Rodents Of Unusual Size takes us up-close into a large region south of New Orleans that survived hurricane Katrina and is now facing its latest threat—hordes of monstrous 20 pound rodents known as the nutria.
The documentary by award winning filmmaking team Chris Metzler and Jeff Springer (Plagues and Pleasures of the Salton Sea and Everyday Sunshine: The Story of Fishbone) & co-director Quinn Costello. The film will screen as part of 2017 DOC NYC at the IFC Film Center on November 15th at 7:15pm.
Louisiana’s coastal wetlands are one of the largest disappearing landmasses in the world and the voracious appetite of this curious and unexpected invasive species from South America is greatly accelerating coastal erosion, which in turn makes the area even more vulnerable to hurricanes. As the coastline disappears, the hunters and trappers, fishermen and shrimpers, storytellers and musicians that makes Louisiana a country unto itself are leaving en masse. Nonetheless, a stalwart few remain and are fighting back.
Rodents Of Unusual Size tells the story of one such diehard, Thomas Gonzales, and his community of Delacroix Island, as they resist the invasion of the rodents. The state of Louisiana has started a program that pays a $5 bounty for every nutria tail collected, which has helped the effort, by encouraging former trappers to hunt the nutrias for their tails instead of the fur. Others have tried business ventures to harvest the nutria for their fur and meat, in hopes that by creating a demand for this sustainable resource, they could help protect the wetlands and fight back the rodents.
And yet despite the havoc this invasive species has wrought on Southern Louisiana, it has also been embraced by the culture. The Audubon Zoo in New Orleans has opened a nutria exhibit, the local Triple-A baseball team has a nutria as a mascot, a fashion collective designs clothing made out of nutria promoting it as “sustainable fur” and even some Cajuns have nutria as pets.
Through the offbeat and unexpected stories of the people confronting the nutria problem, the film confronts issues surrounding coastal erosion, the devastation following hurricanes, loss of culture and homeland, and the resilience of the human spirit.
Terry P.
VIMOOZ is for lovers of independent films + foreign film + documentary + film festivals. We love championing the little films.
-
20 Pound Nutrias Invade Louisiana in Documentary RODENTS OF UNUSUAL SIZE | Trailer
Rodents Of Unusual Size takes us up-close into a large region south of New Orleans that survived hurricane Katrina and is now facing its latest threat—hordes of monstrous 20 pound rodents known as the nutria.
The documentary by award winning filmmaking team Chris Metzler and Jeff Springer (Plagues and Pleasures of the Salton Sea and Everyday Sunshine: The Story of Fishbone) & co-director Quinn Costello. The film will screen as part of 2017 DOC NYC at the IFC Film Center on November 15th at 7:15pm.
Louisiana’s coastal wetlands are one of the largest disappearing landmasses in the world and the voracious appetite of this curious and unexpected invasive species from South America is greatly accelerating coastal erosion, which in turn makes the area even more vulnerable to hurricanes. As the coastline disappears, the hunters and trappers, fishermen and shrimpers, storytellers and musicians that makes Louisiana a country unto itself are leaving en masse. Nonetheless, a stalwart few remain and are fighting back.
Rodents Of Unusual Size tells the story of one such diehard, Thomas Gonzales, and his community of Delacroix Island, as they resist the invasion of the rodents. The state of Louisiana has started a program that pays a $5 bounty for every nutria tail collected, which has helped the effort, by encouraging former trappers to hunt the nutrias for their tails instead of the fur. Others have tried business ventures to harvest the nutria for their fur and meat, in hopes that by creating a demand for this sustainable resource, they could help protect the wetlands and fight back the rodents.
And yet despite the havoc this invasive species has wrought on Southern Louisiana, it has also been embraced by the culture. The Audubon Zoo in New Orleans has opened a nutria exhibit, the local Triple-A baseball team has a nutria as a mascot, a fashion collective designs clothing made out of nutria promoting it as “sustainable fur” and even some Cajuns have nutria as pets.
Through the offbeat and unexpected stories of the people confronting the nutria problem, the film confronts issues surrounding coastal erosion, the devastation following hurricanes, loss of culture and homeland, and the resilience of the human spirit.
-
LOVELESS, THE WOUND and KINGDOM OF US Win BFI London Film Festival Awards
[caption id="attachment_22301" align="aligncenter" width="1200"]
Loveless[/caption]
Andrey Zvyagintsev’s Loveless, a film about a divorcing Russian couple whose son disappears, won the Best Film Award at the 61st BFI London Film Festival.
This is the second time that Andrey Zvyagintsev has won the Best Film at BFI London Film Festival having previously received the award for Leviathan in 2014, which went on to win the Golden Globe for Best Foreign Language film and was nominated for an Academy Award and a BAFTA in the same category.
The jury commented, “We felt that Loveless was a very poetic and beautiful film. Dark and told with a fierce passion. Although the film concentrated on the intimate story of one family in Russia, it felt like a universal tragedy; one that we recognized as one of the world’s great sadnesses. The filmmaker elevated the personal to a social and political statement. A critique of our current psychological and political moment. Some of us felt the film a cautionary tale. An angry warning. And some of us saw it as a rallying call for the opposite of what the film is called”
The Sutherland Award, awarded to the director of the most original and imaginative first feature in the Festival, went to John Trengove for The Wound, a powerful exploration of masculinity and unspoken queer desire set in the remote mountains of South Africa’s Eastern Cape.
And, the Grierson Award for the Best Documentary went to Lucy Cohen’s documentary feature debut, Kingdom of Us, a luminous exploration of grief, identity, family bonds and emotional recovery.
OFFICIAL COMPETITION WINNER – Best Film
LOVELESS, directed by Andrey Zvyagintsev (Russia, France, Germany, Belgium)
FIRST FEATURE COMPETITION WINNER – The Sutherland Award
John Trengove for THE WOUND (South Africa)
DOCUMENTARY COMPETITION WINNER – The Grierson Award
KINGDOM OF US, directed by Lucy Cohen (United Kingdom)
SHORT FILM COMPETITION WINNER – Best Short Film Award
THE RABBIT HUNT directed by Patrick Bresnan (USA)
BFI FELLOWSHIP
BAFTA award-winning director, producer, screenwriter and former broadcast journalist, PAUL GREENGRASS
-
Comedian Hari Kondabolu Confronts Minority Media Representation in THE PROBLEM WITH APU | Trailer
Brooklyn-based comedian Hari Kondabolu is the host of the popular podcast “Politically Re-Active” alongside W. Kamau Bell. In the new documentary, The Problem With Apu he tackles minority media representation and specifically Apu Nahasapeemapetilon, the Indian immigrant proprietor of the Kwik-E-Mart, a convenience store in Springfield – in the animated television series The Simpsons.
In this highly-personal, insightful and timely exploration of minority media representation, Kondabolu speaks with prominent South Asian actors about the damaging legacy of Apu – who is voiced by a white actor with a heavily exaggerated, stereotypical Indian accent.
Aziz Ansari, Kal Penn, Aasif Mandvi, Hasan Minjaj, Utkarsh Ambudkar, Aparna Nancherla, Russell Peters, Sakina Jaffrey and Maulik Pancholy share poignant stories about their own experiences with Apu and the broader questions about the comedy and representation he evokes.
With additional interviews with EGOT-winner Whoopi Goldberg, W. Kamau Bell, Surgeon General Vivek Murthy, Mallika Rao, and many more, The Problem With Apu takes a humorous look at how even a beloved television series can have a blind spot.
The Problem With Apu directed by Michael Melamedoff will World Premiere at DOC NYC 2017 on Tuesday, November 14, 2017; and will make its television premiere on truTV Sunday, November 19 at 10PM ET/PT.
https://www.youtube.com/watch?v=zGzvEqBvkP8
-
More Films -THE LEARS, Trudie Styler’s FREAK SHOW, CALL ME BY YOUR NAME Added to Virginia Film Festival
[caption id="attachment_25065" align="aligncenter" width="1200"]
The Lears[/caption]
The 2017 Virginia Film Festival has added more films and special guests including actor Anthony Michael Hall, who will come in for a screening of his film The Lears. Other highlighted guests include director Trudie Styler, who will discuss her film Freak Show; actor Noel Fisher, who will take part in a panel discussion about the acclaimed new National Geographic Channel Iraq War series The Long Road Home; and actor Nick Robinson, who joins writer/director/actor William H. Macy for a screening of Macy’s new film Krystal. The Festival’s Closing Night Film will be Luca Guadagnino’s coming-of-age love story Call Me by Your Name.
The Lears is a quirky black comedy that stars Bruce Dern as Davenport Lear, a world-renowned architect who summons his dysfunctional children to a weekend family retreat to test their love in a modern-day derivative of Shakespeare’s classic King Lear. Actor, producer, and director Anthony Michael Hall, who plays Davenport’s son Glenn Lear in the film, first burst on the film scene in the 1980s with a string of unforgettable turns in the John Hughes classics including Sixteen Candles, National Lampoon’s Vacation, The Breakfast Club, and Weird Science. His other film credits include Out of Bounds, Edward Scissorhands, and Six Degrees of Separation. Hall also played the lead role in the popular USA Network series The Dead Zone from 2002-2007.
Noted actor and producer Trudie Styler makes her directorial debut with Freak Show, based on the 2007 New York Times bestselling Young Adult novel by James St. James about a gay and eccentric teenage boy who reacts to an incident of insidious bullying by deciding to run for homecoming queen. The campaign draws wide attention to Billy’s advocacy for all teenagers letting their freak flag fly. The film, which features a stellar cast including Abigail Breslin, Alex Lawther, and Bette Midler, recently had its world premiere at the Berlin Film Festival. Trudie Styler has a long and successful track record as a producer, including Lock, Stock & Two Smoking Barrels and Snatch from director Guy Ritchie; Girl Most Likely, which stars Kristen Wiig; Filth, starring James McAvoy; Ten Thousand Saints, starring Ethan Hawke; and American Honey, which stars Shia LaBeouf and won the Jury Prize at the Cannes Film Festival in 2016. Styler will be joined by the film’s producer Celine Rattray for a post-screening discussion.
Nick Robinson, known to many for his role as Zach in Jurassic World, most recently starred in the Warner Bros. and MGM drama Everything, Everything. He also just wrapped production on Strange But True, where he leads an all-star cast including Amy Ryan, Brian Cox, and Greg Kinnear. Other credits include Kings of Summer and an unforgettable guest spot on HBO’s Boardwalk Empire. He will attend the Festival for a post-screening discussion for his role in William H. Macy’s Krystal.
The Virginia Film Festival also announced Call Me by Your Name as its Closing Night Film. Based on the acclaimed novel by André Aciman, this transcendent story of first love, set against the backdrop of northern Italy in the summer of 1983, follows Elio Perlman (Timothée Chalamet), a highly-cultured teenager whose sophistication about music and literature is juxtaposed with his naivety about love. Upon meeting American scholar Oliver (Armie Hammer), his father’s charming intern, the two form an undeniable bond that grows vulnerably and passionately toward young, new love. The film by director Luca Guadagnino displays a raw portrait of a kind of love and sexual awakening that blossoms without fear or consequences.
’63 Boycott – The latest from famed documentarian Gordon Quinn about the 1963 boycott of Chicago schools by more than 200,000 students in protest of racial segregation.
Beetlejuice – Award-winning cinematographer Tom Ackerman will discuss his work on this groundbreaking Tim Burton film.
The Last Stop – Director Todd Nilssen’s exposé on the troubled teen reform industry.
Mood and Memory – In a series of eleven photo films, young authors, media artists, and media specialists from Austria and Germany approach a variety of stories and themes ranging from a young girl in Aleppo, a Somali farmer, and more.
My Art – Artist Laurie Simmons’ makes her feature film debut, also starring alongside daughters Lena and Grace Dunham in the story of an artist with a stable job and life, but an endless yearning for respectability in the art world. Simmons will participate in a post-screening discussion.
Roll With Me – A paraplegic former drug addict sets out to become the first person to push an ordinary wheelchair from California to New York.
Sammy Davis, Jr.: I’ve Gotta Be Me – The first major documentary about one of the most fascinating careers in the history of entertainment, this film follows the legendary singer, dancer, and actor’s rise to stardom, and a life lived across flashpoints of American society from the Depression through the 1980s.
The Science of Pixar – Masterclass senior scientist and lead of the Research Group at Pixar Animation Studios Tony DeRose will work in tandem with Sara Maloni (Department of Mathematics), Earl Mark (School of Architecture), and Light House Studio to offer a free masterclass for their students and the general public. The workshop will focus on physical simulation and the mathematics of surface modeling that DeRose developed at Pixar, as well as a discussion of his career path.
Short Films – More than 50 short films screened before feature screenings and in different packages based on similar themes and genres, including narrative, documentary, experimental, and animated.
Thelma (from Norway) – Rounding out the list of now ten spotlight films recently submitted by their countries for consideration in the “Best Foreign Language Film” category at the 2018 Academy Awards, Thelma is about a college student who starts to experience seizures as a result of supernatural abilities.
Tonsler Park – Internationally renowned artist and UVA cinematography professor Kevin Everson uses 16mm black-and-white film to observe the democratic process at Charlottesville voting precincts on November 8th, 2016, providing a portrait of the working-class African-American public officials who ran the polls, while enabling citizens to vote in a democracy that has systematically abused them.
Voices Beyond the Wall: Twelve Love Poems From the Murder Capital of the World – Rescued from the streets of Pedro Sula, Honduras, seventy girls at Our Little Roses orphanage find their voices in poetry about love, family, and betrayal as they heal from the traumas of their past, while transitioning into an uncertain future.
Wild Honey – An offbeat, romantic comedy about an unsuccessful phone-sex operator who is unhappy, aimless, and living at home with her mother until she hits it off with a mysterious caller and impulsively flies across the country to meet him.
-
Heartwarming Indie Drama THE FLORIDA PROJECT to Screen at Stockholm International Film Festival
[caption id="attachment_23729" align="aligncenter" width="1200"]
THE FLORIDA PROJECT[/caption]
The heartwarming drama The Florida Project, one of the most highly buzzed-about at this year Cannes Film Festival, will screen at the upcoming Stockholm International Film Festival.
The movie is Florida-based, and award winning director, Sean Baker’s sixth movie. It is a devastating tale about the forgotten America, seen through the carefree eyes of 6-year-old Moonee.
Moonee and her rebellious mother Halley stays at a cheap motel called “The Magic Castle”. There they meet the long-suffering motel manager Bobby, extraordinary played by Willem Dafoe, who despite his rough appearance is the closest to a father figure Moonee comes.
While Moonee and her new friends explore the motel, and its odd guest, Halley finds herself in more or less dangerous situations in order to provide for her daughter.
The Stockholm International Film Festival takes place November 8th to 19th, 2017.
https://www.youtube.com/watch?v=WwQ-NH1rRT4
-
Sam Pollard’s Latest Film MAYNARD Profiles Maynard Holbrook Jackson, First Black Mayor of Atlanta | Trailer
The documentary Maynard, directed by the prolific filmmaker Sam Pollard, has wrapped as the film enters post production in Atlanta, Georgia.
He was Obama before Obama, Maynard Holbrook Jackson became first black Mayor of Atlanta, Georgia in 1973 and this film is an exploration into a man who had dreams and ambitions to be a public servant for his people seeing that it was the next logical step in the journey that had been started by Dr. King, and so many others who had blazed the trail during the years of horrific segregation.
Maynard interviews include President Bill Clinton, Al Sharpton, Vernon Jordan, Ambassador Andrew Young, Rev. Joseph Lowery, Jesse Jackson, former Atlanta Mayor’s Sam Massel and Shirley Franklin, and current Mayor Kasim Reed to name a few.
Directed by Academy Award nominee, Emmy winner and 4 time Peabody Award winner Sam Pollard (“Slavery by Another Name”, “Sammy Davis, Jr.: I’ve Gotta Be Me”, “Two Trains Runnin’”), Maynard is produced by Wendy Eley Jackson, Dolly Turner, and Winsome Sinclair with cinematography by Henry Adebonojo who worked on the Academy Award nominated documentary “I Am Not Your Negro”.
Update: MAYNARD will World Premiere at 2017 DOC NYC on Thursday, November 16th, 2017.
-
First wave of Frightening, Bloody Films Revealed for A Night of Horror International Film Festival
[caption id="attachment_25039" align="aligncenter" width="1000"]
CANNIBALS AND CARPET FITTERS[/caption]
The first wave of programming was announced today for the 11th A Night of Horror International Film Festival and Fantastic Planet, Sydney Sci-Fi and Fantasy Film Festival.
The festivals will run concurrently from November 29 to December 3, 2017 at at Dendy Cinemas Newtown, Australia.
“The festivals’ programmers are delighted to announce a stunning array of frightening, bloody, and awe-inspiring cinema from around the world,” says programming director Dean Bertram. “This first wave is an international cinematic buffet. It includes the freshest and best of this season’s fantastic genre fare: incredible films from Australia, Europe, North and South America, and Africa.”
The first eight feature films announced by the two festivals – all of which are Sydney, Australian, or international premieres – follow.
BAD BLACK (dir: Nabwana I.G.G., Uganda) Get ready Commandos! The most original and surprising hit of the festival season soon invades Sydney! BAD BLACK is a thrill-packed, laugh-filled, self-deprecating action epic: made with no budget in Wakaliwood – Uganda’s answer to Hollywood. And at a time when an endless string of studio produced spectacles leave one feeling numb, this film overflows with a fresh infectious energy that reminds even the most jaded cinephile why they fell in love with movies in the first place. Whether you’ve yet to experience the insane delights of Wakaliwood, or you’re craving your latest fix, here is your chance for Supa Action!
BODIES (dir: Tom Large, UK) After serious money troubles, a married couple agree to take part in a bizarre medical experiment. From festival alumnus Tom Large (BEYOND) comes this twisting sci-fi thriller that will have you as unbalanced and shocked as the film’s protagonists. Fans of smart sci-fi (think PRIMER meets GATTACA) will get their speculative fix from this thought provoking gem.
CANNIBALS AND CARPET FITTERS (dir: James Bushe, UK) A ragtag group of carpet layers are sent on a job to an old English country house in the middle of nowhere. They soon discover it’s a trap set up by a savage cannibalistic family. The carpet fitters must fight for their lives or risk ending up as the evening’s dinner. Horrific delights abound in this gore filled dish, that tastes like a wickedly decadent blend of SHAUN OF THE DEAD and THE TEXAS CHANSAW MASSACRE.
HOSTILE (dir: Mathieu Turi, France) Xavier Gens (FRONTIER(S), THE DIVIDE, HITMAN) presents this post-apocalyptic chiller grounded in character and an emotionally compelling story. Lone survivor Juliette (Brittany Ashworth) fights to survive against hunger, thirst, a broken leg and disturbing creatures that only come out at night: all the while haunted by memories of the most important relationship from her past. Imagine PITCH BLACK meets THE OMEGA MAN mixed with a dash of TV’s LOST, and you have an idea of the tone of this film’s terrifying imagined future, and it’s very real and contemporary heart.
THE MARSHES (dir: Roger Scott, Australia) Deep in a remote marshland, three young biologists (Dafna Kronental, Sam Delich, Mathew Cooper) conduct research. But when they encounter evil, science ends and survival begins. A Night of Horror is delighted to present the Australian premiere of this pulse-charging, clever, and timely addition to the annals of Australian outback horror.
MUSCLECAR (dir: Dwayne Labbé, Australia) The beautiful and obsessive Bambi (Jacinta Stapleton) blows her dough buying the car of her dreams, a lipstick-red, 1968 Dodge Phoenix. When she can’t afford to run it she cooks up a harebrained scheme to bring her car to life. Using ancient Voodoo incantations, the blood of drunkards, and an ox heart, we discover that a girl can love her car too much. This live action film – with dollops of gorgeous and gory animated comic-paneled transitions from director and animator Dwayne Labbé (THE REN AND STIMPY SHOW, ALADDIN, THE JUNGLE BOOK 2) – is a bloody hilarious ride, and the best unabashedly Ozploitation flick the festival’s programmers have seen in years. Don’t miss MUSCLECAR: shot in Sydney’s Inner West, in the very neighborhoods surrounding A Night of Horror Film Festival!
OUR EVIL (dir: Samuel Galli, Brazil) A shocking and utterly original film, which tracks the extreme deeds a man with spiritualist powers will commit to protect his daughter’s soul from the demonic entity destined to consume her. Whether you’re a fan of brutal cinema or of terrifying supernatural tales, this film delights all morbid appetites.
REPLACE (dir: Norbert Keil, Germany/Canada) Young and beautiful Kira (Rebecca Forsythe) is afflicted with a strange disease: her skin starts to age rapidly, dry out and crumble away. When she discovers that she can replace her own skin with somebody else’s, she has to choose: watch her own body wither and die – or give in to temptation – whatever the price. Genre favourite Barbara Crampton (RE-ANIMATOR, WE ARE STILL HERE, YOU’RE NEXT) captivates in her most disturbing role to date in this gorgeously repulsive addition to the body horror subgenre (co-written by Richard Stanley HARDWARE, DUST DEVIL, THE ISLAND OF DOCTOR MOREAU).
-
HAITI MY LOVE is Haiti’s First Entry for Oscar Race for Best Foreign Film | Trailer
For it’s first submission ever, Haiti has selected Haiti, My Love (Ayiti Mon Amour) by Guetty Feli Cohen as its candidate for nomination in the foreign-language category of the 2018 Oscars.
Haiti, My Love, an official selection of the 2016 Toronto International Film Festival, is set in post-earthquake Haiti, and invokes the country’s past and present with stories that intertwine and collide.
A grieving young boy discovers he has a superpower. An old fisherman realizes the cure for his ailing wife can be found in the sea. A muse struggles to exit the story her author is penning. In Guetty Felin’s magical neorealist tale, these three stories combine to create a poetic portrait of the island nation Haiti.
Set five years after the devastating 2010 earthquake, Felin’s film eschews the images that saturated screens after the disaster. While the pain of the destruction remains evident — in young Orphée’s grief over the loss of his father, in the rubble of decimated buildings, in ghostly images that float beneath the ocean’s surface — Felin refuses to tell a tale of victimhood. Instead, she places the island’s narrative back in the hands of Haitians whose lives aren’t reducible to headlines. And as her characters begin to heal, Felin suggests that the island will too.
Felin taps into her past work in the documentary field, infusing the realities of modern-day Haiti with a lyrical touch. From its verité-style moments of Jaures the fisherman labouring by the beach to the theatrical scenes between muse Ama and her author, the film makes its fluid tonal shifts at a lulling, rhythmic pace.
Shot on location with local actors and crew, Felin’s film is an important addition to the body of work coming out of Haiti’s burgeoning film scene. Ayiti Mon Amour doesn’t just mark the emergence of a distinct new directorial voice; it’s a key development in the evolution of a national cinema. TIFF
-
Santa Fe Independent Film Festival will Host a Tribute to Actor Wes Studi + Premiere of HOSTILES
Actor Wes Studi will be honored on Sunday October 22nd at Santa Fe Independent Film Festival, followed by the New Mexican premiere of Hostiles directed by Scott Cooper starring Wes Studi, Christian Bale, and Rosamund Pike.
Hostiles, shot in New Mexico takes place in 1892, legendary Army captain Joseph J. Blocker (Christian Bale) undertakes one final mission before retirement: escort Yellow Hawk (Wes Studi) – a dying Cheyenne war chief – and his family back to sacred tribal lands. After 20 years of violent struggle, this gesture of peace is as unthinkable as it is harrowing. Together they battle against a punishing landscape and the brutality of men alike, coming to the rescue of a young widow (Rosamund Pike) amidst the carnage of her murdered family. Two great warriors, once rivals across the battlefield, must learn to trust each other and find peace in an unforgiving land. A heroic odyssey of survival, HOSTILES becomes a story not about the miles traveled nor the battles fought, but the journey towards respect, reconciliation and forgiveness.
https://www.youtube.com/watch?v=8yuxKRZ_KPk
The actor gained attention in 2016 as Kaetenay in Showtime’s “Penny Dreadful”. Wes is perhaps best known for his powerful portrayal of Magua in “The Last Of The Mohicans”, and starring as Det. Joe Leaphorn in Tony Hillerman’s “Skinwalkers”, “Coyote Waits” and “Thief Of Time” on American Mystery! for PBS. His other film credits include the title role in “Geronimo: An American Legend”, Eytukan, the Na’vi chieftain in “Avatar”, “Dances With Wolves”, “Powwow Highway”, “Street Fighter”, “Deep Rising”, “Heat”, “Undisputed”, “Mystery Men”, “The New World”, and “The Only Good Indian”. He has appeared on television in the PBS series “We Shall Remain”, “The Red Road”, “Kings”, “The Mentalist”, HBO’s “Bury My Heart At Wounded Knee”, Larry McMurtry’s “Commanche Moon”, and “Streets of Laredo”, “Into The West”, “Superfire”, American Playhouse PBS “Trial Of Standing Bear”, “Longarm”, “Return To Plum Creek”, and TNT’s “The Broken Chain” and “Crazy Horse”.
Also a musician and songwriter, he plays bass with the band Firecat of Discord. Wes is an expert horse trainer, an accomplished sculptor of stone, and the author of two children’s books for the Cherokee Bilingual/Cross Cultural Education Center. Currently the Spokesman for the Indigenous Language Institute, he is fluent in both spoken and written Cherokee, his native language, and he provided the Cherokee translations for the Pulitzer Prize winning drama “The Kentucky Cycle”. Wes was born in Nofire Hollow, and raised in Northeastern Oklahoma. He currently resides in Santa Fe, NM with his wife, singer-actress Maura Dhu Studi, and their son Kholan.

Eric Clapton: Life in 12 Bars[/caption]
DOC NYC announced the full lineup of over 250 films and events for its eighth edition, running November 9 to 16 at the IFC Center in Greenwich Village and Chelsea’s SVA Theatre and Cinepolis Chelsea.
Special Events include Closing Night Film, the NYC premiere of
Hostiles[/caption]
The 12th
Kedi[/caption]