The new 4K IndieCollect restoration of The Atomic Cafe, supervised by filmmakers Kevin Rafferty, Jayne Loader and Pierce Rafferty that is set to premiere at the 2018 SXSW Film Festival in Austin, TX, on Saturday, March 10, 2018, has been acquired by Kino Lorber Repertory for release in the U.S. The newly-restored The Atomic Cafe will open in theaters nationwide during the summer––and receive a home media release during fall 2018.
Composed entirely of civil defense and propaganda films created by the U.S. military and other agencies, The Atomic Cafe exploded myths about nuclear weapons and landed the filmmakers on Late Night with David Letterman: see video below.
It created a sensation when it opened at the Film Forum in March 1982 and played around the country to capacity audiences, garnering extraordinary reviews, including from the New York Times, whose critic Vincent Canby called it “A stunner! Has one howling with laughter, horror and disbelief.”
With the White House hurling threats to use nuclear weapons, The Atomic Cafe is the perfect movie for our time––a darkly funny meditation on Armageddon. Using our government’s own films, it pulls back the curtain to expose how Americans were taught to “stop worrying and love the bomb.” A cute cartoon assures children that ducking under their desks will protect them from radiation. A U.S. Army officer asserts the atomic bomb is a beautiful sight “when viewed at a safe distance,” as we watch young soldiers running towards a mushroom cloud. With Cold War memes re-emerging in our public discourse, audiences will weep with laughter and pained recognition as they contemplate the deployment of “alternate facts,” then and now, to achieve a desired end.
“Kevin Rafferty, Jayne Loader and Pierce Rafferty have made a landmark film about the nuclear age that remains just as relevant and darkly comical today as it’s ever been,” wrote Kino Lorber CEO Richard Lorber. “We wish times were different. But at least we have The Atomic Cafe to expose the horrific prospect of the Armageddon with humor, style and historical perspective.”
“We’re delighted to be rereleasing the 4K digital restoration of The Atomic Cafe with Kino Lorber,” said filmmakers Kevin Rafferty, Jayne Loader and Pierce Rafferty. “Kino Lorber did an outstanding job distributing Kevin’s film Harvard Beats Yale 29 – 29 and we’re all looking forward to working with their dynamic team.”
The Atomic Cafe was deemed of such historic importance that it was named to the National Film Registry of the Library of Congress in 2016. This 4K digital restoration was created by IndieCollect, a New York-based non-profit organization that saves and restores American independent films so that they can be seen in state-of-the-art digital formats. Funding was provided by the National Film Preservation Board of the Library of Congress, administered through a grant from the Council on Library and Information Resources (CLIR).
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SXSW 2018: Kino Lorber to Release New 4K Restoration of “The Atomic Cafe”
The new 4K IndieCollect restoration of The Atomic Cafe, supervised by filmmakers Kevin Rafferty, Jayne Loader and Pierce Rafferty that is set to premiere at the 2018 SXSW Film Festival in Austin, TX, on Saturday, March 10, 2018, has been acquired by Kino Lorber Repertory for release in the U.S. The newly-restored The Atomic Cafe will open in theaters nationwide during the summer––and receive a home media release during fall 2018.
Composed entirely of civil defense and propaganda films created by the U.S. military and other agencies, The Atomic Cafe exploded myths about nuclear weapons and landed the filmmakers on Late Night with David Letterman: see video below.
It created a sensation when it opened at the Film Forum in March 1982 and played around the country to capacity audiences, garnering extraordinary reviews, including from the New York Times, whose critic Vincent Canby called it “A stunner! Has one howling with laughter, horror and disbelief.”
With the White House hurling threats to use nuclear weapons, The Atomic Cafe is the perfect movie for our time––a darkly funny meditation on Armageddon. Using our government’s own films, it pulls back the curtain to expose how Americans were taught to “stop worrying and love the bomb.” A cute cartoon assures children that ducking under their desks will protect them from radiation. A U.S. Army officer asserts the atomic bomb is a beautiful sight “when viewed at a safe distance,” as we watch young soldiers running towards a mushroom cloud. With Cold War memes re-emerging in our public discourse, audiences will weep with laughter and pained recognition as they contemplate the deployment of “alternate facts,” then and now, to achieve a desired end.
“Kevin Rafferty, Jayne Loader and Pierce Rafferty have made a landmark film about the nuclear age that remains just as relevant and darkly comical today as it’s ever been,” wrote Kino Lorber CEO Richard Lorber. “We wish times were different. But at least we have The Atomic Cafe to expose the horrific prospect of the Armageddon with humor, style and historical perspective.”
“We’re delighted to be rereleasing the 4K digital restoration of The Atomic Cafe with Kino Lorber,” said filmmakers Kevin Rafferty, Jayne Loader and Pierce Rafferty. “Kino Lorber did an outstanding job distributing Kevin’s film Harvard Beats Yale 29 – 29 and we’re all looking forward to working with their dynamic team.”
The Atomic Cafe was deemed of such historic importance that it was named to the National Film Registry of the Library of Congress in 2016. This 4K digital restoration was created by IndieCollect, a New York-based non-profit organization that saves and restores American independent films so that they can be seen in state-of-the-art digital formats. Funding was provided by the National Film Preservation Board of the Library of Congress, administered through a grant from the Council on Library and Information Resources (CLIR).
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2018 Chattanooga Film Festival to Open with ROCK STEADY ROW and SUMMER OF ’84 | Trailers
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Caleb Emery, Cory Grüter-Andrew, Judah Lewis and Graham Verchere appear in Summer of ’84 by Francois Simard, Anouk Whissell and Yoann Whissell[/caption]
ROCK STEADY ROW and SUMMER OF ’84, have been selected as the opening night films of the 2018 Chattanooga Film Festival (CFF) slated for April 5 to 8, 2018. The festival will also screen the world premiere of the highly anticipated documentary LIFE AFTER FLASH.
LIFE AFTER FLASH is an inspiring and moving feature documentary that celebrates what makes that Mike Hodges enduring classic FLASH GORDON so iconic with audiences to this day. This film takes a looks at the real man behind the heroic mask, Sam J. Jones, including his successes, his battles, and his ultimate struggle for redemption. Director Lisa Downs, along with star Sam J. Jones and producer Ashley Pugh, will be in attendance for this once in a lifetime screening.
“The Chattanooga Film Festival has quickly grown over the last four years,” says festival executive director Chris Dortch. “Last year was our biggest, and for our fifth anniversary we weren’t going to settle for anything less than our best, most insane year yet.”
ROCK STEADY ROW | Director Trevor Stevens
Rock Steady Row centers around a young college freshman who, after his bike is stolen, lands on a college campus and is compelled to take action against the reigning fraternities and ultimately the dean.| Q&A with Trevor Stevens
https://www.youtube.com/watch?v=LJAEbawJZzg
SUMMER OF ’84 | Directors François Simard, Anouk Whissell, Yoann-Karl Whissell
After suspecting that their police officer neighbor is a serial killer, a group of teenage friends spend their summer spying on him and gathering evidence in, but as they get closer to discovering the truth, things get dangerous. | Q&A with François Simard, Anouk Whissell, Yoann-Karl Whissell
https://www.youtube.com/watch?v=6B46J7fY4PY
LIFE AFTER FLASH | Director Lisa Downs
*WORLD PREMIERE
LIFE AFTER FLASH explores the life of Sam J Jones since his iconic performance as ‘Flash Gordon’ in the 1980 classic of the same name, and the aftermath of the young stars’ clash with one of Hollywood’s biggest legends, producer Dino De Laurentiis. Q&A with star Sam J. Jones, Lisa Downs, and producer Ashley Pugh
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4 Netflix Films incl. “The Rachel Divide” to Premiere at 2018 Tribeca Film Festival | Trailer
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THE RACHEL DIVIDE[/caption]
Netflix has dropped the trailer for the “The Rachel Divide” – the documentary on delf-described “trans racial” activist Rachel Dolezal, which along with three other films will premiere at the 2018 Tribeca Film Festival. The films include the North American debuts of Cargo and Sunday’s Illness (aka La Enfermedad Del Domingo); and world premieres of documentaries The Rachel Divide and The Bleeding Edge.
Cargo (Netflix Launch: May 18, 2018)
Stranded in rural Australia in the aftermath of a violent pandemic, an infected father desperately seeks a new home for his infant child, and a means to protect her from his own changing nature. Directed by Ben Howling and Yolanda Ramke and written by Yolanda Ramke, Cargo boasts a top-line international cast including Martin Freeman, Anthony Hayes, Susie Porter, Caren Pistorius, Kris McQuade, Natasha Wanganeen and David Gulpilil. Cargo is produced by Samantha Jennings and Kristina Ceyton of Causeway Films (The Babadook). Russell Ackerman, John Schoenfelder and Mark Patterson also serve as producers.
Sunday’s Illness (aka La Enfermedad Del Domingo) (Netflix Launch: June 15, 2018)
In Sunday’s Illness (aka La Enfermedad Del Domingo), Anabel abandoned her daughter Chiara when she was barely eight years old. Thirty-five years later Chiara returns with a strange request for her mother; she asks to spend ten days together. Anabel sees this trip as a chance to get her daughter back, but she doesn’t know that Chiara has a hidden purpose and she’ll have to face the most important decision of her life. Written and Directed by Ramón Salazar, the film stars Bárbara Lennie and Susi Sánchez. Sunday’s Illness is produced by Francisco Ramos and executive produced by Rafael López Manzanara.
DOCUMENTARY FEATURES
The Rachel Divide (Netflix Launch: April 27, 2018) Self-described “trans racial” activist Rachel Dolezal ignited an unprecedented media storm when a local news station in Spokane, WA outed her as a white woman who had been living as the black president of the NAACP. Since the controversy erupted, director Laura Brownson and team exclusively filmed with Rachel, her sons and her adopted sister Esther, capturing the intimate, vérité life story of a damaged character who lands squarely in the cross-hairs of race and identity politics in America – and exploring how that character still provokes negative reactions from millions who see her as the ultimate example of white privilege. A Netflix original documentary, The Rachel Divide, is executive produced by Academy Award winner Roger Ross Williams. https://www.youtube.com/watch?v=gyhOTvC1v-A The Bleeding Edge (Netflix Launch: 2018) America has the most technologically advanced health care system in the world, yet medical interventions have become the third leading cause of death, and the overwhelming majority of high-risk implanted devices never require a single clinical trial. In The Bleeding Edge, Academy Award nominated filmmakers Kirby Dick and Amy Ziering (The Invisible War, The Hunting Ground) turn their sights on the $400 billion medical device industry, examining lax regulations, corporate cover-ups, and profit driven incentives that put patients at risk daily. Weaving emotionally powerful stories of people whose lives have been irrevocably harmed, the film asks: what life-saving technologies may actually be killing us?
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SXSW 2018: Watch Trailer for “TAKE YOUR PILLS” Documentary on Rise in Adderall Prescriptions
Take Your Pills, directed by acclaimed documentarian Alison Klayman (Ai Weiwei: Never Sorry) and executive produced by Maria Shriver and Christina Schwarzenegger, explores the rise in popularity of prescription stimulants such as Adderall in today’s do-more-better-faster world.
Take Your Pills will premiere at SXSW on Friday, March 9, and will launch globally on Netflix on Friday, March 16.
The pressure to achieve more, do more, and be more is part of being human – and in the age of Adderall and Ritalin, achieving that can be as close as the local pharmacy. No longer just “a cure for excitable kids,” prescription stimulants are in college classrooms, on Wall Street, in Silicon Valley…any place “the need to succeed” slams into “not enough hours in the day.” But there are costs. In the insightful Netflix documentary Take Your Pills, award-winning documentarian Alison Klayman (Ai Weiwei: Never Sorry) focuses on the history, the facts, and the pervasiveness of cognitive-enhancement drugs in our amped-up era of late-stage-capitalism. Executive produced by Maria Shriver and Christina Schwarzenegger, Take Your Pills examines what some view as a brave new world of limitless possibilities, and others see as a sped-up ride down a synaptic slippery slope, as these pills have become the defining drug of a generation.
https://www.youtube.com/watch?v=X6Xebo1pngM
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Showtime Documentary Series “THE FOURTH ESTATE” to World Premiere as Closing Night Film of Tribeca Film Festival
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The Fourth Estate[/caption]
The new Showtime original documentary series, The Fourth Estate, directed by award-winning filmmaker Liz Garbus (What Happened, Miss Simone?), will have its world premiere as the closing night film of the prestigious 2018 Tribeca Film Festival.
In these times when journalism is being questioned and attacked as “fake news,” Garbus turns her lens on The New York Times in The Fourth Estate, revealing the challenges, triumphs and pitfalls of covering a president who has declared the majority of the nation’s major news outlets “the enemy of the people.” Embedded for the past year with The Times and granted unprecedented access and interviews with editors and reporters on the front lines, the docuseries presents a groundbreaking portrait of the men and women who are fighting for freedom of the press. Viewers will witness the inner workings of journalism and investigative reporting during this administration’s first history-making year.
Following the screening on Saturday, April 28, Tribeca Film Festival will host a panel discussion with some of the subjects of the documentary including The New York Times executive editor Dean Baquet, Washington bureau chief Elisabeth Bumiller, White House correspondent Maggie Haberman, Washington investigative correspondent Mark Mazzetti and Garbus.
The Fourth Estate will premiere on Showtime, on Sunday, May 27 at 8 p.m. ET/PT.
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RBG, Supreme Court Justice Ruth Bader Ginsburg Docu to Open 2018 Minneapolis St. Paul International Film Festival | Trailer
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Ruth Bader Ginsburg in RBG by Betsy West and Julie Cohen[/caption]
RBG, the acclaimed documentary celebrating the life and lasting influence of Supreme Court Justice Ruth Bader Ginsburg will be the opening night film of the 37th Minneapolis St. Paul International Film Festival.
Charting Ruth Bader Ginsburg’s life through growing up in Brooklyn, RBG shows Ginsburg pursuing her education, falling in love, her friendship with the late Justice Antonin Scalia and eventual appointment as Justice of the Supreme Court. A fighting force, Ginsburg’s determination throughout her life and career has earned her the title of “notorious” both in politics and the wider public discourse. As a history-making public figure, Ginsburg has become “notorious” through her championing of women, her ever-persistent work ethic, and her commitment to democracy. Program: Special Presentation, Women & Film. Directed by Julie Cohen, Betsy West. USA. 2018. English. 97 min. Documentary Feature.
https://www.youtube.com/watch?v=biIRlcQqmOc
In addition to the the opening night film, the festival selected the Women & Film and Spotlight on the World: Chasms and Bridges titles.
WOMEN & FILM
MSPIFF’s showcase female directors from around the globe and a short list of this year’s many titles includes: Sofia Djama’s The Blessed (from Algeria), Vivian Qu’s Angels Wear White (China) and Rungano Nyoni’s I Am Not A Witch (Zambia). THE BLESSED (LES BIENHEUREUX) In postwar Algiers, Amal and Samir are a middle-aged couple hoping to celebrate their twentieth wedding anniversary. Drifting through their day, they eventually find themselves at a restaurant. Here, they confront their differences and disillusionment, threaded with the unsettled atmosphere of postwar society. Outside, their teenaged son Fahim and his friends, Feriel and Reda, spend their day on the streets of Algiers. They too reveal ideological differences among them, their banter soon leading to the reveal of hidden wounds left by the Algerian Civil War that shaped their current world. Program: Images of Africa, Women & Film. Directed by Sofia Djama. Algeria, Belgium, France. 2018. Arabic, French w/English subtitles. 102 min. Narrative Feature. ANGELS WEAR WHITE (JIA NIAN HUA) Xiaomi, a motel cleaner, watches as a district-commissioner checks in alongside two girls, Xiaowen and Xin Xin. On the surveillance monitor, Xiaomi sees the commissioner push his way into the girls’ room, and she decides to record the event with her smartphone. In the wake of the assault, Xiaomi’s story does little good for the girls as they face their unconcerned families and a society that would rather put the blame on them than offend their attacker. Program: Asian Frontiers, Women & Film. Directed by Vivian Qu. China, France. 2018. Chinese (Mandarin) w/English subtitles. 107 min. Narrative Feature. I AM NOT A WITCH Shula is young woman accused by an older woman of being a witch. Adorned with a spindle to “tether” her to the ground and carted off to a camp for witches that bares little difference to your standard zoo, Shula is then forced to perform her “magic” for a corrupt official. Rungano Nyoni’s debut feature-film renders Shula’s journey by exploring themes of femininity, superstition and acceptance, while also keeping Shula herself a mystery to all the spectators that attempt to control her world. Program: Images of Africa, Women & Film. Directed by Rungano Nyoni. Zambia, UK, France. 2017. English. 90 min. Narrative Feature.CHASMS AND BRIDGES: CINEMA AND THE SEARCH FOR COMMON GROUND
The 2018 MSPIFF Spotlight on the World is Chasms and Bridges: Cinema and the Search for Common Ground. Tackling the lines that divide us and the dramatic potential for reconciliation and compassion, this special series of titles and related panel discussions and workshops, are designed to open up conversations on the social and ideological divides and shifting social order shaping our world today. Such stories can be found in fiction: A Syrian outsider finds both love and bigotry in Finland (A Moment in the Reeds); a powerful business woman comes face-to-face with the glass ceiling (Number One) ; upper and middle classes collide in Iran as a minor accident turns into major tragedy (No Date, No Signature). And non-fiction: Delve into the day-to-day life of radical Islamist family (Of Father and Sons); see the 2016 US election from the Russian perspective (Our New President); take a frustrating look at the corruption inside the NYPD (Crime + Punishment). A MOMENT IN THE REEDS (TÄMÄ HETKI KAISLIKOSSA) After moving to Paris for university, handsome literature student Leevi returns to his native Finland for the summer to help his estranged father renovate the family lake house so it can be sold. Tareq, a recent asylum seeker from Syria, has been hired to help with the work, and when Leevi’s father has to return to town on business, the two young men establish a connection and spend a few days discovering one another during the Finnish midsummer. Program: Midnight Sun, LGBTQ Currents, Spotlight. Directed by Mikko Makela. Finland, UK. 2017. English, Finnish w/English subtitles. 108 min. Narrative Feature. NUMBER ONE (NUMÉRO UNE) When Emmanuelle, an executive in a French energy firm, reaches the glass ceiling, but refuses to recognize her limited options. For years she has refused to acknowledge the sexism inherent in her workplace, but when chauvinistic male colleagues work to undermine her rise in the ranks, Emmanuelle pulls out all the stops in an attempt to capture what is rightly hers. Program: World Cinema, Women & Film, Spotlight. Directed by Tonie Marshall. France. 2017. French w/English subtitles. 110 min. Narrative Feature. OF FATHERS AND SONS The roots of home run deep in Talal Derki’s latest eye-opening feature. Returning to his homeland of Syria, documentary filmmaker Derki encounters Abu Osama and his family. Masqurading as a jihadist sympathizer, Derki integrates himself into the household of Osama, an Al-Nusra Front member. Program: World Cinema, Spotlight. Directed by Talal Derki. Germany, Syria, Lebanon, Qatar. 2018. Arabic w/English subtitles. 99 min. Documentary Feature. OUR NEW PRESIDENT In this era of fake news v. real news, acclaimed documentarian Maxim Pozdorovkin has crafted a startling cine-essay, pulling together footage from the 2016 election from YouTube, Russian-government run RT, and other sources to dig deep into the propaganda machine that may ultimately have altered the U.S. Presidential election. Program: World Cinema, Spotlight. Directed by Maxim Pozdorovkin. Russia, USA. 2017. English, Russian w/English subtitles. 77 min. Documentary Feature. CRIME + PUNISHMENT Shocking and true, Crime + Punishment explores the internal corruption of the New York City Police Department and the undeniably racist system that has persisted well past early revelations. Back in 2013, a group of 12 police officers had dared to take the NYPD to court for the corruption, but the case’s federal hearing did not lead to reform. Cut to 2017, and director Stephen Maing reconnects with the police officers who first took a stand, to find them more determined than ever to speak out against the continued injustice. Program: New American Visions, Spotlight. Directed by Stephen Maing. USA. 2018. English. 112 min. Documentary Feature NO DATE, NO SIGNATURE (BEDOONE TARIKH, BEDOONE EMZA) While on his way home from work, forensics doctor Dr. Kaveh Nariman is nearly hit by a reckless driver and in the chaos hits a motorcycle carrying Moosa, Leila, and their children. Moosa and Leila are uninjured, along with their daughter, but their young son, Amir Ali, appears to have a concussion. Brushing off a hospital visit, Kaveh and the family go their separate ways, only for the latter to discover the next day that one of the incoming bodies at the morgue where he works is Amir. Fellow colleague Dr. Sayeh Behbahnani deduces that the boy’s death was due to botulism caused by eating cheap chicken, but Nariman remains convinced that it was the motorcycle accident that ultimately caused it. Program: World Cinema, Spotlight. Directed by Vahid Jalilvand. Iran. 2017. Farsi w/English subtitles. 100 min. Narrative Feature.
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2018 Full Frame Documentary Film Festival Announces Lineup – “306 Hollywood” “Boom for Real” and More…
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306 Hollywood by Elan Bogarín and Jonathan Bogarín[/caption]
The Full Frame Documentary Film Festival, today announced its lineup of features and short films. The 21st annual festival will take place April 5 to 8, 2018, in Durham, North Carolina.
The NEW DOCS program includes 42 titles – 32 features and 10 shorts – selected from nearly 1,800 submissions from around the globe. These films are eligible for the Full Frame Audience Award and are shortlisted for a variety of additional juried awards offering a combined value of $40,000 in cash prizes. Award winners will be announced at the annual Awards Barbecue on Sunday, April 8. The Invited Program includes 22 feature films screening out of competition.
Renowned filmmaker Joe Berlinger will curate the 2018 Thematic Program, and the festival will honor Jehane Noujaim’s illustrious body of work with the 2018 Tribute. Delving into the fascinating genre of true crime, the Thematic Program will feature films that follow individual cases and consider the ways documentary uniquely represents the complexities, and limitations, of the American judicial system. For the Tribute, Full Frame will showcase Noujaim’s lauded films exploring themes of resilience, freedom, democracy, and free speech.
NEW DOCS
306 Hollywood (Directors: Elan Bogarin, Jonathan Bogarin) When their beloved grandmother dies, two siblings embark on an imaginative exploration of her home, sifting through her belongings, and their own cherished memories, to discover her essence. América (Directors: Erick Stoll, Chase Whiteside) When their father is unexpectedly arrested, three brothers come together to care for their aging grandmother, América. This sensitive portrait delicately captures the frustrations and connections that evolve as they navigate her physical decline and their expectations of one another. The Area (Director: David Schalliol) Charismatic activist Deborah Payne tirelessly battles developers of a new multibillion-dollar freight yard that threatens to destroy Englewood, her neighborhood on Chicago’s South Side. World Premiere The Bastard (Director: Floris-Jan van Luyn) The Hoeks are united in name but severed by history: Ethiopian-born Daniel and his estranged Dutch father, Joop, each tell their story, but who can be trusted in this tangled tale of regret and misdeed? Bending Lines: The Sculpture of Robert Wiggs (Directors: Peter DeHart, Allison Bohl DeHart) Inspired by the geometry of nature—from the cracks in dried mud to the structure of pine cones to the scales on armadillos—Wiggs’s artistic process reveals the intriguing interplay between mathematics and art. World Premiere The Blessing (Directors: Hunter Robert Baker, Jordan Fein) In this stunningly and candidly shot film, Lawrence, a Navajo coal miner, wrestles with his relationship to land to which he is spiritually bound but employed to destroy, while his daughter, Caitlin, forms her own identity amid cultural pressures. World Premiere Cielo (Director: Alison McAlpine) Enter a wondrous exploration of the meeting of heaven and Earth in this dynamic exchange between humans and the starry skies of Chile’s Atacama Desert. Crime + Punishment (Director: Stephen Maing) This powerful film follows twelve brave whistleblowers who speak out against illegal policing quotas in the NYPD and the retaliation they experience after refusing to make arrests targeting minority populations. David. The Return to Land (David. El regreso a la tierra) (Director: Anaïs Huerta) Haitian, French, and adopted by Jewish parents, 34-year-old David embarks on a mission to better understand who he is in this beautifully nuanced observation of self-discovery. North American Premiere The Deminer (Director: Hogir Hirori; Co-director: Shinwar Kamal) After the fall of Saddam Hussein, Colonel Fakhir of the Iraqi army devotes his life to disarming landmines, with only a pocket knife and wire cutters, in this deeply suspenseful film that makes use of Fakhir’s own extensive video footage. North American Premiere A Friendship in Tow/Toe (Director: Atsushi Kuwayama) In the brief ascent up a flight of stairs, a pair of strangers find a rapport across languages and generations. From Parts Unknown (Director: Michael T. Workman) The poignant experience of a young man who determines an unlikely outlet for his pain and hardships: In local wrestling, he finds catharsis, community, and a sense of purpose. The Good Struggle (Director: Celia Peterson) Although few words are spoken between themselves, monks at a Greek Orthodox monastery in Lebanon provide voiceovers to their daily routines—their devout thoughts echo the beauty of their solitude. World Premiere Hale County This Morning, This Evening (Director: RaMell Ross) Observational and impressionistic, this poetic film is a humanist exploration of an Alabama community, where mostly black, working-class families live, work, dream, celebrate, and struggle together. I Am Bisha ( انا% ةش) ( Director: Roopa Gogineni) As an act of pure creative resilience, Ganja and his friends film a humorous and satirical web series, Bisha TV, starring puppets to combat the violent, genocidal regime of Sudanese president Omar al-Bashir. World Premiere Inventing Tomorrow (Director: Laura Nix) Six young scientists from around the globe compete in the largest international high school science fair—with their ingenious solutions to environmental problems, they don’t just aim to bring home the top prize, they hope to change the world. The Issue of Mr. O’Dell (Director: Rami Katz) The work of Jack O’Dell, who once worked alongside Martin Luther King, Jr., is revealed through a conversation with the 94-year-old activist, who delves into his historical involvement in the civil rights struggle as well as the movement’s contemporary incarnation under the stewardship of groups like Black Lives Matter. Lovers of the Night (Director: Anna Frances Ewert) Seven elderly monks at a Cistercian abbey in Ireland humorously muse on their spiritual experiences, way of life, and the inevitable end to it all. Maj Doris (Director: Jon Blåhed) Ever-able, 74-year-old Maj Doris Rimpi is a renowned Sámi artist who lives alone in Sweden and tends to her home and herd of reindeer, but after another long winter she wonders, is it time to consider a new way of life? North American Premiere The Mauritania Railway: Backbone of the Sahara (Director: MacGregor) In this expansive, gorgeously composed short, ride atop the railway car that serves as a 704- kilometer-long lifeline that supplies goods and iron ore to people in different cities in the Sahara Desert. World Premiere MELTING SOULS (NORILSK, L’étreinte de glace) (Director: François-Xavier Destors) This exquisitely photographed portrait documents a remote Arctic city centered around a metal refinery, where residents endure extreme, subzero temperatures to survive on the resource that lies beneath the tundra. North American Premiere Messenger on a White Horse (El mensajero) (Director: Jayson McNamara) This homage to the fearless investigative reporting of the Buenos Aires Herald during the disappearances and murders of Argentinians between 1976 and 1983, utilizes impeccable archival footage and testimonies from surviving members of the Mothers of the Plaza de Mayo as well as lead newspaper editor Robert Cox. North American Premiere Minding the Gap (Director: Bing Liu) Skateboarding and strained family relationships bond three friends together in this introspective saga about the journey from youth to adulthood. Las Nubes (Director: Juan Pablo González) As a father drives through an unidentified countryside, his car becomes a space for reflection as he recounts the impact of cartel violence on his home and family. Of Fathers and Sons (Director: Talal Derki) With rare and chilling insights, this film takes us into the lives of a Syrian family, led by an Al-Nusra fighter, where we observe how swiftly the innocence of childhood can fade. Our New President (Director: Maxim Pozdorovkin) By turns provocative, disorienting, and astonishing, this feature weaves clips from Russian state-owned news coverage of the 2016 U.S. presidential election to portray the perils of bias, conspiracy theories, and manufactured narratives. Owned: A Tale of Two Americas (Director: Giorgio Angelini) This energetic film unpacks the complex history of home ownership in America to reveal the postwar housing economy’s racist underpinnings—the creation of a large middle class simultaneous with the systematic defunding and segregating of communities. World Premiere PATRIMONIO (Directors: Lisa F. Jackson, Sarah Teale) When a multinational corporation attempts to covertly develop plans to build a resort on the fishermen’s coast in Todos Santos, Mexico, the locals unite for a momentous and riveting fight for their resources and their heritage—their patrimonio. North American Premiere Personal Truth (Director: Charlie Lyne) Spurred from the fake “Pizzagate” scandal, this frenetic and provocative observational film about the power of fake news suggests that conspiracy theories may be more believable than one might like to admit. The Providers (Directors: Laura Green, Anna Moot-Levin) The El Centro Family Health system in northern New Mexico covers 22,000 square miles and suffers from a chronic shortage of health care providers. This film follows three dedicated practitioners in their daily work and private lives. World Premiere The Pushouts (Directors: Katie Galloway, Dawn Valadez) This inspiring film follows the transformative work of Dr. Victor Rios, a former gang member and high school dropout, as he works to support students, through tools for selfreflection and expression, in an educational system that is failing to reach them. World Premiere Rebuilding in Miniature (Director: Veena Rao) In this short, miniaturist Ali Alamedy, an Iraqi refugee, painstakingly creates exquisitely detailed dioramas of places he’s never been in an attempt to heal his disrupted relationship to home. The Rescue List (Directors: Alyssa Fedele, Zachary Fink) In a Ghanaian safe house, a team works to rehabilitate two young men who were trafficked into slavery to fisherman on Lake Volta. As it moves from rescue operation to healing process, this riveting film follows the men through their recovery and reveals the extraordinary dedication of their rescuer. Shirkers (Director: Sandi Tan) A film lover’s dream quickly turns to nightmare: Sandi Tan recounts making her first film in Singapore in 1992 and how she loses everything when her mentor, Georges Carandos, steals the footage. This unique diary is a bright ode to cinema, and a moving story of friendship, betrayal, and failure. A Singular Garden (Um Jardim Singular) (Director: Monica Klemz) This experimental documentary blends old and new images of the garden next to the presidential palace in Rio de Janeiro and incorporates natural sound as a way to connect past and present. World Premiere Sky and Ground (Directors: Talya Tibbon, Joshua Bennett) Incorporating a refugee family’s own footage, Sky and Ground follows a Syrian-Kurdish refugee family as they flee from a holding camp at the Greece-Macedonia border and take their chances at reaching asylum by foot on a perilous one-way trip to Berlin. Tempting Promises (Le allettanti promesse) (Directors: Chiara Campara, Lorenzo Faggi) A small town tucked quietly away in the Italian Alps is chosen to host the 2016 Wikimania conference—an annual meeting of international Wikipedia contributors—and the townspeople unite to welcome the newcomers and the new technological age. North American Premiere This Is Home (Director: Alexandra Shiva) Through brilliant observational filmmaking, This Is Home tells the story of four Syrian families on the path to self-sufficiency, and success, in a resettlement program in Baltimore, Maryland. Three Identical Strangers (Director: Tim Wardle) A chance encounter leads three teenagers to discover that they are in fact triplets. Sharing this undeniable bond, they become fast friends and embark upon living their lives together, but the roots of their separation prove to be more sinister than they could have imagined. Thy Kingdom Come (Director: Eugene Richards) A priest bears witness to the personal stories of people in a mid-American town: Heartbreak, regret, faith, resignation all resonate profoundly in this succession of exquisitely photographed scenes of intimate communion. Time Trial (Director: Finlay Pretsell) Former doper and Tour de France champion David Millar is clean and ready to win the right way. This sensory ride travels alongside him for every breath, turn, and fall, through the thrills and hardships of professional cycling. The Unafraid (Directors: Anayansi Prado, Heather Courtney) The gripping and vital stories of three DACA students unfold as they work for immigrant rights, and the future of their families, after being banned from attending Georgia’s top universities or receiving in-state tuition. World PremiereInvited Program
12th and Clairmount (Director: Brian Kaufman) Contemporary interviews bring to life scenes from home movies, newsreels, and photographs of one of the most violent civil disturbances in U.S. history, the 1967 Detroit riot, when police brutality against African American citizens ignited a five-day standoff. Bisbee ’17 (Director: Robert Greene) In 1917, a strike in an Arizona mining town culminated in the exile of over a thousand immigrant workers. One hundred years later, a large-scale reenactment of the shocking events serves as a catalyst for remembrance and reflection. Boom for Real: The Late Teenage Years of Jean-Michel Basquiat (Director: Sara Driver) This portrait of the pop culture icon revisits the years before he took the art world by storm. Archival footage and intimate stories from a circle of friends, lovers, and neighbors recall both a singular talent and the New York City scene that influenced his career. Capturing the Flag (Director: Anne de Mare) During the 2016 U.S. presidential election, three friends travel to North Carolina to do voter protection work at the polls. This on-the-ground look at their efforts to help potential voters navigate the new laws and requirements that may prevent their vote reveals shocking accounts of voter suppression in play. World Premiere The Cleaners (Directors: Hans Block, Moritz Riesewieck) In the Philippines, a team of “cleaners” specialize in identifying and eliminating obscene content from the internet. Their personal accounts of the pressures and personal judgements inherent in their work give way to a broader examination of the global impact of manipulating content on social media. Dark Money (Director: Kimberly Reed) This modern-day political thriller follows investigative reporter John Adams into Montana’s fight against corrupt campaign financing, a struggle that could alter the devastating effects of unlimited anonymous funding on elections nationwide. Generation Wealth (Director: Lauren Greenfield) For 25 years, Lauren Greenfield has documented affluence around the world. In this fascinating overview of her immense body of work, the photographer reconnects with subjects of her images to consider their relationships to money, then and now, and her own fascination with the topic. Hal (Director: Amy Scott) Hal Ashby’s controversial films about race, sex, politics, and unconventional love made him a Hollywood rarity in the 1970s—a director who made films outside studio control. This loving remembrance by his peers celebrates the iconoclastic filmmaker. The Jazz Ambassadors (Director: Hugo Berkeley) During the Cold War, the U.S. government deployed some of its greatest jazz musicians around the world to promote democracy, even as many of them suffered Jim Crow racism in their own country. Rich archival material and powerful interviews delve into the deep conflict at the heart of the story. World Premiere The Judge (Director: Erika Cohn) Devoted to the law and unwilling to mince words, Kholoud Al-Faqih, the West Bank’s first female judge, navigates Palestine’s family court system, providing a rare glimpse into Islamic courts and gendered justice. Larger Than Life: The Kevyn Aucoin Story (Director: Tiffany Bartok) In the 1980s, Kevyn Aucoin redefined the role of the makeup artist. Home movies and recollections from family, friends, and an impressive roster of famous clients retrace his meteoric rise and his lasting impact. Love Means Zero (Director: Jason Kohn) Tennis coach Nick Bollettieri trained some of the sport’s greatest champions, but his volatility and harsh methods came at a price. Conversations between director and subject revisit moments of triumph and anguish, including Bollettieri’s infamous falling out with Andre Agassi. MAYNARD (Director: Sam Pollard) Interviews with family, friends, and political luminaries combine with archival footage and photographs in this captivating portrait of Maynard Jackson, Atlanta’s first black mayor, whose extraordinary influence spanned three terms in office. A Murder in Mansfield (Director: Barbara Kopple) Twelve-year old Collier Boyle’s testimony put his father in jail for the 1989 murder of his mother. Still imprisoned more than 25 years later, the father maintains his innocence, and Boyle returns to his Ohio hometown, in this sensitive examination of reconciling with the past. On Her Shoulders (Director: Alexandria Bombach) When ISIS devastates her Yazidi community, survivor Nadia Murad becomes the prevailing voice for her people. Following Murad as she recounts her harrowing experience time and again, this film intimately details the burden of imploring the world to intervene. The Price of Everything (Director: Nathaniel Kahn) Moving between auction houses, collectors, artists, and coveted works, this analysis of the art market questions how we determine value, the impact of purchasing art as a form of financial investment, and the cultural implications when pieces are only available to the highest bidder. RBG (Directors: Betsy West, Julie Cohen) This triumphant look at the life and career of Supreme Court Justice Ruth Bader Ginsburg revisits landmark cases and decisions, but also reveals the woman behind the robe and the personal experiences that continue to shape her legacy. The Rape of Recy Taylor (Director: Nancy Buirski) In 1944, Recy Taylor, a 24-year-old black woman, was abducted and raped by six white men in Alabama. The film centers on her unprecedented response—a fight for justice, with the aid of Rosa Parks and other black activists—whose profound influence on the civil rights movement still reverberates today. Rodents of Unusual Size (Directors: Quinn Costello, Chris Metzler, Jeff Springer) Kill them as invasive pests destroying coastal wetlands or keep them as part of the region’s culture? In this quirky account, citizens are divided on what to do about nutria, the giant 20-pound rodents with protruding orange teeth who have made southern Louisiana their home for decades. Solitary Land (Tierra Sola) (Director: Tiziana Panizza) This innovative meditation on Easter Island and its indigenous inhabitants uses historical and present-day footage to illustrate the legacy of colonial exploitation in one of the world’s most remote inhabited locales—a place of beauty, isolation, and tradition. North American Premiere Studio 54 (Director: Matt Tyrnauer) Rare footage transports us back in time and behind the velvet rope into the famed Manhattan disco, as a collection of insiders, including one of the co-founders, recall the rise and fall of the pioneering nightclub and iconic cultural landmark. Won’t You Be My Neighbor? (Director: Morgan Neville) Fred Rogers revolutionized children’s television. This remarkable portrait of the visionary behind Mr. Roger’s Neighborhood reveals the origins of the groundbreaking show, the ways it connected to current events, and its impact on the lives of children, and adults, across the country.FULL FRAME TRIBUTE Jehane Noujaim
Control Room (Director: Jehane Noujaim) It’s 2003, and the United States is on the brink of war with Iraq. Control Room follows journalists of the Al Jazeera satellite channel—broadcasting news to some 40 million Arab viewers—as they try to cut through American rhetoric and awaken the viewers to the realities on the ground. Rafea: Solar Mama (Director: Jehane Noujaim) In this resounding global testament to the power and necessity of equal access to education, Rafea attends Barefoot College in India to become a solar engineer, learning with other women from developing areas how to create sustainable futures for their hometowns. The Square (Director: Jehane Noujaim) After the 2011 Egyptian revolution in Tahrir Square, citizens realize that former president Mubarak’s corrupt regime is still in power; they return to the streets to bring an end to the government, combatting controlled international media coverage, enduring violence, and navigating fragile relationships. Startup.com (Directors: Chris Hegedus, Jehane Noujaim) In the late 1990s, two high school friends attempt to turn the spark of an idea into a multimillion-dollar company. But when passion leads to tension, and the dot-com rush gives way to the dot-com bust, will they be able to deliver on their dream?THEMATIC PROGRAM Crime and Punishment
Curated by Joe Berlinger Brother’s Keeper (Directors: Joe Berlinger, Bruce Sinofsky) A murder trial ignites the small farming community of Munnsville, New York, when Delbert Ward, an eccentric and uneducated man, confesses to suffocating his brother in the isolated home they shared with two other brothers. Was the killing an act of mercy? Was Delbert’s confession coerced? In Brother’s Keeper, a surprisingly complicated story emerges. The Farm: Angola, USA (Directors: Liz Garbus, Jonathan Stack) In The Farm, life at the Louisiana State Penitentiary in Angola, the largest maximumsecurity prison in the United States, is seen through the eyes of both its wardens and its prisoners—many of whom will die there—with disturbing parallels to plantation life. Gone: The Forgotten Women of Ohio (Director: Joe Berlinger) After numerous women go missing, leaving their families and local law-enforcement officers with more questions than answers, this stunning series investigates whether or not a serial killer is responsible. In Cold Blood (Director: Richard Brooks) Mixing elements of reality and fiction, In Cold Blood delves into the real-life murders of the Clutter family at the hands of Perry Smith and Dick Hickock in this scripted true-crime cinematic narrative based on Truman Capote’s novel. Paradise Lost: The Child Murders at Robin Hood Hills (Directors: Joe Berlinger, Bruce Sinofsky) When three young boys are brutally murdered, three teenagers are accused of committing the crime as part of a satanic ritual, and are convicted by their community before they even reach the courtroom. Paradise Lost is the first film of the groundbreaking trilogy that documented the case of the West Memphis Three. Scenes of a Crime (Directors: Grover Babcock, Blue Hadaegh) When a four-month-old boy dies, officers are convinced he was killed by his father, who after more than ten hours of questioning, confesses to the crime. Medical experts, police officers, and lawyers offer their opinions on this controversial admission of guilt, but the film’s focal point is the videotaped interrogation itself. The Thin Blue Line (Director: Errol Morris) A man is sent to prison for shooting a Dallas police officer. The documentary questions the veracity of the verdict through interviews with detectives, lawyers, and the alleged murderer, who all paint very different accounts of events, which are represented in stunning reenactments. Titicut Follies (Director: Frederick Wiseman) An intense, purely observational look at the stark conditions of inmate life in the 1960s at the Bridgewater State Hospital for the criminally insane in Massachusetts.
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Boots Riley’s Sundance Hit “Sorry to Bother You” is Centerpiece Event of 2018 San Francisco International Film Festival
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Lakeith Stanfield and Tessa Thompson appear in Sorry to Bother You by Boots Riley[/caption]
Sorry to Bother You, the Sundance hit and Bay Area production, will have its hometown special screening in dual locations, in both Oakland and San Francisco, as a special Centerpiece event at the 2018 San Francisco International Film Festival. Director and screenwriter Boots Riley and cast are expected to participate in intros and Q&As.
On Thursday, April 12, the film will screen at the Castro Theatre in San Francisco at 6:30 pm, and also screen that same night at the Grand Lake Theatre in Oakland at 8:00 pm.
“Boots Riley is family to us,” said SFFILM’s Executive Director Noah Cowan. “He was a resident of SFFILM FilmHouse when he developed this project, he is a four-time recipient of our SFFILM / Rainin Filmmaking Grant; and he has been a huge booster of the Bay Area film community. And so this year’s Centerpiece is an especially joyous celebration, as Boots continues to expand our horizons by inspiring the Festival to expand its footprint into Oakland for the first time with this and several other screenings.”
The wait is over—Bay Area icon Boots Riley’s outrageous and orginal, breakout sensation of this year’s Sundance film festival, Sorry To Bother You marks the feature debut of this visionary director. In an alterate present-day version of Oakland, telemarketer Cassius Green discovers a magical key to professional success, propelling him into a macabre universe. Starring Lakeith Stanfield (Get Out), Tessa Thompson (Creed and Dear White People), and Armie Hammer (Call Me by Your Name), Sorry To Bother You is unlike anything you have ever seen. It is a searing social satire about greed, racial dynamics and capitalism in a universe not unlike our own. The film received funding and creative support through SFFILM artist development programs, FilmHouse Residency and SFFILM / Rainin Filmmaking Grant.
Activist, filmmaker, and musician, Boots Riley studied film at San Francisco State University before rising to prominence as the front man of hip hop groups The Coup and Street Sweeper Social Club. He previously directed The Coup music videos “Eating Forever” and “Me and Jesus the Pimp in a ’79 Granada Last Night.”
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2018 Tribeca Film Festival Announces Immersive Program Featuring Lupita Nyong’o, Alicia Vikander and More..
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My Africa[/caption]
The Tribeca Immersive program at the upcoming 2018 Tribeca Film Festival showcases works by artists who are pushing boundaries, using technology to tell stories and create new experiences. The Virtual Arcade lineup includes 21 world premiere VR/AR exhibits as well as five Storyscapes experiences in competition. The program takes place at the Tribeca Festival Hub from April 20 to 28. A new addition to Tribeca Immersive is Tribeca Cinema360, a VR theater featuring four curated screening programs of 360° mobile content, running April 21-28. The 17th annual Tribeca Film Festival takes place April 18 to 29, 2018.
As one of the first festivals to champion VR as a dynamic form of storytelling, this year’s offerings include 33 virtual reality (VR) innovative exhibitions and experiences from top creators such as Jeremy Bailenson, Chris Milk, Eliza McNitt, Eugene YK Chung, Gabo Arora, and Saschka Unseld, and emerging artists Asad J. Malik, Gabriela Arp, and Lucas Rizzotto. Other acclaimed creators include: Angel Manuel Soto, Lindsay Branham, and Navid Khonsari. Established directors, actors, and musicians with projects this year include: directors Terrence Malick (Together), Laurie Anderson (Chalkroom); actors Rosario Dawson (BattleScar), Lupita Nyong’o (My Africa), Alicia Vikander (Arden’s Wake: Tide’s Fall); and GRAMMY® award winning band OK Go (Untitled OK Go & WITHIN Project).
Several Immersive projects featured in the program tackle timely cultural issues, including racism (1,000 Cut Journey), climate change (This is Climate Change), immigration and xenophobia (Terminal 3), nuclear war (The Day The World Changed) and HIV/AIDS (Queerskins: a love story). In addition, the lineup includes programming that allows visitors to become active participants in astonishing experiences, such as swimming with sharks (Into the Now), caring for a baby elephant (My Africa), being caught in the bombing raid of a town square (Hero), and participating in a groundbreaking collaboration of AR and Immersive Theater from creators Graham Sack, Sensorium Works and NY Theater Workshop (objects in mirror AR closer than they appear).
Tribeca Cinema360 spotlights four immersive screening programs: VR for Good Creators Lab, This is Climate Change, horror themed It’s Right Behind You, and the breathtaking experimental visions of Horizons.
VIRTUAL ARCADE
20 projects from five countries, with 17 world premieres, make up this dynamic program. #WarGames VR (World Premiere) – USA Project Creator: Sam Barlow, Eko Key Collaborators: MGM, m ss ng p eces Kelly, an ex-military brat-turned-hacker activist, teams up with international hackers in an attempt to bring about peace. But, as events escalate, it begins to appear that they may have done more harm than good. #WarGames puts viewers in the middle of the convergence of hacktivism, modern-day espionage, and military intrigue. 1000 Cut Journey (World Premiere) – USA Project Creator: Courtney Cogburn, Elise Ogle, Jeremy Bailenson, Tobin Asher, Teff Nichols Key Collaborators: Virtual Human Interaction Lab, Cogburn Research Group In this immersive virtual-reality experience, the viewer becomes Michael Sterling, a black man, encountering racism as a young child, adolescent, and young adult. 1,000 Cut Journey highlights the social realities of racism, for understanding racism is the essential first step in promoting effective, collective social action and achieving racial justice. Arden’s Wake: Tide’s Fall (World Premiere) – USA Project Creator: Eugene YK Chung, Jimmy Maidens Key Collaborators: Devon Penney, Annmarie Koenig, Bruna Berford, Christina Tasooji, Adrian Ochoa, Jessica Douglas, Terry Kaleas, Kinga Vasicsek Tide’s Fall continues the journey of Meena, a young woman living in a post-apocalyptic world and searching for her father in the depths of the ocean after his unexpected disappearance. Featuring the voice of Academy Award-winner Alicia Vikander, this expansion of Penrose Studios’ award winning Arden’s Wake embraces the art of long-form storytelling in virtual reality. Cast: Alicia Vikander (narrator) BattleScar (New York Premiere) – USA, France Project Creator: Nico Casavecchia, Martin Allais Key Collaborators: Arnaud Colinart, Andrew Geller, Raphael Penasa, René Pinnell After Lupe, a Puerto Rican runaway, meets Debbie in the cell of a juvenile detention center, she is introduced to the punk scene of the Lower East Side and the secret world of Alphabet City. BattleScar is a coming of age drama set in 1978 New York that explores identity and empowerment through stunning animation and immersive environments. Cast: Rosario Dawson (narrator) Campfire Creepers: Midnight March (World Premiere) – France, USA Project Creator: Alexandre Aja Key Collaborators: Casey Cooper Johnson, Martin Andersen When the kids at Camp Coyote are forced on a brutal midnight march by their sadistic counselors, one boy reaches his breaking point. He turns the tables on the bullies, revealing a surprising secret about himself in the process. Master of horror Alexandre Aja invites viewers on a thrilling ride that will leave them gasping. Cast: Archie Lewis, Chloe Hawthorne, Kai Czuplak, Lara Karbritz, Lola Martin Chalkroom (New York Premiere) – Taiwan R.O.C., USA Project Creator: Laurie Anderson, Hsin-Chien Huang Chalkroom is a virtual reality work by celebrated artist Laurie Anderson and Hsin-Chien Huang in which the reader—the viewer—flies through an enormous structure made of words, drawings, and stories. Inside the experience, the reader is free to roam and fly, while words sail through the air like emails, fall into dust, and form and reform. Coral Compass: Fighting Climate Change in Palau (World Premiere) – USA Project Creator: Tobin Asher, Elise Ogle, Jeremy Bailenson Key Collaborators: Rob Dunbar, Bob Richmond Palau, like many other small countries, is powerless to curb global carbon dioxide emissions. Nevertheless, the tiny island nation is adapting to climate change: In its clear, warm waters exist resilient coral reefs safeguarded by a strong-willed people fighting to keep them alive. The Day the World Changed (World Premiere) – USA Project Creator: Gabo Arora, Saschka Unseld Key Collaborators: Nathan Brown, Tom Lofthouse, Jennifer Tiexiera, Nate Robinson, Igal Nassima This virtual-reality experience situates participants in the ruins of Hiroshima after the bomb, allowing them to witness testimony from survivors and survey the nuclear arms race through immersive, interactive data visualization. The Day the World Changed, from acclaimed creators Gabo Arora & Sachka Unseld, brings the harrowing impressions of the victims of atomic bombings and nuclear tests to viewers through innovative use of 3-D scanning and photogrammetry. Dinner Party (New York Premiere) – Puerto Rico, USA Project Creator: Angel Manuel Soto, Charlotte Stoudt, Laura Wexler Key Collaborators: Rachel Skidmore, Bryn Mooser, Erik Donley Dinner Party tells the incredible story of Betty and Barney Hill, an interracial couple who made the first report of a UFO abduction in America in 1961. Having sought hypnosis to recover memories of their inexplicable experience, the Hills decide to listen to the recording of their session during a dinner party—and what they hear could change their lives forever. Cast: Malcolm Barrett, Sarah Sokolovic Firebird: The Unfinished (World Premiere) – France Project Creator: Balthazar Auxietre Key Collaborators: Hadrien Lanvin The curator of a museum dedicated to the famous sculptor Auguste is making a last inspection the night before the grand opening when a storm breaks out. Suddenly, the statues populating the grounds are not quite as still as one might expect—but it’s not clear whether the storm outside is playing mind games, or whether, perhaps, the ghost of Auguste has appeared to ask for help finishing his masterpiece. Cast: Tarek Aitmeddour, Raphaelle Boitel, Augustin Jacob, Pauline Journe, Myriam Kerkour, David Negroni Fire Escape (World Premiere) – USA Project Creator: Vassiliki Khonsari, Navid Khonsari, Andres Perez-Duarte, Sam Butin Key Collaborators: Lulu LaMer, Maria Essig, iNK Stories This innovative, interactive thriller invites the participant to peer into the private lives of eight diverse New Yorkers from the vantage of a fire escape, where suspicion and deception unfold in real time. Set against the shadowy backdrop of gentrification in contemporary Brooklyn, Fire Escape depicts a contingent of disenfranchised tenants who soon become entangled in a string of dark mysteries and murder. Cast: ASMR Darling, Ethan Rains, Edward Jackson, Michelle Lukes, Olivia Preciado, Tanya Henderson, Giselle Gilbert The Hidden (World Premiere) – India, USA Project Creator: Lindsay Branham Key Collaborators: International Justice Mission, Oculus VR for Good There are currently more people living in slavery than at any other time in human history. One such family has been enslaved in a rock quarry in southern India for 10 years—over a paltry debt of $70 USD. Indian government representatives, supported by the human rights group International Justice Mission, plot a daring raid to free the family. Also playing as a part of Cinema360: VR For Good Creators Lab Into the Now (World Premiere) – USA Project Creator: Michael Muller Key Collaborators: Michael Smith, Morne Hardenberg Director and legendary shark photographer Michael Muller’s lifelong fear of sharks eventually led him to discover the tranquility and peace of mind that is possible underwater, engaged with these curious and intimidating creatures. This stunning documentary, a revolutionary, stereoscopic virtual-reality experience, explores marine life and ocean conservation via Muller’s own internal journey. My Africa (World Premiere) – USA, UK Project Creator: Conservation International, Passion Planet, Vision3 In Northern Kenya, the futures of wildlife and people are intertwined. Stand in the midst of a thundering wildebeest migration, witness a lioness snatch her prey—and meet a community dedicated to saving Africa’s wildlife in My Africa. The mixed-reality, companion experience puts paticipants in the shoes of a Reteti Elephant Sanctuary keeper caring for the newest arrival, a baby elephant named Dudu. Cast: Lupita Nyong’o (narrator), Naltwasha Leripe SPHERES: Pale Blue Dot (World Premiere) – USA Project Creator: Eliza McNitt Key Collaborators: Darren Aronofsky, Ari Handel, Jess Engel, Arnaud Colinart, Dylan Golden In this cosmic journey from the edges of the universe to our “pale blue dot,” the viewer uncovers echoes of the Big Bang; gazes back in time; traces the history of sound across the cosmos, uncovering the strangest song of all; and traverses the universe, ultimately finding a path home. Star Child (World Premiere) – USA Project Creator: Paul Bettner Key Collaborators: Mia Goodwin This cinematic platforming adventure follows the journey of Spectra and her companion on an important mission to an alien planet. After they are stranded, they uncover a hostile, overwhelming force that threatens to destroy everything. Inspired by countless science fiction adventure classics—games, books, and movies alike—Star Child is, at its heart, both a mystery and a journey of self-discovery. Untitled OK Go & WITHIN Project (World Premiere) – USA, UK Project Creator: Chris Milk, Damian Kulash Key Collaborators: WITHIN, OK Go, Oculus Innovative creators Chris Milk and OK Go’s Damian Kulash invite pairs of participants into a wondrous environment where they can experience the joy of creating music through collaboration. In this virtual world, replete with magical music-making contraptions, friendly animals, robots, and audience members work together to create an original song. Vacation Simulator (World Premiere) – USA Project Creator: Owlchemy Labs Key Collaborators: The follow-up to the wildly popular virtual-reality game Job Simulator, Vacation Simulator returns participants to the world of Owlchemy Labs, where they can visit Vacation Island and experience “recreation,” optimal “relaxation,” and classic human pastimes like “sunburn.” Vacation Island offers all this and more, helping visitors rediscover the lost art of “time off.” Vestige (World Premiere) – UK, USA, France Project Creator: Aaron Bradbury Key Collaborators: Paul Mowbray, Antoine Cayrol, Jill Klekas Basmajian This creative nonfiction experience uses multi-narrative and volumetric capture to journey through the mind of Lisa as she remembers her lost love, Erik. Fragments of memories of their life together appear inside a void and, over time, become entangled with a haunting vision, culminating in the shocking moment of Erik’s death. Cast: Lisa Elin Where Thoughts Go : Prologue (World Premiere) – USA Project Creator: Lucas Rizzotto Key Collaborators: Tarik Merzouk, Steven Hodgson An intimate social virtual-reality experience, Where Thoughts Go is set in a world where all human thoughts exist as sleeping creatures, each holding a voice message left by a previous visitor. As they awake, they reveal the dreams, experiences and fears of other people—and give the participant the opportunity to leave their own for others to find.STORYSCAPES
The competition includes four world premieres and one New York premiere. One Storyscapes nominee will be selected by a jury to receive the Storyscapes Award, presented by AT&T, which recognizes groundbreaking approaches in storytelling and technology. The five projects come from Canada, Pakistan and USA. Biidaaban: First Light (World Premiere) – Canada Project Creator: Lisa Jackson, Mathew Borrett, Jam3 and the National Film Board of Canada Key Collaborators: Rob McLaughlin, Dana Dansereau The town square has flooded, buildings and subways have merged with local flora, and indigenous languages and knowledge are thriving in a radically different future Toronto. Here, in the future, people have found a connection to the past. As a work of indigenous futurism, Biidaaban explores how the languages of native peoples can provide a framework for understanding our place in the world and open up a space for new imaginings of the future. Hero (New York Premiere) – USA Project Creator: Navid Khonsari, Vassiliki Khonsari, Brooks Brown Key Collaborators: Mark Harwood, Sinclair Fleming, Andres Perez-Duarte, Sam Butin, iNK Stories, Starbreeze Studios This powerfully immersive, large-scale, multi-sensory installation explores humanity in our modern era of civilian warfare. When everyday life is disrupted by a barrel bomb falling from the sky, provoking a profound crisis in this vérité virtual-reality experience, only connection among humans can inspire hope, and participants must embark on a visceral hero’s journey. Cast: Masoume Khonsari, Perla Daoud, Samer Sakka, Sam Sako, Said Faraj, Sue Shaheen [caption id="attachment_27428" align="aligncenter" width="1200"]
objects in mirror AR closer than they appear[/caption]
objects in mirror AR closer than they appear (World Premiere) – USA
Project Creator: Graham Sack, Geoff Sobelle, John Fitzgerald, Matthew Niederhauser
Key Collaborators: Sarah Hughes, Steven Dufala, Steve Cuiffo, Jecca Barry, The Molecule, New York Theatre Workshop, SilVR
Based on the critically acclaimed theatrical performance The Object Lesson, objects in mirror AR closer than they appear fuses augmented reality technology with an immersive theater installation, inviting audiences to reflect on the relationship between new media and archaic objects; 21st-century technology and 19th-century magic; and memory and optical illusion. The piece creates a philosophical playground to explore the shifting relationship between images, memories, and things.
Cast: Geoff Sobelle
Queerskins: a love story (World Premiere) – USA
Project Creator: Illya Szilak, Cyril Tsiboulski
In Missouri in the early ’90s, a diary and a box of belongings offers a devoutly Catholic mother—and participants of this haptic virtual-reality experience—a chance to know Sebastian, the estranged son she has lost to AIDS. Sitting in the back seat of a car, behind Sebastian’s parents, you take an emotionally charged journey down a country road, a memory lane populated with scrapbook artifacts that present an archive of Sebastian’s life.
Cast: Hadley Boyd, Drew Moore, Michael DeBartolo
Terminal 3 (World Premiere) – USA, Pakistan
Project Creator: Asad J. Malik
Key Collaborators: Kaleidoscope VR, Anita Gou, RYOT, Philipp Schaeffer, Viva Wittman, Jack Daniel Gerrard, Musa Ghaznavi
Terminal 3 is an interactive, augmented-reality documentary that explores contemporary Muslim identities in the U.S. through the lens of an airport interrogation. As viewers put on the Hololens, they step into the uncanny to directly interrogate, and determine the fate of, the hologram passenger before them. These interrogations become strikingly personal encounters that only end when the participant decides if the hologram should be let into the country or not—but there is a twist.
Cast: Aisha Yousaf, Ahmad Cory Jubran, Fereydoun Vakhshoury, Ani Zonneveld, Helya Salarvand
TRIBECA CINEMA360
The Cinema360 includes four programs that play twice daily, including:Horizons:
02:09 (World Premiere) – Sweden, China Project Creator: Svante Fjaestad In three minutes, the world will end. The rich have already left Earth for the New Colonies; those who couldn’t afford private shuttles into orbit remain stranded, like the now-worthless banknotes on the streets. A couple wait together on a rooftop, contemplating their fate, while, in front of them, the last human refugees leave the planet before it is too late. Cast: Chen Dong Hong, Xie Hong Together (New York Premiere) – USA Project Creator: Terrence Malick, The Factory at Facebook, Movement Art Is Together fuses storytelling, dance and technology, placing the viewer in the center of a stirring, emotional narrative that explores the power of human connection. Working with Movement Art Is co-founders Jon Boogz and Lil Buck, Palme d’Or winning director Terrence Malick has crafted an immersive experience about breaking down barriers that is brilliantly brought to life through choreography.It’s Right Behind You:
Campfire Creepers: The Skull of Sam (North American Premiere) – Spain, USA Project Creator: Alexandre Aja Key Collaborators: Casey Cooper Johnson, Martin Andersen French horror auteur Alexandre Aja (The Hills Have Eyes, High Tension) directs this creepy tale of a couple who encounters a vicious stranger in the woods, who has plans to add them to his rather unique collection. But by injecting humor into this horrific scenario, the experience invites audiences to laugh between the screams. Cast: Robert Englund [caption id="attachment_27430" align="aligncenter" width="1200"]
The Caretaker[/caption]
The Caretaker (World Premiere) – USA
Project Creator: Jacob Wasserman, Nicolas Pesce, Adam Donald
Key Collaborators: Hidden Content, RealMotion VFX
After their car breaks down on the side of the road on a cold winter night, a couple checks into a strange hotel while they wait for a mechanic to arrive. When the woman’s boyfriend suddenly goes missing—the latest in a series of unsettling occurrences within the hotel—she begins to suspect that something more sinister is at work.
An Obituary (boogo) (US Premiere) – South Korea
Project Creator: Jean Yoon
Key Collaborators: Kuk- seok Yang, Jin-hee Kim
A young man travels alone deep into the countryside to pay his respects after hearing of a friend’s untimely death. Upon his arrival, he finds himself to be the sole mourner at the funeral. Alone in the country, save for the elderly mother of his deceased friend, he begins to wonder why they seem to be the only two people left in the village.
Cast: Tae-kyung Oh, Yong-nyeo Lee.
This is Climate Change:
This is Climate Change (World Premiere) – Åland Islands, Brazil, Greenland, Somalia, USA Project Creator: Eric Strauss, Danfung Dennis Key Collaborators: Diana El-Osta (Producer), Catherine Yrisarri (Producer), Jeff Skoll (Executive Producer), Elise Pearlstein (Executive Producer), Kathy Davidov (Executive Producer), Casey Brown (Executive Producer) In this expansive new four-part virtual reality docu-series from Participant Media and Condition One, journey to the far corners of the earth to discover the people and places being hit hardest by climate change. This Is Climate Change offers an immersive look into our new reality of catastrophic weather events that are displacing communities and transforming landscapes with alarming speed.VR For Good Creators Lab:
Meeting a Monster (World Premiere) – USA Project Creator: Gabriela Arp Key Collaborators: Oculus VR for Good, Life After Hate Through audio recordings and re-enactments, former white supremacist Angela King relives the memories of, and motivations behind, the eight years she spent inside the white power movement—and the path she took to get out. While the monsters of Angela’s past define the years she spent mired in hate, she finds redemption only after acknowledging the ultimate monster: herself. Cast: Belle Emilie Gold, Jerry Edwards, Diana Mitchell, Skye Waller, Aidan Shields, Toia Johnson She Flies by Her Own Wings (World Premiere) – USA Project Creator: Jesse (Jesus) Ayala Key Collaborators: Oculus VR for Good, Pride Foundation, Fovrth Studios, Flight School She Flies by Her Own Wings depicts the inspiring story of Shannon Scott, who chose to stand up when her community, the U.S. armed services’ proud transgender service members and veterans, was under attack by President Donald Trump. Having enlisted before she could vote, Shannon has dedicated her entire adult life to defending and safeguarding American citizens at home and abroad. Cast: Shannon Scott The Hidden (World Premiere) – India, USA Project Creator: Lindsay Branham Key Collaborators: International Justice Mission, Oculus VR for Good There are currently more people living in slavery than at any other time in human history. One such family has been enslaved in a rock quarry in southern India for 10 years—over a paltry debt of $70 USD. Indian government representatives, supported by the human rights group International Justice Mission, plot a daring raid to free the family.
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2018 Richmond International Film & Music Festival Unveils Lineup of Over 150 Films + Music + Panels
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The 2018 Richmond International Film & Music Festival brings a seven-day fest of more than 150 cutting edge award-winning films, plus up to 50 bands, panels, and daily events at various venues across Richmond, Virginia.
The seventh edition of the festival kicks off Monday, April 23rd with the Opening Night film, NONA. and concludes Sunday, April 29th with the annual Red Carpet Awards where prizes selected by the Grand Jury and audience will be awarded in various categories for all film, music, and writing categories.
NONA is a compelling narrative feature film written and directed by Michael Polish, which stars Kate Bosworth (also the Producer/Executive Producer), Sulem Calderon, and Jesy McKinney. NONA follows the harrowing path of a young Honduran girl from her home in San Pedro Sula, across four countries, into a living hell of servitude in a world of modern day sex slavery. Kate Bosworth and Michael Polish will be in attendance, and Bosworth will receive this year’s esteemed Founder’s Award for her work as a producer on the film. The Founder’s Award is given to the film and filmmaker that captures the heart and spirit of the festival – stories that reveal truths that are often untold or overlooked, and to those artists on the frontlines of creating necessary yet artful dialogue in their work.
Also in the spotlight are BUCKOUT ROAD, a horror thriller directed by Matthew Currie Holmes starring Danny Glover, Henry Czerny, Evan Ross, and Dominque Provost-Chalkey. The feature is a story of how a college class project on the creation and destruction of modern myth turns terrifying when a trio of young people come to realize the many evil urban legends surrounding New York State’s famed Buckout Road may, in fact be real.
ABOVE THE DROWNING SEA, a documentary feature about the dramatic escape of tens of thousands of Jewish refugees’ escape to Shanghai featuring Julianna Margulies, Tony Goldwyn, and Nick Mancuso. The film is directed by Rene Balcer who is also writer, executive producer, and co-creator of Law & Order. Balcer will present the film alongside co-executive producer Carolyn Balcer with an extensive Q&A discussion to follow.
DOUBLE TAKE directed by Jay Gard and a short crime mystery in the vein of HEAT, MEMENTO, and TRUE DETECTIVE. With a swiss-clock style plot, DOUBLE TAKE threads together two diamond heists with multiple twists and an intense interrogation between old enemies. The film stars Adrian Pasdar and David James Elliott.
THE BLACK GHIANDOLA, a narrative short starring J.K. Simmons, Johnny Depp, David Lynch, and Laura Dern. The film is produced by Tamika Lamison and the Make a Film Foundation, a nonprofit organization that grants children suffering with cancer their final wish to make a film. The film and foundation will receive a special honor at the 2018 festival.
DADDY, a documentary short that tells the story of youth basketball coach and drug trafficker, Curtis Malone. In 1993 Curtis founded the DC Assault, an AAU basketball team whose mission was to keep inner city boys off the streets by helping them earn college scholarships, and it included a hundred Division I student athletes and several NBA players. But on August 9th 2013, Curtis’ double life caught up with him. In addition to Curtis, the film includes interviews with the NBA players he raised, the DEA agents who investigated him, and the U.S. Attorney who prosecuted him.
DIMINUENDO, a sci-fi romance starring James Deen, Richard Hatch, Chloe Dykstra, Leah Cairns, Walter Koenig, Bryn Pryor, and more. When asked to direct the biopic of Cello Shea about his actress girlfriend who killed herself a decade ago, the has-been filmmaker Haskell Edwards becomes obsessed with the lifelike robot created to mimic her.
Also in the lineup is PERFECT BID: THE CONTESTANT WHO KNEW TOO MUCH, a feature documentary starring Ted Slauson, Bob Barker, Kevin Pollak, Drew Carey, and Holly Hallstrom. The film details Ted Slauson, a math teacher from Texas who spent the majority of his life memorizing the prize amounts on The Price Is Right. The documentary explores how Ted went from bidding to banned, and was involved in a Perfect Bid scandal that was covered in Esquire, Time Magazine & others. This year marks the 25th Anniversary of Ted’s most famous appearance on the show.
AYLA THE DAUGHTER OF WAR, this Turkish feature film set in 1950, is a story about the ravages of the Korean War as Sergeant Süleyman stumbles upon a a half-frozen little girl, with no parents and no help in sight. Frantic, scared and on the verge of death, this little girl captures the heart of Süleyman, who risks his own life to save her, smuggling her into his Army base and out of harms way. Ayla, almost effortlessly, brings an uncanny joy to the Turkish brigade in the grip of war.
THE RIBBON ON THE KITE, a narrative short by filmmaker Gianlorenzo Albertini that features a compelling look at PTSD through the eyes of Daerik, an army veteran who returns to his hometown after being discharged from the military. Now homeless and suffering from severe PTSD, he tries to drown out the painful memories of a mission in Afghanistan where his men were killed. In the meantime, Rebecca, a very young girl, attempts to find her brother who suddenly disappears after the war later finding that the homeless man living on the river bank nearby is her lost brother.
Music Performances
Bands to receive early acceptances to perform at the 2018 festival range from every major music genre and include: Marcaux (Brooklyn, NY), Sparky Quano (Japan), Giant Squids (Washington, D.C.), Zaxai (Brooklyn, NY), Ezra Vancil (Dallas, TX), Mariana Bell (Charlottesville, VA), The Fury MCs (Woodbridge, VA), Gabriel Mayers (Brooklyn, NY), The Jacks (Newport Beach, CA), Friendly Mosquito (Tbilisi), Justin Gambino (Angleton, TX), Tahj Ace (Brooklyn, NY), Lucille Fris (Chicago, IL), Kendra Black (New York, NY). More acts and the full programming schedule to be announced mid-March. Music showcases take place nightly at various venues across Richmond.Additional Festival Honors
In 2018, RIFF celebrates the theme, “RISE.” In conjunction with the theme, the festival will honor some of the film and music industry’s rising female and African American talent through special spotlights and tributes during festival week.
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7th International Film Music Competition to Score Steve Cutts’ Short Film ‘Happiness’ | Video
This year, the 7th International Film Music Competition asks entrants to score HAPPINESS. This short animation film by the renowned London-based illustrator Steve Cutts which has garnered over 1.2 million plays on Vimeo in just three months and has been selected to receive its ‘Best of the Year’ accolade.
Steve Cutts’ animation short HAPPINESS tells the story of a rodent’s relentless search for happiness and fulfilment in a consumer-driven society. His hitherto most popular short film MAN received nearly 26 million views on YouTube in 2012, and his Miami-Vice-homage as a guest animator for the ‘Simpsons’ has received more than 14 million clicks to date. More recently, the British illustrator has attracted attention with his music video ‘In This Cold Place’, which he created for Moby and The Void Pacific Choir.
The Zurich Film Festival and the Tonhalle Orchestra Zurich collaborates with the Forum Filmmusik for 7th annual International Film Music Competition, where an international jury of experts comprising composers, music specialists and filmmakers will choose five talented musical composers nominees from around the globe.
Composers from around the world who have not scored or orchestrated more than three films of more than 60 minutes duration are eligible to enter. The five successful compositions will be world-premiered during the Zurich Film Festival by the Tonhalle Orchestra Zurich under the musical direction of Frank Strobel on October 4, 2018 at the Tonhalle Maag in the presence of the nominees and the jury of experts. The winner will receive the Golden Eye for ‘Best International Film Music 2018’ endowed with a CHF 10’000 cash prize.
https://vimeo.com/244405542

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What the Fest!?, a four-day showcase of outrageous content — horror, sci-fi, documentary, thrillers, and beyond — will run from March 29th through April 1st, 2018, at the IFC Center in NYC.