Geneviève Dulude-De Celles first feature A COLONY, a touching and heartbreaking coming of age story, swept the Borsos Awards of the 18th annual Whistler Film Festival with three wins including Best Canadian Feature, Best Director in a Borsos Film for Geneviève Dulude-De Celles, and Best Performance in a Borsos Film for Emilie Bierre taking the $15,000 cash prize and $15,000 post production prize. The jury stated: “We awarded A COLONY the Borsos awards for its strength of vision and raw authenticity.
The Borsos Award for Best Screenplay went to Robert Budreau, writer and director of STOCKHOLM, for the complex emotional clockwork that balances action, suspense and romance.
Best Cinematography in a Borsos Film went to cinematographer Michel La Veaux for his work in THE FIREFLIES ARE GONE. The jury said they presented this to the movie that they felt showed an elegant authenticity and strong visual storytelling through classic use of framing color and choreography.
The World Documentary Award went to MOMENTUM GENERATION. The jury stated that “This documentary provides unparalleled access to the events that shaped its iconic subjects, presenting a powerful story of the bond between friends throughout profound personal struggle. An uplifting coming of age film that nails its slick and engaging execution, our award winner delivers undeniable audience impact and critical potential. The Jury awards the World Documentary Award to this memorable tribute to hardship and friendship, MOMENTUM GENERATION” directed by Jeff and Michael Zimbalist.
The jury also gave an honorable mention to Jordan Manley, director of TREELINE, ”for its original choice of subject matter, striking imagery and masterful visual storytelling, the Jury wishes to recognize this film for its poetic approach to filmmaking and ability to open our minds to a world never before seen.”
The Best Mountain Culture Film Award went to FREE SOLO directed by Jimmy Chin and E. Chai Vasarhelyi. The Jury stated “ It’s pretty incredible when a film has you totally gripped from beginning to end, despite already knowing the ending. FREE SOLO did just that and we chose it as our Mountain Culture winner for many reasons. Its ability to deeply humanize a character who is quantifiably “crazy” by most definitions, its technical filmmaking commitment and prowess, and its ability to open the sport of climbing to a wider audience in a relatable way. We felt its storytelling and entertaining portrayal of this unparalleled athletic achievement embodied the Mountain Culture award.“
The $1,000 Canadian ShortWork Award went to BROTHERHOOD, directed by Meryam Joobeur; the International ShortWork Award went to MISS WORLD, directed by Georgia Fu; and the $500 ShortWork Student Award went to THE BUS STOP directed by Kama Sood. The MPPIA Short Film Award, presented by MPPIA and Creative BC, was awarded to Alayna Silverberg for B-SIDE. The award consists of a $15,000 cash award plus up to $100,000 in services. The completed project will have its world premiere screening at the 2018 Whistler Film Festival.
Jen Araki with her “Slip Into Darkness” project won the WFF Power Pitch $41,000 prize package that included a $1,000 cash prize and a $40,000 production package featuring a $10,000 post production credit from Encore Vancouver, and a $10,000 studio credit, $10,000 lighting and grip credit and a $10,000 camera credit from Sim. WFF’s Power Pitch had seven Canadian producers with feature projects in development participating in the program designed to set them up for success by fine-tuning their project packages and pitching skills.
The Alliance of Women Film Journalists presented this year’s EDA Award for Best Female-directed Feature to two films, HONEY BEE directed by Rama Rau and FAMILY FIRST directed by Sophie Dupuis; and the EDA Award for Best Female-Directed Short Film to BROTHERHOOD directed by Meryam Joobeur.
“The Alliance of Women Film Journalists is honored and proud to partner with the Whistler Film Festival for the 5th consecutive year to present EDA awards recognizing women filmmakers. WFF, in our experience, has a uniquely successful record in programming women’s films, not only for screenings, but also in programs that open opportunities for women,” said Jennifer Merin, President of the Alliance of Women Film Journalists. “We applaud Shauna Hardy Mishaw for her singular efforts in this regard. This year’s nominees were extraordinarily good, and it was difficult for us to single out one in each category.”