VIMooZ

The 2011 New York Film Festival announced two short films programs as well as late-breaking updates for the Oliver Stone presentation and the Masterworks screening of BEN HUR.

Due to scheduling conflicts, Oliver Stone’s “Untold History of the United States” will no longer screen at the 2011 New York Film Festival. However, Oliver Stone will still be appearing at NYFF to present a 25th Anniversary screening of SALVADOR, a film that burst onto the American film scene with a force that immediately established Stone as an artist to be reckoned with. {jathumbnail off}

The 49th New York Film Festival will offer an ‘unprecedented’ selection of programs, led by the first-ever premiere screening of a new ending to Joe Berlinger’s and Bruce Sinofsky’s PARADISE LOST 3: PURGATORY including footage from the events surrounding the recent celebrated release of the West Memphis Three. PARADISE LOST 3: PURGATORY is an HBO Documentary Films production set to premiere on the network in 2012.

Oliver Stone will offer a special sneak preview of his new documentary project, The Untold History of the United States. Produced as a 10-part miniseries for Showtime (where it will premiere in 2012), NYFF will present this special sneak preview of Untold History’s first three chapters, which focus on the events leading up to America’s entrance into World War II, the war itself, and the unjustly forgotten figure of former U.S. Vice President Henry Wallace.{jathumbnail off}

Two Galas will join the Opening, Centerpiece and Closing Night Galas for the upcoming 49th New York Film Festival (September 30 – October 16) with David Cronenberg’s A DANGEROUS METHOD set to screen on Wednesday, October 5 and Pedro Almodovar’s THE SKIN I LIVE IN on Wednesday, October 12.

Scheduled at Alice Tully Hall on Wednesday, October 5 will be David Cronenberg’s A DANGEROUS METHOD.  Adapted by Christopher Hampton from his play The Talking Cure, the film chronicles the ever-shifting relationship between Carl Jung (Michael Fassbender) and Sigmund Freud (Viggo Mortensen). Basking at first in Freud’s approval and encouragement, Jung increasingly questions his theories and methods. At the heart of their dispute is their rival approaches to the beautiful yet deeply unbalanced Sabina Spielrein (Keira Knightly), who eventually draws each man under her spell. Produced by Jeremy Thomas, the Sony Pictures Classics release also stars Vincent Cassel and Sarah Gordon. The film is set for a November 23 release.{jathumbnail off}

Simon Curtis’ MY WEEK WITH MARILYN will make its World Premiere as the Centerpiece Gala selection, screening at Alice Tully Hall on Sunday, October 9 for the upcoming 49th New York Film Festival (September 30 – October 16).

Based on Colin Clark’s diaries, MY WEEK WITH MARILYN, is set in the early summer of 1956, when a 23 year-old Colin Clark (Eddie Redmayne), just down from Oxford and determined to make his way in the film business, worked as a lowly assistant on the set of THE PRINCE AND THE SHOWGIRL. It was the film that famously united Sir Laurence Olivier (Kenneth Branagh) and Marilyn Monroe (Michelle Williams), who was also on honeymoon with her new husband, the playwright Arthur Miller (Dougray Scott).
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A critical fave at the Toronto Intl. Film Festival, Julia Loktev’s follow-up to her 2006 “Day Night Day Night,” “Lonliest Planet” starts hunky Mexican star Gael Garcia Bernal as Alex and the fresh faced, confident Nica (Hani Furstenberg)- a couple playfully back-packing through the Caucasus mountains together in Georgia (formerly part of Russia) , led by their wary guide Dato (local, hired guide Bidzina Gujabidze.)

Young, sexy and in love, these two appear to be cozying into a very happy, hipster future together. Until the middle of their trek, when the trio is casually ambushed by two peasants. No t to give the story away, this seemingly quiet yet very impactful event stretches the limits of their relationship, as it comes apart as gently as a tissue thrown away after a good cry before our very eyes. {jathumbnail off}

Lars von Trier was banned from Cannes this year, after a ridiculously off-handed remark about “understanding Hitler” blew up to epic proportions.

“Melancholia,” the latest film in the bratty bad boy’s ever-expanding oeuvre, is truly epic in its own right.

The film opens with a bolt of sound that is Wagner and a truly mesmerizing and lush montage of gorgeous set pieces, which play themselves out later in the film. From there, we dive jumpily right into the wedding day of Kristin Dunst’s Justine, who is marrying an aw-shucks guy who still can’t believe his great luck (Alexander Skarsgard) and is contending with simmering guests and relatives -sharky but cordial boss Stellan Skarsgard, hilariously pissed off wedding planner Udo Kier, truly viperous mom Charlotte Rampling, exasperatingly careless and adorable dad John Hurt, had-it-up-to-here brother-in-law John played by Kiefer Sutherland, (neatly carrying the film on his back at one point,) and ready to explode, and weary, martyrish sis Claire, played by Charlotte Gainsbourg. Justine is also battling, we see as the day wares thin to evening, severe manic depression. {jathumbnail off}