Paulina[/caption]
Santiago Mitre’s award winning film Paulina will open Friday, June 23, 2017, at New York’s Spectacle Theater (located on 124 S 3rd St, Brooklyn, NY), before a national expansion during summer 2017.
Santiago Mitre’s (El Estudiante) Paulina is the winner of the Nespresso Grand Prix Award and the Fipresci Award at Cannes (Critics’ Week) – as well as eight Best Actress awards given to Dolores Fonzi (Truman, The Aura, Plata Quemada).
Both a remake and a “potent update” (Eye for Film) of Daniel Tinayre’s La Patota (1960), Paulina is a complex exploration of the ethics of political action and a provocative character study of a social justice activist – and her unsettling choices in the face of violence and social discrimination. Set in a racially and politically marginalized community in Argentina’s Northeast, the film tackles the moral ambiguities of those who seek to aid and ally themselves with the disadvantaged from their positions of privilege.
When the film begins, Paulina (Dolores Fonzi, in a searing performance) leaves a promising legal career in the shadow of her politically-powerful father to work as a school-teacher in a rural village, on the border with Paraguay and Brazil. Paulina speaks no Guaraní and her teenage students artfully parry her attempts to lift them into political consciousness.
These uneasy encounters, and subtly observed civics lessons, echo disturbingly in the aftermath of a violent sexual assault by a group of young men. Paulina’s decisions in its wake, portrayed without judgment by Fonzi, mercilessly test her relationships and core beliefs.
https://www.youtube.com/watch?v=ws2bP9IWB1E
Awards
Grand Prize, Cannes Film Festival (Critics’ Week – 2015)
FIPRESCI Prize, Cannes Film Festival (Critics’ Week – 2015)
Horizons Award, San Sebastián Int’l Film Festival
Grand Jury Prize, Miami International Film Festival
Torino FIlm Festival – Special Jury Award
Best Actress Winner
– Dolores Fonzi –
Premio Fenix (Mexico’s Academy Awards)
Beijing International Film Festival
Premio ACE 2017
Biarritz International Festival of Latin American Cinema
Platino Ibero-American Film Award
Argentinean Film Critics Association
Academy of Motion Picture Arts and Sciences of Argentina
Torino Film Festival-
Award-Winning Argentinian Film PAULINA Will Open in NY on June 23 | Trailer
[caption id="attachment_22486" align="aligncenter" width="1200"]
Paulina[/caption]
Santiago Mitre’s award winning film Paulina will open Friday, June 23, 2017, at New York’s Spectacle Theater (located on 124 S 3rd St, Brooklyn, NY), before a national expansion during summer 2017.
Santiago Mitre’s (El Estudiante) Paulina is the winner of the Nespresso Grand Prix Award and the Fipresci Award at Cannes (Critics’ Week) – as well as eight Best Actress awards given to Dolores Fonzi (Truman, The Aura, Plata Quemada).
Both a remake and a “potent update” (Eye for Film) of Daniel Tinayre’s La Patota (1960), Paulina is a complex exploration of the ethics of political action and a provocative character study of a social justice activist – and her unsettling choices in the face of violence and social discrimination. Set in a racially and politically marginalized community in Argentina’s Northeast, the film tackles the moral ambiguities of those who seek to aid and ally themselves with the disadvantaged from their positions of privilege.
When the film begins, Paulina (Dolores Fonzi, in a searing performance) leaves a promising legal career in the shadow of her politically-powerful father to work as a school-teacher in a rural village, on the border with Paraguay and Brazil. Paulina speaks no Guaraní and her teenage students artfully parry her attempts to lift them into political consciousness.
These uneasy encounters, and subtly observed civics lessons, echo disturbingly in the aftermath of a violent sexual assault by a group of young men. Paulina’s decisions in its wake, portrayed without judgment by Fonzi, mercilessly test her relationships and core beliefs.
https://www.youtube.com/watch?v=ws2bP9IWB1E
Awards
Grand Prize, Cannes Film Festival (Critics’ Week – 2015)
FIPRESCI Prize, Cannes Film Festival (Critics’ Week – 2015)
Horizons Award, San Sebastián Int’l Film Festival
Grand Jury Prize, Miami International Film Festival
Torino FIlm Festival – Special Jury Award
Best Actress Winner
– Dolores Fonzi –
Premio Fenix (Mexico’s Academy Awards)
Beijing International Film Festival
Premio ACE 2017
Biarritz International Festival of Latin American Cinema
Platino Ibero-American Film Award
Argentinean Film Critics Association
Academy of Motion Picture Arts and Sciences of Argentina
Torino Film Festival
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Bill Morrison Unearths a Treasure Trove of Silent-Era Cinema in DAWSON CITY: FROZEN TIME | Trailer
[caption id="attachment_22483" align="aligncenter" width="1024"]
First Avenue in Dawson City, 1898. – DAWSON CITY: FROZEN TIME[/caption]
Bill Morrison’s mesmerizing new film, Dawson City: Frozen Time will open in New York on Friday, June 9 at the IFC Center with a national rollout to follow.
Dawson City: Frozen Time pieces together the bizarre true history of a collection of over 500 nitrate film prints from the 1910s and 1920s, which were lost for decades until being discovered buried under a hockey rink in a former Klondike gold rush town. Using these rare silent movies and a rich sampling of newsreels and historical photographs, fused with an enigmatic score by Sigur Rós collaborator Alex Somers (Captain Fantastic), this haunting cinematic mosaic depicts the unique history of Dawson City by chronicling the life cycle of a singular film collection through its exile, burial, rediscovery, and salvation. In telling this story of “one of the most astonishing and unexpected bonanzas in cinematic history” (Lawrence Weschler, Vanity Fair), director Bill Morrison conjures the forgotten ties between the fledgling movie industry and Manifest Destiny in North America.
The films of Bill Morrison combine a documentarian’s thirst for uncovering hidden histories with an archivist’s obsession for recovering lost cinematic treasures. Morrison’s Decasia (2002) was heralded by Errol Morris as “the best film ever made” and critic J. Hoberman called it “the most widely acclaimed American avant-garde film of the fin de siècle.” His other notable films include The Miners’ Hymns (2011), a document of the early 20th-century coal mines of northern England, and The Great Flood (2013), a collaboration with Bill Frisell inspired by the Mississippi River Flood of 1927.
https://www.youtube.com/watch?v=stxrwpvQZIs
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MENASHE, THE SETTLERS Among 18 Films on Lineup for 25th Portland Jewish Film Festival | Trailers
[caption id="attachment_20067" align="aligncenter" width="1200"]
Menashe[/caption]
The 25th annual Portland Jewish Film Festival, produced by the Northwest Film Center and co-presented with the Institute for Judaic Studies, will feature 18 films that celebrate the diversity of Jewish history, culture, identity, and filmmaking. The festival will take place June 11 to 25, 2017 at the Northwest Film Center in Portland, Oregon.
Complete Film listings:
June 11 – Sunday 7 p.m.
MENASHE
Directed by Joshua Z. Weinstein
United States/Israel, 2017
Deep in the heart of New York’s ultra-orthodox Hasidic Jewish community, Menashe—a kind, hapless grocery store clerk—struggles to make ends meet and responsibly parent his young son, Rieven, following his wife Leah’s death. Tradition prohibits Menashe from raising his son alone, so Rieven’s strict uncle adopts him, leaving Menashe heartbroken. When his rabbi grants him one special week with Rieven before Leah’s memorial, he has a chance to prove himself a suitable man of faith and fatherhood, and restore respect among his doubters. Weinstein’s film is a poignant and funny parable about the tension between best intentions and the effort to uphold them. In Yiddish with English subtitles. (82 mins., DCP)
https://www.youtube.com/watch?v=83UoZcdX__Y
June 11 – Monday 7 p.m.
THE SETTLERS
Directed by Shimon Dotan
France/Germany/Israel, 2016
The Settlers traces the history of Israeli settlements in the West Bank since the 1967 Six-Day War. While government leaders and the Israeli public initially saw the military victory as an opportunity for a negotiated peace, many religious conservatives saw it as a calling from God to redeem the Biblical land of Israel. Through the voices of the pioneers of the movement and a diverse range of modern-day settlers—religious and secular, radical and idealist—Dotan weaves a comprehensive, provocative, and often troubling exploration of the controversial communities that continue to influence the sociopolitical destinies of Israel and Palestine. Nominated for the Israeli Academy Award for Best Documentary. In Hebrew, Arabic, and English with English subtitles. (107 mins., DCP)
https://www.youtube.com/watch?v=gO2LRxXeBr0
June 14 – Wednesday 7 p.m.
THE WOMEN’S BALCONY
Directed by Emil Ben Shimon
Israel, 2016
Emil Ben Shimon’s feature debut is a comical feminist narrative about finding the right path to happiness and the subjectivity of righteousness. When the women’s balcony of the synagogue collapses in the middle of a bar mitzvah, nobody assumes that the cause was anything more than bad architecture— that is, until Rabbi David announces that it was actually a message from God. The charismatic young rabbi warns that the men of the Sephardic congregation haven’t done enough to ensure the modesty of their women, creating a rift between the community’s men and women that puts faith, friendships, and traditions to the test. Hebrew with English subtitles. (96 mins., DCP)
https://www.youtube.com/watch?v=ZfMlI97DHbo
June 15 – Thursday 7 p.m.
1945
Directed by Ferenc Török
Hungary, 2016
When two Orthodox Jews arrive at the train station of a small, rural community in 1945, the villagers must face the consequences of “ill-gotten gains” from the Second World War. Fears that the men may be heirs of the village’s deported Jews and that more survivors will come pose a threat to the property and possessions they have claimed as their own. Based on the acclaimed short story “Homecoming” by Gábor T. Szánt. (91 mins., DCP)
https://www.youtube.com/watch?v=ZbeYA8A03Sw
June 17 – Saturday 6:30 p.m.
PAST LIFE
Directed by Avi Nesher
Israel/Poland, 2016
Nesher’s (The Matchmaker, The Wonders) moving film confronts a trauma and burden of history that is still part of the Israeli present and deeply rooted in the collective subconscious. In ’70s Jerusalem, two daughters of Holocaust survivors investigate a taboo topic: their difficult father’s experiences in Poland during World War II. As they undertake a trans-European journey to try to unravel the mystery that has shadowed their whole lives, they confront tragic questions and the realization that freedom from the past requires painful sacrifices, as does the struggle to discover one’s own unique voice. (109 mins., DCP)
https://www.youtube.com/watch?v=08Yv95dAGOo
June 17 – Saturday 9 p.m.
IN BETWEEN
Directed by Maysaloun Hamoud
Israel/France, 2016
Maysaloun Hamoud’s striking feature debut chronicles the lives of three Palestinian-Israeli women sharing an apartment in the vibrant heart of Tel Aviv. Modern-minded lawyer Layla, activist Salma, and more conservative Nour find themselves in a complicated balancing act between tradition and modernity, citizenship and culture, fealty and freedom as they navigate men, family, drugs, work, school, and their futures. Living in a country that considers them not Israeli enough and not Palestinian enough, they face choices between contemporary and traditional values. Adult audiences. Best Film Prize, San Sebastian Film Festival. (102 mins., DCP)
https://www.youtube.com/watch?v=fPiVZj8Mm7o
June 17 – Saturday 4 p.m.
June 18 – Sunday 8 p.m.
FANNY’S JOURNEY
Directed by Lola Doillon
France/Belgium, 2016
Based on an autobiographical novel by Fanny Ben-Ami, Fanny’s Journey tells the story of a heroic young girl in World War II France. Following the arrest of their father in Paris, Fanny and her younger sisters are sent to a boarding school in France’s neutral zone. They are whisked away to another institution, where Jewish children come under the care of the tough but tender Madame Forman. As danger advances yet again, the students’ fate is entrusted to 13-year-old Fanny, who fearlessly treks through the countryside with the children on a perilous mission to reach the Swiss border with only wits and solidarity to guide her. All ages. (94 mins., DCP)
https://www.youtube.com/watch?v=ZBa2SXXSXvo
June 18 – Sunday 4:30 p.m.
BODY AND SOUL: AN AMERICAN BRIDGE
Directed by Robert Philipson
United States, 2016
The story of Body and Soul, one of the most recorded songs in the Great American Songbook and a jazz standard, illustrates the complex musical interplay between Jewish and African American cultures. Written by Jewish songwriter Johnny Green and introduced on Broadway by Jewish torch singer Libby Holman in 1930, it was first recorded as a jazz piece by Louis Armstrong. Philipson examines the song’s timelessness, its role at the heart of both black and Jewish music, and cultural links both complementary and contentious. Interviews with experts and historians combine with rare archival footage and diverse performances to celebrate an ageless classic. (60 mins., DCP)
screens with
STRANGE FRUIT
Directed by Joel Katz
United States, 2002
While many people assume Strange Fruit was written by Billie Holiday, it actually began as a poem by a Jewish schoolteacher and union activist from the Bronx, who later set it to music. Disturbed by a photograph of a lynching, Abel Meeropol wrote the stark verse and brooding melody about the horror of lynching under the pseudonym Lewis Allan in 1938. It was brought to the attention of the manager of a popular Greenwich Village nightclub, who introduced Billy Holiday to the writer. Meeropol, who also wrote such classics as Frank Sinatra’s The House I Live In, later adopted the sons of “atom bomb spies” Julius and Ethel Rosenberg after their 1953 execution. (56 mins., Blu-Ray)
June 19 – Monday 7 p.m.
MOOS
Directed by Job Gosschalk
Netherlands, 2016
Set in a tight-knit Jewish community in Amsterdam, Moos is an endearing comedy about following your far-fetched dreams. 20-something Moos takes care of her dad and hangs around the family fabric store singing tunes to her steam iron. Her dream is to be an actress, but going for it seems to be on the back burner until her childhood friend, home from a stint in the Israeli army, reminds her of her past full of passion and ambition. Love, laughter, friendship, and complications take center stage in a film about finding out what’s important and finding your voice. (91 mins., DCP)
https://www.youtube.com/watch?v=-0GwlwUTLik
June 20 – Tuesday 7 p.m.
BIG SONIA
Directed by Leah Warshawski
United States, 2016
Big Sonia explores what it means to be a survivor and how this affects families and generations. One of the few remaining survivors of Auschwitz and Bergen-Belsen, 91-year-old Sonia Warshawski, the filmmaker’s grandmother, has shared her inspirational story for years. The colorful 91-year-old “diva,” known for wearing leopard print and high heels, has spent decades running her late husband’s tailoring business, the last shop in a dying mall in Kansas City. When she is evicted, Sonia must face another of life’s challenges: her fear of retirement. Winner of numerous audience awards at film festivals throughout the country, Sonia’s inspiring story reveals that it’s up to you to choose your future. (93 mins., Blu-Ray)
https://www.youtube.com/watch?v=NZOySpVL8_E
June 21 – Wednesday 7 p.m.
A GRAIN OF TRUTH
Directed by Borys Lankosz
Poland, 2015
Once the star of the Warsaw prosecutor’s office, Teodor Szacki, has retired to a small town to start a new life after his divorce. But he is called upon to help solve a grisly local case: a woman, a prominent social activist, has been brutally murdered outside a synagogue, and a knife used for kosher slaughter of animals is found nearby. More violent murders provoke a wave of anti-Semitism, and Szacki must not only solve the crimes, but also face public hysteria and the simmering history of Polish-Jewish relations. Based on the best-selling novel by Polish author Zygmunt Miłoszewsk, Lankosz’s tense detective thriller explores contemporary xenophobia and the power of centuries of superstition. (110 mins., DCP)
https://www.youtube.com/watch?v=DMBnMrHrGsQ
June 22 – Thursday 7 p.m.
NATASHA
Directed by David Bezmozgis
Canada, 2016
Sixteen-year-old slacker Mark is the son of Russian-Jewish immigrants in the suburbs of Toronto. When his uncle enters into an arranged marriage with a woman from Moscow, she arrives with her troubled 14-year old daughter, Natasha. A secret and forbidden romance begins between the two of them that has bizarre and tragic consequences for everyone involved. Natasha is adapted from Bezmozgis’s collection of short stories, “Natasha and Other Stories,” which was named a New York Times Notable Book and has been translated into 15 languages. (97 mins., DCP)
https://www.youtube.com/watch?v=NYSXVX_Xxts
June 24 – Saturday 4 p.m.
June 26 – Monday 7 p.m.
TO BE OR NOT TO BE
Directed by Ernst Lubitsch
United States, 1942
Like Chaplin’s The Great Dictator, Lubitsch’s film was widely criticized upon release for trying to find laughs in Hitler’s assault on civilization and, in this case, the desperate and tragic situation in Poland. But on its 75th anniversary, it remains a black-humored classic and one of the most profound comedies ever made. Jack Benny and Carole Lombard star in this story about a Polish theater company mixed up in espionage in Gestapo-ruled Warsaw. A send-up of Nazi mystique and manners, it also endures as a prime example of the famed “Lubitsch touch”—witty, stylish, and broadly satiric. (99 mins., DCP)
https://www.youtube.com/watch?v=7W_B10VbYjI
June 24 – Saturday 6:30 p.m.
HARMONIA
Directed by Ori Sivan
Israel, 2016
A contemporary adaptation of the biblical tale of Abraham, Sarah, and Hagar, Harmonia presents a poignant metaphor for the contemporary challenges facing Israel’s sibling religions. Sarah, a harpist in the Jerusalem Philharmonic Orchestra, is married to Abraham, its charismatic conductor, and they have no children. When Hagar, a young Arab horn player, joins the orchestra, a unique friendship evolves between the two women. Hagar, feeling Sarah’s pain from not having children, offers to have a baby for Sarah. Ismail, born to Hagar and Abraham, is a wild and gifted pianist whom Sarah raises as her own. But when Ismail discovers the true identity of his mother, his world—and that of those around him—falls apart. (98 mins., DCP)
https://www.youtube.com/watch?v=ABwGpET-RdM
June 24 – Saturday 8:45 p.m.
BEYOND THE MOUNTAINS AND HILLS
Directed by Eran Kolirin
Israel, 2016
Nominated for six Israeli Academy awards, including Best Picture, this film by writer-director Eran Kolirin (The Band’s Visit) weaves several narratives into a moving portrait of a family and a society at a crossroads. Facing a difficult transition after 27 years of military service, Lieutenant-Colonel David Greenbaum takes a dispiriting job as a salesman, while the rest of his increasingly alienated family struggle with their own issues. His wife, a high school teacher, begins an affair; his activist teenage daughter forms a troubling bond with Arab neighbors; and his son observes the simmering tensions from afar. As David’s household unravels, blind frustration leads to an impulsive act, triggering a cascade of events that corrupt everyone’s innocence. “Like an Israeli American Beauty… a poignant and political family drama.”—The Hollywood Reporter. (92 mins., DCP)
https://www.youtube.com/watch?v=zJxlkZfjmvk
June 25 – Sunday 7 p.m.
MOON IN THE 12TH HOUSE
Directed by Dorit Hakim
Israel, 2016
Sisters Mira and Lenny, separated at youth by traumatic circumstances, are young women when they meet again. The older and wilder Mira, who works in a hip Tel Aviv nightclub, unexpectedly returns to their childhood home, where the dutiful Lenny has stayed to care for their father. This reunion leads them on an emotional journey of healing and reconciliation. Commanding performances and hypnotic cinematography elevate this moving meditation on family ties and lost youth. Opening Night, New York Jewish Film Festival. (109 mins., DCP)
https://www.youtube.com/watch?v=9eKc_Nb9FIM
June 25 – Sunday 4:30 p.m.
AIDA’S SECRETS
Directed by Alon Schwarz, Shaul Schwarz
Israel/United States/Germany, 2016
In this sweeping international story that begins in World War II and concludes in an emotional family reunion seven decades later, layers of family history and untold secrets surface. Izak Szewelewicz was born inside the Bergen-Belsen Displaced Persons camp in 1945 and put up for adoption in Israel. Secret details of his birth mother, an unknown brother in Canada, and his father’s true identity slowly emerge in a heartfelt story that raises poignant questions of identity, resilience, compassion, and the plight of displaced persons. Closure comes when brothers Izak and Shep meet in Canada and travel to Quebec to meet Aida, their mysterious elderly mother. Winner of the Audience Award at 2016 Docaviv International Film Festival. (90 mins., DCP)
https://www.youtube.com/watch?v=Tdb_Tp47hIM
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Catherine Eaton’s THE SOUNDING to East Coast Premiere at Brooklyn Film Festival | Trailer
[caption id="attachment_22477" align="aligncenter" width="1200"]
Catherine Eaton in The Sounding[/caption]
The Sounding, an award winning film by filmmaker Catherine Eaton, will East Coast premiere at the upcoming 2017 Brooklyn Film Festival.
The film – winner of AZIFF’s Festival Grand Prize, two Best Feature Awards at Minneapolis St. Paul International Film Festival and Palm Beach International Film Festival, and a New American Visions Audience Choice Award – follows Liv, who after years of silence, begins to weave a language out of Shakespeare’s words as she fights for her voice and her freedom.
The Sounding, written and directed by Catherine Eaton, also stars Catherine Eaton along with Teddy Sears, Erin Darke, Harris Yulin, Frankie Faison, Lucy Owen, Danny Burstein, and David Furr.
Raised on a remote island off the coast of Maine by her grandfather Lionel, Liv has never spoken. When Lionel (Harris Yulin) discovers he’s dying, he calls the son of his best friend and a neurologist, Michael (Teddy Sears), to the island and asks him to protect Liv’s independence. That night, as Lionel is reading to Liv, his voice fails him. Liv picks up the book of Shakespeare and begins: first reading, then weaving a language from Shakespeare’s words. Michael discovers her speaking and commits her to a psychiatric hospital. Incensed, Lionel’s attorney (Frankie Faison) blocks Michael from treating Liv. She becomes a full-blown rebel in the hospital; her increasing violence threatens to keep her locked up for life. Michael gains illegal entry, and in a final showdown, he wields Shakespeare’s language on her terms. At a tipping point for otherness in our current climate,The Sounding champions it.
https://vimeo.com/205987166
UPCOMING SCREENINGS:
BROOKLYN FILM FESTIVAL – EAST COAST PREMIERE
Sunday, June 4th – 4:00pm*
Windmill Studio (300 Kingsland Ave, Brooklyn, NY 11222)
Friday, June 9th – 7:30pm*
Wythe hotel (80 Wythe Avenue, Brooklyn, NY 11249)
*(Q&A w/Dir. Catherine Eaton & Cast & Crew following both screenings)
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87 Films on Lineup for 8th New Media Film Festival
[caption id="attachment_22472" align="aligncenter" width="1200"]
Non-Transferable[/caption]
The 8th New Media Film Festival will take place June 6, 7, 8, 2017 at The Landmark Theater, in Los Angeles, California and features 29 World Premieres, 11 US Premieres and 21 L.A. Premieres. There will be (87) new media films and content from 34 countries and outer space will be shown.
World Premiere and features movies on the lineup include:
Non-Transferable (Wed, June 7th)
Director: Brendan Bradley
Cast Members:
Ashley Clements (The Lizzie Bennet Diaries, Poe Party)
Shanna Malcolm (HeyYoShanna, Bob Thunder)
Katie Wee (Return Of the Mac, 2 Broke Girls)
Matthew Scott Montgomery (So Random!, Jane The Virgin)
Amin Joseph (Baywatch, Call Me King)
Sara Fletcher (Frankenstein MD, Days of our Lives)
Daniel Vincent Gordh (The Lizzie Bennet Diaries, Hollywood Acting Studio)
Joey Richter (Starkid, I Ship It)
Shira Lazar (What’s Trending)
A feature full-length film with Q&A.
Flatline (Thurs, June 8th)
Director: Jon Schnitzer
Experience the other side. The only place in the world to experience Flatline is at New Media Film Festival June 8th during festival hours in the main hall of The Landmark. Free with Festival Badge and any Thursday screening ticket. This VR film was pitched and funded at New Media Film Festival 2016. Julian McCrea of Portal Experiences was a speaker on our Tech Panel. Not in competition.
You Are Nothing (Tues, June 6th)
Directors: Mike Stivala, Mark Travis
A web series disguised as a self-help video tutorial – or perhaps, a parody of one – that uses the crumbing life of Mitch Repter as a teaching tool for a bizarre philosophy of life.
Love Song to the Earth ~ Special Presentation Video (during awards ceremony Thurs, June 8th)
Featuring Paul McCartney, Sean Paul, Colbie Callait, Natasha Bedingfield, Q’orianka Kilcher and others. Directed by Trey Fanjoy, Produced by Jeffy Cope. All proceeds from the Love Song project benefit Friends of the Earth and the United Nations Foundation. Premiered with Ban Ki-mon in Paris at UNFCCC COP 21.
Riley the Web Series (Wed, June 7th)
Director: Jeffrey Scott Basham
Riley is an original comedy series about a former teen pop star. Now in her thirties, she’s struggling to overcome a publicly humiliating downfall and subsequent nervous breakdown. But, it’s the power of friendship and the quirky characters she meets along the way that just might get her through…
Emmy® Award Winner Joe Hernandez-Kolski as Gavin and filmmakers are scheduled to attend.
SGCH – Morgan’s Story (Tues, June 6th)
Director: Stefan Wernik
This film features the true story of Morgan, who with the help of SGCH rose above a troubled upbringing.
Natasha BeaumontI Inception | All Saints | Little Fish is scheduled to attend.
Say Hello (Wed, June 7th)
Director: Brooke Elliott
Say Hello is a comedic reunion of two childhood acquaintances whose lives become entangled.
Sidetracked (Tues, June 6th)
Director: E.D. Brown
Follows the tribulations of a group of thirty something, whose lives are not going to plan.
Adrienne Wilkinson Yes Raze | Star Trek: Renegades| Star Wars: The Force Unleashed is scheduled to attend.
Dream Big: Engineering Our World (Tues, June 6th)
Director: Greg MacGillivray
Dream Big: Engineering Our World is narrated by Academy Award® winner Jeff Bridges, and is a first film of its kind for IMAX® and giant screen theatres that will transform how we think about engineering.
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Iranian Film LERD (A MAN OF INTEGRITY) Wins Un Certain Regard Prize at 2017 Cannes Film Festival.
[caption id="attachment_22455" align="aligncenter" width="1000"]
(Lerd) A Man Of Integrity[/caption]
A Man Of Integrity (LERD) by Mohammad Rasoul of Iran, is the winner of the Un Certain Regard prize at the 2017 Cannes Film Festival.
Un Certain Regard 2017 presented in competition 18 films hailing from 22 different countries. 6 of the works were first films. The Opening film was Barbara by Mathieu Amalric.
Under the presidency of Uma Thurman (actress – United States), the Jury was comprised of Mohamed Diab (director – Egypt), Reda Kateb (actor – France), Joachim Lafosse (director – Belgium) and Karel Och (artistic director of the Karlovy Vary Film Festival – Czech Republic).
The Jury commented “We feel enormous gratitude to have had the honor of serving on the Jury for this historic 70th anniversary of the Festival de Cannes. We are proud to present an esthetically diverse and beautiful awards list for Un Certain Regard.“
“UN CERTAIN REGARD” PRIZE
LERD (A MAN OF INTEGRITY)
by Mohammad Rasoulof
Reza (35), having distanced himself from the ur- ban quagmire, leads a simple life along with his wife and sole son, somewhere in a remote village in Northern Iran. He spends his days working in his gold fish farm. Nearby, a private company with close links to the government and local authori- ties, has taken control of nearly every aspect of the regional life. Its shareholders, accumulating wealth, power and economic rents, have been pushing local farmers and small owners to dilap- idate their belongings, farms and estates, to the benefit of the Company’s influential net- work and its monopoly. It is under their pressure that many villagers have them- selves become local rings of the larger network of corruption.
PRIZE FOR BEST ACTRESS
JASMINE TRINCA for FORTUNATA by Sergio Castellitto
Fortunata has a difficult life, a daughter of eight and a failed marriage behind her. She works as a hairdresser in people’s houses, leaving from the outskirts to cross the city, going to the homes of the well-off to do women’s hair. Fortunata fights every day with determination to achieve her dream: opening her own salon and challenging fate, in an attempt at emancipating herself and gaining her independence and the right to some happiness. She knows that to achieve her dreams she has to be firm: she has thought of everything, she is ready for anything, but she had not considered the variable of love, the one subversive force capable of sweeping aside every certainty. Also because, perhaps for the first time, someone looks at her as the woman she is and truly loves her.
PRIZE FOR THE BEST POETIC NARRATIVE
BARBARA de Mathieu Amalric
An actress, Brigitte, is playing Barbara in a film that soon begins shooting.
Brigitte works on her character, her voice, the songs and scores, the imitation of her gestures, her knitting, the lines to learn. Things
move along. The character grows inside her. Invades her, even…
Yves, the director, is also working – via encounters, archival footage, the music. He seems inhabited and inspired by her…
But by whom? The actress or Barbara?
PRIZE FOR BEST DIRECTION
Taylor Sheridan for WIND RIVER
WIND RIVER is a chilling thriller that follows a rookie FBI agent who teams up with a local game tracker with deep community ties and a haunted past to investigate the murder of a local girl on a remote Native American Reservation in the hopes of solving the mysterious death. Written and directed by Taylor Sheridan, WIND RIVER also stars Gil Birmingham, Jon Bernthal, Julia Jones, Kelsey Asbille, and James Jordan.
JURY PRIZE
LAS HIJAS DE ABRIL (APRIL’S DAUGHTER) by Michel Franco
Valeria is 17 and pregnant. She lives in Puerto Vallarta with Clara, her half-sister.
Valeria has not wanted her long-absent mother, April, to find out about her pregnancy, but due to the economic strain and the overwhelming responsibility of having a baby in the house, Clara decides to call their mother.
April arrives, willing to help her daughters, but soon it will be clear why Valeria had kept her away.
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Cannes Film Festival Announces Winners of 2017 Cinéfondation Prizes
Paul Is Here directed by Valentina Maurel of INSAS, Belgium is the First Prize winner of the 2017 Cinéfondation at the Cannes Film Festival.
The Cinéfondation and Short Films Jury headed by Cristian Mungiu and including Clotilde Hesme, Athina Rachel Tsangari, Barry Jenkins and Eric Khoo, awarded the 2017 Cinéfondation Prizes during a ceremony held in the Buñuel Theatre, followed by the screening of the winning films.
The Cinéfondation Selection consisted of 16 student films, chosen out of 2,600 entries coming from 626 film schools around the world.
First Prize
Paul Is Here (PAUL EST LÀ)
directed by Valentina Maurel
INSAS, Belgium
Second Prize
Animal (HEYVAN)
directed by Bahram & Bahman Ark
Iranian National School of Cinema, Iran
Third Prize
Two Youths Died (DEUX ÉGARÉS SONT MORTS)
directed by Tommaso Usberti
La Fémis, France
The Cinéfondation allocates a €15,000 grant for the First Prize, €11,250 for the Second and €7,500 for the Third. The winner of the First Prize is also guaranteed the presentation of his/her first feature film at the Festival de Cannes.
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The Watergate Drama THE SILENT MAN Starring Liam Neeson Gets A September Release | Trailer
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The Silent Man[/caption]
The Silent Man, the film based on the life of Mark Felt, the secret high-ranking FBI informant during the Watergate scandal who is famously known as “Deep Throat” will be released in the Fall by Sony Pictures Classics. The Silent Man is set for a September release, as the recent political turmoil has sparked a renewed public interest in Felt’s story.
Written and directed by Peter Landesman (Concussion), The Silent Man features an all-star cast including Academy Award–nominated Liam Neeson (Schindler’s List, Taken) in the title role of Mark Felt, as well as Diane Lane (Unfaithful), Marton Csokas (The Equalizer), Josh Lucas (The Lincoln Lawyer), Tony Goldwyn (“Scandal”), Michael C. Hall (“Dexter”), Tom Sizemore (“Black Hawk Down”), Wendi McLendon-Covey (Bridesmaids), Ike Barinholtz (Suicide Squad), Bruce Greenwood (Star Trek), Brian D’Arcy James (Spotlight), Kate Walsh (“Private Practice”), Noah Wyle (W.), and Maika Monroe (It Follows).
The Silent Man centers on “Deep Throat”, the pseudonym given to the notorious whistleblower for one of the greatest scandals of all time, Watergate. The true identity of the secret informant remained a mystery and source of much public curiosity and speculation for more than 30 years. That is until, in 2005, special agent Mark Felt shockingly revealed himself as the tipster. This unbelievable true story chronicles the personal and professional life of the brilliant and uncompromising Felt, who risked and ultimately sacrificed everything – his family, his career, his freedom – in the name of justice.
https://www.youtube.com/watch?v=MR1IjeAdevI
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IFC Films to Release Lars Von Trier’s THE HOUSE THAT JACK BUILT Starring Matt Dillon, Uma Thurman
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The House That Jack Built[/caption]
Lars Von Trier’s The House That Jack Built, starring Matt Dillon, Bruno Ganz, Uma Thurman, Riley Keough and Siobhan Fallon Hogan, will be released in the U.S. by IFC Films. IFC Films also released Von Trier’s 2009 film Antichris.
USA in the 1970s. We follow the highly intelligent Jack through 5 incidents and are introduced to the murders that define Jack’s development as a serial killer. We experience the story from Jack’s point of view. He views each murder as an artwork in itself, even though his dysfunction gives him problems in the outside world. Despite the fact that the final and inevitable police intervention is drawing ever near (which both provokes and puts pressure on Jack) he is – contrary to all logic – set on taking greater and greater chance.
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MICKEY REECE’S ALIEN Tackles Elvis and Priscilla Presley’s Marriage at deadCenter Film Festival
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Mickey Reece’s Alien[/caption]
Mickey Reece’s Alien is a part comedy/drama/fantasy feature film that delves into divine existentialism and conveys a unique reimagining of the later years of Elvis and Priscilla Presley’s tumultuous marriage.
Mickey Reece’s Alien will be showcased on Friday, June 9 at 8:30 p.m. and Saturday, June 10 at 6:00 p.m. at the 17th annual deadCenter Film Festival. The film will screen at the Harkins Theatre in Bricktown.
The black-and-white film was written and directed by Mickey Reece and produced by Mickey Reece, Cate Jones, Ron Sutor, James Paulsgrove, Beth Alonso, John Scamehorn, Joe Cappa and Jacob Ryan Snovel in association with Freestyle Creative. “Mickey Reece’s Alien” presents a talented cast, starring Jacob Ryan Snovel (Elvis) and Cate Jones (Priscilla), and featuring Alex Sanchez, John Selvidge and Michaelene Stephenson.
Surrounding discussion of existentialism, Reece capitalized on the idea that Elvis was not of this world and rarely understood, yielding the name “Alien.”
The indie fiction film started as a passion project on Seed&Spark, a crowdfunding website specifically for filmmakers. Reece said he was inspired by John Carpenter’s “Elvis,” Tim Burton’s “Ed Wood,” Kenneth Anger’s “Scorpio Rising” and Ingmar Bergman’s “Persona.”
“When I view the finished product of any movie I’ve made, I know exactly what past film, whether it be an important one or piece of garbage, influenced a particular choice. I think for any cinema buff it is important to see those influences still making it onto the screen in some fashion today,” Reece said.
“It’s an Elvis film that digs into Elvis but it’s also fantastical and hilarious,” Snovel said. “There’s no mistake in the movie. There’s an artistic integrity to the film; it wasn’t just ‘Let’s make an Elvis movie.'”
The deadCenter Film Festival runs June 8 to 11, 2017.
https://www.youtube.com/watch?v=uWR2Dk0iur0
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Award Winning Comedy FUTURE ’38 to NY Premiere at Art of Brooklyn Film Festival
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FUTURE ’38[/caption]
FUTURE ’38, which won the Audience Award at this year’s 2017 Slamdance, will have its New York premiere on June 8 at the Art of Brooklyn Film Festival.
FUTURE ’38 from director/writer Jamie Greenberg, is a technicolor valentine to the classic screwball comedies of the 1930s and ‘40s, with a sci-fi twist. It’s a time-travel adventure which presents the exotic future-world of 2018 A.D., as imagined by the film-makers of 1938! Starring Betty Gilpin, Nick Westrate, Robert John Burke, Ethan Phillips and Sean Young.
ART OF BROOKLYN SCREENING INFORMATION:
NY PREMIERE – Thursday, June 8, 9:00pm – St. Francis College, Brooklyn

