“Bob Paine (played by Matthieson McCrae) explores the Pacific Northwest in search of a natural laboratory.” From THE SERENGETI RULES. Photo credit: Nicolas Brown.[/caption]
Check out the beautiful and breath-taking trailer for The Serengeti Rules, a film that follows five pioneering scientists exploring some of the most remote and spectacular places on Earth.
Directed by Emmy and BAFTA award-winning filmmaker Nicolas Brown, The Serengeti Rules, will world premiere at the 2018 Tribeca Film Festival.
Beginning in the 1960s, a small band of young scientists headed out into the wilderness, driven by an insatiable curiosity about how nature works. Immersed in some of the most remote and spectacular places on Earth—from the majestic Serengeti to the Amazon jungle; from the Arctic Ocean to Pacific tide pools—they discovered a single set of rules that govern all life. Now in the twilight of their eminent careers, these five unsung heroes of modern ecology—Bob Paine, Jim Estes, Mary Power, Tony Sinclair, and John Terborgh—share the stories of their adventures, and how their pioneering work flipped our view of nature on its head. Across the globe, they discovered that among the millions of species on our planet, some are far more important than others. They called these species “keystones,” because they hold the natural world together. The role of keystones is both revelatory and surprising: sea otters help kelp forests flourish, supporting everything from salmon to eagles; wolves enable rivers to run clear and help forests thrive; and the humble wildebeest controls the numbers of trees, butterflies, elephants, and even giraffes on the savanna.
Unfortunately, these deep connections also work in reverse. When keystones are removed, ecosystems unravel and collapse—a phenomenon no one had imagined—or understood until their revolutionary discoveries. But with new knowledge also comes new hope, and these same visionaries reveal the remarkable resilience of nature—and how the rules they discovered can be used to upgrade and restore the natural world. They give us the chance to reimagine the world as it could and should be.
Based on the book by Sean B. Carroll, The Serengeti Rules will forever change the way we see nature. The film will be accompanied by a media and impact campaign to shine a light on restoration projects across the world.
Film Festivals
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5 Scientists Explore Some of the Most Spectacular Places on Earth in Trailer for “The Serengeti Rules”
[caption id="attachment_27521" align="aligncenter" width="1200"] “Bob Paine (played by Matthieson McCrae) explores the Pacific Northwest in search of a natural laboratory.” From THE SERENGETI RULES. Photo credit: Nicolas Brown.[/caption]
Check out the beautiful and breath-taking trailer for The Serengeti Rules, a film that follows five pioneering scientists exploring some of the most remote and spectacular places on Earth.
Directed by Emmy and BAFTA award-winning filmmaker Nicolas Brown, The Serengeti Rules, will world premiere at the 2018 Tribeca Film Festival.
Beginning in the 1960s, a small band of young scientists headed out into the wilderness, driven by an insatiable curiosity about how nature works. Immersed in some of the most remote and spectacular places on Earth—from the majestic Serengeti to the Amazon jungle; from the Arctic Ocean to Pacific tide pools—they discovered a single set of rules that govern all life. Now in the twilight of their eminent careers, these five unsung heroes of modern ecology—Bob Paine, Jim Estes, Mary Power, Tony Sinclair, and John Terborgh—share the stories of their adventures, and how their pioneering work flipped our view of nature on its head. Across the globe, they discovered that among the millions of species on our planet, some are far more important than others. They called these species “keystones,” because they hold the natural world together. The role of keystones is both revelatory and surprising: sea otters help kelp forests flourish, supporting everything from salmon to eagles; wolves enable rivers to run clear and help forests thrive; and the humble wildebeest controls the numbers of trees, butterflies, elephants, and even giraffes on the savanna.
Unfortunately, these deep connections also work in reverse. When keystones are removed, ecosystems unravel and collapse—a phenomenon no one had imagined—or understood until their revolutionary discoveries. But with new knowledge also comes new hope, and these same visionaries reveal the remarkable resilience of nature—and how the rules they discovered can be used to upgrade and restore the natural world. They give us the chance to reimagine the world as it could and should be.
Based on the book by Sean B. Carroll, The Serengeti Rules will forever change the way we see nature. The film will be accompanied by a media and impact campaign to shine a light on restoration projects across the world.
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25th Anniversary of THE FUGITIVE Starring Harrison Ford and Tommy Lee Jones will Open 2018 Ebertfest
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The Fugitive[/caption]
The Fugitive directed by Andrew Davis, and starring Harrison Ford and Tommy Lee Jones, will open this year’s 20th anniversary celebration of Roger Ebert’s Film Festival, co-founded and hosted by Chaz Ebert and also known as ‘Ebertfest.” The Fugitive celebrates its 25th anniversary of release having opened in theaters on August 6, 1993.
“We like to start the festival with a bang and Andy Davis’s award winning film The Fugitive will do just that as our projectionist, James Bond, lights it on our huge screen at the beautiful movie palace, the Virginia Theater,” said co-founder Chaz Ebert. “And that is just for starters. We are really going to celebrate Roger and cinema and the filmmakers and our guests and all that we have shared over these last twenty years. It will be glorious and joyful.”
Additionally, Ebertfest reavealed that 13TH (d. Ava DuVernay), BELLE (d. Amma Asante) and DAUGHTERS OF THE DUST (d. Julie Dash) as the initial films in this year’s slate. The remaining schedule will be announced in the coming weeks.
“What an honor to have these Three Queens of Cinema grace our festival,” said Chaz Ebert. “Ava DuVernay first met Roger outside of the practice arena for the Academy Awards when she was 8 years old. She was accompanied by her aunt whose death later inspired Ava’s poignant independent film, I WILL FOLLOW that Roger gave Thumbs Up. Now she is directing a 100 million dollar movie. But why I am especially thrilled to have her at our 20th anniversary is because of all of the good work she is doing in Hollywood to assure that women and people of color are having opportunities that were not available before. She didn’t stop at her own success, she reached out and invited others to come along.”
Special guests Director Andrew Davis (The Fugitive) Director, Writer and Producer Ava DuVernay (13TH), Director Amma Asante (BELLE) and Director Julie Dash (DAUGHTERS OF THE DUST) will be in attendance and participate in Q&As following their screenings.
The 20th Anniversary of Ebertfest will be held April 18 to 22, 2018 at the Virginia Theatre in Champaign, IL with related talks and panel discussions to be held at the Hyatt Place in Champaign and at the University of Illinois at Urbana-Champaign. This year’s event will be dedicated to its namesake and co-founder, Roger Ebert, and to the festival’s cherished friend, Mary Frances Fagan.
The Fugitive (1993) – Opening Night Film
Directed by Andrew Davis, 130 mins
Special Guest Andrew Davis will be in attendance
Wrongfully accused of murdering his wife, Richard Kimble (Harrison Ford) escapes from the law in an attempt to find her killer and clear his name. Pursuing him is a team of U.S. marshals led by Deputy Samuel Gerard (Tommy Lee Jones), a determined detective who will not rest until Richard is captured. As Richard leads the team through a series of intricate chases, he discovers the secrets behind his wife’s death and struggles to expose the killer before it is too late.
In his 4-star review, Roger Ebert called the film “one of the best entertainments of the year, a tense, taut and expert thriller that becomes something more than that, an allegory about an innocent man in a world prepared to crush him.”
13TH (2016)
Directed by Ava DuVernay, 100 Mins, DCP
Special Guest Ava DuVernay will be in attendance
The title of Ava DuVernay’s extraordinary and galvanizing documentary refers to the 13th Amendment to the Constitution, which reads “Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States.” The progression from that second qualifying clause to the horrors of mass criminalization and the sprawling American prison industry is laid out by DuVernay with bracing lucidity. With a potent mixture of archival footage and testimony from a dazzling array of activists, politicians, historians, and formerly incarcerated women and men, DuVernay creates a work of grand historical synthesis.
In his 4 star review on RogerEbert.com, Odie Henderson wrote that 13TH is “an unflinching, well-informed and thoroughly researched look at the American system of incarceration, specifically how the prison industrial complex affects people of color.”
BELLE (2014)
Directed by Amma Asante, 102 Mins, DCP
Special Guest Amma Asante will be in attendance
BELLE is inspired by the true story of Dido Elizabeth Belle (Gugu Mbatha-Raw), the illegitimate mixed race daughter of Admiral Sir John Lindsay (Matthew Goode). Raised by her aristocratic great-uncle Lord Mansfield (Tom Wilkinson) and his wife (Emily Watson), Belle’s lineage affords her certain privileges, yet her status prevents her from the traditions of noble social standing. While her cousin Elizabeth (Sarah Gadon) chases suitors for marriage, Belle is left on the sidelines wondering if she will ever find love. After meeting an idealistic young vicar’s son bent on changing society, he and Belle help shape Lord Mansfield’s role as Lord Chief Justice to end slavery in England.
“Amma Asante did something that no one ever thought possible, bringing a Jane Austen sensibility to historical issues of race in England in her film ‘Belle’,” said Chaz Ebert. “I can’t wait to welcome her to Ebertfest.”
DAUGHTERS OF THE DUST (1991)
Directed by Julie Dash, 112 Mins
Special Guest Julie Dash will be in attendance
At the dawn of the 20th century, a family in the Gullah community of coastal South Carolina — former West African slaves who adopted many of their ancestors’ Yoruba traditions — suffers a generational split. Young Haagar (Kaycee Moore) wants to move to the mainland away from tradition-bound matriarch Nana (Cora Lee Day). Former prostitute Yellow Mary (Barbara-O) gets a cold shoulder when she returns to the island with her female lover, especially from her sister Viola (Cheryl Lynn Bruce).
Roger Ebert called the film “a tone poem of old memories, a family album in which all of the pictures are taken on the same day” in his 3 star review. He went on to say that “at certain moments we are not sure exactly what is being said or signified, but by the end we understand everything that happened — not in an intellectual way, but in an emotional way.”
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2018 Chattanooga Film Festival Releases FIRST WAVE of Films – LU OVER THE WALL, GHOST STORIES and More …
LU OVER THE WALL With the 5th annual Chattanooga Film Festival just under one month away, the first wave of films are here.
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SXSW 2018: This Is Her Fight – Watch Trailer for Olivia Newman’s FIRST MATCH
Netflix today dropped the trailer for First Match, the first feature film from writer/director Olivia Newman, that is set to World Premiere at SXSW 2018. Following its debut, the film will launch on Netflix on March 30, 2018.
Hardened by years in foster care, a teenage girl from Brooklyn’s Brownsville neighborhood decides that joining the all-boys’ wrestling team is the only way back to her estranged father.
First Match stars Elvire Emanuelle, Yahya Abdul-Mateen II, Colman Domingo, Jharrel Jerome and Jared Kemp. From producers Chanelle Elaine, Veronica Nickel and Bryan Unkeless. https://www.youtube.com/watch?v=Xva2FWNdcD0
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Interactive Web Documentary “LIFE UNDERGROUND” to Premiere at SXSW 2018 | Trailer
Powerful interactive web documentary, “LIFE UNDERGROUND,” created and directed by award winning filmmaker Hervé Cohen, in collaboration with installation artist and media designer Tonian Irving, will debut online March 13th as part of the 2018 SXSW Festival Arts Program. The innovative experience will be available for viewing at life-underground.com in conjunction with a full-scale immersive installation on four large screens that will run daily from March 9 through 15 in room 306 at the JW Marriott.
Life Underground is a constantly evolving, ever-growing testament to the power of personal stories to transcend barriers of race, gender, culture and religion. Filmed in 14 thriving subways around the world, including Los Angeles, Paris, Hong Kong, Berlin and Santiago, Life Underground asks viewers to stop and listen as passengers speak candidly of their hopes, dreams, triumphs and defeats.
Online, Life Underground can be easily navigated using a personal electronic device, allowing viewers to experience as many stories as they desire, as well as to travel inside various train cabins and explore the landscapes of subways on an interactive map.
“This interactive documentary, where metros of the world join to form a unique worldwide underground line, is a platform to explore and instigate a conversation beyond language and cultural difference, while breaking the boundaries that divide us,” said Cohen.
The art installation, which made its world premiere at Los Angeles’ Union Station last January 30th through February 5th, is composed of a series of screens mounted at various angles in order to create the illusion of a staggered, illuminated passageway. Each screen runs a 35-minute loop of original footage, with audio tracks split and distributed separately to dedicated speakers throughout the space. Its sonic companion is an experimental score of music, from composer Brian Rodvien, created using raw sounds of multiple subways, which can be accessed individually on Soundcloud.
The installation allows for different levels of engagement with multiple screens, and will expand with time as Hervé continues to explore the subterranean passageways of the planet in search of the stories that make it move.
To date, 40 intimate stories can be accessed by clicking on the image of a silent individual as they ride a train. Viewers never see the person speak since their vocals were recorded separately. Instead, audiences are invited to watch, as if they were observing a fellow passenger with the added gift of hearing a thoughtful inner monologue.
Pilar in Madrid talks about the challenges of going blind later in life; while Stefanella in Berlin opens up about wanting to become a transgender performer; and Ibra in Brussels reveals the pain of being treated cruelly as an immigrant from Senegal and his dream of one day returning to his native land.
These stories serve as the connective tissue of a global journey composed of the rich sights and sounds of the world’s subways, filmed using a deeply human gaze that captures the depth of quiet moments as readily as it does the excitement of urban bustle. The full installation serves as a time capsule of life in the world’s great cities, speaking to salient themes of diversity, inclusion, classism, urbanization and social welfare.
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SXSW 2018: See New Poster + Trailer for AI Documentary “More Human Than Human”
Check out the new poster and trailer for More Human Than Human, the fascinating new documentary directed by Tommy Pallotta and Femke Wolting that delves into the increasing presence of Artificial Intelligence in our daily lives, and the existential questions it raises for humanity.
More Human Than Human premieres this Saturday March 10th, in the VISIONS section at SXSW 2018.
In this personal, playful and at times dramatic quest, filmmaker Tommy Pallota explores how much of his creativity and human values are at stake as he builds his own robot to replace himself as a filmmaker. The complexity of tasks that smart machines can perform is increasing at an exponential rate. Where will this ultimately take us? If a robot can learn to fold a towel on its own, will it someday be able to cook you dinner, perform surgery, and even conduct a war? This film instigates this debate between futurists and skeptics, about the potential of Artificial Intelligence. The filmmakers take us on a quest of understanding these innovations, opposing views and challenging our aspirations for the future of man and machine.
OFFICIAL SELECTION- SXSW 2018- VISIONS
MORE HUMAN THAN HUMAN
Directed By Tommy Pallotta & Femke Wolting
TRT: 78 min in English
Screening Times
Saturday, March 10 – 1:45 PM – Vimeo Theater
Monday, March 12 – 4:00 PM – Alamo Lamar D
Thursday, March 15 – 6:00 PM – Alamo Lamar A
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French Filmmaker Bertrand Bonello to Chair Cinéfondation and Short Films Jury for Cannes Film Festival
French filmmaker Bertrand Bonello will chair the Cinéfondation and Short Films Jury of the 71st edition of the Festival de Cannes taking place May 8 to 19, 2018. Bonello will succeed Romanian director Cristian Mungiu.
From his very first film (Something Organic, 1998) to Nocturama (2016), Bertrand Bonello has occupied a unique place in the cinematographic landscape. His filmography includes seven feature films and eight short films, all of them highly distinctive. Since 2003, his films have been screened in Competition at the Festival de Cannes: Tiresia (2003), House of Tolerance (2011) and Saint Laurent (2014).
Whether in his portrait of a Brazilian transsexual, the refined but frosty everyday life of a brothel at the close of the nineteenth century, or a virtuoso biopic about creation and the pain it causes, sexual identity and the relationship to the body haunt his work. In his exploration of the troubled margins of our thoughts and desires, Bertrand Bonello ceaselessly questions the boundaries of reality.
Trained as a classical musician, this self-taught artisan works in music and cinema, sound and images, writes the script and composes the music for all his films. His critically acclaimed works reveal an acute mastery of audacity and aesthetics. Preferring perception over traditional narrative, long shots that emphasise the sensoriality of imagery, his worlds conjure up visual and sound experiences that break free of all limits. An admirer of Bresson, Pasolini and Jarmusch, fan of the Godfather and eXistenZ, Bonello seems to gravitate instinctively towards recurrent obsessions.
Bertrand Bonello: “What do we expect from young people, unknown filmmakers and early films? Let them shake us up, let them make us look at what we’re unable to see, let them enjoy the freedom, the sharpness, the recklessness and the daring that we sometimes no longer possess. The Cinéfondation has been working for 20 years to make these voices heard and I’m extremely proud this year to be able to accompany them.”
For his part, Gilles Jacob says of Bonello: “This year will be presided by one of the greatest contemporary directors, an iconoclastic and unique artist. And besides his art, his genuine humanity continues to shine to this day.”
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2018 Chattanooga Film Festival to Open with ROCK STEADY ROW and SUMMER OF ’84 | Trailers
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Caleb Emery, Cory Grüter-Andrew, Judah Lewis and Graham Verchere appear in Summer of ’84 by Francois Simard, Anouk Whissell and Yoann Whissell[/caption]
ROCK STEADY ROW and SUMMER OF ’84, have been selected as the opening night films of the 2018 Chattanooga Film Festival (CFF) slated for April 5 to 8, 2018. The festival will also screen the world premiere of the highly anticipated documentary LIFE AFTER FLASH.
LIFE AFTER FLASH is an inspiring and moving feature documentary that celebrates what makes that Mike Hodges enduring classic FLASH GORDON so iconic with audiences to this day. This film takes a looks at the real man behind the heroic mask, Sam J. Jones, including his successes, his battles, and his ultimate struggle for redemption. Director Lisa Downs, along with star Sam J. Jones and producer Ashley Pugh, will be in attendance for this once in a lifetime screening.
“The Chattanooga Film Festival has quickly grown over the last four years,” says festival executive director Chris Dortch. “Last year was our biggest, and for our fifth anniversary we weren’t going to settle for anything less than our best, most insane year yet.”
ROCK STEADY ROW | Director Trevor Stevens
Rock Steady Row centers around a young college freshman who, after his bike is stolen, lands on a college campus and is compelled to take action against the reigning fraternities and ultimately the dean.| Q&A with Trevor Stevens
https://www.youtube.com/watch?v=LJAEbawJZzg
SUMMER OF ’84 | Directors François Simard, Anouk Whissell, Yoann-Karl Whissell
After suspecting that their police officer neighbor is a serial killer, a group of teenage friends spend their summer spying on him and gathering evidence in, but as they get closer to discovering the truth, things get dangerous. | Q&A with François Simard, Anouk Whissell, Yoann-Karl Whissell
https://www.youtube.com/watch?v=6B46J7fY4PY
LIFE AFTER FLASH | Director Lisa Downs
*WORLD PREMIERE
LIFE AFTER FLASH explores the life of Sam J Jones since his iconic performance as ‘Flash Gordon’ in the 1980 classic of the same name, and the aftermath of the young stars’ clash with one of Hollywood’s biggest legends, producer Dino De Laurentiis. Q&A with star Sam J. Jones, Lisa Downs, and producer Ashley Pugh
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4 Netflix Films incl. “The Rachel Divide” to Premiere at 2018 Tribeca Film Festival | Trailer
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THE RACHEL DIVIDE[/caption]
Netflix has dropped the trailer for the “The Rachel Divide” – the documentary on delf-described “trans racial” activist Rachel Dolezal, which along with three other films will premiere at the 2018 Tribeca Film Festival. The films include the North American debuts of Cargo and Sunday’s Illness (aka La Enfermedad Del Domingo); and world premieres of documentaries The Rachel Divide and The Bleeding Edge.
Cargo (Netflix Launch: May 18, 2018)
Stranded in rural Australia in the aftermath of a violent pandemic, an infected father desperately seeks a new home for his infant child, and a means to protect her from his own changing nature. Directed by Ben Howling and Yolanda Ramke and written by Yolanda Ramke, Cargo boasts a top-line international cast including Martin Freeman, Anthony Hayes, Susie Porter, Caren Pistorius, Kris McQuade, Natasha Wanganeen and David Gulpilil. Cargo is produced by Samantha Jennings and Kristina Ceyton of Causeway Films (The Babadook). Russell Ackerman, John Schoenfelder and Mark Patterson also serve as producers.
Sunday’s Illness (aka La Enfermedad Del Domingo) (Netflix Launch: June 15, 2018)
In Sunday’s Illness (aka La Enfermedad Del Domingo), Anabel abandoned her daughter Chiara when she was barely eight years old. Thirty-five years later Chiara returns with a strange request for her mother; she asks to spend ten days together. Anabel sees this trip as a chance to get her daughter back, but she doesn’t know that Chiara has a hidden purpose and she’ll have to face the most important decision of her life. Written and Directed by Ramón Salazar, the film stars Bárbara Lennie and Susi Sánchez. Sunday’s Illness is produced by Francisco Ramos and executive produced by Rafael López Manzanara.
DOCUMENTARY FEATURES
The Rachel Divide (Netflix Launch: April 27, 2018) Self-described “trans racial” activist Rachel Dolezal ignited an unprecedented media storm when a local news station in Spokane, WA outed her as a white woman who had been living as the black president of the NAACP. Since the controversy erupted, director Laura Brownson and team exclusively filmed with Rachel, her sons and her adopted sister Esther, capturing the intimate, vérité life story of a damaged character who lands squarely in the cross-hairs of race and identity politics in America – and exploring how that character still provokes negative reactions from millions who see her as the ultimate example of white privilege. A Netflix original documentary, The Rachel Divide, is executive produced by Academy Award winner Roger Ross Williams. https://www.youtube.com/watch?v=gyhOTvC1v-A The Bleeding Edge (Netflix Launch: 2018) America has the most technologically advanced health care system in the world, yet medical interventions have become the third leading cause of death, and the overwhelming majority of high-risk implanted devices never require a single clinical trial. In The Bleeding Edge, Academy Award nominated filmmakers Kirby Dick and Amy Ziering (The Invisible War, The Hunting Ground) turn their sights on the $400 billion medical device industry, examining lax regulations, corporate cover-ups, and profit driven incentives that put patients at risk daily. Weaving emotionally powerful stories of people whose lives have been irrevocably harmed, the film asks: what life-saving technologies may actually be killing us?
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SXSW 2018: Watch Trailer for “TAKE YOUR PILLS” Documentary on Rise in Adderall Prescriptions
Take Your Pills, directed by acclaimed documentarian Alison Klayman (Ai Weiwei: Never Sorry) and executive produced by Maria Shriver and Christina Schwarzenegger, explores the rise in popularity of prescription stimulants such as Adderall in today’s do-more-better-faster world.
Take Your Pills will premiere at SXSW on Friday, March 9, and will launch globally on Netflix on Friday, March 16.
The pressure to achieve more, do more, and be more is part of being human – and in the age of Adderall and Ritalin, achieving that can be as close as the local pharmacy. No longer just “a cure for excitable kids,” prescription stimulants are in college classrooms, on Wall Street, in Silicon Valley…any place “the need to succeed” slams into “not enough hours in the day.” But there are costs. In the insightful Netflix documentary Take Your Pills, award-winning documentarian Alison Klayman (Ai Weiwei: Never Sorry) focuses on the history, the facts, and the pervasiveness of cognitive-enhancement drugs in our amped-up era of late-stage-capitalism. Executive produced by Maria Shriver and Christina Schwarzenegger, Take Your Pills examines what some view as a brave new world of limitless possibilities, and others see as a sped-up ride down a synaptic slippery slope, as these pills have become the defining drug of a generation.
https://www.youtube.com/watch?v=X6Xebo1pngM
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Showtime Documentary Series “THE FOURTH ESTATE” to World Premiere as Closing Night Film of Tribeca Film Festival
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The Fourth Estate[/caption]
The new Showtime original documentary series, The Fourth Estate, directed by award-winning filmmaker Liz Garbus (What Happened, Miss Simone?), will have its world premiere as the closing night film of the prestigious 2018 Tribeca Film Festival.
In these times when journalism is being questioned and attacked as “fake news,” Garbus turns her lens on The New York Times in The Fourth Estate, revealing the challenges, triumphs and pitfalls of covering a president who has declared the majority of the nation’s major news outlets “the enemy of the people.” Embedded for the past year with The Times and granted unprecedented access and interviews with editors and reporters on the front lines, the docuseries presents a groundbreaking portrait of the men and women who are fighting for freedom of the press. Viewers will witness the inner workings of journalism and investigative reporting during this administration’s first history-making year.
Following the screening on Saturday, April 28, Tribeca Film Festival will host a panel discussion with some of the subjects of the documentary including The New York Times executive editor Dean Baquet, Washington bureau chief Elisabeth Bumiller, White House correspondent Maggie Haberman, Washington investigative correspondent Mark Mazzetti and Garbus.
The Fourth Estate will premiere on Showtime, on Sunday, May 27 at 8 p.m. ET/PT.
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RBG, Supreme Court Justice Ruth Bader Ginsburg Docu to Open 2018 Minneapolis St. Paul International Film Festival | Trailer
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Ruth Bader Ginsburg in RBG by Betsy West and Julie Cohen[/caption]
RBG, the acclaimed documentary celebrating the life and lasting influence of Supreme Court Justice Ruth Bader Ginsburg will be the opening night film of the 37th Minneapolis St. Paul International Film Festival.
Charting Ruth Bader Ginsburg’s life through growing up in Brooklyn, RBG shows Ginsburg pursuing her education, falling in love, her friendship with the late Justice Antonin Scalia and eventual appointment as Justice of the Supreme Court. A fighting force, Ginsburg’s determination throughout her life and career has earned her the title of “notorious” both in politics and the wider public discourse. As a history-making public figure, Ginsburg has become “notorious” through her championing of women, her ever-persistent work ethic, and her commitment to democracy. Program: Special Presentation, Women & Film. Directed by Julie Cohen, Betsy West. USA. 2018. English. 97 min. Documentary Feature.
https://www.youtube.com/watch?v=biIRlcQqmOc
In addition to the the opening night film, the festival selected the Women & Film and Spotlight on the World: Chasms and Bridges titles.
WOMEN & FILM
MSPIFF’s showcase female directors from around the globe and a short list of this year’s many titles includes: Sofia Djama’s The Blessed (from Algeria), Vivian Qu’s Angels Wear White (China) and Rungano Nyoni’s I Am Not A Witch (Zambia). THE BLESSED (LES BIENHEUREUX) In postwar Algiers, Amal and Samir are a middle-aged couple hoping to celebrate their twentieth wedding anniversary. Drifting through their day, they eventually find themselves at a restaurant. Here, they confront their differences and disillusionment, threaded with the unsettled atmosphere of postwar society. Outside, their teenaged son Fahim and his friends, Feriel and Reda, spend their day on the streets of Algiers. They too reveal ideological differences among them, their banter soon leading to the reveal of hidden wounds left by the Algerian Civil War that shaped their current world. Program: Images of Africa, Women & Film. Directed by Sofia Djama. Algeria, Belgium, France. 2018. Arabic, French w/English subtitles. 102 min. Narrative Feature. ANGELS WEAR WHITE (JIA NIAN HUA) Xiaomi, a motel cleaner, watches as a district-commissioner checks in alongside two girls, Xiaowen and Xin Xin. On the surveillance monitor, Xiaomi sees the commissioner push his way into the girls’ room, and she decides to record the event with her smartphone. In the wake of the assault, Xiaomi’s story does little good for the girls as they face their unconcerned families and a society that would rather put the blame on them than offend their attacker. Program: Asian Frontiers, Women & Film. Directed by Vivian Qu. China, France. 2018. Chinese (Mandarin) w/English subtitles. 107 min. Narrative Feature. I AM NOT A WITCH Shula is young woman accused by an older woman of being a witch. Adorned with a spindle to “tether” her to the ground and carted off to a camp for witches that bares little difference to your standard zoo, Shula is then forced to perform her “magic” for a corrupt official. Rungano Nyoni’s debut feature-film renders Shula’s journey by exploring themes of femininity, superstition and acceptance, while also keeping Shula herself a mystery to all the spectators that attempt to control her world. Program: Images of Africa, Women & Film. Directed by Rungano Nyoni. Zambia, UK, France. 2017. English. 90 min. Narrative Feature.CHASMS AND BRIDGES: CINEMA AND THE SEARCH FOR COMMON GROUND
The 2018 MSPIFF Spotlight on the World is Chasms and Bridges: Cinema and the Search for Common Ground. Tackling the lines that divide us and the dramatic potential for reconciliation and compassion, this special series of titles and related panel discussions and workshops, are designed to open up conversations on the social and ideological divides and shifting social order shaping our world today. Such stories can be found in fiction: A Syrian outsider finds both love and bigotry in Finland (A Moment in the Reeds); a powerful business woman comes face-to-face with the glass ceiling (Number One) ; upper and middle classes collide in Iran as a minor accident turns into major tragedy (No Date, No Signature). And non-fiction: Delve into the day-to-day life of radical Islamist family (Of Father and Sons); see the 2016 US election from the Russian perspective (Our New President); take a frustrating look at the corruption inside the NYPD (Crime + Punishment). A MOMENT IN THE REEDS (TÄMÄ HETKI KAISLIKOSSA) After moving to Paris for university, handsome literature student Leevi returns to his native Finland for the summer to help his estranged father renovate the family lake house so it can be sold. Tareq, a recent asylum seeker from Syria, has been hired to help with the work, and when Leevi’s father has to return to town on business, the two young men establish a connection and spend a few days discovering one another during the Finnish midsummer. Program: Midnight Sun, LGBTQ Currents, Spotlight. Directed by Mikko Makela. Finland, UK. 2017. English, Finnish w/English subtitles. 108 min. Narrative Feature. NUMBER ONE (NUMÉRO UNE) When Emmanuelle, an executive in a French energy firm, reaches the glass ceiling, but refuses to recognize her limited options. For years she has refused to acknowledge the sexism inherent in her workplace, but when chauvinistic male colleagues work to undermine her rise in the ranks, Emmanuelle pulls out all the stops in an attempt to capture what is rightly hers. Program: World Cinema, Women & Film, Spotlight. Directed by Tonie Marshall. France. 2017. French w/English subtitles. 110 min. Narrative Feature. OF FATHERS AND SONS The roots of home run deep in Talal Derki’s latest eye-opening feature. Returning to his homeland of Syria, documentary filmmaker Derki encounters Abu Osama and his family. Masqurading as a jihadist sympathizer, Derki integrates himself into the household of Osama, an Al-Nusra Front member. Program: World Cinema, Spotlight. Directed by Talal Derki. Germany, Syria, Lebanon, Qatar. 2018. Arabic w/English subtitles. 99 min. Documentary Feature. OUR NEW PRESIDENT In this era of fake news v. real news, acclaimed documentarian Maxim Pozdorovkin has crafted a startling cine-essay, pulling together footage from the 2016 election from YouTube, Russian-government run RT, and other sources to dig deep into the propaganda machine that may ultimately have altered the U.S. Presidential election. Program: World Cinema, Spotlight. Directed by Maxim Pozdorovkin. Russia, USA. 2017. English, Russian w/English subtitles. 77 min. Documentary Feature. CRIME + PUNISHMENT Shocking and true, Crime + Punishment explores the internal corruption of the New York City Police Department and the undeniably racist system that has persisted well past early revelations. Back in 2013, a group of 12 police officers had dared to take the NYPD to court for the corruption, but the case’s federal hearing did not lead to reform. Cut to 2017, and director Stephen Maing reconnects with the police officers who first took a stand, to find them more determined than ever to speak out against the continued injustice. Program: New American Visions, Spotlight. Directed by Stephen Maing. USA. 2018. English. 112 min. Documentary Feature NO DATE, NO SIGNATURE (BEDOONE TARIKH, BEDOONE EMZA) While on his way home from work, forensics doctor Dr. Kaveh Nariman is nearly hit by a reckless driver and in the chaos hits a motorcycle carrying Moosa, Leila, and their children. Moosa and Leila are uninjured, along with their daughter, but their young son, Amir Ali, appears to have a concussion. Brushing off a hospital visit, Kaveh and the family go their separate ways, only for the latter to discover the next day that one of the incoming bodies at the morgue where he works is Amir. Fellow colleague Dr. Sayeh Behbahnani deduces that the boy’s death was due to botulism caused by eating cheap chicken, but Nariman remains convinced that it was the motorcycle accident that ultimately caused it. Program: World Cinema, Spotlight. Directed by Vahid Jalilvand. Iran. 2017. Farsi w/English subtitles. 100 min. Narrative Feature.