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  • Netflix Releases Quincy Jones Documentary Trailer Featuring Mary J. Blige, Tony Bennett, Bono, Will Smith,

    Quincy Netflix released the trailer for the documentary Quincy, described as an intimate look into the life of icon Quincy Jones, ahead of its world premiere at this year’s Toronto International Film Festival on September 9. The film directed by Quincy’s daughter Rashida Jones along with Alan Hicks, seamlessly threads personal vérité moments with private archival footage to reveal a legendary life like no other. A unique force in music and popular culture for 70 years, Jones has transcended racial and cultural boundaries; his story is inextricably woven into the fabric of America. Beyond his own acclaim as a trumpeter, producer, conductor, composer and arranger, Jones’s inimitable gift to discover the biggest talents of the past half of the century is unprecedented. He has mentored and cultivated the careers of young talents, from Lesley Gore and Michael Jackson to Oprah Winfrey and Will Smith. Quincy features Quincy Jones, Mary J. Blige, Tony Bennett, Bono, Will Smith, Jay Z, Peggy Lipton, Paul McCartney, Oprah Winfrey and many others. The film will launch globally and in select theaters in New York and Los Angeles on September 21. https://www.youtube.com/watch?v=WT7gn6nhsAc

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  • 2018 Venice Film Festival Awards – Alfonso Cuarón’s ROMA Wins Golden Lion for Best Film

    [caption id="attachment_30917" align="aligncenter" width="1000"]ROMA ROMA[/caption] The Jury of the 2018 Venice Film Festival chaired by Guillermo del Toro awarded the top prize, Golden Lion for Best Film to ROMA by Alfonso Cuarón. The Favourite by Yorgos Lanthimos was awarded the Silver Lion – Grand Jury Prize, along with the award for Best Actress to Olivia Colman.

    VENEZIA 75

    GOLDEN LION for Best Film to: ROMA by Alfonso Cuarón (Mexico) SILVER LION – GRAND JURY PRIZE to: THE FAVOURITE by Yorgos Lanthimos (UK, Ireland, USA) SILVER LION – AWARD FOR BEST DIRECTOR to: Jacques Audiard for the film THE SISTERS BROTHERS (France, Belgium, Romania, Spain) COPPA VOLPI for Best Actress: Olivia Colman in the film THE FAVOURITE by Yorgos Lanthimos (UK, Ireland, USA) COPPA VOLPI for Best Actor: Willem Dafoe in the film AT ETERNITY’S GATE by Julian Schnabel (USA, France) AWARD FOR BEST SCREENPLAY to: Joel Coen and Ethan Coen for the film THE BALLAD OF BUSTER SCRUGGS by Joel Coen and Ethan Coen (USA) SPECIAL JURY PRIZE to: THE NIGHTINGALE by Jennifer Kent (Australia) MARCELLO MASTROIANNI AWARD for Best Young Actor or Actress to: Baykali Ganambarr in the film THE NIGHTINGALE by Jennifer Kent (Australia)

    VENICE AWARD FOR A DEBUT FILM

    LION OF THE FUTURE “LUIGI DE LAURENTIIS” VENICE AWARD FOR A DEBUT FILM to: YOM ADAATOU ZOULI (THE DAY I LOST MY SHADOW)  by Soudade Kaadan (Syrian Arab Republic, Lebanon, France, Qatar) ORIZZONTI

    ORIZZONTI

    ORIZZONTI AWARD FOR BEST FILM to: KRABEN RAHU (MANTA RAY) by Phuttiphong Aroonpheng (Thailand, France, China) ORIZZONTI AWARD FOR BEST DIRECTOR to: Emir Baigazin for the film OZEN (THE RIVER) (Kazakhstan, Poland, Norway) SPECIAL ORIZZONTI JURY PRIZE to: ANONS (THE ANNOUNCEMENT) by Mahmut Fazıl Coşkun (Turkey, Bulgaria) ORIZZONTI AWARD FOR BEST ACTRESS to: Natalya Kudryashova in TCHELOVEK KOTORIJ UDIVIL VSEH (THE MAN WHO SURPRISED EVERYONE) by Natasha Merkulova e Aleksey Chupov  (Russia, Estonia, France) ORIZZONTI AWARD FOR BEST ACTOR to: Kais Nashif in TEL AVIV ON FIRE by Sameh Zoabi (Luxembourg, France, Israel, Belgium) ORIZZONTI AWARD FOR BEST SCREENPLAY to: Pema Tseden   for JINPA by Pema Tseden (China) ORIZZONTI AWARD FOR BEST SHORT FILM to: KADO  by Aditya Ahmad (Indonesia) VENICE SHORT FILM NOMINATION FOR THE EUROPEAN FILM AWARDS 2018 to: GLI ANNI by Sara Fgaier (Italy, France)

    VENICE CLASSICS

    VENICE CLASSICS AWARD FOR BEST DOCUMENTARY ON CINEMA to: THE GREAT BUSTER: A CELEBRATION by Peter Bogdanovich (USA) VENICE CLASSICS AWARD FOR BEST RESTORED FILM to: LA NOTTE DI SAN LORENZO by Paolo and Vittorio Taviani (Italy, 1982)

    VENICE VIRTUAL REALITY

    BEST VR AWARD (IMMERSIVE STORY) to: SPHERES  di Eliza McNitt (USA, France) BEST VR EXPERIENCE AWARD (FOR INTERACTIVE CONTENT) to: BUDDY VR  by Chuck Chae (South Korea) BEST VR STORY AWARD (FOR LINEAR CONTENT) to: L’ÎLE DES MORTS by Benjamin Nuel (France)

    COLLATERAL AWARDS

    HFPA Award – HFPA (Hollywood Foreign Press Association) Presented to three filmmakers (director, producer) from the Orizzonti category awarded for Best Film, Best Director and Special Jury Prize

    Casa Wabi – Mantarraya Award (Fundación Casa Wabi – Mantarraya Group) To the director winner of the Award for a Debut Film of the 75th Venice Film Festival

    FIPRESCI Award (International Federation of Film Critics) Napszállta (Sunset) by László Nemes Best Film from Orizzonti and from the parallel sections: Lissa Ammetsajjel (Still Recording) by Saeed Al Batal and Ghiath Ayoub

    SIGNIS Award (International World Catholic Association for Communication) ROMA by Alfonso Cuarón Special Mention: 22 JULY by Paul Greengrass

    Leoncino d’Oro Award (Agiscuola) WERK OHNE AUTOR by Florian Henckel von Donnersmarck Cinema for UNICEF: What you gonna do when the world’s on fire? by Roberto Minervini Francesco Pasinetti Award (Sindacato Nazionale Giornalisti Cinematografici Italiani) CAPRI-REVOLUTION by Mario Martone Special Pasinetti Award: SULLA MIA PELLE by Alessio Cremonini ALESSANDRO BORGHI and JASMINE TRINCA Brian Award (UAAR, Unione degli Atei e degli Agnostici Razionalisti) SULLA MIA PELLE by Alessio Cremonini

    Queer Lion Award (Associazione di Promozione Sociale Queer Lion) JOSÉ by Li Cheng

    ARCA Cinemagiovani Award Best Italian Film in Venice: CAPRI-REVOLUTION by Mario Martone Best Film of Venezia 75: WERK OHNE AUTOR by Florian Henckel von Donnersmarck

    CICT – UNESCO “Enrico Fulchignoni” Award (Conseil International du Cinema et de la Télévision) EL PEPE, UNA VIDA SUPREMA by Emir Kusturica

    FEDIC Award (Federazione Italiana dei Cineclub) SULLA MIA PELLE by Alessio Cremonini Special Mention FEDIC: RICORDI? by Valerio Mieli Mention FEDIC Il Giornale del Cibo: I VILLANI by Daniele De Michele

    Fondazione Mimmo Rotella Award JULIAN SCHNABEL and WILLEM DAFOE

    Lanterna Magica Award (Associazione Nazionale C.G.S.) AMANDA by Mikhael Hers

    Gillo Pontecorvo Award (Istituto Internazionale per il cinema e l’audiovisivo dei paesi latini) Best co-production for a debut film: THE ROAD NOT TAKEN by Tang Gaopeng

    Smithers Foundation Award (International Council of Film and Television at UNESCO and the Observatory on Cultural Communication at U.N.) A STAR IS BORN by Bradley Cooper Special Mention: THE MOUNTAIN by Rick Alverson

    Interfilm Award for Promoting Interreligious Dialogue (International Interchurch Film Organisation) TEL AVIV ON FIRE by Sameh Zoabi

    Green Drop Award (Green Cross Italia) AT ETERNITY’S GATE by Julian Schnabel WILLEM DAFOE

    Premio Soundtrack Stars (Free Event and SNGCI) Best Soundtrack: CAPRI-REVOLUTION by Mario Martone, music by Sacha Ring and Philipp Thimm Best original song: A SUSPIRIUM by Thom Yorke for the film Suspiria by Luca Guadagnino Special Mention: JUDY HILL for the film What You Gonna Do When the World’s on Fire by Roberto Minervini

    Sun Film Group Audience Award (Settimana Internazionale della Critica) LISSA AMMETSAJJEL (STILL RECORDING) by Saeed Al Batal and Ghiath Ayoub

    Circolo del Cinema di Verona Award (Settimana Internazionale della Critica) BETES BLONDES (BLONDE ANIMALS) by Maxime Matray and Alexia Walther

    Mario Serandrei – Hotel Saturnia & International Award for the Best Technical Contribution (Settimana Internazionale della Critica) LISSA AMMETSAJJEL (STILL RECORDING) by Saeed Al Batal and Ghiath Ayoub

    Award for Best Short Film SIC@SIC 2018 (Settimana Internazionale della Critica) MALO TEMPO by Tommaso Perfetti

    Award for Best Director SIC@SIC 2018 (Settimana Internazionale della Critica) GAGARIN, MI MANCHERAI by Domenico De Orsi

    Award for Best Technical Contribution SIC@SIC 2018 (Settimana Internazionale della Critica) QUELLE BRUTTE COSE by Loris Giuseppe Nese

    Label Europa Cinemas Award (Giornate degli Autori) JOY by Sudabeh Mortezai

    BNL People’s Choice Award (Giornate degli Autori) RICORDI? by Valerio Mieli

    GdA Director’s Award (Giornate degli Autori) C’EST ÇA L’AMOUR by Claire Burge

    HRNs Award (Human Rights Nights Association) A Letter to a Friend in Gaza by Amos Gitai Special Mention: PETERLOO by Mike Leigh Special Mention: 1938 DIVERSI by Giorgio Treves

    Sorriso diverso Award (Ass. studentesca “L’università cerca lavoro”, UCL) Best Film: UN GIORNO ALL’IMPROVVISO by Cirio D’Emilio

    NuovoImaie Award (Artists’ Rights in collaboration with SNGCI and SNCCI) Linda Caridi and Giampiero De Concilio

    Sfera 1932 Award (Consorzio Venezia e il suo Lido with Seguso Vetri d’Arte – Murano dal 1397) CAPRI-REVOLUTION by Mario Martone

    UNIMED Award (Mediterranean Universities Union) A TRAMWAY IN JERUSALEM by Amos Gitai

    La Pellicola d’Oro Award (Association “Articolo 9 Cultura & Spettacolo” and “S.A.S. Cinema”) FRANCO RAGUSA Special effects for the film Suspiria KATIA SCHWEIGGL Best tailor for the film Capri-Revolution SARTORIA ATELIER NICOLAO DI STEFANO NICOLAO Lifetime Achievement

    Lizzani Award – ANAC (Associazione Nazionale Autori Cinematografici) CAPRI-REVOLUTION by Mario Martone

    Premio Vivere da Sportivi, Fair play al cinema (Vivere da sportivi: a scuola di fair play Assoc.) What you gonna do when the world’s on fire? by Roberto Minervini Special Mention: ZEN SUL GHIACCIO SOTTILE by Margherita Ferri Special Mention: Lissa ammetsajjel (Still Recording) by Saeed al Batal and Ghiath Ayoub

    Edipo Re Award (Università degli Studi di Padova e ResInt Rete dell’Economia Sociale Internazionale) LISSA AMMETSAJJEL (STILL RECORDING) by Saeed Al Batal and Ghiath Ayoub

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  • BICYCLE THIEVES (1948) to Open Klasikoa, Restored Classic Program at San Sebastian Film Festival

    Bicycle Thieves Bicycle Thieves (Ladri di biciclette) (1948), by Vittorio De Sica, an emblematic film of Italian neorrealism and considered one of the best movies in the history of cinema, will open Klasikoa, a yearly rendezvous with a restored classic at the San Sebastian Film Festival. The film, considered one of the best movies in the history of cinema, winner of an Academy Award for Best Foreign Language Film in 1949, chronicles the misfortunes of a man on his first day at work whose essential element for keeping his job is stolen: his bicycle. André Bazin, in his famous analysis of the film, in his work What is Cinema?, describes it as cinema in its pure state and concludes on the subject of the plot: “in the world in which this workman lives, the poor must steal from each other in order to survive.” The film has been restored by the L’imagine Ritrovata laboratory, part of Italy’s Fondazione Cineteca di Bologna, a global benchmark in film research, conservation and restoration. The restored copy was presented in the Cannes Classics section at the last Cannes Festival, followed shortly afterwards by its screening at Bologna’s Il Cinema Ritrovato Festival, as part of its Ritrovati e Restaurati 2018 / Recovered & Restored 2018 section. BICYCLE THIEVES (LADRI DI BICICLETTE) VITTORIO DE SICA (ITALY) Cast: Lamberto Maggiorani, Enzo Staiola, Lianella Carell, Elena Altieri, Gino Saltamerenda In post-war Rome, Antonio, an unemployed worker, lands a simple job putting up posters on the condition that he has a bicycle. With great difficulty, he manages to buy one, only to have it stolen on his first day of work. This is the start of an adventure whereby Antonio will try to recover his bicycle, with his son Bruno, while his wife Maria waits at home with their other child. Desperate, Antonio tries to steal a bike, but is arrested by the police.

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  • Filmmaker Claire Denis to Receive 2018 Roger Ebert Golden Thumb Award

    Claire Denis Claire Denis, the award-winning creator of Beau travail, 35 Shots of Rum, Nenette and Boni, Chocolat, and this year’s High Life — which is premiering at the 2018 Toronto International Film Festival — has been named the recipient of the fifth annual Roger Ebert Golden Thumb Award. Friends, filmmakers, and industry professionals will gather to acknowledge the French director’s remarkable career achievements at an intimate reception taking place on Monday, September 10, at the Toronto International Film Festival. “It is an honour to celebrate Claire Denis with the Roger Ebert Golden Thumb Award,” said Cameron Bailey, Artistic Director at TIFF. “Claire’s passion and expertise reflect industry excellence as she continues to reinvent her perspective in cinema.” The Roger Ebert Golden Thumb Award was designed to celebrate a remarkable filmmaker who reflects renowned film critic Roger Ebert’s taste and passion for cinema. Denis joins previous recipients Martin Scorsese, Ava DuVernay, Agnès Varda, and Wim Wenders in an impressive list of honorees. The awards event, hosted by TIFF and the Ebert family, is a celebration of cinema that brings the film community together during the Festival.

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  • Jahmil X.T Qubeka’s SEW THE WINTER TO MY SKIN to Open Cape Town International Film Market and Festival [Trailer]

    Sew the Winter to My Skin Jahmil X.T Qubeka’s epic existential-adventure film Sew the Winter to My Skin, which will have its World Premiere at the Toronto International Film Festival this week, will be the opening night film of this year’s 2018 Cape Town International Film Market and Festival. Set in South Africa’s rural Great-Karoo region in the 1950s, the film chronicles the exploits of the outlaw John Kepe and the various individuals his escapades affected. This Robin-hood-esque figure would steal primarily livestock from the white settler farmers, terrorizing them for over a decade. Led by the hardliner General Botha, a mammoth manhunt ensues in the mountain where Kepe was rumored to occupy a Noah’s Ark like cave. This spectacle ingratiated Kepe in the hearts of the marginalized indigenous-population who turn Kepe’s miscreant deeds into the stuff of legend making him a threat to the very fabric of the colonial society. Director Jahmil X.T Qubeka says this of the making of the film and its selection as the CTIFMF’s Opening Night film, “It is my intention with projects like this to explore and to dissect the impact of the Apartheid experience on the psychology of self. The very roots of external struggles such as land redistribution are inherently imbedded in an internal meditation or yearning. Dignity seems to be the pursued pot of gold at the end of this rainbow. I wanted to offer some insight into what I believe to be mankind’s inherent need to feed into mythologies that conveniently suit the order of the day. With this film, I am endeavouring to create a visual experience that crosses the boundaries and limitations of spoken language. I am honored to have Sew the Winter to my Skin invited as the opening film for the Cape Town International Film Festival, it is important for us to bring the film to its intended audience and celebrate South African cinema.” The film’s producer Layla Swart, who hails from Cape Town and studied film at The University of Cape Town, elaborates further, “Sew the Winter to my Skinis an epic ballad to the art of visual storytelling and is a benchmark film in the tapestry of South African cinema. Selected in 2017 for the prestigious Cannes L’Atelier program, the film was also awarded the Berlinale World Cinema Fund 2017 and has garnered incredible responses at screenplay level alone. I believe that films like Sew the Winter to my Skin not only contribute to a universally accessible understanding of African storytelling, but raise the benchmark for the young South African directors who are emerging with a burning desire to canonize their experience, their heroes, their legacy. We are indeed very excited to share this film with the audience at the Cape Town International Film Festival.” CTIFMF Marketing Director Jehad Kasu also has this to say of the selection, “Having access to this level of quality South African filmmaking that conveys a local story as an opening night film, is half of the reason why the CTIFMF exists – to exhibit the excellence in local story telling and production. The other half is to create an enabling film business environment for this kind of content to reach as many other parts of the world as possible. This second objective has the dual benefit of educating/entertaining global audiences with African cultures, traditions and daily life, while simultaneously boosting the economic growth of the local film and television industry. We also congratulate the whole team, including Layla and every other woman blazing a blinding trail of success in this industry. In years to come we look forward to the problem where our programmers have the difficulty in selecting an opening night film from an array of world-class local productions – that are later snapped up by foreign sales and distribution companies.” https://www.youtube.com/watch?v=FrLepWsV1EQ

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  • Actor Donald Sutherland to Receive Zurich Film Festival’s Lifetime Achievement Award

    Donald Sutherland Actor Donald Sutherland, a veteran of the silver screen, with credits spanning six decades will be honored with the Lifetime Achievement Award at the 2018 Zurich Film Festival. Sutherland will also personally present his recent film ELLA & JOHN: THE LEISURE SEEKER, Paolo Virzì’s English language debut, in which Sutherland stars with Helen Mirren. The film is presented within the Festival’s retrospective of Sutherland’s work, which includes the following titles: THE DIRTY DOZEN, Robert Aldrich (1967) KELLY’S HEROES, Brian G. Hutton (1970) START THE REVOLUTION WITHOUT ME, Bud Yorkin (1970) MAS*H, Robert Altman (1970) KLUTE, Alan Pakula (1971) DON’T LOOK NOW, Nicolas Roeg (1973) FELLINI’S CASANOVA, Federico Fellini (1976) 1900, Bernardo Bertolucci (1976) INVASION OF THE BODY SNATCHERS, Philip Kaufman (1978) ORDINARY PEOPLE, Robert Redford (1980) ELLA & JOHN: THE LEISURE SEEKER, Paolo Virzì (2017) The Lifetime Achievement Award is one of the Festival’s most esteemed and is awarded across a range of fields within international filmmaking. Sutherland will receive his award on September 30, 2018. ZFF Co-Directors Nadja Schildknecht and Karl Spoerri commented: “We are thrilled to welcome Donald Sutherland to Zurich and to present him with our Lifetime Achievement Award at this year’s Festival. Sutherland is an icon of, not just Hollywood but also international cinema, bringing his extraordinary presence to countless iconic roles over a truly formidable career. Sutherland’s body of work includes films that are broadly considered as classics, and re-defining, so we are extra pleased to be able to present this retrospective, including some of his best loved roles.” Donald Sutherland is one of the most respected, prolific and versatile of actors, with a resume of well over one hundred and fifty films, including such classics as Robert Aldrich’s THE DIRTY DOZEN; Robert Altman’s MAS*H; John Schlesinger’s THE DAY OF THE LOCUST; Robert Redford’s ORDINARY PEOPLE; Bernardo Bertolucci’s 1900; Philip Kaufman’s INVASION OF THE BODY SNATCHERS; Nicolas Roeg’s DON’T LOOK NOW with Julie Christie; Alan Pakula’s KLUTE with Jane Fonda; Federico Fellini’s FELLINI’S CASANOVA and in Brian Hutton’s KELLY’S HEROES with Clint Eastwood, who later directed him in SPACE COWBOYS. Sutherland stars as J. Paul Getty in director Danny Boyle’s current series TRUST. THE LEISURE SEEKER had its world premiere at the 2017 Venice Film Festival. He will next be seen on film in AD ASTRA, co-starring with Brad Pitt for director James Gray. Sutherland was producer, screenwriter and star, voicing the lead character, of PIRATE’S PASSAGE, an animated movie based on William Gilkerson’s acclaimed novel, which won the 2016 international Kidscreen Award for Best Special or TV Movie. Sutherland was President Snow in the THE HUNGER GAMES series. He has appeared as Nicole Kidman’s father in Anthony Minghella’s COLD MOUNTAIN; as Charlize Theron’s father in F. Gary Gray’s THE ITALIAN JOB and as Mr. Bennett, Keira Knightley’s father, in PRIDE AND PREJUDICE. For the latter he received a Chicago Film Critics nomination. He starred in FORSAKEN, a period Canadian Western, which premiered at the 2015 Toronto Film Festival. His extensive film credits include Paul Mazursky’s ALEX IN WONDERLAND; Dalton Trumbo’s JOHNNY GOT HIS GUN; Bud Yorkin’s START THE REVOLUTION WITHOUT ME; John Sturges’ THE EAGLE HAS LANDED; Herbert Ross’ MAX DUGAN RETURNS; Louis Malle’s CRACKERS; Phillip Borsos’ BETHUNE; Oliver Stone’s JFK; Ron Howard’s BACKDRAFT; Richard Marquand’s EYE OF THE NEEDLE; Euzhan Palcy’s A DRY WHITE SEASON with Marlon Brando; Richard Pearce’s THRESHOLD, for which he won the 1983 Genie Award as Best Actor; Fred Schepisi’s film adaptation of John Guare’s SIX DEGREES OF SEPARATION; Robert Towne’s WITHOUT LIMITS; and a memorable cameo in John Landis’ National LAMPOON’S ANIMAL HOUSE. He has starred as a voice in the animated feature ASTRO BOY; in Andy Tennant’s FOOL’S GOLD Gold; in Griffin Dunne’s FIERCE PEOPLE with Diane Lane; in Robert Towne’s ASK THE DUST with Salma Hayek and Colin Farrell; in AMERICAN GUN with Forrest Whitaker; in AN AMERICAN HAUNTING with Sissy Spacek; in LAND OF THE BLIND with Ralph Fiennes; in AURORA BOREALIS with Louise Fletcher and Juliette Lewis; in THE EAGLE, opposite Channing Tatum and Jamie Bell for director Kevin Macdonald; in Simon West’s THE MECHANIC with Jason Statham and Ben Foster; in Seth Gordon’s HORRIBLE BOSSES with Colin Farrell; in Mary McGuckian’s MAN ON THE TRAIN; children’s book adaptation, MILTON’S SECRET; and YA novel adaptation, MEASURE OF A MAN. Donald Sutherland, who is Canadian born, was appointed an officer of the Order of Canada in 1978 and a Chevalier des Arts et Lettres in France in 1983. In 2012, he was awarded the highest French honor, the Officier des Arts et Lettres.

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  • World Premiere of BAD TIMES AT THE EL ROYALE to Close San Sebastian International Film Festival [Trailer]

    [caption id="attachment_31728" align="aligncenter" width="1000"]Bad Times at the El Royale Bad Times at the El Royale[/caption] The world premiere of Bad Times at the El Royale, directed by Drew Goddard and starring Jeff Bridges, Chris Hemsworth, Jon Hamm and Dakota Johnson, will close the Official Selection of the San Sebastian International Film Festival’s 66th edition, out of competition. This is Drew Goddard’s second film, following his first feature, The Cabin in the Woods (2012). Goddard, who penned the scripts for Cloverfield (2008), War World Z (2013) and The Martian (2015) and has produced TV series including Lost or Alias, boasts a cast headed by Donostia Award winner Jeff Bridges, Chris Hemsworth (Thor, The Avengers), Dakota Johnson (Fifty Shades of Grey, Suspiria) and Jon Hamm (Mad Men, The Town). In the film, seven strangers, each with a secret to bury, meet at Lake Tahoe’s El Royale, a rundown hotel with a dark past. Over the course of one fateful night, everyone will have a last shot at redemption… before everything goes to hell. The soundtrack of the film, which brings seven strangers together in a rundown hotel on Lake Tahoe, is composed by Michael Giacchino (Jurassic World, Coco, Up) and its director of photography is Seamus McGarvey (Godzilla, Nocturnal Animals, Darkest Hour). https://www.youtube.com/watch?v=SQmOaJciI7Q

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  • Mill Valley Film Festival Announces Full Lineup, Opens with U.S. Premieres of A PRIVATE WAR and GREEN BOOK

    [caption id="attachment_31408" align="aligncenter" width="1200"]Green Book Green Book[/caption] The Mill Valley Film Festival (MVFF) will showcase a diverse lineup of 204 films with 45% of all film directed by women, for the 41st edition of the festival, from October 4 to 14, 2018. The Festival will open with a double header –  the U.S. Premiere of  A Private War, starring Rosamund Pike, and Green Book starring Mahershala Ali.

    Opening Night – U.S. Premieres of A PRIVATE WAR and GREEN BOOK

    Opening night kicks off Thursday, October 4 with the U.S. Premiere of Aviron Pictures’ A Private War, starring Rosamund Pike as Marie Colvin, one of the most celebrated war correspondents of our era, and Universal Pictures’ Green Book, a sharply observed drama, inspired by real-life events, featuring Mahershala Ali as a classically trained Black jazz piano prodigy Dr. Don Shirley on a 1962 concert tour of the American South. Director Matthew Heineman and Rosamund Pike will be in attendance for A Private War and Oscar® winner Mahershala Ali and director Peter Farrelly for Green Book. Centerpiece Presentation – ROMA MVFFs 2018 Centerpiece presentation, ROMA, is the most personal project to date from Academy Award®-winning director and writer Alfonso Cuarón (Children of Men, Gravity). ROMA follows Cleo (Yalitza Aparicio), a young domestic worker for a family in the middle-class neighborhood of Roma in Mexico City. Delivering an artful love letter to the women who raised him, Cuarón draws on his own childhood to create a vivid and emotional portrait of domestic strife and social hierarchy amidst political turmoil of the 1970s. Attending will be director/writer Alfonso Cuarón.

    Closing Night – IF BEALE STREET COULD TALK

    MVFF41 will close with the Bay Area premiere of IF BEALE STREET COULD TALK, Barry Jenkins’ much anticipated follow up to his Oscar winning MOONLIGHT (MVFF39). Jenkins will be present for the screening. The film, based on James Baldwin’s novel of the same name, was adapted by Jenkins’, and follows a pregnant African-American who sets out to clear her fiance’s name after he is falsely imprisoned. The Closing Night Party following the film will be held at Elks Lodge in San Rafael.

    Spotlights

    MVFF41 will bestow a number of Spotlights throughout the Festival including: honoring rising star Amandla Stenberg for her work in The Hate U Give; Joel Edgerton for his work directing and co-starring in Boy Erased; Karyn Kusama for her directorial effort Destroyer; esteemed actor Richard E. Grant for his performance in Can You Ever Forgive Me?; acclaimed actress Maggie Gyllenhaal for The Kindergarten Teacher; and acknowledge Paul Dano and Carey Mulligan for their creative collaboration on Wildlife.

    Tribute – Pawel Pawlikowski

    Academy Award winning Polish director Pawel Pawlikowski (Ida) will receive a special Tribute from the Festival to celebrate his latest film Cold War, a star-crossed romance set during 1950s Cold War in Poland. Pawlikowski will be present for the awards presentation and an onstage conversation following the film.

    Special Presentation – BEAUTIFUL BOY

    The Festival will present a Special Presentation screening of Beautiful Boy with Academy Award nominated actor Timothée Chalamet (Call Me By Your Name), Academy Award Nominated actress Amy Ryan (Gone Baby Gone), and Academy Award nominated Belgian director Felix van Groeningen (The Broken Circle Breakdown).

    Behind the Screens – Panels | Master Classes | Workshops

    The Festival will present another strong slate of Panels, Master Classes, and Workshops to supplement the outstanding film programming and to continue the discussion for Festival attendees. They include: back for a second year, the Mind The Gap Summit will again feature an extraordinary lineup of thought leaders and creatives in film and tech for a full day intensive to help work and share ideas as the Festival advocates gender equity in film; the annual State of the Industry panel will feature leaders of the independent film world to talk about the current pulse of the independent film community; the From Scene to Screen For Teens workshop, facilitated by Tom Franco and Iris Torres, will allow teenage participants the chance to workshop scenes from Gerrard Conley’s memoir Boy Erased; the Crowdfunding to Build Independence workshop teaches filmmakers the essentials for engaging their audience at every stage of their project; Tom Schlesinger will facilitate the workshop The Heroine’s Journey Onscreen Dramedy, a dive into utilizing the Heroine’s Journey for storytelling; the Medical Marijuana panel, following a screening of Weed the People will focus on the medical uses of marijuana and the many benefits to utilizing cannabis to treat a host of ailments; 420: Welcome The Waldos will illuminate the story behind the origins of the term 420; and finally, Graphic Novel Writing for Teens, is a hands-on workshop following the screening of the film Virus Tropical, and will introduce students to the work of several cartoonists and guide them through the process.

    MVFF Music

    MVFF Music returns for a fourth year with a diverse series of concerts at the Sweetwater Music Hall. Nine nights of live music include performances by artists featured in MVFF films, as well as local, national, and international musicians. Musicians include: Freddy Jones Band, Jarvis Cocker introducing Jarv is…, Holly Near with Tammy Hall and Jan Martinelli, Michael Franti, Black Zeppelin, the Oakland Interfaith Gospel Choir, Half Pint, and Honus Honus.

    ¡VIVA EL CINE!

    MVFF’s ¡Viva El Cine! Initiative showcases prize-winning Spanish Language and Latin American films that seek to engage and embrace our Spanish speaking and loving audiences. Highlights in this section include: Alfonso Cuarón’s Roma from Mexico, Birds of Passage from Columbia, El Ángel from Argentina, Richard Levien’s Collisions featuring Mexican American characters, Ernesto from Cuba, Too Late to Die Young from Chile, and The Silence of Others from Spain.

    Active Cinema

    Once again the MVFF’s Active Cinema initiative will showcase film’s power to inspire people to take action to create positive change. Screenings throughout the Festival support the grassroots activism of the filmmakers and engage with the work of the special guests, co-presenters and partners. Highlights include: Charm City in association with Ritter Center; From Baghdad to the Bay in association with the international Rescue Committee, Horizons Foundation, LGBT Asylum Project and Human Rights Watch; Harvest Season in association with La Luz Center; Stay Human in association with Do It For The Love; Time For Ilhan in association with Marin County Young Democrats; Who Killed Lt. Van Dorn? In association with Investigative Reporting Program at the Graduate School of Journalism, UC Berkeley and the Center for Investigative Reporting; Wild DaZe in association with Wildlife Works; and the Active Cinema Hike, a free networking in nature event.

    Mind The Gap Award – Stacy L. Smith

    Mind The Gap, MVFF’s gender equity initiative, amplifies and champions work by women filmmakers, who are changing the narrative that shapes the culture. The Festival is committed to programming 50/50 by 2020 – 50% women directors across all Festival sections by 2020. As part of Mind The Gap this year, the Festival will give Stacy L. Smith the Mind the Gap Award for Visionary Leadership. Smith is a visionary leader in the movement towards gender equity in the film industry. She is an associate professor at USC Annenberg and Founder and Director of the USC Annenberg Inclusion Initiative, the leading think tank globally studying issues of inequality in entertainment. Smith will receive the Mind the Gap Award during the Mind the Gap Summit on Saturday, October 6 where she will also present some of her most recent work.

    Focus | Black Is

    MVFF’s Focus Black Is will showcase emotionally and socially resonant films that explore what it means to be Black in the contemporary world. Films in this Focus include: the co-opening night film Green Book; The Hate U Give; the Closing Night film If Beale Street Could Talk; Little Woods; Long Time Coming: A 1955 Baseball Story; and Obey.

    Focus | Teens & 20’s

    The Festival’s Focus Teens & 20’s, is a focus on young adult films about that defining – and sometimes challenging – post-adolescent/pre-adult time of life. Films in this Focus include: the short program 5@5 The Way It Is; Angst; the Special Presentation Beautiful Boy; Ben is Back; The Hate U Give; Rafiki; The Silent Revolution; Too Late to Die Young; and Virus Tropical.

    Focus | Queer-ish

    Diverse stories of queer representation found in a wide, genre-twisting array of films will be showcased in the Festival’s Focus Queer-ish. Films in this Focus include: Alifu The Prince/ss; El Ángel; Border; Joel Edgerton’s Spotlight presentation film Boy Erased; Richard E. Grant’s Spotlight presentation film Can You Ever Forgive Me?; The Favorite; From Baghdad to the Bay; Holly Near: Singing For Our Lives; The Parting Glass; and Rafiki.

    Focus | Animation Nation

    An assemblage of gorgeous, entertaining, and occasionally kooky animation fiction and non-fiction films from around the globe highlight the Focus Animation Nation. Films in this Focus include: the short program 5@5 Circle Game; The Big Bad Fox and Other Tales; Chris The Swiss; Coco; Seder-Masochism; A Ton O’Toons; Virus Tropical; and Zootopia.

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  • 2018 Whistler Film Festival Confirms First 6 Films + Award Honorees

    [caption id="attachment_31722" align="aligncenter" width="1200"]Hugh Hefner's After Dark: Speaking Out in America Hugh Hefner’s After Dark: Speaking Out in America[/caption] With just 12 weeks to go until its 18th edition, the Whistler Film Festival (WFF) confirmed the first films plus the BC talent that will be honored at Almost WFF, its’ annual benefit in Vancouver. From November 28th to December 2nd, the Whistler Film Festival will welcome both fans and filmmakers to experience fresh films, special guests, epic events, unique industry and talent programs. Top lining this year’s Canadian titles are selections from past WFF Alumni, three of which are eligible for WFF’s coveted Borsos Competition for Best Canadian Feature which offers a $15,000 cash prize presented by the Directors Guild of Canada, British Columbia.

    First six films that will be playing at the 2018 Whistler Film Festival (WFF):

    AN AUDIENCE OF CHAIRS (2018, Canada, Western Canadian Premiere) – directed by Deanne Foley (RELATIVE HAPPINESS screened WFF14) A concert pianist on a rural retreat has to deal with mental health issues and how it may affect the custody of her two children. A deeply moving story of artistic talent, motherly love and psychological imbalance all leading up to an emotionally shattering resolution. FALLS AROUND HER (2018, Canada, Western Canadian Premiere) – Directed by Darlene Naponse and starring WFF Alumnus Tantoo Cardinal, who gives the performance of her career as a First Nations singer who decides to return to the reservation to rekindle her creative batteries and extricate herself from an abusive relationship. A beautiful depiction of how the land and community can help heal the soul. FUCK YOU ALL – THE UWE BOLL STORY (2018, Canada, World Premiere) – Directed by Sean Patrick Shaul, this no-holds barred, warts and all documentary features one of BC’s most controversial filmmakers Uwe Boll (TUNNEL RATS screened at WFF in 2008). Considered by some to be the world’s worst directors, the feisty but now retired film entrepreneur, who once publicly boxed a number of film critics who did not like his movies, is still refusing to take guff from any of his detractors. HUGH HEFNER’S AFTER DARK: SPEAKING OUT IN AMERICA (2018, USA, Canadian Premiere) – Academy Award winning Brigitte Berman’s follow-up to 2009’s HUGH HEFNER: PLAYBOY, ACTIVIST, AND REBEL (WFF, 2009) focuses on the treasure trove of archival footage derived from Playboy’s two groundbreaking late night syndicated TV series (Playboy’s Penthouse and Playboy After Dark) and features unforgettable performances by Sammy Davis Jr., Sarah Vaughan, Nina Simone, Lenny Bruce and Smokey Robinson among many others. A time capsule through the racial and political times of the progressive 60s. MAN RUNNING (2018, Canada, BC Premiere) – Director Gary Burns, who is arguably one of Western Canada’s most important filmmakers ever since his breakout film WAYDOWNTOWN (WFF 2001), new film is set during a running marathon in the Kananaskis region. A doctor in questionable health questions his life and the decisions he made in the area of assisted suicide. An existential trek through the beautiful Rockies. THE GREAT DARKENED DAYS (2018, Canada, Western Canadian Premiere) – From director Maxime Giroux, winner of WFF’s Borsos Competition for Best Canadian Feature for FELIX ET MEIRA (WFF 2014), comes a completely new and exciting road movie about a Chaplinesque vagabond who walks and hitchhikes across a sometimes bleak rural American landscape, while learning that it is not safe for him to return home to Quebec.

    WFF will shine the spotlight on five honorees at the event:

    Industry Impact Award: UBCP/ACTRA WFF’s Industry Impact Award recognizes an organization whose contributions have led to the success of their members, their partners and the British Columbia Film and TV industry as a whole, and whose support in the community continues to put the province on the map. UBCP/ACTRA has been a partner of WFF since 2005 and has supported our Stars to Watch talent program, an immersion experience for four UBCP/ACTRA member actors poised for international recognition with features premiering at the festival, since 2015. WFF will honour UBCP/ACTRA for its ongoing support of the industry in BC and the WFF Stars to Watch program, which collectively have been vital to their ongoing success. BC Woman on Top Award: Marie Clements WFF’s BC Woman on Top Award highlights a woman who has created her own niche in the film and media landscape while supporting and encouraging creators in the BC Industry. Marie Clements (WFF 2011) has ignited her brand of artistry within a variety of mediums including film, TV radio, new media and live performance. Marie wrote and directed THE ROAD FORWARD, a feature music-doc that premiered at Hot Docs and opened the 2017 DOXA Documentary Film Festival. The film received five Leo Awards including Best Production, Best, Director, and Best Screenwriter. THE ROAD FORWARD has screened at over 100 venues in North America, also receiving a Best Director Award at the North American Indian Festival in San Francisco, as well as a Writer’s Guild Nomination for Best Documentary Screenplay in 2018. Her documentary LOOKING AT EDWARD CURTIS premiered at DOXA and The Yorkton Film Festival this spring and will broadcast on Knowledge Network this Summer. She is currently in post production for her feature drama, RED SNOW, a WIDC feature film award winner due to release in 2019. A multi-award-winner for her previous work, Marie Clements’ films have screened at Cannes, TIFF, MOMA, VIFF, Whistler Film Festival, American Indian Film Festival and imagineNATIVE Film Festival. MCM is an independent media production company owned and operated by Clements specializing in the development, creation and production of innovative works of media that explore an Indigenous and intercultural reality. BC Creates Award: Amber Ripley WFF’s BC Creates Award celebrates independent producers in the BC Film and TV industry who continue to nurture, create and or produce in the province. Amber Ripley was a finalist for the MPPIA Short Film Award at WFF in 2011 with her short film Mermaid in a Jar. She recently produced the comedy-horror DEAD SHACK, the debut feature from Peter Ricq, one-half of the Juno-nominated band Humans (WFF 2014), who also composed the score for the film. Ricq penned the script along with Philippe Ivanusic and Davila LeBlanc, the co-creators of the award-winning animated TV series “The League of Super Evil.”. Currently, Amber is producing I’M NOT A BAD PERSON, the sophomore effort of the team behind the award-winning film VIOLENT, and Bruce McDonald’s DREAMLAND, a noir thriller that is an international co-production shooting in Luxembourg and Belgium. WFF Talent to Watch: Lawrence Le Lam WFF’s Talent to Watch Award recognizes a BC filmmaker or actor on a trajectory for success. Lawrence Le Lam is an award-winning filmmaker from Richmond, who loves exploring underground worlds. His short film, The Blue Jet, about a rebellious radio DJ broadcasting banned rock & roll in 1970s Taiwan premiered at Festival Du Nouveau Cinéma 2015, and has screened at festivals all around the world. It has won many awards including Best Student Production (Whistler Film Festival / Leo Awards 2016), and Best in Canada at the Toronto Shorts International Film Festival. His last short, Cypher, explores the conflict between the Korean and Black communities in LA during the 90s through the underground hip hop scene. Lawrence was a part of the TIFF Talent Lab program in 2017. He has also directed and co-wrote a feature documentary about the social enterprise movement, NOT BUSINESS AS USUAL which premiered at the Chicago Social Change Film Festival, and continues to spread online and in classrooms for free, accumulating more than 100,000 views. Lawrence is currently working as a co-director and editor on Ying Wang’s conspiracy thriller feature docudrama, THE BOY WITH A GUITAR. His next project, and first narrative feature, currently titled HONGCOUVER will explore the world of real estate, wealth migration, and ultra rich Chinese kids with luxury cars. Industry Toast: Angie Nolan Angie Nolan has been involved with the Whistler Film Festival since its inception and has worked in WFF’s Industry Programming since 2004. She most recently acted as Director of Industry Programming, overseeing all of WFF’s industry, project development and talent programs associated with the Whistler Film Festival and Summit. Angie recently moved on from WFF to work on her own creative projects. To recognize her commitment to WFF and passion for our industry and talent programs that she helped to create and nurture over the years, WFF will honor her with our Industry Toast Award.

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  • World Premiere of NOMIS Starring Henry Cavill to Close 2018 LA Film Festival

    [caption id="attachment_31717" align="aligncenter" width="1200"] Nomis[/caption] This yea’r 2018 LA Film Festival will come to a close with the World Premiere of David Raymond’s Nomis starring Henry Cavill, Sir Ben Kingsley, Nathan Fillion, Minka Kelly, Alexandra Daddario and Stanley Tucci. Additionally there will be a Gala Screening of Maryam Keshavarz’s Viper Club, starring Susan Sarandon, Matt Bomer, Lola Kirke, Julian Morris, Sheila Vand, Adepero Oduye, Amir Malaklou and Edie Falco; Global Media Makers Fellow Nejib Belkadhi’s Look At Me to screen; two additional series added including Tenacious D’s Post-Apocalypto and Terence Nance’s Random Acts of Flyness; and Retrospective screenings of Gregory Nava’s El Norte and Ang Lee’s The Wedding Banquet. “As a festival that has always championed new voices it is only fitting to be closing this year with the work of a first time writer director,” said Jennifer Cochis, LA Film Festival Director. “In Nomis David Raymond created a thrilling film made all the more terrifying by the performances from his incredible cast.”

    Closing Night Film

    Nomis, dir. David Raymond, USA, World Premiere When police trap online predator Simon Stulls, they soon realize that the extent of his crimes go far beyond that of his own psychological trauma. Nothing quite makes sense that is until people involved in the case, on both sides of the law, start getting murdered…

    Additional Gala

    Viper Club, dir. Maryam Keshavarz, USA, US Premiere ER nurse Helen Sterling (Susan Sarandon) struggles to free her grown son, a journalist captured by terrorists in the Middle East. After hitting walls with the FBI and state agencies, she discovers a clandestine community of journalists, advocates, and philanthropists who might be able to help.

    Global Media Makers Special Screening

    Global Media Makers is an innovative mentoring initiative and cultural exchange program that connects international filmmakers with leading U.S. entertainment professionals. The program is sponsored by the U.S. Department of State’s Bureau of Educational and Cultural Affairs and produced in partnership with Film Independent. Look At Me, Nejib Belkadhi, Tunisia, U.S. Premiere Lotfi, a Tunisian immigrant in Marseille, returns to his country to take care of his autistic son after the boy’s mother suffers a stroke. When institutionalizing his son proves difficult, he discovers unexpected ways to connect with his estranged son, thus understanding true fatherhood and coming to terms with his masculinity.

    Additional Series

    Post-Apocalypto, dir. Tenacious D, USA, World Premiere Post-Apocalypto is an original, six-part animated video series from the minds of Tenacious D. Each frame of every episode was hand-drawn by Jack Black himself, with every character voiced by Black and Kyle Gass. The series begins rolling out on September 28, 2018, via Tenacious D’s YouTube page, with a new episode every Friday after that. Random Acts of Flyness, USA, LA Premiere Random Acts of Flyness is a HBO late-night series from artist Terence Nance (An Oversimplification of Her Beauty) that explores cultural idioms such as patriarchy, white supremacy and sensuality from a new, thought-provoking perspective. #01 “What are your thoughts on raising free black children?” – Written by Terence Nance & Jamund Washington; Directed by Terence Nance, Frances Bodomo, Shaka King #02 “two piece and a biscuit” – Written by Terence Nance & Jamund Washington & Frances Bodomo & Naima Ramos-Chapman & Nelson Nance & Shaka King; Directed by Terence Nance, Frances Bodomo, Darius Clark Monroe, Naima Ramos-Chapman, Jamund Washington

    Retrospectives

    Rediscover classic, cult and beloved films on the big screen, often celebrating anniversaries or restored versions. El Norte, dir. Gregory Nava, Mexico/USA, 35th Anniversary Academy Restoration The Oscar-nominated classic film about the plight of the undocumented. Siblings, Rosa and Enrique flee persecution in Guatemala and journey to the promised land of “El Norte” only to encounter more injustice. The Wedding Banquet, dir. Ang Lee, Taiwan/USA, 25th Anniversary 35mm Presentation A Chinese yuppie hopes a marriage will prevent his parents from discovering he is gay, but his plan hilariously backfires when they insist on coming to New York for the wedding.

    Panel

    The Future of Producing, hosted by Rebecca Green, joined by panelists Steven J. Berger (Lorena), Mel Jones (Dear White People), Lacey Leavitt (Sadie) and Avril Z. Speaks (Jinn).

    Additional Podcast

    Welcome to the Clambake – USA (CREATORS/HOSTS Lindsay Stidham and Angela Gulner) – From Campfire Media, two hilarious women explore what it means to be a feminist in the current cultural climate.

    Seattle Story Award

    Prior to the Closing Night Film, independent Seattle filmmaker Claire Buss will debut her new short film, “I’m Sorry Happy Birthday,” which playfully showcases everyday life in Seattle’s neighborhoods through whimsical vignettes that border on the fantastical – complete with a little bit of Pacific Northwest quirkiness. Buss’ short film, playing out of competition, was funded by the Seattle Story Award grant from Visit Seattle. This is the second film grant awarded by Visit Seattle as part of a larger partnership with Film Independent, after debuting the Seattle Story Award at the 2018 Film Independent Spirit Awards. The Seattle Story Award is given to a filmmaker who exhibits innovation, diversity and uniqueness of vision while having a history of transforming perspectives through rich stories. The recipient uses this grant to create a short film inspired by Seattle’s deep textures and independent spirit. Following the LA Film Festival’s Closing Night, “I’m Sorry Happy Birthday” will be available for viewing on VISITSEATTLE.tv.

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  • Boots Riley to Deliver Keynote Address at Indie Memphis Film Festival’s Black Creators Forum

    Boots Riley Boots Riley still riding high off the success of Sorry To Bother You, will attend the Indie Memphis Film Festival to deliver the keynote address at the Black Creators Forum (November 1st – 5th), discussing his interdisciplinary background as a musician, labor organizer, and filmmaker. Riley will talk about how filmmakers can use backgrounds in other arts to make films in radical new ways. He will also present a classic film of his choice during the film festival. Another special event is a live film presentation by Zia Anger entitled My First Film. Anger will offer live-commentary on previously unseen work, by way of a split screen and text edit, as she attempts to recount the stories behind her lost and abandoned work — including her first feature — and her struggles in an industry that’s often hostile to women filmmakers beyond the short film stage of their careers. This combination screening/performance/artist’s talk includes innovative new formats, including short videos airdropped directly to audience members. Senior Programmer Miriam Bale said, “I have attended dozens or maybe hundreds of talks about the lack of women feature film directors, an issue I care deeply about. But after awhile, they all sound the same. Zia Anger has figured out a new way to discuss these issues, in an incredibly moving, personal, and creative way. I’ve never seen anything like it!” After developing My First Film at the Spectacle Theater in Brooklyn, Indie Memphis will be the festival debut of this traveling live cinema event. The Black Creators Forum at the Indie Memphis Film Festival will conclude with a free public celebration, the Black Filmmakers Pitch Rally (with crowdfunding partner Seed&Spark) on Friday, November 2nd at Memphis’ Playhouse on the Square, featuring a jury-selected $10,000 “bounty prize” provided by Epicenter Memphis for projects to garner support for production in Memphis. Production must begin in Memphis before August 1, 2019 to claim the bounty cash or forfeit it to next year’s prize. Sponsors and donors are encouraged to match the inaugural prize offer leading up to the rally. Half of the pitching filmmakers have been selected from the finalists of the Indie Memphis Black Filmmaker Residency for Screenwriting program. The remaining six slots are available for feature films, both narrative and documentary, proposing to shoot in Memphis. Applications to pitch are open through September 16th.

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  • New Orleans Film Festival Announces 28 Finalists of Inaugural Screenplay Competition

    2018 New Orleans Film Festival The New Orleans Film Festival selected the 28 finalists of its inaugural Screenplay Competition, from over 700 submissions, in Feature, Short, Episodic and Louisiana Screenplay categories. All finalists will be provided with an All-Access Pass to the 29th New Orleans Film Festival running October 17 to 25, 2018. Finalists will take advantage of the screenings, panels, roundtables, and numerous opportunities to connect with other writers, filmmakers, and industry professionals. Winners in each category will be announced at a special reception during the festival. The winner of Feature Screenplays category will receive a cash prize of $1000; Short and Episodic Screenplay category winners will receive a cash prize of $500. For Louisiana residents: the Louisiana Film & Entertainment Association (LFEA) is sponsoring a $1000 prize for the best screenplay from a Louisiana-based writer and a runner-up prize of $500.

    29th New Orleans Film Festival – Screenplay Competition Finalists

    Feature Screenplay Finalists

    All See None by Zev Aaron – Traumatized by the discovery of two dead inmates, an architect tries to sabotage the construction of a prison he’s designed. When the prison corporation that hired him finds out, he and his young daughter must run for their lives. Zev Aaron Bio – Zev Aaron was born in 1990 in New York and presently lives there. He received a B.A. in History from the University of Pennsylvania and an M.A. in Liberal Studies from The New School. He has made a series of experimental analog shorts and is currently shooting two narrative shorts, one on 16mm and one on 35mm. Audrey, 2.0 by Imogen Grace – A Hollywood actress struggling to make a comeback begins to form a deep and dangerous attachment to her android body double, in this lo-fi sci-fi set in a near future. Imogen Grace Bio – Imogen is a screenwriter based in Toronto, Canada. She studied dramatic arts in New York City and has written and directed short films that have appeared in international film festivals. Her feature screenplay Audrey, 2.0 is an official selection of Oaxaca Film Festival and Catalina Film Festival. She is the co-founder of the women in film initiative The Bechel Bill. Delos by María A. Otero – A Mexican girl with unusual powers struggles to deal with her impending womanhood, her disastrous family, the constant torment of bullies and her crumbling sense of identity while fighting to keep her sanity and avoid her breaking point. María A. Otero Bio – María Otero was born in Mexico in 1996. She started writing as soon as she learned how to at age 6. A few years later, before she was allowed to watch “grown-up” movies, she defied her parent’s rules and saw Schindler’s List. This changed her life. From that moment on, she lived for films. She divides her time between MX and NYC. Johnny Ace by Moon Molson – On the night of Christmas Day in 1954, two Houston Homicide Detectives are called to the City Auditorium to investigate the accidental suicide of R&B singer Johnny Ace and discover that the death of the legendary crooner is anything but an “open and shut” case of drunken Russian Roulette. Moon Molson Bio – Moon Molson’s short films Pop Foul (2007), Crazy Beats Strong Every Time (2011), and The Bravest, The Boldest (2014) all premiered at the Sundance Film Festival, have screened at over 250 international film festivals, and won over 100 awards worldwide. He is a 2015 Guggenheim Fellow in Film-Video and currently an Assistant Professor in Visual Arts at Princeton University. Kibou by Cassie Hayasaka and Keith Hayasaka – In a political and cultural backdrop acutely relevant today as 75 years ago, a young Japanese-American loses everything – his freedom, cultural identity, and the love of his life – when his family is split up by the government and forced to relocate to a desolate internment camp during WWII. When faced with the prospect of post-war renewal, the bonds of family and loyalty to country threaten to eclipse his happiness. Cassie Hayasaka and Keith Hayasaka Bio – Cassie and Keith Hayasaka have collectively lived all over the United States but now call the Pacific Northwest home. Drawing on diverse experiences and socioeconomic/cultural backgrounds, they strive to craft engaging narratives while exploring timely issues of race, social disparity, and family. Plaçage by G. Michelle Robinson – In early 19th Century New Orleans, it was not uncommon for a White man to enter into consensual common-law union with a woman of color. The practice was called Plaçage. Emilie, a 17-year-old mixed-race woman, has been raised in a life of relative luxury in just such a household. Her sister, Marie Elaine, is about to embark into the same lifestyle. But for Emilie, enchanted by stories of the West she reads of in penny novels, the life she’s known holds no allure. G. Michelle Robinson Bio – Originally from Washington State, Michelle is a Brooklyn-based actor and writer. She’s been on TV and film, most notably a recurring role on HBO’s Boardwalk Empire, and theatre, including the 2002 Edinburgh Fringe First winning Black to My Roots. Shock by Rosie Rosato – Baltimore City has become a haven for queers all over the state of Maryland. Everything is temporary here; both this kind of love, and this kind of life. Mandatory conversion therapy plucks everyone at random from the city for a country retreat at a center outside of town. Zooey, a 24-year-old painter who is startled by how much falling in love has changed her life, has recently lost her girlfriend Sam. Zooey and her group of friends navigate their city, and live their lives the way they feel they should for as long as they can. Shock is a social horror that slides in and out of memories; it is a soft boil through and through. Rebellion can exist in small acts, like falling in love, and staying true to yourself. Shock questions our permanence and our strength to be honest with ourselves. Rosie Rosato Bio – Rosie Rosato is a Brooklyn, NY based screenwriter/filmmaker from Baltimore, MD. She bleeds genres, playing with Horror, Drama, and Syfy, suspending disbelief to dive deep into ourselves. Shock, a queer-social-horror based in her hometown, is her current project in pre-production. Shock is Rosato’s first feature-length script. Rosato holds a BFA in Film/Video from Pratt Institute. True Blue Masters by Hadley Witcher – An aspiring young copywriter investigates water rights and stumbles into an underhanded political scheme surrounding the emerging gaming industry in 1990s New Mexico. Hadley Witcher Bio – Hadley Witcher received her BFA from Cornell University, then settled in Tesuque, New Mexico, where she worked in photography and video production. She also wrote commentary and film reviews for KUNM, Albuquerque’s NPR affiliate. She later moved to her native Philadelphia area with her husband and two children. She earned her MFA in Creative Writing at Rosemont College in 2017.

    Episodic Screenplay Finalists

    Banshees by Cari Daly – After her Irish mob-boss husband is arrested by the FBI, a mother of three with plans to escape, steps up to lead the family business. Cari Daly Bio – Cari Daly is the granddaughter of Irish immigrants who may not have been on the right side of the law. She made good by attending NYU’s Tisch School of the Arts, receiving her BFA in Directing and Dramaturgy, followed by the AFI Conservatory, where she received her MFA in Screenwriting. She won’t break your kneecaps…she promises… Deadline by Branden Hampton – A relentless black journalist struggles through the world’s top journalism school in the midst of racism, politics and corruption in Chicago. Branden Hampton Bio – Branden T. Hampton is an award-winning director, producer, musician and writer from Atlanta, Georgia. The award-winning documentary “FEARLESS” that he co-directed/co-produced was nominated at the Chicago/Midwest Emmys for two College Production Awards and has premiered at major international film festivals. He is a proud graduate of Howard University and Northwestern University’s Medill School of Journalism. Generation-Y by Chelsea Holmes-McKnight – Gen-Y (Generation-Y) follows the life of Elisha Danbrooke, an African American woman whose world is turned upside down when she discovers she’s contracted an incurable STD. Throughout the series, viewers will learn how she navigates through the dating world with this stigma. Chelsea Holmes-McKnight Bio – My name is Chelsea Holmes-McKnight, I am from Charlotte, North Carolina. I began writing in high school for the newspaper and yearbook, but my love for storytelling developed during my college years. I originally went to school to become a journalist, yet after taking several fiction writing courses, I was hooked. The rest is history. The Quickening by Brittany Worthington – Eleanor Murphy Ballard is a 19th-century housewife who is not only struggling to conceive a child with her wealthy husband but struggling to conceal her past and true identity as a runaway slave. She is forced to confront her true self when a close friend finds herself pregnant with nowhere to go. It is soon revealed that Eleanor aided in providing illegal abortions to women across the city. Pulled back into that world with the promise that she might find the daughter she gave up nearly a decade ago, Eleanor starts down a path towards becoming Chicago’s most-notorious abortionist. But with the Council of the Suppression of Vice and a Chicago mobster after her, Eleanor must face some hard choices as she confronts who she is and what she truly wants. Brittany Worthington Bio – Brittany Worthington is a native Michiganer –Grand Rapids, MI to be exact– who completed her MFA in screenwriting at the University of Texas at Austin. Brittany is currently pursuing her screenwriting career in Los Angeles. She was recently named the second place finalist in the LAUNCH Million Dollar Screenplay competition. The Realm by Crystal Ellington – Episodic fantasy drama The Realms explores the notion that there is life after death. The protagonist, Kyna, is struck with amnesia at the time of her death, and must navigate the new realm to uncover the truth behind her life and death. In order to unlock the details of her existence, she must master the role of Guardian, one who assists the dead with life’s unfinished business. With each soul assisted, she unlocks a key to her life and death. As she gets closer to the truth, tensions rise in the world of the living and the dead. The barrier between the realms is thinning. All hell is about to break loose. Crystal Ellington Bio – Born and raised in Florida, Crystal studied journalism and communication at Ashford University. After a brief stint as an on-air radio personality, she moved to Europe for a couple years before returning to her hometown to care for her two daughters. She now works in banking and spends her free time indulging her passion for writing. The Reservoir by Dylan Allen (Teleplay), Eddy Vallante + Dylan Allen (Story) – In an age when water is rapidly becoming the new oil, an ambitious engineer reluctantly returns home after public doubt is cast on the sustainability of the local reservoir. But as she reconnects with the family she fled and the community she left behind, she begins to struggle with the reason she’s back: to flood her hometown. Amalgamated Picture Co. – Amalgamated Picture Co. is an award-winning production house based in Brooklyn, NY. Their most recent short film THE PRIVATES won Hammer to Nail’s Spring ‘17 Short Film Contest and was released as a Vimeo Staff Pick Premiere. It was featured on Short of the Week, io9, Film Shortage and won New Hampshire FF’s Best NH Short Narrative award.

    Short Screenplay Finalists

    Flight by Alexis Stratton – In 1950s small-town South Carolina, Dee helps her lover Sam break free from the South by cutting off their hair. Alexis Stratton Bio – Alexis Stratton has spent their life in many homes, from New Orleans to South Korea. They received an MFA in Creative Writing from the University of South Carolina, and they currently work as a freelance writer. Previously, they wrote and directed two short films, “Crosswalk” and “GHOST_GIRL,” which have been screened at festivals in the U.S. and beyond. Freya by Jo Fox and Sophia Tamaro – A grieving painter finds solace and creative inspiration through sexual encounters with strangers. Jo Fox and Sophia Tamaro Bios – A former doctor and teacher, Yorkshire writer/producer and married mother-of-two, Jo is a Nicholl Fellowship Quarterfinalist, with a passion for sharp dialogue and rich characterisation. | Writer/director and UK Film School graduate, multilingual German/Italian born Sophia has a flair for intriguing, original stories and is committed to increasing diversity in film. My Black Friend by James M. Martin – A new premiere subscription service seeks to help young, woke, progressives avoid costly social mistakes related to issues of race and help demonstrate their allegiance to black causes; all without actually needing to get involved. James M. Martin Bio – James M. Martin is a lifelong writer and college educator who loves creating worlds that are outside of the norm. If there’s a way to work a bit of the unusual or the outright weird into everyday situations, he’s all for it. As a writer, director, and editor he knows he should be doing less, but sometimes has trust issues. Strangers on the Outside by Derek Weissbein – After discovering they can recapture the feeling of falling in love for the first time by inhabiting the bodies of others, a couple begins playing an addictive game to reinvigorate their monotonous relationship while ignoring the ethical and physical implications. Derek Weissbein Bio – Derek Weissbein is a screenwriter located in Los Angeles. He was featured on the 2016 Hollywood Blacklist with his screenplay, Layla and Other Assorted Love Songs, about Eric Clapton and George Harrison. He has since been attached to write three more biopics. Although he enjoys bringing non-fiction stories to life, he is just as passionate about telling grounded sci-fi stories. The Frog by Tate Nova & Courtney Powell – A young woman working as a maid on a remote Hawaiian island drinks an herbal tincture she hopes will solve all her problems, but she discovers her troubles have just begun. Tate Nova & Courtney Powell Bios – Courtney Powell and Tate Nova have been making films together in New York City since 2015. Their first film, The Surf Report, was an official selection of the New Orleans Film Festival in 2016 and they are excited to show their new film The Future Is Bright at #NOFF2018. Wa Wa by Amy Wang – A 5-year-old girl attempts to overcome feelings of inadequacy and isolation at a boarding school for overworked parents. Amy Wang Bio – Amy Wang is a Chinese-Australian filmmaker who grew up in the suburbs of Sydney, Australia. She graduated from the American Film Institute where her thesis film screened at numerous festivals around the world including being nominated for the Grand Prix at Clermont-Ferrand. She’s a recipient of the Young Directors Award at Cannes Lions 2018 and is a Bluecat Screenplay Winner.

    Louisiana Screenplay Finalists

    Bird by Renso Amariz – A young woman who can’t leave her apartment has a difficult time finding love, until an alluring, fast living, neighbor shows up. The two women find comfort in each other, but there is a bigger secret on why she can’t leave her apartment that will change the lives of both women. Renso Amariz Bio – Renso Amariz spent 9 years working as a military photojournalist. Since leaving the military, he has followed his passion for storytelling and focusing on film. He’s written and produced several shorts, and one ill-fated feature. Currently he’s working with Invisible Pictures and writing a digital series for internet release. Empyrean by Meghann McCracken – In 2047 Silicon Valley, genetics researcher, Nia Donne, becomes embroiled in an international cover-up with implications for all of humanity. Meghann McCracken Bio – Meghann’s plays have been read, produced, or honored at the Last Frontier Theatre Conference (Alaska), The Playwrights’ Center (Minneapolis), Southern Rep (New Orleans) and American Blues Theatre (Chicago). She also has been a quarterfinalist for the Nicholl Fellowship in Screenwriting. She has a B.A. in Film Production from U.C., Santa Cruz. She lives in New Orleans with her husband and son. Gun Island by Max Cusimano – A federal agent is called to a remote Louisiana island to investigate a high-profile murder and uncovers a conspiracy involving the American arms industry. Max Cusimano Bio – Max is a Louisiana native who gained an arguably overrated film degree from USC and spent a few years wandering about Southern California. Ridley Scott said some nice things about his short film, “The Rhapsody” (see IMDB.) Max’s documentary feature “New City” is available on Amazon Prime. He lives in New Orleans with his wife, daughter, and two dogs. Homesick by Adrian Ferrara & Gavin Ferrara – When a horrific virus that turns those infected into savage, animalistic creatures sweeps through the grounds of a children’s summer camp, a precocious eight-year-old girl and her friends must fight to survive their summer of fun. Adrian Ferrara & Gavin Ferrara Bios – Screenwriters Adrian and Gavin Ferrara are cousins who co-own New Orleans-based, award-winning production company Flittermouse Films. Growing up in a show business family led them to pursue careers in filmmaking and screenwriting, an endeavor that would eventually culminate in the production of several films and the creation of numerous screenplays. Looking to the future, they hope to continue creating together! Little Lying Wild by Samantha Aldana & Bryce Parsons-Twesten – In Belize, Carmen, an outcast girl with an obsession for stories is the only witness of a depraved murder that happens in her village. Being seen as a liar for constantly spinning tall tales, Carmen has to prove to her people that what she has seen this time is not an illusion. Samantha Aldana & Bryce Parsons-Twesten Bios – Samantha Aldana is a Belizean-American award-winning director/writer. Her love of stories was born from the fusion of storytelling traditions of the American South and the folktales of Belize. At the age of 12, she began putting her stories on screen. Samantha’s work has been featured on PBS, The Film Shortage, Comic Con, and other festivals and platforms around the world. | Bryce Parsons-Twesten grew up on a farm in Southern Illinois. He is the literary manager of PRIME, a theatre company that specializes in 24-hour play festivals. He worked previously with Samantha Aldana, co-writing THE MELANCHOLY MAN which has won “Best Narrative Film” in the Audience Awards Women’s Film Challenge and various other honors. Seven Kinds of Soup by Kim Turner – Following the sudden death of her husband, a woman must navigate her way through her grief with the help of her friends and a mythic creature who may be a manifestation of that grief. Kim Turner Bio – Kim Turner is a writer and a graduate of the Conservatory at Second City in Chicago. Additionally, she studied writing at iO and the Annoyance Theater. Her screenplay, Christy’s Got Cancer!, was one of twelve works selected for the inaugural Meryl Streep Screenwriters’ Lab in 2015. Kim resides in Mandeville and daily tests the physiological limits for human caffeine ingestion. Swanson by Shaq Cosse – In parallel time periods, ACE’s life mirrors the challenges of growing up in an adopted family and working in a group home for teenage boys placed out of their homes. While working in the group home, Ace comes up with the idea to start a bootleg therapy practice, which he’s strongly urged against because of his lack of formal training. Ace must now deal with the dangers of his illegitimate practice, everyday group home problems, and the memories of his own dark past. Each episode will take us on a journey through a flashback into Ace’s past, which will present a theme mirroring a theme going on in the present day, inside of the group home. Shaq Cosse Bio – Shaq Cosse is a hip hop journalist from New Orleans, LA who has spent the last six years publishing stories in national media about the rise of New Orleans’ underground music, and art culture. After spending a year and a half living and gathering research inside of one of Louisiana’s most notorious out-of-home facilities for teenage boys, Shaq has embarked on the journey of telling the stories of his, “lil homies”. The Funeral Band Pilot by Nicholas Manuel Pino – On his first day as the newest member of “Thicker than Blood Brass Band,” John, a now teenager displaced by Katrina, learns all about the unique community he’s been disconnected from for so long and the traditions that follow them to the grave. Nicholas Manuel Pino Bio – Nicholas Manuel Pino is a Chilean-American Award-Winning Writer/Director/DP and composer. His passion is writing comedy with heart. In 2017, he was awarded the “Emerging Voices” fellowship from New Orleans Film Festival.

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