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  • Mammoth Lakes Film Festival to Honor Academy Award Winner Melissa Leo

    [caption id="attachment_29121" align="aligncenter" width="1200"]Melissa Leo in Frozen River Melissa Leo in Frozen River[/caption] Actress and Academy Award winner Melissa Leo will receive the Sierra Spirit Award for Acting during a special tribute at the Mammoth Lakes Film Festival (MLFF), taking place on Saturday, May 26. The tribute will consist of a screening of Leo’s film, Frozen River, followed by a moderated conversation and award presentation. Leo is best known for her Academy Award winning performance in The Fighter and Academy Award nominated role in Frozen River. She’s also recently starred in biopic The Most Hated Woman in America as activist Madelyn Murray O’Hair. Leo is currently starring in Showtime’s comedy series I’m Dying Up Here and can be next seen reprising her role in the upcoming sequel to action/thriller The Equalizer alongside Denzel Washington. “Melissa is an actress who has demonstrated her ability to take on unique and dynamic roles that showcase her remarkable range and someone who continues to make outstanding contributions to the art of film,” said Festival Director Shira Dubrovner. Past festival honorees have included Joe Dante and John Sayles for their incomparable and thought-provoking directorial work. Now in its fourth year, the Mammoth Lakes Film Festival is proud to showcase the work of emerging, innovative filmmakers and artists against the backdrop of California’s ruggedly beautiful premiere vacation destination. The festival will begin on Wednesday, May 23 with their Opening Night film, Damsel. Throughout the week there are scheduled competition screenings, spotlight presentation screenings and receptions. The festival will conclude on Sunday, May 27 with the Closing Night film, Love, Gilda.

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  • 2018 Sheffield Doc/Fest film Unveils Lineup of ‘bold and innovative non-fiction films’

    [caption id="attachment_29118" align="aligncenter" width="1200"]Before Father Gets Back Before Father Gets Back[/caption] The 2018 Sheffield Doc/Fest film program lineup presents bold and innovative non-fiction films made by some of the most authentic international filmmakers working today. 2018 audiences will be treated to 37 World, 18 International, 24 European and 70 UK film premieres. The works are selected across the main program Doc/Adventure, Doc/Expose, Doc/Think, Doc/Love, Doc/Rhythm, Doc/Visions, and focus Retro/Electric Avenues, New/UK, New/Lebanon program strands and accompanying Special Live events. Doc/Fest 2018 film program includes one special Preview screening, a late-night offering as Docs ‘Til Dawn and a selection of outdoor screenings Free Screen. The festival opens on Thursday 7 June with the world premiere of Sean McAllister’s A Northern Soul.

    OPENING NIGHT

    A Northern Soul (World premiere; UK, 2018, 80 min, dir. Sean McAllister) – Following A Syrian Love Story’s Doc/Fest Grand Jury Award win in 2015, Sean McAllister returns to Sheffield to open the Festival’s 25th Edition with the World Premiere of A Northern Soul. With his signature vision and sense of rapport, Sean reflects on changes to his Yorkshire hometown: a city divided by Brexit that is simultaneously celebrated as UK City of Culture and hit by austerity. Drawn to the fringes of town, Sean encounters Steve, a struggling warehouse worker by day and hip-hop performer by night, with a dream…

    SPECIAL PREVIEW

    McQueen (UK/USA, 2017, 111 min, dir. Ian Bonhôte and Peter Ettedgui) – Archival footage and personal testimonials present an intimate portrait of revolutionary British fashion designer ‘Lee’ Alexander McQueen, the working-class boy who became a global one-man fashion brand.THE FULL FILM program LINE-UP – BY STRAND:

    DOC/ADVENTURE

    Before Father Gets Back (World premiere; dir. Mari Gulbiani, 80 min) – In a Georgian village, from which many men have left for Syria, two girls escape a shared longing for their fathers through the magic of cinema. Bruce Lee & the Outlaw (World premiere; dir. Joost Vandebrug, 85 min) – Nicu, a young homeless boy, is adopted by Bruce Lee, the notorious “King of the Underworld” and goes to live with him in the tunnels underneath Bucharest. Central Bus Station (World premiere; dir. Tomáš Elšík, 78 min) – Central Bus Station, a building which has turned from great gift to a place for immigrants. Yonathan has learnt that it can reveal the essence of the society as well as one’s soul. Ghosthunter films in competition Into The Okavango films in competition Love Means Zero (UK premiere; dir. Jason Kohn, 89 min) – At eighty-six, famed tennis coach Nick Bollettieri is a living legend. At his academy in Florida, he raised a generation of champions. Too Beautiful: Our Right to Fight (World premiere, dir. Maceo Frost, 77 min) – Cuba ranks highly at Olympic boxing, but women can’t compete. This immersive film follows Havana boxer Namibia, who’s hoping the ban is lifted before she ages out of eligibility. Over the Limit Phantom Cowboys (International premiere; dir. Daniel Patrick Carbone, 93 min) – Three boys in small town America find their hopes and dreams tempered by their circumstances. Moving back and forth over eight years, this is a moving, skilful exploration of adolescence. Tanzania Transit (European premiere; dir. Jeroen van Velzen, 75 min) – On a train crossing Tanzania, a riding microcosm of East African society, we follow three main characters, reflecting on the strength to survive. The Game The Insufferable Groo (World premiere, 98 min, dir. Scott Christopherson) – Having directed nearly 200 low-budget movies, Utah filmmaker Stephen Groo seeks Jack Black for his latest human/elf fantasy drama. This hilarious yet sincere portrait depicts an uphill production battle. The Lonely Battle of Thomas Reid (UK premiere; dir. Feargal Ward, 77 min) – Thomas Reid lives a solitary life. But beside his 17th century farm looms a vast American factory. When the Irish State tries to take his farm, he vows to resist. The Man Who Stole Banksy (European premiere; 91 min, dir. Marco Proserpio) – A Palestinian taxi driver attempts to sell a Banksy mural on eBay. As we follow the artwork, we uncover a secret art market of stolen walls from around the world. Three Identical Strangers (European premiere; 96 min, dir. Tim Wardle) – In 1980, three New York identical triplets, separated at birth, discovered each other. But behind the remarkable story lurked a dark secret that questioned the notion of who we are. Time Trial Vienna Calling (World premiere; dir. Petr Šprincl, 67 min) – In this docufiction road movie, a grave robbing artist and his sidekicks journey to Vienna in a horse drawn caravan of death to return some famous teeth.

    Shorts

    Zion – see Short Doc Award Cheer From Parts Unknown Hands Up, Chin Down Skip Day Skywards To Be a Torero Taking the Waters The Water Slide

    DOC/EXPOSE

    A Thousand Girls Like Me (European premiere; dir. Sahra Mosawi, 76 min) – A young Afghan woman confronts the will of her family and the traditions of her country to seek justice for years of sexual abuse from her father. A Woman Captured Commander Arian I, Dolours (European premiere; dir. Maurice Sweeney, 82 min) – Dolours Price, bred to violent republicanism, yet ultimately haunted by her actions, gave a filmed interview not to be broadcast until after her death. This is her shocking story. Kinshasa Makambo Laila At The Bridge Lost Warrior Of Fathers and Sons On Her Shoulders One or Two Questions (UK premiere; dir. Kristina Konrad, 237 min) – In 1986, Uruguay passed a law granting amnesty for human rights violations committed by the military and police during the dictatorship (1973-85). One or Two Questions uses footage of interviews recorded on the streets between 1987 and 1989, to present a multifaceted reflection of the country and its inhabitants, in which the values of democracy – such as peace, justice – are continually questioned. The Ballymurphy Precedent (World premiere; dir. Callum Macrae, 106 min) – The little known story about the death of eleven innocent people at the hands of the British Army in a Catholic estate in Belfast in 1971. This is a massacre that few have heard of, yet it was one of the most significant events in the Troubles. The British army continues to cover it up because they cannot afford to admit the truth. The relatives of those who died are fighting for justice – and our investigation shows why. This secret massacre led directly to the Bloody Sunday killings by the same Parachute regiment just five months later. The Congo Tribunal (UK premiere; dir. Milo Rau, 100 min) – Staged as a tribunal on-location in Bukavu and Berlin, director Milo Rau creates an unshrouded portrait of one of the biggest and bloodiest economic wars in human history. The Distant Barking of Dogs The Silence of Others The Trade (European premiere; dir. Matthew Heineman, 125 min) – Addicts and their families struggle in Atlanta, drug lords and poppy-seed farmers toil in Mexico, and narcotics units and dealers clash in Columbus. Under The Wire (World premiere; dir. Chris Martin, 93 min) – A powerful film that tells the story of celebrated Sunday Times journalist Marie Colvin and photographer Paul Conroy’s ill-fated trip to Syria in February 2012. Based on Conroy’s book of the same title. When the War Comes (UK premiere; dir. Jan Gebert, 76 min) – A paramilitary group in Slovakia is recruiting hundreds of young men, aiming to create a model community based on military drill, obedience and fear. Whispering Truth to Power (European premiere; dir. Shameela Seedat, 87 min) – With exclusive, behind-the-scenes access, this film charts the final year in office of South African anti-corruption champion Thuli Madonsela as she attempts to seek justice for ordinary people. After successfully challenging President Jacob Zuma for illegal use of state funds, she faces the biggest challenge of her career: exposing the systematic takeover of government by a private family in cahoots with the President.

    Shorts

    Black Sheep – see Short Doc award Ebrahim Fake News Fairytale Las Nubes The Holiday Inn-Side Watching the Detectives Doc/Dispatch – showcase for short documentary journalism from citizen reporters, investigative filmmakers and responsive news units; projects TBA

    DOC/LOVE

    Amal América Ashore (UK premiere; dir. Leonor Teles, 82 min) – Ashore portrays the life of a singular fisherman in an ancient riverfront community near Lisbon as he drifts between ocean solitude and family anchors. For The Birds Game Girls (UK premiere; dir. Alina Skrzeszewska, 90 min) -This compassionate observational documentary charts the relationship between two homeless women in Los Angeles’ sprawling Skid Row. Tiahna seems resigned to street life, but girlfriend Teri wants to escape. Have You Seen The Listers? (UK premiere; dir. Eddie Martin, 86 min) – From the director of All This Mayhem, a candid and personal family portrait as young father Anthony Lister embarks on the rocky road to become the world’s greatest street artist. Home Games (World premiere; dir. Alisa Kovalenko, 86 min) – A season in the life of Alina, a poor 20-year-old girl from Kyiv who has a chance to be saved by football. A Northern Soul (World premiere) – see OPENING NIGHT Minding the Gap Out (UK premiere; dir. Denis Parrot, 70 min) – The first documentary to address LGBTQ+ coming out stories exclusively through social media footage. People’s Republic of Desire (European premiere; dir. Hao Wu, 95 min) – In China’s popular live streaming showrooms, two internet celebrities seek fame, fortune and human connection, ultimately finding the same promises and perils online as in their real lives. The Eyes of Orson Welles (UK premiere; dir. Mark Cousins, 110 min) – Filmmaker Mark Cousins dives deep into the visual world of this legendary director and actor, to reveal a portrait of the artist as he’s never been seen before. Turning 18 (World premiere; dir. Ho Chao-ti, 87 min) – Two young girls meet at a vocational training program after which their lives move in completely different directions. Both from broken homes, Pei searches for hope in love, while Chen struggles to avoid her parents’ fate. As they approach 18, the undercurrents of their lives surface, nearly overwhelming them. How can an unloved life find a strength of her own? Young Solitude

    Shorts

    Baby Brother Black I Am Confessions of an Angry Mother Landline Last Man Standing Lotus Lovers of the Night Mountain – see Short Doc award Pumpkin Movie

    RETRO/ELECTRIC AVENUES

    Cocorico Monsieur Poulet Disorder

    Shorts program

    Black Film City of Contrasts Horse of Mud + Sad Song of Touha + The Sandwich IFO In Order Not To Be Here Liberty City Crawl (Superman II) Many Thousands Gone Mobile Men Moor Mother Live in London My White Baby Secrets From the Street: No Disclosure Sto Lat Strolling – also see Free Screen on page xx The Strike

    DOC/RHYTHM

    Antigone (UK premiere; dir. Pedro González Rubio, 73 min) – In the biggest public university in Latin America a group of theatre students and their teacher prepare Antigone, a Greek tragedy that addresses the conflict between the rules of power and the will of a young woman to do the right thing. Life, theatre and fiction are interwoven following the rehearsals in classrooms, in their homes, in public spaces and surrealist landscapes of the city. Ashes and Embers (UK premiere; dir. Manon Ott, 71 min) – A poetic and political portrait of a working-class suburb in the process of change, “Ashes and Embers” invite us to meet its inhabitants: a journey from dusk to dawn where, while speaking of their lives, they also express their revolt and their quest for freedom. Blue Note Records: Beyond the Notes (European premiere; dir. Sophie Huber, 85 min) – The film explores the vision behind the iconic American jazz record label. Through current recording sessions, rare archive and conversations with iconic Blue Note artists, the film reveals an intimate perspective of a legacy that continues to be vital in today’s political climate. Legendary artists Herbie Hancock and Wayne Shorter come together with today’s generation of ground-breaking Blue Note artists such as Robert Glasper and Ambrose Akinmusire to record an All-Stars album. Desolation Center (UK premiere; dir. Stuart Swezey, 92 min) – followed by live performance from Thurston Moore – The film vividly portrays the untold story of a series of guerrilla desert gatherings now recognised as the inspiration for Burning Man and Coachella, with performances by Sonic Youth, Minutemen, Meat Puppets, Swans, and more. Generation Wealth (dir. Lauren Greenfield, 108 min) – Lauren Greenfield’s postcard from the edge of the American Empire captures a portrait of a materialistic, image-obsessed culture. Simultaneously personal journey and historical essay, the film bears witness to the global boom-bust economy, the corrupted American Dream, and the human costs of late stage capitalism, narcissism, and greed Harmony (UK premiere; dir. Frederick Paxton, 71 min) – Bold city symphony reveals the terrible beauty in Siberia’s polluted Chelyabinsk. A mesmerizing mix of sound and image highlight the often punishing rituals inflicted on young Russian boys and girls. Milford Graves Full Mantis (UK premiere; dir. Jake Meginsky, Neil Young (Co-Director), 91 min) – Celebrating the creativity of legendary American percussionist Milford Graves, this film is itself a kaleidoscope ode to the creative process, and a unique homage to the free jazz pioneer. Parallel Planes (International premiere; dir. Nicole Wegner, 100 min) – This film pays homage to the American DIY spirit and the diversity of the US musical landscape outside the commercial music industry. Nicole Wegner maintains eye level with her twelve subjects, including Ian MacKaye (Minor Threat, Fugazi), Michael Gira (Swans) and Valentine Falcon (Get Hustle), who gleefully hack the music industry and play by their own rules. Punk Voyage (dir. JP Passi, Jukka Kärkkäinen, 97 min) – PKN, a band of four mentally disabled men, is Europe’s no 1 punk-rock act. When the band’s leader decides to retire, Punk Voyage shows all the quarrels, tears and laughter. Shakedown (UK premiere; dir. Leilah Weinraub, 72 min) – “If you straight, you don’t need to be in the front.” Former drag show host Teresa and Ronnie-Ron co-founded Shakedown in the 90s, establishing a thriving underground scene. Dancers including Egypt, Miss Mahogany, I-Dallas and Slow-Wine entertain the throng. This strip club was a space for LA’s African-American queer community to explore identity, sexuality and have an incredible time. Silvana (UK premiere; dir. Mika Gustafson, Olivia Kastebring, Christina Tsiobanelis, 91 min) – Silvana Imam is a fierce force of nature. We witness the Swedish rap artist’s career soar, and the genesis of her relationship with pop artist, Beatrice Eli. The pair become Sweden’s Beyoncé and Jay-Z; a power-couple of phenomenal talent and influence. As the pressures of her iconic status begin to spiral, Silvana is forced to confront her inner conflicts. This One’s For The Ladies (International premiere; dir. Gene Graham, 83 min) – Race, class and sexuality intersect at Newark strip club the Dojo: a karate school by day, home to the New Jersey Nasty Boyz by night. In addition to spotlighting the exotic dancers who work there – both male and lesbian – Gene Graham’s affectionate portrait celebrates the community of women who sustain this microcosm of black American society. Tranny Fag Yellow Is Forbidden (European premiere; dir. Pietra Brettkelly, 94 min) – Haute couture is the most exclusive club in the world: Mostly men. Exclusively European. Largely conglomerate-funded. Yet, Guo Pei, an independent Chinese designer has been invited to present a collection.

    Shorts

    Artificial Things Arr. for a Scene Mini Miss To The Front: Scenes From a Women’s Rock Camp Weltschmerz – see Short Doc award

    DOC/THINK

    A Journey to the Fumigated Towns Boys Who Like Girls (World premiere; dir. Inka Achte, 68 min) – Two years have passed since the infamous Delhi gang rape, and India is ablaze with talk of men’s role in gendered violence. Teenager Ved joins a boys’ club run by ‘Men Against Violence and Abuse’ and realises there may be a healthier path for him than the one paved by his abusive father. Will his be the first generation of boys that actually likes girls? Central Airport THF Ex-Shaman Flow (World premiere; dir. Nicolás Molina, 82 min) – FLOW observes the human connection between two rivers: Ganges in India and Biobío in Chile. It proposes a poetic journey blending both civilizations through the flow of one great river. German Class (World premiere; dir. Florian Heinzen-Ziob, 89 min) – Over the course of six months the film closely follows the daily ups and downs of a group of children from abroad as they take their first steps in the German school system. Infinite Football (World premiere; dir. Corneliu Porumboiu, 70 min) – Romanian filmmaker Porumboiu focuses on Laurentiu Ginghina, a bureaucrat who dreams of revolutionizing football. Yet when the director makes Ginghina’s alternative game reality, the bureaucrat can’t stop reworking his theories. Esta Todo Bien (World premiere; dir. Tuki Jencquel, 70 min) -“That’s the drama. You can’t get sick.” These sadly apt words are spoken by Francisco, an activist who delivers badly needed medicines in Venezuela where salaries peak at twelve dollars a month and 16,000 doctors have left the country. Our New President Radio Atlas: A Lunkhead Among The Stars (dir. Gyrid Listuen, 47 min) – Radio Atlas presents Gyrid Listuen’s Prix Europa-winning radio documentary from the nineties — exploring the internal world of a young man with Down’s Syndrome. The Cleaners (UK premiere; dir. Hans Block, Moritz Riesewieck, 88 min) – Digital scavengers’ are outsourced to delete inappropriate content from the net, while at the same time the lives of people around the globe are dramatically affected by online censorship. A ‘cleaner’ rates thousands of disturbing images every day, with lasting psychological impact. From the shared global village to fake news and radicalization, the film charts the rise and fall of social media’s utopian ideology. The Dread The Gospel of Eureka The Pain of Others The Proposal The Trial (UK premiere; dir. Maria Ramos, 139 min) – The Trial offers a behind-the-scenes look at the impeachment of Dilma Rousseff, Brazil’s first female President. The film portrays the “judicial political” trial first at the House of Representatives and then, at the Senate focusing on the President’s Defence Team: her lawyer José Eduardo Cardoso and two senators who struggle to prove the President’s innocence against a majority vote by a Congress riddled with corruption. The Waldheim Waltz What Is Democracy? When Lambs Become Lions

    Shorts

    90 Seconds in North Korea Girlhood Give I Am Bisha I Signed The Petition The River of the Kukamas

    DOC/VISIONS

    Arboretum Cycle (UK premiere; dir. Nathaniel Dorsky, 137 min) – A magical collection of seven 16mm films by Nathaniel Dorsky, explores the beauty of Californian nature in Spring light. Each silent film celebrates qualities of energy, joy, fullness, and rebirth. Black Mother Doel Female Human Animal (European premiere; dir. Josh Appignanesi, 74 min) – Shot in the real-life contemporary art world, Female Human Animal is a psycho-thriller about a creative woman disenchanted with what modern life and “modern men” have to offer her. When writer Chloe Aridjis curates an inspiring retrospective of the surrealist Leonora Carrington, an elusive, brooding man appears, seeming to offer more. A darkly romantic docufiction that puts on screen the lurid unconscious of our new sexual politics. Going South (UK premiere; dir. Dominic Gagnon, 104 min) – Going South is the second part of a tetralogy in which Dominic Gagnon intends to explore the cardinal points of the Internet in the post-truth era. Hale County This Morning, This Evening La Commune (Paris, 1871) Last Year in Utopia (UK premiere; dir. Jana Magdalena Keuchel, Katharina Knust, 72 min) – In this revealing and playful Brechtian recreation of events, six cast members from a cancelled German reality television program make an emotional return to their show’s isolated forest location. Margaret Tait: A Century (64 min, dir. Margaret Tait) – Marking both the centenary of the 1918 suffrage act and her birthday, pioneering British filmmaker Margaret Tait is the center of Margaret Tait: A Century -a mini retrospective collection of her titles: Colour Poems, A Portrait of Ga, Tailpiece, Aerial, Where I am is Here. McQueen Music When The Lights Go Out Obscuro Barroco Shirkers Sleep Has Her House (UK premiere; dir. Scott Barley, 90 min) – A hypnotic reverie in a dark forest, underneath waterfalls and shifting shapes in the night. Captured on an iPhone, this is a symphonic and haunting science fiction of nature. The Task Turtle Rock Victory Day (UK premiere; dir. Sergei Loznitsa, 94 min) – Once a year, crowds gather in Berlin’s Treptower Park to mark the anniversary of the Soviet victory over Nazi Germany. Master of sustained observation, Sergei Loznitsa, captures the medal bedecked veterans and burly biker gangs assembling for this spring day of patriotic songs and speeches. Loznitsa’s carefully framed compositions become a meditation on the nationalistic myths still gripping Europe. Worlds of Ursula K. Le Guin (World premiere; dir. Arwen Curry, 65 min) – A trailblazing rebel who shook the world of literature, defying gender norms, societal expectations and patriarchal gatekeeping. Ursula K Guin remains a peerless lightning bolt of imagination and political insight.

    Shorts

    A God’s Shadow Cops Are Actors Fluid Frontiers Here There Is No Earth House Maskirovka Rebirth is Necessary – see Short Doc award Song for Europe With history in a room filled with people with funny names 4

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  • Jeff Bridges LIVING IN THE FUTURE’S PAST to Kick Off 4th Martha’s Vineyard Environmental Film Festival

    [caption id="attachment_29106" align="aligncenter" width="1200"]LIVING IN THE FUTURE'S PAST, Jeff Bridges LIVING IN THE FUTURE’S PAST, Jeff Bridges[/caption] The 4th Annual Martha’s Vineyard Environmental Film Festival begins Thursday, May 24th and concludes Sunday, May 27th, 2018, at the Martha’s Vineyard Film Center in Vineyard Haven. This year’s Opening Night Event features the new documentary LIVING IN THE FUTURE’S PAST. In this documentary, Jeff Bridges, alongside prominent scientists and authors, weaves evolution, emergence, entropy, dark ecology, and what some are calling ‘the end of nature’, into an engrossing story that helps us understand our place among the species of Earth’s household. This powerful, poetic and thought-provoking feature challenges our current way of thinking and provides original insights into our subconscious motivations, their unintended consequences and the changes we need to make to our psychology, and way of being, in order to solve the ecological crises we have brought upon ourselves as a result of our primitive thoughts and desires. Actor/Narrator Jeff Bridges is scheduled to appear via video message and a pre-screening reception begins at 6:30pm with David Hannon playing Jazz Piano. Some other special events at the 4th Annual MV Environmental Film Festival include: OCEAN WARRIORS: CHASING THE THUNDER with Producer Katie Carpenter, the MVRHS Student Art Show Reception and Awards, LOVE AND BANANAS: AN ELEPHANT STORY with David Casselman, a special Youth Event with Vineyard Conservation Society, and THE FARTHEST with Executive Producer Josh Rubin. Special Guests Include: Actor Jeff Bridges (video message for LIVING IN THE FUTURE’S PAST), Actor Pierce Brosnan (video message for Youth Event), Cambodia Wildlife Sanctuary Founder David Casselman, Katie Carpenter (Producer, CHASING THE THUNDER), and Josh Rubin (Executive Producer, THE FARTHEST). Community collaborations with Polly Hill Arboretum, Island Grown Gleaning, Island Grown Initiative, and others.

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  • ABDUCTED IN PLAIN SIGHT, MY NAME IS MYEISHA and More Among Lineup for Inaugural Toronto True Crime Film Festival

    [caption id="attachment_29103" align="aligncenter" width="1200"]ABDUCTED IN PLAIN SIGHT ABDUCTED IN PLAIN SIGHT[/caption] The Toronto True Crime Film Festival will have its first annual edition this June 8th to 9th, 2018 at The Royal Cinema and Monarch Tavern in Toronto. The inaugural lineup includes five film screenings and three symposium events, with 15% of all pass and ticket sales being donated to charity.

    FILMS

    ABDUCTED IN PLAIN SIGHT Dir. Skye Borgman / USA / 2017 / 91 min / International Premiere ABDUCTED IN PLAIN SIGHT is a stranger-than-fiction documentary about the Brobergs; a naïve, church-going Idaho family that fell under the spell of a sociopathic neighbor who would stop at nothing to be with their twelve-year-old daughter. You will not believe how bizarre this true tale of obsession gets! Screens with short film MAYBE IF IT WERE A NICE ROOM (Dir. Alicia K. Harris, Canada, 2016). MY NAME IS MYEISHA Dir. Gus Krieger / USA / 2018 / 82 min / Canadian Premiere The award-winning Slamdance hit MY NAME IS MYEISHA is a hip-hop musical inspired by the 1998 police shooting of California teen Tyisha Miller (as well as countless other acts of police brutality against African American citizens) and adapted from the internationally acclaimed play, Dreamscape. Screens with Oscar-nominated short film TRAFFIC STOP (Dir. Kate Davis, USA, 2017). THE STRANGER Dir. Nicole Nielsen Horanyi / Denmark / 2017 / 100 min / Canadian Premiere ​After meeting the man of her dreams on Facebook, Amanda finds herself being swept off her feet by Casper, the dedicated father and charming heir to a family fortune. There’s only one problem—everything that Casper has told her is a lie. This documentary-narrative hybrid is made all the more fascinating with reenactments played out almost entirely by the actual characters of this twisted story of an imposter. Fans of the investigative podcast Dirty John will find themselves being drawn in by the similar themes of love, lies, and con artistry in THE STRANGER and won’t want to miss this DOC NYC Grand Jury Prize-winning film. Screens with short-film 42 COUNTS (Dir. Jill Gevargizian, USA, 2018). HOSTAGES Dir. Rezo Gigineishvili / Georgia | Russia | Poland / 2017 / 103 min / Canadian Premiere ​HOSTAGES is a tension-filled drama based on the true story of a 1983 airplane hijacking by a group of Georgian youth trying to escape the Soviet Union. Screens with short film DON’T BE A HERO (Dir. Pete Lee, USA, 2018). MONSTER Dir. Patty Jenkins / USA / 2003 / 109 min The film programming is rounded out by a 15th-anniversary screening of Patty Jenkin’s Academy Award-winning biopic MONSTER, which tells the tale of one of the world’s most infamous female serial killers, Aileen Wuornos. Screens with short film THE SANDMAN (Dir. Lauren Knapp, USA, 2017). The symposium section will feature three daytime events through which audiences can get up close and personal with true crime professionals and media practitioners whose work centers on the world of true crime. First up is the panel “Why Do Women Love True Crime?” presented by Investigation Discovery, America’s top-rated women’s network. Featuring ID’s own Keila Woodard, as well as filmmaker Catherine Legge (Met While Incarcerated) and more to be announced, this panel will look at womens’ historical engagement with true crime fandom, from the Victorian era to today. Next, The Miskatonic Institute of Horror Studies presents visiting filmmaker and writer Rémy Bennett, who will present “L.A. Despair: Chasing Death with John Gilmore,” a multimedia presentation exploring the life and work of the late Noir and true crime writer John Gilmore that is a meditation on the relationship between pop-cultural crime landmarks of the past century and celebrity iconography viewed amidst the landscape of the tragedies he chronicled. And finally the symposium will close with the star-studded panel “The Rise of the Armchair Detective,” moderated by author Naben Ruthnum (who writes crime stories under the pen name Nathan Ripley), which looks at non-law enforcement professionals who have taken it upon themselves to investigate – and sometimes solve! – ongoing and cold cases, including journalists Christine Pelisek (who broke L.A’s Grim Sleeper case) and Kevin Flynn (who broke the Sheila LaBarre case), filmmaker Joshua Zeman (A&E’s The Killing Season, Cropsey), Bek and Tyler Allen of The Minds of Madness podcast and more to be confirmed.

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  • Dances With Films Turns 21 Years With A Bigger, Badder And Bolder Lineup, Opens with William Dickerson’s NO ALTERNATIVE

    [caption id="attachment_29094" align="aligncenter" width="1223"]NO ALTERNATIVE NO ALTERNATIVE[/caption] The fiercely independent film festival Dances With Films (DWF) returns for its 21st edition from June 7 to 17 at TCL Chinese Theaters with a lineup of more than 100 world premieres and nearly 40 west coast premieres. Opening the festival on June 7 is the DWF alumni driven drama directed by William Dickerson, NO ALTERNATIVE, in its World Premiere starring Kathryn Erbe, Michaela Cavazos, Conor Proft, Chloe Levine and Harry Hamlin. THE BEST PEOPLE, a comedy written and produced by Selina Ringel and directed by Dan Levy Dagerman, closes the festival with its DWF premiere on June 17. “We consider ourselves a true festival of discovery,” said festival co-founders Leslee Scallon and Michael Trent. “We have always been progressive and have always looked to the future for our inspiration. Turning 21 is a milestone to us. In every other culture there is a ‘rites of passage’, but in the U.S., it’s turning 21. We have thrived, transitioned and evolved along the way. DWF is unique in the fact that we are not a celebrity-driven festival. Everyone in the festival has to bring their A-game.” The final lineup will feature more than 200 titles, chosen from a record 2,200 submissions from all over the globe. The juried narrative competition section includes 16 features and more than three-dozen shorts. DWF also has a category for groundbreaking short and feature documentaries, provocative genre fare in the Midnight section, and the most exciting music videos and dance-themed films from the indie scene in the Downbeats section. The Fusion section brings together a multitude of additional features and shorts. Notable Dances With Films alumni who first gained notice at the festival include: Gina Rodriguez, Bryan Cranston, Will Scheffer, Mark V. Olsen, Jesse Eisenberg, Mike Flanagan, and John Hawkes, among many others.

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  • The Archaeology Channel International Film Festival Announces 2018 Winners

    [caption id="attachment_29091" align="aligncenter" width="1200"]On the Banks of the Tigris: The Hidden Story of Iraqi Music On the Banks of the Tigris: The Hidden Story of Iraqi Music[/caption] The Archaeology Channel International Film Festival, took place May 2 to 6, 2018, at The Shedd Institute in Eugene, Oregon, and featured many of the world’s best films on archaeology and cultural heritage, as well as in-person presentations by Dr. Fredrik Hiebert of the National Geographic Society and three days of conference presentations on cultural heritage media from a worldwide array of speakers. The conference notably included a full day symposium summarizing the latest research on the disappearance of aviator Amelia Earhart as well as a panel discussion debating the three chief hypotheses offered to account for it. Producers and distributors submitted a record 800 film entries to the Festival, of which 176 films from 45 countries worldwide were considered and reviewed for the competition. At the end of the review process, 29 films from 15 countries were screened in front of audiences at The Shedd. Awards listed below are in nine categories: Best Film (by jury), Best Narration (by jury), Best Animation & Effects (by jury), Best Public Education Value (by jury), Best Script (by jury), Best Cinematography (by jury), Best Music (by jury), Most Inspirational (by jury), and Audience Favorite, as well as three Special Mention Awards designated by the Festival jury. The Festival is one of approximately eight competitive festivals featuring archaeology-related films worldwide and one of only two in the Western Hemisphere. The top jury award (Best Film by Jury) went to Secrets of the Nolichucky River (Produced and distributed by Debra Dylan; directed by Buck Kahler; USA), about the discovery of a very well preserved Cherokee village in northeastern Tennessee and its connection to the long-forgotten history of early Spanish contact and the original territory of the Cherokee Nation. During the Festival, Buck Kahler described the movie-making process for this film and conducted Q&A for the audience after the screening. The Festival jury awarded four Special Mention awards. Still Turning (Produced and distributed by Shirley Gu; directed by Jesse Pickett; China) won special mention for promoting awareness of national heritage. United By Water (Produced and distributed by Sherman Alexie; directed by Derrick LaMere; USA) was noted for its presentation of heritage values. Cervantes: The Search (Produced and directed by Javier Balaquer Blasco; distributed by Troto Int. S.L.; Spain) impressed the jury with its innovative storytelling. Vikings: Warriors of the North, Giants of the Sea (Produced and directed by Gustavo Vilchez; distributed by Fundacion de la C.V. MARQ; Spain); gained jury recognition as the best short subject. The Festival audience picked On the Banks of the Tigris: The Hidden Story of Iraqi Music (Produced and directed by Marsha Emerman; distributed by 7th Art Releasing and Ronin Films; Australia) as its favorite film. This film tells the story of mid-twentieth-century Iraqi popular music, much of it the product of Iraqi Jews, along with Christians and Muslims, who were purged from Iraq during the regime of Saddam Hussein but still perform their art.

    The Archaeology Channel International Film Festival 2018 awards:

    Best Film (by Jury)

    Secrets of the Nolichucky River (Produced by Debra Dylan; directed by Buck Kahler; distributed by Debra Dylan; USA)

    Honorable Mention for Best Film Category (in order):

    Searching for the Lost Future (Produced, directed, and distributed by Alfonso Par and Luis Quevedo; Spain) Just Like Us (Produced and directed by Hans Dirven and Merel ten Elsen; distributed by Loveland Film and Photography; Netherlands) On the Banks of the Tigris: The Hidden Story of Iraqi Music (Produced and directed by Marsha Emerman; distributed by 7th Art Releasing and Ronin Films; Australia) Good Earth: Awakening the Silent City (Produced by Fourth Wall Films; directed and distributed by Kelly Rundle; USA)

    Best Narration (by Jury)

    Good Earth: Awakening the Silent City (Produced by Fourth Wall Films; directed and distributed by Kelly Rundle; USA)

    Honorable Mention for Narration (in order):

    On the Banks of the Tigris: The Hidden Story of Iraqi Music (Produced and directed by Marsha Emerman; distributed by 7th Art Releasing, Ronin Films; Australia) Searching for the Lost Future (Produced, directed, and distributed by Alfonso Par and Luis Quevedo; Spain) Secrets of the Nolichucky River (Produced by Debra Dylan; directed by Buck Kahler; distributed by Debra Dylan; USA) Cervantes: The Search (Produced and directed by Javier Balaquer Blasco; distributed by Troto Int. S.L.; Spain)

    Best Animation & Effects (by Jury)

    Vikings: Warriors of the North, Giants of the Sea (Produced and directed by Gustavo Vilchez; distributed by Fundacion de la C.V. MARQ; Spain)

    Honorable Mention for Animation & Special Effects (in order):

    Secrets of the Nolichucky River (Produced by Debra Dylan; directed by Buck Kahler; distributed by Debra Dylan; USA) Chinese Chariots Revealed (Produced by Giulia Clark, Bill Locke, and Lion Television for WGBH NOVA; directed by Giulia Clark) Manohar Ambanagari (Produced, directed and distributed by Rahul Narwani; India) Good Earth: Awakening the Silent City (Produced by Fourth Wall Films; directed and distributed by Kelly Rundle; USA)

    Best Public Education Value (by Jury)

    Secrets of the Nolichucky River (Produced by Debra Dylan; directed by Buck Kahler; distributed by Debra Dylan; USA)

    Honorable Mention for Public Education Value (in order):

    Good Earth: Awakening the Silent City (Produced by Fourth Wall Films; directed and distributed by Kelly Rundle; USA) Searching for the Lost Future (Produced, directed, and distributed by Alfonso Par and Luis Quevedo; Spain) On the Banks of the Tigris: The Hidden Story of Iraqi Music (Produced and directed by Marsha Emerman; distributed by 7th Art Releasing and Ronin Films; Australia) The Enigma of the Celtic Tomb (Produced by Edmée Millot – Eleazar; directed by Alexis de Favitski; distributed by Terra Noa; France)

    Best Script (by Jury)

    Just Like Us (Produced and directed by Hans Dirven and Merel ten Elsen; distributed by Loveland Film and Photography; Netherlands)

    Honorable Mention for Script (in order):

    Good Earth: Awakening the Silent City (Produced by Fourth Wall Films; directed and distributed by Kelly Rundle; USA) Searching for the Lost Future (Produced, directed, and distributed by Alfonso Par and Luis Quevedo; Spain) Cervantes: The Search (Produced and directed by Javier Balaquer Blasco; distributed by Troto Int. S.L.; Spain) Secrets of the Nolichucky River (Produced by Debra Dylan; directed by Buck Kahler; distributed by Debra Dylan; USA)

    Best Cinematography (by Jury)

    Chinese Chariots Revealed (Produced by Giulia Clark, Bill Locke, and Lion Television for WGBH NOVA; directed by Giulia Clark)

    Honorable Mention for Cinematography (in order):

    Chartres: Light Reborn (Produced by Kanari Films; directed and distributed by Anne Savalli; France) A Walk Through Time (Produced by Brian Brazeal, Leslie Steidl, Greg White, Dino Beltran, John Parker, Darin Beltran, and Drake Beltran; directed by Daniel Bruns; distributed by Advanced Laboratory for Visual Anthropology at CSU, Chico; USA) Searching for the Lost Future (Produced, directed, and distributed by Alfonso Par and Luis Quevedo; Spain) The Enigma of the Celtic Tomb (Produced by Edmée Millot – Eleazar; directed by Alexis de Favitski; distributed by Terra Noa; France)

    Best Music (by Jury)

    Secrets of the Nolichucky River (Produced by Debra Dylan; directed by Buck Kahler; distributed by Debra Dylan; USA)

    Honorable Mention for Music (in order):

    On the Banks of the Tigris: The Hidden Story of Iraqi Music (Produced and directed by Marsha Emerman; distributed by 7th Art Releasing and Ronin Films; Australia) Vikings: Warriors of the North, Giants of the Sea (Produced and directed by Gustavo Vilchez; distributed by Fundacion de la C.V. MARQ; Spain) Of Love and Artistry (Produced and distributed by Jane Himmeth Singh; directed by Suruchi Sharma; India) Good Earth: Awakening the Silent City (Produced by Fourth Wall Films; directed and distributed by Kelly Rundle; USA)

    Most Inspirational (by Jury)

    On the Banks of the Tigris: The Hidden Story of Iraqi Music (Produced and directed by Marsha Emerman; distributed by 7th Art Releasing and Ronin Films; Australia)

    Honorable Mention for Inspiration (in order):

    Good Earth: Awakening the Silent City (Produced by Fourth Wall Films; directed and distributed by Kelly Rundle; USA) Just Like Us (Produced and directed by Hans Dirven and Merel ten Elsen; distributed by Loveland Film and Photography; Netherlands) Secrets of the Nolichucky River (Produced by Debra Dylan; directed by Buck Kahler; distributed by Debra Dylan; USA) Searching for the Lost Future (Produced, directed, and distributed by Alfonso Par and Luis Quevedo; Spain)

    Audience Favorite Competition (by Festival audience)

    On the Banks of the Tigris: The Hidden Story of Iraqi Music (Produced and directed by Marsha Emerman; distributed by 7th Art Releasing and Ronin Films; Australia)

    Honorable Mention in Audience Favorite Competition (in order):

    Shepherds in the Cave (Produced, directed, and distributed by Anthony Grieco; Canada) Chinese Chariots Revealed (Produced by Giulia Clark, Bill Locke, and Lion Television for WGBH NOVA; directed by Giulia Clark) United By Water (Produced and distributed by Sherman Alexie; directed by Derrick LaMere; USA) Chartres: Light Reborn (Produced by Kanari Films; directed and distributed by Anne Savalli; France)

    Special Mention (by Jury)

    Still Turning (Produced and distributed by Shirley Gu; directed by Jesse Pickett; China); for Awareness of National Heritage United By Water (Produced and distributed by Sherman Alexie; directed by Derrick LaMere; USA); for Presentation of Heritage Values Cervantes: The Search (Produced and directed by Javier Balaquer Blasco; distributed by Troto Int. S.L.; Spain); for Innovative Storytelling Vikings: Warriors of the North, Giants of the Sea (Produced and directed by Gustavo Vilchez; distributed by Fundacion de la C.V. MARQ; Spain); for Best Short Subject

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  • 2018 New Zealand International Film Festival Reveals First 9 Films + Artwork

    [caption id="attachment_29088" align="aligncenter" width="1200"]2018 New Zealand International Film Festival Artwork 2018 New Zealand International Film Festival Artwork[/caption] The New Zealand International Film Festival (NZIFF) revealed the first nine films selected for 2018 program plus the official artwork. The films include Disobedience starring Rachel Weisz and Rachel McAdams, Harry Dean Stanton’s final film Lucky, Lynne Ramsay’s You Were Never Really Here starring Joaquin Phoenix, period piece Zama from Argentinian auteur Lucrecia Martel, and a documentary feature on the pioneering women’s rights activist and US Supreme Court Justice Ruth Bader Ginsburg (RBG). “When we receive multiple requests we take notice and if we can’t deliver, that’s usually because somebody else will. We’ve been hearing requests for Lynne Ramsey’s film since its debut in Cannes a year ago – and the requests for RBG have been thick and fast since the US reviews came out only last week,” says NZIFF director Bill Gosden. Buckets of splendor, exotic and native, and a typically discriminating NZIFF patron are celebrated in the artwork for 2018. Illustrator Ken Samonte, inspired by New Yorker covers and the work of Hayao Miyazaki, also references the previous NZIFF illustration style of artist Tom Simpson. Disobedience Rachel Weisz stars as a black sheep drawn back to her London Orthodox Jewish home, rekindling sparks with a childhood friend (Rachel McAdams) in the English-language debut of the director of Gloria and A Fantastic Woman. Lucky After an idiosyncratic career of iconic roles for everyone from Wim Wenders to David Lynch, the late Harry Dean Stanton hangs up his hat with this wryly funny, affecting character study. RBG US Supreme Court Justice Ruth Bader Ginsburg has developed a breathtaking legal legacy while becoming an unexpected pop culture icon. RBG is a revelatory documentary exploring her exceptional life and career. You Were Never Really Here Lynne Ramsay, director of Ratcatcher and We Need to Talk About Kevin, teams with Joaquin Phoenix for a startling, nerve-shredding thriller about a brutal hitman contracted to save an abducted teen. Zama The brilliant Argentinian auteur Lucrecia Martel returns with a feverish, formally sophisticated period piece about a Spanish officer’s personal hell in colonial South America. Bombshell: The Hedy Lamarr Story Alexandra Dean’s debut documentary is a revelatory and entertaining portrait of an adventurous woman and talented inventor better known to the world as the embodiment of Hollywood sex and glamour. Leave No Trace New Zealand actress Thomasin Harcourt McKenzie is mesmerising as 13-year-old Tom living off the grid with her war vet father (Ben Foster) in this haunting new film from the director of Winter’s Bone. Matangi/Maya/M.I.A. From refugee daughter of a Tamil revolutionary and aspiring filmmaker to pop stardom and controversy magnet: this stimulating documentary about Sri Lankan musician M.I.A. dances to its own idiosyncratic beat. Yellow Is Forbidden Kiwi director Pietra Brettkelly takes us into the opulent world of show-stopping Chinese designer Guo Pei as she prepares to make her Paris debut and seeks admission into the exclusive club of haute couture.

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  • Pedro Solis Garcia’s CUERDAS and Joshua Tate’s GUEST ROOM Win Awards at 2018 Red Wasp Film Festival

     2018 Red Wasp Film Festival More than 130 visitors were the first to experience the newly renovated Historic Queen Theatre in Downtown Bryan, Texas, as they attended the Red Wasp Film Festival for a special viewing of ten independent short narrative films. This year’s showings included films by Spanish and Iranian filmmakers, as well as a submission from students at Texas A&M University. One of the selected films, No Control created by Texas A&M students, was created after the student filmmakers were inspired by their attendance at Red Wasp Film Festival a couple years ago. The films shown included animated and short narrative films with themes of inclusion, friendship, lost love, breaking stereotypes, responsibility, and much more. The festival concluded with an awards ceremony highlighting winners for Best of Festival, One to Watch, and Audience Favorite, and featuring a trophy created by local metal artist John McGee. This year’s 2018 Red Wasp Film Festival winners are:   AUDIENCE FAVORITE Cuerdas by Pedro Solis Garcia of Spain [caption id="attachment_29083" align="aligncenter" width="1200"]Guest Room by Joshua Tate of California, 2018 Red Wasp Film Festival Awards Winner ONE TO WATCH: Guest Room by Joshua Tate of California[/caption] ONE TO WATCH Guest Room by Joshua Tate of California 2018 Red Wasp Film Festival winners BEST OF FESTIVAL Cuerdas by Pedro Solis Garcia of Spain

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  • ‘FOR IZZY,’ ‘CALL HER GANDA,’ ‘PEOPLE’S REPUBLIC OF DESIRE’ ‘WARU’ Take Top Awards at 34th LA Asian Pacific Film Festival

    [caption id="attachment_29067" align="aligncenter" width="1024"]FOR IZZY FOR IZZY[/caption] The 34th Los Angeles Asian Pacific Film Festival (LAAPFF) announced their filmmaker awards, and “FOR IZZY,” written and directed by Alex Chu, was awarded the LAAPFF Grand Jury Prize for Outstanding North American Narrative Feature, while the Best Director honor for North American Narrative went to Joanne Park for her film “FISH BONES.” Actress Adelina Amosco was selected for a Special Jury prize for Breakout Performance for her work in “THE FEVER AND THE FRET.” A Special Jury prize for Best Cinematography was awarded to Eunsoo Cho for lensing “AUGUST AT AKIKO’S.” In the non-fiction feature section, “CALL HER GANDA” directed by PJ Raval took home the Grand Jury Prize for Outstanding North American Documentary Feature, and Best Director was given to Bing Liu for his personal film “MINDING THE GAP.” The jury gave a Special Jury Mention to “ANOTE’S ARK” from director Matthieu Rytz and honored Nathan Fitch for Best Cinematography for his work on “ISLAND SOLDIER.” The jury awarded the Best Editing Award to Alejandro Valdes-Rochin and Tom Maroney for their outstanding work on “SCIENCE FAIR.” This year, LAAPFF also recognized outstanding international films. In the International Narrative Competition, the Grand Jury Prize for Outstanding International Narrative Feature went to “WARU” co-directed by a group of all female directors – Chelsea Cohen, Ainsley Gardiner, Casey Kaa, Renae Maihi, Awanui Simich-Pene, Briar Grace- Semith, Paula Whetu and Katie Wolfe. The Best Director Award went to Caylee So and Visal Sok for “IN THE LIFE OF MUSIC,” and a Special Jury Mention was awarded to “KISS & SPELL,” directed by the late Stephane Gauger. The Best Acting Award in this competition was given to Timothy Castillo for his performance in “NEOMANILA.” In the International Documentary Feature competition, the jury awarded the Grand Jury Prize for Outstanding International Documentary Feature to “PEOPLE’S REPUBLIC OF DESIRE,” directed by Hao Wu. The Special Jury Prize for Best Director was bestowed on Jin Jeon and Moon Chang-Yang for their film “BECOMING WHO I WAS.” That same film and those filmmakers were also given the Best Cinematography Award, and the award for Best Editing was given to Hyewon Jee and Wongjung Bae for “SINGING WITH ANGRY BIRD.” This year, the jury created and gave a Special Jury Mention for Most Urgent and Cautionary Film to “THE CLEANERS,” directed by Hans Block and Moritz Riesewieck. LAAPFF is proud to be an Academy Award® qualifying Festival for the Short Film Awards. Recipient(s) of the Film Festival’s Golden Reel Award for Narrative Short Film will be eligible for consideration in the Animated Short Film/Live-Action Short Film category of the Academy Awards®. The film that won this year’s Golden Reel Award and is now eligible to qualify in the Animated Short Film/Live-Action Short Film category of the Academy Awards® is “SILENCE (MAUN),” directed by Priyanka Singh. The jury also gave out a Special Jury Prize for Excellence in Directing to Paris Zarcilla for “POMMEL.” The Golden Reel for Outstanding Documentary Short Film went to “THREE BOYS MANZANAR,” directed by Preeti Deb. The annual Linda Mabalot New Directors/New Visions Award went to director Georgia Fu for her film “MISS WORLD,” presented for demonstrating an innovative and creative use of cinematic language. “Our artists and their films were amazing this year,” said Francis Cullado, Executive Director of Visual Communications. “Their stories and their craftsmanship raised the bar. The dialogue, conversations, and resource-sharing that took place during our panels and presentations were on point and timely. This Festival is once again a great signifier of what is coming and our artists are ready and at the forefront of this sea of change with their films and projects. I’m grateful to them for making cultural connections with all of our communities.” The 34th LAAPFF continues on Friday, May 11 with a free outdoor screening of the Disney® classic animated film “MULAN” in the Park Center at Griffith Park. It will culminate with the Visual Communications Gala PAST//FORWARD: COMING HOME on Saturday, May 12, 2018 to celebrate the organization’s upcoming 50th anniversary in 2020, honoring Doug Aihara, Renee Tajima-Peña, and Comcast NBCUniversal.

    34th Los Angeles Asian Pacific Film Festival Award Winners

    NORTH AMERICAN NARRATIVE FEATURE COMPETITION AWARDS

    Grand Jury Award: FOR IZZY, Directed by Alex Chu Best Director: Joanne Park, FISHBONES Breakout Performance: Adelina Amosco, THE FEVER & THE FRET Best Cinematography: Eunsoo Cho, AUGUST AT AKIKO’S

    NORTH AMERICAN DOCUMENTARY FEATURE COMPETITION AWARDS

    [caption id="attachment_29069" align="aligncenter" width="975"]CALL HER GANDA CALL HER GANDA[/caption] Grand Jury Award: CALL HER GANDA, Directed by PJ Raval Best Director: Bing Liu, MINDING THE GAP Special Mention: ANOTE’S ARK, Directed by Matthieu Rytz Best Editing: Alejandro Valdes-Rochin & Tom Maroney, SCIENCE FAIR Best Cinematography: Nathan Fitch, ISLAND SOLDIER

    INTERNATIONAL DOCUMENTARY FEATURE COMPETITION AWARDS

    Grand Jury Award: PEOPLE’S REPUBLIC OF DESIRE, Directed by Hao Wu Best Director: Jin Jeon & Moon Chang-Yong, BECOMING WHO I WAS Best Editing: Hyewon Jee & Wonjung Bae, SINGING WITH ANGRY BIRD Best Cinematography: Jeon Jin & Moon Chang-yong, BECOMING WHO I WAS Special Jury Mention – Most Urgent and Cautionary Film: THE CLEANERS, Directed by Hans Block & Moritz Riesewieck

    INTERNATIONAL NARRATIVE COMPETITION AWARDS

    Grand Jury Award WARU, Directed by Chelsea Cohen, Ainsley Gardiner, Casey Kaa, Renae Maihi, Awanui Simich-Pene, Briar Grace-Smith, Paula Whetu & Katie Wolfe Best Director: Caylee So & Visal Sok, IN THE LIFE OF MUSIC Best Actor: Timothy Castillo, NEOMANILA Special Mention: KISS & SPELL, Directed by Stephane Gauger

    SHORTS NARRATIVE COMPETITION AWARDS

    Golden Reel Award (Excellence in Narrative/Animated Short Film): SILENCE (MAUN), Directed by Priyanka Singh Special Jury Prize for Excellence in Directing: Paris Zarcilla, POMMEL

    SHORTS DOCUMENTARY COMPETITION AWARDS

    Golden Reel Award (Excellence in Documentary Short Film): THREE BOYS MANZANAR, Directed by Preeti Deb

    LINDA MABALOT NEW DIRECTORS/NEW VISIONS AWARD

    Linda Mabalot New Directors/New Visions Award (Innovative Use of Cinematic Language): MISS WORLD, Directed by Georgia Fu

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  • 4 Films Selected for Seattle International Film Festival’s 2018 New Works-in-Progress Forum

    [caption id="attachment_29056" align="aligncenter" width="1200"]The Dive The Dive[/caption] The Seattle International Film Festival announced the 2018 filmmakers chosen for their New Works-in-Progress Forum. Four feature projects, two documentaries and two narratives from three countries, were confirmed for inclusion. “SIFF 2018 is focused on meeting filmmakers and audiences where they are, and the New Works-in-Progress Forum does exactly that – curating audiences to meet filmmakers, and having that relationship help to create the art” said SIFF Artistic Director Beth Barrett. Now in its second year, the New Works-in-Progress Forum was designed by SIFF as an initiative to nurture emerging voices in world cinema. Unique in its inclusion of the audience in the forum, the event brings all partners in cinema together in concert. Included in the 2018 New Works-in-Progress Forum are Bijon Imtiaz and Arifur Rahman’s Paradise (Bangladesh, Documentary); Sarah Brennan Kolb, Good Ol Girl (USA, Documentary); Yona Rozenkier, The Dive (Israel, Narrative) and Limor Shmila, Hanging (Israel, Narrative). “The 2018 edition of the New Works-in-Progress Forum at SIFF shines the spotlight on four unique visual storytellers whose projects reflect today’s global zeitgeist from four extremely different perspectives, and exemplify the Forum’s directive to bring audience and filmmaker together at critical moments in the creative journey,” said the New Works-in-Progress Forum Curator Kathleen McInnis. “From Bangladesh, Israel, and the US, each film team is looking to the famed SIFF cinephiles to discover if their stories speak to a global audience.” Industry Mentors are specifically chosen from across industry disciplines. 2018 Documentary Industry Mentors include Publicist David Magdael, Film Journalist Amy Nicholson (Variety, MTV, “Film Week”), and Hot Docs Canadian International Documentary Festival Senior International Programmer Myrocia Watamaniuk. Narrative Industry Mentors include IFC Executive Vice President of Acquisitions and Productions Arianna Bocco, Anonymous Content Manager Luke Rivett, and Filmmaker Carlos Marques-Marcet (10,000 KM; Anchor and Hope). The inaugural SIFF New Works-in-Progress Forum Projects from 2017 are now award-winning films having successfully premiered at major festivals around the world. Each film will screen as part of the official program at SIFF 2018. The 2017 WIP Projects: Retablo from Director Alvaro Delgado-Aparicio premiered at Berlinale 2018 in Generations14+, winning the L’Oreal Teddy Newcomer Award and Special Jury Mention; A Good Week for Democracy from Director Cecilia Björk premiered at 2018 Göteborg International Film Festival and CPH:DOX where it was nominated for a Nordic: Dox Award; The Silk and the Flame from Director Jordan Schiele premiered at Berlinale 2018 in Panorama, and Julia Blue from Director Roxy Toporowych premiered at 2018 Cleveland International Film Festival.

    2018 Seattle International Film Festival New Works-in-Progress Forum Projects

    Bijon Imtiaz, Paradise Bijon Imtiaz world premiered his award-winning narrative feature film debut, Kingdom of Clay Subjects at SIFF 2016. Whilst researching for his second narrative feature, Imtiaz sensed a connection between the unfolding Rohingya crisis, his Bangladesh homeland and the religious extremism and growing tension between Hindus and Muslims. He immediately started to explore the individual and intimate stories in front of him for a feature-length documentary, Paradise. “The SIFF audiences understood every nuance when Kingdom of Clay Subjects premiered, “ said Imtiaz. “I was blown away by how educated their love of cinema is; it was so inspiring. We are looking for collaborators for the marathon that is documentary filmmaking, and I hope we find them among the WIP audience and mentors. We want to know if it connects on an emotional level and there is no better place to find that out than with SIFF audiences.” Arifur Rahman, Paradise First Bangladeshi Asian Film Academy Producing Fellow Arifur Rahman’s debut produced feature film Kingdom of Clay Subjects has World Premiered at 42nd Seattle International Film Festival, won the Best Film Award at 7th Chicago South Asian Film Festival and played as part of Competition at Cinequest Film Fest, Silk Road International Film Festival along with many other festivals around the world. The film has released theatrically in Bangladesh, North America, And Australia. His second produced feature film Live from Dhaka has had its World Premiere at Singapore International Film Festival, the film winning Best Director and Actor award in the process. It has also played at International Film Festival of Rotterdam, and currently having its festival journey, and has recently been picked up by French Sales company Stray Dogs. He has produced documentary shows in collaboration with BBC, Scottish Documentary Institute, Bangladesh Documentary Council, and NHK TV. His documentaries have played at the prestigious Sheffield Doc/Fest and International Human Rights Liberation Film Festival. Arifur’s documentary Beyond the Waves won the Colors of Asia competition at Tokyo Docs.

    Paradise

    Filmmaker Bijon Imtiaz travels to a small island off the coast of Bangladesh to explore the ethics of displacement in a landscape where religion is race and personhood is defined by the ownership of land. Telling three unique stories, Imtiaz studies the consequences and causes of forced displacement, oppression and religion in our contemporary world. A middle-aged barber — the last and only Hindu on an island of Muslims, a 16-year-old Muslim Rohingya girl facing violent ethnic cleansing, and a 12-year-old boy immersed in religious doctrine frame an emotional microcosm of modern Bangladesh as well as our current global society. Sarah Brennan Kolb, Good Ol Girl A New York commercial producer by day, Sarah Brennan Kolb returned to her native Texas for a working hiatus as a ranch hand on a cow-calf operation. It was there she begin to explore the “modern” West – one in which the “male cowboy mythology” was quickly disappearing and being replaced by a new gritty, honest and some would say subversive, female story. The jarring transitions between generations as the men disappeared and the women stayed standing in this hyper-masculine and desolate place inspired Kolb to dig deeper into the crushing weight of legacy and tradition. “Rural Texas is as much a character as these three women who are redefining the patriarchal power dynamic, not by choice but by necessity,” said Kolb. “This fiery, bloody, dirty and yes, violent part of the female story is rooted in the natural world in Texas. Telling this story now, I hope, puts a face to the survivors and lays rest the vanishing patriarchal bogeyman.”

    Good Ol Girl

    [caption id="attachment_29058" align="aligncenter" width="1200"]Good Ol Girl Good Ol Girl[/caption] Not all of the women of the mythological West slip easily into the princess fantasy of Pocahontas or the unnamed martyr “Pioneer Woman” labels so often prescribed them. In Filmmaker Sarah Brennan Kolb’s genre busting documentary, three women of the “New West” reshape the Western Canon with their stories. Crosscutting cinéma vérité techniques with archival material from 1930‘s and ‘40’s B-movie Westerns as well as academic commentary from famed-author Joyce Gibson Roach, Kolb questions “Who has the authority to claim the (often) oppressive traditions when only those who have been oppressed are left to carry them on?” Yona Rozenkier, The Dive Filmmaker Yona Rozenkier brings extraordinary authority to his debut narrative feature film, The Dive. As the son of a Christian kibbutz volunteer from Switzerland and a French Holocaust survivor, Rozenkier worked as a farmer on his kibbutz until he was 27, before starting film school. Awaiting recruitment into the Second Lebanon War, three of the Rozenkier brothers spent one last memorable weekend on their quiet kibbutz, celebrating their lives before going off to yet another war. It was this weekend that would inspire Yona Rozenkier to make his first film and two of his brothers would be recruited once again, this time to each play a version of himself on screen along with Yona in a story about brothers, love and the constant, daily training for war. “We have a lot of “sacred cows” in Israel,” said Rozenkier. “We may believe we are pacifists, but when we are called up for the next war and the next war and the next, we grab our guns and go. Our people become a tool in the hands of our leadership in Israel, the same way our masculinity can become toxic because of the military. I believe sometimes you have to put family before country, but that is a radical concept for some here. And I wonder if my uniquely Israeli experience translates outside of Israel?”

    The Dive

    Two brothers struggle between love and duty as their little brother tries to prepare for his first military call to duty. Middle brother Yoav, an ex-officer who has retreated back to his kibbutz, mentally exhausted under the weight of PTSD, is at odds with his still-serving older brother, Itay, who is the reincarnation of their late father and evokes a strong sense of duty and obligation to country. When war breaks out, as it inevitably does in Israel, and little brother Avishay reveals he is conflicted about being called up, the two older brothers deep disconnect explodes: Yoav wants Avishay to understand he can refuse to go, but Itay insists Avishay needs to “man-up” and do what’s right. Almost immediately, Avishay becomes the battlefield on which Yoav and Italy fight out their own emotional war. As Yoav tries desperately to save his brothers, he faces the harsh reality where violence becomes his only option to ending violence, but will he become that which he decries? Limor Shmila, Hanging One of Israel’s leading casting directors (Sand Storm, Elite Zexer; Big Bad Wolves, Aharon Keshales, Navot Papushado; Esau, Pavel Lungin), Limor Shmila debuted her first feature film as director, Montana, at the Toronto Int’l Film Festival (TIFF) 2017 to rave reviews. Her second feature, Hanging, is a dramatic continuation of Shmila’s cinematic exploration of identity, intimacy, and the power dynamic. “I’m really curious as to how people internationally will react to this couple as parents, as well as how they will emotionally connect and if it speaks to them as couples themselves.” said Shmila. “I’m always searching for stories that speak to the relationships in which we bind ourselves – in my very religious upbringing, there was always a conflict between the man and the woman. I saw that men always wanted to put women under them; be powerful over them. It’s why it was so important to me that this is Tamara’s story, that she is on top.”

    Hanging

    [caption id="attachment_29059" align="aligncenter" width="1200"]Hanging Hanging[/caption] Tamara is a successful young power broker and a brand new mother to her daughter, Dana. Living an all-consuming lifestyle, Tamara has nearly forgotten she is also a wife, and by definition a lover, to Uri, a fighter pilot in the Israeli Air Force. When Uri forces the issue and tries to re-conquer his wife, Tamara’s instinctual release of physical force excites them both. Soon they are have turned their extra room into their “game room” and slap by slap build a safe space for sexual escapism that both excites and releases their inner demons. But Tamara has other demands on her body, trying to hold onto breastfeeding Dana as long as possible while also putting in impossible hours at work. The pressure is overwhelming and quickly Tamara’s tenuous façade begins shattering with grave repercussions.

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  • Toronto International Film Festival Selects 3 Filmmakers for 2018 Platform Program Jury

    [caption id="attachment_29053" align="aligncenter" width="1200"]Margarethe von Trotta,  Béla Tarr, and Lee Chang-dong Margarethe von Trotta, Béla Tarr, and Lee Chang-dong[/caption] New German Cinema legend Margarethe von Trotta, Hungarian long-take, existential master Béla Tarr, and South Korean director and novelist Lee Chang-dong, together will make up the 2018 jury for the Toronto International Film Festival’s Platform program. Now in its fourth year, Platform champions up to 12 works with high artistic merit that also demonstrate a strong directorial vision. The three-person jury will select the winner of the Toronto Platform Prize, an award of $25,000 CAD presented to the Best Film in the program. “We are privileged to have a Platform jury that so perfectly embodies the program’s essence,” said Piers Handling, Director and CEO of TIFF. “Our 2018 jurors’ bold and daringly uncompromising artistic visions have not only influenced, but helped mold the next generation of filmmakers. The wealth of experience, passion, and knowledge that they will bring to this year’s edition will be priceless, and exciting to watch this September.” The 43rd Toronto International Film Festival runs from September 6 to 16, 2018. The lineup for this year’s Platform program will be announced on August 7.

     Toronto International Film Festival 2018 Platform Program Jury

    Margarethe von Trotta Margarethe von Trotta is considered one of the leaders of the New German Cinema movement. After studying Germanic and Romance languages in Munich and Paris (where she encountered the Nouvelle Vague and the films of Ingmar Bergman), von Trotta pursued a career in acting, working closely with both Rainer Werner Fassbinder and Volker Schlöndorff. Starting with her first independent directorial effort, The Second Awakening of Christa Klages (1978), von Trotta’s filmography includes numerous critically acclaimed titles such as Marianne & Juliane (1981), which won the Golden Lion in Venice and became her first feature to ever screen at TIFF; Rosa Luxemburg (1986) and Love and Fear (1988), both of which were nominated for the Palme d’Or in Cannes; Rosenstraße (2003), which earned actor Katja Riemann the Coppa Volpi Award in Venice; and Hannah Arendt (2012), which won the German Film Award. Her first feature documentary, Searching for Ingmar Bergman (2018), is set to premiere at Cannes. Margarethe von Trotta first attended TIFF (then the Festival of Festivals) in 1985, when three of her films were part of the 10 to Watch program, which also included Andrei Tarkovsky, Chantal Akerman and Lino Brocka in its lineup. Béla Tarr Béla Tarr grew up in Budapest, Hungary. He began making amateur documentaries at the age of 16 and shot his feature debut, Family Nest (1977), at the age of 22. His work made a dramatic shift with his 1982 video adaptation of Macbeth which is comprised of only two shots, and in subsequent films, Tarr developed a durational aesthetic revolving around extended shot lengths, most famously in Sátántangó, which screened at the Festival in 1994. Through his entire body of work, Tarr has established himself as one of the defining filmmakers and greatest innovators in contemporary cinema. Béla Tarr first attended TIFF (then the Festival of Festivals) in 1988, when his feature Damnation screened at the Festival. He has since returned several times, including a visit for a spotlight on his work in 1995. Lee Chang-dong Lee Chang-dong was born in Daegu, South Korea, and studied Korean literature at Kyungbuk University. Already established as a novelist, he made his directorial debut with Green Fish (1996), which was followed by the critically acclaimed Peppermint Candy (1999) and Oasis (2002), the latter of which won Best Director and Best New Actress awards at Venice, and became his first film to ever screen at TIFF. After serving as South Korea’s Minister of Culture and Tourism from 2002 to 2004, he directed his fourth film, Secret Sunshine (2007) which won the Best Actress award at Cannes, while his fifth, Poetry (2010), won Best Screenplay three years later. His latest film, Burning (2018), is set to premiere at Cannes. Lee Chang-dong first attended TIFF in 2007, when Secret Sunshine screened at the Festival.

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  • Sony Pictures Classics Acquires Nadine Labaki’s CAPERNAUM for December Awards Release

    Capernaum by Nadine Labaki Nadine Labaki’s Capernaum which is set to premiere next Thursday at Cannes Film Festival in competition, has been acquired by Sony Pictures Classics for release in North America and Latin America. Capernaum marks a return to Cannes for the Lebanese filmmaker, whose two previous films, CARAMEL and Where Do We Go Now? (winner of the Audience Award at the Toronto Film Festival) premiered at the festival, and reunites Labaki with Sony Pictures Classics, which distributed Where Do We Go Now?. Written by Labaki (Where Do We Go Now?), who also appears in the film, Capernaum tells the story of a child who rebels against the life imposed on him and launches a lawsuit against his parents. “It is wonderful to have the opportunity to collaborate once again with Sony Pictures Classics. Capernaum is very special to me, and with the passion Tom and Michael have for this film, I know this is the ideal partnership,” said Labaki. Said Sony Pictures Classics, “Nadine Labaki is one of the world’s great filmmakers. Capernaum is an emotionally profound experience about the world we live in and promises to be a triumph in Cannes. Nadine Labaki’s moment as writer-director is here and now. It is thrilling to be working with her, as well as her producer Khaled Mouzanar, Vincent Maraval and Eva Diederix at Wild Bunch, and Roeg Sutherland and CAA.” Sony Pictures Classics plans to open the film in December qualifying the movie for year-end awards consideration.

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