Watch some video clips and photos from the Dominican film Woodpeckers (Carpinteros) directed by Jose Maria Cabral and set in the Dominican Republic’s Najayo Prison. The film which was an official selection at the 2017 Sundance Film Festival will open in theaters on Friday, September 15, 2017 in New York (AMC Empire 25) with a wider national release to follow.
Julián finds love and a reason for living in the last place imaginable: the Dominican Republic’s Najayo Prison. His romance, with fellow prisoner Yanelly, must defeat the distance that separates them by using a sign language created by the inmates in Najayo, called “Woodpecking,” enabling them to effectively communicate and develop personal and even intimate relationships without the knowledge of dozens of guards. Using real prison locations and non-actors throughout, WOODPECKERS is also based on real events.
-
VIDEOS + PHOTOS: Dominican Republican Film WOODPECKERS Sets Release Date
Watch some video clips and photos from the Dominican film Woodpeckers (Carpinteros) directed by Jose Maria Cabral and set in the Dominican Republic’s Najayo Prison. The film which was an official selection at the 2017 Sundance Film Festival will open in theaters on Friday, September 15, 2017 in New York (AMC Empire 25) with a wider national release to follow.
Julián finds love and a reason for living in the last place imaginable: the Dominican Republic’s Najayo Prison. His romance, with fellow prisoner Yanelly, must defeat the distance that separates them by using a sign language created by the inmates in Najayo, called “Woodpecking,” enabling them to effectively communicate and develop personal and even intimate relationships without the knowledge of dozens of guards. Using real prison locations and non-actors throughout, WOODPECKERS is also based on real events.
-
World Premiere of BORG/MCENROE Starring Shia LaBeouf to Open Toronto International Film Festival | Trailer
The World Premiere of Borg/McEnroe will kick off the 42nd Toronto International Film Festival on September 7. Directed by Janus Metz and written by Ronnie Sandahl, the film stars Shia LaBeouf, Sverrir Gudnason and Stellan Skarsgård.
“Borg/McEnroe has a powerful tension about it that is on par with the electric energy of Toronto on Opening Night,” said Piers Handling, Director and CEO of TIFF. “The story of this nail-biter matchup changed the sport of tennis forever, and the outstanding performances from LaBeouf and Gudnason will be a spectacular way for Festival-goers to kick things off.”
“Janus Metz’s Armadillo is a gripping war documentary that took home the Critics Week Grand Prize at Cannes. Amazingly, Metz brings that same urgent tension to Borg/McEnroe,” said Cameron Bailey, Artistic Director of TIFF. “The on-court scenes have the dynamism of a street battle, and the drama peels back layers from what we know about both players. This was more than a simple conflict pitting an icy European against an impulsive American. Audiences are in for one hell of a showdown.”
“I am extremely honored by TIFF’s selection of Borg/McEnroe as the opening film,” said director Janus Metz. “It is a great celebration and recognition of everyone in the cast and crew who worked so hard to make this film what it is. We had very high ambitions for this project and have come such a long way together. I’m very excited that we can finally let the film out into the world, and I couldn’t dream of a better way of doing this.”
Borg/McEnroe tells the story of the epic rivalry between Swedish tennis legend Björn Borg (Sverrir Gudnason) and his greatest adversary, the brash American John McEnroe (Shia LaBeouf), which came to a head during the 1980 Wimbledon Championships.
The 42nd Toronto International Film Festival runs from September 7 to 17, 2017.
https://www.youtube.com/watch?v=IgfFdEOGUqE
-
VIDEO: Watch New Clip from GOOK Featuring Comedian David So
Check out this brand new clip from GOOK, featuring comedian David So. In the scene, a group of female customers flirt with Daniel, played by David So, and receive the special manager discount.
GOOK directed by Justin Chon opens in Los Angeles August 18th and in NY and other cities on August 25th.
The film follows Eli and Daniel, two Korean American brothers that run their late father’s shoe store in a predominantly African American community of Los Angeles. These two brothers strike up a unique and unlikely friendship with an 11-year-old African American girl, Kamila. As Daniel dreams of becoming a recording artist and Eli struggles to keep the story afloat, racial tensions build to a breaking point in L.A. as the “infamous” L.A. Riots break out.
Gook Official trailer
https://www.youtube.com/watch?v=u_UxfY-wdaw
-
Stony Brook Film Festival Announces 2017 Awards, Catherine Eaton’s THE SOUNDING Wins Best Film
The 22nd Stony Brook Film Festival ran July 20 to 29, and had the largest attendance in the history of the Festival. The Sounding directed by Catherine Eaton walked away with the Jury Award for Best Feature.
Alan Inkles, founder and director of the Stony Brook Film Festival said, “It truly was a magical year where almost every feature and shorts filmmaker attended their screenings to represent their films and host
Q & As. When we add in the sales agents and distributors that attended, we saw our Filmmaker Lounge humming with energy and interaction among filmmakers, talent and industry. As for the films we showed, the audience scores were the best in our 22 years. Great films, great guests and packed houses nightly. It’s what I envisioned for Stony Brook when we started this festival and it was certainly achieved this year.”
Award Winners of 2017 Stony Brook Film Festival
2017 Jury Award – Best Feature The Sounding United States – 93 min Directed by Catherine Eaton. Written by Bryan Delaney and Catherine Eaton. With Catherine Eaton, Teddy Sears, Harris Yulin, Frankie Faison and David Furr. Writer-Director-Actress Catherine Eaton gives a stunning performance as Liv, a mysterious woman residing on an island off the coast of Maine who has chosen to remain silent for years. When she suffers a terrible loss, Liv suddenly begins to speak as she weaves a language out of Shakespeare’s words. After a series of events result in her being committed to a psychiatric hospital, Liv becomes a full-blown rebel, fighting for both her voice and her freedom. A powerful, uplifting drama. Produced by Catherine Eaton, Caitlin Gold, Veronique Huyghebaert, Aliki Paraschis and Jessica Vale. Edited by Marco Perez. Director of Photography: David Kruta. From Corsetless Productions. 2017 Audience Choice – Best Feature (tie) Fanny’s Journey France, Belgium – 94 min Directed by Lola Doillon. Written by Fanny Ben-Ami, Lola Doillon, Anne Peyrègne. With Léonie Souchaud and Cécile De France. In French with subtitles In 1943, after avoiding the authorities with other Jewish children in France for three years, 13-year-old Fanny and her sisters are quickly sent to an Italian foster home. When the Nazis arrive in Italy, their caretakers plan an escape to Switzerland. Suddenly left on their own, eleven children do the impossible. Based on a true story, this moving tale of bravery, strength, and survival features exceptional performances by the young cast. Produced by Saga Blanchard, Marie de Lussigny. Edited by Valérie Deseine. Director of Photography: Pierre Cottereau. A David-Films, Scope Pictures, France 2 Cinéma, Rhône-Alpes Cinéma, and Ce Qui Me Meut Motion Pictures production. From Menemsha Films. 2017 Audience Choice – Best Feature (tie) To the Edge of the Sky World Premiere – United States – 118 min Directed by Todd Wider and Jedd Wider. How far would you go to save your son’s life? To the Edge of the Sky follows four families as they fight the FDA to gain access to a potentially lifesaving drug for Duchenne Muscular Dystrophy, a fatal disease their sons suffer from and the number one genetic killer of boys in the world. With a promising drug on the horizon, we witness the transformation of the mothers of four boys into “the rogue moms” as they become political activists and heroes during their righteous battle against time and the FDA. A challenging and uplifting documentary from Long Island brothers Todd and Jedd Wider (Client 9, God Knows Where I Am). Produced by Brian Ariotti. Edited by Mona Davis and Colin Nusbaum. Director of Photography: Gerardo Puglia. A Wider Film Projects film. 2017 Special Recognition by the Jury – Spirit of Independent Filmmaking Laura Gets a Cat United States – 83 min Written and Directed by Michael Ferrell. With Dana Brooke, Michael Ferrell, Jason Kravits (Unbreakable Kimmy Schmidt). Laura is a 30-something unemployed writer living in New York City and struggling with adulthood. She has a ‘weekend’ boyfriend she can’t commit to, friends who seem to have achieved their dreams, and a vivid imaginary life she uses to run away from reality. When she starts a new relationship with a coffee shop barista, real life proves too complicated and she tries to actually run away. Veteran stage actress Dana Brooke shines in this funny, fresh, poignant independent feature. Produced by Michael Ferrell, Chris Prine and Devin Sanchez. Edited by Chris Prine. Director of Photography: Paul Rondeau. From Living Boy Productions. 2017 Special Recognition by the Jury – Achievement in Social Impact Purple Dreams New York Premiere – United States – 72 min Directed by Joanne Hock. This inspirational documentary follows several students from the Northwest School of the Arts, in Charlotte, N.C., after it is chosen to be the first high school permitted to perform the musical The Color Purple. From auditions through opening night and beyond, the filmmakers follow these students as they pursue their dreams while struggling with homelessness, low-income neighborhoods, gang-related violence and single-parent households. A behind-the-scenes look at an amazing group of teachers and students who work relentlessly to put on a triumphant musical production that propels them into a world of opportunity they never expected. Produced by Robin Grey, Sara Patel. Edited by John Disher. Director of Photography: Joanne Hock. From GreyHawk Films. 2017 Jury Award – Best Short Across the Line World Premiere – Israel – 29 min In Arabic and Hebrew with subtitles A film by Nadav Shlomo Giladi A Jewish settler, hurrying home for Shabbat, encounters a stubborn Palestinian hitchhiker. 2017 Audience Choice Award – Best Short Just, Go! Latvia – 11 minutes A film by Pavels Gumennikovs In Latvian with subtitles A young man without legs chases down surprised purse snatchers for the girl he loves. Photo: July 29, 2017 Award winners at the Closing Night Awards reception, 22nd Annual Stony Brook Film Festival presented by Island Federal Credit Union L to R: Jury Award-Best Feature: The Sounding, Catherine Eaton, writer/director/actor/co-producer Audience Choice-Best Feature: To the Edge of the Sky, Todd and Jedd Wider, directors; (tie with Fanny’s Journey, director Lola Doillon, not pictured) Special Recognition by the Jury-Spirit of Independent Filmmaking: Laura Gets a Cat, Michael Ferrell, writer/director/actor/co-producer Special Recognition by the Jury-Achievement in Social Impact: Purple Dreams, Robin Grey, co-producer Jury Award-Best Short: Across the Line Nadav Shlomo Giladi Audience Choice Award-Best Short: Just, Go! Pavels Gumennikovs Photo credits: Nick A. Koridis for the Stony Brook Film Festival
-
Peter Machen In Conversation with Filmmaker Doris Dörrie, “FUKUSHIMA, MON AMOUR” | Trailer
[caption id="attachment_23366" align="aligncenter" width="1200"]
Doris Dörrie[/caption]
Peter Machen spoke to leading German filmmaker Doris Dörrie about her remarkable film Fukushima, Mon Amour which screened at the Durban International Film Festival as part of the German Focus last week.
One of Germany’s leading filmmakers, Doris Dörrie has made several films set in Japan. Her latest film takes place in the evacuated zone of Fukushima where an older geisha has returned to her home in the company of a young German woman who has travelled to the area with a foreign aid organisation. Shot on site, in the aftermath of the nuclear meltdown and the 2011 tsunami that caused it, Fukushima, Mon Amour is remarkable for its fusion of fiction and reality and the way that it tenderly holds the one inside of the other.
I spoke to Dörrie’s about this beautifully judged film, beginning with her initial experience of visiting Fukushima after the meltdown. Dörrie, who has visited Japan many times and made several films in the country, felt a strong need to visit Fukushima in the wake of the devastating disaster. “I have so many friends there and I didn’t want to sit around and get all the information from the news. Everybody in Germany thought all of Japan was radioactively polluted and foreigners pretty much left Japan in those times and nobody wanted to go. So I figured, ‘well I should go’. So I did and I was very struck and overwhelmed by the enormity, the devastation, but also by how people tried to cope.”
“Back then refugees from Fukushima had just moved into these temporary housings and they were trying to come to grips with the fact that they had lost everything within 20 minutes. Which is a very basic human fear – to just lose everything in a moment.”
“And it reminded me so much of the experience my parent’s generation had in World War II. Both my parents lost their place to live and everything in Hanover because of the bombing. I didn’t really know whether I wanted to write about Fukushima or make a documentary about it but I knew that I wanted to talk about it. And then it took a long time to come up with the story. I went back so many times and tried to figure out whether it would be possible to shoot at all in that region because it was still ‘the zone’.”
[caption id="attachment_23367" align="aligncenter" width="1200"]
Fukushima, Mon Amour[/caption]
On January 1, 2016, the Japanese government decided to open the zone again because, says Dörrie, they did not want to pay the subsidies for the refugees. “People were being asked to move back, but there was nothing to move back to. So that became the nucleus of the film’s story – this old lady goes back to her destroyed house. And there’s nothing there. Nothing whatsoever. “
And was she concerned about the impact on her own long-term health and that of her crew?
“We shot in the former zone for six weeks and I was there for three months. But by then, we had done so much research. I had taken dust samples and I had gotten them analysed by the German Institute for Radioactivity and they had assured me again and again that it would be alright to take a crew there and spend several weeks there. I really tried very hard to be on the safe side because I didn’t want to take on the responsibility for the entire team. I couldn’t do that.”
“So we made very, very sure that it was going to be okay. We all wore dosimeters that keep collecting the accumulated radioactivity that you’re exposed to. And we sent them in after we got back to Germany and we were just lucky that the readings turned out to be totally okay. That was, of course, a bit of luck also. It’s of course not safe to dig in the ground, to sit under a tree, to eat berries. All of that is not safe, of course not.”
Talking about screenings of the film in Japan, Dörrie says that audiences were extremely emotional. “Everybody has a connection to Fukushima somehow. And people are so grateful to us – which really puts me to shame – but they are, because nobody ever shot a feature film in that region. Nobody. And that’s very, very touching to be thanked for. It is bizarre but sometimes it works that way – that foreigners can come in and they talk about traumas. Because they’re not affected by the trauma, sometimes it’s easier to come in from the outside and talk about these things.”
But while cultural distance has its advantages, there are always dangers to telling other people’s stories. Which is why Dörrie says that she always insists on having her perspective in films that deal with other cultures. “Because I wouldn’t dare talk about Japan from a Japanese viewpoint. So that’s why I have the young German in the film, who goes to Japan, who doesn’t know anything about it, who is a fool, the traditional fool, who is very innocent on one hand but also quite ignorant. And I need to have that perspective because that’s, of course, my perspective. As much as I read up and I do research, I’m still ignorant about a lot of things. Because you can never get the inside perspective on a country. So I need to have that perspective from the outside in the story itself.”
https://www.youtube.com/watch?v=0RJga_xGoSY
via press release.
-
IFP’s Announces 27th Gotham Independent Film Awards Ceremony 2017 Dates
The Independent Filmmaker Project (IFP), yesterday announced that the 27th Annual Gotham Independent Film Awards will take place this year at Cipriani Wall Street in New York City on Monday, November 27th, 2017.
The Gothams provide critical early recognition to worthy independent films and their writers, directors, producers, and actors. The top Gotham category winners in 2016 included Moonlight (Best Feature), O.J.: Made in America (Best Documentary), Casey Affleck (Best Actor, Manchester by the Sea), Isabelle Huppert (Best Actress, Elle), Crazy Ex-Girlfriend (Breakthrough Series – Long Form), and Her (Breakthrough Series – Short Form).
Submissions open August 1 in eight of the competitive categories: Best Feature, Best Documentary, Best Actor, Best Actress, Best Screenplay, Breakthrough Actor, Breakthrough Series Long Form and the Bingham Ray Breakthrough Director Award.
The deadline for submissions is September 14th 2017.
Nominees will be announced on October 19th and winners of the 27th Gotham Independent Film Awards will be honored at a star-studded ceremony at Cipriani Wall Street on November 27th.
-
VIDEO: Watch Trailer for A LIFE IN WAVES, Documentary on Electronic Music Pioneer, Suzanne Ciani
[caption id="attachment_20658" align="aligncenter" width="1200"]
A LIFE IN WAVES[/caption]
A Life in Waves explores the life and innovations of composer and electronic music pioneer, Suzanne Ciani. Gunpowder & Sky will release the SXSW 2017 documentary on VOD nationwide August 4, 2017.
From her earliest days learning the piano, to her multi-million dollar advertising ventures, to her successes in the world of New Age music, to her recent re-connection with her beloved Buchla synthesizer, the film is a journey into Suzanne’s mind, offering a feminine glimpse into the often complicated world of electronic music.
Utilizing a wealth of archival footage and Suzanne’s endless catalog of music, A Life in Waves is a nostalgic, visually-compelling look at one woman’s journey, and the trials she overcame to succeed in a traditionally male-dominated art form.
https://www.youtube.com/watch?v=puLTePqBlQI
-
VIDEO: Watch Trailer for ELIZABETH BLUE Based on Filmmaker’s Personal Experiences with Schizophrenia
Elizabeth Blue is an indie drama written and directed by first-time filmmaker Vincent Sabella. Sabella is a diagnosed schizophrenic, and the film is loosely based on a time in his life when all of his medications failed.
Global Digital Releasing will release Elizabeth Blue in NY, LA, and an additional 10 markets on September 22.
Recently released from a psychiatric hospital, Elizabeth (Anna Schafer) returns to her Los Angeles apartment where she lives with her fiancé, Grant (Ryan Vincent).
With the guidance of her new psychiatrist, Dr. Bowman (AdewaleAkinnuoye-Agbaje), and the unfaltering support of Grant, Elizabeth works at regaining control of her mental stability and her life as she begins to plan their wedding.
Struggling to navigate daily voices, hallucinations, anxiety, failing medications and her judgmental, unsupportive mother, Carol (Kathleen Quinlan), Elizabeth fears that Grant will leave her as she clings to hope that love will truly conquer all – even mental illness.
The filmmakers and GDR have partnered with NAMI (National Alliance on Mental Illness) and Elizabeth Blue is scheduled to screen at multiple NAMI Affiliate locations across the country during the film’s opening weekend. NAMI is the largest grass roots mental health organization in the country and works with celebrities and filmmakers as part of their ongoing efforts to raise awareness and combat stigmas associated with mental illness. NAMI will also be receiving a portion of the film’s proceeds.
https://www.youtube.com/watch?v=faXEc87xsks
-
VIDEO: Watch New Trailer for NATURE BOY, Documentary on Wrestling Legend Ric Flair
ESPN has a released the new trailer for the 30 for 30 documentary “Nature Boy,” on wrestling legend Ric Flair, set to premiere on Tuesday, November 7, at 10 p.m. ET on ESPN. Director Rory Karpf (“I Hate Christian Laettner,” “The Book of Manning”) will take an inside look at Flair’s story, including his triumphs, his tragedies, and his pivotal role in turning pro wrestling into mainstream sports entertainment.
Real or Fake? It’s a question that’s long shadowed professional wrestling. But for one of the industry’s most legendary performers, there’s never been any separation between the ring and the world around it. His story starts in the Midwest, when a young Richard Fliehr set his sights on rising to stardom in a unique world, and decided to do anything necessary to get to where he wanted. A character was born, along with a singular desire “to be the man,” and a drive that made him as popular and polarizing as any figure ever to step into the ring. The success took a considerable toll – on his body, and on his wives and children – and in 2013 came a tragic postscript. But today, Flair remains as defiant as ever, proud of his legacy, eager to remain in the spotlight. This is the story of a man, a character, and their unbreakable connection.
“This film was basically borne out of working with Rory Karpf on our ‘I Hate Christian Laettner’ documentary,” says 30 for 30 Executive Producer John Dahl. “Rory interviewed Ric for his take on sports villains and wanted to do a film on him next. After watching that interview for the Laettner film, we were convinced that Ric would be a fascinating subject to explore for our first feature-length 30 for 30 on a pro wrestler.”
“Nature Boy” features two in-depth conversations between Karpf and Flair over a 16-month span, surrounded by interviews with those closest to the man himself; including Triple H, Hulk Hogan, Ricky Steamboat, Baby Doll, Tully Blanchard, The Undertaker, Arn Anderson, Shawn Michaels, Sting and Road Warrior Animal as well as his first wife, Leslie Jacobs, and children along with others who know Flair best.
“I grew up a huge wrestling fan in the 1980s and I was captivated by Ric Flair,” says director Rory Karpf. “It’s been a personally rewarding experience to tell the story of arguably the greatest wrestler of all time. Ric’s story transcends the wrestling business, and my hope is that it will appeal to wrestling and non-wrestling fans alike.”
WOOOOOO!!! Our #30for30, #NatureBoy, on @RicFlairNatrBoy will premiere November 7th on ESPN.
Details: https://t.co/xRepS02iP4 pic.twitter.com/bOasFJWSsp — ESPN Films 30 for 30 (@30for30) July 27, 2017
-
Martha’s Vineyard African American Film Festival to Open with MARSHALL + Feature Kathryn Bigelow, Spike Lee
[caption id="attachment_22840" align="aligncenter" width="1200"]
Marshall[/caption]
The 15th Annual Martha’s Vineyard African American Film Festival (MVAAFF) will be held from August 7 to 12, 2017, and will officially kick off with Reginald Hudlin’s Marshall.
The 2017 Martha’s Vineyard African American Film Festival will kick-off with a presentation by the Smithsonian National Museum of African American History and Culture’s Earl W. and Amanda Stafford Center for African American Media Arts’ department of digitization and preservation. On Monday, August 7 at 4 p.m. at the MVPAC the museum will preview, from their historical collection, home movies from Cab Calloway, among others.
Exclusive Spotlight Screenings: 4 p.m. – 6 p.m. Annapurna Pictures will screen Detroit starring John Boyega and Anthony Mackie. Talk-back to follow with Kathryn Bigelow, moderated by Khalil Muhammad, professor of History, Race and Public Policy, Harvard Kennedy School – Harvard University. From 8 p.m. – 10 p.m. Amazon Studio’s Crown Heights will screen starring Lakeith Stanfield and Nnamdi Asomugha.
Opening Night film will be a special screening of Reginald Hudlin’s Marshall, presented by Open Road Films, on Tuesday, August 8 at 7 p.m. at the MVPAC. “The Color of Conversation” will immediately follow with Reginald Hudlin.
Wednesday, August 9 at 7 p.m. at MVPAC, the Global Sport Institute at Arizona State University will present a screening of the NAACP Image Award-nominated “Little Ballers” – talk-back to immediately follow.
On Thursday, August 10 at 7 p.m. at MVPAC, the Global Sport Institute at Arizona State University and Spike Lee will present clips from, the Netflix acquired, Rodney King starring Roger Guenveur Smith.
The short film competition, sponsored by HBO and Saatchi & Saatchi Global Advertising, will be held Friday, August 11 from 3 p.m. – 4:30 p.m. at the MVPAC. Immediately following, at 5 p.m., HBO will showcase an episode of the network’s inventive series, Issa Rae’s “Insecure” with moderated talk-back. At 7 p.m. HBO’s “The Defiant Ones” will screen. Moderated talk-back to immediately follow with Allen Hughes and Dr. Henry Louis “Skip” Gates, Jr.
Spike Lee to present preview the Original Netflix series “She’s Gotta Have It” on Saturday, August 12 at 7 p.m. at MVPAC. “The Color of Conversation” to follow.
The annual Martha’s Vineyard African American Film Festival is presented by Run&Shoot Filmworks.
-
2017 Venice Film Festival Unveils Official Lineup Featuring George Clooney, Darren Aronofsky and More
[caption id="attachment_23335" align="aligncenter" width="1200"]
Suburbicon[/caption]
The Venice Film Festival today revealed the official lineup of films for the 74th edition of the festival taking place August 30 to September 9, 2017. The in-competition lineup features films Mother! by Darren Aronofsky, Suburbicon by George Clooney, and Downsizing by Alexander Payne.
Venezia 74
International competition of feature films, presented as world premieres AI WEIWEI – HUMAN FLOW Germany, USA, 140’ DARREN ARONOFSKY – MOTHER! USA, 120’ Jennifer Lawrence, Javier Bardem, Michelle Pfeiffer, Domhnall Gleeson, Ed Harris GEORGE CLOONEY – SUBURBICON USA, 104’ Matt Damon, Julianne Moore, Noah Jupe, Oscar Isaac GUILLERMO DEL TORO – THE SHAPE OF WATER USA, 119’ Sally Hawkins, Michael Shannon, Richard Jenkins, Doug Jones, Michael Stuhlbarg, Octavia Spencer ZIAD DOUEIRI – L’INSULTE France, Lebanon, 110’ Adel Karam, Kamel El Basha, Camille Salameh, Rita Hayek ROBERT GUÉDIGUIAN – LA VILLA France, 107’ Ariane Ascaride, Jean-Pierre Darroussin, Gérard Meylan, Jacques Boudet, Anaïs Demoustier, Robinson Stévenin ANDREW HAIGH – LEAN ON PETE United Kingdom, 121’ Charlie Plummer, Steve Buscemi, Chloë Sevigny ABDELLATIF KECHICHE – MEKTOUB, MY LOVE: CANTO UNO France, Italy, 180’ Shain Boumedine, Ophélie Baufle, Salim Kechiouche, Lou Luttiau, Alexia Chardard, Hafsia Herzi KOREEDA HIROKAZU – SANDOME NO SATSUJIN (THE THIRD MURDER) Japan, 124’ Fukuyama Masaharu, Yakusho Koji, Hirose Suzu XAVIER LEGRAND – JUSQU’À LA GARDE France, 90’ Denis Ménochet, Léa Drucker, Thomas Gioria, Mathilde Auneveux, Saadia Bentaïeb MANETTI BROS. – AMMORE E MALAVITA Italia, 133’ Giampaolo Morelli, Serena Rossi, Claudia Gerini, Carlo Buccirosso SAMUEL MAOZ – FOXTROT Israel, Germany, France, Switzerland, 113’ Lior Ashkenazi, Sarah Adler, Yonatan Shiray MARTIN MCDONAGH – THREE BILLBOARDS OUTSIDE EBBING, MISSOURI United Kingdom, 110’ Frances McDormand, Woody Harrelson, Sam Rockwell, Abbie Cornish, John Hawkes, Peter Dinklage ANDREA PALLAORO – HANNAH Italy, Belgium, France, 95’ Charlotte Rampling, André Wilms ALEXANDER PAYNE – DOWNSIZING USA, 140’ Matt Damon, Christoph Waltz, Hong Chau, Kristen Wiig VIVIAN QU – JIA NIAN HUA (ANGELS WEAR WHITE) China, France, 107’ Wen Qi, Zhou Meijun, Shi Ke, Geng Le, Liu Weiwei, Peng Jing SEBASTIANO RISO – UNA FAMIGLIA Italy, 105’ Micaela Ramazzotti, Patrick Bruel PAUL SCHRADER – FIRST REFORMED USA, 108’ Ethan Hawke, Amanda Seyfried, Cedric Kyles WARWICK THORNTON – SWEET COUNTRY Australia, 112’ con Sam Neill, Bryan Brown, Hamilton Morris, Thomas M. Wright PAOLO VIRZÌ – THE LEISURE SEEKER Italia, 112’ Helen Mirren, Donald Sutherland FREDERICK WISEMAN – EX LIBRIS. THE NEW YORK PUBLIC LIBRARY USA, 197’Out of Competition
Important works by directors already established in previous editions of the Festival JON ALPERT – CUBA AND THE CAMERAMAN [NON-FICTION] USA, 113’ GIANNI AMELIO – CASA D’ALTRI [SPECIAL EVENTS] Italy, 16’ RITESH BATRA – OUR SOULS AT NIGHT USA, 101’ Jane Fonda, Robert Redford DAVID BATTY – MY GENERATION [NON-FICTION] United Kingdom, 85’ Michael Caine ANTONIETTA DE LILLO – IL SIGNOR ROTPETER Italy, 37’ Marina Confalone ABEL FERRARA – PIAZZA VITTORIO [NON-FICTION] Italy, 82’ STEPHEN FREARS – VICTORIA & ABDUL United Kingdom, 149’ Judi Dench, Ali Fazal, Eddie Izzard WILLIAM FRIEDKIN – THE DEVIL AND FATHER AMORTH [NON-FICTION] USA, 68’ RACHID HAMI – LA MÉLODIE France, 102’ Kad Merad, Samir Guesmi, Renély Alfred, Youssouf Gueye TAKESHI KITANO – OUTRAGE CODA Japan, 104’ Beat Takeshi, Nishida Toshiyuki JERRY KRAMER – MAKING OF MICHAEL JACKSON’S THRILLER [SPECIAL EVENTS] USA, 45’ JOHN LANDIS – MICHAEL JACKSON’S THRILLER 3D [SPECIAL EVENTS] USA, 14’ Michael Jackson, Ola Ray FERNANDO LEÓN DE ARANOA – LOVING PABLO Spain, Bulgaria, 123’ Javier Bardem, Penélope Cruz, Peter Sarsgaard LUCRECIA MARTEL – ZAMA Argentina, Brazil, 115’ Daniel Giménez Cacho, Lola Dueñas, Matheus Nachtergaele, Juan Minujín DANIEL MCCABE – THIS IS CONGO [NON-FICTION] Congo, 91’ ERROL MORRIS – WORMWOOD USA, 300’ (TV series, 6 episodes) Peter Sarsgaard, Molly Parker, Christian Camargo, Scott Shepherd, Tim Blake Nelson, Bob Balaban STEPHEN NOMURA SCHIBLE – RYUICHI SAKAMOTO: CODA [NON-FICTION] USA, Japan, 100’ FRANCESCO PATIERNO – DIVA! Italy, 75’ Barbora Bobulova, Anita Caprioli, Carolina Crescentini, Silvia D’Amico, Isabella Ferrari, Carlotta Natoli, Greta Scarano, Anna Foglietta, Michele Riondino MICHAËL R. ROSKAM – LE FIDÈLE Belgium, France, Netherlands, 130’ Matthias Schoenaerts, Adèle Exarchopoulos CHRIS SMITH – JIM & ANDY: THE GREAT BEYOND. THE STORY OF JIM CARREY, ANDY KAUFMAN AND TONY CLIFTON [NON-FICTION] USA, Canada, 90’ SILVIO SOLDINI – IL COLORE NASCOSTO DELLE COSE Italy, Switzerland, 115’ Valeria Golino, Adriano Giannini, Arianna Scommegna, Laura Adriani JAMES TOBACK – THE PRIVATE LIFE OF A MODERN WOMAN USA, 71’ Sienna Miller, Alec Baldwin, Charles Grodin, Colleen Camp, Carl Icahn GIOVANNI TOTARO – HAPPY WINTER [NON-FICTION] Italy, 91’ S. CRAIG ZAHLER – BRAWL IN CELL BLOCK 99 USA, 132’ Vince Vaughn, Jennifer Carpenter, Don Johnson, Udo KierVenice Virtual Reality
Competitive section of VR films, with a selection of out-of-competition VR films NICOLÁS ALCALÁ – MELITA USA, 24’ (Animation) LAURIE ANDERSON, HUANG HSIN-CHIEN – LA CAMERA INSABBIATA USA, 20’ (Animation) GABO ARORA – THE LAST GOODBYE USA, 20’ LYSANDER ASHTON, LEO WARNER – MY NAME IS PETER STILLMAN United Kingdom, 6’ (Amimation) MATHIAS CHELEBOURG – ALICE, THE VIRTUAL REALITY PLAY France, 20’ Robin Berry, Josh Jefferies EUGENE YK CHUNG – ARDEN’S WAKE EXPANDED USA, 16’ (Animation) NONNY DE LA PEÑA – GREENLAND MELTING USA, 11’ GINA KIM – DONGDUCHEON (BLOODLESS) South Korea, USA, 12’ URI KRANOT, MICHELLE KRANOT – NOTHING HAPPENS Denmark, France, 14’ (Animation) MI LI – SHI MENG LAO REN (THE DREAM COLLECTOR) China, 11’ (Animation) RICHARD MILLS, KIM-LEIGH PONTIN – NEFERTITI United Kingdom, 15’ (Animation) RAFAEL PAVÓN, NICOLÁS ALCALÁ – SNATCH VR HEIST EXPERIENCE USA, 5’ Rupert Grint, Luke Pasqualino, Lucien Laviscount, Phoebe DynevorOrizzonti
A competition dedicated to films that represent the latest aesthetic and expressive trends in international cinema ALI ASGARI – NAPADID SHODAN (DISAPPEARANCE) Iran, Qatar, 89′ with Sadaf Asgari, Amir Reza Ranjbaran, Nafiseh Zare, Sahar Sotoodeh GILLES BOURDOS – ESPÈCES MENACÉES France, Belgium, 105’ with Alice Isaaz, Vincent Rottiers, Grégory Gadebois, Suzanne Clément NANCY BUIRSKI – THE RAPE OF RECY TAYLOR Usa, 91′ LUCIEN CASTAING-TAYLOR, VERENA PARAVEL – CANIBA France , 90′ SOFIA DJAMA – LES BIENHEUREUX France, Belgium, 102′ with Sami Bouajila, Nadia Kaci, Amine Lansari, Lyna Khoudri ANNE FONTAINE – MARVIN France , 115′ with Finnegan Oldfield, Isabelle Huppert, Grégory Gadebois, Vincent Macaigne PABLO GIORGELLI – INVISIBLE Argentina, Brazil, Uruguay, Germany, 87’ with Mora Arenillas, Mara Bestelli, Diego Cremonesi COSIMO GOMEZ – BRUTTI E CATTIVI Italy, France, 87’ with Claudio Santamaria, Marco D’Amore, Sara Serraiocco TZAHI GRAD – HA BEN DOD (THE COUSIN) Israel, 92′ with Ala Dakka, Tzahi Grad, Osnat Fishman AMICHAI GREENBERG – HA EDUT (THE TESTAMENT) Israel, Austria, 91’ with Ori Pfeffer, Rivka Gur, Hagit Dasberg Shamul, Ori YanivCinema nel Giardino
Films, talks, and visions DARIO ALBERTINI – MANUEL Italy, 97’ Andrea Lattanzi, Giulia Elettra Gorietti, Francesca Antonelli, Raffaella Rea RÄ DI MARTINO – CONTROFIGURA Italy, France, Morocco, Switzerland, 75’ Valeria Golino, Filippo Timi, Corrado Sassi, Nadia Kounda, Younes Bouab KATE MULLEAVY, LAURA MULLEAVY – WOODSHOCK USA, 116’ Kirsten Dunst, Pilou Asbaek, Joe Cole, Stephan Duvall BRUNO OLIVIERO – NATO A CASAL DI PRINCIPE Italy, Spain, 96’ Alessio Lapice, Massimiliano Gallo, Donatella Finocchiaro, Lucia Sardo, Antonio Pennarella MICHELE PLACIDO, ANDREA MOLAIOLI, GIUSEPPE CAPOTONDI – SUBURRA. LA SERIE Italy, 100’ Alessandro Borghi, Giacomo Ferrara, Eduardo Valdarnini, Francesco Acquaroli, Filippo Nigro, Claudia Gerini FRANÇOIS TROUKENS, JEAN-FRANÇOIS HENSGENS – TUEURS Belgium, France, 86’ Olivier Gourmet, Lubna Azabal, Kevin Janssens, Bouli Lanners

Life and Nothing More[/caption]
Twenty-one films with Spanish production are among the official selection films confirmed for the 65th edition of the