Jacquelyn N.

Pedro Solis Garcia’s CUERDAS and Joshua Tate’s GUEST ROOM Win Awards at 2018 Red Wasp Film Festival

More than 130 visitors were the first to experience the newly renovated Historic Queen Theatre in Downtown Bryan, Texas, as they attended the Red Wasp Film Festival for a special viewing of ten independent short narrative films. This year’s showings included films by Spanish and Iranian filmmakers, as well as a submission from students at Texas A&M University. One of the selected films, No Control created by Texas A&M students, was created after the student filmmakers were inspired by their attendance at Red Wasp Film Festival a couple years ago. The films shown included animated and short narrative films with themes of inclusion, friendship, lost love, breaking stereotypes, responsibility, and much more. The festival concluded with an awards ceremony highlighting winners for Best of Festival, One to Watch, and Audience Favorite, and featuring a trophy created by local metal artist John McGee. This year’s 2018 Red Wasp Film Festival winners are: AUDIENCE FAVORITE Cuerdas by Pedro Solis Garcia of Spain [caption id="attachment_29083" align="aligncenter" width="1200"] ONE TO WATCH: Guest Room by Joshua Tate of California[/caption] ONE TO WATCH Guest Room by Joshua Tate of California BEST OF FESTIVAL Cuerdas by Pedro Solis Garcia of Spain
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HBO Sets Memorial Day Date for John McCain Documentary JOHN MCCAIN: FOR WHOM THE BELL TOLLS

HBO has set the debut date for and confirmed the title – John McCain: For Whom the Bell Tolls – of the previously announced documentary about Senator John Sidney McCain, III. Produced and directed by six-time Emmy(R) winner Peter Kunhardt, along with Emmy(R) winners George Kunhardt and Teddy Kunhardt, the film is described as an illuminating, exclusive profile of one of the most influential forces in modern American politics. John McCain: For Whom the Bell Tolls will debut this Memorial Day, MONDAY, MAY 28 (8:00-9:45 p.m. ET/PT) on HBO. Following more than 31 years of public service, the six-term senior Arizona senator agreed to participate in the film shortly after being diagnosed with brain cancer, providing unprecedented access to his daily life in Washington, D.C. and Sedona, Arizona. The film features interviews with family, friends, colleagues and leading political figures such as former President Barack Obama, former Vice President Joe Biden, former Secretary of State Hillary Clinton, former Senator Joe Lieberman and former Secretary of State Henry Kissinger. Mesmerized at 12 years old by Ernest Hemingway’s “For Whom the Bell Tolls,” Sen. McCain has used the book as a guide for his life. This sweeping account draws on his own voice, culled from original interviews, commentary and speeches, archival newsreel and television footage, and previously unseen home movies and photographs. Recounting everything from his years spent as a prisoner of war during the Vietnam War to running for president, the documentary paints an important portrait of an American maverick who has never lost courage and has kept his eye on America’s most important goals. John McCain’s life is a story of triumph, defeat and resilience? – ?Six decades of, in his words, “imperfect service to my country,” in which the mistakes he made were redeemed by the risks he took and the sacrifices he made for the county he loves. “I think all of us think about death, but I think more about life,” says Sen. McCain. “There are so many days in my life that are more than coincidental. That it has made me believe that I am here for a reason. I’ve been tested on a number of occasions. I haven’t always done the right thing. And I think I understand given my family’s history and given my experiences, the important thing is not to look back and figure out all the things I should have done? – ?and there’s lots of those? – ?but to look back with gratitude. You will never talk to anyone that is as fortunate as John McCain.” McCain’s recent battle with brain cancer underscores the fighting spirit and resilience of this remarkable man, who continues to crusade for the causes he believes in, despite advancing health issues and daunting odds. Kunhardt Films’ previous HBO credits include the recent “King in the Wilderness,” the Emmy(R) winner “Jim: The James Foley Story,” the PGA nominee “The Newspaperman: The Life and Times of Ben Bradlee,” “Becoming Warren Buffett,” the Emmy(R) nominated “Nixon by Nixon: In His Own Words,” the Emmy(R) nominated “Gloria: In Her Own Words” and the Emmy(R) winner “Teddy: In His Own Words.”
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Rooftop Films Unveils Feature Films, Short Films and Programs for the 22nd Summer Series – May and June

[caption id="attachment_29006" align="aligncenter" width="1200"] 2017 Rooftop Filmmakers’ Fund Grantee Ultraviolet will screen as part of “This is What We Mean by Short Films” .
Courtesy of filmmaker Marc Johnson.[/caption] This summer, Rooftop Films will present over 100 short films in 13 programs, with each program curated thematically. On Saturday, May 19th, Rooftop Films will kick off the 2018 Summer Series in Brooklyn’s Green-Wood Cemetery with This Is What We Mean By Short Films, a selection of dynamic shorts from around the world, including Rooftop Filmmakers Fund grantee The Burden. Rooftop Films will present a dozen more carefully curated programs throughout the summer, each with a specific focus or theme. Highlights of the 22nd Summer Series include two nights of documentaries (including Rooftop’s signature New York Nonfiction program); Net Positive, a program of internet-related short films co-presented with The Mozilla Foundation; two evenings of short films about unlikely romances; selected shorts from the Sundance Film Festival; two programs of animated short films; and Come and Take It, a program short films by and about bold and uncategorizable women. “Rooftop Films has championed the short film from the start,” said Dan Nuxoll, Artistic Director of Rooftop Films, “and many of the filmmakers whose shorts we have screened have gone on to create some of the most exciting independent feature films of the last twenty years. But though we are thrilled by the potential on display in the short films we will show this summer, we are equally excited by the magnificent things these filmmakers have already accomplished with these daring, perfectly constructed gems.” Every Summer Series event will include live musical performances and all ticketed screenings will have after-parties featuring Freixenet and signature drinks by Ketel One Family Made Vodka. Venues this year include Green-Wood Cemetery in Greenwood Heights, The William Vale in Williamsburg, The Old American Can Factory in Gowanus, Industry City and Brooklyn Army Terminal in Sunset Park, MetroTech Commons in Downtown Brooklyn, New Design High School in the Lower East Side, and Socrates Sculpture Park in Long Island City.
SHORT FILM PROGRAMS
THIS IS WHAT WE MEAN BY SHORT FILMS: OPENING NIGHT Opening Night 2018! It’s a graveyard smash! The Burden (Min börda) (Niki Lindroth von Bahr – The Cutest Dog in the World (Julian Glander) – Irony (Amy Nicholson) – Julius Caesar Was Buried in a Pet Cemetery (Sam Green) – Milk and Cookies (Patrick Mulvey, Andrew Scott Ramsay) – Rebirth is Necessary (Jenn Nkiru) – So You Like the Neighborhood (Jean Pesce) – The Town I Live In (Matt Wolf, Guadalupe Rosales) – To the Dead (Mauricio Arango) – Ultraviolet (Marc Johnson) NO ESCAPE: UNCANNY MINDBENDERS The eternal return of our short film collection of eerie existential thrillers. Allen Anders – Live at the Comedy Castle (circa 1987) (Laura Moss, Tony Grayson) – Awasarn Sound Man (Death of the Soundman) (Sorayos Prapapan) – Find Fix Finish (Sylvain Cruiziat, Mila Zhluktenko) – Lance Lizardi (Xander Robin) – LaZercism (Shaka King) – Mwah (Nina Buxton) – Paco (Catalina Jordan Alvarez) – Rabbit’s Blood (Sarina Nihei) – The Tesla World Light (Tesla: lumière mondiale) (Matthew Rankin) DARK TOONS Twisted animated short films that walk you to the brink of the abyss… then push you over the edge. A Brief Spark Bookended by Darkness (Brent Green) – Born in a Void (Alex Grigg) – Call of Cuteness (Brenda Lien) – Glucose (Jeron Braxton) – JEOM (Kangmin Kim) – Negative Space (Ru Kuwahata, Max Porter) – Nachtstück (Nocturne) (Anne Breymann) – Paradise (Ton Meijdam, Thom Snels, Béla Zsigmond)- SOG (Jonathan Schwenk) – Solar Walk (Réka Bucsi) – Wednesday with Goddard (Nicolas Ménard, Manshen Lo) LOVE IS WEIRD: ROMANTIC SHORT FILMS A sweaty night of sweet loving in short film form. Dressed for Pleasure (Je fais où tu me dis) (Marie de Maricourt) – Ghosting the Party (Carlos Alberto Fernandez Lopez) – Gros Chagrin (Céline Devaux) – High Summer (Plein Été) (Josselin Facon) – Knockstrike (Rigol Genis, Anglada Pau, Torices Marc) – The Mangina Exit (Byron Brown) – My Cucumber Inside the Fridge (Austin Hamilton) – Oh Hey (Sean Pecknold) – Welcome to Bushwick (Henry Jinings) – Who’s the Daddy 你要熱烈地親親爹哋 (Wong Ping) LOVE IS SHORT (FILMS) Short films about hasty, lusty, slightly awkward encounters. The Climb (Michael Covino) – Dolls Don’t Cry (Toutes les poupées ne pleurent pas) (Frédérick Tremblay)- Garfield (Georgi Banks-Davies) – Ocean Swells (Sverre Matias Glenne) – Onion (Kandis Fay) – Perfectly Normal (Joris Debeij) – Wyrm (Christopher Winterbauer) DANGEROUS DOCUMENTARIES Short documentaries about people doing some crazy-ass shit. Graven Image (Sierra Pettengill) – Hypnodrom (Richard Wilhelmer) – The Last Honey Hunter (Ben Knight) – LOVE GOES THROUGH THE STOMACH (Neozoon) – Marfa (Greg McLeod, Myles McLeod) – My Dead Dad’s Porno Tapes (Charlie Tyrell) – The Water Slide (Nathan Truesdell) NEW YORK NONFICTION Brooklyn It’s your city. Take a look. 3,000 Miles (三千哩) (Sean Wang, Breton Vivian – A Garbage Story (Olivier Bernier) – Brother K & The Uncut Truth (Billy Linker, Ben Carey)- Crosswalker (Paul Gale, Dustin Molina) Flatbush Misdemeanors (Kevin Iso, Dan Perlman) – I LIVED: Brooklyn – Deborah (Jonathan Nelson, Danielle Andersen) – Jonas Mekas: Always Beginning (Michael Sugarman) – Kayla in 1A (Travis Wood) – Libre (Anna Barsan, Iva Radivojevic) – Oh, What A Beautiful City (A City Symphony) (Lucy Walker) – The Road to Magnasanti (John Wilson) – Slice Thing (David Wanger)
ADDITIONAL SHORT FILM PROGRAMS
SUNDANCE SHORTS Highlights from Sundance 2018 include these wild, weird and wonderful short films. [O] (Mario Radev, Chiara Sgatti) – Emergency (Carey Williams) – The Fisherman (El pescador) (Ana A. Alpizar) Great Choice (Robin Comisar) – Volte (Monika Kotecka, Karolina Poryzal) – War Paint (Katrelle N. Kindred) -– More titles to be announced soon! COME AND TAKE IT Unbecoming short films by and about bold women. Call of the Wild (Neozoon) – Le Clitoris (Lori Malépart-Traversy) – Come & Take It (Ellen Spiro, PJ Raval) – Hair Wolf (Mariama Diallo) – Hercules (Lisa Duva) – Into My Life (Ivana Hucíková, Sarah Keeling, Grace Remington) – Normal Appearances (Penny Lane) – Slap Happy (Madeleine Sims-Fewer, Dusty Mancinelli) ROOFTOP SHOTS: CLOSING NIGHT All good things must end before they begin again. Closing Night! A Night At The Garden (Marshall Curry) – The Fall of Lenin (Svitlana Shymko) – Fauve (Jérémy Comte) – How to Live with Regret (John Wilson) – I Was In Your Blood (Joseph Sackett) – Managed Retreat (Nathan Kensinger) – Mother’s Day (Elizabeth Lo, R.J. Lozada) – Ugly (Nikita Diakur)
ADDITIONAL SHORT FILMS AND SHORT FILMS BEFORE FEATURES:
160 Characters (Victoria Mapplebeck) – Centauro (Nicolás Suárez) – Fire Mouth (Boca de Fogo) (Luciano Pérez Fernández) – Gokurōsama (ご苦労様) (Aurore Gal, Clémentine Frère, Yukiko Meignien, Anna Mertz, Robin Migliorelli, Romain Salvini) – Maude (Anna Margaret Hollyman) – Polonaise (Polonez) (Agnieszka Elbanowska) – Skybaby (Julian Glander) – Weekends (Trevor Jimenez) – Symphony of a Sad Sea (Carlos Morales Mancilla) – Wave (TJ O’Grady Peyton, Benjamin Clear)
FEATURE FILM PROGRAMS FOR MAY AND JUNE
AMERICAN ANIMALS (Bart Layton) NANCY (Christina Choe) *NY Premiere *Filmmaker Christina Choe in attendance *Free Event *Recipient of the 2014 Rooftop Films and Eastern Effects Equipment Grant DAMSEL (David Zellner, Nathan Zellner) HEARTS BEAT LOUD (Brett Haley) WRESTLE (Suzannah Herbert, co-directed by Lauren Belfer) EXIT MUSIC (Cameron Mullenneaux) THE GOSPEL OF EUREKA (Michael Palmieri, Donal Mosher) EN EL SÉPTIMO DÍA (Jim McKay) FAMILY (Laura Steinel) WILD NIGHTS WITH EMILY (Madeleine Olnek)
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Brooklyn Film Festival Announces Lineup of Over 100 Films for 2018 Edition: THRESHOLD

[caption id="attachment_29003" align="aligncenter" width="1214"] Birds Without Feathers[/caption] The Brooklyn Film Festival (BFF) today announced the film lineup for its 21st edition: THRESHOLD which kicks off on Friday, June 1st at returning venue: Wythe Hotel in Williamsburg. This year’s festival is comprised of approximately 125 features and shorts from 30 countries spread over all continents, except Antarctica. The lineup includes 19 world premieres, 21 USA bows, 37 east coast debuts and 30 first-time screenings in NYC. In addition to the feature narratives and documentary films highlighted in this release, the festival will present 36 short narrative films, 16 short documentary films, 25 animated films and 20 experimental films. “Division, bigotry, the wall, Trump. WTF? But luckily, some great things usually come from bad times,” said Brooklyn Film Festival Executive Director Marco Ursino. “The Spanish Civil War gave us the Guernica; the NYC defaults in the 70’s gave us the best graffiti in the world. Even the Great Depression gave us swing dancing. It doesn’t matter how bad it looks, art always wins. In the middle of this undeniably appalling time in American history, Brooklyn Film Festival aims to amplify the voices of its films and filmmakers by shedding light, spreading love and celebrating diversity.” https://vimeo.com/268424122 The festival will run from June 1 through June 10 at two main venues: Wythe Hotel in Williamsburg and Windmill Studios in Greenpoint. Additional programming will be presented on June 5 at Syndicated in Bushwick and on June 8 at UnionDocs in Williamsburg. On June 6 and 9, BFF will present a total of five shows at Made in NY Media Center by IFP in Dumbo, where it will also present the 14th annual kidsfilmfest on June 2. https://vimeo.com/268439683 On June 4, BFF welcomes CUNY’s Graduate School of Journalism with a block of short documentaries at the Alamo Theater in downtown Brooklyn. The evening starts at 6pm with a special presentation and mixer on the Alamo’s rooftop deck for filmmakers and audience members interested in learning more about the documentary program at CUNY. Showtime starts at 8:30 pm with a special screening of student work from CUNY followed by the block of short documentaries curated by BFF Short Doc Programmer Brandon Harrison. Stick around after the screening for the presentation of the inaugural CUNY Best Short Doc Award. On June 9, the 7th annual BFF Exchange (BFFX) program will be hosted at Kickstarter in Greenpoint. Join us for an afternoon of informative and interesting panels of, by and for filmmakers. This year, the festival will host two discussion panels, Women Working “Below the Line” and Film Finance in the US and Latin America. BFF will continue the “Lunching with Lawyers” session and the ever-popular BFFX documentary pitch session. And in an effort to bridge the city of Brooklyn with Mexico, BFFX will feature as special guest Mexico City’s film commissioner Mauricio Aguinaco. All BFFX events are free of charge, but require an RSVP. Below is a partial line-up of films from the Narrative and Documentary Features sections. To view the full film line up.
NARRATIVE FEATURES:
“Are You Glad I’m Here” – NEW YORK PREMIERE Dir. Noor Gharzeddine, Lebanon, 85 min. A millennial American girl befriends a Lebanese housewife and disrupts her ordered life; one night they become accidental partners-in crime. “Birds Without Feathers” – NEW YORK PREMIERE 2018 Slamdance Film Festival, Spirit Award Winner Dir. Wendy McColm, USA, 92 min. Unable to make a human connection, six broken individuals will give everything away in an attempt to receive love. “Brothers” – USA PREMIERE Dir. Bram Schouw, The Netherlands, 106 min. When Alexander suddenly leaves on a road trip to France, Lukas decides to join him as he’s been trailing his charismatic brother for his entire life. But during this journey he discovers that he finally has to go his own way, not knowing this decision would be so all-encompassing. “Can Hitler Happen Here?” Dir. Saskia Rifkin, USA, 74 min. Meddling neighbors, ambitious social-workers and real-estate vultures conspire to torment an eccentric old lady. Or maybe they’re just trying to help. “Golnesa” – EAST COAST PREMIERE Dir. Sattar Chamani Gol, Iran, 94 min. Golmammad and Golnesa, a young Afghan couple, are illegal immigrants who are working in a traditional brick making kiln in Iran. Following the events happening to them, their lives undergo changes. “Ice Cream” – WORLD PREMIERE Dir. Saba Riazi, Iran, 63 min. Maryam, a 30-year-old woman in Tehran, having lost her job and apartment, is forced to move in with her grandmother. She is trying hard to make things work and in doing so, she faces herself, eating ice-cream. This funny, semi-autobiographical film seamlessly combines animation and live action into a poetic meditation about identity and belonging. “Life is Fare” – WORLD PREMIERE Dir. Sephora Woldu, USA, 61 min. An experimental Tigrinya/English musical movie exploring three wildly different perspectives on the East African nation of Eritrea. “My Country” – EAST COAST PREMIERE 2017 Route 66 Film Festival Audience Award Winner Dir. Giancarlo Iannotta, USA/Italy, 78 min. Two brothers – one American, one Italian who’ve never met – take a road trip from Rome to the unknown picturesque region of Molise on a journey to spread the ashes of their late father in the small town where he was born. “Nosotros” Dir. Felipe Vara de Rey, Spain, 93 min. “Nosotros” follows a group of five friends during the weekend of the Spanish presidential election held in December 2015, probably the most important one in Spain’s recent history due to the deep political and financial crisis in Southern Europe. “One Bedroom” Dir. Darien Sills-Evans, USA, 83 min. Writer-director Darien Sills-Evans combines humor and drama to create a portrait of a relationship at the end of its journey. Set in a gentrifying Brooklyn neighborhood, and told through vivid flashbacks, the audience is taken through the whirlwind tale of Melissa and Nate’s courtship. Melissa and Nate have been through a lot together, but sometimes Black Love gets broken. “Prison Logic” – NEW YORK PREMIERE Dir. Romany Malco, USA, 91 min. Released from prison and placed on probation, Tijuana Jackson sets out to fulfill his dream of becoming a world renowned motivational speaker but fails to comply with strict orders from his no-nonsense probation officer. “Room For Rent” – EAST COAST PREMIERE Chicago Comedy Film Festival, Best Feature Winner Dir. Matt Atkinson, Canada, 89 min. When a broke thirty-two year old ex-lottery winner (Mark Little, “Space Riders: Division Earth”) convinces his parents to rent their spare room to save from downsizing, a creepy stranger (Brett Gelman, “Lemon,” “Stranger Things”) with a hidden agenda moves in. Co-stars Mark McKinney (“Superstore”) and Stephnie Weir (“My Crazy Ex-Girlfriend”). “Tommy Battles the Silver Sea Dragon” – EAST COAST PREMIERE 2018 Toronto International Spring of Horror and Fantasy Film Festival, Best Feature & Performance Winner Dir. Luke Shirock, USA, 110 min. When a man finds himself on trial in a courtroom haunted by his own demons, he must reckon with the guilt of his mother’s death before it destroys him and the one he loves. A musical film directed by and starring Luke Shirock.
DOCUMENTARY FEATURES:
“Active Measures” – USA PREMIERE Fresh off its World Premiere at Hot Docs Canadian International Documentary Festival Dir. Jack Bryan, USA, 100 min. Relying on expert testimony and existing footage, “Active Measures” documents the surprisingly interconnected rise of two men, Donald Trump and Russian president Vladimir Putin. Features unprecedented access with interviews including Hillary Clinton, John McCain, James Woolsey, Michael McFaul and more. “Afghan Cycles” – EAST COAST PREMIERE Dir. Sarah Menzies, USA, 90 min. Following a new generation of young Afghan women cyclists, “Afghan Cycles” uses the bicycle to tell a story of women’s rights – human rights – and the struggles faced by Afghan women on a daily basis, from discrimination to abuse, to the oppressive silencing of their voices in all aspects of contemporary society. “My Name is Pedro” Dir. Lillian LaSalle, USA, 96 min. This film explores what public education meant to South Bronx Latino maverick educator, Pedro Santana, and what he, in turn, meant to public education. Infectious in his optimism, Santana becomes one of the most influential public school teachers and then administrators in the New York public school system after turning his troubled Bronx middle school, MS 391, around. “Nos Llaman Guerreras”/“They Call Us Warriors” – NEW YORK PREMIERE Dirs. Jennifer Socorro, Edwin Corona Ramos & David Alonso, Venezuela, 81 min. After becoming undefeated champions of the South American Women Under-17 Championship and overcoming one of the worst social and economic environments for sports practicing, the Venezuelan team takes a chance to win the first World Cup for their country, having the chance to give a voice to women football in their country and perhaps in all of South America. “Street Fighting Men” – NEW YORK PREMIERE Dir. Andrew James, USA, 104 min. Facing dwindling public services, growing inequality and escalating violence, three Detroit men must fight to build something lasting for themselves and future generations. “The New Man” – INTERNATIONAL PREMIERE Dir. Josh Appignanesi and Devorah Baum, United Kingdom, 96 min. A creative documentary about becoming a parent…and how to reconceive yourself. Fiction director Josh Appignanesi turns the camera on himself and his wife as they undergo the ordeal of becoming parents in the era of man-children and assisted reproduction. “Working in Protest” – NEW YORK PREMIERE Dir. Michael Galinsky & Suki Hawley, USA, 74 min. BFF alums Michael Hawley and Suki Galinsky (“Battle for Brooklyn”) have documented protests for over 30 years as observers rather than journalists or activists. Starting in North Carolina in 1987 and ending in DC in 2017, the film captures the discourse of modern political protest.
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Magnolia Pictures Acquires LOVE, GILDA, Documentary on Comedian Gilda Radner, for a 2018 Release

[caption id="attachment_26877" align="aligncenter" width="1200"] Love, Gilda[/caption] Magnolia Pictures has acquired the documentary, Love, Gilda, director Lisa D’Apolito’s touching tribute to comedic trailblazer Gilda Radner and her enduring cultural impact for a planned 2018 theatrical release. Love, Gilda, which world premiered as the Opening Night Selection of the 2018 Tribeca Film Festival, uses rare personal recordings and journal entries to tell Radner’s story in her own voice. Along with interviews from those closest to her, including her brother Michael Radner and Saturday Night Live alumni Chevy Chase, Lorne Michaels, Alan Zweibel, Laraine Newman and Martin Short, Gilda’s writings are read by modern-day comedians inspired by her including Amy Poehler, Maya Rudolph, and Cecily Strong. Love, Gilda opens a unique window into the honest and whimsical world of beloved performer Gilda Radner, whose greatest role was sharing her story. Working with the Radner estate, D’Apolito unearthed a collection of diaries and personal audio and videotapes documenting her childhood, her comedy career, her relationships and ultimately, her struggles with cancer. This never-before-seen-or-heard footage and journal entries form the narrative spine of the documentary, allowing Gilda to tell her own story – through laughter and sometimes tears. “Love, Gilda is a beautiful tribute to an incandescent spirit,” said Magnolia President Eamonn Bowles. “Lisa D’Apolito has crafted an incredibly moving, inspirational look at a groundbreaking comedian.” “I am honored that Love, Gilda has been acquired by such a prestigious company as Magnolia Pictures,” said D’Apolito. “I am excited by their passion and commitment to bringing Gilda’s story to the public and I am happy the film has a home along with some of my favorite films past and present.” Directed by Lisa D’Apolito, Love, Gilda is produced by D’Apolito, Bronwyn Berry, Meryl Goldsmith, and James Tumminia. Executive producers are Edie Baskin, Christopher Clements, Amy Entelis, Julie Goldman, Meryl Goldsmith, Carolyn Hepburn, Courtney Sexton, Alan Zweibel, and Robin Zweibel. Associate producers are Griffin Lichtenson and Nina Guzman. CNN Films, which began collaboration with D’Apolito more than a year ago, retains North American broadcast rights to the film.
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Paul Schrader’s FIRST REFORMED, WE THE ANIMALS Among Winners at 2018 Montclair Film Festival

[caption id="attachment_28919" align="aligncenter" width="1200"] First Reformed[/caption] The seventh annual Montclair Film Festival took place April 26 through May 6, 2018, and on Saturday night, the festival announced the winners of the 2018 film competitions at the festival’s annual awards ceremony. “This year’s competition program features the work of artists who directly challenge us to deepen our thinking about the world in which we live” said Montclair Film Executive Director Tom Hall. “We are honored to share these films with our audiences, and congratulate all of our filmmakers on their outstanding work.” First Reformed, directed by Paul Schrader, was awarded the festival’s Fiction Feature Prize; with Julianne Nicholson receiving a Special Jury Prize for her performance in Matthew Newton’s Who We Are Now. Hale County This Morning, This Evening, directed by RaMell Ross, took home the Bruce Sinofsky Award in the festival’s Documentary Feature competition. This award was established in memory of Bruce Sinofsky and was presented by Mr. Sinofsky’s daughter, Claire Sinofsky. A Special Jury Prize was awarded to Black Mother, directed by Khalik Allah. We The Animals, directed by Jeremiah Zagar, was awarded with the Future/Now prize honoring emerging low-budget American independent filmmaking, with a Special Jury Prize given to Helena Howard for her performance in Madeline’s Madeline, directed by Josephine Decker. Crime + Punishment, directed by Stephen Maing, took home the New Jersey Films Award, which honors a select group of films made by New Jersey artists, with Liyana receiving a Special Jury Prize for directors Aaron Kopp and Amanda Kopp. Dark Money, directed by Kimberly Reed, took home the 4th Annual David Carr Award for Truth in Non-Fiction Filmmaking, which honors a filmmaker, selected by the festival, who utilizes journalistic techniques to explore important contemporary subjects and is presented in honor of Mr. Carr’s commitment to reporting on the media. The award was presented by Mr. Carr’s daughter, the filmmaker Erin Lee Carr.
2018 Montclair Film Festival Awards Winners
Fiction Feature Competition Winner First Reformed, Directed by Paul Schrader https://www.youtube.com/watch?v=hCF5Y8dQpR4 Fiction Feature Competition – Special Jury Prize Julianne Nicholson for her performance in Who We Are Now, Directed by Matthew Newton Bruce Sinofsky Prize for Documentary Feature Competition Winner Hale County This Morning, This Evening, Directed by RaMell Ross Documentary Feature Competition – Special Jury Prize Black Mother, Directed by Khalik Allah Future/Now Competition, presented by the Horizon Foundation For New Jersey – Future/Now Competition Winner We The Animals, Directed by Jeremiah Zagar Future/Now Competition – Special Jury Prize Helena Howard for her performance in Madeline’s Madeline, Directed by Josephine Decker New Jersey Films Competition Winner Crime + Punishment, Directed by Stephen Tiang New Jersey Films Competition – Special Jury Prize, Liyana, Directed by Aaron Kopp and Amanda Kopp Junior Jury Award American Animals, Directed by Bart Layton Junior Jury Special Jury Prize for Social Impact Crime + Punishment, Directed by Stephen Tiang
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THE DOCTOR FROM INDIA, Fascinating Story of Holistic Health Pioneer Dr. Vasant Lad, Opens June 1 in NY [Trailer]

From acclaimed director Jeremy Frindel (One Track Heart: The Story of Krishna Das) comes The Doctor From India, a meditative and immersive portrait of the life and work of Dr. Vasant Lad, the holistic health pioneer who first brought the ancient medical practice of Ayurveda from India to the west in the late 1970s. A Zeitgeist Films release in association with Kino Lorber, the film will have a week-long theatrical release at The Quad in New York starting June 1. Dr. Lad will be making a rare trip to New York City and will make appearances for Q&As after screenings on opening weekend at The Quad. He will also be at a special presentation and talk for the film on Saturday, June 2 at 4:00 p.m. at Symphony Space. Integrating his gifts as both a healer and a mystic, Dr. Lad has dedicated his life to sharing what is considered the oldest healthcare system on earth in the complex medical landscape of the United States. This is the beautiful and inspiring story of a man who has for decades been quietly at the center of a revolutionary movement to change the way we care for our bodies and our spirits. With an elegant musical score by Rachel Grimes, The Doctor From India features appearances by Deepak Chopra, Robert Svoboda, David Frawley, and Claudia Welch. Ayurveda is considered by many scholars to be the oldest healing science still in practice. In Sanskrit, Ayurveda translates roughly to “The Science of Life.” Ayurveda is the art of daily living in harmony with the laws of nature. Working through entirely natural means to maintain the health of a healthy person, and to heal the disease of an unhealthy person. Ayurveda is not a passive therapy but rather asks each individual to take responsibility for his or her own health through their diet, relationships and activities, and to take simple actions towards prevention, self-healing and growth towards fulfillment. Vasant Lad is considered one of the preeminent Ayurvedic practitioners and teachers in the world. In 1984, he founded the Ayurvedic Institute in New Mexico, the first Ayurveda school in the U.S. He has written numerous books, including Ayurveda: The Science of Self Healing considered a classic in the field and one of the most widely read books on Ayurveda. He is currently based in both Albuquerque, New Mexico and Pune, India. Jeremy Frindel (Director/Producer/Editor) is the founder of Substratum Films, specializing in cinematic portraiture exploring the resilience and majesty of the human spirit. In 2013 Jeremy released his first feature film, One Track Heart: The Story of Krishna Das. Distributed by Zeitgeist Films, the film screened theatrically across the U.S., and won the Best Documentary prize at the Maui, Dharamsala and Gold Coast Film Festivals among others. Jeremy is in post-production now on his next project Spacefox, a feature documentary following the reinvention of Marty Friedman from lead guitarist in Megadeth to one of the most famous TV comedians in Japan. The Doctor From India is his second feature release. “One of the most exciting things for me in setting off on a new project is the discovery and immersion into a world,” said director Jeremy Frindel. “It was highly intriguing for me to explore the synthesis of deep listening and intuition with medical care. Very quickly it became clear that this would not be a film that focused too heavily on Ayurveda though. What was most exciting to me was the quality of presence that Dr. Lad brought to his patients and students. The way he transformed a room and opened people’s hearts, and the profound healing power within that.” https://www.youtube.com/watch?v=dh8zXbb_ce0
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Jonathan Olshefski’s Award-Winning Documentary ‘QUEST’ to Open 31st Season of PBS series POV [Trailer]

[caption id="attachment_19922" align="aligncenter" width="1200"] Quest[/caption] QUEST, Jonathan Olshefski’s award-winning documentary – a decade in the making – that reveals an intimate portrait of a black family in North Philadelphia, will have its national television debut on PBS series POV on June 18 at 10 PM opening the historic 31st Season of the longest-running independent documentary series on American television. For his debut documentary, QUEST, director Jonathan Olshefski spent nearly a decade chronicling the daily triumphs and tragedies of the Raineys, a working class African-American family in North Philadelphia. The vérité film opens with a shot inside the family’s modest North Philly row home. PJ, who wants to follow in the musical footsteps of her Dad, is drumming on the windowsill. It’s election season in 2009 and while frying bacon for breakfast Mom Christine’a is telling the story of how someone in the neighborhood yelled out, “Vote for McCain!” “You know he didn’t say that around the polls,” she adds. Chris, on the phone with a friend, asks, “You vote for Obama? We know where you live at.” In the next scene, Chris is returning from the polls, and in another phone conversation he happily reports, “There was a line for the first time in umpteen years down here.” Thanks in part to the massive black voter turnout, Barack Obama became the first African-American President of the United States and served two terms. QUEST was filmed during the “Yes We Can” years and the Rainey family is a living, breathing example of the audacity of hope the 44th president spoke of. The award-winning independent film offers an intimate portrait of a black American family not often seen. Both Chris and Christine’a have children from previous relationships and we witness the committed couple and parents make their union official with a simple church ceremony. “In our minds we were already married you know. Just being together throughout the years and knowing that we both wanted the same things in life…,” Chris says as his wife lovingly braids his hair. “We were both tired of the BS and the crap, that’s for sure. Anytime you turn around you see couples going through arguments, people cheating on each other, just doing each other wrong. And both of us have been down that road so many times in our past lives, that when we actually did hook up and get together and start talking to each other, we came to the equal conclusion that it’s not worth it, you know. You just need one person to love.” Another tender scene shows Chris taking PJ to school on a tandem bike. “I’ll be here when you get out,” he says as he drops her off. The viewer also witnesses tough moments like Christine’a comforting her older son William, who is diagnosed with a cancerous brain tumor at the same time he is expecting his first child, and the visibly scarred Christine’a discussing her own brush with death in a fire. Because the neighborhood where the Rainey’s live is riddled with violence, PJ has a 6 p.m. curfew. “A lot of people say their neighborhoods are tough but North Philly is definitely a tough neighborhood. PJ, you know, has a curfew. She has to be in at a reasonable time, she’s rebellious about it but doesn’t disobey me,” Chris says. Chris is an attentive father and he tries to shield his daughter from harm. So it’s heartbreaking when we learn that PJ (at age 13), was struck by a stray bullet and nearly killed while walking home from the basketball court. As a result of the shooting, she loses and eye and undergoes surgery for a prosthetic eye. “Like she’s blaming herself for getting shot. I’m blaming myself ya mean be out here,” Chris says breaking down. “When I see my child bleeding from her face saying I’m sorry for getting shot, what do you say to that?” QUEST follows the Raineys as they face odds that would cripple and tear apart another family, but they overcome each obstacle together with grace and dignity. The Raineys’ story is a quest for survival, equal opportunity, and a testament of the resilience of the human spirit.
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Awards
WINNER – Truer Than Fiction Award at the 2018 Independent Spirit Awards WINNER – Outstanding Achievement in Editing at the 2018 Cinema Eye Honors WINNER – Reva and David Logan Grand Jury Award | Full Frame Documentary Film Festival WINNER – Kathleen Bryan Edwards Award for Human Rights | Full Frame Documentary Film Festival WINNER – Grand Jury Award for Best Feature Documentary | Dallas International Film Festival WINNER – Grand Jury Award for Best Feature Documentary | RiverRun International Film Festival WINNER – Les Blank Award: Grand Jury Award for Best Feature Documentary | Ashland Independent Film Festival WINNER – People’s Voice Award | Fist Up Film Festival WINNER – Audience Award | Camden International Film Festival WINNER – Best Documentary Feature | Baltimore International Black Film Festival WINNER – Best U.S. Documentary | Hot Springs Documentary Film Festival WINNER – Documentary Jury Award | Milwaukee Film Festival WINNER – Silver Gateway Award for Second Best Film | Mumbai Film Festival WINNER – Critic’s Choice Award | Key West Film Festival
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LANDING UP Starring Late E’dena Hines’ (Morgan Freeman’s granddaughter), Sets Release Date [Trailer]

[caption id="attachment_22611" align="aligncenter" width="1200"] Landing Up[/caption] Landing Up, the award-nominated film from director Dani Tenenbaum, starring Ben Rappaport and featuring the last on-screen performance of Morgan Freeman’s late granddaughter, E’dena Hines, is headed for release on DVD, digital and video-on-demand (VOD), on May 15, 2018. The dramatic and edgy story features two female friends living on the streets of New York and their troubled world changes when one finds love. It also stars Dov Tiefenbach (“Harold & Kumar Go To White Castle, “Homeland”), Theodora (Woolley) Miranne (“The Blacklist: Redemption,” “Blue Bloods”), and Jay DeYonker (“Royally,” “Puerto Ricans in Paris”). Just one month after principal photography wrapped, the film’s co-star, E’dena Hines, was murdered by her boyfriend on the streets of New York. The story made national headlines. LANDING UP is Hines’ last on-screen performance. The film’s tragic circumstances have been a challenging aspect of bringing the film to light. Because of this violent act, and because the film tackles homelessness, the filmmakers felt it was paramount to give their audience a call to action. For the World Premiere, they raised awareness by partnering with the non-profit organizations Midnight Mission, which offers paths to self-sufficiency to men, women and children who have lost direction, and LA Family Housing, which helps people transition out of homelessness and poverty. Producer and star Stacey Maltin says, “E’dena was an incredible and loving human being who illuminated any room she entered. She had so much talent and this energy that was so raw and magnetic. She really gave herself over to playing Cece and it’s reflected in her performance. We miss her every day and wish she could have seen what she created with us. I considered her my friend and losing her impacted all of us very deeply.” Director Dani Tenenbaum adds, “It’s a sad coincidence that our film’s release date is so close to the trial of E’dena’s murder. We are hoping that this project, and E’dena’s incredible performance in it, can be a bright spot amidst this tragic real-life situation. We are doing everything in our power to pay tribute to her on-screen performance, which shows her dynamic abilities. Her contributions to ‘Landing Up’ were invaluable, and we are honoring the positive impact she had on the people around her. Our hearts go out to her family.” Landing Up had its World Premiere as an Official Selection in Competition Features at Dances With Films in June 2017 in Hollywood. The East Coast Premiere was held later that month as an Official Selection of the Soho International Film Festival in New York City where it was nominated for Best Actress and Best Feature. Family and friends of the much beloved Hines were in attendance at both screenings, including Morgan Freeman, producer Lori McCreary and the mother of Hines, Deena Adair. Maltin explains, “The film exists in two worlds: Chrissie’s life on the street and her romantic life with David. Chrissie’s life on the street is gritty and dangerous, but when Chrissie meets David, her world explodes into color. He’s everything she always wanted and the film jumps in tone and style to almost a romantic comedy feel. Her life is so far outside his realm of comprehension that he never suspects her secret.” Tenenbaum adds, “Our aim was to present the idea that you wouldn’t even know that someone is living on the streets, as it is something that many people intentionally and successfully hide. Chrissie’s carefully crafted lies lead her to very real feelings of love for David, which cause extreme and disturbing behavior. The real question we are asking is: Can you ever really know someone?” The next projects from Tenenbaum and Maltin include “Linked,” a dramedy series exploring how a group of seemingly fragmented people are connected through sex, loneliness, and transaction; and “Head,” a feature film about a gay millennial on the brink of full-time adulthood and dismayed to see all of his friends pairing up instead of getting off. The short film version of “Head” was chosen for a curated screening of the Best of NewFest 2016, and is currently streaming on REVRY TV, “the best in queerated entertainment.” Other projects from Bold Compass Films include Maltin’s short “Stronger Together,” which Shoreline Entertainment just acquired for worldwide rights. Tenenbaum has been at the forefront of virtual reality filming and is working on the VR short, “Funeral 2.0.” Synopsis: Chrissie (Stacey Maltin) is young, wild, and living on the streets. She and her best friend Cece (E’dena Hines) use their youth and good looks to their advantage, playing a con game with strangers to put a roof over their heads, while all the time fantasizing about having enough money to score their dream apartment. When Chrissie meets David (Ben Rappaport), a funny, genuine guy who works his way into her heart, she falls for him and must decide whether to confess the real circumstances of her life or continue her carefully crafted lie at all costs. https://vimeo.com/215222736
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2018 Outfest Los Angeles LGBT Film Festival to Open with STUDIO 54 Documentary

[caption id="attachment_28858" align="aligncenter" width="1200"] Studio 54[/caption] Matt Tyrnauer’s vibrantly nostalgic documentary, Studio 54, featuring interviews with many of the legendary nightclub’s famous patrons, as well as those who worked behind the scenes during its heyday will open the 2018 Outfest Los Angeles LGBTQ Film Festival. The festival will honor Angela Robinson as the recipient of the 2018 Achievement Award recipient. The Achievement Award Ceremony will take place at the Opening Night Gala at the Orpheum Theatre in Los Angeles on July 12, followed by the screening of Studio 54. Angela Robinson, a celebrated filmmaker and champion of LGBTQ rights, will receive the Achievement Award, Outfest’s highest honor, presented in recognition of a body of work that has made a significant contribution to LGBT film and media. In a time where women still only make up a fraction of directors, Robinson has carved a space for herself in both film and television, and frequently deals with LGBTQ topics in her work, such as D.E.B.S., “The L Word”, Herbie Fully Loaded, “True Blood”, How to Get Away with Murder”, and most recently Professor Marston and the Wonder Women. Outfest’s Executive Director Christopher Racster commented: “Outfest has a long and important legacy of launching filmmakers careers. I am incredibly proud that we have the opportunity honor an amazingly talented woman director whose career started at Outfest. Angela has forged a unique path of success within the industry. When jobs are hard to come by for women directors, Angela has blazed a path in high-profile television series, lauded independent films and major studio movies. Her unique vision, her sharp humor, and her humanity are constantly on display in each move she makes. Angela’s work is always fresh, intelligent and groundbreaking.” “It is such an honor to receive the Outfest Achievement Award this year – I premiered the first short film I ever made at Outfest and every film I’ve made since. It’s a joy to be recognized by Outfest in this way so many years later,” Angela Robinson remarked. Additional gala screenings include: Sundance NEXT Innovator Award winner We the Animals (U.S. Centerpiece), written and directed by Jeremiah Zagar; the sweeping French drama Reinventing Marvin (International Centerpiece), from filmmaker Anne Fontaine; famed choreographer and filmmaker Jamal Sims’ feature debut When the Beat Drops (Documentary Centerpiece) on the Deep South UNDERGROUND dance phenomenon known as “bucking”; and Our Future Ends (Platinum Centerpiece), a multimedia and multidisciplinary satire about near-extinct lemurs living on long-lost Lemuria. The 2018 Outfest Los Angeles LGBTQ Film Festival will close on July 22 at The Theatre at the Ace Hotel with Desiree Akhavan’s Sundance Grand Jury Prize winner, The Miseducation of Cameron Post, an unapologetically bold take on the topic of conversion therapy, starring Chloë Grace Moretz, Jennifer Ehle, Sasha Lane, John Gallagher Jr., and Forrest Goodluck. Outfest’s Direct of Programming Lucy Mukerjee commented: “After scouring the world for the past year to find the best LGBTQ films, our galas capture that queer pioneering spirit that lives across the ages. From our Opening Night Studio 54, where we learn the back story of the vibrancy that Steve Rubell and Ian Schrager brought to creating a safe HAVEN for LGBTQ folk to the urgency of expression in When the Beat Drops from long-time choreographer Jamal Sims, we see that freedom of identity cannot be held down. Even something as simple as coming of age in We Are Animals looks at new territory in Jeremiah Zagar’s deft hands. The breadth of our galas this year also continues Outfest’s commitment to celebrate female voices including the work of acclaimed director Anne Fontaine and Desiree Akhavan’s sophomore effort, proving once again we will be seeing exciting things from her for a long time to come. I am thrilled we are bringing back the Platinum Centerpiece – Our Future Ends – which combines many genres to tell a story about how to keep a culture from extinction. Happily our queer culture is far from that place!”
GALA FILMS
Studio 54 (Opening Night Gala) Director: Matt Tyrnauer When disco was the epicenter of popular culture, Studio 54 was the epicenter of disco. Brooklyn-born college pals Steve Rubell and Ian Schrager took a former opera house and CBS studio (where “What’s My Line?” and “Captain Kangaroo” filmed) in what was at the time one of New York City’s sketchiest neighborhoods and turned it into a dance palace known the world over. Extroverted gay Rubell and introverted straight Schrager (the latter giving his most extensive interview to date about Studio 54) were a powerful team – but the swirl of sex, drugs, celebrity, and tax evasion brought this phenomenon to an end, as did the advent of Ronald Reagan, the AIDS crisis, and the “Disco Sucks” backlash. But oh, what heady times there were during Studio 54’s heyday, which this vibrant documentary captures, mixing vintage interviews (Michael Jackson!) with reminiscences from the doormen, bartenders, and paparazzi who experienced the thrills and the beats on the dance floor and in the infamous balcony. There may never again be such a stately pleasure dome as Studio 54, but Matt Tyrnauer’s documentary pays homage to the hedonism, the hubris, and the outrageous delights that took place under the lights, behind the scenes, and on the other side of the velvet ropes. We the Animals (US Centerpiece) Writer-Director: Jeremiah Zagar Lovely and lyrical, this film received well-earned comparisons to Moonlight when it premiered at the Sundance Film Festival, where it earned the prestigious NEXT Innovator Award. Acclaimed documentary filmmaker Jeremiah Zagar makes his narrative debut with this haunting adaptation of the novel by Justin Torres about three boys navigating their parents’ volatile relationship and the aftermath of their breakup. Two of the sons clearly follow in the footsteps of their macho, anger-prone father (Raúl Castillo, “Looking”), while the sensitive youngest, Jonah (Evan Rosado), remains closer to their mother (Sheila Vand, Women Who Kill). Exquisitely photographed by Zak Mulligan, the film captures both the beauty and terror of childhood, guiding us through the wonders of the world and the pain and confusion of marital dysfunction. Strains of Malick (and, yes, Moonlight) appear throughout, but there is nothing contrived or overly familiar about this achingly crafted coming-of-age tale. The entire ensemble (which also includes newcomers Josiah Gabriel and Isaiah Kristian) gives the film a raw naturalism – we feel like invisible observers as young lives unfold before us. Subtle and haunting, bursting with empathy and energy, We the Animalsheralds a new chapter for a brilliant and essential storytelling talent. Reinventing Marvin (International Centerpiece) Writer-Director: Anne Fontaine Martin Clement is about to give the performance of his life – his life story, that is, in an autobiographical stage play. As a child, young Marvin Bijoux was bullied by homophobic classmates at school and misunderstood by his often-neglectful parents, making him feel like a lonely outsider in his small rural French village. But when a kind school principal guides him to join the drama club, Marvin discovers his gifts for play-acting the misery that surrounds him. When he qualifies to attend a theatrical school, Marvin acts the role of the brash straight stud until he meets an older mentor who encourages him to acknowledge his sexuality and to exorcise his pain by putting it all on the stage. This sweeping drama from director and co-writer Anne Fontaine (The Innocents, Coco Before Chanel) captures a life in the theater, as we see timid young Marvin (Jules Porier) blossom into adult Martin (Finnegan Oldfield, Nocturama) – with a little help along the way from Isabelle Huppert, playing herself. A moving tale of the past that many of us try to escape, but can never entirely leave behind, this film reminds us that no matter how far we get from our upbringing, a piece of it remains with us always. When the Beat Drops (Documentary Centerpiece) Director: Jamal Sims Drop into the electric and subversive UNDERGROUND dance scene known as “bucking.” As voguing exploded out of the ballroom scene of NYC, bucking was boldly pioneered in the clubs of the Deep South as a new form of self-expression. This film presents a fresh glimpse into the magnetic artistry and flair behind this emerging dance culture. In his feature debut, famed choreographer and filmmaker Jamal Sims (who has worked with the likes of Madonna, Jennifer LOPEZ and “RuPaul’s Drag Race”) illuminates the warm-hearted and fierce queer black performers who make up one of the leading “bucking” groups in the city of Atlanta. As they train for their biggest competition yet, they risk losing their jobs and family to compete at the top levels of this dance scene. Jamal Sims calls dance a “super power,” and with this film he crafts a vision of the power of dance to bring movement to new heights and to elevate the queer community. Our Future Ends (Platinum Centerpiece) Writer-Director: Clement Hil Goldberg Will queer culture go out with a stylish bang, or will the spirits of Lemuria inspire us to preserve our fabulousness? Clement Hil Goldberg’s multimedia and multidisciplinary satire envisions both near-extinct lemurs and long-lost Lemuria. Lemuria (a precursor to the occult city of Atlantis) was an imagined site of catastrophic loss populated by Lemurians, queer prehistoric entities that went extinct alongside the Atlanteans. Goldberg’s work illuminates the at-risk nature of queer spaces as well as the world’s most endangered mammal, the lemur. Pill-popping lemurs struggle to survive while Lemurians consult their crystals, as parallel extinction stories unfold through video, stop-motion animation, and live performance. Starring Brontez Purnell, Heather María Ács, and Siobhan Aluvalot, with Zackary Drucker, Silas Howard, Xandra Ibarra, Ben McCoy, and Maryam Farnaz Rostami as additional voices of the animated lemurs. Come with them all on this disco journey to the brink. The Miseducation of Cameron Post (Closing Night Gala) Director: Desiree Akhavan Desiree Akhavan won us over in 2014 with her hilarious feature debut Appropriate Behavior, and she brings her trademark wit and sass to this impressive follow-up feature. An adaptation of Emily M. Danforth’s celebrated queer YA novel, the film was awarded the Grand Jury Prize at the 2018 Sundance Film Festival for its warm, charismatic, and fearless performances. Set in the early ’90s, the film follows lesbian teen Cameron (Chloë Grace Moretz), sent to a religious conversion camp after she gets caught hooking up with her female best friend. At the camp, Cameron reluctantly undergoes various tactics used to “cure” same-sex attraction from persistent camp leaders Dr. Lydia Marsh (Jennifer Ehle) and Reverend Rick (John Gallagher Jr.), who are intent on “saving” LGBTQ teens. While some of the teens embrace the treatment, Cameron resists, and instead forms an alliance with the rebellious duo Jane (Sasha Lane, American Honey) and Adam (Forrest Goodluck, The Revenant). The heartfelt bond shared among the three friends gives them the strength they need in order to RISE up and live their truth. Akhavan’s unapologetically queer lens delivers a refreshing take on the troubling topic of conversion therapy (which is, to this day, still used in some states) while exploring the themes of self-love, identity, and chosen family, all with unexpected flourishes of humor.
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John Andreas Andersen’s THE QUAKE to Open 2018 Norwegian International Film Festival | Trailer

The Quake, directed by John Andreas Andersen, and the follow-up to The Wave, will open the 46th Norwegian International Film Festival in Haugesund on Sunday August 19. “We are wild about being able to open this year’s festival with The Quake! Like its predecessor, it has become a spectacular and nerve-racking film, and it is also a very powerful human drama. We are proud to be the first to screen this film and we are sure it will shake up audiences both in Haugesund and the rest of Norway,” Festival Director Tonje Hardersen says. The Quake is directed by John Andreas Andersen, one of Norway’s most distinguished cinematographers, who also directed Captain Sabertooth and the Treasure of Lama Rama and co-directed Uno. “I’m incredibly happy that The Quake will see its world premiere in Haugesund. This is a festival I’ve been having a close relationship with all the time since I was a 15-year-old Amandus Award participant. I’m very proud of what The Quake has become and look forward to screening it for an audience for the first time. I can guarantee it will present scenes you’ve never seen in a movie in Norway before!” This time the threat is not against a village in Western Norway – but against the capital of Norway! In 1904 Oslo was struck by an earthquake measured to 5.4 on the Richter magnitude scale. The quake caused extensive destruction. But no human lives were lost, fortunately. Geological surveys show that the danger of another and bigger earthquake may be real. One just doesn’t know when. The only thing we can be certain about is that today’s Oslo is considerably more vulnerable than in 1904. The likelihood of the loss of human lives and enormous material damage is very real. What will happen if a much larger earthquake strikes our capital city? Before the camera we once again meet two of Norway’s most experienced actors and Amanda-winners Kristoffer Joner and Ane Dahl Torp in the lead roles, as the geologist Kristian Eikjord and his wife Idun. Jonas Hoff Oftebro plays the couple’s son and Edith Haagenrud-Sande their daughter. The Quake is also the feature film debut of Kathrine Thorborg Johansen. https://www.youtube.com/watch?v=KiYRxAvl94A
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Seattle International Film Festival Announces 2018 Lineup of Over 400 Films

[caption id="attachment_28016" align="aligncenter" width="1200"] Don’t Worry, He Won’t Get Far on Foot[/caption] This year’s 44th edition of the Seattle International Film Festival revealed today the complete lineup of 433 films, plus guests and events for the 25-day Festival that runs May 17 to June 10, 2018. Opening night kicks off Thursday, May 17 with The Bookshop from acclaimed Spanish filmmaker Isabel Coixet (Learning to Drive, Elegy), distributed by Greenwich Entertainment. The film is set in a seaside village in England where a grieving widow (Emily Mortimer) pursues her lifelong dream of opening a bookshop. She introduces the townsfolk to the world’s best literature and stirs a cultural awakening, but her efforts are ruthlessly opposed by a powerful local (Patricia Clarkson) causing a reclusive resident (Bill Nighy) to join the fight to keep the bookshop open. The film is based on the bestselling novel by Penelope Fitzgerald. The annual Centerpiece Gala, Sorry to Bother You, pulls no punches in its portrayal of racial dynamics in the workplace. This new film ushers in an utterly original and wildly creative new voice on the film scene from debut director and musician Boots Riley. Director Boots Riley is scheduled to attend the Seattle premiere to take place Saturday, June 2, at 5:30 PM, at the SIFF Cinema Egyptian. The Seattle premiere of Ethan Hawke’s Blaze will also screen at the historic SIFF Cinema Egyptian as SIFF honors Mr. Hawke’s work with the Award for Outstanding Achievement in Cinema. In addition to the award presentation and screening, the acclaimed actor is slated for an on-stage interview at the Friday, June 8 event. Also scheduled is An Afternoon with Melanie Lynskey, where the Festival pays tribute to this celebrated actress. The iconic scene-stealing actress makes her way to SIFF on Sunday, May 27 for the Seattle premiere of Northwest Filmmaker Megan Griffiths’ film Sadie with an onstage discussion following the film. Seattle favorite, Gus Van Sant’s Don’t Worry, He Won’t Get Far on Foot, closes SIFF 2018 with a bang! Starring Joaquin Phoenix in a transformative performance as Portland cartoonist John Callahan who, after a car accident leaves him disabled, uses his sardonic humor and brutal honesty to battle with a lifetime of addiction. “Sifting through over 4,000 film submissions each year, finding just 240 features is somewhat of a treasure hunt,” said SIFF Artistic Director Beth Barrett. “We’re looking for dynamic, diverse stories. This year, we’re overjoyed to share that over 43-percent of the feature films are female directed. We’re thrilled to jump into the 44th Festival and share these voices from around the globe with over 150,000 film enthusiasts in Seattle over the course of 25 days.”
GALAS
Opening Night Gala The Bookshop Spanish director Isabel Coixet heads to the English coast circa 1959, where a headstrong widow (Emily Mortimer) opens a bookstore in a sleepy village and encounters both pride and prejudice from the provincial locals. Winner of Best Film, Director, and Screenplay at Spain’s Goya Awards. (d: Isabel Coixet c: Emily Mortimer, Bill Nighy, Patricia Clarkson, Julie Christie, Hunter Tremayne, United Kingdom 2017, 110 min) Centerpiece Gala Sorry to Bother You Lakeith Stanfield, Tessa Thompson, and Armie Hammer star in the exhilarating directorial debut of musician Boots Riley, a biting and bonkers satire that follows a black telemarketer who discovers an unknown skill which gives him magical selling powers that shoot him up the corporate ladder. (d: Boots Riley c: Lakeith Stanfield, Tessa Thompson, Steven Yeun, Jermaine Fowler, Armie Hammer, Omari Hardwick, David Cross, Danny Glover, USA 2018, 112 min) Closing Night Gala Don’t Worry, He Won’t Get Far On Foot Joaquin Phoenix gives a transformative performance in Gus Van Sant’s sensitive and caustically funny portrait of Portland cartoonist John Callahan who, after a car accident leaves him disabled, uses his sardonic humor and brutal honesty to battle with a lifetime of addiction. The outstanding supporting cast includes Jonah Hill, Rooney Mara, Jack Black, and musician Beth Ditto in her impressive film debut. (d: Gus Van Sant c: Joaquin Phoenix, Jonah Hill, Rooney Mara, Jack Black, Beth Ditto, USA 2018, 113 min)
SPECIAL GUESTS
AN AFTERNOON WITH Melanie Lynskey FILM: Sadie Since making her debut at age 16 opposite a young Kate Winslet in Peter Jackson’s Heavenly Creatures, the New Zealand-born Melanie Lynskey has become one of American cinema’s most reliable character actors. From Ever After: A Cinderella Story to Shattered Glass, The Informant! to The Perks of Being a Wallflower, Hello I Must Be Going to I Don’t Feel at Home in This World Anymore, and TV work ranging from HBO’s “Togetherness” and “Animals” and Cartoon Network’s “Over the Garden Wall” to 12 years on CBS’ “Two and a Half Men,” her passionate dedication to her craft has created a class of charismatic characters defined by their grace, sensitivity, quirkiness, and kindness. This afternoon, SIFF will welcome her to the stage for an interview featuring film clips from her career, followed by a screening of one of Lynskey’s latest films, Sadie, directed by Seattle-based Megan Griffiths (The Night Stalker, Lucky Them, Eden), with music by Pearl Jam’s Mike McCready. There will also be an opportunity for audience questions following the screening.
OUTSTANDING ACHIEVEMENT IN CINEMA
A Tribute to Ethan Hawke FILM: Blaze A modern day renaissance artist, Ethan Hawke’s creative talent continues to flourish in several realms of expression. An actor, screenwriter, novelist, and filmmaker, his body of work is broad as it is deep in a career that now spans three decades. From portraying a rock-steady police sergeant and cowboy, to a sensitive teenage poet and young heartthrob, his versatility as an actor is renowned, cementing him as one of the great performers of this generation. SIFF will present Ethan Hawke with the Seattle International Film Festival Award for Outstanding Achievement in Cinema. A Q&A with Hawke will follow the screening of his new film, Blaze. Past honorees of the SIFF Outstanding Achievement Awards include Anjelica Huston, Laura Dern, Chiwetel Ejiofor, Viggo Mortensen, Kyle MacLachlan, Sir Ben Kingsley, Kevin Bacon, Edward Norton, Sissy Spacek, Joan Allen, Spike Lee, among others.
FILMS WITH PARTIES
Saturday Film and Party The Cake General, North American Premiere SATURDAY, MAY 19, 5:30 PM – Party to follow screening FILM: MAJESTIC BAY PARTY: NORDIC MUSEUM Based on a true story, the directorial debut of popular Swedish personalities Filip and Fredrik is an outrageous, unconventional comedy set in the 1980s about an eccentric resident of “the most boring town in Sweden” who decides to put his sleepy hamlet on the map by assembling the world’s longest layer cake. (d: Filip Hammar, Fredrik Wikingsson c: Mikael Perssbrandt, Helena Bergström, Agnes Lindström Bolmgren, Tomas von Brömssen, Sweden 2018, 101 min) Saturday Film and Party Won’t You Be My Neighbor? SATURDAY, MAY 26, 6:00 PM – Party to follow screening FILM: SIFF CINEMA UPTOWN PARTY: THE HOUSE STUDIOS Oscar®-winning director Morgan Neville (20 Feet From Stardom) presents the heartwarming life of Fred Rogers, whose cherished PBS series, “Mister Rogers’ Neighborhood,” used cardigans, puppets, and the Land of Make-Believe to imaginatively and compassionately inspire children, while not shying away from complicated issues. (d: Morgan Neville f: Fred Rogers, USA 2018, 93 min) Kirkland Opening Night The Drummer and the Keeper THURSDAY, MAY 31, 8:00 PM – Party to precede screening PARTY AND FILM: KIRKLAND PERFORMANCE CENTER When a drummer for an up-and-coming Dublin rock band is diagnosed with bipolar disorder, he is forced to join a weekend mixed-ability soccer team and makes fast friends with a 17-year-old with Asperger’s Syndrome in this poignant and charming bro-com between two odd and lonely souls. (d: Nick Kelly c: Dermot Murphy, Jacob McCarthy, Peter Coonan, Ireland/USA 2017, 93 min)
SPECIAL PRESENTATION
L’INFERNO WITH LIVE SCORE BY MY GOODNESS Thursday, May 31 | 7:00 PM | The Triple Door Seattle rock band My Goodness bring their expansive blues-inspired sound to The Triple Door for a live accompaniment to the 1911 Italian silent film, a macabre tour de force inspired by Dante’s “Divine Comedy,” featuring ground-breaking special effects and a cast of thousands.
SPOTLIGHT PRESENTATIONS
HIGHLANDER WITH LIVE SOUNDTRACK BY DJ NICFIT Wednesday, May 23 | 6:30 PM | SIFF Cinema Egyptian When originally released in 1986, this franchise-inspiring fantasy adventure about an immortal Scottish swordsman featured a handful of new songs from rock icons Queen. Now, Seattle’s own DJ NicFit reimagines the cult classic with a decades-spanning all-Queen playlist performed live on two turntables. FOUND FOOTAGE FESTIVAL: CHERISHED GEMS Wednesday, June 6 | 9:15 PM | SIFF Cinema Egyptian Ranging from industrial training videos to forsaken home movies, comedians Joe Pickett and Nick Prueher’s vast VHS library features the world’s largest collection of strange, outrageous, and profoundly stupid videos, the best (and worst) of which they have carefully curated and present along with live comedy commentary. EIGHTH GRADE Saturday June, 9, 6:30 PM | SIFF Cinema Egyptian Sunday, June 10, 12:30 PM | SIFF Cinema Uptown Newcomer Elsie Fisher, in a star-making performance, perfectly captures the everyday humiliations and triumphs of a modern-day thirteen-year-old making her way through the last week of her thus far disastrous eighth grade year in the auspicious filmmaking debut of comedian Bo Burnham.
COMPETITIONS

Official Competition
The Devil’s Doorway (d: Aislinn Clarke, United Kingdom 2018, World Premiere) Garbage (d: Q (Qaushiq Mukherjee), India 2018, North American Premiere) The Heiresses (d: Marcelo Martinessi, Paraguay/Uruguay/Germany/Brazil/Norway/France 2018, US Premiere) Leave No Trace (d: Debra Granik, USA 2018) Luna (d: Elsa Diringer, France 2017) Pig (d: Mani Haghighi, Iran 2018, North American Premiere) The Reports on Sarah and Saleem (d: Muayad Alayan, Palestine/Netherlands/Germany/Mexico 2018, North American Premiere) Something Useful (d: Pelin Esmer, Turkey/France/Netherlands/Germany 2017, North American Premiere) Team Hurricane (d. Annika Berg, Denmark 2017)
New Directors Competition
After the War (d: Annarita Zambrano, France/Italy/Belgium/Switzerland 2017) Amateurs (d: Gabriela Pichler, Sweden 2018) The Blessed (d: Sofia Djama, France/Belgium 2017) The Charmer (d: Milad Alami, Denmark/Sweden 2017) Dead Pigs (d: Cathy Yan, China/USA 2018) Retablo (d: Alvaro Delgado-Aparicio L., Peru/Germany/Norway 2018, North American Premiere) Sashinka (d: Kristina Wagenbauer, Canada (Québec) 2017, US Premiere) Scary Mother (d: Ana Urushadze, Georgia/Estonia 2017) Shuttle Life (d: Tan Seng Kiat, Malaysia 2017, US Premiere) Supa Modo (d: Likarion Wainaina, Kenya/Germany 2018)
Ibero-American Competition
Champions (d: Javier Fesser, Spain 2018, North American Premiere) Giant (d: Jon GaranÞo, Aitor Arregi, Spain 2017) Gold Seekers (d: Juan Carlos Maneglia, Tana Schémbori, Paraguay 2017) Killing Jesus (d: Laura Mora Ortega, Colombia/Argentina 2017) Lots of Kids, A Monkey and a Castle (d: Gustavo Salmerón, Spain 2017) Marilyn (d: Martiìn Rodriguez, Argentina/Chile 2018, North American Premiere) Rush Hour (d: Luciana Kaplan, Mexico 2017) Rust (d: Aly Muritiba, Brazil 2018) Virus Tropical (d: Santiago Caicedo, Colombia/Ecuador 2017)
New American Cinema Competition
Jinn (d: Nijla Mu’min, USA 2018) My Name Is Myeisha (d: Gus Krieger, USA 2018) Noble Earth (d: Ursula Grisham, USA 2017, US Premiere) Prospect (d: Zeek Earl, Chris Caldwell, USA/Canada 2018) Sadie (d: Megan Griffiths, USA 2018) Thunder Road (d: Jim Cummings, USA 2018) Tyrel (d: Sebastián Silva, USA 2018) Wild Nights With Emily (d: Madeleine Olnek, USA 2018)
Documentary Competition
Afghan Cycles (d: Sarah Menzies, USA/France/Afghanistan 2018, US Premiere) Inventing Tomorrow (d: Laura Nix, USA 2018) MATANGI / MAYA / M.I.A. (d: Stephen Loveridge, Sri Lanka/United Kingdom/USA 2018) People’s Republic of Desire (d: Hao Wu, China 2018) Queerama (d: Daisy Asquith, United Kingdom 2017) The Return (d: Malene Choi, Denmark 2018) Unarmed Verses (d: Charles Officer, Canada 2017, US Premiere) Warrior Women (d: Elizabeth A. Castle, Christina D. King, USA 2018, US Premiere)
AFRICAN PICTURES
The African Storm (d: Sylvestre Amoussou, Benin/France 2017) The Blessed (d: Sofia Djama, France/Belgium 2017) Cook Off (d: Tomas L. Brickhill, Zimbabwe 2017, North American Premiere) Ellen (d: Daryne Joshua, South Africa 2017, North American Premiere) I Am Not a Witch (d: Rungano Nyoni, Zambia/France/United Kingdom 2017) Looking for Oum Kulthum (d: Shirin Neshat, Germany/Austria/Italy/Lebanon/Qatar 2017) Maki’la (d: Machérie Ekwa Bahango, Democratic Republic of Congo/France 2018, North American Premiere) Razzia (d: Nabil Ayouch, France/Morocco/Belgium 2017) Silas (d: Hawa Essuman, Anjali Nayar, Canada/South Africa/Kenya 2017) Supa Modo (d: Likarion Wainaina, Kenya/Germany 2018)
CHINA STARS
Awards will be presented to: Best New Talent Award: Mingming Yang for Girls Always Happy Best First Film Award: Dead Pigs by Cathy Yan Best Film Award: The Taste of Betel Nut – Angels Wear White (d: Vivian Qu, China/France 2017) Dead Pigs (d: Cathy Yan, China/USA 2018) Girls Always Happy (d: Mingming Yang, China 2018, North American Premiere) Love Education (d: Sylvia Chang, Mainland China/Taiwan 2017) People’s Republic of Desire (d: Hao Wu, China 2018) The Silk and the Flame (d: Jordan Schiele, USA/China 2018, US Premiere) Susu (d: Yixi Sun, China/United Kingdom 2017, US Premiere) The Taste of Betel Nut (d: Jia Hu, Mainland China/Hong Kong 2017, North American Premiere) The Widowed Witch (d: Chenglie Cai, China 2018, North American Premiere) Wrath of Silence (d: Yukun Xin, China 2017, North American Premiere)
CULINARY CINEMA
Brewmaster (d: Douglas Tirola, USA/Czech Republic 2018) Constructing Albert (d: Laura Collado, Jim Loomis, Spain 2017) Cuban Food Stories (d: Asori Soto, Cuba/USA 2018) Michelin Stars: Tales from the Kitchen (d: Rasmus Dinesen, Denmark 2017) Schumann’s Bar Talks (d: Marieke Schroeder, Germany 2017) Scotch – A Golden Dream (d: Andrew Peat, Taiwan 2017) Soufra (d: Thomas Morgan, USA 2017)
FACE THE MUSIC
Being Frank: The Chris Sievey Story (d: Steve Sullivan, United Kingdom 2018) Blaze (d: Ethan Hawke, USA 2018) Industrial Accident – The Story of Wax Trax! Records (d: Julia Nash, USA/Belgium/Canada/Germany 2018) Looking for Oum Kulthum (d: Shirin Neshat, Germany/Austria/Italy/Lebanon/Qatar 2017) Making the Grade (d: Ken Wardrop, Ireland 2017) MATANGI / Maya / M.I.A (d: Stephen Loveridge, Sri Lanka/United Kingdom/USA 2018) Nico, 1988 (d: Susanna Nicchiarelli, Italy/USA 2017) Rubén Blades Is Not My Name ( d: Abner Benaim, Panama/Argentina/Colombia 2018) Ryuichi Sakamoto:Coda (d: Stephen Nomura, Japan/USA 2017)
NORTHWEST CONNECTIONS
Afghan Cycles (d: Sarah Menzies, USA/France/Afghanistan 2018, US Premiere) Automata (d: Van Alan, USA 2017) The Faces of Zandra Rhodes (d: David Wiesehan, USA 2018, World Premiere) The Most Dangerous Year (d: Vlada Knowlton, USA 2018, World Premiere) Prospect (d: Zeek Earl, Chris Caldwell, USA/Canada 2018) Return to Mount Kennedy (d: Eric Becker, USA 2018) Sadie (d: Megan Griffiths, USA 2018)
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