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  • Ithaca Fantastik Reveals Final Wave of 2018 Films

    [caption id="attachment_32097" align="aligncenter" width="1200"]THE UNTHINKABLE THE UNTHINKABLE[/caption] Ithaca Fantastik will close the upcoming 7th edition in upstate NY with the breathtaking Swedish war drama THE UNTHINKABLE from Victor Danelland.  The 10-day festival running October 26th to November 4th announced the final wave of 2018 programming including the highly acclaimed and award-winning MY NAME IS MYEISHA by Gus Krieger’s and Daniel Goldhaber’s electrifying CAM, and notable IF alum Perry Blackshear returns following his 2015 psychological horror hit THEY LOOK LIKE PEOPLE with an eerie and out-of-the-world fable THE RUSALKA! The Cinema Pur side-bar is back with one of the festival’s strongest vanguard focused programs to date adding Joel Potrykus’ latest niche nostalgia nerd-fest RELAXER and A.T. White’s spellbinding debut STARFISH, hands down one of the most beautiful and gripping fable we’ve seen this year to previously announced titles in wave one. The Ithaca Fantastik will host also special screening of BOILED ANGELS: THE TRIAL OF MIKE DIANA with celebrated cult director Frank Henenlotter and Mike Diana paired with a discussion. Taking the Piss Down Under, a mini series with two of our favorite films of the year coming from South East Pacific: BROTHER’S NEST, MEGA TIME SQUAD. What would Ithaca Fantastik be without a dose of gore and fun! Get ready for the gruesome French insanity that is Alfonso’s GIRLS WITH BALLS and the international festival midnighter darling, Ueda’s ONE CUT OF THE DEAD! For it’s 7th edition, Ithaca Fantastik goes wild with its shorts with four massive blocks – GASP! The Horror!, WTFantastik!, Light+/-Dark Shorts, and the very special Eyeslicer Halloween Special, a curation of the weirdest and wackiest American indie spooky shorts from NYC producers Dan Schoenbrun and Vanessa McDonnell. Ithaca Fantastik rounds out the final wave with a dive into AR/VR and brings a program of six experiences, including the award winner DINNER PARTY and Alexandre’s Aja’s CAMPFIRE CREEPERS! Closing: The Unthinkable East Coast Premiere Victor Danell | 2018 | Sweden | 129min While Alex attempts to reconnect with the long lost love of his youth, a series of strange events unfold—each bizarre occurrence leading to the next until it culminates in a declaration of war by a belligerent foreign country. Carried on by his quest for love, Alex must also manage to find his family and save them from the war. This epic adventure pushes him to overcome each obstacle and face the deepest, darkest corners of his past. Scandinavia has produced some of recent years’ most impressive action films with a healthy dose of heart—from The Wave (2015) to The Quake (2018)—redefining what it means to be a blockbuster in the global market. Following in this grand tradition, Crazy Pictures takes us by storm with this genre blurring piece of cinema. It expertly navigates the arthouse drama landscape while using a backdrop of a war as metaphorical elements enhance the frustration of the protagonist. THE UNTHINKABLE will make you think, cringe, laugh out loud, and cry- all in the span of a second. You’ll be talking about this perfect IF8 closing film for months to come.

    International Competition:

    Cam Regional Premiere Daniel Goldhaber | 2018 | USA | 94min Alice’s (Handmaid’s Tale’s Madeline Brewer) career as “Lola” the cam girl is red hot, and her public can’t seem to get enough! But when a mysterious clone of her web persona surfaces, Alice is left questioning where she ends and her online presence begins. Daniel Goldhaber’s debut feature CAM delivers an unvarnished and brutal reflection on a culture of obsession and vice. The first feature about sex work written by a former sex worker Isa Mazzei has masterfully drawn from real life to create this dazzling and dark thriller. The 2018 Fantasia Film Festival New Flesh award winner is not to be missed. Actor Patch Darragh in attendance Dog (Chien) East Coast Premiere Samuel Benchetrit | 2017 | France | 90min After losing his wife, home and job, Jacques spirals into depression, closing himself off to the world around him. That is, until he meets the owner of a pet shop. He finds redemption in giving his free will over to the most random person he’s met: A dog trainer. Multi-talented artist Samuel Benchetrit adapts his eponymous book with a style and voice reminiscent of another french perturbateur: Quentin Dupieux. Taking a literal route to define modern alienation, Benchetrit creates a surreal piece of cinema, which, despite its straightforward approach to the problematic, shocks at every turn. My Name is Myeisha Regional Premiere Gus Krieger | 2018 | USA | 85min At the moment of Myeisha’s (the outstanding Rhaechyl Walker) death at the hands of police, she guides us inside her mind and muses over the life she’ll be leaving behind. Told uniquely through hip-hop, spoken word poetry, and dance—and inspired by the 1998 police shooting of California teen Tyisha Miller—the mix of style and social message allows the narrative to explore territories rarely tackled in film. We connect with Myeisha as we see into both her past and a possible future she will never have. Highly acclaimed on the festival circuit, this is one of the most important films of the year. The Rusalka Regional Premiere Perry Blackshear | 2018 | USA | 88min A perfectly twisted balance of folklore and modern cinema, THE RUSALKA reinvents “the lady of the lake” into “the girl next door.” Mina is chained to water by demons that possess her. The man who pines for her is traumatized and left speechless by a childhood swimming accident. This love story is only rendered more eerie by the haunting beauty of the setting, and the slavic songs that set the dark and atmospheric tone of this tale. Director Perry Blackshear in attendance Prospect Regional Premiere Christopher Caldwell | 2018 | USA | 98min In a working-class future (in space!), a father and daughter mining team (Jay Duplass and Sophie Thatcher) struggle to make a living on an alien moon with worn out space suits and a barely functional spacecraft. When they learn about a large haul of the rare, valuable crystals they’ve been tracking, they decide to risk confrontations with their lawless competition. Adapted from a short film of the same name, PROSPECT has a blue collar sci-fi atmosphere that evokes the highlights of the genre and follows the lead of films like Alien (1979) and Silent Running (1972).

    Cinema Pur:

    Relaxer Regional Premiere Joel Potrykus | 2018 | USA | 91min Settle in for 91 minutes of action and adventure set entirely on a sofa as our hero Abbie (Joshua Burge) attempts to beat every level of Pac-Man- including the legendary 256th. Berated by his brother and a slew of off-kilter friends, Abbie must stick to his mission at any cost. He’ll have to stay focused in the midst of hilarious antics. Will he beat the game? This is the Y2K apocalyptic slacker comedy you didn’t know you needed until Poltrykus dared you to. Starfish Regional Premiere A.T. White | 2018 | USA, UK | 99min The past can creep up on us in the most unlikely of ways. While grieving the loss of her best friend, Aubrey (Runaway’s cosmic babe Virginia Gardner) finds herself in the middle of a wintery apocalypse. She holes up in her late friend’s flat, fending for herself as the world deteriorates and unspeakable Lovecraftian creatures lurk around every corner. With mixtapes, an indie soundtrack, and an adorable pet turtle, Aubrey fights to survive. This fantastical tale of grief and trauma transcends time, space, and logic. Director A.T White in attendance Luz Regional Premiere Tilman Singer | 2018 | Germany | 70min Luz (Luana Velis) arrives at a police station. Seemingly in a state of shock, she begins the interview process of filing a report. Meanwhile, at a nearby bar, a mysterious man drinks alone. He’s approached by a young woman with a disconcerting manner. They strike up a conversation over drinks. A malevolent force seems to permeate both communions . Shot on 16mm—and the thesis project for German film student Tilman Singer—LUZ already feels like a movie out of it’s time with aesthetic trappings of a film made in the 80s but characters and story contemporary in their design and feel.

    Fantastik Documentaries:

    Boiled Angels: The Trial of Mike Diana Regional Premiere Frank Henenlotter | 2018 | USA | 101min In 1991, the FBI thought they had a lead on the Gainesville student murders when they came into possession of Mike Diana’s ‘zine, Boiled Angel. Despite being cleared of any murder charges, the FBI forwarded information about him and his work to Florida police. He became the first artist in US history to be prosecuted on obscenity charges—all because of his cartoonish depictions of depravity. This documentary, directed by Frank Henenlotter (Basket Case, Brain Damage), features narration by Jello Biafra and appearances by Neil Gaiman, George Romero, Jay Lynch, and the trial lawyers who felt they were justified in putting an artist behind bars. Join us for this special screening of BOILED ANGELS, followed by an extended Q&A and discussion with director Frank Henenlotter, artist Mike Diana, and producer Mike Hunchback.

    Taking the Piss Down Under:

    Brother’s Nest Regional Premiere Clayton Jacobson | 2018 | Australia | 98min Two brothers reflect on memories, their upbringing, and family in their childhood home as they plot to kill their stepfather. What at first seems like a simple plan soon spirals out of control and into an abyss of mayhem and murder. Clayton Jacobsen’s pitch black comedy features rapid fire dialogue that is both rhythmic and increasingly ironic and bittersweet—feeling like a blend of the Coen brothers and Hitchcockian crime dramas of the golden age of cinema. Mega Time Squad New York Premiere Tim van Dammen | 2018 | New Zealand | 86min John (Anton Tennet) is down on his luck in small town Auckland and hoping to escape his loser life. When a strange Chinese artifact gives him the power to travel back in time, Johnny decides to face off against his drug dealer boss Shelton (Jonny Brugh of What We Do In The Shadows). The consequences of time travel are more dangerous than Johnny expects, and he very quickly realizes the price he may have to pay. Quick-witted dialogue coupled with heaps of charm and charisma make Tim van Dammen’s Kiwi-comedy a must see.

    Back to Castle: A Special Screening of THE TINGLER with live theatre

    The Tingler Wednesday, Oct. 31 7pm at The Cherry Artspace William Castle | 1959 | USA | 82min When a pathologist (Vincent Price) discovers a creature that feeds and grows on fear, he quickly realizes the key to its defeat. He captures it to test his hypothesis. As the creature evolves in size and atrocity levels rise, the Doctor’s theories distill into one single urgent lesson: “please, do not panic, but scream!…. Scream for your lives.” This film’s just-wacky-enough execution of excruciatingly frightening ideas may just keep its viewers from requiring intensive therapy. Released the very same year as House on Haunted Hill, THE TINGLER reprises and intensifies the same camp horror theatricality and B-movie zeal from William Castle’s wild imagination. The delicate dissonance between Castle’s gimmicks and Vincent Price’s outstanding performance gets perfectly showcased in this triumphant return of the pioneering duo. Enjoy this one-time-only interactive event, created in partnership with our friends at The Cherry Artspace—true to William Castle’s innovative vision of an immersive 4-dimensional theatrical experience. Filmed in “Percepto!”

    Drunken Cinema:

    In the gloriously raucous tradition of original midnight screenings that were a fundamentally participatory event, DRUNKEN CINEMA offers an experience that the modern multiplex can’t even fathom. With general, personal, secret, and prop rules clearly indicated on specially made cards, Drunken Cinema asks you to get involved in the action (Think The Rocky Horror Picture show or cult screenings of The Room).

    Vinegar Syndrome Presents:

    Vinegar Syndrome is a film restoration and distribution company with a catalogue of hundreds of feature films, produced primarily between the 1960s and 1980s. With an ever growing archive we’re thrilled to team up to present two exhilarating entries for IF audiences to enjoy on the big screen once again. Raw Force Edward Murphy | 1982 | USA | 86min Ninjas and cannibal monks and zombies, OH MY! Martial arts students from the Burbank Kung Fu Club head out on a leisurely cruise, but when their ship drifts too close to a mysterious island, their vacation becomes a lot less relaxing. They’ve landed far from home on Warrior Island, a burial ground for shamed martial artists. And they are not alone. White supremacist sex traffickers have made camp on this lowly island chock full of secrets just waiting to be unearthed. Vinegar Syndrome’s 35mm scan of this gritty, seductive and totally bonkers film is filled to the brim with nudity, over-the-top action and enough ridiculous one-liners to satisfy even the most rambunctious cravings for sleaze. White Fire (Vivre pour Survivre) East Coast Premiere Jean-Marie Pallardy | 1985 | Turkey, France, UK | 101min When Bo was a child, a mysterious stranger sadistically murdered his parents. Only Bo and his sister Ingrid survived the bloodshed. Now, twenty years later, Bo and Ingrid are employees at a diamond mineshaft in the desert. The mischievous duo stumble upon the discovery of a legendary diamond, the “White Fire.” However, rapture for the diamond has provoked the angst of some short-tempered, not-so-nice villains. The quest to capture the most sought-out diamond in the world is afoot!

    Midnighters:

    One Cut of the Dead Regional Premiere Shin’ichirô Ueda | 2017 | Japan | 96min When an ambitious but small-time commercial director (Takayuki Hamatsu) is hired for the arduous task of creating a single-take zombie film which is broadcast live, death and gore become the least of his on-set problems. Starting with the unbroken 37-minute final piece, One Cut of the Dead then goes back in time to show the story behind the making of the actual film—complete with trouble from divas, saké, broken equipment, and even diarrhea. A high-energy screamfest that turns heartwarming, this film knows exactly how to sell its scares. Girls With Balls East Coast Premiere Olivier Afonso | 2018 | France | 87min Girls volleyball team The Falcons find themselves stranded in the middle of nowhere after their minivan breaks down. Little do they know they landed on the property of some degenerate redneck hunters. The hunt is on and thus begins a very long night where the girls must run for their lives and test their team spirit. But these young athletes may be more resourceful than the hunters give them credit for. Serve. Set. Spike. Kill! Seven Stages to Achieve Eternal Bliss By Passing Through the Gateway Chosen By the Holy Storsh Regional Premiere Vivieno Caldinelli | 2018 | USA | 96min A small-town couple (Kate Micucci and Sam Huntington) find the perfect apartment at an inconceivable price. But their idyllic life is disturbed by a parade of intruders that won’t stop breaking in to practice a strange cult ritual, all following the direction of their guru, the Holy Storsh (Taika Waititi). The final step? Suicide in the apartment bathtub. From the deranged mind of Spectrevision (Mandy, 2018; Bitch, 2017), this is pure comedy in the tradition of the grand guignol, with the hilarious Dan Harmon (Rick and Morty) as an out of his mind inspector—be ready to laugh out loud for 96 minutes straight in this comedy. Definitely… cult!

    GASP! The Horror! Shorts

    Sometimes horror is a magical horned demon shooting fire at you. Sometimes it lives in your own home… Ithaca Fantastik is proud to present this selection of shorts that shows just how wide, wild, and inventive the realm of horror can be. Goodnight, Gracie, Dir. Stellan Kendrick (USA); The Day Mum Became A Monster, Dir. Josephine Hopkins (France); MILK, Dir. Santiago Menghini (Canada); MAW, Dir. Jasper Vrancken (Belgium); New Feelings, Dir. Anastasia Nechaeva (Russian Federation), Those Who Can Die, Dir. Charlotte Cayeux (France)

    WTFantastik! Shorts

    Think you’ve seen everything the genre world has to offer? Think again. Our WTFantastiK! block challenges genre veterans with envelope-pushing, boundary- breaking shorts that must be seen to be believed. For adventurous audiences only! What’s That In The Ground?, Dir. Wally Chung (USA); The Story of Everything, Dir. Sharon A. Mooney (USA); Sweet Deceit, Dir. Shannon Jones (USA); Loathing, Dir. Franz Milec (Czech Republic); NewVHS, Dir. Spencer Starnes, Kevin R. Wright, Pete Clendenning, Jordan Paul Miles (USA); Mama’s Boy, Dir. Samantha Kolesnick (USA); MOTHER FUCKER, Dir. Nicholas Payn (USA); Entropia, Dir. Marinah Janello (USA)..

    Light+/-Dark Shorts

    Tampon Monsters. Murderous Johnny Depp fans. Two dudes just trying to be cool. The LIGHT+/-DARK shorts block presents the comedy genre shorts that made us laugh, or made us cringe. BFF Girls, Dir. Brian Lonano (USA); Psycho Kino, Dir. Guillem Dols (Spain); Lunch Ladies, Dir. Clarissa Jacobson, J.M. Logan (USA), We Summoned A Demon, Dir. Chris McInroy (USA); Seafood Diet, Dir. Max Levine (USA); Beautiful Eyes, Dir. Rani Deigh Crowe (USA); Fetish, Dir David Lee Hess, Richard H. Perry (USA) The Eyeslicer Halloween Special ! Dan Schoenbrun and Vanessa McDonnell / 2018 / USA / 93min A comedy-horror anthology presented by internet rock stars The Eyeslicer. Taking viewers on a chaotic journey through the liminal space of the Halloween season, THE EYESLICER HALLOWEEN SPECIAL feels like an acid trip down the Halloween aisle at Party City.

    Shorts Accompanying a feature:

    Death Metal Grandma, Dir. by Leah Galant (US); Ad Infinitum, Dir. Murat Çetinkaya (Turley); Payment, Dir. Ben Larned (USA); Special Day Teal Greyhaven (USA); Saturn Through The Telescope Didac Gimeno (Spain); Mannequins, Dir. David Malcolm (UK); Every Ghost Has An Orchestra, Dir. Shayna Connely (USA); TiCK, Dir. Ashlea Wessel (Canada); Riley Was Here, Dir. Jon Rhoads (USA); Smoke Grenade, Dir. Joe LaRocca (USA); Fontaineblues, Dir. Akim Gagnon (Canada)

    Fantastik VR:

    Dinner Party Angel Manuel Soto, Charlotte Stoudt, Laura Wexler / Puerto Rico, USA | 2018 | 13min Based on true events, this experience tells the story of Barney and Betty Hill, an interracial couple who in 1961 broke national news as the first reported extraterrestrial abduction in history. Trying to cope with the residual scars of their experience, they unexpectedly decide to seek out answers from an old tape recorder while hosting a dinner party. Meeting A Monster Gabriela Arp | USA | 2018 | 9min With a past steeped in hatred and prejudice, a former white supremacist journeys back in time and invites us to experience both the stereotypes and bigotry that lured her into the white power movement as well as the encounters that led her back out. Before she can help others change their ways, she must come to terms with a true monster: herself. We’re Still Here Jesse Ayala | USA | 2018 | 3 Minutes Struggling to preserve his cultural identity, an artist and historian from Boise, Idaho takes viewers on a journey to learn about what it means to be “Two Spirit”; a cultural term describing the fluidity of gender identity and sexuality with respect to traditional tribal roles across First Nations. Campfire Creepers Alexandre Aja | USA | 2018 | 12 minutes From master of horror Alexandre Aja (The Hills Have Eyes, Piranha, Horns) comes an original anthology series that brings classic campfire stories to life in stunning virtual reality. Produced by Oculus and Future Lighthouse, Campfire Creepers invites viewers to join the fire circle at a summer camp called Camp Coyote as a group of kids take turns telling spooky tales. Inspired by cult classics like Creepshow and Tales from the Crypt, every episode of Campfire Creepers is a wild ride that will have you laughing and screaming in equal measure. Faoladh Declan Dowling | 2018 | Ireland | 6min This stereoscopic virtual reality film set in an isolated 9th century Irish village follows the perilous journey of young Celt Ruairi. Vikings have begun invading Ireland, and it’s only a matter of time before they reach his village. Take on role of the Faoladh, a wolf-like guardian spirit and protector of the children from the woods of ancient Ireland. It’s up to you to guide Ruairi to safety as he evades capture from a bullish young Viking named Snorre. Virtual Burly Becky Lane | 2018 | USA – Sneak Peek – Work in Progress It’s your own private show! A 3D, 360° recreation of historical burlesque styles from 1900—1970. Go on an entertaining and seductive journey through the evolution of burlesque, exploring its history and its impact on women’s sexual empowerment. Showcasing the artistry of burlesque dance troupe Whiskey Tango Sideshow, VIRTUAL BURLY is a combination of dance performances and interviews brought together to explore themes in women’s experience in this art form.

    Retrospective

    The Wilding! The uncanny terror that only children can elicit. The uncanny terror of what goes missing—or reveals itself—in the dark spaces between generations. The uncanny terror that intergenerational misunderstandings unleash, again and again. The discord between old and young is a tension that is both as old as time and frighteningly contemporary and marks the theme of this year’s retrospective exploration. The Bad Seed Mervyn LeRoy | 1956 | USA | 129min Christine Penmark (Nancy Kelly) and her daughter Rhoda (Patty McCormack) feign perfection to their community. When the the death of a schoolboy who won a penmanship competition brings suspicion to Rhoda’s hand, Christine assumes the worst about her little girl. As tension builds between characters, the calming atmosphere of suburbia is no match for this unsettling family dynamic. Over-the-top performances and Oscar-nominated black-and-white cinematography keep the story reminiscent of its time. Based on a book by the same name, THE BAD SEED begs the question, what is worse: a remorseless homicidal preteen, or a mother who will do anything to hide her family shame? Who Can Kill a Child? (¿Quién Puede Matar a un Niño?) Narciso Ibáñez Serrador | 1976 | Spain | 112min In reality, war and famine wreck their devastating effects on the innocent in refugee camps and struggling countries. On a remote island, eerie children take matters into their own hands. When an English couple, Tom and Evelyn (Lewis Fiander and Prunella Ransome), make their way to the island on holiday, they are forced to ask themselves the titular question: Who can kill a child? Featuring a hypnotic score by Waldo de los Ríos, WHO CAN KILL A CHILD is an exploration of innate goodness and the lack thereof, and a violent confrontation between nature and nurture. Bloody Birthday Ed Hunt | 1981 | USA | 85min Three children are born during an eclipse. Because celestial patterns cause Saturn—which controls emotion—to be blocked, the children have no feelings. Void of all morality, the seemingly innocent youths create chaos in the town around them. In a film that epitomizes the grainy cult horror scene of the 1980s, BLOODY BIRTHDAY entertains, building its body count in a vicious cycle of birth, life, sex, cake, and murder—setting the standard for sociopathic spree-killing movie tykes for decades to come. Previously announced titles include… Birds of Passage (Pájaros de verano) Regional Premiere Cristina Gallego and Ciro Guerra | 2018 | Colombia | 125min In 1970s La Guaira, Colombia, an indigenous Wayuu family gets swept up in the newly-booming marijuana trade. When greed and passion overtake their tribe’s honor, their lives and ancestral traditions are forever fractured. Telling the original story of the inception of the drug trade between US and Colombia that led to the socio-political turmoil Colombia and South America at large face now. A Cannes audience was lucky to first experience the brilliant return of Gallego and Guerra—and now it’s our turn. Making 180° turns in both visual style and narrative form, Birds of Passage feels almost like a reimagining of Scarface by way of Scorsese rather than De Palma: Less rage, more characters, and an authentic, grounded-in-reality view of a drug cartel’s destruction of ancestral culture and strongly avoids the nauseating tendency to glamorize the subject matter (we’re looking at you, Netflix’s Narcos). Once again, Gallego and Guerra transcend their subject matter to tell a story that resonates well beyond the story itself, with some of the most powerful visuals we’ve seen this year. Black Mother Regional Premiere Khalik Allah | 2018 | USA | 77min The history of Jamaica is retold through the framework of the three trimesters of a woman’s pregnancy. This heartfelt look at Jamaican identity transcends its documentary form to offer an unusual and unique exploration of humanity. A collage of faces from different generations draws us in as the spoken stories of multiple individuals lead us through the mesmerizing rhythm of personal and national histories. Khalik Allah has done it again. After his mesmerising documentary, Field Niggas (2015)—an observational piece of art as well as political statement—he treats us with one of the most compelling motion pictures of 2018. Pure hybrid between narrative and documentary, switching between digital, Bolex, and Super 8 footage as Allah explores the home country of his own mother, you will be changed after experiencing BLACK MOTHER. THIS is Pure Cinema, period. Chained for Life Regional Premiere Aaron Schimberg | 2018 | USA | 91min Mabel, a beautiful actress, is cast as the lead in a schlocky horror film where her co-star and most members of the supporting cast are actors with disabilities and physical differences. While she connects with her peers off-screen, building friendships (and more) as filming goes on Mabel begins to consider whether their treatment on set is exploitational. This film within a film brings up important questions of inclusion vs. exploitation. Are current standards of representation in modern film as equal as we would like to believe? Crisis Jung US Premiere Baptiste Gaubert and Jérémie Hoarau | 2018 | France | 70min Jung and Maria are sweethearts enjoying their blossoming love in an innocent world. But their starry-eyed paradise is imperiled when the malignant Little Jesus kidnaps Maria’s body to build his nefarious temple of pain! Jung’s heart is broken, and his quest to find love and inner peace in an apocalyptic hellscape begins. Along the way, he befriends a motley band of characters, each one searching for a way to survive in a landscape devoid of love. French animation team Bobbypills crafts a wholly original world, packed with inventive characters, absurd story twists and a wicked sense of humor. Diamantino Regional Premiere Gabriel Abrantes and Daniel Schmidt | 2018 | Portugal | 92min Every time star footballer Diamantino makes a shot on goal, a pack of giant, happy, floppy dogs romps onto the pitch in a sparkly cloud. That is, until he misses the game-deciding penalty shot at the world cup. His groove is gone. The glittery pups are nowhere to be found. His career is over. Floundering, he falls prey to sinister forces dead set on turning him into a political mascot no matter the stakes. Always holding onto hope for a second chance, he is transported on a surreal and satirical journey through a dysfunctional modern landscape. Game Over (3615 code Père Noël) East Coast Premiere René Manzor | 1989 | France | 87min Thomas (Alain Lalanne), a French child prodigy obsessed with American action films, believes he will be the first kid to catch Santa Claus on Christmas Eve. When a thief dressed as Santa shows up instead of the real deal, Thomas’s vengeance for his crushed childhood dream takes on epic proportions in this influential film. Long thought to be the inspiration for American Christmas classic, Home Alone, this darker, gorier, French-er take on hardcore home defense will delight elves and Scrooges alike. Knife + Heart (Un Couteau Dans Le Coeur) Regional Premiere Yann Gonzales | 2018 | France | 110min After Anne breaks up with her editor girlfriend, the 70s low-budget gay French porno they were shooting begins to take an… artistic turn. The sensual film becomes a real-life erotic thriller that begins when one of the stars is brutally murdered and Anne can’t seem to out-maneuver the chaos that ensues. This sophomore film from Yann Gonzales is a fresh yet highly referential take on Giallo. The setting brings a new twist to the Italian crime genre while allowing Gonzales to express his deep love for an industry France never shied away from. This Cannes 2018 official selection is a hidden gem. Keep an Eye Out! (Au Poste!) East Coast Premiere Quentin Dupieux | 2018 | France | 73min When Louis Fugain (Grégoire Ludig) trips over a dead body in front of his condo, his first impulse is to report it to the police. That’s what any good, logical citizen would do, right? Too bad he quickly realizes he’s made a terrible mistake. The obsessive Captain Buron’s (Benoît Poelvoorde) gut tells him Fugain knows more than he’s letting on, and will gleefully grill him until he cracks. The seemingly never-ending interrogation takes absurd turns, soaked in dark humor and bloody fun. It’s a twisted ride all the way to the end. Love Me Not East Coast Premiere Alexandros Avranas | 2018 | Greece, France | 99min An infertile, upper-middle-class couple hires a young woman as a surrogate and all three move into a remote villa. When the women begin to bond, the husband becomes envious, and an unfortunate chain of events turns the table on the already dysfunctional new family dynamic. With a similar approach to his compatriot Lanthimos (The Lobster, The Killing of the Sacred Deer), but without the absurd twist, Avranas’s blunt but spot-on view of an increasingly selfish society creates an unsettling piece that resonates far beyond the confinement of this home. Peepoodo & the Super Fuck Friends Balak and Bobbypills 2018 France An educative series for children over 18 years old, Super Fuck Friends explores sexuality without taboos and in all its forms. An episodic romp of positive sexuality, unrestrained and totally without prejudices, culminates in one single message: tolerance. Ithaca Fantastik proudly presents this florilege of episodes intertwined in the Bobbypills Super program! Piercing Regional Premiere Nicolas Pesce | 2018 | USA | 81min Reed (Christopher Abbott) takes off from wife, baby, and idyllic life for a very important business trip. He’s been preparing for some time now, but there’s one small problem- the business he has in mind is murder! All set with his plan to commit the perfect crime, Reed finds his target in the mysterious call girl Jackie (Mia Wasikowska) who ends up being anything but a victim. Director Nicolas Pesce takes a 180° turn in style from The Eyes of My Mother (2016) to tackle a dark comedy punctuated with colorful art deco visuals. An adaptation of Murakami’s eponymous novel, Piercing goes from laughter to shock in a heartbeat while remaining pleasing to the eyes—a tour de force few directors can achieve. Vermin Alexis Beaumont | 2018 | France | 81min A young praying mantis follows in his father’s many footsteps and moves to the big city to become a police officer. A greenhorn from the country, young Reggie is totally unequipped for the dangers and temptations of city life. But when he’s assigned a partner with a history of drinking and bad police work, the sparks fly and both characters get more than they bargained for. Director Alexis Beaumont’s work with French animation team Bobbypills is reminiscent of buddy cop films taken to their extreme absurd paroxysm. Violence Voyager Regional Premiere Ujicha | 2018 | Japan | 83min Bobby and Akkun set out for an end-of-school celebration in the mountains where they discover a seemingly abandoned amusement park where the owner greets them and offers them free tickets. Against their better judgement, they accept. Three words for you – Ujicha is back! After impressing us with The Burning Buddha Man (2013) the rad insanity of his animation and storytelling reach a peak with this new opus. As always, Ujicha includes some important hidden messages about the world in which we live. Like a sinfully delicious cake, the layers are what make this film a Fantastik winner of our hearts.

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  • BIRD BOX, GREEN BOOK, WIDOWS Among Gala Films at AFI FEST 2018

    [caption id="attachment_32092" align="aligncenter" width="1350"]Sandra Bullock in BIRD BOX Sandra Bullock in BIRD BOX[/caption] The World Premiere of BIRD BOX, along with THE BALLAD OF BUSTER SCRUGGS, GREEN BOOK and WIDOWS are among the full lineup of Galas that will screen at AFI FEST 2018. AFI FEST takes place November 8 to 15, 2018, in the heart of Hollywood.

    AFI FEST 2018 Gala Films

    BIRD BOX – When a mysterious force decimates the world’s population, only one thing is certain: if you see it, you take your life. Facing the unknown, Malorie finds love, hope and a new beginning only for it to unravel. Now she must flee with her two children down a treacherous river to the one place left that may offer sanctuary. But to survive, they’ll have to undertake the perilous two-day journey blindfolded. Academy Award® winner Sandra Bullock leads an all-star cast in this Netflix film that includes Trevante Rhodes, with Sarah Paulson, and John Malkovich in this compelling new thriller from Academy Award® winner Susanne Bier. THE KOMINSKY METHOD – The sun isn’t setting on the once famous Sandy Kominsky and his longtime agent Norman Newlander. Academy Award® winners Michael Douglas (Kominsky) and Alan Arkin (Newlander) star as two friends tackling life’s inevitable curveballs as they navigate their later years in Los Angeles, a city that values youth and beauty. Both comedic and emotional, THE KOMINSKY METHOD is an eight-episode, half-hour single camera show created by eight-time Emmy® nominee Chuck Lorre. The Netflix show is written by Al Higgins, David Javerbaum and Lorre, who also directed the first episode. AFI FEST will present the first three episodes of the series. THE BALLAD OF BUSTER SCRUGGS – A six-part Western anthology film, a series of tales about the American frontier told through the unique and incomparable voice of Joel and Ethan Coen. Each chapter tells a distinct story about the American West. [caption id="attachment_31408" align="aligncenter" width="1200"]Green Book Green Book[/caption] GREEN BOOK – Academy Award® nominee Viggo Mortensen and Academy Award® winner Mahershala Ali star in Participant Media and DreamWorks Pictures’ GREEN BOOK. In his foray into powerfully dramatic work as a feature director, Peter Farrelly helms the film inspired by a true friendship that transcended race, class and the 1962 Mason-Dixon line. When Tony Lip (Mortensen), a bouncer from an Italian-American neighborhood in the Bronx, is hired to drive Dr. Don Shirley (Ali), a world-class black pianist, on a concert tour from Manhattan to the Deep South, they must rely on “The Green Book” to guide them to the few establishments that were then safe for African-Americans. Confronted with racism, and unexpected humanity and humor, they are forced to set aside differences to survive and thrive on the journey of a lifetime. [caption id="attachment_30734" align="aligncenter" width="1200"]Widows L-R: Michelle Rodriguez, Viola Davis, and Elizabeth Debicki star in Twentieth Century Fox’s WIDOWS. Photo Credit: Courtesy Twentieth Century Fox.[/caption] WIDOWS – From Academy Award®-winning director Steve McQueen (12 YEARS A SLAVE) and co-writer and bestselling author Gillian Flynn (“Gone Girl”) comes a blistering, modern-day thriller set against the backdrop of crime, passion and corruption. WIDOWS is the story of four women with nothing in common except a debt left behind by their dead husbands’ criminal activities. Set in contemporary Chicago, amid a time of turmoil, tensions build when Veronica (Oscar® winner Viola Davis), Linda (Michelle Rodriguez), Alice (Elizabeth Debicki) and Belle (Cynthia Erivo) take their fate into their own hands and conspire to forge a future on their own terms.

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  • THE HATE U GIVE and THE BIGGEST LITTLE FARM Win 2018 Hamptons International Film Festival Audience Awards

    [caption id="attachment_32085" align="aligncenter" width="1200"]THE HATE U GIVE THE HATE U GIVE[/caption] THE HATE U GIVE, directed by George Tillman Jr., took home the Audience Award for Narrative Feature at the 26th edition of the Hamptons International Film Festival.  THE BIGGEST LITTLE FARM, directed by John Chester, took home the Audience Award for Documentary Feature and ONE SMALL STEP, directed by Bobby Pontillas & Andrew Chesworth, won the Audience Award for Best Short Film. https://www.youtube.com/watch?v=3MM8OkVT0hw The festival ran from October 4th through October 8th and played over 125 films from around the world. “We are thrilled that these diverse, unique, and entertaining stories resonated with our audience,” said HIFF Artistic Director David Nugent. “Our Breakthrough Artist Amandla Stenberg and the director George Tillman Jr. gave a powerful introduction on Friday night for THE HATE U GIVE, an important film for our times, unsurprisingly leading to a post-screening standing ovation. THE BIGGEST LITTLE FARM, which offers a beautiful look at life’s cycles through the impactful story of one couple’s decision to resuscitate a farm in northern California, is sure to touch the hearts of people of all ages. ONE SMALL STEP, the first film from two former Disney artists who started their own studio last year, is an inspiring story of one girl’s determination to follow her dreams.” Additional HIFF awards

    HAMPTONS INTERNATIONAL FILM FESTIVAL 2018 WINNERS

    The HIFF Audience Award Winner for Narrative Feature, sponsored by Out East THE HATE U GIVE, directed by George Tillman Jr. The HIFF Audience Award Winner for Documentary Feature, sponsored by Out East THE BIGGEST LITTLE FARM, directed by John Chester The HIFF Audience Award Winner for Short, sponsored by Out East ONE SMALL STEP, directed by Bobby Pontillas & Andrew Chesworth The HIFF Award Winner for Best Narrative Feature, sponsored by Netflix ALL GOOD “ALLES IST GUT”, directed by Eva Trobisch HIFF Award Winner for Best Documentary Feature, sponsored by Netflix DIVIDE AND CONQUER: THE STORY OF ROGER AILES, directed by Alexis Bloom The HIFF Award Winner for Best Narrative Short Film FENCE “GARDHI”, directed by Lendita Zeqiraj The HIFF Award Winner for Best Documentary Short Film GUAXUMA, directed by Nara Normande Special Jury Prize For Acting BORDER “GRÄNS”, directed by Ali Abbasi, received a Special Jury Prize for acting for the two lead actors, Eva Melander and Eero Milonoff The 2018 Brizzolara Family Foundation Award for a Film of Conflict and Resolution AND BREATHE NORMALLY, directed by Ísold Uggadóttir Vimeo Staff Pick Award CROSS MY HEART, directed by Sontenish Myers Suffolk County Film Commission Next Exposure Grant ONLY THE WIND IS LISTENING, directed by Emily Anderson The Zelda Penzel Giving Voice to the Voiceless Award: Dedicated to Those Who Suffer in Silence THE CAT RESCUERS, directed by Rob Fruchtman and Steven Lawrence Victor Rabinowitz and Joanne Grant Award for Social Justice THE SILENCE OF OTHERS, directed by Almudena Carracedo and Robert Bahar Industry Advocate for Women Award Terry Lawler, Executive Director of NYWIFT The Dick Cavett Artistic Champion Award Alan Alda 2018 Breakthrough Artists Kayli Carter, Cory Michael Smith, Amandla Stenberg

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  • Estonian Film THE LITTLE COMRADE to Open Nordic Film Days Lübeck [Trailer]

    The Nordic Film Days Lübeck in Lübeck, northern Germany, will usher in its 60th year with the German premiere of the Estonian film “The Little Comrade” (Seltsimees laps) by Moonika Siimets on October 30, 2018 at 7:30 pm.This marks the first time in the history of the renowned festival that the opening night film will be from a Baltic State. In her first narrative film, director Moonika Siimets tells the story of six-year-old Leelo, living in Estonia in the 1950s. After her mother is taken away, the young girl tries to figure out the difference between good and evil amid the constraints of the Stalinist regime. In addition to director Moonika Siimets, the NFL will welcome several of the film’s actors, producer Riina Sildos, and Leelo Tungal herself, who wrote the books on which the film is based. “The Nordic Film Days Lübeck was the first festival that showcased Baltic films as early as 1989, before the Baltic States had attained independence. For 30 years, those films have helped shape the festival and we are extremely happy that we can give special expression to that partnership and connectivity by opening the festival with a film from one of the Baltic states for the first time. In this, the centenary of their founding, films from Estonia, Latvia, and Lithuania play a particularly prominent role at the Nordic Film Days Lübeck. Numerous fascinating films will be presented in every section of the festival”, says Linde Fröhlich, artistic director of the Nordic Film Days Lübeck. “The Little Comrade” is based on the autobiographical novels of prize-winning Estonian writer and poet Leelo Tungal, “Comrade Kid and the Grown-Ups” (2008), and “Velvet and Sawdust” (2009). Her children’s book “Ludwig the Snowman’s Lucky Day” was published in German in 2017. Estonia in 1950 is in the grip of Stalin’s terror regime. “If you’re a good child, I’ll be back soon”, says Leelo’s mother as she is hauled off to a Siberian gulag. Her young daughter takes that mission to heart, impossible as it may be to fulfil. But not matter what she does, her mother doesn’t return. She wonders if she is responsible for her mother’s disappearance. Little by little, Leelo becomes more confused about what really constitutes good and evil in the world. She needs to find answers to a bunch of questions all by herself, and learn to find her way in the world of the Stalinist regime. The film depicts a young girl’s attempts to stay true to herself despite the tragi-comic events in her homeland. The film was produced by Riina Sildos with the Estonian production company Amrion Ltd., which she founded. World-wide distribution is being handled by Eyewell in Sweden. “The Little Comrade” was made as part of the EV100 program, dedicated to the centenary of the founding of the Estonian republic. The 60th Nordic Film Days, presented by the Hanseatic city of Lübeck, will be held from October 30 to November 4, 2018. https://www.youtube.com/watch?v=yDzvbbt3k54

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  • ALL GOOD and DIVIDE AND CONQUER Win Top Awards at 2018 Hamptons International Film Festival

    [caption id="attachment_31523" align="aligncenter" width="1200"]Divide and Conquer: The Story of Roger Ailes Divide and Conquer: The Story of Roger Ailes[/caption] The 26th Hamptons International Film Festival on Monday, announced their award winners at a ceremony in East Hampton, with the top awards going to ALL GOOD “ALLES IST GUT”, directed by Eva Trobisch and DIVIDE AND CONQUER: THE STORY OF ROGER AILES, directed by Alexis Bloom. ALL GOOD “ALLES IST GUT”, directed by Eva Trobisch, won the Award for Best Narrative Feature, and DIVIDE AND CONQUER: THE STORY OF ROGER AILES, directed by Alexis Bloom, received the Award for Best Documentary Feature. FENCE “GARDHI”, directed by Lendita Zeqiraj, and GUAXUMA, directed by Nara Normande, received the Award for Best Narrative Short Film and for Best Documentary Short Film, respectively. Both Short Films will qualify for Academy® consideration. All four films were directed by female filmmakers. BORDER “GRÄNS”, directed by Ali Abbasi, received a Special Jury Prize for acting for the two lead actors, Eva Melander and Eero Milonoff. The film was selected as Sweden’s official entry for the Best Foreign Language Film Oscar. AND BREATHE NORMALLY, directed by Ísold Uggadóttir (HIFF Screenwriters Lab 2015 Alumni), was awarded the 2018 Brizzolara Family Foundation Award for a Film of Conflict and Resolution, which is accompanied by a $5,000 cash prize. CROSS MY HEART, directed by Sontenish Myers, was awarded the Vimeo Staff Pick Award, which provides a $3,000 cash prize and Vimeo Staff Pick to winning film. ONLY THE WIND IS LISTENING, directed by Emily Anderson, was awarded the Suffolk County Next Exposure Grant. This program supports the completion of high quality, original, director-driven, low-budget independent films from both emerging and established filmmakers who have completed 50% of principal photography within Suffolk County. The film was awarded a $3,000 grant. THE CAT RESCUERS, directed by Rob Fruchtman and Steven Lawrence, was awarded the Zelda Penzel Giving Voice to the Voiceless Award. This award is presented to a film that raises public awareness about contemporary social issues, including the moral and ethical treatment and the rights of animals as well as environmental protection. The film was awarded a $2,500 grant. THE SILENCE OF OTHERS was presented with the Victor Rabinowitz & Joanne Grant Award 2 2 for Social Justice. The film is directed by Almudena Carracedo and Robert Bahar. The annual award is handed to a film that exemplifies the values of peace, equality, global justice and civil liberties, and is named after iconic civil rights lawyer Victor Rabinowitz and his wife Joanne Grant, an author, filmmaker and journalist. The award, which is accompanied by a cash prize of $1,500, is named in honor of two people who spent their entire lives fighting for those values. Terry Lawler, the outgoing longtime Executive Director of NYWIFT, was presented with the “Industry Advocate for Women Award” from HIFF Executive Director Anne Chaisson. This was the inaugural presentation named to an industry advocate for women. Alan Alda was also honored with the “The Dick Cavett Artistic Champion Award,” presented by Alec Baldwin at the festival; and 2018 Breakthrough Artists included Kayli Carter (PRIVATE LIFE), Cory Michael Smith (1985) & Amandla Stenberg (THE HATE U GIVE).

    HAMPTONS INTERNATIONAL FILM FESTIVAL 2018 WINNERS

    The HIFF Award Winner for Best Narrative Feature sponsored by Netflix ALL GOOD “ALLES IST GUT”, directed by Eva Trobisch HIFF Award Winner for Best Documentary Feature sponsored by Netflix DIVIDE AND CONQUER: THE STORY OF ROGER AILES, directed by Alexis Bloom The HIFF Award Winner for Best Narrative Short Film FENCE “GARDHI”, directed by Lendita Zeqiraj The HIFF Award Winner for Best Documentary Short Film GUAXUMA, directed by Nara Normande Special Jury Prize For Acting BORDER “GRÄNS”, directed by Ali Abbasi, received a Special Jury Prize for acting for the two lead actors, Eva Melander and Eero Milonoff The 2018 Brizzolara Family Foundation Award for a Film of Conflict and Resolution AND BREATHE NORMALLY, directed by Ísold Uggadóttir Vimeo Staff Pick Award CROSS MY HEART, directed by Sontenish Myers Suffolk County Film Commission Next Exposure Grant ONLY THE WIND IS LISTENING, directed by Emily Anderson The Zelda Penzel “Giving Voice to the Voiceless” Award: Dedicated to Those Who Suffer in Silence THE CAT RESCUERS, directed by Rob Fruchtman and Steven Lawrence Victor Rabinowitz and Joanne Grant Award for Social Justice THE SILENCE OF OTHERS, directed by Almudena Carracedo and Robert Bahar Industry Advocate for Women Award Terry Lawler, Executive Director of NYWIFT The Dick Cavett Artistic Champion Award Alan Alda 2018 Breakthrough Artists Kayli Carter, Cory Michael Smith, Amandla Stenberg

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  • PRINCESITA Crowned Biggest Winner of 2018 Raindance Film Festival

    [caption id="attachment_32053" align="aligncenter" width="1200"]Princesita Princesita[/caption] Princesita directed by Marialy Rivas is the biggest winner of this year’s 26th Raindance Film Festival, winning four awards including Film of the Festival, Best International Feature, Best Performance for Sara Caballero and Best Cinematography for Sergio Armstrong.  Created by the Larrain brothers, the film tells the story of twelve-year-old Tamara, who has been raised in a cult. This tense and sinister tale was written by Rivas in part to show the extremes to which men still believe they have ownership over women’s bodies. As a result of winning Film of the Festival and as per Raindance tradition, Marialy will be asked to direct next year’s Official Festival Trailer. Best Director was awarded to Rene Eller for WE, adapted from a controversial novel by Elvis Peeters, WE is a story about abuses of power and privilege. Unconcerned with the consequences of their actions, the members of a privileged teen group of friends spur each other on to ever more sociopathic behavior. Lauren Mackenzie’s We The Kings a portrait of two tortured souls, played by Elliot James Langridge and Timothy West with electrifying intensity was awarded Best UK Feature and the Best Documentary went to Tre Maison Dasan, an incredibly intimate documentary giving the opportunity to those affected by the justice system, young and old alike, to share their stories. Piotr Domalewski’s Silent Night received the Discovery Award for Best Debut Feature with his insightful and tender film displaying powerful performances about the realities of a family reunited. Richard Raymond (Souls of Totality), Aaron Dunleavy (Landsharks) and Emmanuel Vaughn-Lee (Earthrise) were the big winners in the Shorts Program with Souls of Totality receiving the award for Best Short of the Festival, Landsharks receiving Best UK Short and Earthrise winning Best Documentary Short. Award winning short Souls of Totality centers in on a looming moment that can change everything and stars Emmy Award winning actress Tatiana Maslany and actor Tom Cullen and Landsharks follows the vicious cycle of misguided youths on a troubled estate, forced to carry out the dirty work of exploitative adults. Earthrise tells us the story of the first image ever captured of the Earth from space in 1968. Told solely by the Apollo 8 astronauts, the film recounts their experiences and memories and explores the beauty, awe, and grandeur of the Earth against the blackness of space. Best Animated Short was awarded to Blind Mice directed by Nicholas D’Agostino about An ex-con gets wrapped up in a con within a con. Last but not least Best Music Video Award went to Solicitous a romantic, fairytale-like story about the relationship between two sensitive giants living in the mountains directed by Zuzanna Plisz. The Award for Best Festival Campaign goes to Mike Rogers producer of the documentary Matsuchiyo – Life of a Geisha.

    Full List of Winners of 26th Raindance Film Festival

    Film of the Festival – Princesita Best UK Feature – We the Kings Best International Feature – Princesita Best Director – Rene Eller (We) Best Screenplay – Sophie Fillières (When Margaux meets Margaux) Best Cinematography – Sergio Armstrong (Princesita) Best Performance – Sara Caballero (Princesita) Best Documentary Feature – Tre Maison Dasan Discovery Award – Silent Night Best Short of the Festival – Souls of Totality Best UK Short – Landsharks Best Documentary Short – Earthrise Best Animation Short – Blind Mice Best Music Video – Solicitous Best Festival Campaign – Mike Rogers for Matsuchiyo – Life of a Geisha Webfest Jury Award – Bidune Kais (Undocumented) Webfest Audience Award – Gimel Raindance Spirit Award – This is Love

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  • GIRL, HEARTBOUND, L’ANIMALE Win Top Awards at 2018 Zurich Film Festival

    [caption id="attachment_29317" align="aligncenter" width="1200"]Girl by Lukas Dhont Girl by Lukas Dhont[/caption] The Zurich Film Festival awarded their 2018 Golden Eye for International Feature Film to GIRL by Lukas Dhont from Belgium/Netherlands, HEARTBOUND (HJERTELANDET) by Janus Metz and Sine Plambech from Denmark/Sweden/Netherlands for International Documentary Film, and L’ANIMALE by Katharina Mückstein from Austria for Focus: Switzerland, Germany, Austria. The Emerging Swiss Talent Award for a Swiss film goes to WALDEN by Daniel Zimmermann and the Critics’ Choice Award goes to THE GUILTY (DEN SKYLDIGE) by Gustav Möller from Denmark. The Audience Award goes to COLD NOVEMBER (NËNTOR I FTOHTË) by Ismet Sijarina from Kosovo/Albania/Macedonia, the Kids Jury Award goes to LOS BANDO by Christian Lo from Norway/Sweden, and the Audience Award in the ZFF for Kids section goes to TABURIN by Pierre Godeau from France/Belgium.

    2018 Zurich Film Festival AWARDS

    International Feature Film Competition

    The 14th Zurich Film Festival’s Golden Eye for Best Film in the International Feature Film Competition category goes to: GIRL by Lukas Dhont (Belgium, Netherlands) https://www.youtube.com/watch?v=Kdzu26tnUTc A Special Mention goes to: SHÉHÉRAZADE by Jean-Bernard Marlin (France)

    International Documentary Film Competition

    The 14th Zurich Film Festival’s Golden Eye for Best Film in the International Documentary Film Competition category goes to: HEARTBOUND (HJERTELANDET) by Janus Metz and Sine Plambech (Denmark, Sweden, Netherlands) https://www.youtube.com/watch?v=1O2IiaMy3Js A Special Mention goes to: MINDING THE GAP by Bing Liu (USA)

    Focus: Switzerland, Germany, Austria

    The 14th Zurich Film Festival’s Golden Eye for Best Film in the Focus: Switzerland, Germany, Austria Competition category goes to: L’ANIMALE by Katharina Mückstein (Austria) https://www.youtube.com/watch?v=IYAin_46xtI A Special Mention goes to: DER LÄUFER (MIDNIGHT RUNNER) by Hannes Baumgartner (Switzerland) WELCOME TO SODOM by Florian Weigensamer and Christian Krönes (Austria)

    Emerging Swiss Talent Award

    The Emerging Swiss Talent Award for Best Swiss Film in the Festival Program goes to: WALDEN by Daniel Zimmermann (Switzerland)

    Critics’ Choice Award

    The Swiss Association of Film Journalists (SVFJ) award their prize for Best Debut Feature Film in the Competition Section to: THE GUILTY (DEN SKYLDIGE) by Gustav Möller (Denmark)

    Audience Award

    Given to the best film from the three competition categories as chosen by viewers, the Audience Award goes to: COLD NOVEMBER (NËNTOR I FTOHTË) by Ismet Sijarina (Kosovo, Albania, Macedonia)

    Kids Jury Award

    The Kids Jury gives their award to: LOS BANDO by Christian Lo (Norway, Sweden)

    Audience Award for Best Children’s Film

    The Audience Award for Best Film in the ZFF for Kids section as chosen by our young viewers goes to: RAOUL TABURIN by Pierre Godeau (France, Belgium)

    Treatment Competition Award

    The Award for Best Treatment goes to:Maurizius Staerkle Drux and Lenz Baumann for the project C.O.D.A. – CHILD OF DEAF ADULTS (Switzerland)

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  • Supernatural Horror Film SOUL TO KEEP to World Premiere at Shriekfest [Trailer]

    Soul To Keep The supernatural horror film Soul To Keep, co-directed by David Allensworth and Monière, will have its world premiere at Shriekfest on Saturday October 6th in Hollywood. Soul To Keep tells the story of Beelzebub, a demon hell-bent on consuming and taking control of souls, who hunts down siblings and their lifelong friends at a rundown country house. “Soul to Keep is a great possession horror film that uses a deaf character to uniquely tell the story,” says Shriekfest’s festival director Denise Gossett. “This is a film that horror fans are going to love and we are thrilled to be showing our first ever open captioned film!” she adds. The introduction of a deaf lead character, Tara, played by deaf actress Sandra Mae Frank, allows the exploration of unique modalities in the narrative style, notably the use of sign language throughout the film. All the actors flawlessly learnt and incorporated the sign language into their performances to serve the purpose of the story. This inclusive aspect of the unrepresented Deaf Community makes the production accessible to hard-of-hearing audiences as well as creating a dialogue between the Deaf and Hearing populations. “The Deaf element in this film came to me originally as something of a scare tactic, and it blossomed into an important statement about bringing communities together,” says director David Allensworth. “Our co-writer Eric Bram’s wife is partially deaf, as well as one of our producers, Matt Meyer, who has partial hearing loss.” “I wanted to bring out the elements of a minority group – the deaf and hard at hearing – and showcase them as heroes. In addition, I wanted to tell a horror story with real proven metaphysical elements, not another horror-slasher film,” adds co-director Monière. ERIN, a cute yet timid 22-year-old, and her confident twin brother JOSH inherit their grandpa’s creepy country house. Rusty broken barn. Swampy pond. No better way to christen the home than to throw a party with their school friends. Josh brought his sweetheart, TARA, and their closeness is apparent. Tara is deaf, and all the friends speak with her through sign language. Everyone, except for BRANDON, the self-centered boyfriend of GRACE, Erin’s childhood friend-turned-Dark-Wiccan. It’s all fun and games until the lights go out. Josh searches the dark and damp basement to find the fuse box, only to discover a secret ritual room, complete with animal bones, blood, and meat arranged in a large triangle. Not to mention the nearby grimoire – a demonic spell book. The group is convinced now that the sibling’s grandpa truly went crazy. Grace, being familiar with it all, reads over the grimoire to discover a spell to conjure the very powerful demon, BEELZEBUB – one of the seven Princes of Hell. Drunk and high, the group thinks it’s a fun idea to conduct a possession spell to see if it’ll work. And to their surprise… it does! Beelzebub has finally arrived and he will stop at nothing to consume their souls.

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  • Actor Michael Greyeyes to Receive August Schellenberg Award of Excellence

    Michael Greyeyes Nêhiyaw actor, choreographer, director and educator Michael Greyeyes will receive the 2018 August Schellenberg Award of Excellence at the imagineNATIVE Film + Media Arts Festival. The August Schellenberg Award of Excellence (the “Augie”) is an annual prize that recognizes significant professional and personal achievement by an Indigenous actor, of any gender, from Turtle Island (North America). Michael Greyeyes will receive his award at the imagineNATIVE Film + Media Arts Festival’s Awards Presentation on Sunday, October 21 at the TIFF Bell Lightbox. “August ‘Augie’ Schellenberg is an icon, but to me he is much more than this,” says Michael Greyeyes. “Augie was my friend and mentor. In his work, and the way he lived his life. I learned from him in countless ways. This award is a profound honor and affirms that Augie’s commitment to excellence and his spirit of generosity remain with me.” In a career spanning 31 years, Michael Greyeyes has moved fluidly between stage and screen, from his work as a dancer with The National Ballet of Canada to diverse performances in Bruce McDonald’s Dance Me Outside, to his title role in Crazy Horse (TNT), and for acclaimed directors such as John Sayles, Chris Eyre, and Terrence Malick. His selected directing credits include: Pimooteewin (The Journey), the first Cree language opera with libretto by Tomson Highway, Almighty Voice and his Wife (Native Earth Performing Arts) and Seven Seconds (2010 imagineNATIVE). In 2010, Greyeyes founded Signal Theatre and has created a number of full-length theatre works, including from thine eyes, Nôhkom, and A Soldier’s Tale for the National Arts Centre, and Bearing, a searing exploration of Canada’s Indian residential school legacy for the 2017 Luminato Festival. He is an Associate Professor in the Theatre department at York University, where he teaches devised theatre and screen performance. Professor Greyeyes is published in the Canadian Theatre Review, Theatre Research in Canada, and Performing Indigeneity: New Essays on Canadian Theatre, Vol. 5. Most recently, he has appeared in AMC’s Fear the Walking Dead and in an acclaimed performance as legendary Hunkpapa leader Sitting Bull, in Woman Walks Ahead (A24) co-starring Jessica Chastain, that received its world premiere at TIFF 2017. He can next be seen in the third season of HBO’s True Detective and as the lead in Jeff Barnaby’s feature film Blood Quantum. The August Schellenberg Award of Excellence was launched in partnership with Joan Karasevich Schellenberg to honor her late husband, actor August (Augie) Schellenberg, and the spirit of his work. This annual award is presented to gifted Indigenous actors based on the longevity and impact of their careers, as well as their professionalism and involvement in mentorship and community work. Past Augie recipients include Tantoo Cardinal in 2015, Tom Jackson in 2016, and Tina Keeper in 2017.

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  • Romanian Composer Sebastian Androne-Nakanishi Wins International Film Music Competition

    Romanian Composer Sebastian Androne-Nakanishi Wins 7th International Film Music Competition The Romanian composer Sebastian Androne-Nakanishi is the winner of the 7th International Film Music Competition, which took place during the Zurich Film Festival. Androne-Nakanishi takes home the Golden Eye for Best International Film Music 2018. 304 composers from 44 countries took part in this year’s Film Music Competition. The jury, presided over by former Red Hot Chili Peppers’ drummer and US film composer Cliff Martinez, chose five compositions to enter the final. In addition to the winning composition, soundtracks from France, Belgium, Spain and Canada were also nominated. The five nominated compositions were world premiered live at the Tonhalle Maag by the 100-strong Tonhalle Orchestra Zurich under the baton of Frank Strobel. Participants were asked to score Steve Cutts’ short film HAPPINESS for symphony orchestra. In addition to Cliff Martinez, this year’s jury also comprised the German conductor Frank Strobel, the Swiss film composer and pianist Christine Aufderhaar and the Swiss director Sabine Gisiger. The Film Music Concert that followed was entitled ‘Thriller’. The International Film Music Competition is organiszd by the Zurich Film Festival (ZFF) and the Tonhalle Orchestra Zurich (TOZ) in collaboration with the Forum Filmmusik. https://www.youtube.com/watch?v=e9dZQelULDk

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  • THE GRIZZLIES and CAPERNAUM Win Audience Awards at 2018 Calgary International Film Festival

    [caption id="attachment_29049" align="aligncenter" width="1000"]Capernaum by Nadine Labaki Capernaum[/caption] The 19th annual Calgary International Film Festival wrapped up this past Sunday, and today the Festival announced the winners of the Audience Favourite Awards and Fan Favourite Award,  both of which were determined by audience ballot. The highest rated film by the festival audience was THE GRIZZLIES, directed by Miranda De Pencier, which won in the Canadian Narrative Feature category. As for the Fan Favourite Award, audience members who saw ten or more films were sent a special ballot to choose their favourite festival feature with this year’s Fan Favourite Award going to CAPERNAUM, directed by Nadine Labaki.

    AUDIENCE FAVOURITE AWARD WINNERS

    Audience Favourite, Alberta Feature- CIRCLE OF STEEL, directed by Gillian McKercher Audience Favourite, Canadian Narrative Feature (new) – THE GRIZZLIES, directed by Miranda De Pencier Audience Favourite, US/International Narrative Feature (new) – CAPERNAUM, directed by Nadine Labaki Audience Favourite, Canadian Documentary Feature (new) – LETTER FROM MASANJIA, directed by Leon Lee Audience Favourite, US/International Documentary Feature (new) – SCIENCE FAIR, directed by Cristina Costantini and Darren Foster Audience Favourite, Alberta Short – INDIAN RIGHTS FOR INDIAN WOMEN, directed by Alex Lazarowich Audience Favourite, Narrative Short (Live Action or Animated) – PEGGY, directed by Justin O’Neal Miller Audience Favourite, Documentary Short – INDIAN RIGHTS FOR INDIAN WOMEN, directed by Alex Lazarowich

    FAN FAVOURITE AWARD

    Fan Favourite Award presented by Evans Hunt & Stone-Olafson: CAPERNAUM, directed by Nadine Labaki

    JURIED AWARD WINNERS

    Best Canadian Narrative Feature and $10,000 cash prize winner, presented by RBC Emerging Artists Project: THE GREAT DARKENED DAYS, directed by Maxime Giroux

    BEST OF SHORTS AWARDS

    Best Overall Short – $2,500 and Academy Award qualification: FAUVE, directed by Jérémy Comte (Honorable Mention: THREE PAGES, directed by Roger Gariépy) Best Documentary Short and recipient of $2,500: PRINCE’S TALE, directed by Jamie Miller (Honorable Mention: 5 YEARS AFTER THE WAR, directed by Samuel Albaric, Ulysse Lefort, and Martin Wiklund) Best Alberta Short and recipient of $2,500: GROSS INDECENCY: THE EVERETT KLIPPERT STORY, directed by Laura O’Grady

    FAN OF THE YEAR AWARD

    The Fan of the Year Award recognizes one audience member who saw the most films. This year’s winner, Cliff Lawley, watched 37 films over the 12 days.

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  • AFI FEST Reveals 2018 New Auteurs and American Independents Lineups

    [caption id="attachment_31999" align="aligncenter" width="1200"]Elisabeth Moss in HER SMELL Elisabeth Moss in HER SMELL[/caption] Highlighting rising feature film directors and the best of independent filmmaking, the American Film Institute announced today the films that will be featured in the New Auteurs and American Independents sections at AFI FEST 2018 presented by Audi. New Auteurs is the festival’s platform for upcoming filmmakers from all over the world to showcase their new films. This year, the section is comprised of 18 films, with 12 helmed by female filmmakers. The American Independents section represents the best of independent filmmaking this year. Pushing boundaries of form and content across narrative and documentary cinema, this section includes 10 films — half of which are directed by women — from both new voices and filmmakers returning to AFI FEST. “The New Auteurs and American Independents sections are where you will find some of the boldest and most experimental work in the festival,” said Lane Kneedler, Director of Programming, AFI Festivals. “We encourage audiences to explore these unique films, and become acquainted with the emerging and provocative voices of their directors.” AFI FEST takes place November 8–15, 2018, in the heart of Hollywood. Screenings, Galas and other events will be held at the TCL Chinese Theatre, the TCL Chinese 6 Theatres, the Egyptian Theatre and The Hollywood Roosevelt. The Opening Night Gala will be the World Premiere of ON THE BASIS OF SEX (directed by AFI Conservatory alumna Mimi Leder) and the Closing Night Gala will be the World Premiere of MARY QUEEN OF SCOTS (directed by Josie Rourke).

    NEW AUTEURS

    ACID FOREST (RŪGŠTUS MIŠKAS)– A wispy stretch of land from Russia to Lithuania is home to an unlikely tourist attraction: a dying forest of leafless trees overtaken by thousands of ancient black birds ruining the area with their acid-fortified feces. With daredevil cinematography and immaculate sound design, Rugilė Barzdžiukaitė’s debut is a beguiling snapshot of the juncture between nature’s destruction and rebirth. DIR Rugilė Barzdžiukaitė. Lithuania AKASHA – Documentarian Hajooj Kuka makes his attention-grabbing, intelligent debut with AKASHA, a comedy set in a rebel-held area of Sudan, where fighting has stopped amid the rainy season — and a man, a woman and an AK-47 are entangled in a love triangle. DIR Hajooj Kuka. SCR Hajooj Kuka. CAST Ekram Marcus, Kamal Ramadan, Ganja Chakado. Sudan, South Africa, Qatar, Germany ALL IS GOOD (ALLES IST GUT) – An arresting portrayal of a woman who refuses to see herself victimized by rape. Intimately and claustrophobically photographed, this humanistic film illustrates a rape internalized — acknowledged though never reckoned with — where a rapist’s presumed authority over a woman’s body is endemic of an oppressive, patriarchal society. DIR Eva Trobisch. SCR Eva Trobisch. CAST Aenne Schwarz, Andreas Döhler, Hans Löw, Tilo Nest, Lisa Hagmeister, Lina Wendel. Germany AND BREATH NORMALLY (ANDIÐ EÐLILEGA) – Lára is a single mother whose job as an Icelandic border guard is all that’s keeping her afloat. While training, Lára notices that the passport of Adja, a woman from Guinea-Bissau, has been forged. From there, Adja and Lára’s stories diverge and weave together again in Ísold Uggadóttir’s elegantly constructed drama of lives affected by the ongoing refugee crisis. DIR Ísold Uggadóttir. SCR Ísold Uggadóttir. CAST Kristín Thóra Haraldsdóttir, Babetida Sadjo, Patrik Nökkvi Pétursson. Iceland BLACK MOTHER – From red light districts to lush rainforests, director Khalik Allah’s brilliant film weaves together the sacred and the profane in a loving and lyrical ode to Jamaica and its people, a visual poem that is at once deeply felt love letter and ecstatic street-corner prayer. DIR Khalik Allah. USA THE CHAMBERMAID (LA CAMARISTA) – Lila Avilés’ debut feature follows Eve, a young maid in a luxurious Mexico City hotel, as she struggles with long hours and monotonous work. THE CHAMBERMAID is the touching story of her ambitions to rise above her current role and find a better life, and of her journey of self-discovery along the way. DIR Lila Avilés. SCR Juan Carlos Marquéz, Lila Avilés. CAST Gabriela Cartol, Teresa Sánchez. Mexico DEAD HORSE NEBULA – Awarded the Locarno Film Festival prize for Best Emerging Director, Tarik Aktas’ feature debut is either a real or imagined childhood memory of adults attempting to remove the body of a dead horse from an open field. This existential fever dream is a transformative experience, a distillation of the extraordinary suspense of day-to-day existence. DIR Tarik Aktas. SCR Tarik Aktas. CAST Barış Mert Bilgi, Ali Yavuz Ilman, Ömer Bora, Serkan Aydın, Dilara Topuklular, Hasan Türker, Mümin Süren, Serkan Özsalgıncı. Turkey DEAD PIGS (海上浮城) – Five lives collide in Cathy Yan’s quirky and comic debut — a bumbling pig farmer, a salon owner battling gentrification, an American ex-pat looking for the Chinese dream, a romantic waiter and a spoiled rich girl. DEAD PIGS sharply examines a contrasting China, where modern culture clashes with the traditional. DIR Cathy Yan. SCR Catha Yan. CAST Vivian Wu, Yang Hao Yu, Mason Lee, Li Meng, David Rysdahl. China THE DIVE (HATZLILA) – Following the death of their father, three estranged brothers — two veterans and one heading off to war — return to their family’s kibbutz to fulfill the patriarch’s final wish, setting off a firestorm of unsettled conflicts and long-buried resentments. DIR Yona Rozenkier. SCR Yona Rozenkier. CAST Yoel Rozenkier, Micha Rozenkier, Yona Rozenkier, Claudia Dulitchi, Miki Marmor, Daniel Sabag, Shmuel Edelman. Israel L’ANIMALE – On the verge of graduation and an uncertain future, a mischievous teenager rails against the societal and familial pressures of her suburban surroundings to seek autonomy in director/writer Katharina Mückstein’s masterfully perceptive and effervescent second feature about finding oneself by embracing the caged beast within and feeding its most insatiable cravings. DIR Katharina Mückstein. SCR Katharina Mückstein. CAST Sophie Stockinger, Kathrin Resetarits, Dominik Warta, Julia Franz Richter, Jack Hofer, Stefan Pohl, Dominic Marcus Singer, Simon Morzé, Eva Herzig, David Oberkogler, Martina Spitzer, Lisa C. Nemec, Johanna Orsini-Rosenberg, Gisela Salcher, Alexandra Schmidt. Austria LEMONADE (LUNA DE MIERE) – Incredible performances and beautiful cinematography herald a bold new voice in Romanian cinema in this tale of a young mother immigrating to America. Mara struggles to navigate the system, in a fight to bring her son a better life that might cost her everything. DIR Ioana Uricaru. SCR Tatiana Ionascu, Ioana Uricaru. CAST Malina Manovici, Steve Bacic, Dylan Scott Smith, Milan Hurduc, Ruxandra Maniu. Romania, Canada, Germany ONE DAY (EGY NAP) – This astounding debut feature follows 24 hours in the life of a harried mother as she navigates family work and betrayal. Anna struggles with kids, work and everyday life — but it’s an unspoken menace that really threatens this family. DIR Zsófia Szilágyi. SCR Zsófia Szilágyi, Réka Mán-Várhegy. CAST Zsófia Szamosi, Leo Füredi, Ambrus Barcza, Zorka Varga-Blaskó, Márk Gárdos, Annamária Láng, Éva Vándor, Károly Hajduk. Hungary RAFIKI – Kena likes to kick around a soccer ball with her boys. Bubbly Ziki likes to dance with her girls. Yet when their paths cross, the two fall in love. Banned in Kenya, Wanuri Kahiu’s gay romance is delightful and full of life. DIR Wanuri Kahiu. SCR Jenna Cato Bass, Wanuri Kahiu. CAST Samantha Mugatsia, Sheila Munyiva, Jimmi Gathu, Nini Wacera, Dennis Musyoka, Patricia Amira. Kenya RAY & LIZ – In this immersive debut, director and photographer Richard Billingham returns to the squalid council flat outside of Birmingham where he and his brother were raised, in a confrontation and reconciliation with parents Ray and Liz. A complex and layered visual inquiry, Billingham’s probing gaze, rich saturated palette and meticulous compositions reveal a surrealistic beauty in memories of poverty. DIR Richard Billingham. SCR Richard Billingham. CAST Ella Smith, Justin Salinger, Patrick Romer, Deirdre Kelly, Tony Way, Sam Gittins, Joshua Millard-Lloyd. UK THE RETURN – In Malene Choi’s formally daring work of docufiction, the temporary residents of KoRoot — a Seoul-based guesthouse for transnational adoptees seeking information on their Korean birth parents — form a unique bond with one another while they each process the intense emotions inherent in their journey of self-discovery. DIR Malene Choi. SCR Sissel Dalsgaard Thomsen. CAST Philip Nicolai Flindt. Denmark, South Korea SIR – When an unexpected romance develops with her upper-class boss, a strong-willed maid in Mumbai finds herself treacherously close to breaking India’s rigid rules of class division. Director/writer Rohena Gera’s debut feature boasts a luminous lead performance by Tillotama Shome. DIR Rohena Gera. SCR Rohena Gera. CAST Vivek Gomber, Tillotama Shome. India, France STYX – Rike (Susanne Wolff) is sailing solo through open Atlantic waters. When she spots a vessel in the distance in a dire situation — a boat, brimming with migrants, is sinking — her voyage crystallizes into a sharp moral dilemma: What is an individual’s personal responsibility when faced with the refugee crisis? DIR Wolfgang Fischer. SCR Ika Kuenzel, Wolfgang Fischer. CAST Susanne Wolff, Gedion Wekesa Oduor. Germany, Austria TEMPORADA – Settling into a new job in an unfamiliar city, Juliana faces life as a single woman while navigating the financial and emotional tightrope walk that is life among Brazil’s working class in this beautiful and engrossing debut feature. DIR André Novais Oliveira. SCR André Novais Oliveira. CAST Grace Passô, Russo Apr, Rejane Faria, Hélio Ricardo. Brazil

    AMERICAN INDEPENDENTS

    THE BIGGEST LITTLE FARM – Filmmaker John Chester documents the eight-year effort of an ambitious, life-changing personal venture: moving out of Los Angeles with his wife and building a diverse, sustainable farm. As the farm’s ecosystem begins to awaken, the couple explores the complexity of coexisting with nature and all its intricacies in this poignant documentary. DIR John Chester. SCR Mark Monroe, John Chester. USA BLOWIN’ UP – BLOWIN’ UP is an intimate portrait of a New York criminal court and the rebel heroines working to change the way women arrested for prostitution are prosecuted. Stephanie Wang-Breal’s essential and fascinating documentary reveals the complex hurdles sex workers must face, and the steadfast efforts of those helping to change their lives. DIR Stephanie Wang-Breal. SCR Stephanie Wang-Breal. USA COMMUNION LOS ANGELES – A dystopian vision of the present, this experimental documentary uses poetic time-lapse photography. An indistinguishable swell of half-audible monologues, radio frequencies and voicemails maintains a decidedly unsettling distance, even as the rhythms of reoccurring highway vistas, flickering street signs and neon-lit strip malls beckon you to fall under its trance. DIR Peter Bo Rappmund, Adam R. Levine. SCR Peter Bo Rappmund, Adam R. Levine. USA FAMILY – When her estranged brother calls in an emergency, workaholic Kate Stone (Taylor Schilling) reluctantly agrees to babysit her tween niece Maddie. Kate’s life quickly spins into chaos as one night turns into a week. She doesn’t think things could get much worse, until she learns Maddie wants to run away from home to join the life of the Juggalos. DIR Laura Steinel. SCR Laura Steinel. CAST Taylor Schilling, Bryn Vale, Brian Tyree Henry, Jessie Ennis, Blair Beeken, Matt Walsh, Allison Tolman, Eric Edelstein, Kate McKinnon, Fabrizio Guido. USA THE GRAND BIZARRE – The debut feature of acclaimed experimental animator Jodie Mack is a playful, eye-popping trip around the world, through its fabrics and textiles and their place in a busy international market: bright swaths of fabric, scarves and rugs dance along shorelines, in airport carousels and clotheslines to the pulse of irresistible pop soundscapes. DIR Jodie Mack. USA THE GREAT PRETENDER – In Nathan Silver’s latest comedy, four New Yorkers intersect within the framework of Mona’s (Maëlle Poesy-Guichard) autobiographical play. Furthering the themes of self-delusion Silver explored in THIRST STREET (2017), the film’s artificial hues of violet, yellow and green visually serve to blur the characters’ real lives with the play they’re all unwittingly performing in. DIR Nathan Silver. SCR Jack Dunphy. CAST Esther Garrel, Keith Poulson, Linas Phillips, Maëlle Poésy. USA HER SMELL – In HER SMELL, Becky Something (Elisabeth Moss) battles addiction and personal demons while trying to maintain her celebrity and creativity as lead musician of a ’90s punk-rock band. Backstage, Becky comes unhinged, bantering maniacally to her bandmates, friends and family as mascara runs down her face. With an uneasy, bass-heavy score and lengthy tracking close-ups, this is a nightmarish, abrasive ride to rock bottom. DIR Alex Ross Perry. SCR Alex Ross Perry. CAST Elisabeth Moss, Cara Delevingne, Dan Stevens, Amber Heard. USA JINN – Being a teenager can already be dramatic. Now add religious conversion, first love, and having to change your favorite pizza topping. When her mother joins a local mosque, Summer is forced to explore whether she too wants to convert to Islam. Nijla Mu’min’s coming-of-age story grows into an exploration of spirituality seen through the eyes of a girl trying to find her place. DIR Nijla Mu’min. SCR Nijla Mu’min. CAST Zoe Renee, Simone Missick, Kelvin Harrison, Jr., Dorian Missick, Hisham Tawfiq and Kelly Jenrette. USA RELAXER – Indie film at its most raw is on display in this latest collaboration between director Joel Potrykus and his actor/muse Joshua Burge as Abbie, whose latest challenge forces him to stay on the couch while Y2K looms large. Lucky for him, there’s plenty of milk. DIR Joel Potrykus. SCR Joel Potrykus. CAST Joshua Burge, David Dastmalchian, Andre Hyland. USA THE WEEKEND – In Stella Meghie’s charming and witty romantic comedy, a comedian (Sasheer Zamata) hauls the baggage of her defunct relationship on a weekend getaway with friends, which happens to include her ex-boyfriend (Tone Bell) and his new girlfriend (DeWanda Wise). DIR Stella Meghie. SCR Stella Meghie. CAST Sasheer Zamata, Tone Bell, DeWanda Wise, Y’Lan Noel, Kym Whitley. USA

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