Troupe Zero[/caption]
112 feature-length new independent feature films have been selected for the 2019 Sundance Film Festival. The Festival will take place in Park City, Salt Lake City and at Sundance Mountain Resort, from January 24 to February 3, 2019.
Robert Redford, President and Founder of Sundance Institute, said, “Society relies on storytellers. The choices they make, and the risks they take, define our collective experience. This year’s Festival is full of storytellers who offer challenges, questions and entertainment. In telling their stories, they make difficult decisions in the pursuit of truth and art; culture reaps the reward.”
These films were selected from a record high of 14,259 submissions including 4,018 feature-length films. Of the feature film submissions, 1,767 were from the U.S. and 2,251 were international; 31% were directed by one or more women; 38% were directed by one or more filmmaker of color; 11% by one or more people who identify as LGBTQIA.
The official selections represent 33 countries and 45 first-time filmmakers. 53% of the directors in this year’s U.S. Dramatic Competition are women; 41% are people of color; 18% identify as LGBTQIA+. 44% of the directors in this year’s U.S. Documentary Competition are women; 22% are people of color; 5% identify as LGBTQIA+. Of the 61 directors in all four competition categories, comprising 56 films, 42% are women, 39% are people of color, and 23% identify as LGBTQIA. 24 films announced today were supported by Sundance Institute in development, whether through direct granting or residency Labs. 102 of the Festival’s feature films, or 91% of the lineup announced today, will be world premieres.
40%, or 45, of all films announced today were directed by one or more women; 36%, or 40, were directed by one or more filmmaker of color; 13% or 15 by one or more people who identify as LGBTQIA.
The 2020 Sundance Film Festival will take place January 23 – February 2, 2020.
Terry P.
VIMOOZ is for lovers of independent films + foreign film + documentary + film festivals. We love championing the little films.
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112 Feature Films Selected for 2019 Sundance Film Festival
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Troupe Zero[/caption]
112 feature-length new independent feature films have been selected for the 2019 Sundance Film Festival. The Festival will take place in Park City, Salt Lake City and at Sundance Mountain Resort, from January 24 to February 3, 2019.
Robert Redford, President and Founder of Sundance Institute, said, “Society relies on storytellers. The choices they make, and the risks they take, define our collective experience. This year’s Festival is full of storytellers who offer challenges, questions and entertainment. In telling their stories, they make difficult decisions in the pursuit of truth and art; culture reaps the reward.”
These films were selected from a record high of 14,259 submissions including 4,018 feature-length films. Of the feature film submissions, 1,767 were from the U.S. and 2,251 were international; 31% were directed by one or more women; 38% were directed by one or more filmmaker of color; 11% by one or more people who identify as LGBTQIA.
The official selections represent 33 countries and 45 first-time filmmakers. 53% of the directors in this year’s U.S. Dramatic Competition are women; 41% are people of color; 18% identify as LGBTQIA+. 44% of the directors in this year’s U.S. Documentary Competition are women; 22% are people of color; 5% identify as LGBTQIA+. Of the 61 directors in all four competition categories, comprising 56 films, 42% are women, 39% are people of color, and 23% identify as LGBTQIA. 24 films announced today were supported by Sundance Institute in development, whether through direct granting or residency Labs. 102 of the Festival’s feature films, or 91% of the lineup announced today, will be world premieres.
40%, or 45, of all films announced today were directed by one or more women; 36%, or 40, were directed by one or more filmmaker of color; 13% or 15 by one or more people who identify as LGBTQIA.
The 2020 Sundance Film Festival will take place January 23 – February 2, 2020.
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National Board of Review Announces 2018 Film Honorees, GREEN BOOK Named Best Film of the Year
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“Green Book” directed by Peter Farrelly[/caption]
The National Board of Review named Green Book as Best Film of the Year, Bradley Cooper as Best Director of the Year for A Star is Born, Viggo Mortensen as Best Actor of the Year for his performance in Green Book, and Lady Gaga as Best Actress of the Year for her performance in A Star is Born.
NBR President Annie Schulhof said, “We are proud to honor Green Book as our best film – it is a warm and heartfelt look at a remarkable friendship, brought to the screen at a moment where its story of love, compassion, and shared humanity deeply resonates. We are also thrilled to award Bradley Cooper as our best director – he is an extraordinary talent behind the camera, bringing a fresh and modern perspective, as well as superb craftsmanship and tremendous heart, to the classic story of A Star is Born.”
The 2018 awards continue the NBR’s tradition of recognizing excellence in filmmaking, going back 109 years. This year 261 films were viewed by this select group of film enthusiasts, filmmakers, professionals, academics, and students, many of which were followed by in-depth discussions with directors, actors, producers, and screenwriters.
The National Board of Review’s awards celebrate the art of cinema, with categories that include Best Picture, Best Director, Best Actor and Actress, Best Original and Adapted Screenplay, Breakthrough Performance, and Directorial Debut, as well as signature honors such as Freedom of Expression and the William K. Everson Film History Award.
The honorees will be feted at the NBR Awards Gala, hosted by Willie Geist, on Tuesday, January 8, 2019 at Cipriani 42nd Street.
2018 National Board of Review Award WInners
Best Film: GREEN BOOK Best Director: Bradley Cooper, A STAR IS BORN Best Actor: Viggo Mortensen, GREEN BOOK Best Actress: Lady Gaga, A STAR IS BORN Best Supporting Actor: Sam Elliott, A STAR IS BORN Best Supporting Actress: Regina King, IF BEALE STREET COULD TALK Best Original Screenplay: Paul Schrader, FIRST REFORMED Best Adapted Screenplay: Barry Jenkins, IF BEALE STREET COULD TALK Best Animated Feature: INCREDIBLES 2 Breakthrough Performance: Thomasin McKenzie, LEAVE NO TRACE Best Directorial Debut: Bo Burnham, EIGHTH GRADE Best Foreign Language Film: COLD WAR Best Documentary: RBG Best Ensemble: CRAZY RICH ASIANS William K. Everson Film History Award: THE OTHER SIDE OF THE WIND and THEY’LL LOVE ME WHEN I’M DEAD NBR Freedom of Expression Award: 22 JULY NBR NBR Freedom of Expression Award: ON HER SHOULDERS Top Films (in alphabetical order) The Ballad of Buster Scruggs Black Panther Can You Ever Forgive Me? Eighth Grade First Reformed If Beale Street Could Talk Mary Poppins Returns A Quiet Place Roma A Star Is Born Top 5 Foreign Language Films (in alphabetical order) Burning Custody The Guilty Happy as Lazzaro Shoplifters Top 5 Documentaries (in alphabetical order) Crime + Punishment Free Solo Minding the Gap Three Identical Strangers Won’t You Be My Neighbor? Top 10 Independent Films (in alphabetical order) The Death of Stalin Lean on Pete Leave No Trace Mid90s The Old Man & the Gun The Rider Searching Sorry to Bother You We the Animals You Were Never Really Here
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EIGHTH GRADE, THE RIDER, FIRST REFORMED Win 2018 Gotham Independent Film Awards
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The Rider by Chloe Zhao[/caption]
Chloe Zhao’s The Rider snagged the top award for Best Feature at 2018 Gotham Independent Film Awards, but the night really belonged to Eighth Grade and First Reformed, who each won two awards, the most of the night. Eighth Grade won the Bingham Ray Breakthrough Director Award for director Bo Burnham and Breakthrough Actor for Elsie Fisher; and First Reformed won the awards for Best Screenplay for Paul Schrader, along with Best Actor for Ethan Hawke.
Documentary films were well represented this year with Hale County This Morning, This Evening directed by RaMell Ross taking home the award for Best Documentary; and another documentary Won’t You Be My Neighbor? directed by Morgan Neville, won the IFP Gotham Audience Award.
The Favourite continued to dominate the early awards circuit winning the Special Jury Award For Ensemble Performance for Olivia Colman, Emma Stone, and Rachel Weisz
Winners of 2018 Gotham Independent Film Awards
Best Feature The Rider Chloe Zhao, Director; Bert Hamelinck, Chloé Zhao, Mollye Asher, Sacha Ben Harroche, Producers (Sony Pictures Classics) Best Documentary Hale County This Morning, This Evening RaMell Ross, Director; Joslyn Barnes, RaMell Ross, Su Kim, Producers (The Cinema Guild) Bingham Ray Breakthrough Director Award Bo Burnham, Eighth Grade Best Screenplay Paul Schrader, First Reformed Best Actor Ethan Hawke, First Reformed Best Actress Toni Collette, Hereditary Breakthrough Actor Elsie Fisher, Eighth Grade Breakthrough Series – Long Form Killing Eve Breakthrough Series – Short Form 195 Lewis Special Jury Award For Ensemble Performance The Favourite: Olivia Colman, Emma Stone, and Rachel Weisz IFP Gotham Audience Award: Won’t You Be My Neighbor?
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25th Slamdance Film Festival Announces Narrative and Documentary Feature Films + New Breakouts Lineup
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We Are Thankful[/caption]
The Slamdance Film Festival today announced the Narrative and Documentary Feature Film Competition programs, as well as the lineup for its new Breakouts section, for their 25th edition, taking place January 25-31, 2019 in Park City.
The feature competition lineup boasts 18 premieres, including 10 World, 4 North American, and 4 U.S. debuts. In addition to the United States, films come to Slamdance from countries around the globe, including Argentina, Belarus, Brazil, Germany, India, Italy, Kenya, Poland, South Africa, and the United Kingdom. All competition films are feature length directorial debuts with budgets of less than $1 million USD, and without US distribution. Featured films were selected by a team of Slamdance alumni via a blind submission process and are programmed democratically. Films in both categories are also eligible for the Audience Award and Spirit of Slamdance Award, the latter of which is voted upon by filmmakers at the festival.
“When it comes to discovering talent, Slamdance has consistently shown that its artist led community can do it themselves,” said Slamdance Co-founder and President, Peter Baxter. “In a milestone year, our competition lineup symbolizes this ongoing endeavor. It’s full of incredible talent representing a global diversity that we believe will play a significant role in our cultural future.”
In addition, the 2019 festival will see the return of the Russo Fellowship — a $25,000 prize launched in 2018 by celebrated festival alumni Anthony and Joe Russo (Captain America: Civil War, Captain America: The Winter Soldier, Avengers: Infinity War) to enable a deserving filmmaker the opportunity to continue their journey with mentorship from the filmmaking duo. Presented by AGBO Films in partnership with the festival, the inaugural fellowship was awarded to filmmaker Yassmina Karajah for her narrative short Rupture.
Also announced today is the lineup for the festival’s all-new Breakouts section. Breakouts are films by non-first-time-feature directors who demonstrate a determined vision of filmmaking that is instinctively becoming their own. These artists continue to push boundaries in genre and form, and are beacons of light that predict the future of film. Slamdance’s goal is to help daring and resilient filmmakers connect with bigger audiences and take their well-deserved place on the world cinema stage. The 2019 Breakouts feature the work of several Slamdance alumni, including Steven Soderbergh, who executive produced Beats,and Canadian filmmaker Alexandre Franchi who received the Audience Award for best Narrative Feature at the 2010 festival for The Wild Hunt.
“Our newly minted Breakouts section celebrates a group of experienced directors, including some Slamdance alumni, who are genuinely intent on taking bigger risks with their storytelling and career paths,” said Paul Rachman, Slamdance co-conspirator and Breakouts programmer. “These are films from around the world that deliver a bold vision from filmmakers with drive and intent to establish their unique cinematic voices.”
Established in 1995, Slamdance is dedicated to discovering and supporting new talents in independent filmmaking. In addition to the Russo Brothers, notable Slamdance alumni include: Christopher Nolan (Dunkirk), Oren Peli (Paranormal Activity), Bong Joon Ho (Okja), Lena Dunham (Girls), Ari Aster (Hereditary), Gina Prince-Blythewood (Shots Fired), and Sean Baker (The Florida Project).
2019 Slamdance Film Festival Narrative and Documentary Feature Film Competition
NARRATIVE FEATURES
A Great Lamp (USA) – World Premiere Director: Saad Qureshi Screenwriters: Saad Qureshi, Donald R. Monroe, Max Wilde On the river towns of North Carolina, two sad vandals and an unemployed loner wait for a fabled rocket launch. Cast: Max Wilde, Spencer Bang, Steven Maier, Julian Semilian, Laura Ingram Semilian, Netta Green, Connie Stewart, Smokey, Spaz Boni Bonita (Brazil, Argentina) – North American Premiere Director/Screenwriter: Daniel Barosa Reeling from the death of her mother, Beatriz moves to Brazil where she begins an intense and toxic relationship with Rogério, an older musician struggling with his family’s artistic legacy. Cast: Ailín Salas, Caco Ciocler Cat Sticks (India) – World Premiere Director: Ronny Sen Screenwriters: Ronny Sen, Soumyak Kanti DeBiswas A pack of Calcutta youth seek greater lust and life in their relentless pursuit of Brown Sugar (dirty heroin)… and it’s unsustainable high. Cast: Tanmay Dhanania, Sumeet Thakur, Joyraj Bhattacharjee, Rahul Dutta, Saurabh Saraswat, Sreejita Mitra, Raja Chakravorty, Kalpan Mitra Crystal Swan (Belarus, USA, Germany, Russia) – North American Premiere Director: Darya Zhuk Screenwriter: Helga Landauer In mid-90s Belarus, a young DJ’s big overseas plans get derailed when a typo on her Visa application sends her to a backwater factory town where she is determined to fake her way to the American dream. Cast: Alina Nassibulina, Ivan Mulin, Yury Borisov Dollhouse: The Eradication of Female Subjectivity from American Popular Culture (USA, Canada) – North American Premiere Director/Screenwriter: Nicole Brending A puppet-animation charting the rise and fall of fictional child pop star, Junie Spoons. Cast: Aneikit Bonnel, Sydney Bonar, Nicole Brending, Erik Hoover, Maggie Morrisson, Peter Ooley, Adam Sly Hurry Slowly (Norway) Director/Screenwriter: Anders Emblem Hurry Slowly follows Fiona over a few life-changing summer months on the north-western coast of Norway, where she juggle the care of her brother, her job at the local ferry and her interest in music. Cast: Amalie Ibsen Jensen, David Jakobsen, Lars Halvor Andreassen Impetus (Canada) – US Premiere Director/Screenwriter: Jennifer Alleyn In the process of her ongoing film shoot in New York City, a filmmaker finds herself questioning the origin of impulsion. As she tries to overcome loss through creation, an unexpected event enlightens her journey. Cast: Pascale Bussières, Emmanuel Schwartz, Jorn Reissner, Esfyr Dyachkov Lost Holiday (USA) – World Premiere Directors/Screenwriters:Michael Matthews, Thomas Matthews Two old highschool friends solve a Christmas mystery in D.C. Cast: Kate Lyn Sheil, Thomas Matthews, Keith Poulson, William Jackson Harper, Ismenia Mendes, Tone Tank, Joshua Leonard and Isiah Whitlock Jr. Spiral Farm (USA) – World Premiere Director/Screenwriter: Alec Tibaldi When two outsiders arrive on an isolated intentional community, seventeen-year old Anahita begins to question her role at home, and what a future out in the world-at-large could be. Cast: Piper de Palma, Amanda Plummer, Jade Fusco, Teo Halm, Cosimo Fusco, Landen Beattie, Akuyoe Graham, Kayleigh Gilbert The Vast of Night (USA) – World Premiere Director: Andrew Patterson Screenwriter: James Montague, Craig W. Sanger At the dawn of the space-race in America, two radio-obsessed teens discover a strange frequency over the airwaves that could change their lives, their small town, and all of Earth… forever. Cast: Sierra McCormick, Jake Horowitz, Gail Cronauer, Bruce Davis We Are Thankful (South Africa) – North American Premiere Director/Screenwriter: Joshua Magor When Siyabonga, a young South African actor hungry to expand his craft, gets wind of a movie production that is shooting in a neighboring town, the eager thespian decides to set out a journey that will take him away from his quiet home life and out into a bustling world of possibility. Cast: Siyabonga Majola, Sabelo Khoza, Xolani “X” Malinga, Amanda Ncube, Percy Mncedicy Zulu, Ntokozo Mkhize, Sibusiso “Sbu” Nzama, Luthando “Cminzah” NgcoboDOCUMENTARY FEATURES
Behind the Bullet (USA) – World Premiere Director/Screenwriter: Heidi Yewman An in-depth look at four individuals who have pulled the trigger and the profound impact it’s had on their lives. The Beksinskis. A Sound and Picture Album (Poland) – US Premiere Director/Screenwriter: Marcin Borchardt A famous Polish painter known for his dark and twisted imagery chronicles his son’s troubled life from the 1950s through the millennium. Desolation Center (USA) – US Premiere Director: Stuart Swezey Screenwriters: Stuart Swezey, Tyler Hubby The untold story of a series of Reagan-era anarchic punk rock desert happenings that still reverberate throughout our culture. Dons of Disco (USA) Director: Jonathan Sutak A lip-syncing scandal pits an American singer against an Italian male model over the legacy of 1980s ‘Italo Disco’ star Den Harrow. Markie in Milwaukee (USA) – World Premiere Director: Matt Kliegman A mid-western transgender woman struggles with the prospect of de-transitioning under the pressures of her fundamentalist church, family and community. Memphis ‘69 (USA) – World Premiere Director: Joe LaMattina, Screenwriters: Joe LaMattina, Lisa LaMattina A year after Martin Luther King Jr was assassinated, a group of blues legends came together to celebrate the 150 year anniversary of Memphis, TN. This concert documentary, shot over 3 days in June of 1969, celebrates an American art form that unites us all. The Professional: A Stevie Blatz Story (USA) – US Premiere Director/Screenwriter: Daniel La Barbera A behind-the-scenes look at the magic of Stevie Blatz, an entertainment entrepreneur in Bethlehem, PA. Seadrift (USA) – World Premiere Director/Screenwriter: Tim Tsai In 1979, the fatal shooting of a white crab fisherman in a Texas fishing village ignites a maelstrom of hostilities against Vietnamese refugees along the Gulf Coast. Sudan: The Last Male Standing (USA, Kenya) – World Premiere Director: David Hambridge Through the conservation efforts of a rhino caretaker unit in Kenya, we peer past the headlines into the emptiness of extinction in real time.BREAKOUT FEATURES
Beats (UK) – North American Premiere Director: Brian Welsh, Screenwriter: Kieran Hurley, Brian Welsh A universal story of friendship, rebellion and the irresistible power of gathered youth – set to a soundtrack as eclectic and electrifying as the scene it gave birth to, BEATS is a story for our time. Cast: Cristian Ortega, Lorn Macdonald, Laura Fraser Demolition Girl (Japan) – World Premiere Director: Genta Matsugami, Screenwriters: Yoshitaka Kasui, Genta Matsugami A high-school girl who lives in a rural town in Japan struggles to define her own way in life. To help her impoverished family she works as a video fetish performer which leads to problems for her and her family with a criminal underworld. Cast: Aya Kitai,Hiroki Ino,Haruka Imo,Yura Komuro,Yota Kawase,Ko Maehara,Ryohei Abe,Nobu Morimoto Happy Face (Canada) – US Premiere Director: Alexandre Franchi, Screenwriter: Alexandre Franchi, Joëlle Bourjolly Desperate to become less shallow, a handsome teenage boy deforms his face with bandages and attends a support group for disfigured people. Cast: Robin L’Houmeau, Debbie Lynch-White, David Roche, E.R. Ruiz, Alison Midstokke, Cindy Nicholsen, Noémie Kocher. History of Love (Slovenia, Italy, Norway) – North American Premiere Director/Screenwriter: Sonja Prosenc A teenage swimmer/high diver Iva, endures a grieving process, as family secrets and mysteries, especially her mother’s, unveil. Cast: Doroteja Nadrah, Kristoffer Joner, Matej Zemljic, Zoja Florjanc Lukan, Matija Vastl, Zita Fusco
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WE, AMARANTH, THE FIFTH SUN Win at 2018 Rome Independent Film Festival
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We (Wij) by Rene Eller[/caption]
“We” by dutch director Rene Eller, an adaptation of the eponymous and controversial novel “Wij” by Elvis Peeters won the award for Best Feature Film at the 17th edition of the Rome Independent Film Festival – RIFF, which took place from November 16 to 23, 2018. A special mention went to Serban for the film Alone at my Wedding by Marta Bergman, starring Alina Serban as Pamela, a young Roma different from all the others in her community.
A special mention for the best screenplay was given to Enrique Castro Rios for the film Decembers, “for the original script writing, telling the same story from three different optics of well-defined characters”. Decembers revolves around the American invasion of Panama in 1989 and the reconciliation among the survivors a decade later.
For the Italian documentary section, Amaranto by Emanuela Moroni and Manuela Cannone and The Fifth Sun by Cristiana Pecci and Matteo Maggi tied for the award for Best Italian Documentary.
On the international documentary front This is Love by John Alexander that tells the life of the obscure soul singer Rudy Love, an unknown author of one of the most played songs in the history of music won the award for Best International Documentary. The doc focuses on the power that has been exercised, for decades, by often unconscious listeners. His figure re-emerges thanks to the testimony of George Clinton and Jay Z and many others that reveal an unsung hero of the soul.
Best Short Film in the Italian selection the winner is Aleksia by Loris di Pasquale focused on an adolescent struggling with the concerns of unwanted motherhood.
A special mention went to Per Sempre by Alessio Di Cosimo with the participation of Lou Castel in the shoes of an old painter who lives in solitude in his small house facing the sea with a morning routine that breaks on a special and important day for him. That day has a task, like every year, always and forever its only reason for living.
For the International short section, the prize went to Karla Lulić’s In the name of Strawberry the Chocolate and the Holy Spirit starring a devoted priest in a village full of Christian fanatics who, on Sunday, after Mass, wants an ice cream and will do anything for this simple pleasure, even at the cost of one’s faith.
For the short films section realized by students, winner is Croste di Polenta by Emanuele Bonomi set in the South Tyrol of 1915: two friends want to desert the Imperial Army’s call to arms, but the conflict is getting closer and closer and the two boys will have to face the consequences. A story about lost innocence, forgotten traditions and choices that change life.
Finally, for the Short Animation section, O’Neil Burgi’s Cat Noir, story of a letter, a broken heart, the sound of rain, a black cat and a piano, won the award.
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2018 IDFA Awards – REASON Wins Top Award for Best Documentary
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Anand Patwardhan (India), The IDFA Award for Best Feature-Length Documentary Film Reason, The film is a broad-ranging examination of Indian society, where secular rationalists are hunted down as they attempt to stem the rising tide of religious and nationalist fundamentalism.
Photo: Nichon Glerum International Documentary Filmfestival Amsterdam 2018, Award Show in de Stadsschouwburg.[/caption] Reason by Anand Patwardhan won the Award for Best Feature-Length Documentary at the awards ceremony of the 31st International Documentary Film Festival Amsterdam. Los Reyes by Bettina Perut and Iván Osnovikoff won the Special Jury Award for FeatureLength Documentary. IDFA runs until Sunday November 25, 2018. Giacinto Scelsi. The First Motion of the Immovable by Sebastiano d’Ayala Valva was awarded the IDFA Award for Best First Appearance, and Kabul, City in the Wind by Aboozar Amini won the IDFA Special Jury Award for First Appearance. The Beeld en Geluid IDFA Award for Dutch Documentary went to ‘Now something is slowly changing’ by mint film office. But Now Is Perfect by Carin Goeijers received the IDFA Special Jury Award for Dutch Documentary. At the beginning of the evening, Reber Dosky presented the Prins Bernhard Cultuurfonds Documentary Stipend (€ 50.000) to filmmaker Sophie Dros.International Documentary Filmfestival Amsterdam 2018 Awards
IDFA Competition for Feature-Length Documentary
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Reason by Anand Patwardhan[/caption]
Anand Patwardhan won the IDFA Award for Best Feature-Length Documentary (€ 15.000) with Reason (India). The film is a broad-ranging examination of Indian society, where secular rationalists are hunted down as they attempt to stem the rising tide of religious and nationalist fundamentalism.
From the jury report: The IDFA Award for Best Feature-Length Documentary is unanimously given to Reason by Anand Patwardhan for the epic storytelling of the rise of the far right in one of the most populated countries of this planet, the violence of religious and ultranationalist militias with the support of authorities and dominant medias, the dignity of resistance in multiple forms, often at life-cost, in a way that acknowledges the complexity of the situation but put it in a very understandable shape.
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Los Reyes by Bettina Perut and Iván Osnovikoff[/caption]
In addition, the jury presented the IDFA Special Jury Award for Feature-Length Documentary (€ 2.500) to Los Reyes (Chile, Germany) by Bettina Perut and Iván Osnovikoff. In this almost fairytale-like film, the phenomenal, dreamlike camerawork centers almost entirely on the subtle interaction between two dogs, as they play with a ball, a stick, a stone, and each other.
From the jury report: The IDFA Special Jury Award for Feature-Length Documentary goes to Los Reyes, by Bettina Perut and Iván Osnivikoff (Chile, Germany) for the creative and beautiful way it displaces the viewer gaze by associating a sensible look at non-human wonderful characters and the soundtrack that connects daily lives of animal and human stray dogs.
IDFA Competition for First Appearance
Sebastiano d’Ayala Valva won the IDFA Award for Best First Appearance (€ 10.000) for Giacinto Scelsi. The First Motion of the Immovable (France, Italy). Aboozar Amini won the IDFA Special Jury Award for First Appearance, in memory of Peter Wintonick (€ 2.500) for Kabul, City in the Wind (Netherlands, Afghanistan, Japan, Germany).IDFA Competition for Mid-Length Documentary
The IDFA Award for Best Mid-Length Documentary (€ 10.000) was awarded to Andrei Kutsila for Summa (Poland, Belarus). The IDFA Special Jury Award for Mid-Length Documentary (€ 2.500) went to In Touch (Poland, Iceland) by Pawel Ziemilski.IDFA DocLab Competition for Digital Storytelling
Ross Goodwin won the IDFA DocLab Award for Digital Storytelling (€ 5.000) for 1 the Road (United States).IDFA DocLab Competition for Immersive Non-Fiction
The IDFA DocLab Award for Immersive Non-Fiction (€ 5,000) went to Eat | Tech | Kitchen (Netherlands, United States) by Klasien van de Zandschulp & Emilie Baltz.IDFA Competition for Dutch Documentary
The Beeld en Geluid IDFA Award for Dutch Documentary (€ 7.500) went to ‘Now something is slowly changing’ by mint film office. Carin Goeijers received the IDFA Special Jury Award for Dutch Documentary (€ 2.500) for But Now Is Perfect.IDFA Competition for Short Documentary
I Signed the Petition (United Kingdom, Germany, Switzerland) by Mahdi Fleifel won the IDFA Award for Best Short Documentary (€ 5.000). The IDFA Special Jury Award for Short Documentary (€ 2.500) went to And What Is the Summer Saying (India) by Payal Kapadia.IDFA Competition for Student Documentary
Beryl Magoko won the IDFA Award for Best Student Documentary (€ 5.000) for In Search… (Germany, Kenya). The IDFA Special Jury Award for Student Documentary (€ 2.500) was presented to Dana Gelman for Backwards (Israel).IDFA Competition for Kids & Docs
The IDFA Award for Best Children’s Documentary (€ 5.000) went to Dancing for You (Poland) by Katarzyna Lesisz. Martijn Blekendaal received the IDFA Special Jury Award for Children’s Documentary (€ 2.500) for The Man Who Looked Beyond the Horizon (the Netherlands).Other Awards
At the beginning of the evening, Reber Dosky presented the Prins Bernhard Cultuurfonds Documentary Stipend (€ 50.000) to filmmaker Sophie Dros. This € 50.000-Euro stipend towards the making of a new documentary was donated by an anonymous donor, who has made the stipend possible through the Cultuurfonds. The Amsterdam Human Rights Award (€ 25.000) was presented on Tuesday evening to Island of The Hungry Ghosts (Germany, United Kingdom, Australia) by Gabrielle Brady. The award was made possible by the City of Amsterdam.
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2018 Whistler Film Festival to Feature Record Number of Films Directed by Women
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Birds Without Feathers[/caption]
The Whistler Film Festival will present an unprecedented number of female focused films, talent, events, and awards throughout its 2018 programs. The Festival will screen 21 feature films and 18 short films directed or co-directed by women or non-binary individuals, which makes up 46% of this year’s film programming, the highest percentage for the festival to date. WFF will also have 41 Canadian females out of 80 (51%) participating in 11 different talent programs, including 16 directors, 5 producers, 3 screenwriters, 8 filmmakers, 1 actor, and 7 musicians in bands in the Music Showcase.
“The Whistler Film Festival’s female focused initiatives are aligned with several industry wide mandates, and we are committed to promoting the shared goal of breaking the celluloid ceiling, increasing the number of women in the director’s chair, addressing the imbalance of industry diversity behind the camera, and supporting the collaborative efforts to bring more female written and directed narratives to screen, and more females on screen to reflect society,” says Shauna Hardy Mishaw, WFF Executive Director. “With strong representation both in front of and behind the camera in our films, and talent programs this year, Whistler is maintaining a timely leadership role for women in the industry, when the need is not only apparent, the collective is calling for it.“
2018 Whistler Film Festival Feature Films directed or co-directed by Women
A COLONY (Canada) Dir. Geneviève Dulude-De Celles AN AUDIENCE OF CHAIRS (Canada) Dir. Deanne Foley BELLA CIAO! (Canada) Dir. Carolyn Combs BIRDS WITHOUT FEATHERS (United States) Dir. Wendy McColm CIRCLE OF STEEL (Canada) Dir. Gillian McKercher ELIJAH AND THE ROCK CREATURE (Canada) Dir. Jen Walden FALLS AROUND HER (Canada) Dir. Darlene Naponse FAMILY FIRST (CHIEN DE GARDE) (Canada) Dir. Sophie Dupuis FREE SOLO (United States) Dir. E. Chai Vasarhelyi & Jimmy Chin GIRLS OF THE SUN (France) Dir. Eva Husson HONEY BEE (Canada) Dir. Rama Rau HUGH HEFNER’S AFTER DARK: SPEAKING OUT IN AMERICA (Canada) Dir. Brigitte Berman IN GOD I TRUST (Canada) Dir. Maja Zdanowski INTO INVISIBLE LIGHT (Canada) Dir. Shelagh Carter ON THE BASIS OF SEX (United States) Dir. Mimi Leder LOVE, SCOTT (Canada) Dir. Laura Marie Wayne MARY QUEEN OF SCOTS (United Kingdom) Dir. Josie Rourke THE NATURALLY WANTON PLEASURE OF SKIN (Canada) Dir. Renée Beaulieu SASHINKA (Canada) Dir. Kristina Wagenbauer TROUBLE IN THE GARDEN (Canada) Dir. Roz Owen UNTOGETHER (United States) Dir. Emma Forrest2018 Whistler Film Festival Short Films directed or co-directed by Women
CEDAR TREE OF LIFE (Canada) Dir. Odessa Shuquaya MISS WORLD (Taiwan) Dir. Georgia Fu LITTLE WAVES (Canada) Dir. Ariane Louis-Seize LUNAR-ORBIT RENDEZVOUS (Canada) Dir. Mélanie Charbonneau THREE CENTIMETRES (Lebanon) Dir. Lara Zeidan THUNDERBIRD (Canada) Dir. Erin Collins HUNTING SEASON (Canada) Dir. Shannon Kohli THE FIELD (India) Dir. Sandhya Suri EMPTYING THE TANK (Canada) Dir. Caroline Monnet 20 MINUTES TO LIFE (Canada) Dir. Veronika Kurz EGG (France) Dir. Martina Scarpelli BROTHERHOOD (Canada) Dir. Meryam Joobeur CC (Canada) Dir. Kailey Spear and Sam Spear HOW LONG? (Canada) Dir. Ayden Ross GIRL IN THE GALACTIC SUN (Canada) Dir. Heather Perluzzo FANTASMAGORIA (Canada) Dir. Lilén Aimare I SEE STARS (Canada) Dir. Caid Dow I WILL KEEP YOUR LIGHT (Canada) Dir. Chelsea Xinyi Chen
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SHOPLIFTERS and MOANANUIĀKEA Win Audience Awards at Hawaii International Film Festival
[caption id="attachment_30641" align="aligncenter" width="1200"]
Shoplifters[/caption]
The ballots have been tabulated and the festival attendees of the 38th edition of the Hawaii International Film Festival voted SHOPLIFTERS directed by Hirokazu Kore-eda winner of Narrative Feature Audience Award, and MOANANUIĀKEA: ONE OCEAN, ONE PEOPLE, ONE CANOE directed by Naalehu Anthony was voted winner of DocumentaryFeature Audience Award. The Audience Award for Short Film went to HAE HAWAI’I directed by Ty Sanga.
2018 Hawaii International Film Festival Audience Award Winners
NARRATIVE FEATURE AUDIENCE AWARD WINNER
SHOPLIFTERS directed by Hirokazu Kore-eda After one of their shoplifting sessions, a poor family come across a little girl freezing in the cold, and although initially reluctant, welcome her into their home. Though happy together, an unforeseen incident begins to unravel hidden secrets and test the bonds that unite them. From Palme d’Or-winning director Hirokazu Kore-eda, SHOPLIFTERS tells a breathtaking story of family and love told across four seasons on the streets of contemporary Tokyo. SHOPLIFTERS had its world premiere at the Cannes Film Festival, where it won the Palme d’Or, the grand prize. It is also Japan’s official entry to the foreign language Academy Awards category.DOCUMENTARY FEATURE AUDIENCE AWARD WINNER
MOANANUIĀKEA: ONE OCEAN, ONE PEOPLE, ONE CANOE directed by Naalehu Anthony In 1976, a voyaging canoe sparked a cultural revival that quickly spread throughout Polynesia, breathing life into ancient myths and legends. More than four decades later, Hōkūleʻa continues to inspire a new generation of navigators and voyagers to gather their courage and sail beyond the horizon of the Pacific. MOANANUIĀKEA: ONE OCEAN. ONE PEOPLE. ONE CANOE. celebrates the historic Worldwide Voyage that connected countless communities from around the globe. A voyage that also represented the fulfillment of the vision of Nainoa Thompson and his contemporaries, the passing of the mantle to the next generation of kānaka maoli who will retain the skills of their ancestors and perpetuate this tradition for generations to come. MOANANUIĀKEA had its world premiere at HIFF as the Closing Night Film.SHORT FILM AUDIENCE AWARD WINNER
HAE HAWAI’I directed by Ty Sanga In 1893, a group of businessmen and sugar planters illegally overthrow the Hawaiian monarchy. The kingdom slowly dissolves as loyalists to the crown try to preserve what is left. A young Hawaiian thief is selected to safeguard the unifying symbol of the kingdom, the Hawaiian flag.
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BETHANY HAMILTON: UNSTOPPABLE Wins Top Prize at 38th Hawaii International Film Festival
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Bethany Hamilton: Unstoppable[/caption]
The Hawaii International Film Festival (HIFF) presented their 2018 Jury awards with The Best Made In Hawaii Feature Award going to BETHANY HAMILTON: UNSTOPPABLE directed by Aaron Lieber. The jurors also awarded a second place award to MOANANUIĀKEA: ONE OCEAN, ONE CANOE, ONE PEOPLE, directed by Na’alehu Anthony.
The Made In Hawaii competition film awards category was launched in 2017 to spotlight the flourishing local independent film scene on the Hawaiian Islands. The Jurors shared their thoughts on the winning films: “This year’s Made in Hawaii nominees showcase a beautifully diverse range of stories, that all share a common theme: the transformative impact of community and family. BETHANY HAMILTON: UNSTOPPABLE quickly showed us that what we thought we knew, was just the beginning of the story. Emotional and inspiring, this film did what all great docs do – it captured defining moments you can’t believe were captured on film with twists and turns that defied expectations. This amazing story of a deeply relatable underdog was also complemented with epic cinematography and a final shot that has to be seen to be believed.
https://www.youtube.com/watch?v=Dworl7UXMRU
“This year’s second place awardee, MOANANUIĀKEA: ONE OCEAN, ONE CANOE, ONE PEOPLE. honors a movie that captures a movement decades, and arguably centuries, in the making. Hokule’a isn’t just a canoe. It’s a compass that reconnects us to our past and points the way to a better future. Over the past 40 years it has not only sparked a Hawaiian renaissance, it has now, incredibly, connected cultures and communities from every point around the globe, a symbolic lei that encircles the world.”
The Best Made In Hawaii Short Film Award winner is MAUKA TO MAKAI, directed by Jonah Okono and Alika Maikau, with the Second Prize in the Made in Hawaii Shorts program going to Erin Lau’s THE MOON AND THE NIGHT.
All films in Shorts programs #1 – 4, plus PACIFIC SHOWCASE SHORTS and MADE IN HAWAII shorts programs are eligible for the overall HIFF BEST SHORT FILM award which was won by MAY 14th, directed by Boo Eunjoo. The jury also announced a Special Jury Mention, for Andre Hoermann and Anna Samo’s OBON; recognizing its striking animated retelling of one survivor’s account of the Hiroshima nuclear bomb attack.
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People’s Republic of Desire[/caption]
HIFF also debuted the inaugural Ka’ū Ka Hōkū Filmmaker Award, presented to an emerging filmmaker who has completed their first or second feature film which went to PEOPLE’S REPUBLIC OF DESIRE, directed by Hao Wu.
The 2018 Halekulani Career Achievement Award was presented to actress Moon So-ri. Dubbed the “Meryl Streep” of South Korea, Moon is one of the most acclaimed Asian actresses of her generation. Moon recently directed the feature-length omnibus THE RUNNING ACTRESS.
The Halekulani Maverick Award was given to an international cinema artist who has a unique and eclectic career trajectory, contributing to international cinema and the filmed arts in an innovative way. This year, HIFF presented the award to American actress, writer, and rapper Awkwafina. Awkwafina, whose given name is Nora Lum, brings an impressive range of talent peppered with her signature flair, and has become a major breakout talent this year with her co-starring roles in Ocean’s 8 and Crazy Rich Asians.
HIFF also presented the Halekulani Maverick Award to actor-turned-director Takumi Saito. As an actor, Saito is known for his breakout role in the wildly popular Japanese TV drama “Hirugao”. His feature film directorial debut, Blank 13, quietly evokes the enigma of discovering the private life of a loved one, whether dead or alive; and the elasticity of familial bonds.
The Hawaii International Film Festival’s PIC Trailblazer Award was presented to a cinema artist of Pacific Islander heritage who broadens the scope of Pacific Islander stories onto the world stage, producing award winning work in independent and global cinema, becoming a trendsetter in their field and a cultural ambassador that shines a spotlight on Pacific islander culture in mainstream media.
The 2018 HIFF Pacific Islanders in Communications Trailblazer Award was given to Heperi “Hepi” Mita. Mita’s career began in 2007, working in online journalism for the pulitzer prize winning Las Vegas Sun newspaper. He returned to his home country of Aotearoa / New Zealand in 2011, following the death of his mother — indigenous filmmaking pioneer Merata Mita (UTU). His directorial debut, Merata: How Mum Decolonised The Screen, world premiered at the New Zealand International Film Festival this past summer. HIFF will present the Hawaii premiere of this film at Spring Showcase 2019.
The NETPAC Award is presented annually at international film festivals in Berlin, Cannes, Venice, Rotterdam, Pusan, Singapore, Taiwan, Yamagata, Amiens and Hawaii. HIFF is the only film festival in North America given permission to present the NETPAC award. This year’s NETPAC Award winner is STILL HUMAN by Oliver Siu Kuen Chan.
From the Jury: “The award for best narrative feature for an emerging filmmaker from the Asia Pacific region goes to STILL HUMAN by Oliver Siu Kuen Chan for its humane way of exploring racial and social class, the treatment of the disabled and the aged, and portraying the intersection of hopelessness and dreams.”
2018 Hawaii International Film Festival Award Winners
Made In Hawaii Best Feature: BETHANY HAMILTON: UNSTOPPABLE directed by Aaron Lieber (1st Place); MOANANUIĀKEA: ONE OCEAN. ONE PEOPLE. ONE CANOE. Directed by Naalehu Anthony (2nd Place) Made In Hawaii Best Short: MAUKA TO MAKAI directed by Alika Maikau & Jonah Okano (1st Place); THE MOON AND THE NIGHT directed by Erin Lau (2nd Place) HIFF Best Overall Short Film: MAY 14th directed by Eunjoo Boo; OBON directed by Hoermann Andre & Anna Samo NETPAC Winner: STILL HUMAN directed by Oliver Siu Kuen Chan
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Leon Lee’s Social Justice Documentary LETTER FROM MASANJIA on DVD/VOD on December 4th
Filmmaker and Peabody Award winner, Leon Lee’s social justice documentary Letter From Masanjia, follows the true story of an Oregon woman who finds a desperate SOS letter penned by a political prisoner in her Halloween decorations and the nail-biting chain of events that it sparks when she takes the letter public, exposing appalling flagrant human rights violations – that leads to sweeping labor reform in China.
Parade Deck Films opened this powerful documentary “Letter From Masanjia” theatrically in New York and Los Angeles on September 14th, 2018, and now Gravitas Ventures, a Red Arrow Studios company, will bring the film to audiences across North America on DVD & VOD/Digital platforms including: iTunes, Amazon, FandangoNow, VUDU, Xbox, Vimeo, Google Play, etc. on this upcoming December 4th, 2018.
Imagine being a young mother buying holiday decorations at a local Kmart, only to discover a letter asking for help from a prisoner in a labor camp in China? This is a shockingly true tale that dominated the news in real time then and is sadly as prominent a story as it is now I our current political climate as we celebrate Thanksgiving this week. Canadian based, acclaimed filmmaker and Peabody Award winner, Leon Lee’s social justice documentary “Letter From Masanjia,” shines a powerful light on human rights violations in China. When this story originally broke it was covered around the world affecting unprecedented change with the American disovery of a political prisoners letter.
Coming off of a wildly successful festival run and excellent enthusiastic early critical reviews – Leon Lee’s “Letter From Masanjia” has been hailed by audiences and critics alike as one of the best docs of 2018, taking home Audience Award for Documentary Feature at the 2018 Asian American International Film Festival, Atlanta Docufest, Newburport Documentary Film Festival, and Calgary International Film Festival.
https://www.youtube.com/watch?v=bKRavgm-KPY&feature=youtu.be
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7 Documentaries Nominated for 2019 Producers Guild of America Award
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Won’t You Be My Neighbor?[/caption]
The Producers Guild of America (PGA) revealed today the 7 documentary films selected as 2019 Documentary Motion Pictures nominees that will advance in the final voting process for the 30th Annual Producers Guild Awards. The Producers Guild Awards honor excellence in motion picture and television productions, as well as some of the living legends who shape the profession.
The ceremony for the 2019 Producers Guild Awards presented by General Motors takes place on January 19, 2019 at The Beverly Hilton hotel in Los Angeles where the final winners will be announced.
The films nominated for the Award for Outstanding Producer of Documentary Motion Pictures are listed below in alphabetical order:
The Dawn Wall
https://www.youtube.com/watch?v=edfw9ip9sCQ
Free Solo
https://www.youtube.com/watch?v=urRVZ4SW7WU
Hal
https://www.youtube.com/watch?v=GBGfKan2qAg
Into the Okavango
https://www.youtube.com/watch?v=SXVohy5eAP8
RBG
https://www.youtube.com/watch?v=biIRlcQqmOc&t=2s
Three Identical Strangers
https://www.youtube.com/watch?v=uM5TQ4f7ycw
Won’t You Be My Neighbor?
https://www.youtube.com/watch?v=FhwktRDG_aQ&t=4s
During the awards show, the Producers Guild also will present special honors to individual producers, including recognizing President of Marvel Studios Kevin Feige with its David O. Selznick Achievement Award. The 2019 Producers Guild Awards Event Chairs are Donald De Line and Amy Pascal.
In 1990, the Producers Guild held the first-ever Golden Laurel Awards, which were renamed the Producers Guild Awards in 2002. Richard Zanuck and Lili Fini Zanuck took home the award for Best Produced Motion Picture for “Driving Miss Daisy,” establishing the Guild’s awards as a bellwether for the Oscars.
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5 Indie Films Win $100,000 in Fall 2018 SFFILM Westridge Grants
Five filmmaking teams were granted funding in the Fall 2018 round of SFFILM Westridge Grants, to help support the screenwriting and project development stages of their narrative feature films. SFFILM Westridge Grants, which are awarded twice annually, are designed for US-based filmmakers whose stories take place primarily in the United States and focus on the significant social issues and questions of our time. The next application period will open later this month.
SFFILM Westridge Grants provide support to film projects in their critical early stages, safeguarding filmmakers’ creative processes and allowing artists to concentrate on thoughtfully developing their stories while building the right strategy and infrastructure to guide them through financing and production. In addition to cash grants, recipients will benefit from SFFILM’s comprehensive and dynamic artist development program, SFFILM Makers, as well as support and counsel from SFFILM and Westridge Foundation staff.
The panelists who reviewed the finalists’ submissions were Lauren Kushner, SFFILM Senior Manager of Artist Development; Alana Mayo, Head of Production at Outlier Society; Shelby Rachleff, Westridge Foundation Program Manager; Shira Rockowitz, Associate Director, Feature Film Program, Sundance; Jenny Slattery, SFFILM Associate Director of Artist Development and Foundations; and Caroline von Kühn, SFFILM Director of Artist Development.
In a statement, the panelists said, “We are delighted to support these five outstanding projects—each of the filmmakers has the boldness and originality to make a world visceral and vivid, whether it’s a freezing village in northern Alaska or a megachurch hell house in Texas. But they also have the sensitivity to lay bare the deeply personal experiences of the characters who move through those worlds, shouldering their burdens and reaching out for each other despite them.”
FALL 2018 SFFILM WESTRIDGE GRANT WINNERS
Captain C! John Paul Su, writer/director – screenwriting – $20,000 Caleb Diaz is an eleven-year-old Filipino-American queer comic book fanboy who lives in a diverse working-class neighborhood in American suburbia. After saving his classmate from a group of bullies, he is wrongfully accused of stabbing that same classmate. With the impending threat of expulsion, he struggles to prove his innocence, and fulfill his dream of becoming his family’s ultimate superhero. Invoking Juan Angel Daniel Eduvijes Carrera, writer/director – screenwriting – $20,000 Mexican immigrant Magdalena Cruz is hired as the live-in caretaker for Ian, a severely ill child whose forced isolation has created budding psychic abilities and a fascination for the paranormal. But unbeknownst to Ian’s overprotective father, the distressed Magdalena has a child of her own hidden in the basement bedroom. After the two boys share an unexpected encounter, Ian is convinced the mysterious child must be a ghost and seeks to unravel his tragic story. Placas Paul S. Flores, writer; Tashana Landray, producer – screenwriting – $20,000 Sixteen-year-old Edgar wants nothing to do with his father, former gang member Fausto (known as “Placas” for his many tattoos). Placas wants what every father wants: to provide a better life for his son. As Placas strives to put his past behind him, going through tattoo removal and therapy, Edgar is recruited by a rival gang. As Placas’ past and Edgar’s future collide, they both face choices that will change the course of their lives. Qimmit Andrew Okpeaha MacLean, writer/director; Cara Marcous, producer – screenwriting – $20,000 Inspired by true events, Qimmit tells the story of Suvlu, an Iñupiaq hunter who is forced to make a monstrous decision for the survival of his family. Righteous Acts Alicia D. Ortega, writer – screenwriting – $20,000 Homeschooled teenager Judith thinks she’s finally found her people when she joins the cast of a megachurch “hell house,” where evangelical teens aim to scare people into salvation. But when she doesn’t land the coveted role of the Abortion Girl, she convinces herself she’s the only player doing God’s work and that it’s her holy duty to expose the true wages of sin.
