The coronavirus, (COVID-19) pandemic is having a devastating impact on film festivals with many postponing or cancelling outright. Major festivals such as San Francisco International Film Festival and RiverRun International Film Festival have canceled, while others such as Richmond International Film Festival and Florida Film Festival have been postponed until the Summer or Fall.
Alberto Monteras II’s RESPETO, an exploration of the Pinoy hiphop underground world where a young aspiring rapper and a Martial Law poet cross paths, won seven awards at the 13th Cinemalaya Philippine Independent Film Festival.
Respeto won Best Film, Best Supporting Actor for Dido de La Paz, Best Sound, Best Editing, the 2017 NETPAC (Network for the Promotion of Asia Pacific Cinema) Award and the Audience Choice Award.
The film shared the Best Cinematography Award with another full length feature Joseph Israel Laban’s film Baconaua.
Baconaua, based on an actual story of how one morning after a particularly strong squall, a sleepy fishing village woke up to the astonishing sight of the sea that had turned red, won the Special Jury Prize and Best Direction awards.
Angeli Bayani won Best Actress for her role in Bagahe by Zig Dulay while Noel Comia Jr. and Yayo Aguila landed the Best Actor and Best Supporting Actress awards respectively for their work in Kiko Boksingero by Thop Nazareno.
Bayani was hailed for her role as an OFW suspected of dumping a newborn child in the trash bin of an airplane toilet; Comia for his heartrending performance of a boy grieving for his mother while trying to win the love of his estranged father; and Aguila for her endearing portrayal of the nanny who tries to soothe her ward’s loneliness.
Bagahe also won the Best Screenplay award for Zig Dulay while Kiko Boksingero bagged Best Musical Score for Pepe Manikan. Nabubulok won Best Production Design for Marxie Maolen Fadul.
In the short feature category, the Best Film award went to Hilom by P.R. Patindol while Fatima Marie Torres and the Invasion of Space Shuttle Pinas 25 by Carlo Francisco Manatad won the Special Jury Prize. Aliens Ata by Karl Glenn Barit scooped up the 2017 NETPAC Award; Best Direction went to E Del Mundo for her Manong ng Pa-Aling and Duwi Monteagudo won Best Screenplay for Bawod. The Audience Choice Award was given to Marvin Cabangunay and Jaynus Olaivar’s Nakauwi Na. Best Short Film winner Hilom won Php150,000 cash award and the Cinemalaya Balanghai trophy.
In this year’s Cinemalaya, nine films competed in the Full Length Feature category. These were: Ang Guro Kong Di Marunong Magbasa (My Teacher Who Doesn’t Know How To Read) by Perry Escaño; Ang Pamilyang Hindi Lumuluha (The Family That Doesn’t Weep) by Mes de Guzman;Baconaua by Joseph Israel Laban; Bagahe (The Baggage) by Zig Dulay; Nabubulok (The Decaying) by Sonny Calvento; Kiko Boksingero by Thop Nazareno; Requited by Nerissa Picadizo; Respeto by Alberto Monteras II; and, Sa Gabing Nanahimik ang mga Kuliglig (Clouds of Plague) by Iar Lionel Benjamin Arondaing.
For the first time in Cinemalaya history, there were 12 short films, instead of the usual 10, that competed. These were: Aliens Ata (Maybe Aliens) by Karl Glenn Barit; Bawod (Bent) by TM Malones; Fatima Marie Torres and the Invasion of Space Shuttle Pinas 25 by Carlo Francisco Manatad; Hilom (Still) by P.R. Patindol; Islabodan (Free Men) by Juan Carlo Tarobal; Juana and the Sacred Shores by Antonne Santiago; Lola Loleng (Grandma Loleng) by Jean Cheryl Tagyamon;Manong ng Pa-Aling (Man of Pa-Aling) by E del Mundo; Maria by JP Habac Jr.; Nakauwi Na by Marvin Cabangunay and Jaynus Olaivar; Nakaw by Arvin Belarmino and Noel Escondo; and Sorry For The Inconvenience by Carl Adrian Chavez.
The Cinemalaya Foundation announced the finalists for the New Breed Full Length Feature category and the Directors Showcase for the 2014 Cinemalaya Independent Film Festival and Competition.
The themes and subject matter of the 2014 Cinemalaya finalists are diverse. Stories include the disappearance of a young girl believed to have been eaten by a crocodile in the marshlands of Agusan del Norte, a friendship among soldiers fighting the Japanese in World War II, and a T’boli epic. The films cover a range of genres, from coming of age stories, romance, epic, comedy and action.
Cinemalaya is an all-digital film festival and competition that aims to discover, encourage and honor cinematic works of Filipino filmmakers. In addition to New Breed category, which is the main competition category, and the Directors Showcase, Cinemalaya has a Short Film competition and other sections for exhibition films. Cinemalaya is a project of the Cinemalaya Foundation and Cultural Center of the Philippines.
This year, Cinemalaya will be held on August 1-10 at the Cultural Center of the Philippines, Greenbelt 3, TriNoma and Alabang Town Center.
The ten finalists for the New Breed Full Length Feature category are:
#Y by Gino Santos
1st ko si 3rd by Real S. Florido
Bwaya by Francis X.E. Pasion
Dagitab (Sparks) by Giancarlo Lauro C. Abrahan V
Dayang Asu by Bor Ocampo
K’na, The Dreamweaver by Ida Anita Del Mundo
Mariquina by Milo Sogueco
Ronda by Nick Olanka
Separados by GB Sampedro
Sundalong Kanin by Denise O’Hara/Janice O’Hara
For the Directors Showcase, the finalists are:
Asintado by Louie Ignacio
Hari ng Tondo by Carlos Siguion-Reyna/Bibeth Orteza
Hustisya by Joel Lamangan
The Janitor by Michael Tuviera
Kasal by Joselito Altarejos
The popular Philippine indie festival Cinemalaya Philippine Independent Film Festival will be held on July 26 to August 4, 2013. 15 full length finalists/ filmmakers (10 new breed and 5 directors showcase) and 10 short films have been selected to be featured at the festival. The films in the New Breed Full Length Category will compete for the coveted Balanghai Award. Awards are also given in the Short Feature Category and the Directors Showcase.
The ten finalists in the NEW BREED CATEGORY are:
BABAGWA (Spider)
By Jason Paul Laxamana
An Internet scammer falls in love with a wealthy old maid while trying to swindle her using a fake Facebook profile.
DEBOSYON
By Alvin B. Yapan
Mando, a Bikolano devotee of Ina, Virgin of Peñafrancia, Patroness of Bikolandia, injures himself in the middle of the forest at the foot of the Mayon Volcano. He will be nursed back to health by a mysterious woman, Salome, living there. They will fall in love with each other. But when Mando invites her to come with him to the plains, Salome refuses, saying a curse prohibits her from leaving the forest. Salome holds a secret that will devastate Mando’s love for her. Mando relies on his devotion to the Virgin of Peñafrancia to lift the curse, making him realize just how inextricably linked are the virtues of love and faith.
INSTANT MOMMY
By Leo Abaya
In order to solve a personal predicament, Bechayda, a wardrobe assistant in TV commercials, pretends to be pregnant.
The film is one summer’s journey with her as she reaches the fateful decision amidst a highly visualized world where the video screen not only reigns supreme but is also the frame within which a usually unsuspecting public accesses the content of image-makers.
NUWEBE
By Joseph Israel M. Laban
Inspired by the actual story of one of the youngest mothers in Philippine history, NUWEBE follows the story of Krista who at the tender age of 9 got pregnant from the sexual abuse perpetrated by her own father. Her story is complex. Krista refuses to see herself as a victim. With an almost documentary style, NUWEBE follows Krista’s story as she demonstrates a level of resilience uncommon to her age. Her mother on the other hand is torn between her love for her child and her love for her husband.
PUROK 7
By Carlo Obispo
A countryside dramedy (drama-comedy) that follows the story of 14-year-old Diana and her younger brother who live by themselves after their mother went abroad and their father lived with another woman.
QUICK CHANGE
By Eduardo Roy Jr.
Life of Dorina a middle-aged transsexual looking for his niche amidst the complexities of the world he is in. This is a story of suffering, acceptance and hope.
REKORDER
By Mikhail Red
REKORDER tells the story of a former 1980’s film cameraman who now currently works as a movie pirate operating in present day Manila. He routinely smuggles a digital camcorder into movie theaters in order to illegally record films. One night he records something else… And the footage goes viral.
THE DIPLOMAT HOTEL
By Christopher Ad Castillo
Victoria Lansang is a popular news reporter who has been requested to mediate a hostage crisis. And in front of a national television audience, something horribly goes wrong and people are killed while Victoria suffers a mental breakdown.
A year later, she’s eager to get back into the game but the only assignment she can get is to do a documentary on the last night of The Diplomat Hotel in Baguio City, a crumbling and abandoned building infamously known for its bloody past and its hauntings and has carved a place in Philippine ghost lore.
Looking for redemption, she arrives there with her crew and they start filming. But as they get deeper into the night, the place starts to exert its will on them and they find out exactly what monstrous evil awaits at The Diplomat Hotel.
By daybreak, their lives will never be the same again.
TRANSIT
By Hannah Espia
TRANSIT begins and ends in an airport during a father and son’s transit flight from Tel Aviv to Manila. It tells the story of Moises, a Filipino single-dad working as a caregiver in Herzliya, Israel, who comes home to his son Joshua’s 4th birthday. It was on that day that Moises, together with their Filipino neighbors, Janet and her daughter Yael, find out that the Israeli government is going to deport children of foreign workers. Afraid of the new law, Moises and Janet decide to hide their children from the immigration police by making them stay inside the house.
DAVID F.
By Manny Palo
Black is scientifically the absence of color, but not all who see it are color-blind, figuratively.
David F. weaves three stories that take a look at the lineage of African Americans in the Philippines – from American soldiers in the Fil-Am war to the Amboys in the former Clark Airfield, and how we Pinoys take to them.
It begins with the Philippine-American war in the early 1900’s when two Filipinos want to get the reward money for capturing David Fagan, the African-American soldier who deserted the U.S. army to join the Filipino revolutionaries against the new colonizers. Another thread of the film takes a look at the life of a Filipina during the Japanese occupation before the return of General Douglas MacArthur in 1944 who gives birth to a baby that turns out to be black-skinned.
And then in contemporary times, a black gay impersonator in a comedy bar, whose father is an African American soldier based in Clark Air Base in Angeles City, tries to find his father who abandoned them.
In the course of history, the “F” in “David F.” may spell different levels of discrimination. But would we also admit that we Filipinos are bigots ourselves?
The ten finalists in the DIRECTORS SHOWCASE CATEGORY are:
AMOR y MUERTE
By Ces Evangelista
AMOR y MUERTE is an erotic 16th Century period drama; an examination of the initial encounter between the Indios (natives) and their colonizers (Spaniards) and their conflicting views on love, passion, religion and sexuality.
EXTRA
By Jeffrey Jeturian
EXTRA (A Bit Player) is a socio-realist drama-comedy film, which follows a seemingly usual day in the life of LOIDA MALABANAN (Vilma Santos) as she embarks on yet another shooting day of a soap opera as an extra. As the shoot goes on, we get a glimpse of the truth in the ruling system of the production as well as the exploitation on the marginalized laborers like her.
PORNO
By Adolfo B. Alix Jr.
Three souls, one explicit illusion. To find the ultimate joy in their empty lives. A safe haven, where passion and love mean humanity, ecstasy means enlightenment; and the soul is the ultimate arbiter of the truth.
SANA DATI
By Jerrold Tarog
Andrea Gonzaga has accepted her fate by agreeing to marry a man she does not love. But a few hours before her wedding, someone arrives to remind her of the true love she once had and lost. SANA DATI is a love story about bittersweet compromises and real- life decisions. It is the third part of Jerrold Tarog’s Camera Trilogy after CONFESSIONAL and MANGATYANAN.
THE LIARS
By Gil M. Portes
The Liars is the story of a journalist (Eloisa) whose expose’ of the truth results in life-changing consequences to a baseball team of poor boys. Inspired by a true story.
The ten finalists in the SHORT FILM CATEGORY are:
BAKAW by Ron Segismundo
Bakaw is a day in the life of a child who steals at the Navotas fishport.
KATAPUSANG LABOK by Aiess Athina E. Alonso
Katapusang Labok depicts the struggles of fishermen who must deal with environmental abuse and the effects of coral harvesting on their livelihood.
MISSING by Zig Madamba Dulay
Missing tackles the subject of forced disappearances.
ONANG by Jann Eric S. Tiglao
Onang is the classic tale of a young probinsyana who seeks her fortune in the big city.
PARA KAY AMA by Relyn A. Tan
Para kay Ama is about a young Chinese-Filipino girl who discovers she has a half-brother when she meets him on the last day of her father’s wake. <p”>PUKPOK by Joaquin Adrian M. Pantaleon
Pukpok is one adolescent’s transition to manhood as he hurdles a case characterized by excessive blood, superstition and a man with failing eyesight.
SA WAKAS by Ma. Veronica Santiago
Sa Wakas is a reflection on the bond of a father and daughter tested by cultural, political and religious hypocrisy.
TAYA by Philip Adrian Bontayam
Taya is about a 12-year-old boy who learns to play the game of life with a new set of friends. The film highlights how traditional Filipino games reflect the realities and disparities of our society.
THE HOUSEBAND’S WIFE by Paulo P. O’Hara
The Houseband’s Wife is an essay about a typical OFW family, with the OFW wife as breadwinner and the husband left in the Philippines to care for the children. Technology and the internet bridges the physical distance but shatters domestic harmony when the wife, on a Skype video call, sees a bra, not hers, hanging in the marital closet.
TUTOB by Kissza Mari V. Campano
Tutob begins when recent bombings in the region put authorities on alert. A mysterious, strange-looking native Maranao man dressed up in Muslim attire shows up. He is tasked to fetch a package from his boss’ contact. From a rural area in the mountains, he rides his motorcycle to the city to get the package. On his way back, he is stopped at an army checkpoint. Speaking Maranao, he says he doesn’t know what’s in the package, but the Visayan-speaking soldiers don’t understand him and insist on opening it.
[caption id="attachment_1558" align="alignnone"]
“Ang Babae sa Septic Tank” starring Eugene Domingo[/caption]
The 7th Cinemalaya Independent Film Festival handed out its awards last night and the big winners are Ang Babae Sa Septic Tank (for the New Breed Full-Length Category) and Bisperas (Directors’ Showcase Category) – each winning five awards including the much coveted title “BEST FILM” in their respective categories.
[caption id="attachment_1559" align="alignnone"]
Bisperas[/caption]
The complete list of Cinemalaya 2011 winners:
New Breed (Full-Length) Category
Best Film – Ang Babae Sa Septic Tank
Best Director – Marlon Rivera (Ang Babae Sa Septic Tank)
Special Jury Prize: Niño
Best Actress – Eugene Domingo (Ang Babae Sa Septic Tank)
Best Actor – Edgar Allan Guzman (Ligo Na U, Lapit Na Me)
Best Supporting Actress – Shamaine Buencamino (Niño)
Best Supporting Actor – Art Acuña (Niño)
Best Screenplay – Chris Martinez (Ang Babae Sa Septic Tank)
Best Cinematography – Arvin Viola (Ang Sayaw ng Dalawang Kaliwang Paa)
Best Production Design – Laida Lim (Niño)
Best Editing – Lawrence Fajardo (Amok)
Best Original Music Score – Christine Muyco and Gemma Pamintuan (Ang Sayaw ng Dalawang Kaliwang Paa)
Best Sound – Mike Idioma (Amok)
Short Feature Film Category
Best Film – Walang Katapusang Kuwarto
Best Director – Rommel Tolentino (Niño Bonito)
Special Jury Prize – Hanap Buhay
Best Screenplay – Emerson Reyes (Walang Katapusang Kuwarto)
Directors’ Showcase Category
Best Film – Bisperas
Best Director – Aureaus Solito (Busong)
Special Jury Prize – No winner
Best Actress – Raquel Villavicencio (Bisperas)
Best Actor – Bembol Roco (Isda)
Best Supporting Actress – Julia Clarete (Bisperas)
Best Supporting Actor – Jaime Pebangco (Patikul)
Best Screenplay: No winner
Best Cinematography – Roberto Yñiguez (Bisperas)
Best Production Design – Rodrigo Riccio (Bisperas)
Best Editing – Benjamin Tolentino (Isda)
Best Original Musical Score – Diwa de Leon (Busong)
Best Sound – Diwa de Leon (Busong)
[caption id="attachment_1445" align="alignnone" width="560"]
Eugene Domingo in ‘Ang Babae Sa Septic Tank’[/caption]
Thirty-one films will compete in the 2011 Cinemalaya Independent Film Festival in Manila next month. Nine films will compete in the New Breed Full-length Feature category, 10 films in the Short Feature category, and 4 in the Directors’ Showcase.
New Breed category
“Amok” by Lawrence Fajardo
“Ang Babae sa Septic Tank” by Chris Martinez
“Ang Sayaw ng Dalawang Kaliwang Paa” by Alemberg Ang and Alvin Yapan
“Baby Factory” by Eduardo W. Roy, Jr. and Jerome Zamora
“Cuchera” by Joseph Israel M. Laban and Janice O’Hara
“I-libings: Your Loss, Our Luck” by Rommel Andreo Sales
“Ligo na U, Lapit Na Me” by Noel Ferrer, Jerry Gracio and Erick Salud
“Niño” by Loy Arcenas
“Teoriya (Father’s Way)” by Alistaire Christian E. Chan
Short Feature category
“Oliver’s Apartment” by Misha Balangue
“Hanapbuhay” by Henry Frejas
“Un Diutay Mundo (One Small World)” by Ana Carlyn V. Lim
“Immanuel” by Gabriel “Gio” Puyat
“Hazard” by Mikhail Red
“Walang Katapusang Kwarto” by Emerson Reyes
“Debut” by Pamela Llanes Reyes
“Samarito” by Rafael L. Santos
“Every Other Time” by Gino M. Santos
“Nino Bonito” by Rommel “Milo” Tolentino
Directors Showcase
“Bisperas” by Jeffrey Jeturian
“Busong” by Auraeus Solito
“Isda” by Adolfo Alix, Jr.
“Patikul” by Joel C. Lamangan
This year’s Cinemalaya Festival will for the first time include a section called Focus Asia that will feature 8 independent works by Asian directors.
The Cinemalaya Awards Night will be held on July 2, 2011.