul Ramirez, Midnight Delivery, dir. Nathan Crooker, The Invaders, dir. Mateo Márquez BHFF shorts are back with a vengeance! Full line-up of new and returning blocks and even more ways to leave you shaking in your seat! NIGHTMARE FUEL There’s no messing around here—it’s time to go straight for the jugular. Sleep will be scarce thanks to the sadists, human-eating fairies, shape-shifting demons, and faith-based reapers that inhabit these shorts. Milk, dir. Santiago Manghini (Canada), Welcome to Bushwick, dir. Henry Jinings (USA), Special Day, dir. Teal Greyhavens (USA), BEC, dir. Tony Morales (Spain), Salt, dir. Rob Savage (United Kingdom), Mother Rabbit, dir. Emma Skoog (Sweden), Nose Nose Nose EYES!, dir. Jiwon Moon (South Korea), The Girl in the Snow, dir. Dennis Ledergerber (Switzerland), Feast on the Young, dir. Katia Mancuso (Australia) HEAD TRIP At its boldest, horror doesn’t play by any rules. As you’ll see in these unclassifiable shorts, complete with punk-rock lunatics, malevolent aliens, lovesick fish, and nefarious pre-teens, the genre’s scope is boundless. The Beaning, dir. Sean McCoy (USA), Tick, dir. Ashlea Wessel (Canada), Voyager, dir. Kjersti Helen Rasmussen (Norway), Atomic Spot, dir. Stéphanie Cabdevila (France), Le otto dita della morte, dir. Frédéric Chalté (Canada), A Death Story Called Girl, dir. Nathalia Bas-Tzion Beahan (USA), 42 Counts, dir. Jill Gevargizian (USA), Proceeds of Crime, dir. James Chappell (Australia) CREEPING TERROR What’s more frightening than visceral shocks? When it comes to these shorts, it’s the dread-soaked and methodically unsettling horror marked by otherworldly presences, murderous weather, and soul-claiming ghouls. Jump-scares need not apply. Blood Runs Down, dir. Zendashe Brown (USA), Circle, dir. Martin Melnick (USA), Acid, dir. Just Philippot (France), Essere Amato, dir. Nathalia Bas-Tzion Beahan (USA), Bye Bye Baby, dir. Pablo S. Pastor (Spain) SLAYED: LGBT HORROR SHORTS Co-Presented by NewFest Representing the underrepresented, this collection of divinely crafted queer shorts mines chills from unexpected places, such as a close-minded church community, a sinister artist, and an erotically haunting dreamland, to explore connection and love through a horror lens. The Sermon, dir. Dean Puckett (United Kingdom), Disposition, dir. Eric Thirteen (USA), Payment, dir. Ben Larned (USA), Instinct, dir. Maria Arida (USA), Islands, dir. Yann Gonzalez (France)
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Toronto International Film Festival Cancels Canadian Premiere of GALVESTON
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Galveston[/caption]
The Toronto International Film Festival has pulled the Canadian premiere Galveston from the lineup and replaced it with the World Premiere of A Private War.
The Festival issued the following statement regarding their decision to withdraw Galveston from the 2018 Festival lineup:
“We have recently learned director and cast for Galveston are no longer available to attend the Canadian Premiere in Toronto due to work commitments. Our Gala Presentations require filmmaker and key cast to be present at the premiere screening at Roy Thomson Hall, and unfortunately we cannot move forward with Galveston in this selection. At this time, all our other programming slots are in place so we have regretfully withdrawn the film. We wish Mélanie Laurent and the film’s production team the very best, and hope Toronto audiences will have the opportunity to see Galveston in the near future.”
https://www.youtube.com/watch?v=3XFKu8UNi7I
TIFF announced that A Private War will replace Galveston in the Gala selection.
Pre-purchased tickets for the cancelled screenings of Galveston will be valid for the added screenings of A Private War.
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A PRIVATE WAR Starring Rosamund Pike and Jamie Dornan to World Premiere at Toronto International Film Festival [Trailer]
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A PRIVATE WAR[/caption]
Matthew Heineman’s A Private War will make its world premiere at the 43rd Toronto International Film Festival, joining the Festival’s Gala Presentations lineup. The film marks the feature narrative debut of critically acclaimed director Matthew Heineman ( Cartel Land, City of Ghosts) whose previous work in documentary filmmaking has earned him an Academy Award nomination, two Primetime Emmy Awards, and two DGA wins for Outstanding Directorial Achievement in Documentary Award.
A Private War, a biopic based on the true story of award-winning war correspondent Marie Colvin, stars Rosamund Pike ( Gone Girl, Hostiles) in one of her most intense roles to date. Based on a blistering 2012 Vanity Fair article by Marie Brenner, the drama follows Colvin to the front lines of conflicts around the globe as she risks everything to reveal the truth. Pike is joined by supporting cast which includes Jamie Dornan ( The Fall, Fifty Shades of Grey ), Stanley Tucci ( The Lovely Bones, Spotlight), and Tom Hollander ( The Night Manager).
“It has been a deeply personal journey sharing the extraordinary story of Marie Colvin in A Private War,” stated filmmaker Matthew Heineman. “We are so thrilled to be able to finish the film in time to premiere at TIFF and honored to share with the audiences there.”
At a time when journalism itself is under attack, Marie Colvin is one of the world’s most celebrated war correspondents. She is an utterly fearless and rebellious spirit, driven to the front lines of conflicts around the globe to give voice to the voiceless, while constantly testing the limit between bravery and bravado. After being wounded by a grenade in Sri Lanka, she wears a distinctive eye patch and is still as comfortable sipping martinis with London’s elite as she is confronting dictators. Colvin sacrifices loving relationships, and over time her personal life starts to unravel as the trauma she has witnessed takes its toll. Yet her mission to show the true cost of war leads her to embark — along with renowned war photographer Paul Conroy (Dornan) — on the most dangerous assignment of her life, in the besieged Syrian city of Homs.
The 43rd Toronto International Film Festival runs from September 6 to 16, 2018.
https://www.youtube.com/watch?v=u4mHCilwdk0
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2018 Devour! The Food Film Fest to Present 74 Culinary Films Under Theme “The Power of Food and Film to Transform”
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Jiro Dreams of Sushi[/caption]
The world’s largest culinary film festival, Devour! The Food Film Fest (Devour!) will present 74 food-and beverage-focused films from 21 countries, running the gamut from eye-opening feature length documentaries to quirky and engaging short flicks at the eighth edition. Devour’s 2018 programming centers around this year’s overall theme of “The Power of Food and Film to Transform”.
“Film is a powerful medium that can help shine a spotlight on important issues, spark conversations, inspire others and promote meaningful change,” said Devour! Managing Director Lia Rinaldo. “We are experiencing a cultural shift where many of us are rejecting the status quo and looking to transform our lives. As a result, the culinary industry, among others, is going through this period of upheaval and transition, which we strived to reflect in this year’s slate of inspiring and impactful films that explore topics from food waste, sustainability, food security, environmental impact, gender equality, discrimination and politics, to name a few.”
The 2018 lineup includes 28 thought-provoking feature films including eOne’s Jiro Dreams of Sushi about 85-year-old sushi chef Jiro Ono, the proprietor of a three-star Michelin sushi restaurant inauspiciously located in a Tokyo subway station. The film will open the festival on Wednesday, October 24 and was personally selected by 2018 Festival Guest Curator Sam Kass, the former White House Chef for the Obama family and a healthy food activist. Each year, the festival’s opening guest presents their favorite food film of all time; the only retro title in the program.
Film highlights include the Thursday night gala film André – The Voice of Wine about André Tchelistchef, the godfather of California winemaking, directed by his nephew Mark Tchelistchef who will be in attendance; the Canadian premiere of returning filmmaker Gab Taraboulsy’s feature length biopic Funke, chronicling Chef Evan Funke as he sets up one of the hottest restaurants in Los Angeles, Felix Trattoria; the world premiere of the Canadian documentary Six Primrose, which chronicles the dramatic impact of accessing healthy food on the community of Dartmouth, NS; and the inspiring documentary Charged: The Eduardo Garcia Story, chronicling Chef Eduardo’s recovery following a freak accident. Chef Eduardo Garcia is attending the Festival as a featured chef and will participate in the Celebrity Chef Dinner on Friday, October 26, alongside other top chefs still to be announced.
Devour! will screen several films that document the success of women and the challenges they face in the male-dominated culinary industry. A Fine Line, directed by Joanna James, explores why only six per cent of head chefs and restaurant owners are women and documents the rise of some of the most celebrated women in the industry including the World’s Best Female Chef and Devour! alumna Dominique Crenn and Emmy Award-winning TV Host Lidia Bastianich. Canadian Director Maya Gallus’ The Heat: A Kitchen (R)evolution profiles seven female chefs facing daunting professional obstacles, harassment and toxic environments. Thirty-six per cent of this year’s film program is directed by women.
The Festival will close with a feature drama from prominent Nova Scotia director Thom Fitzgerald. Splinters is an intimate drama about sexual identity, family and life in small-town Nova Scotia, filmed on an apple farm in the Annapolis Valley, mere minutes from the film fest’s location. This year’s program marks the festival’s largest program of Canadian content on screen at 32 percent of the films, including 17 per cent from Atlantic Canada.
Devour! will showcase 45 short films, including David Ma’s Hollywood-inspired recipe video series filmed in the aesthetic style of famous filmmakers: What if Alfonso Cuaron Made Pancakes?, What if Michael Bay Made Waffles?, What If Quentin Tarantino Made Spaghetti & Meatballs and What If Wes Anderson Made S’mores?. Additional programming includes six visually stunning films about Nova Scotia from the award-winning team behind the The Perennial Plate, and selections from returning filmmaker Kevin Kossowan’s James Beard Award Nominated Canadian series, From the Wild: Bay of Fundy and From the Wild: Devour! Edition.
A highlight of the festival program is the return of the Devour Road Show Celebrity Chef Dinner on Saturday, October 27, where a special program of five short films will be screened right in the barrel cellar of Lightfoot & Wolfville Winery, with chefs pulling their inspiration for their dishes right from the films.
All films are eligible for the Devour! Golden Tine Awards in five categories–Best Short Documentary, Best Short Drama, Best Feature Documentary, Best Feature Drama and Best Animation–chosen by an esteemed jury: Anita Stewart (Founder of Food Day Canada), Greg Rubidge (Syndicado Film Sales) and Dan Clapson (Eat North). The Awards Brunch will take place on Sunday, October 28 at Lightfoot & Wolfville Winery.
The 2018 Festival film screenings are:
FEATURE-LENGTH FILMS
All the Time in the World Suzanne Crocker | Canada THURSDAY NIGHT GALA SCREENING: André – The Voice of Wine Mark Tchelistcheff | USA/Germany As Needed (Quanto Basta) Francesco Falaschi | Italy/Brazil The BBQ Stephen Amis | Australia FRIDAY NIGHT SPOTLIGHT GALA SCREENING: Charged: The Eduardo Garcia Story Phillip Baribeau | USA Chef Flynn Cameron Yates | USA Constructing Albert Laura Collado & Jim Loomis | Spain/Estonia The Devil We Know Stephanie Soechtig & Jeremy Seifert | USA The Empire of Red Gold Xavier Deleu & Jean-Baptiste Malet | France A Fine Line Joanna James | USA From Seed to Seed Katharina Stieffenhofer | Canada Funke Gab Taraboulsy | USA/Italy The Heat: A Kitchen (R)evolution Maya Gallus | Canada OPENING NIGHT GALA SCREENING: Jiro Dreams of Sushi David Gelb | USA Knife Skills Thomas Lennon | USA Once Again Kanwal Sethi | Germany/India/Austria Our Blood is Wine Emily Railsback | USA A Polar Year (Une année polaire) Samuel Collardy | France Scotch: A Golden Dream Andrew Peat | Taiwan/Scotland Secret Ingredient Gjorce Stavreski | Macedonia The Silver Branch Katrina Costello | Ireland Six Primrose True Faux Films | Canada Soufra Thomas Morgan | USA CLOSING NIGHT GALA SCREENING: Splinters Thom Fitzgerald | Canada The Superfood Chain Ann Shin | Canada Tazzeka Jean-Phillipe Gaud | France There is No Place Like Home (A Casa Tutti Bene) Gabriele Muccino | Italy ULAM: Main Dish Alexandra Cuerdo | USASHORT FILMS
America: The Ice Cream Truck The Perennial Plate | USA Bao Domee Shi | USA The Best Place to Tell Stories Kevin Kossowan | Canada The Birth of Bread Matthew Pendergast | UK The Bite House The Perennial Plate | Canada Borscht & Fresh Bread Sarah Gignac | Canada A Brief History of Acadians in Nova Scotia (and their food) The Perennial Plate | Canada A Butcher’s Heart Wouter Jansen | Netherlands Café de Temporada Maria Luisa Santos | USA Chapters of Food: Mole is Mexico Barbara Anastacio | Mexico Conad Compilation Stef Viaene | Italy The Common Chameleon Tomer Eshed | Germany Corky Ty Primosch | USA Cosmic Connection James Boo | USA Cups & Robbers Jim Simone | USA Embrace the Blue Douglas Keir Blackmore | Canada The Foolish Side of Food Luca Goudon | Italy From the Wild: Bay of Fundy Kevin Kossowan | Canada From the Wild: Devour! Edition Kevin Kossowan | Canada Gefilte Rachel Fleit | USA The Grey Zone Brian Gersten | USA How Mr and Mrs Gock Saved the Kumara Felicity Morgan-Rhind | New Zealand Is You Is My Baby Kelly Perine & Bry Sanders | Canada/USA John Bil Shane Pendergast | Canada Lightfoot & Wolfville The Perennial Plate | Canada Make Love: Bar Ape James Reid | Canada Mitsuharu Tsumura of Maido Jim Kane | Peru Nova Scotia The Perennial Plate | Canada On the Shores of This Bay The Perennial Plate | Canada Proud to be Prairie James Reid | Canada Pulled Strings Vicki Chau | Canada Red Velvet Mahmoud Samir & Youssef Mahmoud | Egypt A Rising Tide The Perennial Plate | Canada Soul of a Nosh James Boo | USA Style Points James Boo | USA Thin Skinned Aaron Tilley | UK Tibor Petra O’Toole | Canada Tungrus Rishi Chandna | India Virgilio and Malena Martinez Jim Kane | Peru What If Alfonso Cuaron Made Pancakes? David Ma | USA What If Michael Bay Made Waffles? David Ma | USA What If Quentin Tarantino Made Spaghetti & Meatballs? David Ma | USA What If Wes Anderson Made S’mores? David Ma | USA Wild Mushroom and Venison with Jon Parry Jamie Orlando Smith | UK
