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  • Oak Cliff Film Festival Announces 2018 Feature Film Lineup, Opens with Joan Jett’s Documentary BAD REPUTATION

    [caption id="attachment_29262" align="aligncenter" width="1200"]BAD REPUTATION BAD REPUTATION[/caption] Oak Cliff Film Festival yesterday announced the Feature Program lineup for the 7th annual edition of the festival, taking place June 14-17, 2018 at the historic Texas Theatre, Bishop Arts Theatre Center, Kessler Theater, and numerous other venues around Dallas’ Oak Cliff neighborhood. The schedule is comprised of twenty-five feature-length films, with ten of the films having their Texas premiere at this year’s festival. The festival also includes 40 short films, as well as filmmaking workshops, live music and parties. Kicking off proceedings with this year’s opening night film are director Kevin Kerslake and writer/editor Joel Marcus in attendance to present the Texas Premiere of BAD REPUTATION, their hard-rocking documentary on legendary rock-n-roll icon Joan Jett. The screening will be followed by a karaoke party behind the screen! The festival closes with NEVER GOIN’ BACK, a raunchy party comedy filmed and set in DFW, from Dallas filmmaker Augustine Frizzell and produced by Sailor Bear. Additional festival highlights include: MEOW WOLF: ORIGIN STORY, a documentary on the Santa Fe based artist collective famous for their unique and immersive multimedia art installations; a screening of the newly restored 1928 silent film classic THE PASSION OF JOAN OF ARC, featuring a live score accompaniment composed by indie electronic artist George Sarah and performed by Curtis Heath and his Orchestra; The Zellner Bros’ new comedy western DAMSEL with the film’s composers, Austin-based indietronica band The Octopus Project, playing a live concert at The Texas Theatre; and director Penelope Spheeris in attendance for a new digital theatrical presentation of her rescued-from-obscurity and newly-restored 1987 punk rock western DUDES.

    Oak Cliff Film Festival 2018 Feature Program Lineup.

    OPENING NIGHT SELECTION

    BAD REPUTATION (USA, 95 mins) Dir. Kevin Kerslake TEXAS PREMIERE – Director Kevin Kerslake and writer/editor Joel Marcus in attendance Joan Jett is so much more than “I Love Rock ’n’ Roll.” It’s true, she became mega-famous from the number-one hit, and that fame intensified with its endless play on MTV. But that staple of popularity can’t properly define a musician. Jett put her hard work in long before the fame, ripping it up onstage as the backbone of the hard-rock legends The Runaways, influencing many musicians—both her cohort of punk rockers and generations of younger bands—with her no-nonsense style.

    CLOSING NIGHT SELECTION

    NEVER GOIN’ BACK (USA, 85 mins) Dir. Augustine Frizzell DFW PREMIERE – Producers Toby Halbrooks, James M. Johnston, Liz Cardenas in attendance w/ a special Skype-in from director Augustine Frizzell BFFs Angela (Maia Mitchell) and Jessie (Cami Morrone) are high school dropouts working dead-end waitressing jobs in the same shitty diner. Their dream vacation to sunny Galveston, Texas, is only a few shifts away. But after a drug deal goes bad and their home is invaded—and they have to serve a short stint in juvenile detention—their beach trip is in serious jeopardy. They’ll have to use every bit of guile their perpetually buzzed teenage brains can muster as they try to get (relatively) rich quick while wandering suburban Dallas.

    NARRATIVE FEATURE COMPETITION

    BIRDS WITHOUT FEATHERS (USA, 84 mins) Dir. Wendy McColm DFW PREMIERE – Director Wendy McColm in attendance Desperate for human interaction, six emotionally damaged individuals put self respect on the line, shedding their disillusionment in a last grasp for happiness. Birds Without Feathers is a cruel-world dark comedy populated by struggling Instagram stars, Russian cowboys, Self-help gurus and more, as their lives crash and collide in astounding and awkward ways. DON’T LEAVE HOME (USA, 86 mins) Dir. Michael Tully DFW PREMIERE – Director Michael Tully in attendance Melanie Thomas is an American artist whose latest show recounts the infamous Irish urban legend of Father Alistair Burke, who painted a portrait of 8-year-old Siobhan Callahan in 1986. Days later, Siobhan went missing on the very morning that her figure miraculously vanished from the painting as well. Though absolved of any wrongdoing, Burke abandoned the priesthood and went into self-exile. After receiving a bad review before her opening, Melanie is contacted by the reclusive Burke, who offers to fly her to Ireland to create a new sculpture that he will help her to sell while she’s there. Telling no one where she’s going, Melanie never stops to consider that some urban legends are real. I AM NOT A WITCH (UK, ZAMBIA, 93 mins) Dir. Rungano Nyoni TEXAS PREMIERE When eight-year-old Shula turns up alone and unannounced in a rural Zambian village, the locals are suspicious. A minor incident escalates to a full-blown witch trial, where she is found guilty and sentenced to life on a state-run witch camp. There, she is tethered to a long white ribbon and told that if she ever tries to run away, she will be transformed into a goat. As the days pass, Shula begins to settle into her new community, but a threat looms on the horizon. Soon she is forced to make a difficult decision – whether to resign herself to life on the camp, or take a risk for freedom. TIGERS ARE NOT AFRAID (Mexico, 83 mins) Dir. Issa López DFW PREMIERE Estrella (Paola Lara), a ten-year-old girl living in Mexico, finds herself the owner of three wishes soon after her mother disappears. After her wish first – the bring her mother back wish – has some unexpectedly frightening repercussions, she finds herself on the streets. Before too long, Estrella partners up with a young boy, El Shine (Juan Ramón López), and his band of orphaned boys. The newly formed group find themselves at war with the local cartel, witnessing and enduring things that no child should ever have to. VIRUS TROPICAL (Colombia, 96 mins) Dir. Santiago Caicedo DFW PREMIERE Born in a not-so-conventional family, Paola grows up between Ecuador and Colombia and finds herself unable to fit in any mold. With a unique feminine vision of the world, she will have to fight against prejudice and struggle for her independence while her universe is struck by a series of crises. Based on the graphic novel by Powerpaola. WINTER BROTHERS (Denmark, Iceland, 94 mins) Dir. Hlynur Pálmason TEXAS PREMIERE We follow two brothers working in the harsh environment of a rural chalk-mining community during a cold winter. Younger brother Emil, who distills moonshine made from stolen chemicals from the factory, is an outsider, an oddball, who made a conscious choice for loneliness and is only accepted by the mining community due to his older brother Johan. When a fellow worker becomes sick, the moonshine and Emil are prime suspects. Gradually a violent feud erupts between him and the tightly-knit mining community. Revenge, loneliness, and lack of love pervade this modern brother odyssey.

    DOCUMENTARY FEATURE COMPETITION

    BLACK MOTHER (USA, 77 mins) Dir. Khalik Allah TEXAS PREMIERE Part film, part baptism, director Khalik Allah mixes film formats from Super 8mm to HD, while experimenting with voice over audio techniques that cast his view between the prostitutes and churches of Jamaica. Black Mother creates a visual prayer of indelible portraits and an intimate polyphonic symphony. GOSPEL OF EUREKA (USA, 79 mins) Dir. Donal Mosher and Michael Palmieri DFW PREMIERE Love, faith and civil rights collide in a southern town as evangelical Christians and drag queens step into the spotlight to dismantle stereotypes. The film takes a personal, and often comical look at negotiating differences between religion and belief through performance, political action, and partnership. Gospel drag shows and passion plays set the stage for one hell of a show.3-4 sentence summary here. INGRID (USA, 52 mins) Dir. Morrisa Maltz TEXAS PREMIERE – Filmmaker Morrisa Maltz in attendance Ingrid tells the story of a prominent Dallas fashion designer in the 80s–who dropped her life and ran off to the woods in order to pursue a personal and creative one. She has since become a total hermit and spends her time, creating clay sculptures and art out of rocks from the nearby creek. Ingrid peels off the layers of this woman’s persona, questioning what would drive a successful Texas fashion designer to immerse herself in nature to create and become an entirely self sufficient woman of the woods. MAISON DU BONHEUR (Canada, 62 mins) Dir. Sofia Bohdanowicz TEXAS PREMIERE Maison du bonheur is a documentary that studies the day-to-day life of a Parisian astrologer, Juliane Sellam, who has been residing in the same Montmartre apartment for over 50 years. As we listen to her muse about her life as an astrologer, Sellam moves through her daily routine: making her morning coffee, watering plants, putting on makeup. Each segment is narrated by Sellam or the filmmaker herself, slowly constructing a dual portrait of two very different but equally charming women. MILFORD GRAVES FULL MANTIS (USA, 91 mins) Dir. Jake Meginsky and Neil Young DFW PREMIERE – Filmmaker Jake Meginsky in attendance This is the first ever feature-length portrait of renowned percussionist Milford Graves, exploring his kaleidoscopic creativity and relentless curiosity.Graves tells stories of discovery, struggle and survival, ruminates on the essence of ‘swing,’ activates electronic stethoscopes in his basement lab to process the sound of his heart, and travels to Japan where he performs at a school for children with autism, igniting the student body into an ecstatic display of spontaneous collective energy. Oscillating from present to past and weaving intimate glimpses of the artist’s complex cosmology with blistering performances from around the globe, MILFORD GRAVES FULL MANTIS is cinema full of fluidity, polyrhythm and intensity, embodying the essence of Graves’ music itself. OPUNTIA (Mexico/USA, 60 mins) Dir. David Fenster DFW PREMIERE – Filmmaker David Fenster in attendance In 1528 Álvar Núñez Cabeza de Vaca crossed the Gulf of Mexico on a raft made of melted armor and slaughtered horses. Over the next eight years, experiences with various Native American groups transformed him from conquistador to shamanic healer. When he returned to Spain he wrote La Relación, a chronicle of his experiences in the “New World”. Using these writings and with help from a psychic medium, David Fenster (director) attempts to communicate with Álvar Núñez Cabeza de Vaca through a prickly pear cactus, also known as Opuntia, the plant that saved him from starvation.

    SPOTLIGHT FEATURES

    BISBEE ‘17 (USA, 112 mins) Dir. Robert Greene TEXAS PREMIERE An old mining town on the Arizona-Mexico border finally reckons with its darkest day: the deportation of 1200 immigrant miners exactly 100 years ago. Townspeople confront this violent, misunderstood past by staging dramatic recreations of these devastating events. Directed by the Townspeople themselves, these recreations show the personal history of the families affected by the deporations on the 100th anniversary of their occurence. DAMSEL (USA, 112 mins) Dir. David Zellner and Nathan Zellner DFW PREMIERE – Film producers and composers The Octopus Project in attendance It’s the age of The Wild West, circa 1870. An affluent pioneer, Samuel Alabaster (Robert Pattinson) ventures deep into the American wilderness to reunite with and marry the love of his life, Penelope (Mia Wasikowska). For his journey he brings Butterscotch, a miniature horse intended as a wedding present for his bride, and enlists drunkard Parson Henry (David Zellner) to conduct the ceremony. As they traverse the lawless frontier their once simple journey grows treacherous, and the lines between hero, villain, and damsel are blurred. HAL (USA, 90 mins) Dir. Amy Scott TEXAS PREMIERE In the 1970’s Hal Ashby spent 9 years pushing Hollywood norms directing an unconventional, uncompromising string of remarkable films — including The Landlord (1970), Harold and Maude (1971), The Last Detail (1973) and Being There (1979) — that influenced generations of filmmakers to follow. His everlasting legacy on cinema is evident by the group of talented interview subjects including David O. Russell, Judd Apatow, Allison Andres and Jeff and Beau Bridges. However he failed to sustain success fighting for the importance of art and socially consciousness stories against the looming weight of Hollywood’s profit driven machine. HAL is a celebration of his lifework. HALF THE PICTURE (USA, 94 mins) Dir. Amy Adrion DFWPREMIERE – Penelope Spheeris in attendance for Q/A with Seed & Spark Founder Emily Best HALF THE PICTURE consists of interviews with high profile women directors, including Ava DuVernay, Jill Soloway, Lena Dunham, Catherine Hardwicke, Miranda July, Penelope Spheeris and many more. These artists discuss how they made their first features, how they transitioned to studio films or television, how they balance a demanding directing career with family, and the challenges and joys along the way. In addition, experts on gender inequality in Hollywood, including the ACLU’s Melissa Goodman, Vanity Fair’s Rebecca Keegan, and USC’s Dr. Stacy Smith, weigh in on the magnitude of this issue as women are shut out, across the board, of an industry that systemically denies women’s expression and point of view. MEOW WOLF: ORIGIN STORY (USA, 100 mins) Dir. Jilann Spitzmiller and Morgan Capps DFW PREMIERE – Filmmakers Morgan Capps and Jilann Spitzmiller in attendance A group of artists in Santa Fe, NM become a DIY collective called Meow Wolf. Their immersive, large-scale exhibitions crack open a profitable niche in the arts industry, even as their social mission is challenged by the demands of rapid success. The group’s members navigate fracture and loss for years in pursuit of their idealistic vision. When they spark the interest of George R. R. Martin and receive his support to take over an old bowling alley, Meow Wolf builds a massive exhibition with over 140 artists working at a breakneck pace. With the wild success of the House of Eternal Return, Meow Wolf now faces its own internal turmoil as it begins to change the lives of creatives everywhere. PITY (Greece, 97 mins) Dir. Babis Makridis TEXAS PREMIERE A miserable middle aged man enjoys only one thing in life, the sorrow from others. After his wife re-emerges from a long coma he’s willing to do anything to continue to evoke this emotion from those around him. Addicted to misery, this man seeks to maintain the only feeling to give him pleasure, pity. RELAXER (USA, 91 mins) Dir. Joel Potrykus DFW PREMIERE – Director Joel Potrykus, Cinematographer Adam J. Minnick and actor Andre Hyland in attendance Doom and gloom are on the way. The Y2K apocalypse can’t be stopped. Abbie’s older brother issues him the ultimate challenge before it goes down: stay on the couch until he beats the infamous Billy Mitchell record on Pac-Man by getting past level 256. No getting up, no matter what. No quitting. Abbie must survive inside a rotten living room with no food or water, and numbnut friends and toxic gas getting in his face. Luckily, Abbie’s secret 3D glasses begin to give him new abilities, controlling the powers of his tiny universe. SKATE KITCHEN (USA, 100 mins) Dir. Crystal Moselle TEXAS PREMIERE – Members of the filmmaking team in attendance Introverted skateboarder Camille befriends “The Skate Kitchen,” an all-girl skateboarding crew in New York City. She finds the home she never had with her mother in Long Island as she becomes part of the in-crowd. They quickly accept her into this wild new world of trick-shot videos and their own mania filled, underground, New York subculture. However this new friendship becomes tricky to navigate when she falls for a boy skateboarder from a rival group.

    REPERTORY

    BEING THERE (USA, 1979, 130 mins) Dir. Hal Ashby In one of his most finely tuned performances, Peter Sellers plays the pure-hearted, childlike Chance, a gardener who is forced into the wilds of Washington, D.C., when his wealthy guardian dies. Shocked to discover that the real world doesn’t respond to the click of a remote, Chance stumbles into celebrity after being taken under the wing of a tycoon (Melvyn Douglas, in an Oscar-winning performance), who mistakes his protégé’s horticultural mumblings for sagacious pronouncements on life and politics, and whose wife (Shirley MacLaine) targets Chance as the object of her desire. Being There is both deeply melancholic and hilarious; a the culmination of Hal Ashby’s remarkable string of films in the 1970s, and a carefully modulated examination of the ideals, anxieties, and media-fueled delusions that shaped American culture during that decade and still ring true today in 2018. DUDES (USA, 1987, 90 mins) Dir. Penelope Spheeris New DCP with Director Penelope Spheeris in attendance Penelope Spheeris’s 5th feature film which came after her punk soap SUBURBIA and was “released” the year before her magnum opus DECLINE OF WESTERN CIVILIZATION PART II; DUDES, was never given much of a proper release. Distributors and exhibitors were confused on how to market the punk rock western and it quickly excited theaters. The home video VHS was its last available version until this years HD remaster by SHOUT FACTORY. The film, which features early Cinematography from future three time Oscar winner Robert Richardson and a fantastic punk / metal soundtrack featuring The VANDALS, JANES ADDICTION and MEGADETH exists in a late 80’s ahead of its time capsule. THE PASSION OF JOAN OF ARC with Live Score Accompaniment (France, 1928, 81 mins) Dir. Carl Theodor Dreyer New Restoration with live score accompaniment composed by indie electronic artist George Sarah, performed by Curtis Heath and his orchestra Spiritual rapture and institutional hypocrisy are brought to stark, vivid life in one of the most transcendent achievements of the silent era. Chronicling the trial of Joan of Arc in the final hours leading up to her execution, Danish master Carl Theodor Dreyer depicts her torment with startling immediacy, employing an array of techniques—including expressionistic lighting, interconnected sets, and painfully intimate close-ups— to immerse viewers in her subjective experience. Anchoring Dreyer’s audacious formal experimentation is a legendary performance by Renée Falconetti, whose haunted face channels both the agony and the ecstasy of martyrdom. Thought to have been lost to fire, the film’s original version was miraculously found in perfect condition in 1981 in a Norwegian mental institution, heightening the mythic status of this widely revered masterwork.

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  • Scottish Films, Filmmakers, and Talent Celebrated At 72nd Edinburgh International Film Festival

    [caption id="attachment_29258" align="aligncenter" width="1200"]Anna and the Apocalypse Anna and the Apocalypse[/caption] In its 72nd year, Edinburgh International Film Festival (EIFF) has unveiled a rich selection of Scottish films, filmmakers, acting talent and films shot in Scotland as part of its 2018 Festival program. Opening with a spellbinding performance by acclaimed Scottish actress Kelly Macdonald in the highly regarded drama PUZZLE, this year’s program is set to showcase some of the very best features, shorts, documentaries, animations, exclusive events and talent from across the country. EIFF Artistic Director Mark Adams said: “Edinburgh International Film Festival is renowned around the world for discovering and promoting the very best in international cinema and Scottish talent has always been at the heart of that. The Festival’s program always helps shine the light on to Scottish themes, performances and filmmakers, and I am thrilled that once again we can celebrate this high-level of craftsmanship in past and present Scottish work in our 72nd year.” The Festival program will showcase a host of features filmed and set in Scotland, such as much-anticipated cult comedic horror/musical ANNA AND THE APOCALYPSE, which was largely shot in and around Glasgow. The thriller CALIBRE, set against the backdrop of Beecraigs Country Park acting as the beautiful Scottish Highlands, stars Scottish actor Jack Lowden (England is Mine, Dunkirk) and is director Matt Palmer’s debut feature. The film is also in the running for this year’s prestigious Michael Powell Award for Best British Feature Film. EIFF audiences can look forward to Scottish produced pop-art drama MAKE ME UP by Glasgow-based video artist Rachel Maclean, the much-anticipated documentary WHITNEY, directed by Kevin Macdonald and ALMOST FASHIONABLE: A FILM ABOUT TRAVIS, a documentary directed by the front man of Scottish band Travis, Fran Healy. Fran and the other band members will be in attendance for the film’s World Premiere. Scottish director and former Michael Powell Award winner Kenny Glenaan’s DIRT ROAD TO LAFAYETTE, written by James Kelman, which follows a father and son’s journey from Scotland to North Alabama to visit their American/Scots relatives will also receive its World Premiere at the Festival. Also in the program are a number of documentaries by Scottish filmmakers, including BECOMING ANIMAL (one of the latest features from the Scottish Documentary Institute). Ece Ger’s MEETING JIM about Jim Haynes, the man who co-founded the Traverse Theatre and was fundamental to the growth of the Edinburgh Festival Fringe will also have its World Premiere in Edinburgh in June. Meanwhile, Edinburgh-based documentarian and EIFF Honorary Patron Mark Cousins, will be on hand to introduce two of his latest projects THE EYES OF ORSON WELLES and STORM IN MY HEART. Scottish talent Shauna Macdonald can be seen on screen in horror, thriller WHITE CHAMBER, directed by Paul Raschid. Meanwhile, the work of Scottish actors Tommy Flanagan and EIFF Honorary Patron James Cosmo will be showcased, with Flanagan appearing in crime drama PAPILLON, produced by Joey McFarland, David Koplan, Ram Bergman and Roger Corbi, and Cosmo in Anthony Byrne’s IN DARKNESS alongside Natalie Dormer and Emily Ratajkowski. Audiences can again look forward to a preview of the hit Gaelic TV show BANNAN, filmed on the beautiful island of Skye. The BBC Alba show follows a young woman returning to the island she had left when she was 18, and gently blends tones of soap opera, family drama and murder mystery. The Festival will allow audiences to catch the first three episodes of the fifth series, followed by a Q&A. Taking a step back in time, EIFF will screen LONG SHOT by Maurice Hatton, which was filmed during the 1977 edition of the Festival and special event Behind the Curtain: Women & EIFF will be hosted by former EIFF Director Lynda Myles, who was the first female director of a film festival anywhere in the world, and Rachel Hosker, Archives Manager and Deputy Head of Special Collections at the University of Edinburgh. A selection of Scottish-linked animations are confirmed for this year’s program including Dorte Bengtson’s family film VITELLO, written by Kim Fupz Aakeson and produced by Anders Berthelsen and former EIFF chair Bob Last, who also produced the 2010 Oscar-Nominated animation THE ILLUSIONIST, featuring Doon Mackichan in the role of Mother. A sneak preview of Red Kite’s animated feature PRINCESS EMMY, co-produced by the award-winning Scottish animation studio and voiced by a host of Scottish actors, including John Hannah, will also screen. Animator Elizabeth Hobbs will be in Edinburgh to present a screening of her short animations. A graduate of Edinburgh College of Art, Hobbs has a long history with EIFF and will present Elizabeth Hobbs: A Retrospective of Animated Work. Local cycling legend David Millar will be on hand to present Finlay Pretsell’s, TIME TRIAL, followed by an extended Q&A with Millar and TV presenter Ned Boulting. Scottish director, Bill Forsyth will also introduce a screening of his classic film, LOCAL HERO, and participate in an extended Q&A with Royal Lyceum Theatre Artistic Director David Greig. There will also be numerous Scottish shorts for audience members to enjoy including BLUE CHRISTMAS by Scottish director Charlotte Wells, Tom Chick’s MONUMENT: PARTS ONE AND TWO, Anna Stoltzmann’s MY HEAD ON THE MOUNTAIN, Evi Tsiligaridou’s THESE ARE MY HANDS and Francesco Rufini’s DOGMA. The Scottish Documentary Institute’s short film program Bridging the Gap – Love will also screen. Furthermore, there are shorts from the Scottish Film Talent Network (SFTN), which is supported by National Lottery funding from Creative Scotland and BFI NETWORK. SFTN forms the Scottish element of the BFI NETWORK, designed to discover, nurture and advance new and emerging filmmaking talent and is a consortium made up of the Centre for the Moving Image (CMI), DigiCult and Hopscotch Films. The shorts this year include 12 POINT KILL, BUNNY, I WAS HERE, LIFT SHARE, MY LONELINESS IS KILLING ME, NONE OF THE ABOVE and TOMORROW MIGHT BE THE DAY. SFTN short animation WIDDERSHINS will also screen as part of The McLaren Award: New British Animation 1 alongside LAUNDROMAT, a graduate film from Edinburgh College of Art’s Bafta winning Animation course, directed by Madeleine Sayers.

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  • Watch First Trailer For Highly Anticipated Feature Film Adaptation Of REGIONRAT

    Regionrat A new trailer for the forthcoming Regionrat, the highly anticipated film adaptation of Richard Laskowski’s coming-of-age novel, has been released. Starring Connor Williams, of the upcoming Valley Girl, the film tells the story of a young man who returns to his depressed hometown to finish his final year of school. Prolific Pictures are representing the film at Cannes. Regionrat is a darkly comedic coming-of-age drama about Ray, academic misfit and slacker extraordinaire, who tries to keep his head down to finish his last year of high school, but can’t catch a break. Ray lives in the Region, an industrial wasteland in Northwestern Indiana. The residents there are known as “regionrats,” because they’ll eat anything and are hard to kill. Ray is hard to kill, but the Region will try. He’s Ferris Bueller on a losing streak, learning lessons he didn’t need to learn, the hard way. In the end, Ray finds his way out, but he’ll go through hell to get there. Javier Reyna directs Regionrat, also starring Natassia Halabi and Nova Gaver, which is due for release later this year. https://www.youtube.com/watch?v=mduHIdVVnCU&feature=youtu.be

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  • Tiffany Haddish and Brian Hooks Star in Relationship Comedy/Drama ALL BETWEEN US [Trailer]

    All Between Us All Between Us, is the new comedy/drama starring comic sensation Tiffany Haddish, Brian Hooks, and Darien Smith, that explores the relationship imperfections among family and friends in the most entertaining of ways.  Jamie Jones’ filmmaking debut takes us on a wild roller-coaster ride over one fateful night that changes the lives of a crazy and flawed, but entirely relatable and endearing group of family and friends Starring Tiffany Haddish (Girls Trip, Keanu), Denyce Lawton (Castle, House of Payne), Brian Hooks (Fool’s Gold, 3 Strikes), Christian Levatino (The Last Godfather, LA Apocalypse), Jay Phillips (Semi-Pro, Dear John), Tabitha Brown (I Am Still Here, Caution to the Wind) and Esau McGraw (Idlewild, What My Husband Doesn’t Know), All Between Us will be available for the first time on DVD and Digital on June 5, 2018. All Between Us Official Poster Clara (Denyce Lawton) and Ray (Brian Hooks) are newly engaged. As they gather family and friends together for a dinner party to make an announcement, what begins as a celebratory evening turns into disaster as secrets and skeletons surface. One night, one mistake, one dinner changes the lives of four people forever. “It is truly an honor to be collaborating with such talented, like minded individuals. Darien Smith, Mike Mosley and Marvin Adams are an amazing team and looking forward to creating our next project together” says CEO and Founder of Samera Entertainment, Sharry Flaherty . “ The cast of All About Us was amazing. We had such a great time on set and everyone got along with each other very well, even through those late AM hours the laughs just kept coming” says CEO and Founder of Lakeside Pictures LLC., Darien Smith . “Now when Marvin and I sat down with the writer of All Between Us, Ev Duran and hashed out the concept, we all knew that we would need a great cast to pull off this film. So I reach out to my good friend Brian Hooks to see if he would come on board, which he did and along with him he brought Denyce Lawton , who is an amazing actress in this film by the way. Then the rest of the cast followed” “We had everyone cast but the leads best friend, Meshawn, who’s character is sassy and very outspoken.  We needed someone who could bring her to life”, Smith continues. “So I spoke with my childhood friend and director of All Between Us about the role and he made a call to Jay Phillips , who suggested we hire the amazingly talented and funny Tiffany Haddish . From the first moment she stepped on set, she was Meshawn and Meshawn was her. She was perfect, she was extremely great to work with, really down to earth and always on”. Produced by Multi – Platinum Mike Mosley , the original motion picture soundtrack from All Between Us will also be released on June 5, coinciding with the film’s release. The All Between Us soundtrack will be available through Itunes – Lakeside Pictures / I produce Muzic / Ingrooves. https://www.youtube.com/watch?v=Z0h7R8s-mtA

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  • Zoe Hopkins’ Family-Adventure Drama, ‘KAYAK TO KLEMTU’ Heads to Cannes Film Festival Marché du Film [Trailer]

    Kayak to Klemtu Canadian Heiltsuk/Mohawk filmmaker Zoe Hopkins’ family adventure, ‘Kayak to Klemtu’ is a story about a grieving family who kayaks to the island of Klemtu, only to find that true adventure is with each other. Directed by Zoe Hopkins (‘Mohawk Midnight Runners’) and co-written by Hopkins and Michael Sparaga (‘Servitude’), ‘Kayak to Klemtu’ follows 14-year-old Ella (Ta’kaiya Blaney) on her journey to fulfill her Uncle David’s (Evan Adams) dying wish – to kayak to the remote island of Klemtu and to stand and testify to protect their ancestral land from an oil pipeline. To honor her Uncle’s memory and fulfill his dying wish, Ella makes it her mission to kayak from Tai’Amin to Klemtu, where she can lay her Uncle to rest at his home and stand in his place to defend their beloved homeland waters. Ella’s strong, youthful self is prepared for the hardships of kayaking down the currents of the Inside Passage and braving the wildlife of B.C.’s stunning Great Bear Rainforest that will surround her. But, Ella’s biggest challenge will be with who accompanies her on the adventure – her other grouchy Uncle Don (Lorne Cardinal), her compulsive and recently widowed Aunt Cory (Sonja Bennett), and her Uncle Dave’s clumsy stepson, Alex (Jared Ager-Foster). On the family’s kayak trip, they will have to learn to navigate the waters, while searching for ways to cope with the loss of their loved one. Can the family work together to survive the beautiful but dangerous trip and still make it on time to save their indigenous homeland waters? Kayak to Klemtu poster Produced by Sheryl Kotzer and Daniel Bekerman from Scythia Films, the leading Canadian service producer, ‘Kayak to Klemtu’ is about more than family, ethnic loyalties, and the loss of a loved one, but rather, a film deeply rooted in humanity, which spotlights the possible catastrophic effects that could occur on any part of our world’s coastlines and waterways. ‘Kayak to Klemtu’ had its world premiere on Oct. 20th at the 2017 TIFF Bell Lightbox. Since, the film has successfully competed in several film festivals, including Cine Las Americas, Powel River Film Festival, imagineNative Film + Media Arts Festival (2017), receiving the Audience Choice Award, and Victoria Film Festival Canada (2008), where the film departed with the Festival Prize for Best Canadian First Feature. TriCoast Worldwide CEOs, Strathford Hamilton and Marcy Levitas Hamilton will represent Hopkins’ ‘Kayak to Klemtu’ at this year’s Cannes Film Festival for worldwide rights, excluding Canada. ‘Kayak to Klemtu’ stars several Canadian-native and award winning actors, including Evan Adams (‘Lost in the Barrens’, ‘Smoke Signals’), Jared Ager Foster (‘Horns’, ‘The X-Files’, ‘Proof’), Sonja Bennett (‘The Fog’, ‘Fido’, ‘Preggoland’), Lorne Cardinal (‘Corner Gas’ ‘Insomnia’, FX’s (‘Fargo’) and Ta’kaiya Blaney (‘Savage’, ‘Shi-Shi-Etko’). https://vimeo.com/265839810

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  • B. Harrison Smith and Gunnar Hansen Team up for Star-Studded Hardcore Horror ‘DEATH HOUSE’ [Trailer]

    Death House Horror legends, director B. Harrison Smith (‘Camp Dread’, ‘XK: Elephant’s Graveyard’) and past writer Gunnar Hansen the “Famed Horror Star” for ‘The Texas Chain Saw Massacre’, have teamed up for ‘Death House’, a hardcore horror film  that follows two FBI agents, Toria Boon (Courtney Palm) and Jae Novak (Cody Longo), who are constantly plagued by bad luck. When the duo are assigned to work on an exclusive tour within a secret maximum-security prison, they observe that its inmates are organized by the nine levels of the prison, or by the intensity of their evil. Toria and Jac have experienced their fair share of evil, or at least they think, … until an EMP device detonates and sets off the prison’s power, trapping them inside the hell-filled prison, where the violent and evil monsters-like inmates are set free to roam and riot. The two vulnerable agents frantically make their way through the wicked warren of evil, fighting for their lives. Smith captures the ultimate horror and chaos with the excellent combination of old-school styled gore with action-pack sequences, taking horror-lovers on an unnerving journey through the nine levels of evil within a dark prison full of relentless screams. As each level increases it becomes more dangerous than the last. Will the two agents be at the hands of the savage, barbaric, evil criminals or will they be lucky enough to escape the ‘Death House’ prison alive? Death House Poster ‘Death House’ was awarded the Festival Prize Winner for Audience Choice Award and Best Feature Film at the 2017 Central Florida Film Festival. TriCoast Worldwide’s horror division, DarkCoast will represent Smith’s ‘Death House’ with a screening at this year’s 71st Cannes Film Festival from May 8th-19th, TriCoast Worldwide’s booth will be located at Riviera D3. ‘Death House’ stars iconic horror legends including Kane Hodder (‘Friday the 13th’), Dee Wallace (‘Zombie Killers’), Tony Todd (‘The Candyman’, ‘The Crow’, ‘Night of the Living Dead’), Barbara Crampton (‘Reanimator’) and Adrienne Barbeau (‘The Fog’). Alongside are the talented, Courtney Palm (‘Zombewavers’), Cody Longo (‘Piranha 3D’, ‘Nashville’), Michael Berryman (‘The Hills Have Eyes’), Bill Mosley (‘Devil’s Rejects’, ‘House of 1,000 Corpses’), Lindsay Hartley (series, ‘All My Children’, ‘The Challenger’), Sean Whalen (‘Lost’, ‘Men In Black’), Vernon Wells (‘Weird Science’), RA Mihailoff (‘Texas Chainsaw III’), Sid Haig (‘Devil’s Rejects’, ‘House of 1,000 Corpses’), Vincent Ward (‘The Walking Dead’, ‘Oceans Eleven’), Felissa Rose (‘Sleepaway Camp’, ‘Camp Dread’), Bill Oberst, Jr. (‘Scary or Die’) and Bernhard Forcher (‘Fury’). https://vimeo.com/266558218

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  • Tricoast Worldwide To Release Zheng Hua’s Biopic ‘EVERYDAY HERO’ in August 2018 [Trailer]

    Everyday Hero TriCoast Worldwide will bring emerging Chinese filmmaker, Zheng Hua’s biopic, ‘Everyday Hero’ to US audiences in August 2018.  Everyday Hero poster Produced / starring Sun Hong Tao, ‘Everyday Hero’ is a biopic exploring and honoring the true, inspiring story of Brother Guo Jian Nan, the selfless individual who left his occupation as Heavy Industries Group’s supervisor to dedicate his life as the new captain of the Poverty Alleviation Program in the developing Chinese LiTan Village, Yang Xi. As a cinematic sensation, ‘Everyday Hero’ guides viewers through Guo Jian Nan’s journey to develop infrastructure for an impoverished Chinese village. Within nearly two years, Guo Jian Nan is able to bring the LiTan Village back to life, overcoming poverty and achieving prosperity for a better reality. Along the way, he meets the heartwarming villagers of LiTan, embarking on an adventure of a lifetime that would change a village forever. “We don’t write heroes for the profusion of poverty. We write a ‘brother’. Every one of us is eager to have such warmhearted brothers around,” said Sun Hong Tao. https://vimeo.com/267348540 image via screen print..

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  • THE MAN WHO KILLED DON QUIXOTE to Close Cannes Film Festival, Following French Court Ruling

    The Man Who Killed Don Quixote On Wednesday May 9, 2018, the French court dismissed the request by Paulo Branco and his production company Alfama Films Production to ban Terry Gilliam’s film, The Man Who Killed Don Quixote from  being screened during the Closing night of the Cannes Film Festival, on Saturday May 19, 2018. In its press release hailing the ruling, the Cannes Film Festival stated, As such, Paulo Branco and his production company Alfama Films Production have, naturally, seen their claim for compensation from the Festival de Cannes thrown out, having openly denigrated the event in the press and on social media, asserting that its organizers had no right to select The Man Who Killed Don Quixote to be presented in Cannes. The campaign of attempted intimidation orchestrated by Paulo Branco and his lawyer son have therefore proved fruitless. The urgent applications judge has, through this decision, confirmed that contrary to what the Brancos have continued to claim (among other slanderous attacks and lies), the Festival de Cannes has never placed itself above the law nor has it attempted to force through a decision. The Festival de Cannes, which throughout the case has repeatedly expressed its loyalty and support for the creators, is pleased to see that justice will allow the presentation of this work, whose director surely deserves to see it finally presented to the public. We are very pleased that this unique – and in some ways agonizing – work in the career of the great director Terry Gilliam will be unveiled for the first time to journalists, festival-goers and professionals from around the world, gathered together in the Grand Amphithéâtre Lumière. Since Tuesday, cinema has regained its rights. The Festival is a unique forum for freedom of expression. It will remain so.

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  • AFI DOCS 2018 Unveils Full Slate of 92 Films

    [caption id="attachment_29156" align="aligncenter" width="1200"]UNITED SKATES UNITED SKATES[/caption] AFI DOCS has finally revealed its full slate of 92 films representing 22 countries for the 16th edition of the American Film Institute’s five-day documentary film festival in the nation’s capital.  AFI DOCS 2018 runs June 13 to 17 in Washington, DC, and Silver Spring, MD. As previously announced, the festival will open with the world premiere of PERSONAL STATEMENT and will close with UNITED SKATES. ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW screens as the Centerpiece Screening. Special Screenings include THE COLD BLUE, KINSHASA MAKAMBO, MR. SOUL! and WITKIN & WITKIN.

    AFI DOCS 2018 PROGRAM

    OPENING NIGHT SCREENING

    PERSONAL STATEMENT: DIRS Juliane Dressner and Edwin Martinez. USA. Karoline, Enoch and Christine are Brooklyn high school seniors who just want to go to college, but like so many public-school students throughout the country, their schools don’t have enough college guidance support. Refusing to give up, they decide to work as college counselors in their schools, becoming the very resource they don’t have themselves. World Premiere.

    CLOSING NIGHT SCREENING

    UNITED SKATES: DIRS Dyana Winkler and Tina Brown. USA. Roller-skating has played a critical role in modern African-American culture, with rinks serving as both a haven of community and of artistic expression, and a flashpoint in the civil rights movement. UNITED SKATES chronicles the fight to save these rinks, and the souls of communities nationwide.

    CENTERPIECE SCREENING

    ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW: DIR Rory Kennedy. USA. Rory Kennedy tells the stories of the women and men behind the National Aeronautics and Space Administration’s decades-long exploration of our solar system, our universe and our planet, in this enlightening film that celebrates NASA’s triumphs, mourns its tragedies and affirms the importance of its mission both in space and on Earth.

    SPECIAL SCREENINGS

    THE COLD BLUE: DIR Erik Nelson. USA. In 1943, legendary Hollywood director William Wyler crafted MEMPHIS BELLE, a celebrated tribute to the titular WWII bomber. Using footage shot by Wyler from the National Archives, director Erik Nelson has made a new film, featuring gripping narration from some of the last surviving B-17 pilots. A meditation on youth, war and stunning bravery. World Premiere. KINSHASA MAKAMBO: DIR Dieudo Hamadi. DRC, France, Germany. Amid the backdrop of seemingly the neverending political and social unrest that hangs over the Democratic Republic of Congo, three young activists take to the streets with their fellow countrymen to overthrow their country’s President and help enact much needed change in their politically beleaguered country. East Coast Premiere. MR. SOUL!: DIRS Sam Pollard and Melissa Haizlip. USA. An in-depth look at the late 1960s WNET public television series SOUL! and its producer Ellis Haizlip. The series was among the first to provide expanded images of African Americans on television, shifting the gaze from inner-city poverty and violence to the vibrancy of the Black Arts Movement. WITKIN + WITKIN: DIR Trisha Ziff. Mexico. The artwork of septuagenarian twins Joel-Peter and Jerome Witkin transcends genres and traditional form. WITKIN & WITKIN explores the brothers’ complicated relationship with one another, and examines depths and divisions in their work. Joel-Peter’s stunning photography and Jerome’s powerful figurative paintings distinctly capture the human condition, reflecting differing emotional and intellectual approaches. U.S. Premiere.

    FEATURE FILM SELECTIONS

    209 RUE SAINT-MAUR, PARIS 10ÈME – THE NEIGHBOURS: DIR Ruth Zylberman. France. After selecting a building at random in a Jewish neighborhood in Paris, French director Ruth Zylberman meticulously reconstructed its community of inhabitants during the German occupation. What results is the spellbinding 209 RUE SAINT-MAUR, an experimental historiography that tells the emotional story of lives uprooted and destroyed under the Nazis. U.S. Premiere. ALONE IN THE GAME: DIRS Natalie Metzger and Michael Rohrbaugh. USA. Outdated ideas and outright prejudice have made competitive sports one of the gay rights movement’s final frontiers. ALONE IN THE GAME reveals how a new generation of queer and transgender athletes are scoring victories on and off the field by standing up for their rights — including the right to compete. World Premiere. AMÉRICA: DIRS Erick Stoll and Chase Whiteside. USA. At the heart of this film is 93-year-old matriarch América. When an accidental fall lands her son in jail for neglect, her three freewheeling grandsons must reunite to get their father out of prison and their grandmother out of bed. What emerges is an unforgettable and tender tale of familial love. AMERICA TO ME: DIR Steve James. USA. In this first episode of his excellent miniseries, Steve James returns to the subjects that have marked his career — class, race, and how the two affect social and economic mobility. James follows students at a public high school in suburban Chicago that is considered the gold standard of diversity, yet on the ground, he discovers a different story. BATHTUBS OVER BROADWAY: DIR Dava Whisenant. USA. Steve Young is obsessed with industrial musicals, the often bizarre and hilarious productions commissioned by companies to celebrate their products at corporate conventions. Follow him as he investigates this odd aspect of midcentury corporate culture, while continuing his search for gems like “Diesel Dazzle” and “The Bathrooms Are Coming!” BISBEE ’17: DIR Robert Greene. USA. Bisbee, Arizona, an old copper-mining town on the Mexican border, finally reckons with its darkest day: the deportation of 1,200 immigrant miners left to die in the middle of the desert in 1917. Filmmaker Robert Greene captures the city’s residents as they commemorate this tragic event by staging a reenactment on its 100th anniversary. BLOWIN’ UP: DIR Stephanie Wang-Breal. USA. A New York City courtroom recommends a unique and compassionate intervention option to young women charged with prostitution: submit to free counseling sessions designed by a mentoring program to get you off the street, and your record will be expunged. Are they ready to make that change? CENTRAL AIRPORT THF: DIR Karim Aïnouz. Germany, France, Brazil. A decade after ceasing operations, Berlin’s historic Tempelhof Airport has found a second life serving a new group of arrivals and departures: refugees now seeking asylum in Germany. CENTRAL AIRPORT THF looks at the absurdity of life for migrants making the most of the long layover. CHARM CITY: DIR Marilyn Ness. USA. On the streets of Baltimore, the murder rate is approaching an all-time high, and distrust of the police reaches a fever pitch. With neighborhoods in peril, residents attempt to diffuse the violence through cooperative efforts helmed by community leaders, compassionate law-enforcement officers and a progressive young city councilman. COMBAT OBSCURA: DIR Miles Lagoze. USA. Miles Lagoze was deployed as a combat photographer in Afghanistan, making videos for official Marine Corps recruitment purposes. Compiled of outtakes from those videos, this disturbingly raw portrait of the conflict in Afghanistan exposes the gulf between the war we’re meant to see and the war as it really is. East Coast Premiere. CRIME + PUNISHMENT: DIR Stephen Maing. USA. In 2015, a group of 12 whistleblower cops sued the NYPD for using illegal quotas despite a 2010 statewide ban on the practice. A blood-boiling investigation into a corrupt organization, CRIME + PUNISHMENT follows these officers as they face retaliation for attempting to resist against racist practices. DARK MONEY: DIR Kimberly Reed. USA. A portrait of democracy under fire, DARK MONEY pulls back the curtain on big money in national politics. Revealing how right-wing giants like the Koch brothers hide behind super PACs to do their bidding — in the forms of corporate-funded smear campaigns and dangerous legislation — this film is as timely as it is eye-opening. THE DISTANT BARKING OF DOGS: DIR Simon Lereng Wilmont. Denmark, Finland, Sweden. Taking an observational approach, this masterful film follows 10-year-old Oleg and his grandmother as they cope with life mere miles from the frontline of the war in Ukraine, showing how children navigate the trauma of conflict, while still seeing the world with naiveté and wonder. DON’T BE NICE: DIR Max Powers. USA. Following a diverse team of slam poets as they mine their feelings and personal experiences about race, sexuality, gender and popular culture to craft poems for national competition, DON’T BE NICE demonstrates how collaboration and communication between artists can allow them to better understand who they are and what they want to say. U.S. Premiere. FOR THE BIRDS: DIR Richard Miron. USA. In Richard Miron’s surprising and empathetic film, we follow a woman named Kathy who lives with 200 pet birds. What starts as a story about Kathy’s battle with local animal advocacy groups slowly transforms into an intimate drama about the toll of Kathy’s bird-hoarding — on her marriage and mental health. North American Premiere. FOSTER: DIR Mark Jonathan Harris. USA. Oscar® winners Mark Jonathan Harris and Deborah Oppenheimer (INTO THE ARMS OF STRANGERS: STORIES OF THE KINDERTRANSPORT) roam courtrooms, foster homes, juvenile halls and the streets of Los Angeles to tell the moving human stories behind the largest county child protection agency in the United States. World Premiere. THE GOSPEL OF EUREKA: DIRS Michael Palmieri and Donal Mosher. USA. A tiny Arkansas town is home to a popular live-action Passion Play — and a tightknit gay community centered around a lively drag bar. A touching, upbeat look at an enlightened town that maintains a peaceful coexistence of two seemingly divergent groups through tolerance, love and inclusion. GURRUMUL: DIR Paul Williams. Australia. With the release of his debut album, blind indigenous Australian musician Geoffrey Gurrumul Yunupingu became an unlikely star in both his homeland and in the larger world music scene. But as Gurrumul’s fame grew, the balance between his culture’s way of life and a career in music proved tricky to maintain. U.S. Premiere. HAL: DIR Amy Scott. USA. Surveying the works of iconoclastic filmmaker Hal Ashby (HAROLD AND MAUDE, THE LAST DETAIL, COMING HOME), director Amy Scott identifies how Ashby’s brilliant and seminal works helped define both the New Hollywood of the 1970s and the American experience for a decade. HALE COUNTY THIS MORNING, THIS EVENING: DIR RaMell Ross. USA. Winner of a Special Jury Prize at this year’s Sundance Film Festival, RaMell Ross’ assured feature debut is a lyrical look at the lives of two young African-American men born and raised in Alabama’s Hale County, the community that surrounds them and the paths they follow throughout the years. HAPPY WINTER: DIR Giovanni Totaro. Italy. The escapism of being on holiday gets a fascinating twist in Giovanni Totaro’s shrewdly observant HAPPY WINTER. Mondello beach in Palermo, Italy, is a seemingly pleasant circus of bronzed vacationers milling about. But behind the happy goings-on is a different story of collective denial about the looming economic crisis. U.S. Premiere. HESBURGH: DIR Patrick Creadon. USA. He counseled presidents and popes, served on corporate boards and infuriated Richard Nixon. He was one of the only friends to whom Ann Landers turned for advice. During his 35 years as president of the University of Notre Dame, Theodore Hesburgh became one of the most influential and inspiring people of the 20th century. World Premiere. INTO THE OKAVANGO: DIR Neil Gelinas. USA. National Geographic photographer Neil Gelinas makes his directorial debut with INTO THE OKAVANGO. This visually stunning film follows three passionate individuals as they embark on a four-month journey along the titular river — witnessing Africa’s animal and bird population in visceral, jaw-dropping close-up — to discover why the Okavango Delta is rapidly drying up. INVENTING TOMORROW: DIR Laura Nix. USA. Laura Nix’s inspiring film follows high school students from around the world, many of whom hail from dangerously polluted countries, as they tackle daunting environmental issues affecting their communities. Watch as the teens then bring their ingeniously proposed solutions to “the science fair of science fairs” — the Intel International Science and Engineering Fair. IT WILL BE CHAOS: DIRS Lorena Luciano and Filippo Piscopo. USA. Follow an Eritrean man and a Syrian family on dual quests for freedom amid the refugee crisis in the eastern Mediterranean. Tension mounts as they battle the rough seas, harsh conditions and red tape standing in their way. Will they make it to a new life in Europe? THE LIBERATION: DIRS Christoph Green and Brendan Canty. USA. Therapy sessions, cooking lessons and raw personal stories provide the drama in THE LIBERATION, DC-based filmmakers Christoph Green and Brendan Canty’s story of the formerly incarcerated men and women struggling to get through DC Central Kitchen’s 14-week culinary training program. Can they make it and turn their lives around? East Coast Premiere. LOVE, GILDA: DIR Lisa D’Apolito. USA. Lisa D’Apolito’s moving documentary LOVE, GILDA looks back at the exuberant life and courageous death of Gilda Radner, the first female superstar of SATURDAY NIGHT LIVE. Using an abundance of archival photos and clips, along with confessional narration by Radner, the film paints a loving portrait of her short but spectacularly eventful life. MATANGI / MAYA / M.I.A.: DIR Stephen Loveridge. UK. Drawn from 22 years’ worth of personal video footage, MATANGI / MAYA / M.I.A. is an intimate look at the life of rapper, songwriter and activist M.I.A., from her childhood in war-torn Sri Lanka, to her eventual rise to international stardom as one of the most thought-provoking artists working in music today. MCQUEEN: DIRS Ian Bonhôte and Peter Ettedgui. UK. This intimate profile offers unparalleled access to one of the fashion industry’s brightest stars, Alexander McQueen. Brilliant, bold and informed by a British punk aesthetic, the designer was known for his exquisite and strikingly original clothes and his legendary runway shows — theatrical spectacles influenced by contemporary art, theater and photography. MINDING THE GAP: DIR Bing Liu. USA. First-time filmmaker Bing Liu turns the camera on himself, his family members and his skateboarder friends in this deeply moving depiction of three young men in a small Midwestern town grappling with issues of class, race and learning to overcome the cycles of family violence. A MURDER IN MANSFIELD: DIR Barbara Kopple. USA. Two-time Oscar® winner Barbara Kopple takes on true crime, revisiting a horrific 1989 domestic murder in Ohio. Collier Boyle was 12 when his father killed and buried his wife under the flooring of a remote countryside home. Now an adult, Collier returns to Mansfield to face the lingering impact of his mother’s murder. ON HER SHOULDERS: DIR Alexandria Bombach. USA. Filmmaker Alexandria Bombach follows Nadia Murad, a young Yazidi woman who gained international attention after escaping captivity by the Islamic State. Forgoing sensationalism, Bombach’s award-winning film offers a fresh perspective on Nadia’s new life as a human rights activist raising awareness for her people and their plight. OVER THE LIMIT: DIR Marta Prus. Poland, Germany, Finland. As the 2016 Summer Olympics loom, Russian gymnast Margarita Mamun prepares to represent her country at this historic event. But the path to the Olympics is not an easy one in this unflinching portrait of an athlete straining to retain her humanity while going for gold. U.S. Premiere. PICK OF THE LITTER: DIRS Dana Nachman and Don Hardy. USA. Shortly after birth, five Labrador puppies enter the intensive two-year training program at California’s Guide Dogs for the Blind. Here, only the best pups will make the cut to protect and serve blind partners, while others will have to change careers for good. THE PRICE OF EVERYTHING: DIR Nathaniel Kahn. USA. An examination of the contemporary art market through the eyes of artists, dealers and collectors, THE PRICE OF EVERYTHING is the latest work from Oscar® nominee Nathaniel Kahn. Illuminating complex dynamics between artistic intention and consumer behavior, the film begs the question: What value do we place on the priceless? THE PROVIDERS: DIRS Anna Moot-Levin and Laura Green. USA. THE PROVIDERS follows three “country doctors” — health care providers working for a small network of clinics in northern New Mexico — as they confront the challenges of keeping those in their poor and opioid-plagued communities safe. As the film movingly shows each doctor’s day-to-day responsibilities, a complex portrait emerges of small-town America. SHIRKERS: DIR Sandi Tan. USA. In 1992, Sandi Tan shot a film in Singapore with her friends and her American mentor, Georges. As the film neared completion, Georges disappeared with the footage, leaving Sandi heartbroken. Twenty years later, the footage is discovered, and the strange mystery of Georges begins to unravel. THE SILENCE OF OTHERS: DIRS Almudena Carracedo and Robert Bahar. USA, Spain. A quest for justice by those who suffered under the repressive regime of General Francisco Franco is at the heart of this powerful and provocative film. Those who were tortured or had family members murdered are demanding the truth be told to the Spanish people, and the remaining perpetrators put on trial. U.S. Premiere. STUDIO 54: DIR Matt Tyrnauer. USA. An Icarus tale unfolds to a disco beat in STUDIO 54, an intimate peek behind the velvet ropes, where mirror balls twinkled over Liza Minelli, Diana Ross, Mick Jagger and Andy Warhol in Matt Tyrnauer’s illuminating history of the rise and fall of the legendary New York nightclub. THIS ONE’S FOR THE LADIES: DIR Gene Graham. USA. Diving inside an unexpected subculture of Newark, THIS ONE’S FOR THE LADIES follows a group of women who throw weekly underground male exotic dance parties. Exploring sexual identity and the meaning of community, the film is a unique portrait of the black experience in 21st-century America. TRANSMILITARY: DIRS Gabriel Silverman and Fiona Dawson. USA. Gabriel Silverman and Fiona Dawson make their stirring feature debut with TRANSMILITARY, following four individuals who come out as transgender to top officials at the Pentagon — a brave move that puts their military careers in jeopardy, and shows a struggle for equality that is more relevant than ever. TRE MAISON DASAN: DIR Denali Tiller. USA. With a parent in prison, three Rhode Island boys tackle adult realities few of their peers can even imagine. Unfettered access to three troubled but promising young lives produces an unforgettable perspective on the multigenerational consequences of U.S. incarceration, where one out of 14 kids has a parent with a prison history. UNDER THE WIRE: DIR Chris Martin. UK. In 2012, acclaimed journalist Marie Colvin illegally crossed the Syrian border to cover the country’s civil war. She became one of the only voices reporting on the atrocities being committed against the Syrian people. With breathtaking footage, UNDER THE WIRE profiles one woman’s drive to uncover the truth, no matter the cost. International Premiere. UNITED WE FAN: DIR Michael Sparaga. Canada. UNITED WE FAN follows the ingenious save-our-show campaigns that have been spurred by passionate television uber-fans throughout the decades. From STAR TREK to CAGNEY AND LACEY and CHUCK — plus many more — this delightful doc highlights the grassroots efforts needed to save beloved TV shows. U.S. Premiere. YOURS IN SISTERHOOD: DIR Irene Lusztig. USA. More than four decades after the birth of Ms. Magazine, director Irene Lusztig combs the publication’s archives and pairs some of the most memorable letters, many never published, with contemporary readers to comment on just how far we’ve come — and what we still have to accomplish.

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  • Jeff Bridges LIVING IN THE FUTURE’S PAST to Kick Off 4th Martha’s Vineyard Environmental Film Festival

    [caption id="attachment_29106" align="aligncenter" width="1200"]LIVING IN THE FUTURE'S PAST, Jeff Bridges LIVING IN THE FUTURE’S PAST, Jeff Bridges[/caption] The 4th Annual Martha’s Vineyard Environmental Film Festival begins Thursday, May 24th and concludes Sunday, May 27th, 2018, at the Martha’s Vineyard Film Center in Vineyard Haven. This year’s Opening Night Event features the new documentary LIVING IN THE FUTURE’S PAST. In this documentary, Jeff Bridges, alongside prominent scientists and authors, weaves evolution, emergence, entropy, dark ecology, and what some are calling ‘the end of nature’, into an engrossing story that helps us understand our place among the species of Earth’s household. This powerful, poetic and thought-provoking feature challenges our current way of thinking and provides original insights into our subconscious motivations, their unintended consequences and the changes we need to make to our psychology, and way of being, in order to solve the ecological crises we have brought upon ourselves as a result of our primitive thoughts and desires. Actor/Narrator Jeff Bridges is scheduled to appear via video message and a pre-screening reception begins at 6:30pm with David Hannon playing Jazz Piano. Some other special events at the 4th Annual MV Environmental Film Festival include: OCEAN WARRIORS: CHASING THE THUNDER with Producer Katie Carpenter, the MVRHS Student Art Show Reception and Awards, LOVE AND BANANAS: AN ELEPHANT STORY with David Casselman, a special Youth Event with Vineyard Conservation Society, and THE FARTHEST with Executive Producer Josh Rubin. Special Guests Include: Actor Jeff Bridges (video message for LIVING IN THE FUTURE’S PAST), Actor Pierce Brosnan (video message for Youth Event), Cambodia Wildlife Sanctuary Founder David Casselman, Katie Carpenter (Producer, CHASING THE THUNDER), and Josh Rubin (Executive Producer, THE FARTHEST). Community collaborations with Polly Hill Arboretum, Island Grown Gleaning, Island Grown Initiative, and others.

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  • Dances With Films Turns 21 Years With A Bigger, Badder And Bolder Lineup, Opens with William Dickerson’s NO ALTERNATIVE

    [caption id="attachment_29094" align="aligncenter" width="1223"]NO ALTERNATIVE NO ALTERNATIVE[/caption] The fiercely independent film festival Dances With Films (DWF) returns for its 21st edition from June 7 to 17 at TCL Chinese Theaters with a lineup of more than 100 world premieres and nearly 40 west coast premieres. Opening the festival on June 7 is the DWF alumni driven drama directed by William Dickerson, NO ALTERNATIVE, in its World Premiere starring Kathryn Erbe, Michaela Cavazos, Conor Proft, Chloe Levine and Harry Hamlin. THE BEST PEOPLE, a comedy written and produced by Selina Ringel and directed by Dan Levy Dagerman, closes the festival with its DWF premiere on June 17. “We consider ourselves a true festival of discovery,” said festival co-founders Leslee Scallon and Michael Trent. “We have always been progressive and have always looked to the future for our inspiration. Turning 21 is a milestone to us. In every other culture there is a ‘rites of passage’, but in the U.S., it’s turning 21. We have thrived, transitioned and evolved along the way. DWF is unique in the fact that we are not a celebrity-driven festival. Everyone in the festival has to bring their A-game.” The final lineup will feature more than 200 titles, chosen from a record 2,200 submissions from all over the globe. The juried narrative competition section includes 16 features and more than three-dozen shorts. DWF also has a category for groundbreaking short and feature documentaries, provocative genre fare in the Midnight section, and the most exciting music videos and dance-themed films from the indie scene in the Downbeats section. The Fusion section brings together a multitude of additional features and shorts. Notable Dances With Films alumni who first gained notice at the festival include: Gina Rodriguez, Bryan Cranston, Will Scheffer, Mark V. Olsen, Jesse Eisenberg, Mike Flanagan, and John Hawkes, among many others.

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  • The Archaeology Channel International Film Festival Announces 2018 Winners

    [caption id="attachment_29091" align="aligncenter" width="1200"]On the Banks of the Tigris: The Hidden Story of Iraqi Music On the Banks of the Tigris: The Hidden Story of Iraqi Music[/caption] The Archaeology Channel International Film Festival, took place May 2 to 6, 2018, at The Shedd Institute in Eugene, Oregon, and featured many of the world’s best films on archaeology and cultural heritage, as well as in-person presentations by Dr. Fredrik Hiebert of the National Geographic Society and three days of conference presentations on cultural heritage media from a worldwide array of speakers. The conference notably included a full day symposium summarizing the latest research on the disappearance of aviator Amelia Earhart as well as a panel discussion debating the three chief hypotheses offered to account for it. Producers and distributors submitted a record 800 film entries to the Festival, of which 176 films from 45 countries worldwide were considered and reviewed for the competition. At the end of the review process, 29 films from 15 countries were screened in front of audiences at The Shedd. Awards listed below are in nine categories: Best Film (by jury), Best Narration (by jury), Best Animation & Effects (by jury), Best Public Education Value (by jury), Best Script (by jury), Best Cinematography (by jury), Best Music (by jury), Most Inspirational (by jury), and Audience Favorite, as well as three Special Mention Awards designated by the Festival jury. The Festival is one of approximately eight competitive festivals featuring archaeology-related films worldwide and one of only two in the Western Hemisphere. The top jury award (Best Film by Jury) went to Secrets of the Nolichucky River (Produced and distributed by Debra Dylan; directed by Buck Kahler; USA), about the discovery of a very well preserved Cherokee village in northeastern Tennessee and its connection to the long-forgotten history of early Spanish contact and the original territory of the Cherokee Nation. During the Festival, Buck Kahler described the movie-making process for this film and conducted Q&A for the audience after the screening. The Festival jury awarded four Special Mention awards. Still Turning (Produced and distributed by Shirley Gu; directed by Jesse Pickett; China) won special mention for promoting awareness of national heritage. United By Water (Produced and distributed by Sherman Alexie; directed by Derrick LaMere; USA) was noted for its presentation of heritage values. Cervantes: The Search (Produced and directed by Javier Balaquer Blasco; distributed by Troto Int. S.L.; Spain) impressed the jury with its innovative storytelling. Vikings: Warriors of the North, Giants of the Sea (Produced and directed by Gustavo Vilchez; distributed by Fundacion de la C.V. MARQ; Spain); gained jury recognition as the best short subject. The Festival audience picked On the Banks of the Tigris: The Hidden Story of Iraqi Music (Produced and directed by Marsha Emerman; distributed by 7th Art Releasing and Ronin Films; Australia) as its favorite film. This film tells the story of mid-twentieth-century Iraqi popular music, much of it the product of Iraqi Jews, along with Christians and Muslims, who were purged from Iraq during the regime of Saddam Hussein but still perform their art.

    The Archaeology Channel International Film Festival 2018 awards:

    Best Film (by Jury)

    Secrets of the Nolichucky River (Produced by Debra Dylan; directed by Buck Kahler; distributed by Debra Dylan; USA)

    Honorable Mention for Best Film Category (in order):

    Searching for the Lost Future (Produced, directed, and distributed by Alfonso Par and Luis Quevedo; Spain) Just Like Us (Produced and directed by Hans Dirven and Merel ten Elsen; distributed by Loveland Film and Photography; Netherlands) On the Banks of the Tigris: The Hidden Story of Iraqi Music (Produced and directed by Marsha Emerman; distributed by 7th Art Releasing and Ronin Films; Australia) Good Earth: Awakening the Silent City (Produced by Fourth Wall Films; directed and distributed by Kelly Rundle; USA)

    Best Narration (by Jury)

    Good Earth: Awakening the Silent City (Produced by Fourth Wall Films; directed and distributed by Kelly Rundle; USA)

    Honorable Mention for Narration (in order):

    On the Banks of the Tigris: The Hidden Story of Iraqi Music (Produced and directed by Marsha Emerman; distributed by 7th Art Releasing, Ronin Films; Australia) Searching for the Lost Future (Produced, directed, and distributed by Alfonso Par and Luis Quevedo; Spain) Secrets of the Nolichucky River (Produced by Debra Dylan; directed by Buck Kahler; distributed by Debra Dylan; USA) Cervantes: The Search (Produced and directed by Javier Balaquer Blasco; distributed by Troto Int. S.L.; Spain)

    Best Animation & Effects (by Jury)

    Vikings: Warriors of the North, Giants of the Sea (Produced and directed by Gustavo Vilchez; distributed by Fundacion de la C.V. MARQ; Spain)

    Honorable Mention for Animation & Special Effects (in order):

    Secrets of the Nolichucky River (Produced by Debra Dylan; directed by Buck Kahler; distributed by Debra Dylan; USA) Chinese Chariots Revealed (Produced by Giulia Clark, Bill Locke, and Lion Television for WGBH NOVA; directed by Giulia Clark) Manohar Ambanagari (Produced, directed and distributed by Rahul Narwani; India) Good Earth: Awakening the Silent City (Produced by Fourth Wall Films; directed and distributed by Kelly Rundle; USA)

    Best Public Education Value (by Jury)

    Secrets of the Nolichucky River (Produced by Debra Dylan; directed by Buck Kahler; distributed by Debra Dylan; USA)

    Honorable Mention for Public Education Value (in order):

    Good Earth: Awakening the Silent City (Produced by Fourth Wall Films; directed and distributed by Kelly Rundle; USA) Searching for the Lost Future (Produced, directed, and distributed by Alfonso Par and Luis Quevedo; Spain) On the Banks of the Tigris: The Hidden Story of Iraqi Music (Produced and directed by Marsha Emerman; distributed by 7th Art Releasing and Ronin Films; Australia) The Enigma of the Celtic Tomb (Produced by Edmée Millot – Eleazar; directed by Alexis de Favitski; distributed by Terra Noa; France)

    Best Script (by Jury)

    Just Like Us (Produced and directed by Hans Dirven and Merel ten Elsen; distributed by Loveland Film and Photography; Netherlands)

    Honorable Mention for Script (in order):

    Good Earth: Awakening the Silent City (Produced by Fourth Wall Films; directed and distributed by Kelly Rundle; USA) Searching for the Lost Future (Produced, directed, and distributed by Alfonso Par and Luis Quevedo; Spain) Cervantes: The Search (Produced and directed by Javier Balaquer Blasco; distributed by Troto Int. S.L.; Spain) Secrets of the Nolichucky River (Produced by Debra Dylan; directed by Buck Kahler; distributed by Debra Dylan; USA)

    Best Cinematography (by Jury)

    Chinese Chariots Revealed (Produced by Giulia Clark, Bill Locke, and Lion Television for WGBH NOVA; directed by Giulia Clark)

    Honorable Mention for Cinematography (in order):

    Chartres: Light Reborn (Produced by Kanari Films; directed and distributed by Anne Savalli; France) A Walk Through Time (Produced by Brian Brazeal, Leslie Steidl, Greg White, Dino Beltran, John Parker, Darin Beltran, and Drake Beltran; directed by Daniel Bruns; distributed by Advanced Laboratory for Visual Anthropology at CSU, Chico; USA) Searching for the Lost Future (Produced, directed, and distributed by Alfonso Par and Luis Quevedo; Spain) The Enigma of the Celtic Tomb (Produced by Edmée Millot – Eleazar; directed by Alexis de Favitski; distributed by Terra Noa; France)

    Best Music (by Jury)

    Secrets of the Nolichucky River (Produced by Debra Dylan; directed by Buck Kahler; distributed by Debra Dylan; USA)

    Honorable Mention for Music (in order):

    On the Banks of the Tigris: The Hidden Story of Iraqi Music (Produced and directed by Marsha Emerman; distributed by 7th Art Releasing and Ronin Films; Australia) Vikings: Warriors of the North, Giants of the Sea (Produced and directed by Gustavo Vilchez; distributed by Fundacion de la C.V. MARQ; Spain) Of Love and Artistry (Produced and distributed by Jane Himmeth Singh; directed by Suruchi Sharma; India) Good Earth: Awakening the Silent City (Produced by Fourth Wall Films; directed and distributed by Kelly Rundle; USA)

    Most Inspirational (by Jury)

    On the Banks of the Tigris: The Hidden Story of Iraqi Music (Produced and directed by Marsha Emerman; distributed by 7th Art Releasing and Ronin Films; Australia)

    Honorable Mention for Inspiration (in order):

    Good Earth: Awakening the Silent City (Produced by Fourth Wall Films; directed and distributed by Kelly Rundle; USA) Just Like Us (Produced and directed by Hans Dirven and Merel ten Elsen; distributed by Loveland Film and Photography; Netherlands) Secrets of the Nolichucky River (Produced by Debra Dylan; directed by Buck Kahler; distributed by Debra Dylan; USA) Searching for the Lost Future (Produced, directed, and distributed by Alfonso Par and Luis Quevedo; Spain)

    Audience Favorite Competition (by Festival audience)

    On the Banks of the Tigris: The Hidden Story of Iraqi Music (Produced and directed by Marsha Emerman; distributed by 7th Art Releasing and Ronin Films; Australia)

    Honorable Mention in Audience Favorite Competition (in order):

    Shepherds in the Cave (Produced, directed, and distributed by Anthony Grieco; Canada) Chinese Chariots Revealed (Produced by Giulia Clark, Bill Locke, and Lion Television for WGBH NOVA; directed by Giulia Clark) United By Water (Produced and distributed by Sherman Alexie; directed by Derrick LaMere; USA) Chartres: Light Reborn (Produced by Kanari Films; directed and distributed by Anne Savalli; France)

    Special Mention (by Jury)

    Still Turning (Produced and distributed by Shirley Gu; directed by Jesse Pickett; China); for Awareness of National Heritage United By Water (Produced and distributed by Sherman Alexie; directed by Derrick LaMere; USA); for Presentation of Heritage Values Cervantes: The Search (Produced and directed by Javier Balaquer Blasco; distributed by Troto Int. S.L.; Spain); for Innovative Storytelling Vikings: Warriors of the North, Giants of the Sea (Produced and directed by Gustavo Vilchez; distributed by Fundacion de la C.V. MARQ; Spain); for Best Short Subject

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