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  • SCAD Savannah Film Festival Announces 2018 Lineup, Opens with ROMA

    [caption id="attachment_30917" align="aligncenter" width="1000"]ROMA ROMA[/caption] The 21st SCAD Savannah Film Festival organized by Savannah College of Art and Design (SCAD) will screen a record total of 164 films; and will kick off on Saturday, October 27, with the Opening Night Gala Screening of Roma, directed by Alfonso Cuarón.  The Centerpiece Gala will be If Beale Street Could Talk, written and directed by Barry Jenkins and starring festival honorees Stephan James and KiKi Layne.  The festival will close on Saturday, November 3 with the Closing Gala Screening of Green Book, directed by Peter Farrelly and starring Viggo Mortensen and 2016 festival honoree Mahershala Ali. The 2018 schedule includes Gala, Docs to Watch, Signature and Professional Competition screenings, along with Global Shorts Forum and “Wonder Women” forum highlighting female directors, producers, and below the line talent at SCAD’s historic theaters and industry-leading studios. New programming this year includes an Animation Corner, a TV Sidebar and a Shorts Spotlight. SCAD’s annual tribute to excellence in film has screened over 110 Oscar-nominated films; and has honored over 80 legendary actors, directors, producers, writers, and filmmakers.

    GALA SCREENINGS

    Anna and the Apocalypse (Director: John McPhail. Cast: Ella Hunt, Malcolm Cumming, Sarah Swire, Christopher Leveaux, Ben Wiggins, Marli Siu) Ben is Back (Director: Peter Hedges. Cast: Lucas Hedges, Julia Roberts, Courtney B. Vance, Kathryn Newton, Rachel Bay Jones, David Zaldivar) Boy Erased (Director: Joel Edgerton. Cast: Lucas Hedges, Russell Crowe, Nicole Kidman, Joel Edgerton) Destroyer (Director: Karyn Kusama. Cast: Nicole Kidman, Toby Kebbell, Tatiana Maslany, Sebastian Stan, Bradley Whitford, Jade Pettyjohn, Scoot McNairy) The Favourite (Director: Yorgos Lanthimos. Cast: Emma Stone, Olivia Colman, Rachel Weisz, Mark Gatiss, Joe Alwyn, Nicholas Hoult) The Front Runner (Director: Jason Reitman. Cast: Hugh Jackman, Vera Farmiga, J.K. Simmons, Alfred Molina) Green Book (Director: Peter Farrelly. Cast: Viggo Mortensen, Mahershala Ali, Linda Cardellini, Sebastian Maniscalco, Dimiter D. Marinov, P.J. Byrne) If Beale Street Could Talk (Director: Barry Jenkins. Cast: KiKi Layne, Stephan James, Regina King, Colman Domingo, Teyonah Parris, Michael Beach, Aunjanue Ellis, Dave Franco, Diego Luna, Pedro Pascal, Emily Rios, Ed Skrein, Finn Wittrock, Bryan Tyree Henry) The Kindergarten Teacher (Director: Sara Colangelo. Cast: Maggie Gyllenhaal, Rosa Salazar, Gael García Bernal, Parker Sevak, Michael Chernus) Roma (Director: Alfonso Cuarón. Cast: Yalitza Aparicio, Marina de Tavira, Nancy Garcia, Diego Cortina Autrey, Carlos Peralta, Daniela Demesa, Marco Graf, Nancy Garcia, Jorge Antonio Guerrero Martinez) A Private War (Director: Matthew Heineman. Cast: Rosamund Pike, Jamie Dornan, Stanley Tucci, Tom Hollander) Widows (Director: Steve McQueen. Cast: Viola Davis, Michelle Rodriguez, Elizabeth Debicki, Cynthia Erivo, Colin Farrell, Brian Tyree Henry, Daniel Kaluuya, Garret Dillahunt, Carrie Coon, Jacki Weaver, Jon Bernthal, Manuel Garcia-Rulfo with Robert Duvall, Liam Neeson)

    SIGNATURE SERIES

    Adrift (Director: Baltasar Kormákur. Cast: Sam Claflin, Jeffrey Thomas, Shailene Woodley) At Eternity’s Gate (Director: Julian Schnabel. Cast: Willem Dafoe, Rupert Friend, Oscar Isaac, Mads Mikkelsen, Mathieu Amalric, Emmanuelle Seigner, Anne Consigny, Amira Casar, Niels Arestrup) BlackKKlansman (Director Spike Lee. Cast: John David Washington, Adam Driver, Laura Harrier, Topher Grace) Can You Ever Forgive Me? (Director: Marielle Heller. Cast: Melissa McCarthy, Richard E. Grant, Dolly Wells, Ben Falcone) Capernaum (Director: Nadine Labaki. Cast: Zain al-Rafeea, Yordanos Shiferaw, Boluwatife Treasure Bankole, Kawthar Al Haddad) Cold War (Director: Pawel Pawlikowski. Cast: Agata Kulesza, Tomasz Kot, Joanna Kulig) Everybody Knows (Director: Asghar Farhadi. Cast: Penélope Cruz Javier Bardem, Jamie Lorente, Ricardo Darín) The Gospel According to André (Director: Kate Novack) Nancy (Director: Christina Choe. Cast: Andrea Riseborough, Steve Buscemi, Ann Dowd, J. Smith- Cameron, John Leguizamo) A Parting Glass (Director: Stephen Moyer. Cast: Edward Asner, Rhys Ifans, Melissa Leo, Cynthia Nixon, Denis O’Hare, Anna Paquin) A Quiet Place (Director: John Krasinski. Cast: Emily Blunt, John Krasinski, Millicent Simmonds, Noah Jupe) Stella’s Last Weekend (Director: Polly Draper. Cast: Polly Draper, Nat Wolff, Alex Wolff, Paulina Singer) Vox Lux (Director: Brady Corbet. Cast: Natalie Portman, Jude Law, Raffey Cassidy, Stacy Martin)

    EW PARTNERSHIP

    This year, SCAD partnered with Entertainment Weekly (EW) as a media partner for SCAD Savannah Film Festival. In this role, EW will program and moderate select talent panels, which will be announced prior to the festival. EW will also host their video studio on-site where talent will stop by to create exclusive video content that will run across EW’s digital and social platforms.

    DOCS TO WATCH

    The festival will host the fifth annual Docs to Watch Roundtable hosted by Scott Feinberg of The Hollywood Reporter. Directors include Stephen Maing (Crime + Punishment), Elizabeth Chai Vasarhelyi and Jimmy Chin (Free Solo), Gabe Polsky (In Search of Greatness), Nathaniel Kahn (The Price of Everything), Alan Hicks and Rashida Jones (Quincy), Julie Cohen and Betsy West (RBG), Cristina Costantini and Darren Foster (Science Fair), Matt Tyranuer (Studio 54), Tim Wardle (Three Identical Strangers) and Morgan Neville (Won’t You Be My Neighbor?).

    ANIMATION CORNER: ART IN MOTION

    The Animation Corner: Art in Motion is a new category debuting for the 2018 SCAD Savannah Film Festival. This year, SCAD proudly presents a broad array of topics and styles of animated films that include: Best of Annecy 2018 showcases a selection of shorts from the latest festival with tailor-made opening sequences by the students of GOBELINS, l’école de l’image. Best of Annecy Kids 2018 is a mix of funny, emotional and poetic short films for kids. This program consists of films from Annecy 2018’s official selection of trailers and is aimed at children age 5 years and older. DreamWorks Animation will showcase two of their films from the DreamWorks Shorts initiative: Bilby and Bird Karma Isle of Dogs (Director: Wes Anderson) will include a week-long exhibition of puppets and miniature sets designed and built for the film. Mirai (Director: Mamoru Hosoda) Ralph Breaks the Internet: Wreck- It Ralph 2 presentation: (Directors: Phil Johnston and Rich Moore) Disney will show exclusive clips of the upcoming full-length sequel. Ruben Brandt, Collector (Director: Milorad Krstic)

    TV SIDEBAR

    As Hollywood A-listers migrate to episodic storytelling on the small screen, SCAD Savannah Film Festival debuts a TV Sidebar, a series of panels and special screenings that highlight the best in television. Outlander, season 4 premiere will include an exhibit showcasing nearly 20 costumes at the SCAD Museum of Art, which marks the first-ever costume exhibit at the Museum and Film Festival. TV Guide Magazine to host “Fan Favorites” panel that brings stars from TV’s hottest shows for a lively discussion filled with behind-the-scenes scoop, fan-encounter tales, and more.

    COMPETITION

    From feature-length films to two-minute shorts, the annual festival celebrates cinematic excellence from award-winning and emerging filmmakers. The juried competition features the best of professional, animated, and student films selected from more than 2,300 entries annually. Narrative Features: From side-splitting comedies to heart-wrenching dramas, the narrative feature films selected represent diversity in storytelling, excellence in acting and directing, and exemplary cinematography and editing. Documentary Features: Beyond simple subject matters, documentaries present compelling stories that illuminate and educate audiences in a thought-provoking and timely manner. Professional Shorts: Running the gamut of subject matter and style, these short films are selected based on their individual merits in storytelling and execution. Animated Shorts: These animated films represent the diversity of the craft from simple, hand-drawn figures to stop-motion and digital rendering, showcasing unique storytelling at its finest. Student Shorts: With solid storytelling and emerging vision, these films represent a broad range of categories including live action, narrative, documentary and animation.

    GLOBAL SHORTS FORUM

    The Global Shorts Forum is a curated collection of international shorts from multiple genres that focus on world issues. This year’s themes include LGBTQ & You: Love is Love is Love, no matter who, where, or why. Woman Walks Ahead: A wide range of topics from the feminine perspective. A Sporting Chance: The triumphs and tribulations of competitors around the globe. Don’t Dis My Ability: Dedicated to raising awareness of the disabled community and their ongoing struggles and triumphs.

    SHORTS SPOTLIGHT

    The Shorts Spotlight is a new category debuting for the 2018 SCAD Savannah Film Festival. This collection of shorts will highlight Animated Delights: A kid-friendly collection of intriguing animated shorts from around the world. Bump in the Night: Everyone loves a good scare. These shorts put a new spin on the beloved horror genre. LOLz: To err is human, to laugh at one’s error, divine. These shorts remind us just how hilarious life can be. Three-Piece Oddity: A delightful and surreal collection of three distinct shorts that defy categorical description but together celebrate the joy of discovery.

    PANELS

    From software and special effects demonstrations to discussions and panels with industry stars and insiders, knowledge sharing occurs every day of the festival. This year’s panels include The Wonder Women Panel Series will focus on the cinematic achievements and contributions of female directors, producers, and below the line talent in film and television. The Below the Line Panel Series is a curated series of panels highlighting contributions of below-the-line talent to the art of cinema with a focus on casting, costume design and production design. The State of the Art Series, hosted by SCADFILM, is a collection of panels with a focus on filmmaking, augmented and virtual reality, and gaming. Through the Writers on Writing Series, Writers Guild Foundation sit down with screenwriters to illuminate the craft behind their screenplays and their journeys navigating the industry as writers.

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  • BAD TIMES AT THE EL ROYALE to open Rome Film Fest [Trailer]

    Bad Times at the El Royale Bad Times at the El Royale written and directed by Drew Goddard will open the 13th Rome Film Fest taking place October 18 to 28, 2018. Director Drew Goddard began his career as a writer, first for television and then for the big screen, writing the screenplay for Cloverfield and The Martian, which won him an Oscar® nomination. He also created the Netflix series Daredevil. After making his directorial feature film debut with The Cabin in the Woods, he is back behind the camera with his sophomore film, a mystery thriller: seven strangers, each with a secret to bury, meet at Lake Tahoe’s El Royale, a rundown hotel with a dark past on the border between California and Nevada. Over the course of one fateful night, everyone will have a last shot at redemption. The film’s cast includes Oscar®-winner Jeff Bridges, Cynthia Erivo, Dakota Johnson, Jon Hamm, Cailee Spaeny, Lewis Pullman, Nick Offerman and Chris Hemsworth. Artistic director Antonio Monda said: “Bad Times at the El Royale is a sophisticated, intelligent, ironic, surprising and elegant film. Within the great tradition of the noir, Drew Goddard magnificently directs a splendid cast, reveling in the revelation of the protagonists’ secrets, but above all granting us the pleasure of true cinema”. https://www.youtube.com/watch?v=y7wzBVARwaU

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  • Lorenz Merz’s BEAST Wins Filmmaker Award at Zurich Film Festival

    BEAST Director Lorenz Merz and Producer Simon Hesse Win Filmmaker Award at Zurich Film Festival Actor Dev Patel presented the 4th Filmmaker Award to director Lorenz Merz and producer Simon Hesse at the IWC Private Dinner during the 2018 Zurich Film Festival for their film BEAST. The award supports outstanding Swiss film projects that are at the production or post-production stage. BEAST is an emotional coming-of-age film that tells the story of a teenager named Gabriel (Pablo Caprez) who devotedly brings up his two-year-old son alone. One summer’s night, Gabriel, his friend Joel (Tonatiuh Radzi) and Joel’s girlfriend Cory (Ella Rumpf) break into the zoo and release a horde of wild animals. While Gabriel and Cory become increasingly attracted to each other, a state of emergency is declared in the city. The film is set in Zurich during the summer of 2017. It is shot in the Swiss German dialect and is currently at the postproduction stage. It is expected to hit cinemas in the Spring of 2019. BEAST is directed by Zurich-born Lorenz Merz, whose debut CHERRY PIE screened at Locarno in 2013. Merz has received the Swiss Film Award on two occasions for his work as a camera operator. Dev Patel achieved his international breakthrough in 2008 with the modern Bollywood fairytale “Slumdog Millionaire”. For the drama “Lion”, which also screens at the ZFF, he received the 2017 BAFTA for Best Supporting Actor and an Academy Award nomination. “It is a real honour for me to be able to present this award. The Filmmaker Award helps highly promising projects to make it to the big screen and therefore contributes to the diversity of Swiss cinema,” said Patel at the award ceremony. “In a smaller country like Switzerland, the film industry is reliant on targeted support. I am really pleased that, with the Filmmaker Award, we are able to contribute to getting this exciting film made,” explained Franziska Gsell, Chief Marketing Officer at IWC Schaffhausen. The Filmmaker Award, which comes with an endowment of CHF 100,000, was established by the Association for Film Funding in Switzerland. This association counts the co-founders of the ZFF, Nadja Schildknecht and Karl Spoerri, Ringier CEO Marc Walder and IWC CEO Christoph Grainger-Herr among its members. The aim of the award is to provide targeted support to exciting projects from Swiss filmmakers in the often tricky production or post-production phase. This therefore closes the current gap in film funding. Image credit: ZURICH, SWITZERLAND – SEPTEMBER 29: Zurich Film Festival director Karl Spoerri, CMO IWC Schaffhausen Franziska Gsell, award winners Lorenz Merz and Simon Hesse and British actor Dev Patel pose at the IWC Private Dinner at Haute on 29 September, 2018 in Zurich, Switzerland. During the event British actor Dev Patel presented the 4th Filmmaker Award. The film “Beast” from producer Simon Hesse was declared the winner by the jury. The award, which is worth CHF 100,000, supports outstanding Swiss film projects that are in the production or post-production stage. (Photo by Harold Cunningham/Getty Images for IWC)

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  • World Premiere of MARY QUEEN OF SCOTS to Close 2018 AFI Fest [Trailer]

    [caption id="attachment_31897" align="aligncenter" width="1000"]MARY QUEEN OF SCOTS (l-r) Grace Molony stars as Dorothy Stafford, Margot Robbie stars as Queen Elizabeth I and Georgia Burnell as Kate Carey in MARY QUEEN OF SCOTS, a Focus Features release.[/caption] Mary Queen of Scots, the historical drama based on John Guy’s biography, “Queen of Scots: The True Life of Mary Stuart” and directed by Josie Rourke will World Premiere as the closing night film of AFI FEST presented by Audi. The film is written by Academy Award® nominee Beau Willimon, and stars Academy Award® nominees Saoirse Ronan and Margot Robbie, along with Jack Lowden, Joe Alwyn, Gemma Chan, Martin Compston, Ismael Cordova, Brendan Coyle, Ian Hart, Adrian Lester, James McArdle, David Tennant and Guy Pearce. The Closing Night Gala will take place on Thursday, November 15, 2018 at the historic TCL Chinese Theatre. “This commanding story of powerful women and political rivalry that shaped world history will close AFI FEST on a high note,” said Michael Lumpkin, Director, AFI Festivals. “This year’s festival showcases compelling women-directed narratives that challenge the status quo, and Mary Queen of Scots is no exception.” Mary Queen of Scots explores the turbulent life of the charismatic Mary Stuart (Ronan). Queen of France at 16 and widowed at 18, Mary defies pressure to remarry. Instead, she returns to her native Scotland to reclaim her rightful throne. But Scotland and England fall under the rule of the compelling Elizabeth I (Robbie). Each young Queen beholds her “sister” in fear and fascination. Rivals in power and love, and female regents in a masculine world, the two must decide how to play the game of marriage versus independence. Determined to rule as much more than a figurehead, Mary asserts her claim to the English throne, threatening Elizabeth’s sovereignty. Betrayal rebellion and conspiracies within each court imperil both thrones — and change the course of history. AFI FEST takes place November 8–15, 2018, in the heart of Hollywood. Screenings, Galas and other events will be held at the TCL Chinese Theatre, the TCL Chinese 6 Theatres, the Egyptian Theatre and The Hollywood Roosevelt. The Opening Night Gala will be the World Premiere of On the Basis of Sex (directed by AFI Conservatory alumna Mimi Leder). https://www.youtube.com/watch?v=wnqjSgMU36U

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  • New York Film Festival Unveils Official 2018 Poster

    56th New York Film Festival Poster It is here – the poster for the 56th New York Film Festival (September 28 – October 14), collaboratively designed by cinematographer Ed Lachman and visual artist JR.  NYFF posters are a yearly artistic signature of the festival, and Lachman and JR join an impressive legacy of artists whose work has been commissioned for it, including Andy Warhol, Roy Lichtenstein, David Hockney, Julian Schnabel, Cindy Sherman, and last year’s artist, Richard Serra. “This year’s poster came together in the best imaginable way—spontaneously, at last year’s festival,” said New York Film Festival Director Kent Jones. “Dan Stern, our board president, was talking to Ed Lachman, one of the best DPs alive, a visual artist, and a regular at the NYFF, and asked him if he had any interest in doing a poster for this year. Ed thought it over, got back to Dan, and told him that he and JR—who was at the festival with his amazing collaboration with Agnès Varda, Faces Places—had been discussing the possibility of a collaboration, and they’d agreed that the NYFF poster presented them with a great opportunity. The result is better than we could ever have imagined, a real thing of beauty, and it’s going to be a favorite.” On the partnership and thought process behind this year’s poster, Ed Lachman explains, “Being at the Festival is the highlight of the year for me, when I’m not working. It’s a place to meet, share, and experience what cinema can be. The opportunity to create the poster for the New York Film Festival and collaborate with JR was a formidable experience and similar to filmmaking, where one works with other visual artists to create a project. I’ve had the greatest respect and admiration for his work over the years, both visually and how he engages communities he’s portraying within a social context, which I think is so important in today’s world, to find how we’re all connected, rather than separated and divided.” According to Lachman, “The idea came together using JR’s emblematic eyes . . . What is cinema without the mind, the heart, and the eyes of the filmmakers? Using the director’s eyes can symbolize the creative force behind the images and the stories that the Festival has championed and represented to New York over the years, supported by the audience holding the placards of their eyes, and what can be more New York than our alleyways?” A revered and award-winning cinematographer, Ed Lachman has shot more than 100 narrative, experimental, and documentary titles in the United States and internationally. He is known for his collaborations with Todd Haynes, Steven Soderbergh, Robert Altman, Paul Schrader, Todd Solondz, Sofia Coppola, Werner Herzog, Wim Wenders, Volker Schlöndorff, Ulrich Seidl, and Jean Luc-Godard, among others. Lachman’s work has garnered him numerous honors including Academy Award nominations for his work on Carol (2015) and Far from Heaven (2002), as well as an Emmy nomination for the HBO miniseries Mildred Pierce (2011). He has been honored with the American Society of Cinematographers Lifetime Achievement Award, Telluride Medallion Award, Gotham Award, and this year at Cannes with the 2018 Angenieux ExcelLens in Cinematography Award. Lachman is also known as a visual artist who has had installations, videos, and photography at the Whitney Museum of American Art, MoMA, the Ludwig Museum in Germany, and many other museums and galleries throughout the world. JR exhibits freely in the streets of the world, catching the attention of people who are not typical museum visitors. In 2006, he created Portrait of a Generation, images of suburban “thugs” that he posted in huge formats in the bourgeois districts of Paris. In 2007, with Marco, he made Face 2 Face, large portraits of Israelis and Palestinians standing facing each other in eight Palestinian and Israeli Cities, considered the biggest illegal exhibition ever. In 2011, he received the TED Prize. Later that same year, he created Inside Out, a global participatory art project that transforms messages of personal identity into works of art. As of September 2017, over 350,000 people from more than 140 countries have participated, through mail or gigantic photo booths. His recent projects include a collaboration with New York City Ballet; the feature documentary Faces Places, co-directed with Nouvelle Vague legend Agnès Varda; seemingly “erasing” the pyramid outside of the Louvre; giant scaffolding installations at the 2016 Rio Olympics; an exhibition on the abandoned hospital of Ellis Island; and a gigantic installation at the U.S.-Mexico border fence. As he remains anonymous and doesn’t explain his enlarged full-frame portraits, JR leaves the space empty for an encounter between the subject/protagonist and the passerby/interpreter. A special thank you to photographers David Godlis and Julie Cunnah for their photo contributions to the poster. Chantal Akerman photo courtesy of Kenneth Saunders/The Guardian. The complete list of NYFF poster artists: Larry Rivers, 1963 Saul Bass, 1964 Bruce Conner, 1965 Roy Lichtenstein, 1966 Andy Warhol, 1967 Henry Pearson, 1968 Marisol (Escobar), 1969 James Rosenquist, 1970 Frank Stella, 1971 Josef Albers, 1972 Niki de Saint Phalle, 1973 Jean Tinguely, 1974 Carol Summers, 1975 Allan D’Arcangelo, 1976 Jim Dine, 1977 Richard Avedon, 1978 Michelangelo Pistoletto, 1979 Les Levine, 1980 David Hockney, 1981 Robert Rauschenberg, 1982 Jack Youngerman, 1983 Robert Breer, 1984 Tom Wesselmann, 1985 Elinor Bunin, 1986 Sol Lewitt, 1987 Milton Glaser, 1988 Jennifer Bartlett, 1989 Eric Fischl, 1990 Philip Pearlstein, 1991 William Wegman, 1992 Sheila Metzner, 1993 William Copley, 1994 Diane Arbus, 1995 Juan Gatti, 1996 Larry Rivers, 1997 Martin Scorsese, 1998 Ivan Chermayeff, 1999 Tamar Hirschl, 2000 Manny Farber, 2001 Julian Schnabel, 2002 Junichi Taki, 2003 Jeff Bridges, 2004 Maurice Pialat, 2005 Mary Ellen Mark, 2006 agnès b., 2007 Robert Cottingham, 2008 Gregory Crewdson, 2009 John Baldessari, 2010 Lorna Simpson, 2011 Cindy Sherman, 2012 Tacita Dean, 2013 Laurie Simmons, 2014 Laurie Anderson, 2015 Apichatpong Weerasethakul, 2016 Richard Serra, 2017

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  • INNER GHOSTS and LEVEL 16 Among New Films Added to 2018 Brooklyn Horror Film Festival

    [caption id="attachment_31887" align="aligncenter" width="1200"]INNER GHOSTS INNER GHOSTS[/caption] The Brooklyn Horror Film Festival added five more features to the 2018 lineup, including the North American Premiere of Paulo Leite’s supernatural thriller INNER GHOSTS and Danishka Esterhazy’s dystopian women-led satire LEVEL 16. The 2018 Brooklyn Horror Fest runs October 11th to 18th with events and screenings at Nitehawk Cinema, Syndicated, LIU Kumble Theatre, Videology, Wythe Hotel Cinema and IFP’s Made in NY Media Center. INNER GHOSTS (North American Premiere) Brazil/Portugal | 2018 | 89 Min | Dir. Paulo Leite To call Dr. Helen’s research “revolutionary” would be one hell of an understatement. Hoping to find a cure for brain diseases, Helen has developed a theory that such ailments can be treated by testing on ghosts, all of whom, of course, don’t need brain functions in order to act. As Helen sees it, if she can tap into how ghosts do that, she can figure out a way to get brain disease patients to communicate through their souls. Lofty, indeed. But after Helen’s young daughter dies suddenly, she puts her research on hold, refusing to connect to the afterlife anymore. Before long, a stranger’s request sends Helen back to the spirit world; as it turns out, though, something evil has been waiting there for her. Fans of INSIDIOUS, take note: INNER GHOSTS delivers the same kinds of supernaturally charged goods. Writer-director Paulo Leite’s impressive debut fuses heavy science with a Lin-Shaye-like hero, nightmarish demons, otherworldly twists and a third act that’s as relentlessly assaultive as it is audaciously off-the-wall. LEVEL 16 (East Coast Premiere) Canada | 2018 | 102 Min | Dir. Danishka Esterhazy Co-Presented by The Future of Film is Female Having spent their entire lives trapped in a prison-like school, the teenage girls of Vestalis Academy must follow a strict educational system that enforces conforming to “The Feminine Virtues.” They are forced to follow the school’s rules for fear of extreme punishment – with the light at the end of the tunnel being adoption to a loving upper class family. Sixteen-year-olds Vivien and Sophia, who have reached the final level of the school are on the cusp of adoption, until they learn the horrifying truth about the academy. Canadian filmmaker Danishka Esterhazy crafts a cold female-centric satire featuring striking imagery of a dystopian society. Loaded with charismatic performances, LEVEL 16 is an intense and cerebral experience like no other. Sure to get under your skin by the finale, Esterhazy will take you on a journey through the past, complete with characters named after classic Hollywood stars to express a sharp, feminist critique. The Night Shifter Brazil | 2018 | 110 Min | Dir. Dennison Ramalho You know that old expression, “Dead men tell no tales”? Well, don’t tell that to Stênio, a well-meaning family-man whose life is, prior to understanding the falsehood of that old expression, a mess. His wife can’t stop reminding him that their situation is dire thanks to financial stresses and general marital discord; even worse, when he’s working as a mortician, mean-spirited paramedics make it their second job to routinely make fun of Stênio. Weirdly enough, his reprieve comes from the corpses he works on, all of whom can communicate with him. But when one specific stiff reveals a big secret, Stênio finds himself, as well as his family, under attack, turning his world into a living hell courtesy of the undead. Blending dark humor with visceral scares and buckets of gore, Brazilian filmmaker Dennison Ramalho (“J is for Jesus” in ABCS OF DEATH 2) makes his feature debut with the kind of full-throttle horror film that’s directly engineered for a thrill-seeking festival audience. No-holds-barred in its hardcore nature, THE NIGHT SHIFTER goes all out in its depiction of one man’s inner rage being exposed by the should-be deceased. TENANTS (New York Premiere) Mexico | 2018 | 88 Min | Dir. Chava Cartas Picking up the pieces after a traumatic event, Luzma and Demián move into a new apartment complex. Before they’re even unpacked, strange interactions with the secretive landlord and a disturbed handyman quickly put a dash on the young couple’s hopes for a fresh start. To make matters worse, Luzma begins to suffer from terrible hallucinations and Demián seems less and less himself. There’s something truly wrong with this apartment. Mixing traditional haunted house tropes with region specific mythology to great effect, TENANTS explores the dark extremes of local religious practices of Santería and Brujería witchcraft. Part ROSEMARY’S BABY with a little AMITYVILLE HORROR, Mexican director Chava Cartas first foray into horror carves out a space in religious horror all its own. TUMBBAD India | 2018 | 109 Min | Dir. Rahi Anil Barve, Adesh Prasad Throughout his young life, Vinayak has heard the legend surrounding his family’s home: There’s a demon guarding his family’s treasure and he best not challenge it. But when his great-grandmother dies, Vinayak inherits both the fortune and the creature protecting it. Fast-forward to adult Vinayak and his ingenious idea: Slowly but surely, he’ll sneak pieces of the treasure out by tricking the demon in various way, a plan he’s carried out successfully for years. That is, until his greedy family inadvertently angers the demon. Once that happens, all bets are off. TUMBBAD is not only a truly scary-as-hell horror film, but it’s an ambitious blend of historical drama, supernatural creativity, creature feature insanity and character-driven tension.

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  • NewFest 2018 Announces Full Lineup of 140 + LGBT Films For 30th Anniversary

    [caption id="attachment_31533" align="aligncenter" width="1200"]Boy Erased Boy Erased[/caption] Following the big announcement of Yen Tan’s award-winning AIDS drama 1985 as Opening Night Film, NewFest today announced the full lineup of more than 140 LGBT films from around the world for their 30th annual celebration. The festival runs from October 24 to 30 at the SVA Theatre, Cinépolis Chelsea, and The LGBT Community Center in New York City. This year’s NewFest will feature several other galas and special screenings, including the New York Centerpiece screening of Ondi Timoner’s MAPPLETHORPE, starring Emmy®-nominee Matt Smith (“Doctor Who”, THE CROWN) about the iconic queer artist; and the U.S. Centerpiece screening of Joel Edgerton’s BOY ERASED, starring Lucas Hedges, Nicole Kidman, Russell Crowe, Joel Edgerton, Troye Sivan, Cherry Jones, Flea and Xavier Dolan. Other gala presentations include the International Centerpiece and New York premiere of Wanuri Kahiu’s groundbreaking love story RAFIKI, which screened at Cannes and was originally banned in its home country of Kenya for depicting a relationship between two young women, and the New York City premiere of Documentary Centerpiece film DYKES, CAMERA, ACTION!, which will be followed by a conversation on female representation in the film industry and lesbian visibility in cinema. The festival will close on October 30th with the New York premiere of Robert Clift and Hillary Demmon’s documentary MAKING MONTGOMERY CLIFT, which is co-directed by the late Hollywood star’s nephew and features exclusive archival footage and audio interviews from the family’s archives. This year’s edition continued in the tradition of receiving submissions from around the world, with films and episodic programming coming from 32 countries. In addition, 60% of content is by and about underrepresented voices (Women, People of Color, Trans, Bi and Differently Abled). Overall, the festival will screen 46 feature length films (including over 80% of feature works from first-time feature filmmakers, such as, Caroline Berler Tchaiko Omawale and Jonah Greenstein), 89 shorts and 9 episodic series, including the French Canadian production FÉMININ/FÉMININ by Chloé Robichaud, for a total of 144 selections. The International Narrative Features section includes the New York premieres of Anne Fontaine’s Venice Film Festival Queer Lion winner REINVENTING MARVIN (featuring a turn by Isabelle Huppert as…Isabelle Huppert) and 2018 Berlinale Teddy Award for Best Feature winner HARD PAINT from Filipe Matzembacher and Marcio Reolon (NewFest alums for 2016’s “The Nest”), as well as 2018 Berlinale Teddy Award for Best First Feature winner RETABLO from Alvaro Delgado Aparicio. Other premieres include the New York premiere of two films submitted for next year’s Academy Awards®: Marcelo Martinessi’s THE HEIRESSES from Paraguay and Blerta Zeqiri’s Kosovoan entry THE MARRIAGE; as well as Jamie Patterson’s TUCKED, another New York premiere, which picked up multiple awards at this year’s Outfest, including the Best Narrative Audience Award and the International Feature Grand Jury Prize which it shared with HARD PAINT. This year’s Documentary Features section is particularly strong and features some of the best new trans and non-binary stories from the U.S. and around the world, including T Cooper’s MAN MADE, about trans fitness models, which picked up the Best Documentary Feature Audience Award at Outfest 2018, Kiko Goifman and Claudia Priscila’s BIXA TRAVESTY, about the political activism of black Brazilian transgender singer Linn da Quebrada (Teddy Award for Best Documentary/Essay Film, Berlinale 2018), and SIDNEY & FRIENDS, Tristan Aitchison’s look at an underground network of trans and intersex people fighting to survive on the edge of Kenyan society. Also featured are the North American premiere of Gustavo Sánchez’s I HATE NEW YORK (Spain, 2018), which features New York nightlife luminarie Amanda Lepore; the East Coast premiere of Matt Alber and Jon Garcia’s ROOM TO GROW about what it means to be an LGBT teen in today’s world, and Jeff Kaufman’s EVERY ACT OF LIFE, a profile of multi-Tony Award®-winning playwright Terrence McNally, featuring appearances by Meryl Streep, Audra McDonald, Christine Baranski, Bryan Cranston, Patrick Wilson, Angela Lansbury and Rita Moreno. A hallmark of every NewFest is the bringing of new work to New York audiences, highlighting the emerging voices of queer cinema and 80% of the films in this year’s U.S. Narrative Features section are either New York, East Coast, or World premieres, and 9 of 10 films are from first or second-time filmmakers. In addition, in keeping with this year’s emphasis on inclusion, diversity and representation, 4 of the 10 films have female directors and 6 feature female leads. NewFest’s commitment to bringing new films from around the world to New York audiences has never waivered and this year’s edition is no different. With the ever decreasing cost of technology and ever increasing reach of the Internet, previously underrepresented countries and communities are finding their voices like never before. As a result, more and more films like Wanuri Kahiu’s RAFIKI, a story (written with Jenna Cato Bass) about the first love between two women in Kenya are seeing the light, as well as films like Christiaan Olwagen’s South African Apartheid-set musical CANARY and Ruth Caudeli’s EVA + CANDELA (Colombia), to name but a few. Of course, no NewFest would be complete without a few frightfully scary queer offerings and this year’s HalloKween sidebar is no exception! Featuring the New York Premiere of Drew Bolton’s KILLER UNICORN, a satirical stab at the slasher flick featuring a bevy of Brooklyn drag queens; NewFest alum Yann Gonzalez’s Cannes competition entry KNIFE + HEART (starring Vanessa Paradis); and the New York premiere of CARMILLA: THE MOVIE, based on the lesbian vampire web series sensation. Continuing its long tradition of working with many New York City organizations, this year NewFest partnered with over 100 organizations across the city to bring audiences some of their most exciting programs, including HIP TO BE QUEER: Youth Shorts, presented by the NYC Department of Education and in partnership with the Mayor’s Office of Media & Entertainment; a Spotlight Screening & Conversation of Dir. Gabriel Silverman and Fiona Dawson’s multiple award-winning TRANSMILITARY presented in partnership with GLAAD, and a screening of CONVERSATIONS WITH GAY ELDERS: DANIEL, a new film from NewFest alum David Weissman (WE WERE HERE, THE COCKETTES), presented in partnership with The Generations Project.

    2018 NewFest Full Lineup

    OPENING NIGHT GALA

    1985 New York Premiere Dir. Yen Tan, USA, 2017, 85 mins Writer: Yen Tan Cast: Cory Michael Smith, Virginia Madsen, Michael Chiklis, Jamie Chung, Tina Parker, Bill Heck, Ryan Piers Williams Set during the early AIDS crisis, Adrian (Cory Michael Smith, GOTHAM, CAROL) returns to his Texas hometown for Christmas, keeping quiet about his sexuality and HIV status. Award-winning writer-director and NewFest alum Yen Tan (PIT STOP, CIAO) delivers a poignant period piece about a gay man tying up loose ends—whether it’s with his conservative parents (Academy Award-nominee Virginia Madsen and Emmy Award-winner Michael Chiklis), a high school ex-girlfriend (Jamie Chung), or his younger brother (Aidan Langford, BOSCH), who shows an interest in Madonna and may be following in Adrian’s footsteps. Shot on crisp black-and-white super 16mm film and featuring career-best performances from its cast, Tan’s powerfully textured 1985 is a new queer classic—addressing the AIDS crisis in a sensitive, reflective and, most importantly, modern light.

    INTERNATIONAL CENTERPIECE

    Rafiki New York Premiere Dir. Wanuri Kahiu, Kenya/South Africa/Germany/Netherlands/France/Norway/Lebanon, 2018, 83 mins Writers: Wanuri Kahiu, Jenna Cato Bass Cast: Sheila Munyiva, Samantha Mugatsia, Patricia Amira, Muthoni Gathecha, Jimmy Gathu, Nice Githinji, Charlie Karumi, Patricia Kihoro, Neville Misati Fresh from its triumphant Cannes premiere, RAFIKI is a must-see film that delivers a beautifully acted, nuanced portrayal of being queer in Nairobi. This vibrant romance follows the burgeoning relationship between Ziki (Sheila Munyiva), the playful Beyonce-wannabe who lives in the city’s affluent Skyview Towers, and Kena (Samantha Mugatsia), the shy, responsible tomboy who hangs out on the overcrowded Slopes estate with the local Boda Boda (motorcycle taxi) boys. The film’s delicious pink-hued color palette is part of the African film aesthetic known as the afrobubblegum movement, and sets the joyous tone for this rare look at first love between two women in Kenya. Banned in its home country of Kenya for its positive depiction of two young women in love, RAFIKI is a global call to action that proves a work of art does not have to be explicit in order to stir resist in the face of oppression.

    U.S. CENTERPIECE

    Boy Erased Dir. Joel Edgerton, USA, 2018, 114 mins Writers: Joel Edgerton, Garrard Conley (based on the memoir Boy Erased by) Cast: Lucas Hedges, Nicole Kidman, Russell Crowe, Joel Edgerton, Cherry Jones, Flea, Xavier Dolan, Troye Sivan, Joe Alwyn Set in the uber-conservative suburbs of Arkansas, this grippingly vital drama stars Academy Award-nominee Lucas Hedges (MANCHESTER BY THE SEA, LADYBIRD) as a young gay man sent to Refuge, a church-run conversion therapy program that aims to “cure” homosexuality, upon the insistence of his Baptist preacher father (Academy Award-winner Russell Crowe) and religious yet conflicted mother (Academy Award-winner Nicole Kidman). Based on the memoir by Garrard Conley and adapted for the screen by director and featured actor Joel Edgerton, this urgent drama stirs a challenging yet compassionate portrait of a family—and perhaps country—at odds with its differing ideas of empathy and identity. In addition to powerhouse performances by Hedges, Kidman, and Crowe, the ensemble includes stellar supporting turns from multitalented queer artists Troye Sivan, Xavier Dolan, and Cherry Jones. BOY ERASED is at once an evocative coming of age story about finding your voice, and a compelling tale of personal survival and family reconciliation in the face of ignorance.

    NEW YORK CENTERPIECE

    Mapplethorpe Dir. Ondi Timoner, USA, 2018, 102 mins Writer: Ondi Timoner, Mikko Alanne Cast: Matt Smith, Marianne Rendón, John Benjamin Hickey, Brandon Sklenar, McKinley Belcher III, Mark Moses Emmy-nominee Matt Smith (DOCTOR WHO, THE CROWN) plays renegade queer artist and photographer Robert Mapplethorpe. Set in the gay leather communities and highbrow galleries of New York City in the 70s and 80s, Ondi Timoner’s biopic is an unflinching look at the life and career of the icon made famous for his striking black-and-white images of phalluses and flowers. This film takes a chronological look at the influences and practices that captured male homo-erotic desire so poignantly in the face of the devastating toll of the AIDS crisis.

    CLOSING NIGHT GALA

    Making Montgomery Clift New York Premiere Dir. Robert Clift and Hillary Demmon, USA, 2018, 88 mins The iconic Hollywood actor Montgomery Clift—described in many accounts as “tragically self-destructive” and “tormented” by his sexuality—is brought to new light by his nephew Robert Clift, who uncovers never-before-seen footage and exclusive audio interviews collected by the filmmaker’s father. The viewer gains insight into a fresh portrait of the legendary actor who was unashamed of his sexuality, maintained a great sense of humor, and even defied the studio system. Robert’s access to interviews with family and close friends of Monty turn against the faulty narrative made popular by previous biographies and documentaries that considered him “the slowest suicide in Hollywood history.” Thoroughly well-researched and edited, Robert—along with co-director Hillary Demmon— brings to the surface a personal account of his uncle Monty and his father Brooks Clift that forces us to ask: Why was so much of Monty’s story left out? How were previous accounts so wrong? Who do we trust to write our history? MAKING MONTGOMERY CLIFT brings the star out of the archive, and further out of the closet.

    DOCUMENTARY CENTERPIECE

    Dykes, Camera, Action! New York City Premiere Dir. Caroline Berler, USA, 2018, 60 mins Cast: Barbara Hammer, Jenni Olson, B. Ruby Rich, Rose Troche, Desiree Akhavan, Cheryl Dunye, Su Friedrich, Vicky Du, Yoruba Richen, Lesli Klainberg One of the most glaring omissions in the film canon has been the work of queer women. Thankfully this once-hidden population picked up the camera and transformed the visibility of lesbians in cinema through classics such as GO FISH (1994), THE WATERMELON WOMAN (1996), HIGH ART (1998), all of which premiered in New York at NewFest. Pioneering filmmakers Barbara Hammer, Su Friedrich, Rose Troche, Yoruba Richen, Desiree Akhavan, Vicky Du, Cheryl Dunye, critic B. Ruby Rich, Jenni Olson, and others discuss with humor and depth how they’ve expressed their queer identity through film, while also revealing personal stories from their own experiences of looking for themselves on screen. First-time director Caroline Berler expertly balances films clips with candid interviews, making DYKES, CAMERA, ACTION! a joyous response to the days of the celluloid closet, culminating in a groundbreaking celebration of empowerment and visibility for the ages. This screening will be followed by a conversation on female representation in the film industry and lesbian visibility in cinema with featured cast, moderated by Terry Lawler (Executive Director, New York Women in Film & Television).

    U.S. NARRATIVE

    Fish Bones New York City Premiere Dir. Joanne Mony Park, USA, 2017, 82 mins Writer: Joanne Mony Park Cast: Cristina Tamez, JooHyun Kim In her debut feature, director Joanne Mony Park delivers a sensitively-drawn portrait of Hana (Joony Kim) a young woman caught between two worlds; the expectations of her Korean family, and her own needs and desires as a university student and model discovering her queer identity. The film’s quiet attention to detail captures charming moments of self reflection and attraction, as Hana falls for Nico (CRIS GRIS), a charismatic Latina who lives without the self-consciousness that holds Hana back. The chemistry between these two leads captivates the viewer and heralds the discovery of a bold and exciting new directorial voice to watch. Lez Bomb New York City Premiere Winner of the 2018 Bentonville Film Festival Dir. Jenna Laurenzo, USA, 2018, 90 mins Writer: Jenna Laurenzo Cast: Elaine Hendrix, Cloris Leachman, Bruce Dern Lez Bomb is a multigenerational comedy of errors following Lauren, a young woman who comes home for the holidays with some life changing news. Little does Lauren know, the eccentric cast of characters that make up her family have their own string of surprises as well. As it turns out, there is no good time to drop the “lez bomb.” Produced by Bobby Farrelly (There’s Something About Mary) and featuring Cloris Leachman, Bruce Dern and Steve Guttenberg. Two in the Bush New York Premiere Dir. Laura Madalinski, USA, 2018, 97 mins Writer: Kelly Haas, Laura Madalinski Cast: Sarah Mitchell, Travis Delgado, Caitlin Aase After losing her job, Emily arrives home early from work to find her girlfriend in the throes of passion with someone else. In an instant, her entire life is turned upside down. Moving in with her best friend, Emily lands a new gig working for a dominatrix, and promptly falls for her new boss, and her boss’s boyfriend. In this wise and witty look at the world of bisexuality, polyamory and dungeons, filmmaker Laura Madalinski asks us to consider what risks are worth taking for love. Jules of Light and Dark New York Premiere Dir. Daniel Laabs, USA, 2018, 85 mins Writer: Daniel Laabs Cast: Betsy Holt, Tallie Medel, Robert Longstreet, Liz Cardenas In present-day Texas, teenage Maya and her on-again, off-again girlfriend Jules total their car after a night of backwoods raving and mischief. They are rescued from the wreckage by Freddy, a divorced oil worker whose stoic facade crumbles as he comes to see himself, and his repressed desires, in Maya. As Jules recovers, Maya and Freddy develop a rapport that eases their small-town lives. Together, they subtly encourage one another to chase after what they want the most (or at least figure out what that might be). JULES OF LIGHT AND DARK is an iridescent coming-of-age story boasting the rural isolation of Deb Shoval’s AWOL and the wanderlust of Andrea Arnold’s AMERICAN HONEY. Defined by earnest, full performances and composed in a blue palette, Daniel Laabs’ first feature solidly articulates the universality of queer loneliness and uncertainty across genders and generations. Bitter Melon Dir. H.P. Mendoza, USA, 2018, 95 mins Writer: H.P. Mendoza Cast: Jon Norman Schneider, Patrick Epino, Brian Rivera, Josephine de Jesus, L.A. Renigren, Theresa Navarro, Sohr Picart, Amelia Anima, Anne Ishida, Corey Jackson, Ryan Morales, Safiya Fredericks, Vint Carmona Who knew that the insensitive way some of his Filipino-American family members treat his sexuality would be the least of Declan’s worries when he returns home for the holidays? As he and his siblings tiptoe around his freeloading brother’s volatile personality, long-buried secrets are revealed to set in motion a hilarious plan of revenge. A black comedy with heart, the latest from H.P. Mendoza (FRUIT FLY) deftly explores toxic masculinity and abuse— emotional and physical—with absurdity and true empathy. Solace New York Premiere Dir. Tchaiko Omawale, USA, 2018, 88 min Writer: Tchaiko Omawale Cast: Hope Olaide Wilson, Lynn Whitfield, Glynn Turman, Chelsea Tavares, Luke Rampersad, Sydney Bennett A visually arresting debut from director Tchaiko Omawale, this dark and dangerous coming of age tale tackles themes of mental wellness while exploring the confusion of an adolescent crush. Recently orphaned teen Sole (Hope Olaide Wilson) is sent to live with her estranged relatives. Quickly becoming infatuated with the rebellious girl next door, Sole falls in with a crowd of queer misfits that light up her dark days. Emmy-winner Lynn Whitfield delivers a satisfying turn as deeply hypocritical Aunt Irene, and emerging artist Syd (of R&B group The Internet) will satisfy those with their finger on the pulse of music from the margins. For Izzy Grand Jury Prize, Los Angeles Asian Pacific Film Festival 2018 Dir. Alex Chu, USA, 2018, 84 mins Writer: Alex Chu Cast: Michelle Ang, Jennifer Soo, Elizabeth Sung, Jim Lau A warm, heartfelt film about blending families, featuring powerhouse performances from its all-Asian cast. Beloved late actress Elizabeth Sung plays Anna, a successful business-woman and single mother struggling with a strained relationship with her 20-something queer daughter Dede (Michelle Ang). Her widower neighbor Peter (Jim Lau) is the caretaker of his millennial daughter Laura (Jennifer Soo) who is on the Autism spectrum. When Laura and Dede form an unlikely friendship they each bond with the other’s parent, ultimately bringing Peter and Anna together to find an unexpected later-in-life romance. The Skin of the Teeth East Coast Premiere Dir. Matthew Wollin, USA, 2018, 80 min Writer: Matthew Wollin Cast: Pascal Arquimedes; Donal Brophy; Tom Rizzuto; Chuja Seo; Greg Barker; David Cruz; Chris Raffaele; Kathryn Shasha This sinister drama-thriller evokes the feel of a contemporary film noir, with a shades of GET OUT-meets-Grindr. When Josef arrives at John’s apartment for a date, their prickly energy slowly gives way to an unusual and genuine chemistry. But after Josef takes a pill with unclear effects, the night takes a shocking turn, and he is plunged into a surreal interrogation of just who and what he is. Pascal Arquimedes’ compelling lead performance keeps the viewer holding their breath from beginning to end. Daddy World Premiere Dir. Jonah Greenstein, USA, 2018 75 mins Writer: Jonah Greenstein Cast: Alexander Horner, Thomas Jay Ryan, Ashley Robicheaux A homeless man survives in New York by sleeping with men he meets on Grindr. Longing for a better life but also intimacy, he becomes a hustler and falls in love with one of his clients. Gorgeously shot and displaying intimate moments that are at once passionate and melancholic, DADDY explores themes of poverty, sex as currency, and what it is to be human. Filmmaker Jonah Greenstein’s feature debut paints a portrait of gay New York City through the lens of a young man and his encounters. Devil’s Path New York Premiere Dir. Matthew Montgomery, USA, 2018, 87 mins Writer: Matthew Montgomery, Stephen Twardokus Cast: Steve Callahan, Brandy Elliott, Jon Gale While searching for his missing brother in a remote gay cruising park, Noah (Stephen Twardokus) sets his sights on a handsome stranger (JD Scalzo). When Noah is viciously attacked, he and his new companion escape through the woods with two menacing thugs in hot pursuit. Lost and frightened, they begin to turn on each other and slowly unravel the truth of what’s really going on around them. This moody, picturesque psychological thriller from first-time director Matthew Montgomery features unexpected twists and turns, and seamlessly blends sharp, opposing perspectives about sex and love with suspenseful set pieces filled with existential dread.

    INTERNATIONAL NARRATIVE FEATURES

    Hard Paint New York State Premiere Berlinale 2018 – Teddy Award for Best Feature Film Dir. Filipe Matzembacher and Marcio Reolon, Brazil, 2017, 117 mins Writer: Filipe Matzembacher, Marcio Reolon Cast: Shico Menegat, Bruno Fernandes Online, Pedro smears neon paint across his body for pay-per-view voyeurs hungry for his webcam erotica. IRL, he rarely sees the sun or speaks to another soul in Porto Alegre. After catching word of a rival ripping off his rainbow-colored act, he ventures from the shadows to settle their score — but finds an unlikely new friend in the process. This Berlinale Teddy Award winner conjures a dark, sensual atmosphere of alienation and discovery. We’re proud to welcome this young filmmaking duo back to the festival for the third time after their previous feature Seaside and mini-series O Ninho (THE NEST). A Moment in the Reeds New York City Premiere Dir. Mikko Makela, Finland, United Kingdom, 2017, 107 mins Writer: Mikko Makela Cast: Janne Puustinen, Boodi Kabbani, Mika Melender, Virpi Rautsiala In the Finnish countryside, Leevi, who is home from studying abroad to help his father renovate their lakeside house, encounters Tareq, a Syrian asylum seeker they hire as a handyman. Leevi’s father returns to town on business as tension builds between the two young men, and they give in to their mutual attraction. One of the first LGBT-themed films made in Finland, Mikko Makela’s intimate drama places at its center the freedom and acceptance of sexual and ethnic minorities amid the backdrop of the breathtaking Finnish landscape. Retablo New York City Premiere Teddy Award for Best First Feature, Berlinale 2018 Grand Jury Prizes for Best First Feature, Frameline & Inside Out Dir. Alvaro Delgado Aparicio, Peru/Germany/Norway, 2018, 95 mins Writer: Alvaro Delgado Aparicio, Héctor Gálvez Cast: Amiel Cayo, Junior Béjar Roca, Magaly Solier As his name suggests, fourteen year-old Segundo Paucar (Junior Behar) is his father Noé’s (Amiel Cayo) most devoted apprentice. Together, they craft intricate storyboxes—consisting of a cabinet, hand-painted figurines, and a lot of heart—for Peruvian families. Upon discovering his father with another man, Segundo struggles to accept his father’s delicate touch and its beautiful byproducts. With this award-winning debut feature, Alvaro Delgado Aparicio emphasizes his devotion to the touching and fraught power structure that afflicts fathers and sons. In RETABLO, patience in art and relationships might be tragically condemned by society, yet they are fiercely rewarded by family. Mario New York City Premiere Dir. Marcel Gisler, Switzerland, 2018, 124 mins Writer: Marcel Gisler Cast: Max Hubacher, Aaron Altaras, Jessy Moravec, Jurg Pluss, Doro Muggler, Andreas Matti Mario, a German soccer player, faces a harrowing decision when he must choose between pursuing his career on the field or his forbidden love for Leon, his roommate and a new player on the team. As rumors unfold in the locker room and spread to higher ranks, Mario attempts to deny them, and asks his girlfriend Jenny to pretend they are together. The torment caused by this macho world is reflected in Mario’s mother, who, in one memorable scene, refuses to be photographed during a magazine photoshoot with Jenny and her son, her eyes consumed with anguish. Eva + Candela New York State Premiere Dir. Ruth Caudeli, Colombia, 2018, 90 mins Writer: Ruth Caudeli Cast: Silvia Varón, Alejandra Lara, Roberto Cano, Luna Baxter, Kristina Lilley, Cristina Warner, Carlos Carvajal, Ana María Cuellar, Andrés Estrada South America’s evocative answer to BLUE IS THE WARMEST COLOR, this stirring portrait captures the dynamic interplay between two strong, independent women: a female director and the star of her first film. The two are, drawn together by a powerful attraction and their shared desire to take on the movie world. The passion between them creates a seductive and fascinating intimacy. But over time, their relationship evolves, swinging from infatuation to sensuality, which turns to tenderness, and then routine. They never wanted to be a conventional couple, and yet that’s just what they’ve become. Can Eva and Candela withstand the inevitable effects of time to overcome the metamorphosis of their relationship? Tucked New York Premiere Dir. Jamie Patterson, United Kingdom, 2018, 80 mins Writer: Jamie Patterson Cast: Derren Nesbitt, Jordan Stephens, April Pearson, Steve Oram, Lucy-Jane Quinlan, Ruben Crow, Joss Porter When veteran drag queen Jackie Collins receives a diagnosis with six weeks left to live, all he wants to do is perform his long-running act, and behave as if all is normal. But between a surprising new friendship with a rising young queen and unfinished business with his estranged daughter, he may just have the most eventful month and a half of his life. A feel-good film with charm and humor as well as surprising insight into our evolving understanding of gender identity across generations, this crowd-pleaser marks the first queer film from prolific young British director Jamie Patterson. Canary (Kanarie) New York City Premiere Dir. Christiaan Olwagen, South Africa, 2018, 124 mins Writer: Christiaan Olwagen, Charl-Johan Lingenfelder Cast: Schalk Bezuidenhout, Hannes Otto, Germandt Geldenhuys, De Klerk Oelofse, David Viviers, Anna-Mart van der Merwe, Francois Jacobs, Andrico Goosen, Ludwig Binge, Jennifer Steyn, Tinarie van Wyk-Loots Drafted during apartheid by the South African Army, teenage Johan’s love for Boy George and Depeche Mode lands him a spot in the Kanaries — the military’s traveling choir. But soon, romance on the battlefield forces him to reckon with his long-repressed sexual identity. Examining the effects of nationalism on the soul, while also exploring the tender brotherhood among misfits, this musical comedy revels in the discovery of finding your voice and learning to fly. Reinventing Marvin New York Premiere Dir. A nne Fontaine, France, 2017, 116 mins Writer: Anne Fontaine, Pierre Trividic Cast: Finnegan Oldfield, Isabelle Huppert, Vincent Macaigne, Gregory Gadebois This sweeping drama captures a life in the theater, as we see timid young Marvin (Jules Porier) blossom into adult Martin (Finnegan Oldfield, NOCTURAMA) — with a little help along the way from Isabelle Huppert, playing herself, and an older mentor who encourages him to acknowledge his sexuality and exorcise his pain by putting it all on the stage. Director Anne Fontaine (THE INNOCENTS, COCO BEFORE CHANEL) masterfully spins a powerful tale that reminds us that no matter how far we get from our upbringing, a piece of it remains with us always. The Heiresses New York City Premiere Dir. Marcelo Martinessi, Paraguay, Germany, Brazil, Uruguay, Norway, France, 2018, 97 mins Writer: Marcelo Martinessi Cast: Ana Brun, Ana Ivanova, Regina Duarte, Margarita Irun Chela (Ana Brun) and Chiquita (Margarita Irun) are a middle aged lesbian couple living in present day Asunción, Paraguay. Descendants of Paraguayan aristocracy, the women have enjoyed a silver spoon lifestyle together for thirty years. When the couple is abruptly hit by financial hardship, they scramble to find work and auction off their respective heirlooms—silver spoons included—to stay afloat. When Chiquita is imprisoned for her fraudulent side hustle, Chela begins working as a taxi driver, gradually building new relationships and autonomy for the first time in her life. The Marriage New York City Premiere Dir. Blerta Zeqiri, Kosovo/Albania, 2018, 97 mins Writer: Blerta Zeqiri Cast: Alban Ukaj, Adriana Matoshi, Genc Salihu A decade after the bitter Kosovo war and unaware if her parents survived, Anita’s wedding plans with Bekim slowly come together—until his best friend comes back to town. Tensions grow, as a triangle of love, lust, and drunken nights spilling secrets form. Kosovo’s Oscar submission for Foreign Language category is a culturally infused drama about unforgettable partnerships an isolated society struggles to accept, giving a tiny glimpse of hope that embracing who you are should be the norm.

    DOCUMENTARY FEATURES

    Coby East Coast Premiere Dir. Christian Sonderegger, France, 2017, 78 mins Cast: Coby, Jacob Hunt, Sara Mound A paramedic in Chagrin Falls, Ohio, Coby shares a satisfying life with his supportive girlfriend Sarah, their pack of dogs, two brothers, and his parents. Nearly a decade after transitioning, the quotidian movements of his day-to-day—from receiving a shot of testosterone from his girlfriend to escorting a toddler to the ER—are quietly yet candidly documented by French director Christian Sonderegger. A contender in the ACID program at Cannes, COBY revolutionizes the use of the now-ubiquitous YouTube transition video as a conduit for telling the stories that rest in the silent white space between video updates. Man Made New York Premiere Dir. T Cooper, USA, 2018, 98 mins Writer: T Cooper, Allison Glock-Cooper From surgeries and T parties to the struggles and joys of transitioning, follow four men as they prepare for Trans FitCon, the only bodybuilding competition exclusively for trans men. Glimpse the intimate relationships between these men and their partners, family, and children as they train throughout the year. This powerful documentary from director T Cooper and executive producer Tea Leoni culminates in a triumphant gesture of acceptance and an understanding of the shared struggles among them as they take the stage and embody their true selves. Cherry Grove Stories East Coast Premiere Dir. Michael Fisher, USA, 2018, 72 mins Writer: Scott Lawrie This fascinating documentary captures the unique community of Cherry Grove, Fire Island – from its early days as a center for drag culture to the present day – featuring interviews with residents, old-timers, and captivating new and archival footage. Starting in the 1950s, Cherry Grove provided gays, including the likes of Tennessee Williams, with a safe space to express themselves at a time when interactions by people of the same sex were often the target of police raids. Michael Fisher’s oral history navigates the rich history and unknown stories of this vibrant beachfront community. I Hate New York North American Premiere Dir. Gustavo Sánchez, Spain, 2018, 75 mins Writer: Gustavo Sánchez Cast: Amanda Lepore, Chloe Dzubilo, Sophia Lamar, T De Long, Bibbe Hansen, Io Tillett-Wright, Katrina del Mar, Linda Simpson From 2007 to 2017, Gustavo Sánchez followed seasoned transfemme artists Chloe Dzibulo, Sophia Lamar, and Amanda Lepore around Manhattan’s rapidly-changing East Village, with a humble Sony Handycam, Sánchez captured hundreds of hours of footage. I HATE NEW YORK is the result of these intimate conversations between the debut filmmaker and his triptych of captivating and driven female artists. In yellow cabs, Tompkins Square Park, and impossibly small apartments, Dzibulo, Lamar, and Lepore offer their unfiltered thoughts on everything from success and rivalry to gentrification and the utter pointlessness of nostalgia. These interviews are supplemented by commentary from the women’s fellow Village characters and creatives, including Penny Arcade, Bibbe Hansen, T De Long, and iO Tillett Wright. Through patient and devoted direction, Sánchez has created a documentary that offers unprecedented access to three transwomen who not only made their mark on New York’s ephemeral underground, but lived to see middle age . Despite its name, I HATE NEW YORK is a hopeful love letter to a hostile city and the transwomen who’ve called—and continue to call—NYC home. Every Act of Life Dir. Jeff Kaufman, USA, 2018, 92 mins Writer: Jeff Kaufman Cast: Terrence McNally, Meryl Streep, Audra McDonald, Christine Baranski, Bryan Cranston, Patrick Wilson, Angela Lansbury, Rita Moreno Playwright Terrence McNally has redefined contemporary gay theater with an extraordinary body of work that includes The Ritz, Corpus Christi, Lips Together, Teeth Apart, and Love! Valour! Compassion!, to name just a few. But his life offstage has been just as fascinating, encompassing activism, addiction, romance, and the constant pursuit of artistic excellence. McNally shares his story onscreen with the help of friends and colleagues like Angela Lansbury, Rita Moreno, Nathan Lane, F. Murray Abraham, and many more, as captured by documentarian and NewFest alum Jeff Kaufman ( THE STATE OF MARRIAGE). Silvana New York City Premiere Dir. Mika Gustafson, Olivia Kastebring, and Christina Tsiobanelis, Sweden, 2017, 94 mins Writer: Mika Gustafson, Olivia Kastebring, Christina Tsiobanelis Cast: Silvana Imam Years before Hayley Kiyoko and King Princess refused to apologize for being out in love and art, Silvana Imam climbs Sweden’s charts as an openly lesbian creator and one of her country’s only female rappers. Born to Lithuanian and Syrian immigrants, Imam is furiously political and playfully queer, taking her country to task for its racism while spitting verses about lesbianism. Silvana is many films in one: a travel log, a tour diary, an experimental film, and a public service announcement on one of the European Union’s flawed superpowers. Filmed from 2014 to 2016, Mika Gustafson, Olivia Kastebring, and Christina Tsiobanelis’ portrait of the artist is an intimate time capsule of the feminist artist’s meteoric rise to superstardom and the early days of her relationship with a fellow musician, the Swedish pop star Beatrice Eli. Room to Grow East Coast Premiere Dir. Matt Alber and Jon Garcia, USA, Canada, 2018, 87 mins For many queer people, some of our toughest years were when we were teenagers living at home. Homophobic parents and school environments often made life unbearable. Now meet the next generation of queer youth, as they forgeing a path of love, with the support of their families. In the face of one of the harshest political climates, with homophobia and racism on the rise, these fearless teenagers are claiming their identities and taking the world by storm. ROOM TO GROW is an intimate look into what it means to be an LGBTQ teen today. Love, Scott New York State Premiere Dir. Laura Marie Wayne, Canada, 2018, 75 mins Writer: Laura Marie Wayne Cast: Scott Jones After being violently attacked on the street, openly gay musician Scott Jones is left paralyzed from the waist down. Told through the eyes of Scott’s close friend, this heartbreaking and inspiring portrait of grief traces the journey from convalescence to recovery to finally forgiveness. As Scott revisits the location of the attack and rebuilds his life as a choir conductor and public speaker. This poignant documentary depicts the universal struggles of LGBTQ people and the people who love them through an incredibly intimate and personal story. Bixa Travesty Teddy Award for Best Documentary/Essay Film, Berlinale 2018 Dir. Kiko Goifman and Claudia Priscila, Brazil, 2018, 75 mins Writer: Linn da Quebrada, Claudia Priscilla, Kiko Goifman Cast: Linn da Quebrada, Jup do Bairro Black Brazilian transgender singer Linn da Quebrada weaponizes the trans body and music for political protest. Linn and childhood friend Jup do Bairro use extravagantly costumed music performances to dazzle audiences while opposing their country’s white heteronormative order. Figuring her embodied existence as resistance, Linn eschews the role of cis woman, choosing a fluid gender identity instead. Full of funny and intimate moments, the film advocates for personal choice against a society that imposes static gender identity. Sidney & Friends New York Premiere Dir. Tristan Aitchison, Scotland/Kenya, 2018, 75 mins Cast: Michael Daviot, Awuor Onyango, Charles Ouda Six people from Nairobi share their candid reality of what it’s like to live as a targeted gender minority, in a region known for the prejudice and discrimination against its LGBTI population. When his family tries to kill him, Sidney, who is intersex, flees to Nairobi where he befriends an underground community. Documentarian Tristan Aichitson discovered this network of trans and intersex people fighting to survive on the edge of Kenyan society, and spent three years capturing their voices in interviews. These are their stories.

    EPISODIC SIDEBAR

    Episodic Showcase

    Some of the most well-crafted LGBTQ characters these days can be found in episodic content. This sampler platter of seven new shows gives an authentic, unfiltered look at our community, without the censorship of the networks. Catch them here first, and decide which series to add to your must-binge list. Total run time: 87 mins Q&A with filmmakers and select cast to follow

    HALLOKWEEN sidebar

    Knife+Heart Official Selection, Cannes Film Festival 2018 Dir. Yann Gonzalez, France, 2018, 110 mins Writer: Yann Gonzalez, Cristiano Mangione Cast: Vanessa Paradis, Nicolas Maury, Kate Moran, Jonathan Genet, Khaled Alouach, Félix Maritaud, Noé Hernandez, Thibault Servière, Bastien Waultier, Bertrand Mandico, Jules Ritmanic, Pierre Pirol, Dourane Fall, Romane Bohringer, Elina Löwensohn, Yann Colette, Jacques Nolot, Florence Giorgetti A Cannes 2018 Official Selection, this steamy and seedy ode to cinema and postured pulp comes from visionary director and NewFest alum Yann Gonzalez (YOU AND THE NIGHT). Vanessa Paradis stars as a no-nonsense gay porn producer on films such as “HOMOCIDE” and “ANAL FURY” who’s befuddled by a crush on her editor (Kate Moran) and the fact that her cast and crew are being knocked off one-by-one by a leather-clad madman. Shot on lush 35mm and featuring a pulsating original score from M83, KNIFE + HEART is a gloriously and gorgeously gory take on the modern slasher flick set in the world of 70s Paris. Celluloid lovers unite–the giallo subgenre has finally gone full-blown queer. Killer Unicorn New York Premiere Dir. Drew Bolton, USA, 2018, 74 mins Writer: José D. Álvarez Cast: Alejandro La Rosa, Dennis Budesheim, Markus Kelle Flaunting lewks and flouting conventional taste, this deliriously campy romp dashes through slasher tropes with deadly Brooklyn attitude and a distinctively queer spirit. Following a traumatic experience at “Brooklyn’s Annual Enema Party,” party boy Danny is haunted by a hunky masked stranger who causes a massacre of Brooklyn nightlife. Featuring a bevvy of Brooklyn’s biggest drag divas, including Bushwig co-founder Horrorchata, this crass creation of cult fervor is John Waters meets John Carpenter. And watch out–these queens aren’t the only ones who came to slay. The Carmilla Movie New York Premiere Dir. Spencer Maybee, Canada, 2017, 94 mins Writer: Jordan Hall and Alejandro Alcoba Cast: Elise Bauman, Natasha Negovanlis, Dominique Provost-Chalkley, Cara Gee THE CARMILLA MOVIE picks up five years after the events of the award-winning global phenomenon digital series CARMILLA . Laura (Elise Bauman) and former vampire Carmilla’s (Natasha Negovanlis) domestic bliss is interrupted by an unknown supernatural threat when Carm shows signs of re-vamping and Laura starts having ghostly dreams. Catch up on seasons 0-3 on YouTube and then join us to celebrate the power of the audience, as our favorite lesbian vampires are reunited in this fan-demanded feature film.

    SHORTS PROGRAMS

    Boys Shorts From a fast-paced chase to a lazy summer day, this year’s Boys Shorts explore what it means to bring your full self to both the mundane and the extraordinary moments in life. In cities across the globe, these films capture the contemporary lives of a panoply of gay men from many different backgrounds in 2018. Total run time: 89 mins Q&A with filmmakers and select cast to follow Girls Shorts From friendship to dating to marriage, these shorts look at love and intimacy through many different lenses and paint a picture of strong, vulnerable, funny, and stubborn women who shine on the big screen. The heartbreak and joy of everyday life weave together in this collection of stories that span cultural and generational gaps too often overlooked in film. Total run time: 94 mins Q&A with filmmakers and select cast to follow Drawn This Way 2.0 Intimate and inspiring, this collection encapsulates the complexity of the queer experience in all of its brilliance. Both narrative and non-fiction stories utilize the illusion of movement to reveal personal truths, explore new boundaries, and create connections with one another. An inventive and eclectic array of perspectives and forms come together in moving ways. Total run time: 94 mins Q&A with filmmakers and select cast to follow Feminist Shorts “The F Word” When you think about feminism, do you think about subverting gender stereotypes assigned to female bodies, female athletes succeeding at the top of their game, or small town societal structures being reshaped? Do you think about women and young girls coming into their own? The beauty of the F word is that it means many different things to each of us, and in a post #MeToo world, we have the power to continue to explore feminism through art, reinterpreting and redefining it for ourselves. Total run time: 85 mins Q&A with filmmakers and select cast to follow HalloKween Shorts Real and mental demons plague our protagonists in this Halloween-focused line-up. From a hospital psych ward to high school hallways, and from online conversations to inner-monologues, we cover the scariest grounds on earth in this program of horror shorts. Total run time: 95 mins Q&A with filmmakers and select cast to follow Hip to be Queer: Youth Shorts Through an inclusive and vibrant collection of short films from around the world, the program provides access and empowerment for LGBTQ+ youth to see themselves on screen while promoting media literacy and encouraging self-expression. The collection of short films will range from comedies to dramas, and vary in topics that cut across the youth experience, including interpersonal relationships, bullying, family, gender, identity, self-care, and cultural divides. Open to all students and staff within The New York City Department of Education, this event will be a specially-curated film program of Youth Shorts at NewFest’s 30th Annual New York LGBTQ Film Festival. Presented by the New York City Department of Education and in Partnership with Partnership with the Mayor’s Office of Media & Entertainment Total run time: 91 mins Q&A with filmmakers and select cast to follow Trans and Non-Binary Shorts A blend of documentary and fiction films showing an inclusive array of protagonists facing personal obstacles and experiencing universal life lessons. These endearing films show us the humanity within our community and the various ways we can transcend gender. Total run time: 86 mins Q&A with filmmakers and select cast to follow Wigged Out: Drag Shorts In celebration of Emmy-winning show “RuPaul’s Drag Race” and its tenth year of taking the untucked revolution to TV, we exalt the art of drag and the fearless queens who inspire and wow us with their jaw-dropping talents and vital stories on and off the runway. By turns hysterical and moving — and starring beloved queens such as Bob the Drag Queen and Latrice Royale — these films add up to one enormous eleganza extravaganza that will leave you gagged. Total run time: 78 mins Q&A with filmmakers and select cast to follow Three’s Company Enjoy the experience of polyamory without all the drama in this queer collection of threesomes. As relationships evolve, so must our art. And this collection of powerful films about modern dating is an example of how to use art to push back on societal norms and redefine the lives we want to live. Total run time: 86 mins Q&A with filmmakers and select cast to follow Queer Jewish Shorts From the U.S. to Israel, this program brings together six short films that examine what it is to be queer and Jewish, and how religion can be a guide for some but an obstacle for others. Total run time: 98 mins Q&A with filmmakers and select cast to follow Our Queer History Histories are reconstructed then deconstructed in magnificent textures and styles to celebrate and reflect on the narratives of lives on the fringes: from Italian exiles on a remote island in the 1930s, to British farmers in the early 21st century, to families and spaces intimately shaped over years by HIV/AIDS. As we celebrate the 30th anniversary of NewFest, we look back on the past three decades and further not only to remember but also to discover. Total run time: 101 mins Q&A with filmmakers and select cast to follow

    SPOTLIGHT SCREENING & PANEL

    Transmilitary Audience Award, SXSW 2018 Dir. Gabriel Silverman and Fiona Dawson, USA, 2017, 93 mins Writer: Jamie Coughlin, Gabriel Silverman Cast: Laila Ireland At the risk of being discharged and losing their livelihoods, trans service members come out to top brass at the Pentagon to challenge the transgender military ban. From 2015 to the present day, we follow four trans service members—Senior Airman Logan Ireland, Corporal Laila Villanueva, Captain Jennifer Peace, and First Lieutenant El Cook—as they fight to defend their equal right to serve their country. This screening is co-presented in partnership with GLAAD (Gay & Lesbian Alliance Against Defamation) will be followed by an extended conversation with the filmmakers and subjects, and moderated by Zeke Stokes.

    SPECIAL EVENTS

    GIA (20th Anniversary Screening) Dir. Michael Cristofer, USA, 1998, 123 min. Writer: Michael Cristofer, Jay McInerney Cast: Angelina Jolie, Faye Dunaway, Mercedes Ruehl, Elizabeth Mitchell It’s been 20 years since Angelina Jolie chronicled the life of supermodel Gia Carrangi in Michael Cristofer’s now-classic HBO movie. Carrangi, who rose to meteoric fame in late 70s New York, was known for her trademark temper and bold, unapologetic fashion style, but died young from AIDS-related complications. While the film has long been considered essential LGBTQ viewing, it’s rarely enjoyed on the big screen. Revisit it with us, your NewFest family and soak up the sultry scenes between Jolie and costar Elizabeth Mitchell, as well as revelling in supporting roles from icons Mercedes Ruehl and Faye Dunaway as Gia’s mother and modeling agent respectively. An HBO Original Film. CONVERSATIONS WITH GAY ELDERS: Daniel Maloney (partner event with Generations Project) East Coast Premiere Dir. David Weissman, USA, 2017, 67 min Cast: Daniel Maloney, David Weissman “I’m ready for my close-up, Mr. Director,” says New Yorker and subject Daniel Maloney, 77; and so begins the start of a stimulating interview between Maloney and director David Weissman (WE WERE HERE, THE COCKETTES). A principal dancer with Martha Graham in the 1970s, Maloney recounts his experiences facing racism, serving in the army, moving to New York, and first sexual encounters–all the while carrying on the art so closely linked to culture, community, and civilization: oral tradition. This film is part of a documentary series in which Weissman collaborates with a young editor–in this case, Jake Stein, 24 and newly out–to capture illuminating stories from elders that represent a cross-section of the LGBTQ community. LOOKING FOR? Dir. Tung-Yen Chou, Taiwan, 2017, 61 mins Explore the mysteries of dating apps in this charming, infectious documentary that lays all the sexy details out on the table. Young Taiwanese filmmaker Tung-Yen Chou searches for a love of his own, as he questions gay men around the world about their intimate experiences on hookup apps. Can Grindr lead you to the love of your life? This refreshingly raw and far too relatable look into digital romance is a snapshot of the moment.

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  • Double Exposure Investigative Film Festival Launches 4th Edition with Charles Ferguson’s WATERGATE

    [caption id="attachment_31860" align="aligncenter" width="1200"]Watergate Watergate[/caption] Double Exposure Investigative Film Festival & Symposium, a project of 100Reporters, launches its fourth edition with world, U.S. and Washington premieres of fifteen new, investigative films that speak to our times in a newly urgent language, bridging investigative reporting and visual storytelling. This year’s themes: Demystifying. Exposing. Equalizing. Verifying. Double Exposure opens with WATERGATE, in which celebrated director Charles Ferguson (INSIDE JOB) recreates the epochal White House scandal for a new generation, using interviews with key players, previously-classified documents and Richard Nixon’s own secret recordings as the spine for Oval Office dialogues with chilling resonance today. The festival’s closing film, DIVIDE AND CONQUER, tracks the rise and fall of kingmaker Roger Ailes, the driving force behind Fox News, who lost it all following accusations of sexual harassment at the top. GHOST FLEET investigates the hidden population of modern-day slaves who underpin industrial fishing, held captive at sea for years at a time. THE PANAMA PAPERS details the unprecedented coordination of over 300 journalists who reveal the biggest global corruption scandal in history. Our 2018 films explore the psychic cost of community-wide surveillance, uncovered through journalistic sleuthing and the Freedom of Information Act; wrongful criminal confessions; sexual assault and social media; the underside of savior complexes and much more. The films deliver illuminating stories from war-torn Afghanistan to middle America, from a middle-class apartment in Budapest to the Oval Office. Check the full lineup at dxfest.com. “This year’s slate demonstrates the increasing relevance of film to the most pressing stories of our day,” said Double Exposure founder and co-director, Diana Jean Schemo. “Our Opening Night film revisits a scandal with searing relevance in 2018. And our Closing Night film on Roger Ailes and Fox News brings the story of an era that began with Watergate to our present time of social media, sexual reckoning and rampant truth-bending.” “This is an extraordinary moment for investigative filmmaking. We are finding more and more filmmakers integrating journalistic practice into their storytelling, and more journalists moving into the visual realm,” said Double Exposure co-creator and co-director, Sky Sitney. “Each film on our slate not only tells an urgent story in itself, but shapes that story through a riveting, new visual language that stands at a crossroads between these two distinct practices.” HISTORY’s definitive original documentary, WATERGATE, chronicles one of the biggest criminal conspiracies in modern American politics and features a roster of some of the most important media, legal and political figures from the scandal, including Bob Woodward, Carl Bernstein, John Dean, Jill Wine-Banks, Richard Ben-Veniste, and many others. Wednesday, Oct. 10, 7pm, Smithsonian’s National Portrait Gallery. Post screening discussion with director Charles Ferguson and special guests to be announced. Following Opening Night, all screenings take place at the Naval Heritage Center, and are followed by conversations with the director, film subjects, and others. STOLEN DAUGHTERS: KIDNAPPED BY BOKO HARAM revisits a shocking story that made global headlines. In 2014, 276 Nigerian school girls were kidnapped from a school in Chibok, Northern Nigeria, and hidden in the vast Sambisa forest for three years by Boko Haram, a violent Islamic insurgent movement. Granted exclusive access to the 82 girls who were freed last year and taken to a secret government safe house in the capital of Abuja, the film explores how the young women might adapt back to life after having experienced such trauma, and how the Nigerian government is navigating, and at times commandeering, their reentry into society. Thursday, Oct. 11, 6pm. Naval Heritage Center. ROLL RED ROLL goes behind the headlines of a notorious high school sexual assault case to witness the social media-fueled “boys will be boys” culture that let it happen, and defended them when it did. Thursday, Oct. 11, 8:30pm, Naval Heritage Center. Post-screening discussion with director Nancy Schwartzman, film subjects Alexandria Goddard and Rachel Dissell, and others to be announced. In UNPROTECTED, an acclaimed American charity said it was saving some of the world’s most vulnerable girls from sexual exploitation. Then the girls were raped, and that was only the beginning. Friday, Oct. 12, 4pm, Naval Heritage Center. Post-screening discussion with director Nadia Sussman, and others to be announced. [caption id="attachment_27798" align="aligncenter" width="1200"]The Feeling of Being Watched The Feeling of Being Watched[/caption] For THE FEELING OF BEING WATCHED, filmmaker Assia Boundaoui follows the trail of her neighbors’ suspicion that their community just outside Chicago has been under surveillance for over a decade. While investigating their experiences, Boundaoui uncovers tens of thousands of pages of FBI documents that prove her Muslim community was indeed the subject of one of the largest counter-terrorism investigations ever conducted in the U.S. before 9/11, code-named “Operation Vulgar Betrayal.” Friday, Oct. 12, 6pm, Naval Heritage Center. Post-screening discussion with director Assia Boundaoui, and others to be announced. GHOST FLEET follows a small group of activists who risk their lives on remote Indonesian islands to find justice and freedom for the enslaved fishermen who feed the world’s insatiable appetite for seafood. Bangkok-based Patima Tungpuchayakul, a Thai abolitionist, has committed her life to helping these “lost” men return home. Facing illness, death threats, corruption, and complacency, Patima’s fearless determination for justice inspires her nation and the world. Friday, Oct. 12, 8:30pm Naval Heritage Center. Post-screening discussion with director Shannon Service, producer Jon Bowermaster, and others to be announced. THE TRUTH ABOUT KILLER ROBOTS is an eerie, eye-opening work of science-nonfiction, that charts incidents in which robots have caused the deaths of humans in an automated Volkswagen factory, in a self-driving Tesla vehicle and from a bomb-carrying droid used by Dallas police. Though they are typically treated as freak anomalies, each case raises questions of accountability, legality and morality. Exploring the provocative views of engineers, journalists, and philosophers, and drawing on archival footage, the film goes beyond sensational deaths to examine more subtle ways that robots pose a threat to society. Saturday, Oct. 13, 10am, Naval Heritage Center. Post-screening discussion with director Maxim Pozdorovkin. THE UNAFRAID (dirs. Anayansi Prado & Heather Courtney) follows the personal lives of three DACA students in Georgia, a state that has banned them from attending their top state universities and disqualifies them from receiving in-state tuition at any other public college. Shot in an observational style over a period of four years, this film takes an intimate look at the lives of Alejandro, Silvia and Aldo as they navigate activism, pursuing their right to education, and fighting for the rights of their families and communities. Saturday, Oct. 13, 12:30pm, Naval Heritage Center. Post-screening discussion with director Heather Courtney, film subjects and others to be announced. FALSE CONFESSIONS. Each year innumerable American suspects confess to crimes they did not commit, and experts say that trained interrogators can get anybody to confess to anything.
The film follows indefatigable defense attorney Jane Fisher-Byrialsen, who is determined to put an end to interrogation techniques that all too often pressure innocent people into false confessions. As we weave through four of Fisher-Byrialsen’s cases, all involving false confessions, the film examines the psychological aspect of how people end up confessing to crimes they have not committed and the consequences of these confessions – for those accused, for their families and for society at large. Saturday, Oct. 13, 3pm, Naval Heritage Center. Post-screening discussion with director Katrine Philp, subject Jane Fisher-Byrialsen, and others to be announced. In making OF FATHERS AND SONS, Syrian-born filmmaker Talal Derki travels to his homeland in Syria, where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses primarily on the children, providing an extremely rare insight into what it means to grow up with a father whose only dream is to establish an Islamic caliphate. Osama (13) and his brother Ayman (12) both love and admire their father and obey his words, but while Osama seems content to follow the path of jihad, Ayman wants to go back to school. Winner of the Grand Jury Prize for World Documentary at the Sundance Film Festival, OF FATHERS AND SONS is a work of unparalleled access that captures the chilling moment when childhood dies and jihadism is born. Saturday, Oct. 13, 5:30pm, Naval Heritage Center. [caption id="attachment_31523" align="aligncenter" width="1200"]Divide and Conquer: The Story of Roger Ailes Divide and Conquer: The Story of Roger Ailes[/caption] In DIVIDE AND CONQUER Alexis Bloom sheds light on the current moment in American political life by following the arc of Roger Ailes: long-time Republican Svengali and controversial founder of Fox News. By coaching an unrivaled stable of politicians over the course of fifty years, Ailes heavily influenced Republican politics, steering the conservative movement from Nixon to the Tea Party to Trump. Under his tutelage, anger and fear became the coin of the realm, both on the ballot and on national television. This is a story of serial cruelty, both on the public stage and in private life. Like a true Shakespearean figure, ambition and desire were Ailes’ undoing. He was finally toppled when victims of his sexual harassment stepped forward. The accounts of these women—raw and infuriating—are the axis around which Ailes’ story inexorably turns. Saturday, Oct. 13, 8:30pm, Naval Heritage Center. Post-screening discussion with director Alexis Bloom, and others to be announced. For A WOMAN CAPTURED, director Bernadett Tuza-Ritter follows the life of a European woman who has been held by a Budapest family as a domestic slave for 10 years. She is one of over 45 million victims of modern day slavery today. Drawing courage from the filmmaker’s presence and the camera as witness, the woman captured attempts to escape the unbearable oppression and become a free person. Sunday, Oct. 14, 11am, Naval Heritage Center. Post-screening discussion with director Bernadett Tuza-Ritter. [caption id="attachment_28168" align="aligncenter" width="1180"]People’s Republic of Desire People’s Republic of Desire[/caption] THE PEOPLE’S REPUBLIC OF DESIRE dives deep into world of young stars of live streaming in China, where the shift to a virtual life in place of flesh-and-blood relationships has gone far. The stars build followings among the rich and poor, with the rich lavishing online personalities with gifts worth millions of dollars, and the poor cheering the wealthy patrons on and rooting for their idols. The scene culminates with a once-a-year competition, a cross between the Hunger Games and Black Mirror, in which the winner is the one whose patrons buy the most votes. Sunday, Oct. 14, 1:45pm, Naval Heritage Center. Post-screening discussion with filmmaker Hao Wu. Filmed over three years, ANGELS ARE MADE OF LIGHT follows students and teachers at a school in an old neighborhood of Kabul that is slowly rebuilding from past conflicts. Interweaving the modern history of Afghanistan with present-day portraits, director James Longley offers an intimate and nuanced vision of a society living in the shadow of war. Sunday, Oct. 14, 4:30pm, Naval Heritage Center. Post-screening discussion with filmmaker James Longley. In THE PANAMA PAPERS, Alex Winter delivers a powerful, illuminating film that paints a complete picture of the biggest global corruption scandal in history. The “Panama Papers” leak involved the unprecedented coordination of hundreds of journalists from 107 media organizations in more than 80 countries, who broke the story in 2015. The papers included over 11.5 million documents that detail financial and attorney-client information for nearly 214,500 offshore accounts. Winter includes interviews with whistleblowers and key journalists on the investigation, to tell the story of the massive data breach which uncovered murky political and financial corruption, bribes, election rigging and even murder. Sunday, Oct. 14, 7:30pm, Naval Heritage Center. Post-screening discussion with filmmaker Alex Winter, and others to be announced.

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  • 2018 Twin Cities Film Fest Boasts Diverse and Inspiring Lineup, Opens with GREEN BOOK

    [caption id="attachment_31408" align="aligncenter" width="1200"]Green Book Green Book[/caption] Twin Cities Film Fest today announced a diverse and inspiring lineup of films for their 2018 festival, to be held October 17 to 27. This year’s festival will officially open their ninth year with Peter Farrelly’s Green Book, which recently won the coveted People’s Choice Award this past week at the 2018 Toronto International Film Festival. When Tony Lip (Mortensen), a bouncer from an Italian-American neighborhood in the Bronx, is hired to drive Dr. Don Shirley (Ali), a world-class Black pianist, on a concert tour from Manhattan to the Deep South, they must rely on “The Green Book” to guide them to the few establishments that were then safe for African-Americans. Confronted with racism, danger—as well as unexpected humanity and humor—they are forced to set aside differences to survive and thrive on the journey of a lifetime. https://www.youtube.com/watch?v=QkZxoko_HC0 Opening night festivities will also include a screening of Time for Ilhan, a documentary about State Representative and Federal House candidate, Ilhan Omar, who will be in attendance along with director Norah Shapiro and cinematographer Chris Newberry. https://www.youtube.com/watch?v=vQ8uivoe36U The Centerpiece Highlight on Friday, October 19 is the Newport Beach Film Festival hit comedy When Jeff Tried to Save the World starring Jon Heder (“Napoleon Dynamite). United Skates, a documentary about roller skating and a community’s battle to save an underground subculture will close out the festival on October 27. Other visiting guests this year include David Arquette and Tom Arnold with the U.S. premiere of Saving Flora, the story of a 14-year-old girl who kidnaps an elephant from a circus to take it to a nature reserve, screening on October 22. Chef Andrew Zimmern will also be in attendance on Thursday, October 25 for the Midwest premiere of Chef Flynn, a documentary about a ten-year-old who transformed his living room into a supper club and achieved sudden fame. TCFF will also feature Widows (20th Century Fox) a modern-day thriller from Steve McQueen starring Viola Davis and Liam Neeson, Can You Ever Forgive Me? (Fox Searchlight Pictures) starring Melissa McCarthy, Boy Erased (Focus Features) starring Joel Edgerton and Nicole Kidman and The Favourite (Fox Searchlight Pictures) starring Emma Stone and Rachel Weisz. In addition to their regular programming this year, TCFF will collaborate with the Jewish Film Festival and the Northstar Science Film Festival, showing a slate of thought provoking films while launching a brand new initiative, TCFF Tech. TCFF Tech is a one-of-a-kind 3-day event spotlighting the impact of technology on social issues, innovation, and entrepreneurship.

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  • 2018 Woodstock Film Festival to Showcase Over 100 Films + Opens with KARL BERGER – MUSIC MIND

    [caption id="attachment_31849" align="aligncenter" width="1000"]Karl Berger of Karl Berger - Music Mind Karl Berger of Karl Berger – Music Mind[/caption] The fiercely independent 19th Annual Woodstock Film Festival will showcase more than 100 films and open with a live performance by the Karl Berger Band following the screening of the feature documentary Karl Berger – Music Mind, which offers “an inside look into the creative process and unique approach toward music that makes Karl Berger”. Matthew Heineman’s feature narrative debut A Private War, starring Rosamund Pike, Jamie Dornan and Stanley Tucci will close the film festival on the evening of Sunday, October 14th. There will be a panel discussion after the film screening of Lessons from a School Shooting: Notes from Dunblane, featuring the filmmakers, as well as panelists from the documentary Newtown. In the wake of the 2012 Sandy Hook Elementary School massacre that took the lives of twenty first-graders and their teachers, local clergyman Father Bob Weiss receives a letter from a fellow priest in Dunblane, Scotland, whose community suffered an eerily similar fate in 1996. From across the Atlantic, the two priests forge a poignant bond through the shared experience of trauma and healing. Never before seen film clips of the filmmakers’ upcoming documentary about the mass shooting in Stoneman Douglas high school in Parkland, Florida, will be shown during the panel. Roger Ross Williams is the first African American director to win an Academy Award with his short film Music By Prudence. Williams has directed a wide variety of acclaimed films including God Loves Uganda, which was shortlisted for an Academy Award, and Life, Animated, which was nominated for an Academy Award in 2017. Williams is on the Board of Governors for the Academy of motion pictures, Arts and Sciences, representing the Documentary branch, as well as being on the Diversity Committee for the Academy. This year Williams is our Special Guest Programmer whose selection spotlights some of his favorite contemporary works by filmmakers of color. Williams said, “I am thrilled to be a guest programmer at this year’s Woodstock Film Festival. The three films I have chosen demonstrate the scope, depth and creativity that is possible when we, as black filmmakers, tell our own stories.” These films include Hale County This Morning, This Evening, Shakedown, and Mr. SOUL!.

    NARRATIVE FEATURES

    Across The Universe, directed by Julie Taymor Almost Home, directed by Jessica Blank and Erik Jensen Ask For Jane, directed by Rachel Carey Beyond the Night, directed by Jason Noto Cold Brook, directed by William Fichtner Dorst (Craving), directed by Saskia Diesing Dreams by the Sea, directed by Sakaris Stórá Fort Maria, directed by Thomas Southerland and S. Cagney Gentry Ghost Light, directed by John Stimpson Here and Now, directed by Roman Shumun Julia Blue, directed by Roxy Toporowych Keely and Du, directed by Dominique Cardona and Laurie Colbert Lez Bomb, directed by Jenna Laurenzo Little Woods, directed by Nia DaCosta Love Revisited, directed by Nicole van Kilsdonk Only A Switch, directed by Michael Vincent Paris Song, directed by Jeff Vespa A Private War, directed by Matthew Heineman ReRUN, directed by Alyssa Rallo Bennett Socrates, directed by Alex Moratto Spell, directed by Brendan Walter Swimming With Men, directed by Oliver Parker Then Came You, directed by Peter Hutchings Unlovable, directed by Suzi Yoonessi We Only Know So Much, directed by Donal Lardner Ward What They Had, directed by Elizabeth Chomko Wheels, directed by Paul Starkman Wildlife, directed by Paul Dano

    Younger Days, directed by Paula van der Oest

    DOCUMENTARY FEATURES

    2030, directed by Johnny Boston The Advocates, directed by Rémi Kessler Carmine Street Guitars, directed by Ron Mann Dreaming of a Vetter World, directed by Bonnie Hawthorne The Feeling of Being Watched, directed by Assia Boundaoui For The Birds, directed by Richard Miron Ghost Fleet, directed by Shannon Service and Jeffrey Waldron Give Us This Day, directed by Jeff and Michael Zimbalist Hale County This Morning, This Evening, directed by RaMell Ross In Our Bones, directed by Alex Kimura The Interpreters, directed by Andres Caballero and Sofian Khan Karl Berger – Music Mind, directed by Julian Benedikt Michelin Stars – Tales from the Kitchen, directed by Rasmus Dinesen Mr. SOUL!, directed by Melissa Haizlip and Samuel Pollard A Murder In Mansfield, directed by Barbara Kopple Netizens, directed by Cynthia Lowen Personal Statement, directed by Julianne Dressner Shakedown, directed by Leilah Weinraub Somaliland, directed by Harry Lee and Ben Powell Stay Human, directed by Michael Franti Suicide: The Ripple Effect, directed by Greg Dicharry and Kevin Hines Up to Snuff, directed by Mark Maxey What Is Democracy?, directed by Astra Taylor The World Before Your Feet, directed by Jeremy Workman

    WRESTLE, directed by Lauren Belfer and Suzannah Herbert

    SHORTS

    1-0, directed by Nada ElAzhary; 59 Seconds, directed by Mauro Carraro; After Her, directed by Aly Migliori;  Antouni (Homeless), directed by Alik Tamar; Are You Still Singing?, directed by Gillian Barnes; A Year, directed by Jisun Jamie Lee; Beast, directed by Leonora Lonsdale; Beautiful Things, directed by Dina Waxman; Black Spirit, directed by Chakib Taleb-Bendiab; Boy Boy Girl Girl, directed by Ross Kauffman; Carolee, Barbara & Gunvor, directed by Lynne Sachs; The Christmas Rabbit, directed by Christophe Lopez-Huici; The Crying Room, directed by Shalom Auslander; Del Rio, directed by Raj Trivedi; Dinner, directed by Anna Gilmore; Edith Piaf (Said It Better Than Me), directed by Joseph Wallace; Ego, directed by Mario Addis; The English Teecher, directed by Andy and Carolyn London; Even Ants Strive for Survival, directed by Ren Xia; Funeral, directed by Leah Shore; Gamble, directed by Chayadol Lomtong; Goose in High Heels, directed by John R. Dilworth; He’s Watching, directed by Arthur Metcalf; Homing In, directed by Parker Hill; Jo, directed by Justine Williams; One Small Step, directed by Andrew Chesworth and Bobby Pontillas; Last Requests, directed by Courtenay Johnson; The Last Seance, directed by Laura Kulik; Lifeboat, directed by Skye Fitzgerald; Lucy, directed by Ruben Gutiérrez; The Magical Mystery of Musigny, directed by Emmett Goodman and John Meyer; Martin, directed by Sholto Crow; Melt Down, directed by Amy Jingyi Xu; Mirror Mirror, directed by Jacob Internicola; Mother, directed by Amanda Palmer; Moved to Tiers, directed by Avery Herzog; The Movie House on Main Street, directed by Teresa Torchiano; My Brother (Mi Hermano), directed by Alexis Gambis; Pour 585, directed by Patrick Smith; Rooster and The Queen, directed by Aaron Weisblatt; Salam, directed by Claire Fowler; Lessons from a School Shooting: Notes from Dunblane, directed by Kim A. Snyder; Shiva Baby, directed by Emma Seligman; Sorceress, directed by Max Blustin; Trump Bites, directed by Bill Plympton; Two Balloons, directed by Mark C. Smith; Unnatural, directed by Amy Wang; The Velvet Underground Played at My High School, directed by Tony Jannelli and Robert Pietri; Vicarious Resilience, directed by Eva Tenuto; Voice, directed by Takeshi Kushida; Welcome to the New World, directed by Jerry Suen & Anni Sultany; The Winds of Downhill, directed by Jedd and Todd Wider; Your Face Global Jam, directed by Ken Mora

    YOUTH INITIATIVE

    This year, the Woodstock Film Festival will present films written, filmed, directed, produced, and edited by passionate teens. The Woodstock Film Festival’s Youth Initiative is supported by the Thompson Family Foundation. Three out of the ten films were created by students who participated in the Woodstock Film Festival Summer Youth Film Lab, a three week immersive program underwritten by an anonymous donor, that gives teenagers an opportunity to learn about the art of film and practice the full spectrum of the filmmaking process with guidance from accomplished film industry professionals.
    After The Collapse, directed by Youth Film Lab participant Ethan Laclaverie Past the Fear, directed by Youth Film Lab participant Samuel Levine Mirror Mirror, directed by Youth Film Lab participant Jacob Internicola Along the Water, directed by Marissa Gaylin Can’t Hurry Love, directed by Lola Cook The Hitchhiker’s Guide to Suburbia, directed by Alex Alford and Zak Denley I Am The Only One, directed by Aicha Cherif Inclusion On The Air, directed by Eli Canter Silence, directed by Camille Dobbs Wake Up, directed by Maura Palden

    MUSIC VIDEOS

    This year, the Woodstock Film Festival is highlighting 11 outstanding music videos from talented artists from the United States, Poland, the United Kingdom, and Luxembourg. These music videos will be screened online at the start of the festival.
    Boyish – Music by Japanese Breakfast Dumb Dumb– Music by Cipherella Found – Music by Toulouse Glendale– Music by Clans Land of the Fairies – Music by Rami Fortis Magic Meadow Music Video – Music by Journey Blue Heaven Mandarin – Music by Boogrov Paprika – Music by No Metal in this Battle Pora Sotunda – Music by The Mystery of the Bulgarian Voices

    Solicitous– Music by Drekoty

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  • Canadian Premiere of Surfing Documentary MOMENTUM GENERATION to Close Whistler Film Festival

    [caption id="attachment_31845" align="aligncenter" width="1200"]Momentum Generation Momentum Generation[/caption] MOMENTUM GENERATION, the latest documentary from Award-winning filmmakers Jeff and Michael Zimbalist, will have its Canadian premiere as the Closing Night film of Whistler Film Festival.  The documentary follows the biggest names in surfing, including Kelly Slater, Rob Machado, Shane Dorian, Kalani Robb and the late Todd Chesser. Executive produced by Sundance founder Robert Redford with stunning archival footage from the godfather of surf films Taylor Steele, MOMENTUM GENERATION gives audiences an inside look at the lives of these teenagers as they rose to super stardom as the first competitive surfers. WFF’s Director of Programming Paul Gratton had this to say about the current 2018 lineup: “The increasing importance of the Whistler Film Festival as a launchpad for world-calibre Canadian features is evidenced by the significant number of World Premieres that have already been secured for this year’s festival.” In addition to the previously announced World Premiere of FUCK YOU ALL, THE UWE BOLL STORY, WFF added nine Canadian films premiering at Whistler this year. Seven of the films are eligible for the five awards in WFF’s coveted Borsos Competition for Best Canadian Feature *, which includes the second largest festival prize in the country featuring a $15,000 cash prize presented by the Directors Guild of Canada, British Columbia and $15,000 post production prize presented by Encore Vancouver. BELLA CIAO! * (2018, Canada (BC), World Premiere) Carmen Aguirre and Tony Nardi star in a remarkable story directed by Carolyn Combs of friends, lovers, seekers and thieves. Set at the intersection of the Latin American, First Nations and Italian communities in Vancouver, Bella Ciao! captures the struggle towards solidarity within Canada’s immigrant urban mix. A tribute to the mosaic of diversity and the different generations of distinct cultures that help define Vancouver and by extension, all of Canada today. IN GOD I TRUST * (2018, Canada (BC), World Premiere) John Cassini, Marc Senior and Melissa Roxburgh star in this multi-character drama from Vancouver based filmmaker Maja Zdanowski. A distressed young black man, a reckless white nationalist, and a pair of traveling vacationers intertwine in three tales of redemption, violence and faith during a random encounter in Northern Idaho. INTO INVISIBLE LIGHT * (2018, Canada (MB), World Premiere) Director Shalegh Carter delivers a powerful story of grief, longing, and one woman’s path to healing through the realisation of her long-buried desire to write. A widow rekindles a past relationship with a writer/professor. Conceived under the sway of both love and art INTO INVISIBLE LIGHT is a story of forgiveness, second chances and the revitalizing power of self-expression. HONEY BEE * (2018, Canada (ON), World Premiere) 2017 WFF Star to Watch Julia Sarah Stone astounds as an underage truck stop hooker under the sway of a manipulative pimp, sent by authorities to a tough love placement location, a working farm run by a no-nonsense character played by Martha Plimpton. Director Rama Rau continues to explore female sexuality, as she did with her previous documentary look at burlesque queens, THE LEAGUE OF EXOTIQUE DANCERS. NEVER BE DONE: THE RICHARD GLEN LETT STORY (2018, Canada (BC), World Premiere) This raw and immersive documentary tells the story of how controversial Vancouver stand-up comedian Richard Lett sabotaged his own promising career, lost everything and lived to tell the tale. Director Roy Tighe’s commitment to presenting Lett’s highest and lowest moments over the past nine years ultimately presents a message of personal redemption, and shines a poignant light on the intensely private struggle of addiction. NOSE TO TAIL * (2018, Canada (ON), World Premiere) Aaron Abrams plays a talented but abrasive chef who is struggling to keep his high end restaurant afloat. Over the course of one event-filled day, he must deal with an angry lover, a would-be investor (Ennis Esmer) and unhappy staff, not to mention the realization that his establishment is no longer as trendy as when it first opened. Directed by Jesse Zigelstein, this a character study that will have foodies salivating. NORTH PRESTON’S FINEST (2018, Canada (ON), World Premiere) Director Jaren Hayman provides us with an intimate glimpse into the country’s largest black community, painted in recent years as one of Canada’s most established human trafficking hubs. With poignant interviews and stories from residents of all kinds, from pimps and their victims to politicians and the citizens they serve, NORTH PRESTON’S FINEST explores one community’s struggle against crime, economic adversity and systemic racism, and their ardent desire to change the narrative. RED ROVER * (2018, Canada (ON), World Premiere) Métis director Shane Belcourt directs a wistful story about a socially awkward geologist who is encouraged to apply for a one-way manned mission to Mars by an extroverted musician he meets in the park. Rising star Cara Gee shines as a muse with her own issues who inspires our unhappy would-be space traveler, who longs for a new beginning. WOODLAND * (2018, Canada (BC), World Premiere) Directed by Vancouver based Jon Silverberg, this is about a man’s personal journey that touches on the land, the mythical and the spiritual. Set in 1989, out-of-work photojournalist Jake (Richard Harmon) who struggles with addiction and a troubled past, takes a job as watchman of a wilderness lodge on the remote Haida Gwaii island in the Pacific Northwest. Under the watchful eye of veteran handyman Sparky, Jake sets up a darkroom to develop the photos he shoots, which reveal strange apparitions that he soon discovers are prophecies of his and Sparky’s disturbing future.

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  • Miami Film Festival Unveils GEM 2018 Lineup, Opens with BIRDS OF PASSAGE

    [caption id="attachment_31771" align="aligncenter" width="1200"]Birds of Passage (Pájaros de verano) Birds of Passage (Pájaros de verano)[/caption] Miami Film Festival unveiled the full line-up of the GEMS 2018, the Fall edition of the annual festival, opening with Colombia’s Oscar submission Birds of Passage (Pájaros de Verano) and closing with Spain’s Oscar submission Champions (Campeones). Miami Film Festival GEMS takes place October 11 to 14, at MDC’s Tower Theater Miami. Bárbara Lennie, the acclaimed and much in-demand Goya-winning Spanish actress, will accept the Festival’s Precious Gem Award prior to the presentation of her newest film, Petra, directed by Jaime Rosales. Lennie also joins Penélope Cruz, Javier Bardem and Ricardo Darín in Oscar-winner Asghar Farhadi’s Everybody Knows (Todos lo saben), which will also play at GEMS. Lennie’s other recent roles are well-known to Miami Film Festival audiences – her 2018 film A Sort of Family won the Festival’s Knight Competition Grand Prize, and her 2017 film Maria (And Everybody Else) won the Festival’s HBO Ibero-American Feature Film Award. Cinematographer Diego García, touted as a strong contender for his first Oscar nomination for shooting Paul Dano’s directorial debut, Wildlife, starring Cary Mulligan and Jake Gyllenhaal, will receive the Festival’s Art of Light Award and participate in a conversation about his craft prior to the Florida premiere of Wildlife. Garcia’s previous credits include his Fenix Award-winning work on Gabriel Mascaro’s Neon Bull, and previous Miami Film Festival selections Cemetery of Splendor (2015) and The Darkness (2017). García will additionally lead a Master Class on Cinematography for attending local industry members and film students. Returning for a second consecutive year to Miami Film Festival GEMS is the virtual reality (VR) sidebar Virtual Escape, in partnership with MDC’s Miami Animation & Gaming International Complex (MAGIC). Festivalgoers will experience five projects of 360°, VR and Alternative Gaming available through the entire GEMS weekend. This year’s edition of GEMS will feature two distinct sections. The Spotlight Stage will feature high-profile, major-interest films from internationally renowned directors, many of which are in strong contention for Academy Award nominations. The Discovery Stage will feature new filmmakers creating some of the year’s most interesting debut work, breaking out into international prominence.

    The Spotlight Stage

    EL ÁNGEL – Argentina/Spain. The second collaboration of Almodóvar’s El Deseo and Argentina’s K&S Films production companies after their first, the international hit and Oscar-nominated Wild Tales (Relatos salvajes), which opened Miami Film Festival in 2016. Directed by Luis Ortega, El Ángel recently broke the record for the highest grossing debut weekend of an Argentine film in Argentina box office history. The film stars rising new talents Lorenzo Ferro and Chino Darín. MFF MARIMBAS AWARD NOMINEE. ANIMAL – Argentina/Spain. Filmmaker Armando Bo won an Academy Award for Best Screenplay for his previous feature film – Birdman or (The Unexpected Virtue of Ignorance), which also won Best Picture and Best Director for Alejandro Iñárritu. Animal stars Argentina’s box office superstar Guillermo Francella (The Clan, The Secret in Their Eyes, Corazón de león) and Carla Peterson, and was a summer box office hit in Argentina. MFF MARIMBAS AWARD NOMINEE. BEN IS BACK – U.S.A. Filmmaker Peter Hedges was nominated for an Oscar as writer of About A Boy, and his first feature as a director, Pieces of April, was also Oscar-nominated. Ben is Back recently world premiered in TIFF to acclaim and Oscar buzz for stars Julia Roberts and Lucas Hedges (Peter’s son), who was previously Oscar nominated for Manchester by the Sea. MFF MARIMBAS AWARD NOMINEE. BIRDS OF PASSAGE (PÁJAROS DE VERANO) – Colombia/Denmark/Mexico/France. Co-director Cristina Gallego will attend the Opening Night presentation and participate in a conversation with the audience. Gallego and her filmmaking partner Ciro Guerra previously collaborated on Embrace of the Serpent, which received Colombia’s first-ever Oscar nomination for Best Foreign Language Film in 2015. MFF MARIMBAS AWARD NOMINEE. OPENING NIGHT FILM. BORDER – Sweden/Denmark. Winner of 2018 Cannes Film Festival’s Un Certain Regard BEST FILM Award and Sweden’s 2019 Oscar submission, Border will be Miami Film Festival GEMS’ first MIDNIGHT/LATE-NIGHT SPECIAL PRESENTATION. Directed by Ali Abbasi, Border is a follow-up to Swedish author Jon Ajvide Lindqvist’s 2008 international hit multi-award-winning film adaption, Let The Right One In. MFF MARIMBAS AWARD NOMINEE. BURNING – South Korea. The highest-rated film in the history of the international critics’ poll at Cannes Film Festival and South Korea’s 2019 Oscar submission, Burning stars Steven Yeung (Sorry To Bother You and TV’s The Walking Dead). Director Chang-dong Lee has won multiple international awards for previous films such as Secret Sunshine (2007) and Poetry (2010). The screening of Burning will be followed by a panel moderated by programmer Lauren Cohen featuring local film critics discussing the film and the state of art house cinema in 2018. MFF MARIMBAS AWARD NOMINEE. CAPERNAUM – Lebanon. Directed by the acclaimed Nadine Labaki and winner of the Jury Prize at 2018 Cannes Film Festival, Capernaum is a candidate for Lebanon’s 2019 Oscar submission. CHAMPIONS (CAMPEONES) – Spain. An unprecedented box office sensation at Spain’s domestic box office and Spain’s 2019 Oscar submission, Champions is directed by Goya winning director Javier Fesser (expected to attend the screening) and starring two-time Goya winning Best Actor Javier Gutierrez. MFF MARIMBAS AWARD & ZENO MOUNTAIN AWARD NOMINEE. CLOSING NIGHT FILM. COLD WAR – Poland/France. Pawel Pawlikowski won Best Director at 2018 Cannes Film Festival for his follow-up to Ida, which won the Academy Award for Best Foreign-Language Film of 2014. Cold War is a candidate for Poland’s 2019 Oscar submission. MFF MARIMBAS AWARD NOMINEE. EVERYBODY KNOWS (TODOS LO SABEN) – Spain/France/Italy. Only the second Spanish-language Opening Night Film of Cannes Film Festival in history. Directed by two-time Oscar-winning filmmaker Asghar Farhadi (A Separation, The Salesman) and starring Penélope Cruz, Javier Bardem, Ricardo Darín, Inma Cuesta, Eduard Fernandez, and 2018 Miami Film Festival GEMS Precious Gem Awardee, Bárbara Lennie. PETRA – Spain. Directed by acclaimed filmmaker Jaime Rosales, the exquisite Petra is a modern-day Spanish version of a classic Greek tragedy, featuring a towering performance by 2018 Miami Film Festival GEMS Precious Gem Awardee, Bárbara Lennie. MFF MARIMBAS AWARD NOMINEE. The Discovery Stage BOYS CRY – Italy. Winner of the Silver Ribbon for Best First Feature Film, Italy’s prestigious critical honor, and a world premiere at 2018 Berlin Film Festival. Written and directed by brothers Damiano and Fabio D’Innocenzo, Boys Cry is a candidate for Italy’s 2019 Oscar submission. JORDAN RESSLER FIRST FILM AWARD NOMINEE. DIAMANTINO – Portugal/France/Brazil. Gabriel Abrantes and Daniel Schmidt’s deliriously offbeat Diamantino won the 2018 Critic’s Week Best Film Award in Cannes. JORDAN RESSLER FIRST FILM AWARD NOMINEE. DRY MARTINA – Chile/Argentina. Director Che Sandoval will attend the screening and participate in a conversation with the audience. Dry Martina is one of the most important releases from Chile in 2018 and features a hilarious lead performance by actress Antonella Costa. IBERO-AMERICAN FEATURE AWARD NOMINEE; THE HEIRESSES (LAS HEREDERAS) – Paraguay/Uruguay/Germany/Brazil/Norway/France. Winner of numerous international prizes, including the Alfred Bauer Prize and Best Actress for Ana Brun at the 2018 Berlin Film Festival, Marcelo Martinessi’s film is Paraguay’s 2019 Oscar submission. JORDAN RESSLER FIRST FILM AWARD NOMINEE. HOPELESSLY DEVOUT (MI QUERIDA COFRADÍA) – Spain. Winner of the Audience Award at 2018 Malaga Film Festival, this uproarious comedy in the spirit of early Almodovar films is directed by Marta Díaz de Lope Díaz. JORDAN RESSLER FIRST FILM AWARD NOMINEE. SOUFRA – U.S.A. Documentary directed by Thomas Morgan about the world’s most unlikely entrepreneur, Miriam Shaar, a third-generation refugee living in an encampment outside of Beirut looking to fulfill her dream of opening a catering company despite facing severe political and social barriers. Before the screening, a lunch with a local Miami “chefugee.” WILDLIFE – U.S.A. Acclaimed actor Paul Dano’s directorial debut, co-written with his partner Zoe Kazan, starring Carey Mulligan and Jake Gyllenhaal. Cinematography by Diego García, recipient of Miami Film Festival GEMS’ Art of Light Award. WOMAN AT WAR – Iceland/France/Ukraine. A feminist epic comedy about an environmentalist crusader, directed by Benedikt Erlingsson and winner of the Best Screenplay Prize at 2018 Critics Week in Cannes. A candidate for Iceland’s 2019 Oscar submission.

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