Smuggling Hendrix[/caption]
The Calgary International Film Festival added twelve more films, some from as far away as India, Columbia and Sweden, others closer to home, including one from a Calgarian first-time feature director, to the 2018 lineup.
In a film that will resonate with many festival-goers, Director Gillian McKercher paints a portrait of life working in an industry with looming layoffs in CIRCLE OF STEEL, all to an Albertan soundtrack. Other films with buzz to watch for include the winner of Tribeca Film Festival’s Best International Narrative Feature: SMUGGLING HENDRIX, directed by Marios Piperides, and BIRDS OF PASSAGE. Directed by Ciro Guerra and Cristina Gallego, this visual feast takes us into the heart of the drug trade in the Guajira desert.
“These films shine a light on those defining moments that set us on a new path,” said Stephen Schroeder, Executive Director of the Calgary International Film Festival. “Whether that moment is about moving past invisible borders, tangible walls or simply embracing different mindsets, the subjects in these films are all about to make that leap.”
AMATEURS directed by Gabriela Pichler
When the German low-cost superstore Superbilly considers opening shop in the small Swedish community of Lafors, the local government office makes a commercial to sell Lafors as the prime location. Aida and Dana, two high school kids, decide to turn their mobiles and selfie sticks toward everyone that isn’t allowed to take part in the commercial. A quirky narrative film, with subtitles.
BIRDS OF PASSAGE directed by Ciro Guerra and Cristina Gallego
This visually stunning narrative feature takes us to the origin of the drug trade in the Guajira desert of Colombia, from the perspective of the indigenous Wayuu population who end up trading their traditional farming for marijuana.
CIRCLE OF STEEL directed by Gillian McKercher
The first feature from Calgary director Gillan McKercher, this narrative feature is a satirical yet sympathetic portrait of life in the oil and gas industry. New engineer Wendy Fong works for an energy company with rumours of upcoming layoffs. Long days in the field and long nights alone begin to take their toll. Wendy navigates personal ethics and corporate interest, with an Albertan soundtrack and stunning visuals of the Western landscape.
CLARA directed by Akash Sherman
Isaac Bruno (Patrick J. Adams, SUITS, ROOM FOR RENT) is an astronomer obsessed with searching the cosmos for signs of life beyond Earth, despite the collapse of his personal life right in front of him. His relentless research of the night sky leads him into the path of an unqualified but confident amateur astronomer named Clara (played by Troian Bellisario, SUITS, PRETTY LITTLE LIARS). Working together, their effort ultimately leads them to a shocking and profound scientific discovery. This is Canadian director Akash Sherman’s second feature film.
GIANT LITTLE ONES directed by Keith Behrman
This Canadian feature tells the tale of two best friends since childhood. High school royalty, the boys are handsome, stars of the swim team and popular with girls. They live a perfect teenage life – until the night of Franky’s epic 17th birthday party, when Franky and Ballas are involved in an unexpected incident that changes their lives forever.
ISLAND OF THE HUNGRY GHOSTS directed by Gabrielle Brady
On a remote tropical island, forty million crabs migrate through a dense jungle and rocky shores to the freedom of the sea. Christmas Island is also a temporary home to refugees seeking passage to Australia but confined to a high security detention centre deep in the jungle. With a brilliant score, lush cinematography and keen attention to detail, this award winning documentary focuses on the detention centre’s trauma counselor as she and her young family navigate local mythologies that surround them.
MEGA TIME SQUAD directed by Tim Van Dammen
A small-town criminal finds an ancient Chinese time-travel device that can help him pull off a heist and start a new life – but he may not survive the consequences of tampering with time. This Late Shows feature is a study in high-meets-low, combining elements of the sci-fi, the crime thriller and the comedy to make a comedy heist film with a time-traveling twist.
ROOM LAUNDERING directed by Tomoo Ezaki
Shy and preferring to keep to herself, Miko has with the perfect job – a “room launderer.” When a previous tenant dies of unnatural cases, such as murder or suicide, the “room launderer” purifies it. This is done by staying on the property long enough to clear its manager from legal requirement to inform future tenants of the tragedy. Miko’s only problem is she can see and talk to the dead. This Japanese first feature blends quirky comedy and light-hearted drama.
SIR directed by Rohena Gera
Ratna works as domestic live-in help with Ashwin. Although Ashwin is wealthy, Ratna can sense that he he’s given up on his dreams and is somewhat lost. On the other hand, Ratna who seems to have nothing, is full of hope and works determinedly towards her dream. This narrative feature depicts the social structure in India and the restrictions that prevent people from following their dreams.
SMUGGLING HENDRIX directed by Marios Piperides
Yiannis, a fading musician, is planning to leave crisis-ridden Cyprus for a better life abroad. His plans are put on hold when his dog Jimi runs away and crosses the UN buffer zone that divides the “Greek” from the “Turkish” side of the island. Since animal exchange between the two “sides” is prohibited, Yiannis reluctantly joins forces with Hasan, a Turkish settler, and a cast of unexpected characters to smuggle his best friend back.
SOULS OF TOTALITY directed by Richard Raymond
Lady 18 and Guy 3 have a secret. They are members of a cult that believes if they die during a solar eclipse, their souls will be taken to paradise. But that’s not their secret. They are also profoundly in love. An American short film.
THE UNICORN directed by Robert Schwartzman
When an engaged couple, Caleb and Malory are forced to go to Palm Springs for a weekend to celebrate Malory’s parents’ 25th wedding vow renewal, they discover the secret to the parents’ happy marriage – threesomes. Horrified but intrigued, and determined to properly celebrate their own ‘re-engagement,’ they set out on a wild night in search of a threesome of their own.-
SMUGGLING HENDRIX, BIRDS OF PASSAGE Among Films Added to 2018 Calgary International Film Festival
[caption id="attachment_28552" align="aligncenter" width="1392"]
Smuggling Hendrix[/caption]
The Calgary International Film Festival added twelve more films, some from as far away as India, Columbia and Sweden, others closer to home, including one from a Calgarian first-time feature director, to the 2018 lineup.
In a film that will resonate with many festival-goers, Director Gillian McKercher paints a portrait of life working in an industry with looming layoffs in CIRCLE OF STEEL, all to an Albertan soundtrack. Other films with buzz to watch for include the winner of Tribeca Film Festival’s Best International Narrative Feature: SMUGGLING HENDRIX, directed by Marios Piperides, and BIRDS OF PASSAGE. Directed by Ciro Guerra and Cristina Gallego, this visual feast takes us into the heart of the drug trade in the Guajira desert.
“These films shine a light on those defining moments that set us on a new path,” said Stephen Schroeder, Executive Director of the Calgary International Film Festival. “Whether that moment is about moving past invisible borders, tangible walls or simply embracing different mindsets, the subjects in these films are all about to make that leap.”
AMATEURS directed by Gabriela Pichler
When the German low-cost superstore Superbilly considers opening shop in the small Swedish community of Lafors, the local government office makes a commercial to sell Lafors as the prime location. Aida and Dana, two high school kids, decide to turn their mobiles and selfie sticks toward everyone that isn’t allowed to take part in the commercial. A quirky narrative film, with subtitles.
BIRDS OF PASSAGE directed by Ciro Guerra and Cristina Gallego
This visually stunning narrative feature takes us to the origin of the drug trade in the Guajira desert of Colombia, from the perspective of the indigenous Wayuu population who end up trading their traditional farming for marijuana.
CIRCLE OF STEEL directed by Gillian McKercher
The first feature from Calgary director Gillan McKercher, this narrative feature is a satirical yet sympathetic portrait of life in the oil and gas industry. New engineer Wendy Fong works for an energy company with rumours of upcoming layoffs. Long days in the field and long nights alone begin to take their toll. Wendy navigates personal ethics and corporate interest, with an Albertan soundtrack and stunning visuals of the Western landscape.
CLARA directed by Akash Sherman
Isaac Bruno (Patrick J. Adams, SUITS, ROOM FOR RENT) is an astronomer obsessed with searching the cosmos for signs of life beyond Earth, despite the collapse of his personal life right in front of him. His relentless research of the night sky leads him into the path of an unqualified but confident amateur astronomer named Clara (played by Troian Bellisario, SUITS, PRETTY LITTLE LIARS). Working together, their effort ultimately leads them to a shocking and profound scientific discovery. This is Canadian director Akash Sherman’s second feature film.
GIANT LITTLE ONES directed by Keith Behrman
This Canadian feature tells the tale of two best friends since childhood. High school royalty, the boys are handsome, stars of the swim team and popular with girls. They live a perfect teenage life – until the night of Franky’s epic 17th birthday party, when Franky and Ballas are involved in an unexpected incident that changes their lives forever.
ISLAND OF THE HUNGRY GHOSTS directed by Gabrielle Brady
On a remote tropical island, forty million crabs migrate through a dense jungle and rocky shores to the freedom of the sea. Christmas Island is also a temporary home to refugees seeking passage to Australia but confined to a high security detention centre deep in the jungle. With a brilliant score, lush cinematography and keen attention to detail, this award winning documentary focuses on the detention centre’s trauma counselor as she and her young family navigate local mythologies that surround them.
MEGA TIME SQUAD directed by Tim Van Dammen
A small-town criminal finds an ancient Chinese time-travel device that can help him pull off a heist and start a new life – but he may not survive the consequences of tampering with time. This Late Shows feature is a study in high-meets-low, combining elements of the sci-fi, the crime thriller and the comedy to make a comedy heist film with a time-traveling twist.
ROOM LAUNDERING directed by Tomoo Ezaki
Shy and preferring to keep to herself, Miko has with the perfect job – a “room launderer.” When a previous tenant dies of unnatural cases, such as murder or suicide, the “room launderer” purifies it. This is done by staying on the property long enough to clear its manager from legal requirement to inform future tenants of the tragedy. Miko’s only problem is she can see and talk to the dead. This Japanese first feature blends quirky comedy and light-hearted drama.
SIR directed by Rohena Gera
Ratna works as domestic live-in help with Ashwin. Although Ashwin is wealthy, Ratna can sense that he he’s given up on his dreams and is somewhat lost. On the other hand, Ratna who seems to have nothing, is full of hope and works determinedly towards her dream. This narrative feature depicts the social structure in India and the restrictions that prevent people from following their dreams.
SMUGGLING HENDRIX directed by Marios Piperides
Yiannis, a fading musician, is planning to leave crisis-ridden Cyprus for a better life abroad. His plans are put on hold when his dog Jimi runs away and crosses the UN buffer zone that divides the “Greek” from the “Turkish” side of the island. Since animal exchange between the two “sides” is prohibited, Yiannis reluctantly joins forces with Hasan, a Turkish settler, and a cast of unexpected characters to smuggle his best friend back.
SOULS OF TOTALITY directed by Richard Raymond
Lady 18 and Guy 3 have a secret. They are members of a cult that believes if they die during a solar eclipse, their souls will be taken to paradise. But that’s not their secret. They are also profoundly in love. An American short film.
THE UNICORN directed by Robert Schwartzman
When an engaged couple, Caleb and Malory are forced to go to Palm Springs for a weekend to celebrate Malory’s parents’ 25th wedding vow renewal, they discover the secret to the parents’ happy marriage – threesomes. Horrified but intrigued, and determined to properly celebrate their own ‘re-engagement,’ they set out on a wild night in search of a threesome of their own.
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Watch Trailer for Powerful Documentary CITY OF JOY, Premieres September 7 on Netflix
[caption id="attachment_18245" align="aligncenter" width="1110"]
City of Joy[/caption]
Netflix has released the trailer for City of Joy, directed by first-time director Madeleine Gavin, that follows the first class of women at a revolutionary leadership center in eastern Congo called City of Joy. The documentary will launch globally on Netflix on September 7, 2018.
City of Joy follows the unlikely friendship that develops between Congolese doctor Dr. Denis Mukwege (2016 Nominee for the Nobel Peace Prize), The Vagina Monologues playwright Eve Ensler, and a charismatic Congolese human rights activist who join forces to create a safe haven for women survivors in the middle of violence-torn Eastern Congo.
https://www.youtube.com/watch?v=MNy0MG_iy0Y
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World Premiere of Andrew Slater’s ECHO IN THE CANYON to Open 2018 LA Film Festival
[caption id="attachment_31436" align="aligncenter" width="1200"]
Echo in the Canyon[/caption]
The World Premiere of the documentary Echo in the Canyon by Andrew Slater, which features some of music’s biggest names reflecting on the sustained influence of Laurel Canyon’s historic music scene, will be the Opening Night film of the 2018 LA Film Festival, followed by a live performance. The festival also announced today the titles in Premieres section, the Future Filmmakers Showcase, the Music Video program and the Indie Pilot program.
“I’m so proud to be opening the Festival with a love song to Los Angeles via Andrew Slater’s Echo in the Canyon,” said Jennifer Cochis, Festival Director. “We are committed to showcasing documentaries, and premiering this work at the Ford Theatres to be followed by a live musical performance is going to be a once in a lifetime experience.”
Opening Night Film
Thursday, September 20, the Ford Theatres Echo in the Canyon, dir. Andrew Slater, USA, World Premiere Echo in the Canyon is a look at how The Byrds, The Beach Boys, Buffalo Springfield, The Mamas & the Papas birthed the beginnings of the Laurel Canyon music scene and how the echo of these artists’ creations reverberated between each other and ultimately across the world with a timelessness that continues today. With appearances by Tom Petty, Brian Wilson, Stephen Stills, David Crosby, Graham Nash, Michelle Phillips, Jackson Browne, Ringo Starr, Eric Clapton, Roger McGuinn, John Sebastian, Lou Adler, Jakob Dylan, Norah Jones, Beck, Regina Spektor, Cat Power, and others. The film was executive produced by Jakob Dylan.Premieres
World and US Premieres of fiction and documentary films featuring noteworthy talent. American Dreamer, dir. Derrick Borte, USA, World Premiere Ashes in the Snow, dir. Marius A. Markevicius, Lithuania/USA, World Premiere Brian Banks, dir. Tom Shadyac, USA, World Premiere The Chaperone, dir. Michael Engler, USA, World Premiere The Clovehitch Killer, dir. Duncan Skiles, USA, World Premiere Good Girls Get High, dir. Laura Terruso, USA, World Premiere Kate Nash: Underestimate the Girl, dir. Amy Goldstein, USA, World Premiere Ride, dir. Jeremy Ungar, USA, World Premiere Tea With the Dames, dir. Roger Michell, UK, US Premiere We Have Always Lived in the Castle, dir. Stacie Passon, USA, US PremiereMusic Videos
Celebrating the marriage of music and visuals in these groundbreaking works. Apartment, dir. Ellis Bahl, USA Art in Motion, dir. Hayk Matevosyan, USA, World Premiere Bones, dir. Hunter Brumfield, USA Camisa Al Reves, dir. Andrew Vasquez, USA Clutch, dir. Christopher Ripley, USA Dis Generation, dir. Hiro Murai, USA Dreams, dir. Elliott Sellers & Erik Ferguson, USA Found, dir. rubber.band, USA Half a Million, dir. Lamar + Nik, USA Hard World, dir. Mike Hollingsworth, USA Heart Attack, dir. Mimi Cave, USA Indie, dir. Angel Kristi Williams, USA I Want You, dir. NORTON, USA Land of the Fairies, dir. Amiel Kestenbaum, Israel Lost Angeles, dir. Evanston Moore, USA Loving is Easy, dir. Chris Ullens, United Kingdom My Way, dir. WATTS., USA Pleader, dir. Isaiah Seret, United Kingdom Side by Side, dir. Bohdan Zajcenko, Czech Republic Terraform, dir. Sil van der Woerd & Jorik Dozy, Spain True Love Waits, dir. Adi Halfin, IsraelFuture Filmmakers Showcase: High School Shorts
Made by incredibly accomplished high school filmmakers from across the country and globe, 43% of the short films in this diverse slate are directed by young women and 47% are directed by filmmakers from diverse backgrounds.Indie Pilots
In this section, each pilot stands on its own and navigates the full hour of an episodic show. Storytellers bring an independent sensibility to these original series. 2 Kawaii 4 Comfort, co-dirs., Luke Palmer, John Bickerstaff, USA 40 And Single, dir, Leila Djansi, USA/Ghana Mulligan, dir, Steve Parys, USA
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Tribeca Film Festival Announces 2019 Dates + Call For Submissions
The Tribeca Film Festival, today announced that its 18th edition will take place April 24 to May 5, 2019 in New York City. Tribeca celebrates storytelling in all its forms from film to TV, VR to gaming. Submissions will open on August 20 for feature and short films; episodic and online storytelling; virtual, immersive, and augmented reality; as well as branded entertainment.
The 2019 Festival will introduce Critics Week, the first for a North American film festival, as a sidebar to the main program. Tribeca is collaborating with New York-based film critics to curate the section including Eric Kohn (IndieWire Chief Film Critic and Deputy Editor), K. Austin Collins (Vanity Fair Film Critic), Bilge Ebiri (Village Voice Film Critic), Alison Willmore (BuzzFeed News Film Critic and Culture Writer), and Emily Yoshida (New York Magazine and Vulture Film Critic). The inaugural Critics Week will highlight a slate of 5-7 feature films and screen throughout the Festival.
Tribeca also announced that the Tribeca X Award, which debuted in 2016 to honor the best in branded entertainment, will expand with new juried award competitions for feature length film, short film, episodic, and VR. Past Tribeca X winners include works for Samsung (Hearing Colors, directed by Greg Brunkalla), Smirnoff Ice (Chris Fonseca: Keep It Moving, directed by Zachary Heinzerling), and Square (For Every Kind of Dream Series, directed by Mohammad Gorjestani).
Tribeca is a longstanding champion for female filmmakers – last year 46% of the feature films were directed by women. The 7th annual Nora Ephron Award will again recognize a female writer or director whose work embodies the spirit and vision of the legendary filmmaker and writer Nora Ephron with a $25,000 prize.
In addition to honors for films playing In Competition, Tribeca continues to focus on the discovery of new filmmakers with juried awards for best new narrative and documentary filmmakers.
“The New York critical community has long been our compatriots in championing the most exciting new voices and trends in cinema, so we are thrilled that Tribeca will officially partner with them with this inaugural Critics Week program,” said Tribeca’s Director of Programming Cara Cusumano. “We look forward to discovering the new work they select, along with all the upcoming features, shorts, TV, VR, and online work from around the world as we officially open for submissions for Tribeca 2019.”
“We have been impressed with the caliber of stories and creators submitting to Tribeca X to the point where we see a need to increase visibility for the work being done in branded entertainment by expanding with additional awards opportunities,” said EVP Paula Weinstein.
Last year’s Festival celebrated storytelling and diverse voices with a slate of feature films; acclaimed shorts programming; TV including the world premiere of National Geographic’s Emmy®-nominated Genius: Picasso, the second season of the series which world premiered at the 2017 Festival; in addition to Tribeca N.O.W.’s (New Online Work) showcase of innovative digital storytellers. Tribeca Immersive expanded with the debut of VR theater Tribeca Cinema360, and its acclaimed line-up included projects like Vestige, one of the first VR experiences to be acquired at a major festival. The Festival debuted the first film funded through Untold Stories, the Festival’s premier program awarding $1M to an underrepresented filmmaker, in collaboration with the Festival’s Title sponsor AT&T and the Tribeca Film Institute.
Submissions open on August 20 for all sections of the Festival – feature and short films, TV, Immersive, N.O.W., and the Tribeca X Award.
Submission deadlines for the 2019 Tribeca Film Festival:
Feature and Short Films, Tribeca TV, Tribeca N.O.W., and Tribeca Immersive:
August 20, 2018 – Submissions Open September 26, 2018 – Early Deadline October 31, 2018 – Official Deadline November 28, 2018 – Late DeadlineTribeca X Award:
August 20, 2018 – Submissions Open November 28, 2018 – Early Deadline January 9, 2019 – Official Deadline January 30, 2019 – Late Deadline
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Watch New Trailer + Poster for Pistol-Packing South African Western FIVE FINGERS OF MARSEILLES
The pistol-packing acclaimed South African western Five Fingers for Marseilles which is set for release in US theaters on Friday, September 7, 2018, has released a new trailer and poster. Five Fingers for Marseilles, from filmmaker Michael Matthews and screenwriter Sean Drummond, is described as a thrilling western set against the backdrop of post-Apartheid South Africa.
The residents of the colonial town of Marseilles are under the thumb of police oppression and only the young rebels known as the Five Fingers are willing to stand up to them. Their battle is just, until Tau kills two policemen and flees the scene. The remaining rebels disband while the banished Tau resorts to a life of crime. Twenty years later, now known as feared outlaw The Lion of Marseilles, he is released from prison. He returns home, desiring only peace and to reconnect with those he left behind. The battle for South Africa’s freedom has been won, and former comrades-in-arms are in prominent positions as mayor, police chief, and pastor. But it quickly becomes clear to Tau that Marseilles is caught in the grip of a vicious new threat — and he must reconstitute the Five Fingers to fight frontier justice. Standing against former allies and new enemies, the re-formed Five Fingers saddle up and ride out, and put their lives at risk to save their beloved Marseilles.
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Watch New Trailer + Poster for Pablo Solarz’s THE LAST SUIT
The new trailer and poster is here for The Last Suit, the award-winning charming, funny film from Argentine director Pablo Solarz about an elderly Holocaust survivor who decides to undertake a trip from Argentina to Poland to tie up some unfinished business. The Last Suit will open in theaters on Friday, September 21 in New York, followed by Los Angeles on Friday, September 28, and wider national release to follow.
At 88, Abraham Bursztein (Miguel Ángel Solá) is seeing his place in the world rapidly disappear. His kids have sold his Buenos Aires residence, set him up to move to a retirement home, and disagree on how to handle his fading health. But Abraham survived the Holocaust, made a successful life in a foreign land, and isn’t about to quietly fade away. Instead, he plots a secret one-way trip to Poland, where he plans to find the Christian friend who saved him from certain death at the end of World War II, and to keep his promise to return one day.
With its klezmer-driven score, evocative cinematography and fleet pacing, THE LAST SUIT approaches its weighty themes with a light touch that illuminates a serious story. And in its mix of Spanish, Yiddish, German and Polish it is a globe-trotting surprise, a late-in-life road movie with planes, trains and heart.
Trailer
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Toronto International Film Festival Unveils 2018 Wavelengths Program of 43 Experimental Films
[caption id="attachment_31419" align="aligncenter" width="1200"]
What You Gonna Do When the World’s on Fire?[/caption]
The Toronto International Film Festival unveiled the 18th edition of it’s Wavelengths program showing adventurous and carefully curated lineup of shorts and feature films from around the world. This year’s selection of 43 films, comprises 4 programs of experimental short films, 2 curated pairings, and 10 features, each contributing to an exciting, diverse lineup of moving-image art.
Wavelengths ’18 offers trenchant reflections on home, memory, and a world in flux through artistic narratives produced by a mix of emerging talent and contemporary masters and working across a variety of inventive styles. Fiction highlights include Bi Gan’s dazzling and mysterious Long Day’s Journey Into Night, a dreamy neo-noir about memories, passion, and the malleability of time that received critical acclaim at Cannes; the beautiful and intimate RAY & LIZ, the searing debut feature by Richard Billingham, Turner Prize–nominated photographer-turned-filmmaker, inspired by his family and his own Thatcher-era childhood memories; and Mariano Llinás’ epic 14-hour drama La Flor — the longest film in Argentine history — which took nearly a decade to produce and which explores the possibilities of cinematic narrative through impressive and ingenious experiments in acting and genre.
Wavelengths will showcase several astonishing and sure-to-be landmark documentaries, including master Chinese filmmaker Wang Bing’s powerful Dead Souls, a momentous, eight-hour documentary that offers sobering testimonials of experiences in China’s forced re-education camps in the 1950s; the World Premiere of the stunningly shot The Stone Speakers by Igor Drljača, a compelling documentary about faith, tourism, shifting industries, and competing historical narratives in Bosnia and Herzegovina; the provocative and powerful What You Gonna Do When the World’s on Fire? by the returning Roberto Minervini, a fiery portrayal of Black life in the American South; the gripping found-footage film The Trial by Festival mainstay Sergei Loznitsa, which assembles original material from a show trial conducted under Stalin’s Soviet government in 1930s Moscow; and the elegant, moving Erased,___Ascent of the Invisible by Ghassan Halwani, a personal-essay film by the animator of The Lebanese Rocket Society (Wavelengths 2012) inspired by the distorted image of a mysterious man thought to have disappeared many years ago in Beirut. Andrea Bussmann’s solo debut, Fausto, and Jodie Mack’s The Grand Bizarre are two of this year’s most exhilarating cinematic experiments; they defy categorization as they meld documentary inquiry with inspired audio-visual expressions, ranging from the mythical to the musical.
Short-film highlights include new works by Apichatpong Weerasethakul, Abraaj Group Art Prize winner Lawrence Abu Hamdan, Nathaniel Dorsky, Mary Helena Clark, Laida Lertxundi, Ben Rivers, Kevin Jerome Everson, Laura Huertas Millán, and more. The programme also features the World Premiere of artist-filmmaker Beatrice Gibson’s I Hope I’m Loud When I’m Dead, a KW Production Series co-commission with Mercer Union (Toronto), Camden Arts Centre (London), and Bergen Kunsthall (Bergen), which is supported by the Julia Stoschek Foundation and Outset Germany_Switzerland and which features appearances by poets Eileen Myles and CAConrad.
Wavelengths will also present a number of historical restorations and rediscoveries. This year’s archival selections include the previously unseen 1986 Summer (1986), by Japanese avant-garde titan Toshio Matsumoto; Lisa Baumgardner’s punchy Girl Pack (1981), recently restored by the Museum of Modern Art in New York; and the fascinating and idiosyncratic portrait film Alice (1974), directed by Austrian painter and filmmaker Maria Lassnig as part of her Soul Sisters series.
The 43rd Toronto International Film Festival runs from September 6 to 16, 2018.
WAVELENGTHS SHORT FILM PROGRAMS
Wavelengths 1: Earth, Wind & Fire
Polly One Kevin Jerome Everson | USA | Canadian Premiere Blue Apichatpong Weerasethakul | France/Thailand | International Premiere Fainting Spells Sky Hopinka | Ho-Chunk Nation/USA | International Premiere Prologue to the Tarot: Glenna Brittany Gravely, Ken Linehan | USA | World Premiere Hoarders Without Borders Jodie Mack | USA | World Premiere ante mis ojos Lina Rodriguez | Colombia/Canada | World Premiere ALTIPLANO Malena Szlam | Chile/Argentina/Canada | World PremiereWavelengths 2: Another Brick in the Wall
Ada Kaleh Helena Wittmann | Germany | World Premiere The Glass Note Mary Helena Clark | USA | North American Premiere mumok kino Philipp Fleischmann | Austria | International Premiere TREES DOWN HERE Ben Rivers | United Kingdom | International Premiere 1986 Summer ( 1986夏) Toshio Matsumoto | Japan | International Premiere Words, Planets Laida Lertxundi | Spain/USA | Canadian Premiere The Invisible Cinema 3 Philipp Fleischmann | Austria | International Premiere Walled Unwalled Lawrence Abu Hamdan | Germany | North American PremiereWavelengths 3: Centerfold
Girl Pack Lisa Baumgardner | USA | International Premiere Please step out of the frame. Karissa Hahn | USA | Toronto Premiere The Air of the Earth in Your Lungs Ross Meckfessel | USA/Japan | World Premiere Sira Rolla Tahir | Canada | World Premiere Slip Celia Perrin Sidarous | Canada | Toronto Premiere Alice Maria Lassnig | USA | Canadian Premiere Fallen Arches Simon Liu | United Kingdom/USA/Hong Kong | World Premiere I Hope I’m Loud When I’m Dead Beatrice Gibson | USA/Italy/United Kingdom | World PremiereWavelengths 4: We’ve Only Just Begun
Colophon (for the Arboretum Cycle) Nathaniel Dorsky | USA | World Premiere A Return James Edmonds | Germany | North American Premiere The Labyrinth ( El Laberinto) Laura Huertas Millán | Colombia/France | North American Premiere Île d’Ouessant David Dudouit | France | North American Premiere Julio Iglesias’s House ( La casa de Julio Iglesias) Natalia Marín | Spain | North American Premiere Man in the Well ( Jing li de ren) Hu Bo | China | North American PremierePAIRINGS
L. COHEN James Benning | USA Canadian Premiere preceded by Arena Björn Kämmerer | Austria International Premiere The Grand Bizarre Jodie Mack | USA North American Premiere preceded by Those Who Desire ( Los que desean) Elena López Riera | Switzerland/Spain International PremiereFEATURES
Dead Souls ( Si Ling Hun) Wang Bing | France/Switzerland North American Premiere Erased,___Ascent of the Invisible ( Tirss, Rihlat Alsoo’oud ila Almar’i) Ghassan Halwani | Lebanon North American Premiere Fausto Andrea Bussmann | Canada/Mexico North American Premiere In My Room Ulrich Köhler | Germany/Italy North American Premiere The Flower (La Flor) Mariano Llinás | Argentina North American Premiere Long Day’s Journey Into Night (Di qiu zui hou de ye wan) Bi Gan | China/France North American Premiere RAY & LIZ Richard Billingham | United Kingdom North American Premiere The Stone Speakers (Kameni Govornici) Igor Drljača | Canada/Bosnia/Herzegovina World Premiere The Trial Sergei Loznitsa | Netherlands North American Premiere What You Gonna Do When the World’s on Fire? Roberto Minervini | Italy/USA/France North American Premiere Previously announced Canadian titles in the Wavelengths Program include Lina Rodriguez‘s ante mis ojos, Andrea Bussmann’s Fausto, Rolla Tahir’s Sira , Celia Perrin Sidarous’ Slip, and Igor Drljača’s The Stone Speakers.
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Toronto International Film Festival to Spotlight 11 Films by International Legends in 2018 Masters Program
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Peterloo[/caption]
The Toronto International Film Festival today unveiled the lineup for the 2018 Masters program, comprised of 11 daring new films by acclaimed, established auteurs with remarkable bodies of work. Included in the 2018 Masters lineup are new works by three acclaimed European directors that unwaveringly address contemporary adversities: the debut of the single-installment version of Italian maestro Paolo Sorrentino’s corrosive comedy, Loro, which stars Toni Servillo as infamous politician Silvio Berlusconi; legendary French—Swiss auteur Jean-Luc Godard’s The Image Book, winner of the inaugural 2018 Special Palme d’Or at Cannes; and German director Christian Petzold’s daring Transit, an adaptation of Anna Seghers’ World War II novel set in an era resembling the present day, which offers subtle and timely reflections on rootlessness and exile.
Among the auteurs in the lineup are: Algerian visionary Merzak Allouache, who explores religious radicalization with Divine Wind, the latest in a remarkable filmography that spans over four decades; acclaimed Turkish director Nuri Bilge Ceylan, who is known for his distinct cinematic use of landscape and who returns to the Festival with The Wild Pear Tree; Mexican master Carlos Reygadas, who delivers an existential meditation on a couple’s open relationship in Our Time; South Korean director Hong Sang-soo, who returns to the program with Hotel by the River, a black-and white-drama set in an isolated hotel during a cold winter; British director Mike Leigh, who explores the history of British parliamentary reform in Peterloo; and Iranian maverick Jafar Panahi, who presents 3 Faces, a thoughtful examination of traditional gender roles and artistic independence.
Chinese pioneer Jia Zhang-ke will introduce his largest production to date, Ash Is Purest White, a look at the rapid evolution of Chinese capitalist society explored through the romance between two mismatched people, while veteran Japanese director Shinya Tsukamoto will present Killing, an ambitious samurai genre film set in mid-19th century Japan.
The 43rd Toronto International Film Festival runs from September 6 to 16, 2018.
2018 Toronto International Film Festival Masters Program
3 Faces Jafar Panahi | Iran North American Premiere Ash Is Purest White ( Jiang Hu Er Nü) Jia Zhang-ke | China/France North American Premiere Divine Wind ( Rih rabani) Merzak Allouache | Algeria/France/Qatar/Lebanon World Premiere Hotel by the River ( Gangbyun Hotel) Hong Sang-soo | South Korea North American Premiere Killing ( Zan) Shinya Tsukamoto | Japan North American Premiere Loro Paolo Sorrentino | Italy/France World Premiere Our Time ( Nuestro Tiempo) Carlos Reygadas | Mexico/France/Germany/Denmark/Sweden North American Premiere Peterloo Mike Leigh | United Kingdom Canadian Premiere The Image Book ( Le livre d’image) Jean-Luc Godard | Switzerland/France North American Premiere The Wild Pear Tree ( Ahlat Ağacı) Nuri Bilge Ceylan | Turkey/France/Germany/Bulgaria North American Premiere Transit Christian Petzold | Germany North American Premiere
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2018 Toronto International Film Festival Adds More Gala and Special Presentations Films
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Green Book[/caption]
The Toronto International Film Festival today unveiled its second batch of titles premiering in the Gala and Special Presentations programs in September. Four Gala Presentations and 22 Special Presentations have been added to the selection of titles already announced.
“We’re rounding out the lineup of Galas and Special Presentations with some of the most exciting films of the year,” said Cameron Bailey, Artistic Director of TIFF. “Audiences won’t want to miss these premieres from a mix of newcomers and global heavyweights.”
This second announcement brings the total for Galas and Special Presentations to 44 World Premieres, 9 International Premieres, 12 North American Premieres and 11 Canadian Premieres.
The 43rd Toronto International Film Festival runs from September 6 to 16, 2018.
GALAS 2018
Green Book Peter Farrelly | USA World Premiere Closing Night Film Jeremiah Terminator LeRoy Justin Kelly | Canada/USA/United Kingdom World Premiere The Lie Veena Sud | Canada World Premiere Opening Night Film Outlaw King David Mackenzie | USA/United Kingdom World PremiereSPECIAL PRESENTATIONS 2018
22 July Paul Greengrass | Norway/Iceland North American Premiere American Woman Jake Scott | USA World Premiere Baby ( Bao Bei Er) Liu Jie | China World Premiere Boy Erased Joel Edgerton | USA International Premiere Driven Nick Hamm | Puerto Rico/United Kingdom/USA North American Premiere Duelles (Mothers’ Instinct) Olivier Masset-Depasse | Belgium/France World Premiere A Faithful Man ( L’homme fidèle) Louis Garrel | France World Premiere Gloria Bell Sebastián Lelio | USA/Chile World Premiere Hold the Dark Jeremy Saulnier | USA World Premiere Kursk Thomas Vinterberg | Belgium/Luxembourg World Premiere Legend of the Demon Cat – Director’s Cut Chen Kaige | China/Japan World Premiere Mid90s Jonah Hill | USA World Premiere A Million Little Pieces Sam Taylor-Johnson | USA World Premiere Never Look Away ( Werk ohne Autor) Florian Henckel von Donnersmarck | Germany North American Premiere The Quietude ( La Quietud) Pablo Trapero | Argentina North American Premiere Skin Guy Nattiv | USA World Premiere Teen Spirit Max Minghella | USA World Premiere Tell It To The Bees Annabel Jankel | United Kingdom World Premiere Viper Club Maryam Keshavarz | USA World Premiere Vision Naomi Kawase | Japan/France International Premiere Vita & Virginia Chanya Button | United Kingdom/Ireland World Premiere Wild Rose Tom Harper | United Kingdom World Premiere
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BLACKKKLANSMAN, FIRST MAN, A STAR IS BORN to Compete for Audience Award at San Sebastian International Film Festival
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BlacKkKlansman[/caption]
Ten new films including the latest by Damien Chazelle, Alfonso Cuarón, and Spike Lee will compete for the City of Donostia / San Sebastian Audience Award at the San Sebastian International Film Festival. A Star Is Born, the directorial debut of Bradley Cooper will bring the section to a close.
Jacques Audiard (Paris, 1962), the author of Un prophète / A Prophet (2009), Academy Award nominee for Best Foreign Language Film, will present The Sisters Brothers, to have its premiere at the Venice Festival. This western based on the novel of the same name by Patrick deWitt stars Jake Gyllenhaal, Joaquin Phoenix and John C. Reilly, who is also involved in its production.
The latest film from the winner of last year’s Academy Award for Best Director, Damien Chazelle (Providence, USA, 1985), once again directs Ryan Gosling in First Man as Neil Armstrong, the first astronaut to walk on the Moon. The film by the creator of La La Land, in which Claire Foy (The Crown) also has a part, will open the Venice Festival.
Alfonso Cuarón (Mexico City, 1968) competed in the Official Selection at San Sebastian with his second film, A Little Princess (1995). Since then, he has won a Best Director Academy Award for Gravity, while his films Y tu mamá también (And Your Mother Too) and Children of Men have enjoyed widespread international success. With Roma, to have its premiere in Venice, he portrays the life of a maid working in a middle-class district of Mexico City in the early 70s.
In this new take on the iconic love story, A Star Is Born, Bradley Cooper (Philadelphia, USA, 1975) makes his directorial debut and portrays seasoned musician Jackson Maine, who discovers and falls in love with struggling artist Ally, played by Lady Gaga. Ally has given up on her dream to become a successful singer until she meets Jack, who immediately sees her raw talent. This intimate story takes us on a journey through the beauty and challenges of a relationship struggling to survive. After its premiere in Venice, A Star Is Born will bring Perak to a close in San Sebastian.
Lukas Dhont (Belgium, 1991) will also present his first feature in San Sebastian, Girl, winner of the Caméra d’Or for Best First Film in Cannes and Fipresci Prize in Un Certain Regard. Dhont tells the story of a young girl born as a boy and who dreamt of becoming a ballerina.
Ciro Guerra (Río de Oro, Colombia, 1981) shares the helm of Pájaros de verano (Birds of Passage) with Cristina Gallego (Bogotá, 1978), producer of his earlier films. Guerra started his career in Films in Progress, where he won a prize in 2003 for his first work, La sombra del caminante. His third film, El abrazo de la serpiente (Embrace of the Serpent) screened in Horizontes Latinos, was nominated for Best Foreign Language Film Academy Award. In Pájaros de verano, which premiered at the Cannes Directors’ Fortnight, he uses a true story to explain the origins of drug trafficking in Colombia.
The first animated film to compete in San Sebastian’s Official Selection was Bakemono no ko / The Boy and the Beast (2015), by Mamoru Hosoda (Nakaniikawa, Japan, 1967). The author of Toki wo kakeru shojo (The Girl Who Leapt Through Time, 2006) and Okami Kodomo no Ame to Yuki (Wolf Children, 2012) now presents in San Sebastian Mirai, which premiered at the Cannes Directors’ Fortnight.
The participations of Nadine Labaki (Beirut, 1974) in San Sebastian are counted in awards. In 2007, with her directorial debut Sukkar banat / Caramel, she landed the Audience and Youth Awards, and in 2011, with her second film, Et maintenant on va où? / Where Do We Go Now?, she earned the spectators’ vote as Best European Film. With Capharnaüm, winner of the Jury Prize in Cannes, she once again competes for the City of Donostia / San Sebastian Audience Award.
Although his films have been programmed in different retrospectives –When the Levees Broke: A Requiem in Four Acts in .doc – New paths of non-fiction and Summer of Sam in American Way of Death: American Film Noir 1990-2010– and the collective film Ten Minutes Older – The Trumpet screened as part of the Zabaltegi-Specials selection, this is the first time that Spike Lee (Atlanta, USA, 1957) will have competed for an award in San Sebastian. The author of Malcolm X, winner of honorary Academy and César awards, will compete for the Audience Award with BlacKkKlansman, a dramatic comedy about an Afro-American policeman who infiltrates the Ku Klux Klan, winner of the Jury Grand Prix at Cannes and the Audience Award at Locarno.
Jia Zhangke (Fenyang, China, 1970), however, has enjoyed wide presence at the Festival in recent years. In 2013 he won the Best Screenplay Award at Cannes for Tian zhu ding / A Touch of Sin (2013), screened as part of Perlak, the same section which saw the selection in 2015 of Shan he gu ren (Mountains May Depart), winner of the Audience Award for Best European Production. His short film The Hedonists was screened in Zabaltegi-Tabakalera in 2016, the same year as he sat on the official jury presided by Bille August, which gave the Golden Shell to Wo bu shi pan jinlian / I Am Not Madame Bovary by Xiaogang Feng. Now he will endeavour to win the spectators’ award for a second time with Ash is Purest White, a film selected for the Cannes official competition, in which he describes the changes transforming his country through a violent love story.
These films join those already announced in Perlak: El ángel (Luis Ortega), Petra (Jaime Rosales), Leto / Summer (Kirill Serebrennikov), Zimna wojna / Cold War (Pawel Pawlikowski), Un día más con vida / Another Day of Life (Raúl de la Fuente and Damian Nenow), Netemo Sametemo / Asako I & II (Ryusuke Hamaguchi) and 3 Rokh / Three Faces (Jafar Panahi).
A STAR IS BORN
BRADLEY COOPER (USA)
Cast: Bradley Cooper, Lady Gaga, Andrew Dice Clay, Dave Chappelle, Sam Elliott
CLOSING NIGHT FILM
Not in competition
In this new take on the tragic love story, a seasoned musician discovers—and falls in love with— a struggling artist. She has just about given up on her dream to make it big as a singer… until Jack coaxes her into the spotlight. But even as Ally’s career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.
ASH IS PUREST WHITE
JIA ZHANGKE (CHINA – FRANCE – JAPAN)
Cast: Zhao Tao, Liao Fan
Qiao is in love with Bin, a local mobster. During a fight between rival gangs, she fires a gun to protect him. Qiao gets five years in prison for this act of loyalty. Upon her release, she goes looking for Bin to pick up where they left off. A story of love, betrayal and loyalty set in China’s underworld.
BLACKKKLANSMAN
SPIKE LEE (USA)
Cast: John David Washington, Adam Driver, Topher Grace, Laura Harrier
Spike Lee helms the true story of the first Afro-American cop to infiltrate the Ku Klux Klan at its highest levels in the ‘60s, with the help of a colleague who passed himself off as a radical racist.
CAPHARNAÜM
NADINE LABAKI (LEBANON)
Cast: Zain Al Rafeea, Yordanos Shiferaw, Boluwatife Treasure Bankole, Kawthar Al Haddad, Fadi Kamel Youssef, Cedra Izam, Alaa Chouchnieh, Nadine Labaki
International Courtroom
Zain, a 12 year-old boy, faces the judge.
Judge: Why are you suing your own parents?
Zain: For giving me life.
FIRST MAN
DAMIEN CHAZELLE (USA)
Cast: Ryan Gosling, Claire Foy, Jason Clarke
The film tells the story of the most dangerous mission in the history of Humanity to date. A tale of how NASA sent Neil Armstrong to the Moon and the sacrifices and the cost it represented for many.
GIRL
LUKAS DHONT (BELGIUM – NETHERLANDS)
Cast: Victor Polster, Arieh Worthalter, Katelijne Damen, Valentijn Dhaenens
Lara, aged 15, dreams of becoming a ballerina. With her father’s help, she pushes herself to the limit in the interminable endeavour. But her body doesn’t lend itself easily to the discipline imposed upon it, because in fact she was born a boy.
MIRAI
MAMORU HOSODA (JAPAN)
A spoiled and pampered little 4 year-old who finds himself being ignored on the birth of his little sister Mirai. Kun struggles to cope with the new situations thrown at him in his home. But suddenly the teenage version of his sister travels back in time from the future to share with Kun an extraordinary adventure of unimaginable proportions.
PÁJAROS DE VERANO
CIRO GUERRA, CRISTINA GALLEGO (COLOMBIA)
Cast: Carmiña Martínez, Jose Acosta, Natalia Reyes, Jhon Narváez, José Vicente Cote, Juan Bautista Martínez, Greider Meza
Based on a true story explaining the origin of drug trafficking in Colombia, the film takes place in the ‘70s when North American youths are embracing the hippie culture and, with it, marijuana. The upshot is that the local farmers almost instantly morph into “entrepreneurs”. In the Guajira desert, a Wayuu Native American family finds itself forced to assume a role of leadership in this new enterprise. Wealth and power combine with a war between brothers which will seriously endanger their family, their lives and their ancestral traditions.
ROMA
ALFONSO CUARÓN (MEXICO)
Cast: Yalitza Aparicio, Marina de Tavira
The most personal project to date from Academy Award®-winning director and writer Alfonso Cuarón (Gravity, Children of Men, Y Tu Mamá Tambien), Roma follows Cleo, a young domestic worker for a family in the middle-class neighborhood of Roma in Mexico City. Delivering an artful love letter to the women who raised him, Cuarón draws on his own childhood to create a vivid and emotional portrait of domestic strife and social hierarchy amidst political turmoil of the 1970s.
THE SISTERS BROTHERS
JACQUES AUDIARD (FRANCE – BELGIUM – ROMANIA – SPAIN)
Cast: John C. Reily, Joaquin Phoenix, Jake Gyllenhaal, Riz Ahmed
Charlie and Eli Sisters live in a wild and hostile world. They have blood on their hands: the blood of criminals and innocent people alike… They have no scruples about killing. It’s their job. Charlie, the younger brother, was born to kill. Eli, however, dreams of living a normal life. They are hired by the Commodore to find and kill a man. From Oregon to California, a ruthless hunt begins, an initiatory journey that will test this insane bond between the two brothers. A path that leads to their humanity?
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Vivienne Westwood Documentary WESTWOOD: PUNK, ICON, ACTIVIST on DVD on 9/11 [Trailer]
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Westwood: Punk, Icon, Activist[/caption]
She helped create the look of British punk rock in the 1970s – then went on to become a global fashion innovator. Now the amazing and unpredictable life story of Vivienne Westwood is told in a must-see new film: WESTWOOD: PUNK, ICON, ACTIVIST. It will be released by Greenwich Entertainment DVD on September 11, 2018.
With exclusive, unprecedented access, director Lorna Tucker’s WESTWOOD: PUNK, ICON, ACTIVIST is the first film to encompass the remarkable story of Vivienne’s life, her fashion, her personality, her activism and her cultural importance.
Since igniting the punk movement with ex-partner and Sex Pistols manager Malcolm McLaren, Dame Vivienne Westwood has been redefining British fashion for over 40 years, and is responsible for creating many of the most distinctive looks of our time.
From the producers of the acclaimed documentaries Searching for Sugar Man, Listen to Me Marlon and Restrepo, WESTWOOD: PUNK, ICON, ACTIVIST blends archive footage, beautifully crafted reconstruction and insightful interviews with Vivienne’s fascinating network of collaborators, guiding us on her journey from a childhood in postwar Derbyshire to the runways of Paris and Milan.
This is an intimate and poignant homage to one of the true cultural icons of our time, as she fights to maintain her brand’s integrity, her principles and her legacy in a business driven by consumerism, profit and global expansion.
Featuring supermodels Kate Moss and Naomi Campbell, and former Vogue magazine editor-at-large André Leon Talley, the film was an Official Selection at the 2018 Sundance Film Festival, and its theatrical release by Greenwich Entertainment coincided with New York Fashion Week.
Kenneth Turan of the Los Angeles Times called WESTWOOD: PUNK, ICON, ACTIVIST “A fascinating, involving glimpse of both who Westwood was back in the day and who she is at this particular moment in time,” while Anna Smith of Time Out called it “the perfect film to double bill Phantom Thread with.”
https://www.youtube.com/watch?v=M2oF4wOnTS4

Look at Me[/caption]
The Toronto International Film Festival will spotlight 48 films from international filmmakers in this year’s 2018 Contemporary World Cinema roster with a strong presence from Latin America and Eastern Europe — telling stories of identity, depicting family dynamics, and making bold political statements.
Several of the the impressive 27 World Premieres in the program are from TIFF veterans, including Belmonte from Uruguay’s Federico Veiroj, The Other Story from Israel’s Avi Nesher, Stupid Young Heart from Finnish Academy Award nominee Selma Vilhunen, Quién te Cantará from Spain’s Carlos Vermut, and Look at Me from Tunisia’s Nejib Belkadhi.
The program also highlights film selections that have already captivated audiences worldwide this year, including “I Do Not Care If We Go Down In History As Barbarians” by Radu Jude, Birds of Passage by directing duo Cristina Gallego and Ciro Guerra, and Border by Ali Abbasi.