ROMA[/caption]
The 21st SCAD Savannah Film Festival organized by Savannah College of Art and Design (SCAD) will screen a record total of 164 films; and will kick off on Saturday, October 27, with the Opening Night Gala Screening of Roma, directed by Alfonso Cuarón. The Centerpiece Gala will be If Beale Street Could Talk, written and directed by Barry Jenkins and starring festival honorees Stephan James and KiKi Layne. The festival will close on Saturday, November 3 with the Closing Gala Screening of Green Book, directed by Peter Farrelly and starring Viggo Mortensen and 2016 festival honoree Mahershala Ali.
The 2018 schedule includes Gala, Docs to Watch, Signature and Professional Competition screenings, along with Global Shorts Forum and “Wonder Women” forum highlighting female directors, producers, and below the line talent at SCAD’s historic theaters and industry-leading studios. New programming this year includes an Animation Corner, a TV Sidebar and a Shorts Spotlight. SCAD’s annual tribute to excellence in film has screened over 110 Oscar-nominated films; and has honored over 80 legendary actors, directors, producers, writers, and filmmakers.
Film Festivals
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SCAD Savannah Film Festival Announces 2018 Lineup, Opens with ROMA
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ROMA[/caption]
The 21st SCAD Savannah Film Festival organized by Savannah College of Art and Design (SCAD) will screen a record total of 164 films; and will kick off on Saturday, October 27, with the Opening Night Gala Screening of Roma, directed by Alfonso Cuarón. The Centerpiece Gala will be If Beale Street Could Talk, written and directed by Barry Jenkins and starring festival honorees Stephan James and KiKi Layne. The festival will close on Saturday, November 3 with the Closing Gala Screening of Green Book, directed by Peter Farrelly and starring Viggo Mortensen and 2016 festival honoree Mahershala Ali.
The 2018 schedule includes Gala, Docs to Watch, Signature and Professional Competition screenings, along with Global Shorts Forum and “Wonder Women” forum highlighting female directors, producers, and below the line talent at SCAD’s historic theaters and industry-leading studios. New programming this year includes an Animation Corner, a TV Sidebar and a Shorts Spotlight. SCAD’s annual tribute to excellence in film has screened over 110 Oscar-nominated films; and has honored over 80 legendary actors, directors, producers, writers, and filmmakers.
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BAD TIMES AT THE EL ROYALE to open Rome Film Fest [Trailer]
Bad Times at the El Royale written and directed by Drew Goddard will open the 13th Rome Film Fest taking place October 18 to 28, 2018.
Director Drew Goddard began his career as a writer, first for television and then for the big screen, writing the screenplay for Cloverfield and The Martian, which won him an Oscar® nomination. He also created the Netflix series Daredevil. After making his directorial feature film debut with The Cabin in the Woods, he is back behind the camera with his sophomore film, a mystery thriller: seven strangers, each with a secret to bury, meet at Lake Tahoe’s El Royale, a rundown hotel with a dark past on the border between California and Nevada. Over the course of one fateful night, everyone will have a last shot at redemption. The film’s cast includes Oscar®-winner Jeff Bridges, Cynthia Erivo, Dakota Johnson, Jon Hamm, Cailee Spaeny, Lewis Pullman, Nick Offerman and Chris Hemsworth.
Artistic director Antonio Monda said: “Bad Times at the El Royale is a sophisticated, intelligent, ironic, surprising and elegant film. Within the great tradition of the noir, Drew Goddard magnificently directs a splendid cast, reveling in the revelation of the protagonists’ secrets, but above all granting us the pleasure of true cinema”.
https://www.youtube.com/watch?v=y7wzBVARwaU
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Lorenz Merz’s BEAST Wins Filmmaker Award at Zurich Film Festival
Actor Dev Patel presented the 4th Filmmaker Award to director Lorenz Merz and producer Simon Hesse at the IWC Private Dinner during the 2018 Zurich Film Festival for their film BEAST. The award supports outstanding Swiss film projects that are at the production or post-production stage.
BEAST is an emotional coming-of-age film that tells the story of a teenager named Gabriel (Pablo Caprez) who devotedly brings up his two-year-old son alone. One summer’s night, Gabriel, his friend Joel (Tonatiuh Radzi) and Joel’s girlfriend Cory (Ella Rumpf) break into the zoo and release a horde of wild animals. While Gabriel and Cory become increasingly attracted to each other, a state of emergency is declared in the city.
The film is set in Zurich during the summer of 2017. It is shot in the Swiss German dialect and is currently at the postproduction stage. It is expected to hit cinemas in the Spring of 2019. BEAST is directed by Zurich-born Lorenz Merz, whose debut CHERRY PIE screened at Locarno in 2013. Merz has received the Swiss Film Award on two occasions for his work as a camera operator.
Dev Patel achieved his international breakthrough in 2008 with the modern Bollywood fairytale “Slumdog Millionaire”. For the drama “Lion”, which also screens at the ZFF, he received the 2017 BAFTA for Best Supporting Actor and an Academy Award nomination. “It is a real honour for me to be able to present this award. The Filmmaker Award helps highly promising projects to make it to the big screen and therefore contributes to the diversity of Swiss cinema,” said Patel at the award ceremony.
“In a smaller country like Switzerland, the film industry is reliant on targeted support. I am really pleased that, with the Filmmaker Award, we are able to contribute to getting this exciting film made,” explained Franziska Gsell, Chief Marketing Officer at IWC Schaffhausen.
The Filmmaker Award, which comes with an endowment of CHF 100,000, was established by the Association for Film Funding in Switzerland. This association counts the co-founders of the ZFF, Nadja Schildknecht and Karl Spoerri, Ringier CEO Marc Walder and IWC CEO Christoph Grainger-Herr among its members. The aim of the award is to provide targeted support to exciting projects from Swiss filmmakers in the often tricky production or post-production phase. This therefore closes the current gap in film funding.
Image credit: ZURICH, SWITZERLAND – SEPTEMBER 29: Zurich Film Festival director Karl Spoerri, CMO IWC Schaffhausen Franziska Gsell, award winners Lorenz Merz and Simon Hesse and British actor Dev Patel pose at the IWC Private Dinner at Haute on 29 September, 2018 in Zurich, Switzerland. During the event British actor Dev Patel presented the 4th Filmmaker Award. The film “Beast” from producer Simon Hesse was declared the winner by the jury. The award, which is worth CHF 100,000, supports outstanding Swiss film projects that are in the production or post-production stage. (Photo by Harold Cunningham/Getty Images for IWC)
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World Premiere of MARY QUEEN OF SCOTS to Close 2018 AFI Fest [Trailer]
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(l-r) Grace Molony stars as Dorothy Stafford, Margot Robbie stars as Queen Elizabeth I and Georgia Burnell as Kate Carey in MARY QUEEN OF SCOTS, a Focus Features release.[/caption]
Mary Queen of Scots, the historical drama based on John Guy’s biography, “Queen of Scots: The True Life of Mary Stuart” and directed by Josie Rourke will World Premiere as the closing night film of AFI FEST presented by Audi. The film is written by Academy Award® nominee Beau Willimon, and stars Academy Award® nominees Saoirse Ronan and Margot Robbie, along with Jack Lowden, Joe Alwyn, Gemma Chan, Martin Compston, Ismael Cordova, Brendan Coyle, Ian Hart, Adrian Lester, James McArdle, David Tennant and Guy Pearce. The Closing Night Gala will take place on Thursday, November 15, 2018 at the historic TCL Chinese Theatre.
“This commanding story of powerful women and political rivalry that shaped world history will close AFI FEST on a high note,” said Michael Lumpkin, Director, AFI Festivals. “This year’s festival showcases compelling women-directed narratives that challenge the status quo, and Mary Queen of Scots is no exception.”
Mary Queen of Scots explores the turbulent life of the charismatic Mary Stuart (Ronan). Queen of France at 16 and widowed at 18, Mary defies pressure to remarry. Instead, she returns to her native Scotland to reclaim her rightful throne. But Scotland and England fall under the rule of the compelling Elizabeth I (Robbie). Each young Queen beholds her “sister” in fear and fascination. Rivals in power and love, and female regents in a masculine world, the two must decide how to play the game of marriage versus independence. Determined to rule as much more than a figurehead, Mary asserts her claim to the English throne, threatening Elizabeth’s sovereignty. Betrayal rebellion and conspiracies within each court imperil both thrones — and change the course of history.
AFI FEST takes place November 8–15, 2018, in the heart of Hollywood. Screenings, Galas and other events will be held at the TCL Chinese Theatre, the TCL Chinese 6 Theatres, the Egyptian Theatre and The Hollywood Roosevelt. The Opening Night Gala will be the World Premiere of On the Basis of Sex (directed by AFI Conservatory alumna Mimi Leder).
https://www.youtube.com/watch?v=wnqjSgMU36U
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New York Film Festival Unveils Official 2018 Poster
It is here – the poster for the 56th New York Film Festival (September 28 – October 14), collaboratively designed by cinematographer Ed Lachman and visual artist JR. NYFF posters are a yearly artistic signature of the festival, and Lachman and JR join an impressive legacy of artists whose work has been commissioned for it, including Andy Warhol, Roy Lichtenstein, David Hockney, Julian Schnabel, Cindy Sherman, and last year’s artist, Richard Serra.
“This year’s poster came together in the best imaginable way—spontaneously, at last year’s festival,” said New York Film Festival Director Kent Jones. “Dan Stern, our board president, was talking to Ed Lachman, one of the best DPs alive, a visual artist, and a regular at the NYFF, and asked him if he had any interest in doing a poster for this year. Ed thought it over, got back to Dan, and told him that he and JR—who was at the festival with his amazing collaboration with Agnès Varda, Faces Places—had been discussing the possibility of a collaboration, and they’d agreed that the NYFF poster presented them with a great opportunity. The result is better than we could ever have imagined, a real thing of beauty, and it’s going to be a favorite.”
On the partnership and thought process behind this year’s poster, Ed Lachman explains, “Being at the Festival is the highlight of the year for me, when I’m not working. It’s a place to meet, share, and experience what cinema can be. The opportunity to create the poster for the New York Film Festival and collaborate with JR was a formidable experience and similar to filmmaking, where one works with other visual artists to create a project. I’ve had the greatest respect and admiration for his work over the years, both visually and how he engages communities he’s portraying within a social context, which I think is so important in today’s world, to find how we’re all connected, rather than separated and divided.”
According to Lachman, “The idea came together using JR’s emblematic eyes . . . What is cinema without the mind, the heart, and the eyes of the filmmakers? Using the director’s eyes can symbolize the creative force behind the images and the stories that the Festival has championed and represented to New York over the years, supported by the audience holding the placards of their eyes, and what can be more New York than our alleyways?”
A revered and award-winning cinematographer, Ed Lachman has shot more than 100 narrative, experimental, and documentary titles in the United States and internationally. He is known for his collaborations with Todd Haynes, Steven Soderbergh, Robert Altman, Paul Schrader, Todd Solondz, Sofia Coppola, Werner Herzog, Wim Wenders, Volker Schlöndorff, Ulrich Seidl, and Jean Luc-Godard, among others.
Lachman’s work has garnered him numerous honors including Academy Award nominations for his work on Carol (2015) and Far from Heaven (2002), as well as an Emmy nomination for the HBO miniseries Mildred Pierce (2011). He has been honored with the American Society of Cinematographers Lifetime Achievement Award, Telluride Medallion Award, Gotham Award, and this year at Cannes with the 2018 Angenieux ExcelLens in Cinematography Award. Lachman is also known as a visual artist who has had installations, videos, and photography at the Whitney Museum of American Art, MoMA, the Ludwig Museum in Germany, and many other museums and galleries throughout the world.
JR exhibits freely in the streets of the world, catching the attention of people who are not typical museum visitors. In 2006, he created Portrait of a Generation, images of suburban “thugs” that he posted in huge formats in the bourgeois districts of Paris. In 2007, with Marco, he made Face 2 Face, large portraits of Israelis and Palestinians standing facing each other in eight Palestinian and Israeli Cities, considered the biggest illegal exhibition ever. In 2011, he received the TED Prize. Later that same year, he created Inside Out, a global participatory art project that transforms messages of personal identity into works of art. As of September 2017, over 350,000 people from more than 140 countries have participated, through mail or gigantic photo booths.
His recent projects include a collaboration with New York City Ballet; the feature documentary Faces Places, co-directed with Nouvelle Vague legend Agnès Varda; seemingly “erasing” the pyramid outside of the Louvre; giant scaffolding installations at the 2016 Rio Olympics; an exhibition on the abandoned hospital of Ellis Island; and a gigantic installation at the U.S.-Mexico border fence. As he remains anonymous and doesn’t explain his enlarged full-frame portraits, JR leaves the space empty for an encounter between the subject/protagonist and the passerby/interpreter.
A special thank you to photographers David Godlis and Julie Cunnah for their photo contributions to the poster. Chantal Akerman photo courtesy of Kenneth Saunders/The Guardian.
The complete list of NYFF poster artists:
Larry Rivers, 1963
Saul Bass, 1964
Bruce Conner, 1965
Roy Lichtenstein, 1966
Andy Warhol, 1967
Henry Pearson, 1968
Marisol (Escobar), 1969
James Rosenquist, 1970
Frank Stella, 1971
Josef Albers, 1972
Niki de Saint Phalle, 1973
Jean Tinguely, 1974
Carol Summers, 1975
Allan D’Arcangelo, 1976
Jim Dine, 1977
Richard Avedon, 1978
Michelangelo Pistoletto, 1979
Les Levine, 1980
David Hockney, 1981
Robert Rauschenberg, 1982
Jack Youngerman, 1983
Robert Breer, 1984
Tom Wesselmann, 1985
Elinor Bunin, 1986
Sol Lewitt, 1987
Milton Glaser, 1988
Jennifer Bartlett, 1989
Eric Fischl, 1990
Philip Pearlstein, 1991
William Wegman, 1992
Sheila Metzner, 1993
William Copley, 1994
Diane Arbus, 1995
Juan Gatti, 1996
Larry Rivers, 1997
Martin Scorsese, 1998
Ivan Chermayeff, 1999
Tamar Hirschl, 2000
Manny Farber, 2001
Julian Schnabel, 2002
Junichi Taki, 2003
Jeff Bridges, 2004
Maurice Pialat, 2005
Mary Ellen Mark, 2006
agnès b., 2007
Robert Cottingham, 2008
Gregory Crewdson, 2009
John Baldessari, 2010
Lorna Simpson, 2011
Cindy Sherman, 2012
Tacita Dean, 2013
Laurie Simmons, 2014
Laurie Anderson, 2015
Apichatpong Weerasethakul, 2016
Richard Serra, 2017
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INNER GHOSTS and LEVEL 16 Among New Films Added to 2018 Brooklyn Horror Film Festival
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INNER GHOSTS[/caption]
The Brooklyn Horror Film Festival added five more features to the 2018 lineup, including the North American Premiere of Paulo Leite’s supernatural thriller INNER GHOSTS and Danishka Esterhazy’s dystopian women-led satire LEVEL 16. The 2018 Brooklyn Horror Fest runs October 11th to 18th with events and screenings at Nitehawk Cinema, Syndicated, LIU Kumble Theatre, Videology, Wythe Hotel Cinema and IFP’s Made in NY Media Center.
INNER GHOSTS (North American Premiere)
Brazil/Portugal | 2018 | 89 Min | Dir. Paulo Leite
To call Dr. Helen’s research “revolutionary” would be one hell of an understatement. Hoping to find a cure for brain diseases, Helen has developed a theory that such ailments can be treated by testing on ghosts, all of whom, of course, don’t need brain functions in order to act. As Helen sees it, if she can tap into how ghosts do that, she can figure out a way to get brain disease patients to communicate through their souls. Lofty, indeed. But after Helen’s young daughter dies suddenly, she puts her research on hold, refusing to connect to the afterlife anymore. Before long, a stranger’s request sends Helen back to the spirit world; as it turns out, though, something evil has been waiting there for her.
Fans of INSIDIOUS, take note: INNER GHOSTS delivers the same kinds of supernaturally charged goods. Writer-director Paulo Leite’s impressive debut fuses heavy science with a Lin-Shaye-like hero, nightmarish demons, otherworldly twists and a third act that’s as relentlessly assaultive as it is audaciously off-the-wall.
LEVEL 16 (East Coast Premiere)
Canada | 2018 | 102 Min | Dir. Danishka Esterhazy
Co-Presented by The Future of Film is Female
Having spent their entire lives trapped in a prison-like school, the teenage girls of Vestalis Academy must follow a strict educational system that enforces conforming to “The Feminine Virtues.” They are forced to follow the school’s rules for fear of extreme punishment – with the light at the end of the tunnel being adoption to a loving upper class family. Sixteen-year-olds Vivien and Sophia, who have reached the final level of the school are on the cusp of adoption, until they learn the horrifying truth about the academy.
Canadian filmmaker Danishka Esterhazy crafts a cold female-centric satire featuring striking imagery of a dystopian society. Loaded with charismatic performances, LEVEL 16 is an intense and cerebral experience like no other. Sure to get under your skin by the finale, Esterhazy will take you on a journey through the past, complete with characters named after classic Hollywood stars to express a sharp, feminist critique.
The Night Shifter
Brazil | 2018 | 110 Min | Dir. Dennison Ramalho
You know that old expression, “Dead men tell no tales”? Well, don’t tell that to Stênio, a well-meaning family-man whose life is, prior to understanding the falsehood of that old expression, a mess. His wife can’t stop reminding him that their situation is dire thanks to financial stresses and general marital discord; even worse, when he’s working as a mortician, mean-spirited paramedics make it their second job to routinely make fun of Stênio. Weirdly enough, his reprieve comes from the corpses he works on, all of whom can communicate with him. But when one specific stiff reveals a big secret, Stênio finds himself, as well as his family, under attack, turning his world into a living hell courtesy of the undead.
Blending dark humor with visceral scares and buckets of gore, Brazilian filmmaker Dennison Ramalho (“J is for Jesus” in ABCS OF DEATH 2) makes his feature debut with the kind of full-throttle horror film that’s directly engineered for a thrill-seeking festival audience. No-holds-barred in its hardcore nature, THE NIGHT SHIFTER goes all out in its depiction of one man’s inner rage being exposed by the should-be deceased.
TENANTS (New York Premiere)
Mexico | 2018 | 88 Min | Dir. Chava Cartas
Picking up the pieces after a traumatic event, Luzma and Demián move into a new apartment complex. Before they’re even unpacked, strange interactions with the secretive landlord and a disturbed handyman quickly put a dash on the young couple’s hopes for a fresh start. To make matters worse, Luzma begins to suffer from terrible hallucinations and Demián seems less and less himself. There’s something truly wrong with this apartment.
Mixing traditional haunted house tropes with region specific mythology to great effect, TENANTS explores the dark extremes of local religious practices of Santería and Brujería witchcraft. Part ROSEMARY’S BABY with a little AMITYVILLE HORROR, Mexican director Chava Cartas first foray into horror carves out a space in religious horror all its own.
TUMBBAD
India | 2018 | 109 Min | Dir. Rahi Anil Barve, Adesh Prasad
Throughout his young life, Vinayak has heard the legend surrounding his family’s home: There’s a demon guarding his family’s treasure and he best not challenge it. But when his great-grandmother dies, Vinayak inherits both the fortune and the creature protecting it. Fast-forward to adult Vinayak and his ingenious idea: Slowly but surely, he’ll sneak pieces of the treasure out by tricking the demon in various way, a plan he’s carried out successfully for years. That is, until his greedy family inadvertently angers the demon. Once that happens, all bets are off.
TUMBBAD is not only a truly scary-as-hell horror film, but it’s an ambitious blend of historical drama, supernatural creativity, creature feature insanity and character-driven tension.
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Double Exposure Investigative Film Festival Launches 4th Edition with Charles Ferguson’s WATERGATE
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Watergate[/caption]
Double Exposure Investigative Film Festival & Symposium, a project of 100Reporters, launches its fourth edition with world, U.S. and Washington premieres of fifteen new, investigative films that speak to our times in a newly urgent language, bridging investigative reporting and visual storytelling. This year’s themes: Demystifying. Exposing. Equalizing. Verifying.
Double Exposure opens with WATERGATE, in which celebrated director Charles Ferguson (INSIDE JOB) recreates the epochal White House scandal for a new generation, using interviews with key players, previously-classified documents and Richard Nixon’s own secret recordings as the spine for Oval Office dialogues with chilling resonance today.
The festival’s closing film, DIVIDE AND CONQUER, tracks the rise and fall of kingmaker Roger Ailes, the driving force behind Fox News, who lost it all following accusations of sexual harassment at the top.
GHOST FLEET investigates the hidden population of modern-day slaves who underpin industrial fishing, held captive at sea for years at a time.
THE PANAMA PAPERS details the unprecedented coordination of over 300 journalists who reveal the biggest global corruption scandal in history.
Our 2018 films explore the psychic cost of community-wide surveillance, uncovered through journalistic sleuthing and the Freedom of Information Act; wrongful criminal confessions; sexual assault and social media; the underside of savior complexes and much more. The films deliver illuminating stories from war-torn Afghanistan to middle America, from a middle-class apartment in Budapest to the Oval Office. Check the full lineup at dxfest.com.
“This year’s slate demonstrates the increasing relevance of film to the most pressing stories of our day,” said Double Exposure founder and co-director, Diana Jean Schemo. “Our Opening Night film revisits a scandal with searing relevance in 2018. And our Closing Night film on Roger Ailes and Fox News brings the story of an era that began with Watergate to our present time of social media, sexual reckoning and rampant truth-bending.”
“This is an extraordinary moment for investigative filmmaking. We are finding more and more filmmakers integrating journalistic practice into their storytelling, and more journalists moving into the visual realm,” said Double Exposure co-creator and co-director, Sky Sitney. “Each film on our slate not only tells an urgent story in itself, but shapes that story through a riveting, new visual language that stands at a crossroads between these two distinct practices.”
HISTORY’s definitive original documentary, WATERGATE, chronicles one of the biggest criminal conspiracies in modern American politics and features a roster of some of the most important media, legal and political figures from the scandal, including Bob Woodward, Carl Bernstein, John Dean, Jill Wine-Banks, Richard Ben-Veniste, and many others. Wednesday, Oct. 10, 7pm, Smithsonian’s National Portrait Gallery. Post screening discussion with director Charles Ferguson and special guests to be announced.
Following Opening Night, all screenings take place at the Naval Heritage Center, and are followed by conversations with the director, film subjects, and others.
STOLEN DAUGHTERS: KIDNAPPED BY BOKO HARAM revisits a shocking story that made global headlines. In 2014, 276 Nigerian school girls were kidnapped from a school in Chibok, Northern Nigeria, and hidden in the vast Sambisa forest for three years by Boko Haram, a violent Islamic insurgent movement. Granted exclusive access to the 82 girls who were freed last year and taken to a secret government safe house in the capital of Abuja, the film explores how the young women might adapt back to life after having experienced such trauma, and how the Nigerian government is navigating, and at times commandeering, their reentry into society. Thursday, Oct. 11, 6pm. Naval Heritage Center.
ROLL RED ROLL goes behind the headlines of a notorious high school sexual assault case to witness the social media-fueled “boys will be boys” culture that let it happen, and defended them when it did. Thursday, Oct. 11, 8:30pm, Naval Heritage Center. Post-screening discussion with director Nancy Schwartzman, film subjects Alexandria Goddard and Rachel Dissell, and others to be announced.
In UNPROTECTED, an acclaimed American charity said it was saving some of the world’s most vulnerable girls from sexual exploitation. Then the girls were raped, and that was only the beginning. Friday, Oct. 12, 4pm, Naval Heritage Center. Post-screening discussion with director Nadia Sussman, and others to be announced.
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The Feeling of Being Watched[/caption]
For THE FEELING OF BEING WATCHED, filmmaker Assia Boundaoui follows the trail of her neighbors’ suspicion that their community just outside Chicago has been under surveillance for over a decade. While investigating their experiences, Boundaoui uncovers tens of thousands of pages of FBI documents that prove her Muslim community was indeed the subject of one of the largest counter-terrorism investigations ever conducted in the U.S. before 9/11, code-named “Operation Vulgar Betrayal.” Friday, Oct. 12, 6pm, Naval Heritage Center. Post-screening discussion with director Assia Boundaoui, and others to be announced.
GHOST FLEET follows a small group of activists who risk their lives on remote Indonesian islands to find justice and freedom for the enslaved fishermen who feed the world’s insatiable appetite for seafood. Bangkok-based Patima Tungpuchayakul, a Thai abolitionist, has committed her life to helping these “lost” men return home. Facing illness, death threats, corruption, and complacency, Patima’s fearless determination for justice inspires her nation and the world. Friday, Oct. 12, 8:30pm Naval Heritage Center. Post-screening discussion with director Shannon Service, producer Jon Bowermaster, and others to be announced.
THE TRUTH ABOUT KILLER ROBOTS is an eerie, eye-opening work of science-nonfiction, that charts incidents in which robots have caused the deaths of humans in an automated Volkswagen factory, in a self-driving Tesla vehicle and from a bomb-carrying droid used by Dallas police. Though they are typically treated as freak anomalies, each case raises questions of accountability, legality and morality. Exploring the provocative views of engineers, journalists, and philosophers, and drawing on archival footage, the film goes beyond sensational deaths to examine more subtle ways that robots pose a threat to society. Saturday, Oct. 13, 10am, Naval Heritage Center. Post-screening discussion with director Maxim Pozdorovkin.
THE UNAFRAID (dirs. Anayansi Prado & Heather Courtney) follows the personal lives of three DACA students in Georgia, a state that has banned them from attending their top state universities and disqualifies them from receiving in-state tuition at any other public college. Shot in an observational style over a period of four years, this film takes an intimate look at the lives of Alejandro, Silvia and Aldo as they navigate activism, pursuing their right to education, and fighting for the rights of their families and communities. Saturday, Oct. 13, 12:30pm, Naval Heritage Center. Post-screening discussion with director Heather Courtney, film subjects and others to be announced.
FALSE CONFESSIONS. Each year innumerable American suspects confess to crimes they did not commit, and experts say that trained interrogators can get anybody to confess to anything.
The film follows indefatigable defense attorney Jane Fisher-Byrialsen, who is determined to put an end to interrogation techniques that all too often pressure innocent people into false confessions. As we weave through four of Fisher-Byrialsen’s cases, all involving false confessions, the film examines the psychological aspect of how people end up confessing to crimes they have not committed and the consequences of these confessions – for those accused, for their families and for society at large. Saturday, Oct. 13, 3pm, Naval Heritage Center. Post-screening discussion with director Katrine Philp, subject Jane Fisher-Byrialsen, and others to be announced.
In making OF FATHERS AND SONS, Syrian-born filmmaker Talal Derki travels to his homeland in Syria, where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses primarily on the children, providing an extremely rare insight into what it means to grow up with a father whose only dream is to establish an Islamic caliphate. Osama (13) and his brother Ayman (12) both love and admire their father and obey his words, but while Osama seems content to follow the path of jihad, Ayman wants to go back to school. Winner of the Grand Jury Prize for World Documentary at the Sundance Film Festival, OF FATHERS AND SONS is a work of unparalleled access that captures the chilling moment when childhood dies and jihadism is born. Saturday, Oct. 13, 5:30pm, Naval Heritage Center.
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Divide and Conquer: The Story of Roger Ailes[/caption]
In DIVIDE AND CONQUER Alexis Bloom sheds light on the current moment in American political life by following the arc of Roger Ailes: long-time Republican Svengali and controversial founder of Fox News. By coaching an unrivaled stable of politicians over the course of fifty years, Ailes heavily influenced Republican politics, steering the conservative movement from Nixon to the Tea Party to Trump. Under his tutelage, anger and fear became the coin of the realm, both on the ballot and on national television. This is a story of serial cruelty, both on the public stage and in private life. Like a true Shakespearean figure, ambition and desire were Ailes’ undoing. He was finally toppled when victims of his sexual harassment stepped forward. The accounts of these women—raw and infuriating—are the axis around which Ailes’ story inexorably turns. Saturday, Oct. 13, 8:30pm, Naval Heritage Center. Post-screening discussion with director Alexis Bloom, and others to be announced.
For A WOMAN CAPTURED, director Bernadett Tuza-Ritter follows the life of a European woman who has been held by a Budapest family as a domestic slave for 10 years. She is one of over 45 million victims of modern day slavery today. Drawing courage from the filmmaker’s presence and the camera as witness, the woman captured attempts to escape the unbearable oppression and become a free person. Sunday, Oct. 14, 11am, Naval Heritage Center. Post-screening discussion with director Bernadett Tuza-Ritter.
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People’s Republic of Desire[/caption]
THE PEOPLE’S REPUBLIC OF DESIRE dives deep into world of young stars of live streaming in China, where the shift to a virtual life in place of flesh-and-blood relationships has gone far. The stars build followings among the rich and poor, with the rich lavishing online personalities with gifts worth millions of dollars, and the poor cheering the wealthy patrons on and rooting for their idols. The scene culminates with a once-a-year competition, a cross between the Hunger Games and Black Mirror, in which the winner is the one whose patrons buy the most votes. Sunday, Oct. 14, 1:45pm, Naval Heritage Center. Post-screening discussion with filmmaker Hao Wu.
Filmed over three years, ANGELS ARE MADE OF LIGHT follows students and teachers at a school in an old neighborhood of Kabul that is slowly rebuilding from past conflicts. Interweaving the modern history of Afghanistan with present-day portraits, director James Longley offers an intimate and nuanced vision of a society living in the shadow of war. Sunday, Oct. 14, 4:30pm, Naval Heritage Center. Post-screening discussion with filmmaker James Longley.
In THE PANAMA PAPERS, Alex Winter delivers a powerful, illuminating film that paints a complete picture of the biggest global corruption scandal in history. The “Panama Papers” leak involved the unprecedented coordination of hundreds of journalists from 107 media organizations in more than 80 countries, who broke the story in 2015. The papers included over 11.5 million documents that detail financial and attorney-client information for nearly 214,500 offshore accounts. Winter includes interviews with whistleblowers and key journalists on the investigation, to tell the story of the massive data breach which uncovered murky political and financial corruption, bribes, election rigging and even murder. Sunday, Oct. 14, 7:30pm, Naval Heritage Center. Post-screening discussion with filmmaker Alex Winter, and others to be announced.
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2018 Twin Cities Film Fest Boasts Diverse and Inspiring Lineup, Opens with GREEN BOOK
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Green Book[/caption]
Twin Cities Film Fest today announced a diverse and inspiring lineup of films for their 2018 festival, to be held October 17 to 27. This year’s festival will officially open their ninth year with Peter Farrelly’s Green Book, which recently won the coveted People’s Choice Award this past week at the 2018 Toronto International Film Festival.
When Tony Lip (Mortensen), a bouncer from an Italian-American neighborhood in the Bronx, is hired to drive Dr. Don Shirley (Ali), a world-class Black pianist, on a concert tour from Manhattan to the Deep South, they must rely on “The Green Book” to guide them to the few establishments that were then safe for African-Americans. Confronted with racism, danger—as well as unexpected humanity and humor—they are forced to set aside differences to survive and thrive on the journey of a lifetime.
https://www.youtube.com/watch?v=QkZxoko_HC0
Opening night festivities will also include a screening of Time for Ilhan, a documentary about State Representative and Federal House candidate, Ilhan Omar, who will be in attendance along with director Norah Shapiro and cinematographer Chris Newberry.
https://www.youtube.com/watch?v=vQ8uivoe36U
The Centerpiece Highlight on Friday, October 19 is the Newport Beach Film Festival hit comedy When Jeff Tried to Save the World starring Jon Heder (“Napoleon Dynamite). United Skates, a documentary about roller skating and a community’s battle to save an underground subculture will close out the festival on October 27.
Other visiting guests this year include David Arquette and Tom Arnold with the U.S. premiere of Saving Flora, the story of a 14-year-old girl who kidnaps an elephant from a circus to take it to a nature reserve, screening on October 22. Chef Andrew Zimmern will also be in attendance on Thursday, October 25 for the Midwest premiere of Chef Flynn, a documentary about a ten-year-old who transformed his living room into a supper club and achieved sudden fame.
TCFF will also feature Widows (20th Century Fox) a modern-day thriller from Steve McQueen starring Viola Davis and Liam Neeson, Can You Ever Forgive Me? (Fox Searchlight Pictures) starring Melissa McCarthy, Boy Erased (Focus Features) starring Joel Edgerton and Nicole Kidman and The Favourite (Fox Searchlight Pictures) starring Emma Stone and Rachel Weisz.
In addition to their regular programming this year, TCFF will collaborate with the Jewish Film Festival and the Northstar Science Film Festival, showing a slate of thought provoking films while launching a brand new initiative, TCFF Tech. TCFF Tech is a one-of-a-kind 3-day event spotlighting the impact of technology on social issues, innovation, and entrepreneurship.
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2018 Woodstock Film Festival to Showcase Over 100 Films + Opens with KARL BERGER – MUSIC MIND
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Karl Berger of Karl Berger – Music Mind[/caption]
The fiercely independent 19th Annual Woodstock Film Festival will showcase more than 100 films and open with a live performance by the Karl Berger Band following the screening of the feature documentary Karl Berger – Music Mind, which offers “an inside look into the creative process and unique approach toward music that makes Karl Berger”. Matthew Heineman’s feature narrative debut A Private War, starring Rosamund Pike, Jamie Dornan and Stanley Tucci will close the film festival on the evening of Sunday, October 14th.
There will be a panel discussion after the film screening of Lessons from a School Shooting: Notes from Dunblane, featuring the filmmakers, as well as panelists from the documentary Newtown. In the wake of the 2012 Sandy Hook Elementary School massacre that took the lives of twenty first-graders and their teachers, local clergyman Father Bob Weiss receives a letter from a fellow priest in Dunblane, Scotland, whose community suffered an eerily similar fate in 1996. From across the Atlantic, the two priests forge a poignant bond through the shared experience of trauma and healing. Never before seen film clips of the filmmakers’ upcoming documentary about the mass shooting in Stoneman Douglas high school in Parkland, Florida, will be shown during the panel.
Roger Ross Williams is the first African American director to win an Academy Award with his short film Music By Prudence. Williams has directed a wide variety of acclaimed films including God Loves Uganda, which was shortlisted for an Academy Award, and Life, Animated, which was nominated for an Academy Award in 2017. Williams is on the Board of Governors for the Academy of motion pictures, Arts and Sciences, representing the Documentary branch, as well as being on the Diversity Committee for the Academy. This year Williams is our Special Guest Programmer whose selection spotlights some of his favorite contemporary works by filmmakers of color. Williams said, “I am thrilled to be a guest programmer at this year’s Woodstock Film Festival. The three films I have chosen demonstrate the scope, depth and creativity that is possible when we, as black filmmakers, tell our own stories.” These films include Hale County This Morning, This Evening, Shakedown, and Mr. SOUL!.
NARRATIVE FEATURES
Across The Universe, directed by Julie Taymor Almost Home, directed by Jessica Blank and Erik Jensen Ask For Jane, directed by Rachel Carey Beyond the Night, directed by Jason Noto Cold Brook, directed by William Fichtner Dorst (Craving), directed by Saskia Diesing Dreams by the Sea, directed by Sakaris Stórá Fort Maria, directed by Thomas Southerland and S. Cagney Gentry Ghost Light, directed by John Stimpson Here and Now, directed by Roman Shumun Julia Blue, directed by Roxy Toporowych Keely and Du, directed by Dominique Cardona and Laurie Colbert Lez Bomb, directed by Jenna Laurenzo Little Woods, directed by Nia DaCosta Love Revisited, directed by Nicole van Kilsdonk Only A Switch, directed by Michael Vincent Paris Song, directed by Jeff Vespa A Private War, directed by Matthew Heineman ReRUN, directed by Alyssa Rallo Bennett Socrates, directed by Alex Moratto Spell, directed by Brendan Walter Swimming With Men, directed by Oliver Parker Then Came You, directed by Peter Hutchings Unlovable, directed by Suzi Yoonessi We Only Know So Much, directed by Donal Lardner Ward What They Had, directed by Elizabeth Chomko Wheels, directed by Paul Starkman Wildlife, directed by Paul DanoYounger Days, directed by Paula van der Oest
DOCUMENTARY FEATURES
2030, directed by Johnny Boston The Advocates, directed by Rémi Kessler Carmine Street Guitars, directed by Ron Mann Dreaming of a Vetter World, directed by Bonnie Hawthorne The Feeling of Being Watched, directed by Assia Boundaoui For The Birds, directed by Richard Miron Ghost Fleet, directed by Shannon Service and Jeffrey Waldron Give Us This Day, directed by Jeff and Michael Zimbalist Hale County This Morning, This Evening, directed by RaMell Ross In Our Bones, directed by Alex Kimura The Interpreters, directed by Andres Caballero and Sofian Khan Karl Berger – Music Mind, directed by Julian Benedikt Michelin Stars – Tales from the Kitchen, directed by Rasmus Dinesen Mr. SOUL!, directed by Melissa Haizlip and Samuel Pollard A Murder In Mansfield, directed by Barbara Kopple Netizens, directed by Cynthia Lowen Personal Statement, directed by Julianne Dressner Shakedown, directed by Leilah Weinraub Somaliland, directed by Harry Lee and Ben Powell Stay Human, directed by Michael Franti Suicide: The Ripple Effect, directed by Greg Dicharry and Kevin Hines Up to Snuff, directed by Mark Maxey What Is Democracy?, directed by Astra Taylor The World Before Your Feet, directed by Jeremy WorkmanWRESTLE, directed by Lauren Belfer and Suzannah Herbert
SHORTS
1-0, directed by Nada ElAzhary; 59 Seconds, directed by Mauro Carraro; After Her, directed by Aly Migliori; Antouni (Homeless), directed by Alik Tamar; Are You Still Singing?, directed by Gillian Barnes; A Year, directed by Jisun Jamie Lee; Beast, directed by Leonora Lonsdale; Beautiful Things, directed by Dina Waxman; Black Spirit, directed by Chakib Taleb-Bendiab; Boy Boy Girl Girl, directed by Ross Kauffman; Carolee, Barbara & Gunvor, directed by Lynne Sachs; The Christmas Rabbit, directed by Christophe Lopez-Huici; The Crying Room, directed by Shalom Auslander; Del Rio, directed by Raj Trivedi; Dinner, directed by Anna Gilmore; Edith Piaf (Said It Better Than Me), directed by Joseph Wallace; Ego, directed by Mario Addis; The English Teecher, directed by Andy and Carolyn London; Even Ants Strive for Survival, directed by Ren Xia; Funeral, directed by Leah Shore; Gamble, directed by Chayadol Lomtong; Goose in High Heels, directed by John R. Dilworth; He’s Watching, directed by Arthur Metcalf; Homing In, directed by Parker Hill; Jo, directed by Justine Williams; One Small Step, directed by Andrew Chesworth and Bobby Pontillas; Last Requests, directed by Courtenay Johnson; The Last Seance, directed by Laura Kulik; Lifeboat, directed by Skye Fitzgerald; Lucy, directed by Ruben Gutiérrez; The Magical Mystery of Musigny, directed by Emmett Goodman and John Meyer; Martin, directed by Sholto Crow; Melt Down, directed by Amy Jingyi Xu; Mirror Mirror, directed by Jacob Internicola; Mother, directed by Amanda Palmer; Moved to Tiers, directed by Avery Herzog; The Movie House on Main Street, directed by Teresa Torchiano; My Brother (Mi Hermano), directed by Alexis Gambis; Pour 585, directed by Patrick Smith; Rooster and The Queen, directed by Aaron Weisblatt; Salam, directed by Claire Fowler; Lessons from a School Shooting: Notes from Dunblane, directed by Kim A. Snyder; Shiva Baby, directed by Emma Seligman; Sorceress, directed by Max Blustin; Trump Bites, directed by Bill Plympton; Two Balloons, directed by Mark C. Smith; Unnatural, directed by Amy Wang; The Velvet Underground Played at My High School, directed by Tony Jannelli and Robert Pietri; Vicarious Resilience, directed by Eva Tenuto; Voice, directed by Takeshi Kushida; Welcome to the New World, directed by Jerry Suen & Anni Sultany; The Winds of Downhill, directed by Jedd and Todd Wider; Your Face Global Jam, directed by Ken Mora
YOUTH INITIATIVE
This year, the Woodstock Film Festival will present films written, filmed, directed, produced, and edited by passionate teens. The Woodstock Film Festival’s Youth Initiative is supported by the Thompson Family Foundation. Three out of the ten films were created by students who participated in the Woodstock Film Festival Summer Youth Film Lab, a three week immersive program underwritten by an anonymous donor, that gives teenagers an opportunity to learn about the art of film and practice the full spectrum of the filmmaking process with guidance from accomplished film industry professionals.After The Collapse, directed by Youth Film Lab participant Ethan Laclaverie Past the Fear, directed by Youth Film Lab participant Samuel Levine Mirror Mirror, directed by Youth Film Lab participant Jacob Internicola Along the Water, directed by Marissa Gaylin Can’t Hurry Love, directed by Lola Cook The Hitchhiker’s Guide to Suburbia, directed by Alex Alford and Zak Denley I Am The Only One, directed by Aicha Cherif Inclusion On The Air, directed by Eli Canter Silence, directed by Camille Dobbs Wake Up, directed by Maura PaldenMUSIC VIDEOS
This year, the Woodstock Film Festival is highlighting 11 outstanding music videos from talented artists from the United States, Poland, the United Kingdom, and Luxembourg. These music videos will be screened online at the start of the festival.Boyish – Music by Japanese Breakfast Dumb Dumb– Music by Cipherella Found – Music by Toulouse Glendale– Music by Clans Land of the Fairies – Music by Rami Fortis Magic Meadow Music Video – Music by Journey Blue Heaven Mandarin – Music by Boogrov Paprika – Music by No Metal in this Battle Pora Sotunda – Music by The Mystery of the Bulgarian VoicesSolicitous– Music by Drekoty
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Canadian Premiere of Surfing Documentary MOMENTUM GENERATION to Close Whistler Film Festival
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Momentum Generation[/caption]
MOMENTUM GENERATION, the latest documentary from Award-winning filmmakers Jeff and Michael Zimbalist, will have its Canadian premiere as the Closing Night film of Whistler Film Festival. The documentary follows the biggest names in surfing, including Kelly Slater, Rob Machado, Shane Dorian, Kalani Robb and the late Todd Chesser. Executive produced by Sundance founder Robert Redford with stunning archival footage from the godfather of surf films Taylor Steele, MOMENTUM GENERATION gives audiences an inside look at the lives of these teenagers as they rose to super stardom as the first competitive surfers.
WFF’s Director of Programming Paul Gratton had this to say about the current 2018 lineup: “The increasing importance of the Whistler Film Festival as a launchpad for world-calibre Canadian features is evidenced by the significant number of World Premieres that have already been secured for this year’s festival.”
In addition to the previously announced World Premiere of FUCK YOU ALL, THE UWE BOLL STORY, WFF added nine Canadian films premiering at Whistler this year. Seven of the films are eligible for the five awards in WFF’s coveted Borsos Competition for Best Canadian Feature *, which includes the second largest festival prize in the country featuring a $15,000 cash prize presented by the Directors Guild of Canada, British Columbia and $15,000 post production prize presented by Encore Vancouver.
BELLA CIAO! * (2018, Canada (BC), World Premiere)
Carmen Aguirre and Tony Nardi star in a remarkable story directed by Carolyn Combs of friends, lovers, seekers and thieves. Set at the intersection of the Latin American, First Nations and Italian communities in Vancouver, Bella Ciao! captures the struggle towards solidarity within Canada’s immigrant urban mix. A tribute to the mosaic of diversity and the different generations of distinct cultures that help define Vancouver and by extension, all of Canada today.
IN GOD I TRUST * (2018, Canada (BC), World Premiere)
John Cassini, Marc Senior and Melissa Roxburgh star in this multi-character drama from Vancouver based filmmaker Maja Zdanowski. A distressed young black man, a reckless white nationalist, and a pair of traveling vacationers intertwine in three tales of redemption, violence and faith during a random encounter in Northern Idaho.
INTO INVISIBLE LIGHT * (2018, Canada (MB), World Premiere)
Director Shalegh Carter delivers a powerful story of grief, longing, and one woman’s path to healing through the realisation of her long-buried desire to write. A widow rekindles a past relationship with a writer/professor. Conceived under the sway of both love and art INTO INVISIBLE LIGHT is a story of forgiveness, second chances and the revitalizing power of self-expression.
HONEY BEE * (2018, Canada (ON), World Premiere)
2017 WFF Star to Watch Julia Sarah Stone astounds as an underage truck stop hooker under the sway of a manipulative pimp, sent by authorities to a tough love placement location, a working farm run by a no-nonsense character played by Martha Plimpton. Director Rama Rau continues to explore female sexuality, as she did with her previous documentary look at burlesque queens, THE LEAGUE OF EXOTIQUE DANCERS.
NEVER BE DONE: THE RICHARD GLEN LETT STORY (2018, Canada (BC), World Premiere)
This raw and immersive documentary tells the story of how controversial Vancouver stand-up comedian Richard Lett sabotaged his own promising career, lost everything and lived to tell the tale. Director Roy Tighe’s commitment to presenting Lett’s highest and lowest moments over the past nine years ultimately presents a message of personal redemption, and shines a poignant light on the intensely private struggle of addiction.
NOSE TO TAIL * (2018, Canada (ON), World Premiere)
Aaron Abrams plays a talented but abrasive chef who is struggling to keep his high end restaurant afloat. Over the course of one event-filled day, he must deal with an angry lover, a would-be investor (Ennis Esmer) and unhappy staff, not to mention the realization that his establishment is no longer as trendy as when it first opened. Directed by Jesse Zigelstein, this a character study that will have foodies salivating.
NORTH PRESTON’S FINEST (2018, Canada (ON), World Premiere)
Director Jaren Hayman provides us with an intimate glimpse into the country’s largest black community, painted in recent years as one of Canada’s most established human trafficking hubs. With poignant interviews and stories from residents of all kinds, from pimps and their victims to politicians and the citizens they serve, NORTH PRESTON’S FINEST explores one community’s struggle against crime, economic adversity and systemic racism, and their ardent desire to change the narrative.
RED ROVER * (2018, Canada (ON), World Premiere)
Métis director Shane Belcourt directs a wistful story about a socially awkward geologist who is encouraged to apply for a one-way manned mission to Mars by an extroverted musician he meets in the park. Rising star Cara Gee shines as a muse with her own issues who inspires our unhappy would-be space traveler, who longs for a new beginning.
WOODLAND * (2018, Canada (BC), World Premiere)
Directed by Vancouver based Jon Silverberg, this is about a man’s personal journey that touches on the land, the mythical and the spiritual. Set in 1989, out-of-work photojournalist Jake (Richard Harmon) who struggles with addiction and a troubled past, takes a job as watchman of a wilderness lodge on the remote Haida Gwaii island in the Pacific Northwest. Under the watchful eye of veteran handyman Sparky, Jake sets up a darkroom to develop the photos he shoots, which reveal strange apparitions that he soon discovers are prophecies of his and Sparky’s disturbing future.
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Miami Film Festival Unveils GEM 2018 Lineup, Opens with BIRDS OF PASSAGE
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Birds of Passage (Pájaros de verano)[/caption]
Miami Film Festival unveiled the full line-up of the GEMS 2018, the Fall edition of the annual festival, opening with Colombia’s Oscar submission Birds of Passage (Pájaros de Verano) and closing with Spain’s Oscar submission Champions (Campeones).
Miami Film Festival GEMS takes place October 11 to 14, at MDC’s Tower Theater Miami.
Bárbara Lennie, the acclaimed and much in-demand Goya-winning Spanish actress, will accept the Festival’s Precious Gem Award prior to the presentation of her newest film, Petra, directed by Jaime Rosales. Lennie also joins Penélope Cruz, Javier Bardem and Ricardo Darín in Oscar-winner Asghar Farhadi’s Everybody Knows (Todos lo saben), which will also play at GEMS. Lennie’s other recent roles are well-known to Miami Film Festival audiences – her 2018 film A Sort of Family won the Festival’s Knight Competition Grand Prize, and her 2017 film Maria (And Everybody Else) won the Festival’s HBO Ibero-American Feature Film Award.
Cinematographer Diego García, touted as a strong contender for his first Oscar nomination for shooting Paul Dano’s directorial debut, Wildlife, starring Cary Mulligan and Jake Gyllenhaal, will receive the Festival’s Art of Light Award and participate in a conversation about his craft prior to the Florida premiere of Wildlife. Garcia’s previous credits include his Fenix Award-winning work on Gabriel Mascaro’s Neon Bull, and previous Miami Film Festival selections Cemetery of Splendor (2015) and The Darkness (2017). García will additionally lead a Master Class on Cinematography for attending local industry members and film students.
Returning for a second consecutive year to Miami Film Festival GEMS is the virtual reality (VR) sidebar Virtual Escape, in partnership with MDC’s Miami Animation & Gaming International Complex (MAGIC). Festivalgoers will experience five projects of 360°, VR and Alternative Gaming available through the entire GEMS weekend.
This year’s edition of GEMS will feature two distinct sections. The Spotlight Stage will feature high-profile, major-interest films from internationally renowned directors, many of which are in strong contention for Academy Award nominations. The Discovery Stage will feature new filmmakers creating some of the year’s most interesting debut work, breaking out into international prominence.
The Spotlight Stage
EL ÁNGEL – Argentina/Spain. The second collaboration of Almodóvar’s El Deseo and Argentina’s K&S Films production companies after their first, the international hit and Oscar-nominated Wild Tales (Relatos salvajes), which opened Miami Film Festival in 2016. Directed by Luis Ortega, El Ángel recently broke the record for the highest grossing debut weekend of an Argentine film in Argentina box office history. The film stars rising new talents Lorenzo Ferro and Chino Darín. MFF MARIMBAS AWARD NOMINEE. ANIMAL – Argentina/Spain. Filmmaker Armando Bo won an Academy Award for Best Screenplay for his previous feature film – Birdman or (The Unexpected Virtue of Ignorance), which also won Best Picture and Best Director for Alejandro Iñárritu. Animal stars Argentina’s box office superstar Guillermo Francella (The Clan, The Secret in Their Eyes, Corazón de león) and Carla Peterson, and was a summer box office hit in Argentina. MFF MARIMBAS AWARD NOMINEE. BEN IS BACK – U.S.A. Filmmaker Peter Hedges was nominated for an Oscar as writer of About A Boy, and his first feature as a director, Pieces of April, was also Oscar-nominated. Ben is Back recently world premiered in TIFF to acclaim and Oscar buzz for stars Julia Roberts and Lucas Hedges (Peter’s son), who was previously Oscar nominated for Manchester by the Sea. MFF MARIMBAS AWARD NOMINEE. BIRDS OF PASSAGE (PÁJAROS DE VERANO) – Colombia/Denmark/Mexico/France. Co-director Cristina Gallego will attend the Opening Night presentation and participate in a conversation with the audience. Gallego and her filmmaking partner Ciro Guerra previously collaborated on Embrace of the Serpent, which received Colombia’s first-ever Oscar nomination for Best Foreign Language Film in 2015. MFF MARIMBAS AWARD NOMINEE. OPENING NIGHT FILM. BORDER – Sweden/Denmark. Winner of 2018 Cannes Film Festival’s Un Certain Regard BEST FILM Award and Sweden’s 2019 Oscar submission, Border will be Miami Film Festival GEMS’ first MIDNIGHT/LATE-NIGHT SPECIAL PRESENTATION. Directed by Ali Abbasi, Border is a follow-up to Swedish author Jon Ajvide Lindqvist’s 2008 international hit multi-award-winning film adaption, Let The Right One In. MFF MARIMBAS AWARD NOMINEE. BURNING – South Korea. The highest-rated film in the history of the international critics’ poll at Cannes Film Festival and South Korea’s 2019 Oscar submission, Burning stars Steven Yeung (Sorry To Bother You and TV’s The Walking Dead). Director Chang-dong Lee has won multiple international awards for previous films such as Secret Sunshine (2007) and Poetry (2010). The screening of Burning will be followed by a panel moderated by programmer Lauren Cohen featuring local film critics discussing the film and the state of art house cinema in 2018. MFF MARIMBAS AWARD NOMINEE. CAPERNAUM – Lebanon. Directed by the acclaimed Nadine Labaki and winner of the Jury Prize at 2018 Cannes Film Festival, Capernaum is a candidate for Lebanon’s 2019 Oscar submission. CHAMPIONS (CAMPEONES) – Spain. An unprecedented box office sensation at Spain’s domestic box office and Spain’s 2019 Oscar submission, Champions is directed by Goya winning director Javier Fesser (expected to attend the screening) and starring two-time Goya winning Best Actor Javier Gutierrez. MFF MARIMBAS AWARD & ZENO MOUNTAIN AWARD NOMINEE. CLOSING NIGHT FILM. COLD WAR – Poland/France. Pawel Pawlikowski won Best Director at 2018 Cannes Film Festival for his follow-up to Ida, which won the Academy Award for Best Foreign-Language Film of 2014. Cold War is a candidate for Poland’s 2019 Oscar submission. MFF MARIMBAS AWARD NOMINEE. EVERYBODY KNOWS (TODOS LO SABEN) – Spain/France/Italy. Only the second Spanish-language Opening Night Film of Cannes Film Festival in history. Directed by two-time Oscar-winning filmmaker Asghar Farhadi (A Separation, The Salesman) and starring Penélope Cruz, Javier Bardem, Ricardo Darín, Inma Cuesta, Eduard Fernandez, and 2018 Miami Film Festival GEMS Precious Gem Awardee, Bárbara Lennie. PETRA – Spain. Directed by acclaimed filmmaker Jaime Rosales, the exquisite Petra is a modern-day Spanish version of a classic Greek tragedy, featuring a towering performance by 2018 Miami Film Festival GEMS Precious Gem Awardee, Bárbara Lennie. MFF MARIMBAS AWARD NOMINEE. The Discovery Stage BOYS CRY – Italy. Winner of the Silver Ribbon for Best First Feature Film, Italy’s prestigious critical honor, and a world premiere at 2018 Berlin Film Festival. Written and directed by brothers Damiano and Fabio D’Innocenzo, Boys Cry is a candidate for Italy’s 2019 Oscar submission. JORDAN RESSLER FIRST FILM AWARD NOMINEE. DIAMANTINO – Portugal/France/Brazil. Gabriel Abrantes and Daniel Schmidt’s deliriously offbeat Diamantino won the 2018 Critic’s Week Best Film Award in Cannes. JORDAN RESSLER FIRST FILM AWARD NOMINEE. DRY MARTINA – Chile/Argentina. Director Che Sandoval will attend the screening and participate in a conversation with the audience. Dry Martina is one of the most important releases from Chile in 2018 and features a hilarious lead performance by actress Antonella Costa. IBERO-AMERICAN FEATURE AWARD NOMINEE; THE HEIRESSES (LAS HEREDERAS) – Paraguay/Uruguay/Germany/Brazil/Norway/France. Winner of numerous international prizes, including the Alfred Bauer Prize and Best Actress for Ana Brun at the 2018 Berlin Film Festival, Marcelo Martinessi’s film is Paraguay’s 2019 Oscar submission. JORDAN RESSLER FIRST FILM AWARD NOMINEE. HOPELESSLY DEVOUT (MI QUERIDA COFRADÍA) – Spain. Winner of the Audience Award at 2018 Malaga Film Festival, this uproarious comedy in the spirit of early Almodovar films is directed by Marta Díaz de Lope Díaz. JORDAN RESSLER FIRST FILM AWARD NOMINEE. SOUFRA – U.S.A. Documentary directed by Thomas Morgan about the world’s most unlikely entrepreneur, Miriam Shaar, a third-generation refugee living in an encampment outside of Beirut looking to fulfill her dream of opening a catering company despite facing severe political and social barriers. Before the screening, a lunch with a local Miami “chefugee.” WILDLIFE – U.S.A. Acclaimed actor Paul Dano’s directorial debut, co-written with his partner Zoe Kazan, starring Carey Mulligan and Jake Gyllenhaal. Cinematography by Diego García, recipient of Miami Film Festival GEMS’ Art of Light Award. WOMAN AT WAR – Iceland/France/Ukraine. A feminist epic comedy about an environmentalist crusader, directed by Benedikt Erlingsson and winner of the Best Screenplay Prize at 2018 Critics Week in Cannes. A candidate for Iceland’s 2019 Oscar submission.

Boy Erased[/caption]
Following the big announcement of Yen Tan’s award-winning AIDS drama 1985 as Opening Night Film, NewFest today announced the full lineup of more than 140 LGBT films from around the world for their 30th annual celebration. The festival runs from October 24 to 30 at the SVA Theatre, Cinépolis Chelsea, and The LGBT Community Center in New York City.
This year’s NewFest will feature several other galas and special screenings, including the New York Centerpiece screening of Ondi Timoner’s