Berlinale CoProduction Market

Three monetary prizes were awarded to selected narrative film projects at the 2017 Berlinale Co-Production Market which runs February 12 to 15.

The Eurimages Co-Production Development Award, with an endowment of 20,000 euros, was awarded to The Wife of the Pilot (director: Anne Zohra Berrached), which Razor Film Produktion from Germany presented here. The prize money is intended as a development grant from the European film fund Eurimages.

The three members of this year’s jury were renowned industry professionals Pablo Pérez de Lema (Spain), Leontine Petit (The Netherlands) and Manfred Schmidt (Germany).

Two additional prestige prizes were also awarded. The VFF – Verwertungsgesellschaft der Film und Fernsehproduzenten from Munich awarded its VFF Talent Highlight Award, with an endowment of 10,000 euros, to the project The Bus to Amerika, presented at the market by producer Nefes Polat from Turkey and director Derya Durmaz. Since 2004, the VFF has each year honored a promising project by up-and-coming filmmakers from the “Talent Project Market”, organized by the Berlinale Co-Production Market in cooperation with Berlinale Talents. Nominated for the VFF Talent Highlight Award this year in addition to Nefes Polat were Cuban producer Maria Carla del Rio, with her project Shock Labor, and producer Jeremy Chua from Singapore, with Tomorrow is a Long Time. Each project received a recognition of 1,000 euros as well as the opportunity to pitch their projects to participants of the Berlinale Co-Production Market.

This year, the renowned ARTE International Prize, which has been presented since 2011, was awarded to the project Lost Country by Serbian director Vladimir Perišić, which is represented by KinoElektron (France), MPM Film (France) and Trilema Films (Serbia). ARTE bestows the 6,000 euro prize on an artistically outstanding project drawn from the entire Berlinale Co-Production Market.

The 14th Berlinale Co-Production Market, which runs until February 15, is a place where the producers of the 36 selected narrative film projects can also meet with potential co-producers and funding partners. Over the four days, some 600 participants take a total of more than 1,200 individual meetings. More than 240 films that came to the market looking for partners have since become completed films, and seven of those are screening this year alone in the film festival programme.

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