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El Angel directed by Luis Ortega[/caption]
Eighty-seven countries have submitted films for consideration in the Foreign Language Film category for the 91st Academy Awards. Malawi and Niger are first-time entrants.
Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019.
The 91st Oscars will be held on Sunday, February 24, 2019, at the Dolby Theatre® at Hollywood & Highland Center in Hollywood, and will be televised live by the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide.
The 2018 submissions are:
Afghanistan, “Rona Azim’s Mother,” Jamshid Mahmoudi, director;
Algeria, “Until the End of Time,” Yasmine Chouikh, director;
Argentina, “El Ángel,” Luis Ortega, director;
Armenia, “Spitak,” Alexander Kott, director;
Australia, “Jirga,” Benjamin Gilmour, director;
Austria, “The Waldheim Waltz,” Ruth Beckermann, director;
Bangladesh, “No Bed of Roses,” Mostofa Sarwar Farooki, director;
Belarus, “Crystal Swan,” Darya Zhuk, director;
Belgium, “Girl,” Lukas Dhont, director;
Bolivia, “The Goalkeeper,” Rodrigo “Gory” Patiño, director;
Bosnia and Herzegovina, “Never Leave Me,” Aida Begić, director;
Brazil, “The Great Mystical Circus,” Carlos Diegues, director;
Bulgaria, “Omnipresent,” Ilian Djevelekov, director;
Cambodia, “Graves without a Name,” Rithy Panh, director;
Canada, “Family Ties,” Sophie Dupuis, director;
Chile, “…And Suddenly the Dawn,” Silvio Caiozzi, director;
China, “Hidden Man,” Jiang Wen, director;
Colombia, “Birds of Passage,” Cristina Gallego, Ciro Guerra, directors;
Costa Rica, “Medea,” Alexandra Latishev, director;
Croatia, “The Eighth Commissioner,” Ivan Salaj, director;
Czech Republic, “Winter Flies,” Olmo Omerzu, director;
Denmark, “The Guilty,” Gustav Möller, director;
Dominican Republic, “Cocote,” Nelson Carlo De Los Santos Arias, director;
Ecuador, “A Son of Man,” Jamaicanoproblem, director;
Egypt, “Yomeddine,” A.B. Shawky, director;
Estonia, “Take It or Leave It,” Liina Trishkina-Vanhatalo, director;
Finland, “Euthanizer,” Teemu Nikki, director;
France, “Memoir of War,” Emmanuel Finkiel, director;
Georgia, “Namme,” Zaza Khalvashi, director;
Germany, “Never Look Away,” Florian Henckel von Donnersmarck, director;
Greece, “Polyxeni,” Dora Masklavanou, director;
Hong Kong, “Operation Red Sea,” Dante Lam, director;
Hungary, “Sunset,” László Nemes, director;
Iceland, “Woman at War,” Benedikt Erlingsson, director;
India, “Village Rockstars,” Rima Das, director;
Indonesia, “Marlina the Murderer in Four Acts,” Mouly Surya, director;
Iran, “No Date, No Signature,” Vahid Jalilvand, director;
Iraq, “The Journey,” Mohamed Jabarah Al-Daradji, director;
Israel, “The Cakemaker,” Ofir Raul Graizer, director;
Italy, “Dogman,” Matteo Garrone, director;
Japan, “Shoplifters,” Hirokazu Kore-eda, director;
Kazakhstan, “Ayka,” Sergey Dvortsevoy, director;
Kenya, “Supa Modo,” Likarion Wainaina, director;
Kosovo, “The Marriage,” Blerta Zeqiri, director;
Latvia, “To Be Continued,” Ivars Seleckis, director;
Lebanon, “Capernaum,” Nadine Labaki, director;
Lithuania, “Wonderful Losers: A Different World,” Arunas Matelis, director;
Luxembourg, “Gutland,” Govinda Van Maele, director;
Macedonia, “Secret Ingredient,” Gjorce Stavreski, director;
Malawi, “The Road to Sunrise,” Shemu Joyah, director;
Mexico, “Roma,” Alfonso Cuarón, director;
Montenegro, “Iskra,” Gojko Berkuljan, director;
Morocco, “Burnout,” Nour-Eddine Lakhmari, director;
Nepal, “Panchayat,” Shivam Adhikari, director;
Netherlands, “The Resistance Banker,” Joram Lürsen, director;
New Zealand, “Yellow Is Forbidden,” Pietra Brettkelly, director;
Niger, “The Wedding Ring,” Rahmatou Keïta, director;
Norway, “What Will People Say,” Iram Haq, director;
Pakistan, “Cake,” Asim Abbasi, director;
Palestine, “Ghost Hunting,” Raed Andoni, director;
Panama, “Ruben Blades Is Not My Name,” Abner Benaim, director;
Paraguay, “The Heiresses,” Marcelo Martinessi, director;
Peru, “Eternity,” Oscar Catacora, director;
Philippines, “Signal Rock,” Chito S. Roño, director;
Poland, “Cold War,” Pawel Pawlikowski, director;
Portugal, “Pilgrimage,” João Botelho, director;
Romania, “I Do Not Care If We Go Down in History as Barbarians,” Radu Jude, director;
Russia, “Sobibor,” Konstantin Khabensky, director;
Serbia, “Offenders,” Dejan Zecevic, director;
Singapore, “Buffalo Boys,” Mike Wiluan, director;
Slovakia, “The Interpreter,” Martin Šulík, director;
Slovenia, “Ivan,” Janez Burger, director;
South Africa, “Sew the Winter to My Skin,” Jahmil X.T. Qubeka, director;
South Korea, “Burning,” Lee Chang-dong, director;
Spain, “Champions,” Javier Fesser, director;
Sweden, “Border,” Ali Abbasi, director;
Switzerland, “Eldorado,” Markus Imhoof, director;
Taiwan, “The Great Buddha+,” Hsin-Yao Huang, director;
Thailand, “Malila The Farewell Flower,” Anucha Boonyawatana, director;
Tunisia, “Beauty and the Dogs,” Kaouther Ben Hania, director;
Turkey, “The Wild Pear Tree,” Nuri Bilge Ceylan, director;
Ukraine, “Donbass,” Sergei Loznitsa, director;
United Kingdom, “I Am Not a Witch,” Rungano Nyoni, director;
Uruguay, “Twelve-Year Night,” Álvaro Brechner, director;
Venezuela, “The Family,” Gustavo Rondón Córdova, director;
Vietnam, “The Tailor,” Buu Loc Tran, Kay Nguyen, directors;
Yemen, “10 Days before the Wedding,” Amr Gamal, director.
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Sandra Bullock in BIRD BOX[/caption]
The World Premiere of BIRD BOX, along with THE BALLAD OF BUSTER SCRUGGS, GREEN BOOK and WIDOWS are among the full lineup of Galas that will screen at AFI FEST 2018. AFI FEST takes place November 8 to 15, 2018, in the heart of Hollywood.
Green Book[/caption]
GREEN BOOK – Academy Award® nominee Viggo Mortensen and Academy Award® winner Mahershala Ali star in Participant Media and DreamWorks Pictures’ GREEN BOOK. In his foray into powerfully dramatic work as a feature director, Peter Farrelly helms the film inspired by a true friendship that transcended race, class and the 1962 Mason-Dixon line. When Tony Lip (Mortensen), a bouncer from an Italian-American neighborhood in the Bronx, is hired to drive Dr. Don Shirley (Ali), a world-class black pianist, on a concert tour from Manhattan to the Deep South, they must rely on “The Green Book” to guide them to the few establishments that were then safe for African-Americans. Confronted with racism, and unexpected humanity and humor, they are forced to set aside differences to survive and thrive on the journey of a lifetime.
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L-R: Michelle Rodriguez, Viola Davis, and Elizabeth Debicki star in Twentieth Century Fox’s WIDOWS. Photo Credit: Courtesy Twentieth Century Fox.[/caption]
WIDOWS – From Academy Award®-winning director Steve McQueen (12 YEARS A SLAVE) and co-writer and bestselling author Gillian Flynn (“Gone Girl”) comes a blistering, modern-day thriller set against the backdrop of crime, passion and corruption. WIDOWS is the story of four women with nothing in common except a debt left behind by their dead husbands’ criminal activities. Set in contemporary Chicago, amid a time of turmoil, tensions build when Veronica (Oscar® winner Viola Davis), Linda (Michelle Rodriguez), Alice (Elizabeth Debicki) and Belle (Cynthia Erivo) take their fate into their own hands and conspire to forge a future on their own terms.
THE HATE U GIVE[/caption]
The Nordic Film Days Lübeck in Lübeck, northern Germany, will usher in its 60th year with the German premiere of the Estonian film “The Little Comrade” (Seltsimees laps) by Moonika Siimets on October 30, 2018 at 7:30 pm.This marks the first time in the history of the renowned festival that the opening night film will be from a Baltic State. In her first narrative film, director Moonika Siimets tells the story of six-year-old Leelo, living in Estonia in the 1950s. After her mother is taken away, the young girl tries to figure out the difference between good and evil amid the constraints of the Stalinist regime.
In addition to director Moonika Siimets, the NFL will welcome several of the film’s actors, producer Riina Sildos, and Leelo Tungal herself, who wrote the books on which the film is based.
“The Nordic Film Days Lübeck was the first festival that showcased Baltic films as early as 1989, before the Baltic States had attained independence. For 30 years, those films have helped shape the festival and we are extremely happy that we can give special expression to that partnership and connectivity by opening the festival with a film from one of the Baltic states for the first time. In this, the centenary of their founding, films from Estonia, Latvia, and Lithuania play a particularly prominent role at the Nordic Film Days Lübeck. Numerous fascinating films will be presented in every section of the festival”, says Linde Fröhlich, artistic director of the Nordic Film Days Lübeck.
“The Little Comrade” is based on the autobiographical novels of prize-winning Estonian writer and poet Leelo Tungal, “Comrade Kid and the Grown-Ups” (2008), and “Velvet and Sawdust” (2009). Her children’s book “Ludwig the Snowman’s Lucky Day” was published in German in 2017.
Estonia in 1950 is in the grip of Stalin’s terror regime. “If you’re a good child, I’ll be back soon”, says Leelo’s mother as she is hauled off to a Siberian gulag. Her young daughter takes that mission to heart, impossible as it may be to fulfil. But not matter what she does, her mother doesn’t return. She wonders if she is responsible for her mother’s disappearance. Little by little, Leelo becomes more confused about what really constitutes good and evil in the world. She needs to find answers to a bunch of questions all by herself, and learn to find her way in the world of the Stalinist regime. The film depicts a young girl’s attempts to stay true to herself despite the tragi-comic events in her homeland.
The film was produced by Riina Sildos with the Estonian production company Amrion Ltd., which she founded. World-wide distribution is being handled by Eyewell in Sweden. “The Little Comrade” was made as part of the EV100 program, dedicated to the centenary of the founding of the Estonian republic.
The 60th Nordic Film Days, presented by the Hanseatic city of Lübeck, will be held from October 30 to November 4, 2018.
https://www.youtube.com/watch?v=yDzvbbt3k54
Divide and Conquer: The Story of Roger Ailes[/caption]
The 26th Hamptons International Film Festival on Monday, announced their award winners at a ceremony in East Hampton, with the top awards going to 
Princesita[/caption]
Fail State[/caption]
The award-winning investigative documentary 
Girl by Lukas Dhont[/caption]
The Zurich Film Festival awarded their 2018 Golden Eye for International Feature Film to 
They’ll Love Me When I’m Dead[/caption]
The fourth 
The supernatural horror film Soul To Keep, co-directed by David Allensworth and Monière, will have its world premiere at Shriekfest on Saturday October 6th in Hollywood.
Soul To Keep tells the story of Beelzebub, a demon hell-bent on consuming and taking control of souls, who hunts down siblings and their lifelong friends at a rundown country house.
“Soul to Keep is a great possession horror film that uses a deaf character to uniquely tell the story,” says Shriekfest’s festival director Denise Gossett. “This is a film that horror fans are going to love and we are thrilled to be showing our first ever open captioned film!” she adds.
The introduction of a deaf lead character, Tara, played by deaf actress Sandra Mae Frank, allows the exploration of unique modalities in the narrative style, notably the use of sign language throughout the film. All the actors flawlessly learnt and incorporated the sign language into their performances to serve the purpose of the story. This inclusive aspect of the unrepresented Deaf Community makes the production accessible to hard-of-hearing audiences as well as creating a dialogue between the Deaf and Hearing populations.
“The Deaf element in this film came to me originally as something of a scare tactic, and it blossomed into an important statement about bringing communities together,” says director David Allensworth. “Our co-writer Eric Bram’s wife is partially deaf, as well as one of our producers, Matt Meyer, who has partial hearing loss.”
“I wanted to bring out the elements of a minority group – the deaf and hard at hearing – and showcase them as heroes. In addition, I wanted to tell a horror story with real proven metaphysical elements, not another horror-slasher film,” adds co-director Monière.
ERIN, a cute yet timid 22-year-old, and her confident twin brother JOSH inherit their grandpa’s creepy country house. Rusty broken barn. Swampy pond. No better way to christen the home than to throw a party with their school friends. Josh brought his sweetheart, TARA, and their closeness is apparent. Tara is deaf, and all the friends speak with her through sign language. Everyone, except for BRANDON, the self-centered boyfriend of GRACE, Erin’s childhood friend-turned-Dark-Wiccan.
It’s all fun and games until the lights go out. Josh searches the dark and damp basement to find the fuse box, only to discover a secret ritual room, complete with animal bones, blood, and meat arranged in a large triangle. Not to mention the nearby grimoire – a demonic spell book. The group is convinced now that the sibling’s grandpa truly went crazy.
Grace, being familiar with it all, reads over the grimoire to discover a spell to conjure the very powerful demon, BEELZEBUB – one of the seven Princes of Hell. Drunk and high, the group thinks it’s a fun idea to conduct a possession spell to see if it’ll work. And to their surprise… it does! Beelzebub has finally arrived and he will stop at nothing to consume their souls.
Dr. Denis Mukwege in The Man Who Mends Women – The Wrath of Hippocrates[/caption]
Dr. Denis Mukwege, world renowned Congolese surgeon and the subject of the documentary “