Requiem for Mrs. J[/caption]
The 19th Bratislava International Film Festival will take place from November 9 to 16, under the main theme – the art of film acting. The festival will open with Requiem for Mrs. J. (J. Rekvijem za gospođu, 2017) by the Serbian director and one of the members of the Fiction Competition jury Bojan Vuletić. This tragicomedy tells the story of an unemployed widow, meticulously preparing for her suicide. The film rests on the masterly acting performance of Mirjana Karanović.
The section Cinema Now, a selection of festival hits and highly anticipated new releases, will also feature the Indian film Sexy Durga (2017), which won the Hivos Tiger Award at this year’s festival in Rotterdam. This road movie about two lovers wandering the southern Indian province of Kerala is a great improvisation as well as a fascinating reflection on the contemporary India. The Chronicles of Melanie (Melānijas hronika, 2016) tells a story unravelling during the 1940’s Soviet occupation of Latvia, inspired by true life events of the journalist Melānija Vanaga. The film directed by Viesturs Kairišs is the Latvian candidate for an Oscar. Another film featured in the section is the Slovak premiere of a new release from the all-star French director François Ozon called Double lover (L’amant double, 2017). The titillating erotic thriller toys with a secret and a blurred line between expectations and reality. A Ciambra (2017) directed by Jonas Carpignano is the Italian candidate for an Oscar as well as one of the top ten nominees for this year’s LUX Prize. The story revolves around a teenage Romani boy Pio, who must quickly become a man in order to support his family.
One of the traditional festival sections Made in Slovakia presents the local and international audience with several attractive new local releases, many of them in their Slovak premiere. An anticipated documentary film, which will enter the current local film scene by its premiere at the Bratislava IFF, is a portrait of a recently late Slovak big beat icon Varga. The young director Sonya Maletzová met and started filming Marián Varga towards the end of his life. Through a sophisticated montage of archival records, the film condenses Varga’s life and career decades into musical numbers, where one track echoes in interpretations from different periods. His mortal frame visibly changes along with his musical style and temperament. However, somewhere beneath, Varga remains preciously unchanging and artistically as well as humanly consistent.
Another premiere to look forward to is the final part of Jan Hřebejk’s and Petr Jarchovský’s trilogy Garden store: Suitor (Zahradnictví: Nápadník, 2017) This time, it is a story of love, exposing the quiet war between parents and their children, affected by the war and the communist coup d’état.
Suitor is a bird’s-eye-view portrayal of the sharp dividing line between the pre- and post-war generations. They each have their own vision of happiness and therefore tread their own paths to reach it.
The section will also present a controversial portrait of a “velvet neo-Nazi”, The White World According to Daliborek (Svět podle Daliborka, 2017), by the Czech director Vít Klusák. The film was realized partially thanks to a co-production with Slovakia, especially through a significant creative input of the composer Vladimír Godár, whose music tinted the grotesque images of Dalibor’s everyday life a with a color of human tragedy.
The Made in Slovakia section will traditionally comprise a selection of films made by the students of the Film and Television Faculty of the Academy of Performing Arts in Bratislava and the Academy of Arts in Banská Bystrica. This year the audience should not miss the internationally successful student films noticed by some of the biggest world festivals. Atlantis, 2003 (Atlantída, 2003, 2017) directed by Michal Blaško appeared in the student competition of the Cinéfondation film festival in Cannes and Magic Moments (2017) by Martina Buchelová made it to the Short Cuts competition section at the Toronto International Film Festival.
The list of legendary Slovak actors currently featuring Ladislav Chudík, Mária Kráľovičová, Jozef Adamovič, Štefan Kvietik, Eva Krížiková, Ivan Palúch, Emília Vášaryová and Martin Huba, whose memorial tiles are already embedded in the Bratislava Film Walk of Fame, will include the name of yet another outstanding actress – Božidara Turzonovová. This year’s laureate of the award for lifetime artistic creation and holder of a Film Walk of Fame memorial tile will personally introduce the film Penelope (Penelopa, 1977) directed by Štefan Uher, in which she played the lead role.
This year’s Lexicon section will shed some light on the specifics, history and future of acting for film, starting with the perfect acting opposites of silent slapstick comedy – Chaplin and Keaton – and ending with virtual actors in the era of 3D cinema. The section will feature two films from the silent era, The Floorwalker (1916) and One Week (1920), followed by the breakthrough A Streetcar Named Desire (1951), whose legendary lead star Marlon Brando uses the so-called method acting. The history of the Slovak cinema will be represented by the remarkable film Our Daily Life (Deň náš každodenný, 1969), interesting by the way it works with non-actors. The section’s highlight is a study of a consuming physical and psychological transformation of an actress who gradually merges with her character Kate Plays Christine (2016). The film directed by the American filmmaker Robert Greene is the winner of last year’s Special Jury Prize for the best screenplay in the category of documentary films at the Sundance Film Festival.
The 19th edition of the Bratislava International Film Festival will welcome one of the most outstanding actors on the current European acting scene, Jean-Marc Barr, who has received world recognition thanks to his cooperation with the controversial Danish director Lars von Trier, especially as the star of Luc Besson’s cult film The Big Blue (Le grand bleu, 1988). In Bratislava, Jean-Marc Barr will receive the festival’s own Award for Artistic Excellence in World Cinema as well as personally introduce his latest film Grain (Bugday, 2017), directed by the renowned Turkish filmmaker Semih Kaplanoğlu and often likened to Tarkovsky’s Stalker.
Another big name to attend the festival is the star of the North American independent film, the Canadian Denis Côté. The works of the 43-year-old Canadian director and former film critic with images from Eisenstein’s Ten Days that Shook the World tattooed on his back, are characteristic by their blending of fiction and documentary methods, as well as things left unsaid and secrets. The highlight of the profile section will be represented by the Slovak premiere of Côté’s latest film A Skin so Soft (Ta peau si lisse, 2017) about professional strongmen and bodybuilders.
The events accompanying the main festival program will include a number of great musical evenings, thought-provoking discussions and masterclasses of this year’s main festival faces Jean-Marc Barr and Denis Côté. The theme of acting will also sound throughout the lecture of Ladislav Dedík, the founder of Studio 727 post-production company, who will talk about the issue of the digital actor, motion-capture technology and full-body scan, linked to the future of film acting in the era of computer generated and special effects films and video games.Film Festivals
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19th Bratislava International Film Festival to Open with “REQUIEM FOR MRS. J.”
[caption id="attachment_24376" align="aligncenter" width="1200"]
Requiem for Mrs. J[/caption]
The 19th Bratislava International Film Festival will take place from November 9 to 16, under the main theme – the art of film acting. The festival will open with Requiem for Mrs. J. (J. Rekvijem za gospođu, 2017) by the Serbian director and one of the members of the Fiction Competition jury Bojan Vuletić. This tragicomedy tells the story of an unemployed widow, meticulously preparing for her suicide. The film rests on the masterly acting performance of Mirjana Karanović.
The section Cinema Now, a selection of festival hits and highly anticipated new releases, will also feature the Indian film Sexy Durga (2017), which won the Hivos Tiger Award at this year’s festival in Rotterdam. This road movie about two lovers wandering the southern Indian province of Kerala is a great improvisation as well as a fascinating reflection on the contemporary India. The Chronicles of Melanie (Melānijas hronika, 2016) tells a story unravelling during the 1940’s Soviet occupation of Latvia, inspired by true life events of the journalist Melānija Vanaga. The film directed by Viesturs Kairišs is the Latvian candidate for an Oscar. Another film featured in the section is the Slovak premiere of a new release from the all-star French director François Ozon called Double lover (L’amant double, 2017). The titillating erotic thriller toys with a secret and a blurred line between expectations and reality. A Ciambra (2017) directed by Jonas Carpignano is the Italian candidate for an Oscar as well as one of the top ten nominees for this year’s LUX Prize. The story revolves around a teenage Romani boy Pio, who must quickly become a man in order to support his family.
One of the traditional festival sections Made in Slovakia presents the local and international audience with several attractive new local releases, many of them in their Slovak premiere. An anticipated documentary film, which will enter the current local film scene by its premiere at the Bratislava IFF, is a portrait of a recently late Slovak big beat icon Varga. The young director Sonya Maletzová met and started filming Marián Varga towards the end of his life. Through a sophisticated montage of archival records, the film condenses Varga’s life and career decades into musical numbers, where one track echoes in interpretations from different periods. His mortal frame visibly changes along with his musical style and temperament. However, somewhere beneath, Varga remains preciously unchanging and artistically as well as humanly consistent.
Another premiere to look forward to is the final part of Jan Hřebejk’s and Petr Jarchovský’s trilogy Garden store: Suitor (Zahradnictví: Nápadník, 2017) This time, it is a story of love, exposing the quiet war between parents and their children, affected by the war and the communist coup d’état.
Suitor is a bird’s-eye-view portrayal of the sharp dividing line between the pre- and post-war generations. They each have their own vision of happiness and therefore tread their own paths to reach it.
The section will also present a controversial portrait of a “velvet neo-Nazi”, The White World According to Daliborek (Svět podle Daliborka, 2017), by the Czech director Vít Klusák. The film was realized partially thanks to a co-production with Slovakia, especially through a significant creative input of the composer Vladimír Godár, whose music tinted the grotesque images of Dalibor’s everyday life a with a color of human tragedy.
The Made in Slovakia section will traditionally comprise a selection of films made by the students of the Film and Television Faculty of the Academy of Performing Arts in Bratislava and the Academy of Arts in Banská Bystrica. This year the audience should not miss the internationally successful student films noticed by some of the biggest world festivals. Atlantis, 2003 (Atlantída, 2003, 2017) directed by Michal Blaško appeared in the student competition of the Cinéfondation film festival in Cannes and Magic Moments (2017) by Martina Buchelová made it to the Short Cuts competition section at the Toronto International Film Festival.
The list of legendary Slovak actors currently featuring Ladislav Chudík, Mária Kráľovičová, Jozef Adamovič, Štefan Kvietik, Eva Krížiková, Ivan Palúch, Emília Vášaryová and Martin Huba, whose memorial tiles are already embedded in the Bratislava Film Walk of Fame, will include the name of yet another outstanding actress – Božidara Turzonovová. This year’s laureate of the award for lifetime artistic creation and holder of a Film Walk of Fame memorial tile will personally introduce the film Penelope (Penelopa, 1977) directed by Štefan Uher, in which she played the lead role.
This year’s Lexicon section will shed some light on the specifics, history and future of acting for film, starting with the perfect acting opposites of silent slapstick comedy – Chaplin and Keaton – and ending with virtual actors in the era of 3D cinema. The section will feature two films from the silent era, The Floorwalker (1916) and One Week (1920), followed by the breakthrough A Streetcar Named Desire (1951), whose legendary lead star Marlon Brando uses the so-called method acting. The history of the Slovak cinema will be represented by the remarkable film Our Daily Life (Deň náš každodenný, 1969), interesting by the way it works with non-actors. The section’s highlight is a study of a consuming physical and psychological transformation of an actress who gradually merges with her character Kate Plays Christine (2016). The film directed by the American filmmaker Robert Greene is the winner of last year’s Special Jury Prize for the best screenplay in the category of documentary films at the Sundance Film Festival.
The 19th edition of the Bratislava International Film Festival will welcome one of the most outstanding actors on the current European acting scene, Jean-Marc Barr, who has received world recognition thanks to his cooperation with the controversial Danish director Lars von Trier, especially as the star of Luc Besson’s cult film The Big Blue (Le grand bleu, 1988). In Bratislava, Jean-Marc Barr will receive the festival’s own Award for Artistic Excellence in World Cinema as well as personally introduce his latest film Grain (Bugday, 2017), directed by the renowned Turkish filmmaker Semih Kaplanoğlu and often likened to Tarkovsky’s Stalker.
Another big name to attend the festival is the star of the North American independent film, the Canadian Denis Côté. The works of the 43-year-old Canadian director and former film critic with images from Eisenstein’s Ten Days that Shook the World tattooed on his back, are characteristic by their blending of fiction and documentary methods, as well as things left unsaid and secrets. The highlight of the profile section will be represented by the Slovak premiere of Côté’s latest film A Skin so Soft (Ta peau si lisse, 2017) about professional strongmen and bodybuilders.
The events accompanying the main festival program will include a number of great musical evenings, thought-provoking discussions and masterclasses of this year’s main festival faces Jean-Marc Barr and Denis Côté. The theme of acting will also sound throughout the lecture of Ladislav Dedík, the founder of Studio 727 post-production company, who will talk about the issue of the digital actor, motion-capture technology and full-body scan, linked to the future of film acting in the era of computer generated and special effects films and video games.
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BOMB CITY, BIG SONIA and GAME Win Audience Awards at Tallgrass Film Festival
[caption id="attachment_25330" align="aligncenter" width="1200"]
Bomb City[/caption]
Bomb City, Big Sonia and Game wowed the audience at the 2017 Tallgrass Film Festival and were voted winners of the Audience Awards. Bomb City directed by Jameson Brooks won the Audience Award for Award Winning Feature Narrative, and Big Sonia directed by Leah Warshawski and Todd Soliday won the Audience Award for Award Winning Feature Documentary. Game directed by Jeannie Donohoe won the prize for Audience Award Winning Short .
Bomb City is a crime-drama about the cultural aversion of teenage punks in a conservative Texas town and their ongoing battle with a rival, more-affluent group of jocks. The film is based on the true story of Brian Deneke.
In Big Sonia, Holocaust survivor and diva, Sonia Warshawski, has just been served an eviction notice for her popular tailor shop in suburban Kansas City. Sonia’s trauma comes to the surface as she struggles with the concept of retirement.
Gook, directed Justin Chon was awarded the prize for Outstanding Narrative Feature, along with Outstanding Rising Star for Simone Baker. In the film, set in 1992, two Korean-American brothers strike up an unlikely friendship with an 11-year-old African-American girl, while racial tensions build to a breaking point as the L.A. riots break out.
For Ahkeem directed by Jeremy S. Levin and Landon Van Soest took the award for Outstanding Documentary Feature. After a school fight lands 17-year old Daje Shelton in a court-supervised alternative high school, she’s determined to turn things around and make a better future for herself, despite challenges both personally and in society.
2017 Tallgrass Film Festival Award Winners
Best Kansas & Emerging Filmmaker Awards
Best Emerging Student Award Documentary: Yellow, Director Rowyn Mottershead Best Emerging Student Award – Narrative: Reverse, Director Andrew Kivett Best Kansas Short Film Award – Documentary: Dragtivists, Director, Savannah Rodgers Best Kansas Short Film Award -Narrative: Rabbits, Director Patrick ClementGolden Strands Programming Awards
Outstanding Cinematography: Seat 25, CInematographer Joe Kaufman Outstanding Screenplay: Lucky, Screenwriters Logan Sparks & Drago Sumonja Best Editing: 20 Weeks, Editor David Hopper Outstanding Film Animation: Two Trains Runnin’ Outstanding Rising Star: Simone Baker, Gook Outstanding Male Actor: Christopher Marquette, I Hate the Man in the Basement Outstanding Female Actor: Simone Nortman, For the Birds Outstanding Ensemble Cast: Badsville, Ian McLaren, Benjamin Barrett, Tamara Duarte, Emilio Rivera, Robert Knepper Outstanding Courage in Filmmaking: City of Joy, Director, Madeleine Gavin Excellence in the Art of Filmmaking: Black Cop, Director, Cory Bowles Venus Award for the Teddie Barlow Outstanding Female Filmmaker: Skye Borgman, Forever ‘B’ Outstanding First Feature: Whose Streets?, Directors, Sabaah Folayan and Damon Davis Outstanding Documentary Short Film: Edith + Eddie, Director, Laura Checkoway Outstanding Narrative Short Film: Real Artist, Director, Cameo Wood Outstanding Documentary Feature: For Ahkeem, Directors, Jeremy S. Levin, Landon Van Soest Outstanding Narrative Feature: Gook, Director Justin ChonAudience Awards
Audience Award Winning Short ($1,000 Cash Prize): GAME, Director, Jeannie Donohoe Audience Award for Award Winning Feature Documentary ($2,500 Cash Prize): BIG SONIA, Directors, Leah Warshawski, Todd Soliday Audience Award for Award Winning Feature Narrative ($2,500 Cash Prize): BOMB CITY, Director Jameson Brooks
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2017 NewFest Awards – THE FEELS and THE CITY OF THE FUTURE Win First Ever Jury Awards
[caption id="attachment_25319" align="aligncenter" width="1200"]
The Feels[/caption]
The 2017 NewFest, New York LGBT Film Festival wrapped earlier this week, and for the first time ever, the festival awarded prizes adjudicated by a jury. The Feels, directed by Jenée LaMarque won the Jury Award for Best US Narrative, and The City of the Future by directors Cláudio Marques and Marília Hughes Guerreiro, won the Jury Award for Best International Narrative. The Jury Award for Best Documentary was given to Alabama Bound, directed by Lara Embry and Carolyn Sherer.
“This is first time in over 5 years that NewFest has had a jury,” says Programming and Operations Manager Nick McCarthy. “We were delighted to host a collection of esteemed and exciting colleagues that encompass the fields of filmmaking, criticism, marketing/distribution, activism, and programming to experience the varied voices of our 2017 filmmakers.”
The audience voted Hot To Trot, winner of Audience Award for Best Documentary Feature, and the Audience Award for Best Narrative Feature went to A Date For Mad Mary.
2017 NewFest Award Winners
Jury Awards
Jury Award for Best US Narrative The Feels, directed by Jenée LaMarque. Two brides-to-be throw a joint bachelorette party that ends up calling their whole relationship into question. Special Mention Zachary Booth and David Rysdahl for their outstanding performances in The Revival. Jury Award for Best New York Short Ace, directed by Morgan Kahn Nichols An unlikely pair of teenagers perform an awkward social dance in a house with no parents. Special Mention The Mess He Made, directed by Matthew Puccini, which takes place in the 15 anxiety-inducing minutes a gay man has to wait for the results of his Rapid HIV Test. Jury Award for Best International Narrative The City of the Future directed by Cláudio Marques and Marília Hughes Guerreiro A naturalistic film about the nontraditional relationship of lovers Mila, Igor, and Gilmar that shuns convention, instead embracing love in all its dazzling iterations. Special Mention Manuela Guevara for her performance in The Devil’s Magnificent. Guevara co-wrote the film, in which she plays Manu, a trans immigrant who must return to her native Chile after 10 years in France. In the days leading up to her departure, Manu’s platonic friend Daniel proposes marriage with the intention of solving her visa issues. Manu strongly considers the offer, but she’s wholly disheartened at the prospect of a life without love, romance, and sex—that is, until she meets a fellow foreigner who instills in her the hope for a romantic future. Jury Award for Best Documentary Alabama Bound, directed by Lara Embry and Carolyn Sherer. Exploring the legal roller-coaster ride of LGBTQ family rights in the American South, the film offers an intimate view into the lives of three lesbian families in Alabama, including the only openly-gay Alabama State Legislator Patricia Todd, as they make waves in the legal system fighting for the rights of their children. Filmed during the turning-point years when federal marriage equality was coming to a head in the courts, this riveting and powerful documentary tactfully imbues the viewer with hope and frustration as Patricia Todd leads the charge in next wave of the LGBTQ fight for equality: legal non-discrimination. Special Mention Abu directed byArshad Khan – a dazzling visual memoir about the complex dynamic the filmmaker has with his father, who was at once extremely modern and also rigidly traditional and unaccepting of his son’s true self.Audience Awards
Audience Award for Best Documentary Feature Hot To Trot directed by Gail Freedman Set in the swinging setting of same-sex competitive ballroom dancing, this tremendously entertaining documentary highlights the culture and art of dance as it humanistically profiles the compelling stories of four international dancers. Filmed over four years, director Gail Freedman closely follows the tight ensemble as they face global and health issues, yet they find comfort and hope as they twirl past life’s obstacles with the utmost poise and confidence. Who will take home the top prize and move closest to the rhythm? The heat is on in more ways than one. Audience Award for Best Narrative Feature A Date For Mad Mary directed by Darren Thornton In the first feature film by director Darren Thornton, Mary has just been released from a six-month prison stint for a drunken bar fight. Her best friend Charlene is now getting married and wants to keep Mary at a distance, alienating her from their circle of friends. An encounter with a queer musician changes Mary’s perspective and awakens her romantic spirit. The film also won the Breakthrough Award at the Dublin Film Critics Circle Awards. Audience Award for Best Documentary Short Love Letter Rescue Squad directed by Megan Rossman The film reflects on the Lesbian Herstory Archives, home to the world’s largest collection of materials by and about lesbians and their communities. Audience Award for Best Narrative Short Pria, directed by Yudho Aditya A young boy in Indonesia experiences the tensions between his Gay and Muslim identities all while dreaming about romance and romanticizing the freedoms of the western world.
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Iranian Director Mohammad Rasolou of A MAN WITH INTEGRITY Denied Exit from Iran ‘AGAIN’
The Stockholm International Film Festival issued a statement today, announcing that Iranian director Mohammad Rasolouf has been denied exit from Iran and will not be able to attend the upcoming festival to present his latest film A Man of Integrity.
Earlier this year, director Mohammad Rasolouf returned to Iran after completing his latest movie A Man with Integrity. The director was invited to attend the Stockholm Film Festival along with his film, however on the 16th of September his passport was confiscated at Teheran’s airport and he has since been interrogated by the Iranian government several times.
This is not the first time Rasolouf is subject to this treatment. In November 2013 the festival invited Rasolouf along with his film Manuscripts Don’t Burn, but was denied leaving Iran since his passport was confiscated under similar circumstances. Stockholm Film Festival’s visiting international and Swedish directors then chose to gather for a manifestation outside the Iranian Embassy to support Rasolouf’s cause. This and several other actions led to Rasoulof being released from Iran.
When Rasoulof now again is exposed to the same violations of his human rights as in 2013, the Stockholm Film Festival wishes to draw attention to, and support a petition launched by the French producer Michèle Halberstadt with the purpose of releasing Mohammad Rasoulof.
“We are grateful that Stockholm’s International Film Festival can be used as a platform to support artists and their freedom of expression, no matter where in the world they are,” says Git Scheynius, Festival Director.
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AFI FEST 2017 Announces World Cinema, Midnight and Youth and Family Lineup
[caption id="attachment_25295" align="aligncenter" width="1200"]
APRIL’S DAUGHTER (LAS HIJAS DE ABRIL)[/caption]
The American Film Institute announced today the films that will be featured in the World Cinema, Midnight and Youth and Family sections at AFI FEST 2017 presented by Audi.
The World Cinema section showcases the most celebrated international films of the year and features 30 films from 39 countries. The section includes 13 official Best Foreign Language Film Oscar® entries: A CIAMBRA (DIR Jonas Carpignano), A FANTASTIC WOMAN (UNA MUJER FANTASTICA) (DIR Sebastián Lelio), FOXTROT (DIR Samuel Maoz), HAPPY END (DIR Michael Haneke), HOCHELAGA, LAND OF SOULS (DIR François Girard), IN THE FADE (AUS DEM NICHTS) (DIR Fatih Akin), THE INSULT (L’INSULTE) (DIR Ziad Doueiri), LOVELESS (NELYUBOV) (DIR Andrey Zvyagintsev), NEWTON (DIR Amit V Masurkar), ON BODY AND SOUL (TESTRŐL ÉS LÉLEKRŐL) (DIR Ildikó Enyedi), SPOOR (POKOT) (DIR Agnieszka Holland), THELMA (DIR Joachim Trier) and WAJIB (DIR Annemarie Jacir).
The festival’s Midnight section will enthrall and petrify audiences with three international, genre-bending films: GOOD MANNERS (DIR Juliana Rojas, Marco Dutra), LET THE CORPSES TAN (DIR Hélène Cattet, Bruno Forzani) and V.I.P. (DIR Park Hoon-Jung).
AFI FEST will offer Youth and Family Programming for the next generation of storytellers and moviegoers, with the films THE BREADWINNER (DIR Nora Twomey) and MARY AND THE WITCH’S FLOWER (DIR Hiromasa Yonebayashi). At these screenings, AFI FEST will host students from several public middle and high schools across Los Angeles County for educational experiences. MARY AND THE WITCH’S FLOWER will also screen for the festival’s public audience.
WORLD CINEMA
APRIL’S DAUGHTER (LAS HIJAS DE ABRIL) – In AFI FEST alum Michel Franco’s latest feature, a domineering mother suddenly arrives to assist with her teenage daughter’s pregnancy. But her true motives will soon emerge. DIR Michel Franco. SCR Michel Franco. CAST Emma Suárez, Ana Valeria Becerril, Enrique Arrizon, Joanna Larequi, Hernán Mendoza. Mexico BEAUTY AND THE DOGS – Following a sexual assault, a young Tunisian woman must descend into a bureaucratic hell to report the incident and find justice. DIR Kaouther Ben Hania. SCR Kaouther Ben Hania. CAST Mariam Al Ferjani, Ghanem Zrelli, Noomane Hamda, Mohamed Akkari, Chedly Arfaoui, Anissa Daoud, Mourad Gharsalli. Tunisia, France, Sweden, Norway, Lebanon, Qatar, Switzerland BRIGHT SUNSHINE IN (UN BEAU SOLEIL INTÉRIEUR) – Juliette Binoche shines in the latest work from auteur Claire Denis, centering on a middle-aged woman hungry to find and hold onto love. DIR Claire Denis. SCR Claire Denis, Christine Angot. CAST Juliette Binoche, Xavier Beauvois, Philippe Katerine, Josiane Balasko, Sandrine Dumas, Nicolas Duvauchelle, Alex Descas, Laurent Grévill. France A CIAMBRA – Jonas Carpignano’s sophomore feature follows Pio, a streetwise teen in Calabria who must step up when his older brother lands in trouble with the police. DIR Jonas Carpignano. SCR Jonas Carpignano. CAST Pio Amato, Koudous Seihon, Iolanda Amato, Damiano Amato, Francesco Pio Amato, Patrizia Amato, Rocco Amato, Susanna Amato. Italy, USA, France, Sweden CLAIRE’S CAMERA (KEUL-LE-EO-UI-KA-ME-LA) – This charming entry from Hong Sang-soo centers on the friendship between a Korean woman (Kim Min-hee) who’s recently lost her job and a wise Parisian teacher (Isabelle Huppert). DIR Hong Sang-soo. SCR Hong Sang-soo. CAST Isabelle Huppert, Kim Min-hee, Chang Mi-hee, Jung Jin-young. South Korea THE DAY AFTER (GEU-HU) – Infused with director Hong Sang-soo’s signature realism and humor, this film follows an aspiring writer who gets caught up in the spectacular drama of her boss’ personal life. DIR Hong Sang-soo. SCR Hong Sang-soo. CAST Kwon Haehyo, Kim Min-hee, Kim Sae-byuk, Cho Yun-hee, Ki Ju-bong, Park Yea-ju, Kang Taeu. South Korea A FANTASTIC WOMAN (UNA MUJER FANTASTICA) – In Sebastián Lelio’s follow-up to GLORIA, trans actress Daniela Vega gives an astonishing debut performance as a woman who must navigate a hostile society after the death of her lover. DIR Sebastián Lelio. SCR Sebastián Lelio, Gonzalo Maza. CAST Daniela Vega, Francisco Reyes, Luis Gnecco, Aline Kuppenheim, Nicolás Saavedra, Amparo Noguera, Néstor Cantillana, Alejandro Goic, Antonia Zegers, Sergio Hernández. Chile, USA, Germany, Spain FOXTROT – An Israeli couple mourns the death of their soldier son in this audacious depiction of war and loss. DIR Samuel Maoz. SCR Samuel Maoz. CAST Lior Ashkenazi, Sarah Adler, Yonatan Shiray, Gefen Barkai, Dekel Adin, Shaul Amir, Itay Exlroad. Israel, Germany, France, Switzerland A GENTLE CREATURE (KROTKAYA) – An unnamed woman, trying to reach her imprisoned husband, descends into the bureaucratic hell of the Russian penal system in this masterful epic. DIR Sergei Loznitsa. SCR Sergei Loznitsa. CAST Vasilina Makovtseva, Marina Kleshcheva, Lia Akhedzhakova, Valeriu Andriuta, Boris Kamorzin, Sergei Kolesov. France, Germany, Lithuania, The Netherlands HAPPY END – Austrian auteur Michael Haneke returns with another chilling masterwork starring Isabelle Huppert and Jean-Louis Trintignant, focusing on a dysfunctional wealthy family. DIR Michael Haneke. SCR Michael Haneke. CAST Isabelle Huppert, Jean-Louis Trintignant, Mathieu Kassovitz, Fantine Harduin, Franz Rogowski, Laura Verlinden, Aurelia Petit, Toby Jones. France, Austria, Germany HOCHELAGA, LAND OF SOULS (HOCHELAGA, TERRE DES ÂMES) – The history of Montreal is told with a poetic, episodic structure in this time-jumping drama, arriving in the year of Canada’s 150th anniversary. DIR François Girard. SCR François Girard. CAST Samian, Vincent Perez, Raoul Trujillo, Wahiakeron Gilbert, Emmanuel Schwartz, Tanaya Beatty, David La Haye, Sébastien Ricard, Siân Phillips, Linus Roache, Gilles Renaud, Naïade Aoun, Tony Nardi. Canada IN THE FADE (AUS DEM NICHTS) – Diane Kruger gives a career-topping performance in Fatih Akin’s complex thriller that follows a woman’s search for justice after an act of terrorism shatters her life. DIR Fatih Akin. SCR Fatih Akin, Hark Bohm. CAST Diane Kruger, Denis Moschitto, Johannes Krisch, Samia Chancrin, Numan Acar, Ulrich Tukur, Rafael Santana, Hanna Hilsdorf. Germany, France THE INSULT (L’INSULTE) – When a Palestinian refugee and a Christian nationalist have a fateful crossing of paths, long-simmering tensions in modern-day Lebanon rise to the surface — and spiral out of control. DIR Ziad Doueiri. SCR Ziad Doueiri, Joëlle Touma. CAST Adel Karam, Kamel El Basha, Camille Salameh, Diamand Bou Abboud, Rita Hayek, Talal El Jurdi, Christine Choueiri, Julia Kassar, Rifaat Torbey, Carlos Chahine. Lebanon, France LOVELESS (NELYUBOV) – Russian auteur Andrey Zvyagintsev returns to AFI FEST with a gut-wrenching drama about a divorcing couple who just want to offload their young son — that is, until he disappears. DIR Andrey Zvyagintsev. SCR Oleg Negin, Andrey Zvyagintsev. CAST Maryana Spivak, Alexey Rozin, Matvey Novikov, Marina Vasilyeva, Andris Keishs, Alexey Fateev. Russia, France, Belgium, Germany A MAN OF INTEGRITY – When an Iranian farmer refuses to play ball with corrupt local thugs, he soon learns the steep price for holding onto his principles. DIR Mohammad Rasoulof. SCR Mohammad Rasoulof. CAST Reza Akhlaghirad, Soudabeh Beizaee, Nasim Adabi, Missagh Zareh, Zeinab Shabani, Zhila Shahi, Majib Potki. Iran MARLINA THE MURDERER IN FOUR ACTS (MARLINA SI PEMBUNUH DALAM EMPAT BABAK) – A humble Indonesian woman becomes a stealthy master of revenge in this modern feminist Western. DIR Mouly Surya. SCR Mouly Surya, Rama Adi. CAST Marsha Timothy, Dea Panendra, Yoga Pratama, Egi Fedly. Indonesia, France, Malaysia, Thailand MR. LONG – In this deft, soulful work of genre filmmaking, a notorious hitman trying to allude gangsters finds refuge in a dilapidated part of Tokyo, where he befriends a troubled mother and her child. DIR SABU. SCR SABU. CAST Chang Chen, Sho Aoyagi, Yiti Yao, Runyin Bai. Japan, Hong Kong, China, Taiwan, Germany MRS HYDE (MADAME HYDE) – Isabelle Huppert is sublime as MADAME HYDE, a meek chemistry teacher who experiences a fantastic awakening following a lab accident. DIR Serge Bozon. SCR Axelle Ropert, Serge Bozon. CAST Isabelle Huppert, Romain Duris, José Garcia, Adda Senani, Guillaume Verdier, Patricia Barzyk, Pierre Léon, Jamal Barbouche. France, Belgium NEWTON – An idealistic election monitor is determined to make the voices of 76 villagers heard in this humorous and humanistic portrait of Indian democracy. DIR Amit V Masurkar. SCR Mayank Tewari, Amit V Masurkar. CAST Rajkummar Rao, Pankaj Tripathi, Anjali Patil, Raghubir Yadav. India ON BODY AND SOUL (TESTRŐL ÉS LÉLEKRŐL) – In this Berlinale Golden Bear winner, two very different employees at a slaughterhouse discover they share the same dreams at night. DIR Ildikó Enyedi. SCR Ildikó Enyedi. CAST Alexandra Borbély, Géza Morcsányi, Réka Tenki, Zoltán Schneider, Ervin Nagy, Pál Mácsai, Itala Békés, Tamás Jordán, Éva Bata. Hungary THE OTHER SIDE OF HOPE (TOIVON TUOLLA PUOLEN) – Finnish auteur Aki Kaurismäki turns his sights on a Syrian refugee in Helsinki in this moving, hopeful and hilariously deadpan masterwork. DIR Aki Kaurismäki. SCR Aki Kaurismäki. CAST Sherwan Haji, Sakari Kuosmanen, Ilkka Koivula, Janne Hyytiäinen, Nuppu Koivu, Kaija Pakarinen, Niroz Haji, Simon Hussein Al-Bazoon. Finland, Germany A SEASON IN FRANCE (UNE SAISON EN FRANCE) – A migrant from the Central African Republic struggles to gain asylum in France and raise his two children in this urgently empathetic new work from Chadian auteur Mahamat-Saleh Haroun. DIR Mahamat-Saleh Haroun. SCR Mahamat-Saleh Haroun. CAST Eriq Ebouaney, Sandrine Bonnaire, Aalayna Lys, Ibrahim Burama Darboe, Bibi Tanga, Léonie Simaga, Régine Conas, Khampha Thammavongsa. France A SKIN SO SOFT (TA PEAU SI LISSE) – Denis Côté returns to AFI FEST with this hybrid documentary examining hyper-masculinity within a group of Québécois bodybuilders. DIR Denis Côté. SCR Denis Côté. CAST Alexis Légaré, Benoit Lapierre, Cédric Doyon, Jean-François Bouchard, Ronald Yang, Maxim Lemire. Canada SPOOR (POKOT) – Polish master Agnieszka Holland delivers an animal rights murder mystery for the ages in this genre-bending, gloriously twisted thriller. DIR Agnieszka Holland. SCR Olga Tokarczuk, Agnieszka Holland. CAST Agnieszka Mandat, Wiktor Zborowski, Miroslav Krobot, Jakub Gierszał, Patricia Volny, Tomasz Kot, Borys Szyc, Andrzej Grabowski. Poland, Germany, Czech Republic, Sweden, Slovak Republic SWEET COUNTRY – An Aboriginal man and his wife are forced to go on the run into the Outback in this brilliant, heart-rending revisionist Western set in 1929 Australia. DIR Warwick Thornton. SCR David Tranter, Steven McGregor. CAST Sam Neill, Bryan Brown, Ewen Leslie, Hamilton Morris, Thomas M. Wright, Matt Day, Natassia Gorey-Furber. Australia THELMA – A young Norwegian woman from a devoutly Christian background begins experiencing fantastic powers in the latest work from Joachim Trier. DIR Joachim Trier. SCR Eskil Vogt, Joachim Trier. CAST Eili Harboe, Kaya Wilkins, Henrik Rafaelsen, Ellen Dorrit Petersen, Grethe Eltervåg, Marte Magnusdotter Solem, Anders Mossling, Vanessa Borgli, Steinar Klouman Hallert, Ingrid Giæver, Oskar Pask, Gorm Grømer, Camilla Belsvik, Martha Kjørven. Norway, Sweden, France, Denmark WAJIB – A Palestinian father and son deal with ideological differences as they drive around Nazareth delivering wedding invitations in this moving, subtle drama. DIR Annemarie Jacir. SCR Annemarie Jacir. CAST Mohammad Bakri, Saleh Bakri, Maria Zreik, Rana Alamuddin. Palestine, France, Germany, Colombia, Norway, Qatar, United Arab Emirates WALKING PAST THE FUTURE (LU GUO WEI LAI) – A young woman and her family deal with the fallout of widespread factory layoffs in this elegant portrait of the socioeconomic realities of contemporary China. DIR Li Ruijun. SCR Li Ruijun. CAST Yang Zishan, Yin Fang. China WESTERN – Masculine hostility and violence simmer to the surface in this slow-burn masterstroke from new German auteur Valeska Grisebach. DIR Valeska Grisebach. SCR Valeska Grisebach. CAST Meinhard Neumann, Reinhardt Wetrek, Syuleyman Alilov Letifov, Veneta Frangova, Vyara Borisova, Kevin Bashev. Germany, Bulgaria, Austria THE WORKSHOP (L’ATELIER) – Facing a dangerous threat, a Parisian teacher must teach her students how to stand up for what’s right in the latest film from Laurent Cantet (Palme d’Or winner THE CLASS). DIR Laurent Cantet. SCR Robin Campillo, Laurent Cantet. CAST Marina Foïs, Matthieu Lucci, Warda Rammach, Issam Talbi, Florian Beaujean, Mamadou Doumbia, Julien Souve, Mélissa Guilbert, Olivier Thouret, Lény Sellam. FranceMIDNIGHT
GOOD MANNERS (AS BOAS MANEIRAS) – Clara gets a nanny job for a high-class woman with an intensifying hunger for meat in this genre-bending tale of love, sacrifice and compassion. DIR Juliana Rojas, Marco Dutra. SCR Juliana Rojas, Marco Dutra. CAST Isabél Zuaa, Marjorie Estiano, Miguel Lobo. Brazil, France LET THE CORPSES TAN (LAISSEZ BRONZER LES CADAVRES) – A sun-soaked adventure fueled by machine-gunfire and leather, LET THE CORPSES TAN is an audacious heist film with style to burn. DIR Hélène Cattet, Bruno Forzani. SCR Hélène Cattet, Bruno Forzani. CAST Elina Löwensohn, Stéphane Ferrara, Hervé Sogne, Bernie Bonvoisin, Pierre Nisse, Marc Barbé, Michelangelo Marchese. Belgium, France V.I.P. – A buttoned-up federal agent, a world-weary cop and a mysterious lone wolf join forces to take down a serial killer in this tense Korean thriller. DIR Park Hoon-Jung. SCR Park Hoon-Jung. CAST Jang Dong-gun, Kim Myung-min, Park Hee-soon, Lee Jong-suk. South KoreaYOUTH AND FAMILY
THE BREADWINNER – This timely, inspiring and beautifully animated tale follows an 11-year-old girl growing up under the Taliban in Afghanistan, who must disguise herself as a boy to support her family. DIR Nora Twomey. SCR Anita Doron. CAST Saara Chaudry, Soma Chhaya, Laara Sadiq, Shaista Latif, Ali Badshah, Kawa Ada, Noorin Gulamgaus. Canada, Ireland, Luxembourg MARY AND THE WITCH’S FLOWER (MEARI TO MAJO NO HANA) – Based on Mary Stewart’s 1971 children’s book “The Little Broomstick,” this film tells the story of a young girl who discovers a flower that grants magical powers, but only for one night. DIR Hiromasa Yonebayashi. SCR Riko Sakaguchi, Hiromasa Yonebayashi. CAST Ruby Barnhill, Kate Winslet, Jim Broadbent, Ewen Bremner, Lynda Baron. Japan AFI FEST takes place November 9 to 16, 2017, in the heart of Hollywood. Screenings, Galas and other events will be held at the TCL Chinese Theatre, the TCL Chinese 6 Theatres, the Egyptian Theatre, Dolby Cinema at the Vine, the Mark Goodson Screening Room at the American Film Institute and The Hollywood Roosevelt.
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Flickers’ Vortex Sci-Fi, Fantasy, and Horror Film Festival Awards – CHARISMATA Wins Grand Jury Award
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Charismata directed by Tor Mian[/caption]
A phantasmagoric symphony of international genre films were given there due with the wrap of the 18th Flickers’ Vortex Sci-Fi, Fantasy, and Horror Film Festival through adjudicated awards; with Charismata directed by Tor Mian winning the Grand Jury prize for Best Feature Film.
Charismata is a psychological horror about a police detective whose sanity begins to unravel as she investigates a series of brutal ritualistic murders.
https://www.youtube.com/watch?v=DuZDxviLXVg
“We made a concerted effort this year to expand our programming to include a dynamic mix of the Horror, Fantasy, and Sci-Fi genres,” said Shawn Quirk, Program Director of the Flickers’ Rhode Island International Film Festival, which produces the Vortex sidebar. “These films represent the vanguard of genre filmmaking from across the globe, and showcase a rising generation of filmmakers, who are redefining genre films for the next generation of cinephiles.
“These filmmakers are leaders of tomorrow’s entertainment industry, and it’s our mission to empower them and help them move forward in their respective careers through showcasing their work.”
The next edition of the Flickers’ Vortex Sci-Fi, Fantasy & Horror Festival will take place October 15-21, 2018.
2017 Flickers’ Vortex Sci-Fi, Fantasy, and Horror Film Festival Award Winners
BEST SCI-FI SHORT FILM
GRAND PRIZE: My Best Friend Is Stuck on the Ceiling | Matthew Vesely, Director | 10 min. Australia, 2015. First Prize: Real Artists | Cameo Wood, Director | 12 min. | USA, 2017.BEST FANTASY SHORT FILM
GRAND PRIZE: Ovum | Luciano Blotta, Director | 17 min. USA, 2016. First Prize: Nimmer | Lieven Vanhove, Director | 16 min. Belgium, 2016.BEST HORROR SHORT FILM
GRAND PRIZE: Robb’s Problem | Dianna Ippolito, Director | 19 min. USA, 2017. First Prize: When Demons Die | Daniel Rübesam, Director | 19 min. Germany, 2016.BEST ANIMATED SHORT FILM
GRAND PRIZE: Meeting MacGuffin | Catya Plate, Director | 10 min. USA, 2017. First Prize: Garden Party | Théophile Dufresne, Director | 8 min. | France, 2016.BEST FEATURE FILM
GRAND PRIZE: Charismata | Tor Mian, Director | 96 min. United Kingdom, 2017. DIRECTORIAL DISCOVERY AWARD: Red Ruby | Jose Holder, Director | 21 min. Canada, 2016.
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Zoe Hopkins’ KAYAK TO KLEMTU Wins Audience Award at imagineNATIVE Film + Media Arts Festival
Kayak to Klemtu by Zoe Hopkins has been voted the winner of the Air Canada Audience Choice Award at the 2017 imagineNATIVE Film + Media Arts Festival.
Kayak to Klemtu, which had it’s world premiere at the festival, is the first feature film by Zoe Hopkins.
When Dave Ellis (Evan Adams), a prominent Kitasoo/Xai’Xais activist, passes away, his 14-year-old niece Ella (Ta’Kaiya Blaney) makes it her mission to take his ashes home to Klemtu and stand in his place at a community gathering against a proposed pipeline that would bring oil tankers through their beloved homeland waters. Strengthened by her determination and her youthful spirit, Ella embarks on the kayak journey she planned to take with her Uncle Dave through the Inside Passage along the beautiful shores of the Great Bear Rainforest. Along for the journey are her aunt, cousin, and her cranky uncle Don (Lorne Cardinal). It’s a race against the clock, as the four paddle to make the community gathering in time for Ella to give the speech of her life.
The central character in Kayak to Klemtu aims to stop tanker traffic along the coast of the Great Bear Rainforest, in order to prevent oil and fuel spills in her people’s territory. Days after principal photography wrapped, a tug boat ran aground near Director Zoe Hopkins’ home community of Bella Bella, BC where she was born, and where they shot several important scenes for the film. Over 100,000 liters of diesel and heavy fuels were spilled into their clam beds.
https://www.youtube.com/watch?v=UqaVf35VuuQ
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I, TONYA is Second Closing Night Film of Austin Film Festival | Trailer
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I, TONYA[/caption]
I, TONYA, the darkly comedic tale of American figure skater Tonya Harding and one of the most sensational scandals in sports history, will serve as the second Closing Night Film of the 2017 Austin Film Festival. Directed by Craig Gillespie, I TONYA stars Margot Robbie as Harding, Sebastian Stan as her ex-husband Jeff Gillooly, and Allison Janney as Harding’s acid-tongued mother.
https://www.youtube.com/watch?v=c_weoC3HT6Q
AFF’s other Closing Night Film, already announced, is Chappaquiddick, which details the drowning of campaign specialist Mary Jo Kopechne while trapped in a car that Senator Ted Kennedy drove off a bridge and later failed to report.
AFF will also be welcoming esteemed multi-hyphenate Robert Townsend, most famous for co-writing, directing, and starring in boundary-pushing comedy Hollywood Shuffle. Townsend will participate in AFF’s Writers Conference, and will also present AFF’s Extraordinary Contribution to Television award to Keenen Ivory Wayans, with whom he co-wrote Hollywood Shuffle.
Also slated to attend AFF this year are Jennifer Morrison (House, Once Upon a Time) for her film Sun Dogs, producer Matt Tolmach (The Amazing Spider-Man, Jumanji: Welcome to the Jungle) for Paige Tolmach’s documentary What Haunts Us, and actor/director James Keach (Walk the Line, Glen Campbell: I’ll Be Me) for his new documentary Augie.
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‘Roman J. Israel, Esq.’ and ‘Mudbound’ Added as Centerpiece Selections of Austin Film Festival
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Mudbound[/caption]
The 2017 Austin Film Festival (AFF), has added to its lineup, Dan Gilroy’s dramatic thriller Roman J. Israel, Esq. and Dee Rees’ epic period piece Mudbound as Centerpiece selections this Sunday, October 29th.
Roman J. Israel, Esq. stars Denzel Washington as a driven, idealistic defense attorney whose life is upended when a turbulent series of events challenge the activism that has defined his career. Colin Farrell costars as the ambitious, monied lawyer who recruits Roman to his firm. Dan Gilroy, who wrote and directed Roman, will be in attendance to present the film and lead a panel as part of AFF’s Writers Conference. Gilroy’s past work includes Nightcrawler, The Bourne Legacy, and Kong: Skull Island.
Set in the rural American South during World War II, Dee Rees’s Mudbound is an epic story of two families pitted against one another by a ruthless social hierarchy, yet bound together by the shared farmland of the Mississippi Delta. The film stars Carey Mulligan, Garrett Hedlund, Jason Mitchell, Mary J. Blige, and Jason Clarke. Co-writer Virgil Williams will be in attendance to present the film and participate in the Writers Conference.
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53rd Chicago International Film Festival Awards – A SORT OF FAMILY Wins Gold Hugo
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A Sort of Family[/caption]
Diego Lerman’s A Sort of Family took home the top prize at the 2017 Chicago International Film Festival, the Gold Hugo, in the International Feature Film Competition. A Sort of Family, which had its U.S. premiere in Chicago, tells the story of a doctor’s desperate journey to adopt a baby girl.
The Silver Hugo for Best Director was awarded to Joanna Kos-Krause and co-director Krzysztof Krauze for Birds Are Singing in Kigali (Poland), and the Silver Hugo Special Jury Prize was awarded to Félicité, (Senegal, France, Belgium) directed by Alain Gomis. Iranian director Vahid Jalilvand took home top honors in the New Directors Competition with a Gold Hugo for No Date, No Signature, and the Silver Hugo was awarded to Milad Alami for The Charmer (Denmark).
The Roger Ebert Award, presented to an emerging filmmaker with a fresh and uncompromising vision by Chaz Ebert, was awarded to Colombian director Laura Mora for Killing Jesús, and the Chicago Award was taken home by Stephen Cone for Princess Cyd.
The Founder’s Award, given to one film across all categories that captures the spirit of the Chicago International Film Festival for its unique and innovative approach to the art of the moving image, was presented to Guillermo Del Toro’s The Shape of Water.
“All of the films competing for prizes this year were outstanding, and I salute our jury for rising to the daunting task of selecting those that received the top honors,” said Festival Artistic Director Mimi Plauché. “We are proud to honor such a diverse group of films, shining a spotlight on the extraordinary work being created by men and women throughout the world. This year’s honorees span the globe, featuring talent from almost every continent, as well as one who lives only a few miles from the theater.”
2017 Chicago International Film Festival Award Winners
International Feature Film Competition
Gold Hugo A Sort of Family (Una especie de familia), Dir. Diego Lerman, Argentina. This film amazed the jury in two ways that are difficult to achieve by themselves and even more difficult together. At a personal level, it delivers a journey of wrenching twists, maintaining tension while also enabling empathy with a complicated, sometimes reckless character in an impossible situation. At a political level, it draws attention to systemic abuses of women, especially poor women, that transpire all over our world. A Sort of Family synthesizes these two tracks seamlessly, with sterling craftsmanship and superb performances throughout. Best Director Birds Are Singing in Kigali (Ptaki śpiewają w Kigali), Dirs. Joanna Kos-Krauze and Krzysztof Krauze, Poland. This film sets itself a huge challenge, both artistic and ethical, of evoking a tragedy without simply re-staging its events or relying on sentimentality to move its audience. The tough, inventive direction allows such risks to pay off, alternating between realist and poetic styles in ways that achieve a tremendous emotional force, expanding the boundaries for how trauma can be commemorated on screen. The jury acknowledges with sorrow the many places around the globe where this story remains relevant, and honors Joanna Kos-Krauze as well as, posthumously, her late husband and co-director, Krzysztof Krauze. Silver Hugo Jury Prize Félicité, Dir. Alain Gomis, Senegal, France, Belgium. This movie transports its audience to a vividly evoked community in Kinshasa, without indulging the stereotypes by which Africa is often depicted on screen. Instead, we meet a tenacious, complex heroine who insists on living by her own terms, even amid situations that deprive her of easy choices. The music in the movie is unforgettable, and its structure is itself musical, building in unexpected movements, interludes, and crescendos toward its rewarding conclusion. Silver Hugo Best Actresses Awarded ex-aequo to Jowita Budnik and Eliane Umuhire in Birds are Singing in Kigali (Ptaki śpiewają w Kigali), Dirs. Joanna Kos-Krauze and Krzysztof Krauze, Poland. The only way to honor these two performances, so dissimilar in style yet perfectly in sync, is to award a joint citation. Each actress brought depth and power to the scenes that emphasized her character, making Anna and Claudine accessible to the audience without divulging all their secrets. When acting together, they conveyed a unique symbiosis, sometimes painful, sometimes comforting, that will bond these women forever. Silver Hugo Best Actor Awarded to Aleksandr Yatsenko in Arrhythmia, Dir. Boris Khlebnikov, Russia, Finland, Germany The versatile Yatsenko, maintaining his fruitful collaboration with director Boris Khlebnikov, hits a new creative peak as a skillful but unreliable paramedic, eliciting the audience’s contempt at times and its sympathy at others. The actor finds endless degrees of human imperfection between these two poles, giving a performance that allows the whole movie to work. Silver Plaque Best Screenplay Awarded to Mohammad Rasoulof for A Man of Integrity (Lerd), Dir. Mohammad Rasoulof, Iran. Early on, this film introduces us to many different facets of its main character’s life that barely seem to relate. Gradually and powerfully, the script teases out the connections, all of which culminate in a haunting finale. This structure requires patience and discipline from its writer-director Mohammad Rasoulof. In a festival full of modern spins on film noir, he gives us one of the best, set in an unlikely place. Silver Plaque Best Cinematography Awarded to Chayse Irvin for Hannah, Dir. Andreas Pallaoro, Italy, France, Belgium. Hannah tells the story of a very guarded woman and is itself a guarded film, refusing to spell out the motives or contexts behind a lonely woman’s behavior. The images, then, must convey feelings and ideas that the screenplay and character will not. Through meticulous composition, unexpected framing, and a finely calibrated color palette, they do just that. Best Art Direction Awarded to Václav Novak for The Line (Čiara), Dir. Peter Bebjak, Slovakia, Ukraine, Czech Republic. The jury marveled at the natural locations in The Line, all expertly chosen and photographed. The built environments, too, abound with subtle and character-revealing detail. Without calling undue attention to itself, the scenery always served the entertaining story, while colorfully avoiding the visual clichés one might expect from a tribute to film noir.Founders Award
The Shape of Water, Dir. Guillermo Del Toro, USA The Founders Award is personally presented by Festival Founder Michael Kutza to the single film he feels best embodies the spirit of curiosity, optimism and love of film that led to his starting the Chicago International Film Festival 53-year ago. “The Shape of Water is beautiful, inspiring and the epitome of why I love the movies,” remarked Kutza. “Del Toro is a master filmmaker, and this is one of his most magnificent films to date.”New Directors Competition
Gold Hugo No Date, No Signature (Bedoune Tarikh, Bedoune Emza). Dir. Vahid Jalilvand, Iran. The Gold Hugo goes to Vahid Jalilvand’s No Date, No Signature (Iran) for the austere beauty of its imagery and the satisfying complexity with which this assured second feature explores dilemmas of guilt and grief in a medical examiner who may or may not have accidentally killed a small boy. Silver Hugo The Charmer (Charmøren), Dir. Milad Alami, Denmark. The Silver Hugo goes to Milad Alami’s The Charmer (Denmark), a gripping, beautifully lensed drama that continues to haunt us with its portrayal of paranoia and frayed human connection. The journey of an Iranian man seeking courtship in Denmark culminates in a final sequence so startling and deftly executed that it is guaranteed to provoke debate for years to come. Roger Ebert Award Killing Jesús (Matar a Jesús), Dir. Laura Mora, Colombia, Argentina. The Roger Ebert Award goes to Laura Mora’s Killing Jesús (Colombia), which contains the richest example of a quality Roger Ebert treasured in cinema. Mora’s lead heroine tracks down her father’s killer initially in pursuit of vengeance, until she realizes that his crime was merely a symptom of a corrupted society. The film is wise and perceptive in its suggestion that empathy itself can serve as a form of catharsis.Documentary Competition
Gold Hugo The Other Side of the Wall (Al otro lado del muro), Dir. Pau Ortiz, Spain, Mexico. The Gold Hugo goes to The Other Side of the Wall, a film with two of the most riveting characters we’ve had the pleasure to see in a documentary. With intimate access, filmmaker Pau Ortiz tells the poignant story of a family in the midst of crisis, struggling to survive with their matriarch incarcerated. With extraordinary sensitivity, Ortiz presents their lives as an unflinching portrait of the ties that bind. Silver Hugo Mr. Gay Syria, Dir. Ayse Toprak, France, Germany, Turkey. The Silver Hugo goes to Mr. Gay Syria directed by Ayse Toprak, a film that looks at the Syrian refugee crisis through the lens of the LGBT community. At times sad and at times humorous, she captures a slice of life of a community in transition.Out-Look Competition
Gold Q-Hugo BPM (120 battements par minute), Dir. Robin Campillo, France. The Gold Q Hugo Film Award goes to BPM-Beats Per Minute (France) for its necessary honesty, unmatched portrayal of love and loss, but most importantly for embodying what it really means to make the personal political. Silver Q-Hugo God’s Own Country, Dir. Francis Lee, United Kingdom. The Silver Q Hugo Film Award goes to God’s Own Country (UK) for its simple yet robust exploration of masculinity, desire, and unspoken intimacy within our most important relationships.Chicago Award
Princess Cyd, Dir. Stephen Cone, USA. Princess Cyd won for its clear tonality, lyrical storytelling, and graceful authenticity. With strong writing and relatable characters, director Stephen Cone crafts a very honest, very human story that features a capable and complex female lead. The entire cast plays a substantial role in bringing a subtle delicacy to this coming-of-age story, set against an intimate Chicago backdrop.Documentary Short Film Competition
Silver Hugo The Rabbit Hunt, Dir. Patrick Bresnan, USA. No shot is wasted in this epic 12-minute observational documentary gem. It is truly our privilege to be invited on this journey as seventeen-year-old Chris and his family partake in a local right of passage as well as making ends meet while living in an industrial community in the Florida Everglades. Masterful and precise. Gold Plaque The Streets Are Ours: Two Lives Cross in Karachi, Dir. Michelle Fiordaliso, USA. The Streets Are Ours: Two Lives Cross in Karachi chronicles two women who stand es examples of the ongoing struggle in Pakistan to open up creative and democratic spaces where people of all genders, sexual orientations, creeds and colors can express themselves freely and without fear. This film is a way to inspire people to voice their stories and to work with passion in order to overcome intolerance and silence. Special Mention The Painted Calf, Dir. David Pantaleón, Spain. With its biblical soundtrack and the Canary Islands as a backdrop, this documentary is a reminder that film can say so much about a small place in the world simply through song, cinematography, and pacing. The Painted Calf is a special film because despite its simple story, the film transports the viewer visually, sonically, and most importantly patiently.Animated Short Film Competition
Silver Hugo Airport, Dir. Michaela Müller, Switzerland, Croatia. Great art can make you feel like you are living an experience. Watching Airport gave us all the sensation we were in that space. A film that takes us to a place we don’t want to go in the most kinetic, sensual way possible. An ominous, topical film that is never heavy-handed. Gold Plaque Drop by Drop, Dirs. Xá, Laura Gonçalves, Portugal. Great transitions and flow combine to create a moving portrait of diminishing returns. Special Mention Beyond Fields of Paper, Dir. Yiyi Ma, USA Special mention to Yiyi Ma for her moving portrait of an artist in transition.Narrative Short Film Competition
Gold Hugo Night Shift, Dir. Marshall Tyler, USA. The jury awards the Gold Hugo to Night Shift for developing a rich character whose Dantesque journey of colorful self-reflection inspires us to break free and gamble on ourselves. Silver Hugo A Gentle Night, Dir. Qui Yang, China. The jury awards the Silver Hugo to A Gentle Night for it’s challenging look at familial complacency, which is exposed when cultural barriers are breached during a crisis. Special Mention Fucking Bunnies, Dir. Teemu Niukkanen, Finland. The jury would like to offer special mention to Fucking Bunnies for its humorous take on finding common ground and celebrating our differences.
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MY FATHER’s WINGS Wins Grand Prix Award at Cape Town International Film Festival
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My Father’s Wings by Kivanç Sezer[/caption]
The 2017 Cape Town International Film Market & Festival announced its winners – with My Father’s Wings by Kivanç Sezer winning the Grand Prix Award, and Catching Feelings by Kagiso Lediga winning the award for Best South African Feature Film.
Over the ten days of the festival, energy of local young filmmakers combined with the enthusiasm from the many local and international experts, professionals and guest speakers, has proven that Cape Town’s film industry is thriving.
Pitching Competition
The winner of this year’s prize worth $20 000 is Nathan Theys, for Ronald. The runner-up prize worth $10,000 awarded to Brett Michael Innes for Callus.South African Short Film –Honorable Mentions
Jaap by Ian Morgan Meticulously crafted, Jaap may start off with stereotypes, but the characters turn out well-rounded in the end. Director Ian Morgan has created a quirky, funny, poignant and endearing road trip movie. Post by Jesse Brown Post is an immersive sensory experience. A short, hand-held camera documentary it paints a portrait of filmmaker Jesse Brown’s grandfather, showing off an intimacy between the two that is both playful and real, yet sublime.Best Short Film
Intergalactic Samurai by Hagar Ben-Asher Well-rounded, polished, emotionally visceral and with an ending to make your hair stand on end, this story of two young Ethiopian girls in Israel will subtly teach you something you didn’t know. The story about identity is universal but will be of relevance to South Africans. The superb performance Hagar Ben-Asher gets out of her two characters immediately grabbed us and left us gasping is Intergalactic Samurai.Best Actor
Pankaj Tripathi as Salim in Mango DreamsBest Actress
Antoinette Louw as Molly Fischer in An Act of DefianceBest Script
Jean van der Velde for An Act of DefianceBest Editing
Mustafa Presheva for Ayla: The Daughter of WarBest Cinematography
Massimo Moschin for The Last ProseccoBest Documentary Film
Hana by Giuseppe Carrieri Giuseppe Carrieri ‘s Hana was selected for its real documented incidents in 4 different countries concerning a human issue, connecting through the pain and the high Film language a well-made story telling documentaryBest LGBT Film
Special Mention Award KA Bodyscapes by Jayan K. Cherian In India homosexuality is criminalized in law, with high levels of persecution and harassment. In this context, KA Bodyscapes is a courageous film. It is a film about working class LGBT people struggling against both homophobia and sexism. Set in Kerala, the film weaves together several narratives that highlight the vulnerabilities of economic marginalization, violence, state harassment, and powerful queer resistance, in the daily realties of women and LGBT people. Best LGBT Film Heartstone by Guðmundur Arnar Guðmundsson This is an extraordinarily crafted film, dealing with the crisis in contemporary masculinity and how a heteronormative structure damages all genders and sexualities. It is a coming of age story of young people that mirrors the harsh and isolated, yet breathtaking, Icelandic fishing village in which it is set. Heartstone is a stunning debut feature with raw, visceral performances, sensitive directing, truthful screenwriting and poetic cinematography.Best South African Feature Film
Catching Feelings by Kagiso Lediga The film is a refreshing film that not only showcases the talent of its writer and director but also introduces the audience to characters and conversations that they will recognize instantly from their own lives. Well executed and vibrant, it is a love letter to Johannesburg and a deserving addition to the canon of South African cinema.Best New Director
Manouj Kadaamh for HorizonBest Director
Visa Koiso-Kantilla- Star BoysGrand Prix Award
Kivanç Sezer for My Father’s Wings

Film Stars Don’t Die in Liverpool[/caption]
The American Film Institute announced the films that will play in the Special Screenings, Cinema’s Legacy and Shorts sections at