Bicycle Thieves (Ladri di biciclette) (1948), by Vittorio De Sica, an emblematic film of Italian neorrealism and considered one of the best movies in the history of cinema, will open Klasikoa, a yearly rendezvous with a restored classic at the San Sebastian Film Festival.
The film, considered one of the best movies in the history of cinema, winner of an Academy Award for Best Foreign Language Film in 1949, chronicles the misfortunes of a man on his first day at work whose essential element for keeping his job is stolen: his bicycle. André Bazin, in his famous analysis of the film, in his work What is Cinema?, describes it as cinema in its pure state and concludes on the subject of the plot: “in the world in which this workman lives, the poor must steal from each other in order to survive.”
The film has been restored by the L’imagine Ritrovata laboratory, part of Italy’s Fondazione Cineteca di Bologna, a global benchmark in film research, conservation and restoration. The restored copy was presented in the Cannes Classics section at the last Cannes Festival, followed shortly afterwards by its screening at Bologna’s Il Cinema Ritrovato Festival, as part of its Ritrovati e Restaurati 2018 / Recovered & Restored 2018 section.
BICYCLE THIEVES (LADRI DI BICICLETTE)
VITTORIO DE SICA (ITALY)
Cast: Lamberto Maggiorani, Enzo Staiola, Lianella Carell, Elena Altieri, Gino Saltamerenda
In post-war Rome, Antonio, an unemployed worker, lands a simple job putting up posters on the condition that he has a bicycle. With great difficulty, he manages to buy one, only to have it stolen on his first day of work. This is the start of an adventure whereby Antonio will try to recover his bicycle, with his son Bruno, while his wife Maria waits at home with their other child. Desperate, Antonio tries to steal a bike, but is arrested by the police.San Sebastian International Film Festival
The San Sebastián International Film Festival is one of the most prestigious and important film festivals in the world, held annually in the Spanish city of Donostia-San Sebastián.
San Sebastian’s film program consists of some 200 films selected for six competitive sections (Official Selection, New Directors, Horizontes Latinos, Zabaltegi-Tabakalera, Perlak and Nest) and seven non-competitive sections (Culinary Zinema, Made in Spain, Zinemira, Velodrome, Movies for Kids, Retrospective and Klasikoak).
San Sebastian International Film Festival started in 1953 and takes place in Donostia-San Sebastián, Basque Country, Spain
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BICYCLE THIEVES (1948) to Open Klasikoa, Restored Classic Program at San Sebastian Film Festival
Bicycle Thieves (Ladri di biciclette) (1948), by Vittorio De Sica, an emblematic film of Italian neorrealism and considered one of the best movies in the history of cinema, will open Klasikoa, a yearly rendezvous with a restored classic at the San Sebastian Film Festival.
The film, considered one of the best movies in the history of cinema, winner of an Academy Award for Best Foreign Language Film in 1949, chronicles the misfortunes of a man on his first day at work whose essential element for keeping his job is stolen: his bicycle. André Bazin, in his famous analysis of the film, in his work What is Cinema?, describes it as cinema in its pure state and concludes on the subject of the plot: “in the world in which this workman lives, the poor must steal from each other in order to survive.”
The film has been restored by the L’imagine Ritrovata laboratory, part of Italy’s Fondazione Cineteca di Bologna, a global benchmark in film research, conservation and restoration. The restored copy was presented in the Cannes Classics section at the last Cannes Festival, followed shortly afterwards by its screening at Bologna’s Il Cinema Ritrovato Festival, as part of its Ritrovati e Restaurati 2018 / Recovered & Restored 2018 section.
BICYCLE THIEVES (LADRI DI BICICLETTE)
VITTORIO DE SICA (ITALY)
Cast: Lamberto Maggiorani, Enzo Staiola, Lianella Carell, Elena Altieri, Gino Saltamerenda
In post-war Rome, Antonio, an unemployed worker, lands a simple job putting up posters on the condition that he has a bicycle. With great difficulty, he manages to buy one, only to have it stolen on his first day of work. This is the start of an adventure whereby Antonio will try to recover his bicycle, with his son Bruno, while his wife Maria waits at home with their other child. Desperate, Antonio tries to steal a bike, but is arrested by the police.
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World Premiere of BAD TIMES AT THE EL ROYALE to Close San Sebastian International Film Festival [Trailer]
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Bad Times at the El Royale[/caption]
The world premiere of Bad Times at the El Royale, directed by Drew Goddard and starring Jeff Bridges, Chris Hemsworth, Jon Hamm and Dakota Johnson, will close the Official Selection of the San Sebastian International Film Festival’s 66th edition, out of competition. This is Drew Goddard’s second film, following his first feature, The Cabin in the Woods (2012).
Goddard, who penned the scripts for Cloverfield (2008), War World Z (2013) and The Martian (2015) and has produced TV series including Lost or Alias, boasts a cast headed by Donostia Award winner Jeff Bridges, Chris Hemsworth (Thor, The Avengers), Dakota Johnson (Fifty Shades of Grey, Suspiria) and Jon Hamm (Mad Men, The Town).
In the film, seven strangers, each with a secret to bury, meet at Lake Tahoe’s El Royale, a rundown hotel with a dark past. Over the course of one fateful night, everyone will have a last shot at redemption… before everything goes to hell.
The soundtrack of the film, which brings seven strangers together in a rundown hotel on Lake Tahoe, is composed by Michael Giacchino (Jurassic World, Coco, Up) and its director of photography is Seamus McGarvey (Godzilla, Nocturnal Animals, Darkest Hour).
https://www.youtube.com/watch?v=SQmOaJciI7Q
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METEORITES and BREEZE Complete New Directors Lineup of 2018 San Sebastian Film Festival
[caption id="attachment_31603" align="aligncenter" width="1000"]
QING FENG DE WEI DAO / BREEZE[/caption]
The French film, Les Météorites / Meteorites and the Chinese film, Qing Feng De Wei Dao / Breeze, complete the New Directors selection at the 66th edition of the San Sebastian Film Festival.
A graduate from La Fémis, Romain Laguna (Montpellier, France) has directed the short films À trois sur Marianne (2012), Run (2013), Bye Bye mélancolie (2014) and J’mange froid (2015). His first feature film, Les météorites / Meteorites, focusses on a 16 year-old girl who is spending the summer in a town in the South of France and works in a theme park.
Kun Yang, from a small city in the South-West of China’s Yunnan province, studied film directing at the Beijing Film Academy. Qing Feng De Wei Dao / Breeze, his first feature film, revolves around a man’s homecoming journey from Yunnan to the town of his birth.
These two productions join the New Directors selection, which also includes the following titles: Oreina (The Deer, Koldo Almandoz), La camarista (The Chambermaid, Lila Avilés), Apuntes para una película de atracos (Notes for a Heist Film, Elías León Siminiani), Serdtse Mira / Core of the World (Nataliia Meshchaninova), Ama Doren / Hold my hand (Ismet Sijarina), Un om la locul lui / A Decent Man (Hadrian Marcu), Para la guerra (To War, Francisco Marise), Boku wa Iesu-sama ga kirai / Jesus (Hiroshi Okuyama), Julia y el zorro (Julia and the Fox, Ines María Barrionuevo), Der läufer / Midnight Runner (Hannes Baumgartner), Neon Heart (Laurits Flensted-Jensen), The Third Wife (Ash Mayfair) and Viaje al cuarto de una madre (Journey to a Mother’s Room, Celia Rico Clavellino).
This section, forming part of the Festival’s commitment to upcoming film talents, is a platform that lends visibility to their films. The last three winners of the Kutxabank-New Directors Award have been released in Spain: Le nouveau / The New Kid (2015), Park (2016) and Le semeur / The Sower (2017).
LES MÉTÉORITES / METEORITES
ROMAIN LAGUNA (FRANCE)
Nina, a 16-year-old girl, dreams of adventure. Meanwhile, she spends the summer between her village in the south of France and the theme park where she works. Just before meeting Morad, a teenage boy from an Algerian family living in the nearby council houses, Nina sees a meteorite falling from the sky which it seems only she can see… like an omen.
QING FENG DE WEI DAO / BREEZE
KUN YANG (CHINA)
Having left Yunnan, his native city, Yu Zhao moved to Beijing, where he has lived for more than thirty years. Since his retirement, his only occupation has been helping his son in the house and looking after his grandson. When Yu Zhao returns to Yunnan with the intention of starting a new life, he finds that things, his relatives, friends and loves of the past are no longer the way he remembered them. Everything has become colder and more routine. The people he knew now have their own lives and the dream of a new love disappears too. Gradually Yu Zhao realises that Yunnan is no longer his true home, and he decides to return to Beijing.
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ALMOST FORTY, I HATE NEW YORK Among Made in Spain Showcase at 2018 San Sebastian International Film Festival
[caption id="attachment_31594" align="aligncenter" width="1200"]
Sophia Lamar in I Hate New York[/caption]
Made in Spain, the showcase of the Spanish films at the 2018 San Sebastian International Film Festival will spotlight eleven productions, including films by directors Daniel Calparsoro, Isabel Coixet, Álex de la Iglesia, Ramón Salazar and David Trueba. The Festival will also serve as the framework for presentation of the documentary Querido Fotogramas, directed by the Brazilian filmmaker Sergio Oksman.
Among the first works are Mi querida cofradía, by Marta Díaz de Lope Díaz (Ronda, Málaga, 1988), winner at the Malaga Festival of both the Silver Biznaga for Best Supporting Actress (Carmen Flores) and the Audience Award; and I Hate New York, by the journalist and filmmaker Gustavo Sánchez (Úbeda, Jaén, 1978), produced by the Bayona brothers.
Also part of the selection are Diana Toucedo (Pontevedra, 1982) who, having worked on sixteen feature films as an editor and having directed the non-fiction feature En todas as mans, debuted in feature films with Trinta lumes / Thirty Souls, premiered in the Panorama section of the Berlinale; and Les distàncies (Distances) by Elena Trapé (Barcelona, 1976), recipient of the Golden Biznaga for Best Spanish Film and of the Silver Biznagas for Best Director and Best Actress (Alexandra Jiménez) in Malaga. Trapé’s first film, Blog, was selected for Zabaltegi-New Directors eight years ago at the Festival, landing a special mention from the RTVE-Otra Mirada Award.
Having worked on eight feature films as an editor, works which have coexisted with her involvement in the film pedagogy project Cinema en curs – which has its corresponding event in San Sebastian through Tabakalera and the Elías Querejeta Zine Eskola (Zinema (h)abian) – Meritxell Colell (Barcelona, 1983) has now directed her first feature film, Con el viento / Amb el vent. Having been selected as a project by the Cinéfondation, the work premiered in the Forum section of the Berlinale. Colell will participate with her second feature film project, Dúo, in the Festival’s Europe-Latin America Co-Production Forum.
Among the films by long-standing directors are El aviso (The Warning), the latest work from Daniel Calparsoro (Barcelona, 1968), whose films have been presented in Cannes, Berlin and Venice, as well as at the Festival; The Bookshop, by Isabel Coixet (Barcelona, 1960), winner this year of the Goyas for Best Film, Director and Adapted Screenplay; Perfectos desconocidos (Perfect Strangers), latest proposal from the filmmaker Álex de la Iglesia (Bilbao, 1965), a frequent participant in San Sebastian Festival’s Official Selection with several films including La comunidad (Common Wealth, Silver Shell for Carmen Maura), Las brujas de Zugarramurdi (Witching & Bitching) and Mi gran noche (My Big Night); La enfermedad del domingo (Sunday’s Illness) by Ramón Salazar (Málaga, 1973), participant in the Panorama section of the Berlinale; and Casi 40 (Almost 40) by David Trueba (Madrid, 1969), the sequel of his first work, La buena vida (The Good Life), winner of the Jury Special Prize in Malaga. Trueba’s previous feature, Vivir con los ojos cerrados (Living is Easy with Eyes Closed), competed in San Sebastian’s Official Selection and won six Goya awards, including Best Film.
CASI 40 (ALMOST FORTY)
DAVID TRUEBA (SPAIN)
Lucía was a successful singer until separation of the duo that had made her a sensation and earned her fame drove her to a somewhat marginal position in the industry. Now she lives a more stable life, married and with two children, retired from the world of show business. But the plans of an old boyfriend from the days of her youth to make a small concert tour of several Spanish cities give her the excuse to get back onto the road. About to turn 40, the two will have to bear the intimate price of giving up on their life ideals.
CON EL VIENTO – AMB EL VENT (FACING THE WIND)
MERITXELL COLELL (SPAIN – ARGENTINA – FRANCE)
Mónica, a 47 year-old dancer, receives a phone call from Spain: her father is seriously ill. Twenty years down the line, she must return to the remote Burgos town of her birth. By the time she gets there, her father is dead. Her mother, to whom she has hardly spoken in all these years, asks her for help to sell the family house. Winter arrives. The perpetual silence, the extreme cold, and having to deal with her family will be harsh trials for Mónica, who will take refuge in the place she knows best: dancing. The film combines dance, documentary and independent film to construct a singular tale of family ties and relations in a universe of women.
EL AVISO (THE WARNING)
DANIEL CALPARSORO (SPAIN)
We are in 2008. Young Jon is a mathematical whiz kid obsessed with numerical reasoning. He’s a genius whose schizophrenia has deprived him of a promising scientific career, so that he has to make do with a job in a photocopying shop. One night like many others, on leaving work, Jon and his best friend, David, head for a petrol station to buy drinks for a dinner with Andrea, a childhood friend of both and the girlfriend David is about to propose to. David goes into the shop while Jon waits for him in the car. Just then there is a robbery and David is hit by a bullet that leaves him in an irreversible coma. From then on Jon will stop taking his medication and, crippled by guilt, start looking for meaning in his friend’s murder. He investigates past robberies until finally finding a common mathematical pattern to them. Continuing with this logic, he comes to the conclusion that Nico, a 10 year-old boy, will be murdered in the same place.
I HATE NEW YORK
GUSTAVO SÁNCHEZ (SPAIN)
New York, 2007-2017. Over a decade, and filming only with a home video camera and no script, the director delves into the private world of Amanda Lepore, Chloe Dzubilo, Sophia Lamar and T De Long; four artists and transgender activists from the city’s underground scene. Little by little, their testimonies reveal fragments of a past –sometimes dramatic, always fascinating and simply extraordinary– that formed their identities and transformed their lives. Their words, fears and hopes take the audience from an outsider’s point of view to being emotionally invested in their destiny.
LA ENFERMEDAD DEL DOMINGO (SUNDAY’S ILLNESS)
RAMÓN SALAZAR (SPAIN)
Driven by her husband’s diplomatic career, Anabel dedicates her life to philanthropy. Her selfless devotion to helping others has increased her popularity, and she is the go-to person in her exclusive circle when it comes to obtaining donations for humanitarian organisations. It is precisely at one of these charity dinners that she runs back into her past on recognising one of the waitresses providing the catering service as being her daughter Chiara, the girl she had abandoned at the age of eight and whom she hasn’t seen for thirty-five years. It’s no chance she’s there; Chiara has been looking for her. Mother and daughter embark on a journey into the past, alone, with a hard road before them in the attempt to recover thirty-five years in barely ten days. Or that’s what Anabel believes. The thing is that this journey has a hidden purpose for Chiara. And when Anabel discovers it she will have to make the most difficult decision of her life, after which she will never be the same again.
LES DISTÀNCIES (DISTANCES)
ELENA TRAPÉ (SPAIN)
Olivia, Eloy, Guille and Anna travel to Berlin to surprise their friend Comas with a visit for his 35th birthday. He doesn’t give them the welcome they expected and during the weekend their contradictions grow and their friendship is put to the test. Together they will discover that time and distance can change everything.
MI QUERIDA COFRADÍA (HOPELESSLY DEVOUT)
MARTA DÍAZ DE LOPE DÍAZ (SPAIN)
Carmen, a middle-aged woman from Malaga, Catholic and apostolic, is about to see her lifelong dream come true: to be president of her brotherhood. It will be the first time that a woman will have achieved such an honour. But finally her fellow members decide to choose her biggest rival, a man named Ignacio. Everything becomes even more complicated for Carmen on the day of the Easter procession, when she is involved in a situation she can only get out of with the help of the women around her.
PERFECTOS DESCONOCIDOS (PERFECT STRANGERS)
ÁLEX DE LA IGLESIA (SPAIN)
Four couples meet for dinner on the night of a lunar eclipse. A night of friendship and laughs, until suddenly the idea emerges: Why not do something different? What would happen if we left the mobile phones on the table within reach of everybody? Entire lives shared by everyone as they happen… An innocent game or a dangerous suggestion? Will the group of friends be able to withstand such a degree of sincerity, even if it is only for a time?
QUERIDO FOTOGRAMAS
SERGIO OKSMAN (SPAIN)
The 70th anniversary of the Fotogramas magazine comes in the shape of a sentimental voyage through the history of Spanish cinema thanks to a mosaic of voices represented by people who make films, those who write them and those who consume them. The documentary pays tribute to the readers of Fotogramas helped by the leading figures of Spanish cinema, who will read to the camera the most representative letters received at its offices in the history of the magazine.
THE BOOKSHOP
ISABEL COIXET (SPAIN – UK)
In the late ‘50s, Florence Green decides to make one of her greatest dreams come true: to leave London and open a small bookshop on the British coast. But to her surprise, the decision will trigger all sorts of reactions among the locals.
TRINTA LUMES / THIRTY SOULS
DIANA TOUCEDO (SPAIN)
Alba is 12 years old and eager to discover the unknown, mysterious and fascinating side of death. With her best friend Samuel they enter abandoned houses, wander around rundown villages and make their way into the mountains with their hidden parallel world. A voyage starting from innocence to discover the mystery of the struggle between life and death.
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PHANTON THREAD Voted FIPRESCI 2018 Grand Prix for Best Film of the Year [Trailer]
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Phantom Thread[/caption]
Paul Thomas Anderson’s Phantom Thread starring Daniel Day-Lewis has been voted Best Film of 2018 by the members of FIPRESCI, the International Federation of Film Critics. The vote was decided by 473 critics from all over the world, who chose this production from among all of the films premiered after 1 July 2017. The other three finalists were Three Billboards Outside Ebbing Missouri by Martin McDonagh (City of Donostia / San Sebastian Audience Award 2017), Zimna wojna / Cold War by Pawel Pawlikowski, Best Director Award in Cannes, and Zama, by Lucrecia Martel.
This is the third time that Paul Thomas Anderson will have received the award in San Sebastian. In 2008 he received the accolade for his film There Will Be Blood and in 2000, for Magnolia. The North American filmmaker has received the Golden Bear in Berlin for Magnolia, the Best Director Award in Cannes for Punch-Drunk Love (2002) and the Silver Bear for Best Director and two Academy Awards with There Will Be Blood.
Since its creation in 1999, the Fipresci Grand Prix has gone to highly-acclaimed filmmakers including Pedro Almodóvar, Michael Haneke, Cristian Mungiu, Jean-Luc Godard, Richard Linklater, Roman Polanski, George Miller, Maren Ade and Aki Kaurismäki.
https://www.youtube.com/watch?v=xNsiQMeSvMk
PHANTOM THREAD
PAUL THOMAS ANDERSON (USA)
Renowned dressmaker Reynolds Woodcock is at the centre of British fashion. Women come and go through Woodcock’s life, until he comes across the young Alma, who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love. With his latest film, Paul Thomas Anderson paints an illuminating portrait both of an artist on a creative journey, and the women who keep his world running.
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THE WOLF HOUSE Among 9 New Films Added to Zabaltegi-Tabakalera Lineup of 2018 San Sebastian Film Festival
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La casa lobo (The Wolf House)[/caption]
Nine new films join the Zabaltegi-Tabakalera competition at the 66th San Sebastian Film Festival’s most open competitive section bringing the number of films competing for the Zabaltegi-Tabakalera Award to 18.
Zabaltegi-Tabakalera will include the presentation of Kraben Rahu / Manta Ray, following its showing at Venice and Toronto. The first work by Phuttiphong Aroonpheng (Bangkok, 1976) brings the story of a fisherman who rescues a wounded, unconscious man from the forest and develops an unspoken connection with him.
The second feature film Di qiu zui hou de ye wan / Long Day’s Journey into Night, by Bi Gan (Kaili, China, 1989), after his award-winning debut, Kaili Blues, premiered in Un Certain Regard. The film narrates a man’s return to the town of his birth in search of a woman.
The animated stop-motion feature film La casa lobo (The Wolf House), by Cristobal León (Santiago de Chile, 1980) and Joaquín Cociña (Concepción, Chile, 1980), has been selected for international festivals including the Berlinale and Annecy, and has received several mentions and distinctions. The debut from León and Cociña tells the tale of a young girl who takes refuge in a house in Southern Chile on escaping from a Germany colony.
Sophia Antipolis, second feature from the director of Mercuriales, Virgil Vernier (Paris, 1976) premiered at Locarno in the Cineasti del Presente section. The French actor and filmmaker analyses a community in a strange territory between the Mediterranean, the forest and the mountain.
Joining the already-announced Los que desean (Those Who Desire, Elena López Riera) and 592 metroz goiti (Above 592 metres, Maddi Barber), are the short films De Natura, by Lucile Hadzihalilovic (Lyon, 1961), winner in 2004 of the New Directors award for her first film, Innocence, and who returned to San Sebastian’s Official Selection in 2015 with her second film, Evolution, winner of the Jury Special Prize; The Men Behind the Wall, by Inés Moldavsky (Buenos Aires, 1987), premiered at Berlin, about a woman living in Israel and the men she contacts in the West Bank using Tinder; and Sobre cosas que me han pasado, by José Luis Torres Leiva (Chile, 1975), his third participation in the section following El viento sabe que vuelvo a casa (The Winds Know that I’m Coming Back Home, 2016) and El sueño de Ana (2017). The short film Song for the Jungle by Jean-Gabriel Périot, shot in Calais, where thousands of migrants wait to go to England will also be screened. The first feature by Périot (Bellac, France, 1974), Una jeunesse allemande / A German Youth, opened the Panorama section of the Berlinale and was selected for Zabaltegi, and the second, Natsu no hikari – Lumières d’été / Summer Lights, competed in the New Directors section in 2016.
These additions bring the number of films competing for the Zabaltegi-Tabakalera Award to 18, including the productions Coincoin et les z’Inhumains / Coincoin and the Extra-humans (Bruno Dumont), Las hijas del fuego (The Daughters of Fire, Albertina Carri), Le livre d’image / The Image Book (Jean-Luc Godard), Da xiang xi di er zuo / An Elephant Sitting Still (Hu Bo), Belmonte (Federico Veiroj), Trote (Trot, Xacio Baño) and Teatro de guerra (Theatre of War, Lola Arias).
BERGMAN — ETT AR, ETT LIV / BERGMAN – A YEAR IN A LIFE
JANE MAGNUSSON (SWEDEN)
A documentary about Ingmar Bergman focussing on a hugely important year in his career, 1957, when he directed the masterpieces Det sjunde inseglet (The Seventh Seal) and Smultronstället (Wild Strawberries). However, more than simply looking at Bergman’s artistic facet, it addresses his private life like never before, particularly his stormy sentimental relationship with women, including several of the actresses he worked with.
DE NATURA
Short film
LUCILE HADZIHALILOVIC (ROMANIA)
Cast: Mihaela Manta, Maria Manta
De Natura is an improvised poem, a peaceful and cheerful walk of two little girls in the middle of the nature, away from the eyes of grown-ups. But then, the joy starts disappearing gradually, the reverie becomes nostalgia, while at the edge of the road, among the summer’s putrescence fruits, some faint faces appear. The cycle of life does not lessen the magic of the world, whether it is lit by the moon or by the sun.
DI QIU ZUI HOU DE YE WAN / LONG DAY’S JOURNEY INTO NIGHT
BI GAN (CHINA)
Cast: Sylvia Chang, Yongzhong Chen, Jue Huang
Luo Hongwu returns to Kaili, the city of his birth, from which he fled years back. He sets out to find the woman he loved, and has never been able to forget. She told him her name was Wan Quiwen…
KRABEN RAHU / MANTA RAY
PHUTTIPHONG AROONPHENG (THAILAND – FRANCE)
Cast: Wanlop Rungkamjad, Aphisit Hama, Rasmee Wayrana
Near a coastal village of Thailand, by the sea where thousands of Rohingya refugees have drowned, a local fisherman finds an injured man lying unconscious in the forest. He rescues the stranger, who doesn’t speak a word, offers him his friendship and names him Thongchai. But when the fisherman suddenly disappears at sea, Thongchai slowly begins to take over his friend’s life – his house, his job and his ex-wife…
LA CASA LOBO (THE WOLF HOUSE)
CRISTÓBAL LEÓN, JOAQUÍN COCIÑA (CHILE)
Young Maria seeks shelter in a big house after escaping from a sect of religious fanatics in Chile. There she is taken in by two pigs, its only inhabitants. Like in a dream, the universe of the house reacts to Maria’s feelings. The animals slowly morph into humans and the house into a nightmarish world. Inspired in the Colonia Dignidad case, La casa lobo (The Wolf House) seems to be an animated fairy tale produced by the sect leader to indoctrinate his followers.
THE MEN BEHIND THE WALL
Short film
INÉS MOLDAVSKY (ISRAEL)
Tinder. Woman seeks men. Man seeks women. Everything would be so simple if she weren’t in Israel and the guys nearby weren’t in the West Bank. Israeli filmmaker Ines Moldavsky sets out to meet up with the men that she is forbidden by law to see. She crosses the border into the West Bank to experience the personally unfamiliar physical space. The conversations revolve around virtual phone calls and physical encounters. Violence resonates in the search for a violation of boundaries.
SOBRE COSAS QUE ME HAN PASADO
Short film
JOSÉ LUIS TORRES LEIVA (CHILE)
Cast: Claudio Riveros
Sobre cosas que me han pasado is based on the book by author Marcelo Matthey, narrating his own life in a style reminiscent of school compositions. His constant strolls through streets, houses and beaches are recorded in notes of what he saw, felt or thought during these wanderings or moments, but almost only recalling the processes, the timeline in which things occur and come to mind, the trail of associations coming one after the other, like the steps of a person walking along a street. Immediate impressions, fleeting moments normally lost in time and which are captured in the images and sounds of this short film.
SONG FOR THE JUNGLE
Short film
JEAN-GABRIEL PÉRIOT (FRANCE)
Calais a few weeks before its clearing: The Jungle is a place where thousands of migrants live and wait to go to England, or just for somebody to take care of them. They wander in this abandoned place, hoping to survive our indifference.
SOPHIA ANTIPOLIS
VIRGIL VERNIER (FRANCE)
Cast: Dewi Kunetz, Sandra Poitoux, Hugues Njiba-Mukuna, Bruck, Lilith Grasmug
Sophia Antipolis: a technopole on the French Riviera, a place where dreams should come true. But fear and despair lurk beneath the surface. Under a deceitful sun, five lives map out the haunting story of a young woman: Sophia.
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Danny DeVito to Receive Award at San Sebastian Film Festival
Danny DeVito will be presented with a Donostia Award at the 66th San Sebastian Festival on Saturday September 22, and the following day, he will present his latest film Smallfoot at the Festival.
The award recognises a career of almost five decades related to acting in theatre, film and television, telling stories as an actor, producer and director. The Golden Globe and Emmy Award winner is known for his roles in television series Taxi and It’s Always Sunny in Philadelphia, and movies such as One Flew Over The Cuckoo’s Nest, Terms of Endearment, Romancing The Stone, Twins, Ruthless People, and Tin Men.
A well-known face to the public for roles including the charismatic Penguin in Batman, or Schwarzenegger’s twin brother, he has led a versatile career during which he has worked under the orders of directors like Milos Forman, Brian de Palma, Robert Zemeckis, Barry Levinson, Tim Burton, Francis Ford Coppola, Sofia Coppola and Todd Solondz.
He has also directed – and starred in – hugely emblematic films including The War of the Roses (1989), Hoffa (1992), Death to Smoochy (2002), Throw Momma from the Train (1987), Curmudgeons (2016), Duplex (2003), The Ratings Game (1984),and The World’s Greatest Lover (1977) as well as producing films by Quentin Tarantino, Steven Soderbergh and the self-same Forman. He produced, directed and acted for Matilda (1996), Hoffa (1992) and Curmudgeons (2016).
A principal of Jersey Film’s 2nd Avenue, successor company of Jersey Films which produced Erin Brockovich (2000) which received an Academy Award nomination for Best Picture, Pulp Fiction (1994), Out of Sight (1998), Freedom Writers (2007), Garden State (2004), Along Came Polly (2004), Living Out Loud (1998) and others. DeVito served as a producer and co-starred in Get Shorty (1995) Man on the Moon (1999), Be Cool (2005), Even Money (2006) and Drowning Mona (2000).
One of his first roles in the seventh art was One Flew Over the Cuckoo’s Nest (1975). He earned fame for his part in the TV series Taxi (1978-1983), he was nominated for both a Golden Globe and an Emmy every year the show was on and took home one of each. Featured in the cast of films such as the Oscar-winning Terms of Endearment (James L. Brooks, 1983), Romancing the Stone (Robert Zemeckis, 1984) or Ruthless People (1986), he directed his first film for the big screen, the Academy Award and Golden Globe nominated Throw Momma from the Train (1987).
Next, he helmed and starred in The War of the Roses (1989) and Hoffa (1992), both selected for the Berlin Festival’s official competition, and Matilda (1996) based on the book by Roald Dahl. His career as a filmmaker coexisted with his parts in films like Wise Guys (Brian de Palma, 1986), Tin Men (Barry Levinson, 1987), Twins (Ivan Reitman, 1988), Other People’s Money (Norman Jewison, 1991), Batman Returns (Tim Burton, 1992), The Rainmaker (Francis Ford Coppola), L.A. Confidential (Curtis Hanson, 1997), The Virgin Suicides (Sofia Coppola, 1999), Big Fish (2003), again with Tim Burton, or, more recently, The Comedian (Taylor Hackford, 2016) and Weiner-Dog (Todd Solondz, 2016). Next year he will premiere the eagerly-awaited version of Dumbo, in which he will once again embody a circus director, as he did in Big Fish; it will be his third collaboration with Burton.
Since the 90s, he has also been involved as a producer for films including Pulp Fiction (Quentin Tarantino, 1994), Get Shorty (Barry Sonnenfeld, 1995), Gattaca (Andrew Niccol, 1997), Man on the Moon (Milos Forman, 1999), Erin Brockovich (Steven Soderbergh, 2000), Oscar nominee for Best Film, Garden State (Zach Braff, 2004) and Freedom Writers (Richard LaGravenese, 2007).
DeVito has also put his voice to animated films including Space Jam (1996), Hercules (1997), The Lorax (2012) and his new film he will bring to San Sebastian for the first time, Smallfoot, to be screened in the Velodrome.
https://www.youtube.com/watch?v=_r9GPgvN8As
Image: Actor Danny DeVito on the It’s Always Sunny in Philadelphia panel at the 2010 San Diego Comic Con in San Diego, California. / Gage Skidmore
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BEAUTIFUL BOY, IN FABRIC, A FAITHFUL MAN to Compete for Golden Shell at San Sebastian Film Festival
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Beautiful Boy[/caption]
L’homme fidèle / A Faithful Man (Louis Garrel), Baby (Liu Jie), Alpha, the Right to Kill (Brillante Mendoza), In Fabric (Peter Strickland), Beautiful Boy (Felix Van Groeningen) and Blind Spot (Tuva Novotny) will compete for the Golden Shell at the 66th San Sebastian Film Festival. These six films join the latest works from Icíar Bollaín, Claire Denis, Simon Jaquemet, Kim Jee-woon, Naomi Kawase, Isaki Lacuesta, Benjamín Naishtat, Valeria Sarmiento, Rodrigo Sorogoyen, Markus Schleinzer, Juan Vera and Carlos Vermut in the running for the Festival’s official awards.
The French actor and director Louis Garrel (Paris, 1983) will present his second feature as a moviemaker after Les deux amis / Two friends (2015), selected for the Semaine de la Critique at Cannes. Garrel, who has worked as an actor with Bertolucci, Bonello, Hazanavicius and Honoré, stars in L’homme fidèle alongside Laetitia Casta and Lily-Rose Depp.
Liu Jie (Tianjin, China, 1968), winner of the Orizzonti Award in Venice for his first film, Mabei shang de fating / Courthouse on Horseback, addresses in Bao bei er / Baby the tale of an 19 year-old girl determined to save a sick girl in the context of the birth control imposed by the Chinese Government.
After competing in Cannes, Berlin and Venice, Brillante Mendoza (San Fernando, Philippines, 1960) will do so for the first time in San Sebastian with Alpha: The Right to Kill, set against the backdrop of the Philippine Government’s crackdown on drugs. Last year, Mendoza’s production Pailalim / Underground, Daniel Palacio’s debut, competed in New Directors.
The Swedish actress Tuva Novotny (Stockholm, 1979), who recently starred in Annihilation (2018) and Borg / McEnroe (Pearls 2017), makes her directorial debut with Blind Spot, looking at the blind spots of the mind through the relationship between a mother and daughter.
Peter Strickland (Reading, UK, 1973) has become a cult author with only three movies: Katalin Varga (2009), which competed in Berlin and was recognised with the European Discovery of the Year award, Berberian Sound Studio (2012), a competitor in Locarno, and The Duke of Burgundy (2014). His fourth feature film, In Fabric, follows the trail of a cursed dress.
Beautiful Boy is the first film shot in English by Felix Van Groeningen (Ghent, Belgium, 1977), who presented De helaasheid der dingen / The Misfortunates (2009) at the Quinzaine des Réalisateurs and Alabama Monroe (2013) in the Panorama section of the Berlinale, where he won the Audience Award. The film was also nominated for a Best Foreign Language Film Academy Award. Beautiful Boy, based on the true story of a father’s struggle to rescue his son from drugs, stars Steve Carell and Timothée Chamalet and is produced by the winners of the Academy Award for Moonlight and 12 Years a Slave (Brad Pitt, Dede Gardner and Jeremy Kleiner).
Now, a month before the Festival, we have already announced the eighteen competing films, as well as those to participate out of competition (Gigantes) or as special screenings (Tiempo después and Dantza). The closing film will be announced in the coming weeks.
ALPHA, THE RIGHT TO KILL
BRILLANTE MENDOZA (PHILIPPINES)
Cast: Allen Dizon, Elijah Filamor, Baron Geisler
Set against the background of the government’s crackdown on illegal drugs, the SWAT-led police force launches an operation to arrest Abel, a major methamphetamine distributor, with PO3 Moises Espino and his informant Elijah providing the intelligence. A violent battle breaks out in the slums between the SWAT and Abel’s gang. Abel flees the scene with his bag full of money and methamphetamines. The SWAT kills him, but before the investigators arrive at the crime scene, Espino makes off Abel’s bag.
BAO BEI ER / BABY
LIU JIE (CHINA)
Cast: Yang Mi, Guo Jingfei, Lee Hong-Chi, Wang Yanjun, Zhu Shaojun, Yan Surong
Born 19 years ago in Nanjing with the VACTERL syndrome, Jiang Meng was abandoned by her parents. With the help of her foster mother and Director Wang, today Jiang works in a hospital as cleaner. One day, Jiang encounters a man coming into the hospital with a newborn baby. She learns that the baby is a girl who also has the VACTERL syndrome, and that the father has decided not to care for her.
BEAUTIFUL BOY
FELIX VAN GROENINGEN (USA)
Cast: Timothée Chalamet, Steve Carell, Maura Tierney, Amy Ryan
Based on the bestselling pair of memoirs by father and son David and Nic Sheff, Felix van Groeningen’s film chronicles the heartbreaking and inspiring experience of survival, relapse and recovery in a family coping with addiction over many years.
BLIND SPOT
TUVA NOVOTNY (NORWAY)
Cast: Pia Tjelta, Anders Baasmo Christiansen, Oddgeir Thune, Per Frisch, Marianne Krogh
Blind Spot centres on a mother as she struggles to understand her teenage daughter’s crisis, when tragedy strikes the whole family.
IN FABRIC
PETER STRICKLAND (UK)
Cast: Gwendoline Christie, Hayley Squires, Marianne Jean-Baptiste
In Fabric is set against the backdrop of a busy winter sales period in a department store and follows the life of a cursed dress as it passes from person to person, with devastating consequences.
L’HOMME FIDÈLE / A FAITHFUL MAN
LOUIS GARREL (FRANCE)
Cast: Louis Garrel, Laetitia Casta, Lily-Rose Depp
Marianne leaves Abel for Paul, his best friend and the father of her unborn child. Eight years later, Paul dies. Abel and Marianne get back together, arousing feelings of jealousy in both Marianne’s son, Joseph, and Paul’s sister, Eva, who has secretly loved Abel since childhood.
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BLACKKKLANSMAN, FIRST MAN, A STAR IS BORN to Compete for Audience Award at San Sebastian International Film Festival
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BlacKkKlansman[/caption]
Ten new films including the latest by Damien Chazelle, Alfonso Cuarón, and Spike Lee will compete for the City of Donostia / San Sebastian Audience Award at the San Sebastian International Film Festival. A Star Is Born, the directorial debut of Bradley Cooper will bring the section to a close.
Jacques Audiard (Paris, 1962), the author of Un prophète / A Prophet (2009), Academy Award nominee for Best Foreign Language Film, will present The Sisters Brothers, to have its premiere at the Venice Festival. This western based on the novel of the same name by Patrick deWitt stars Jake Gyllenhaal, Joaquin Phoenix and John C. Reilly, who is also involved in its production.
The latest film from the winner of last year’s Academy Award for Best Director, Damien Chazelle (Providence, USA, 1985), once again directs Ryan Gosling in First Man as Neil Armstrong, the first astronaut to walk on the Moon. The film by the creator of La La Land, in which Claire Foy (The Crown) also has a part, will open the Venice Festival.
Alfonso Cuarón (Mexico City, 1968) competed in the Official Selection at San Sebastian with his second film, A Little Princess (1995). Since then, he has won a Best Director Academy Award for Gravity, while his films Y tu mamá también (And Your Mother Too) and Children of Men have enjoyed widespread international success. With Roma, to have its premiere in Venice, he portrays the life of a maid working in a middle-class district of Mexico City in the early 70s.
In this new take on the iconic love story, A Star Is Born, Bradley Cooper (Philadelphia, USA, 1975) makes his directorial debut and portrays seasoned musician Jackson Maine, who discovers and falls in love with struggling artist Ally, played by Lady Gaga. Ally has given up on her dream to become a successful singer until she meets Jack, who immediately sees her raw talent. This intimate story takes us on a journey through the beauty and challenges of a relationship struggling to survive. After its premiere in Venice, A Star Is Born will bring Perak to a close in San Sebastian.
Lukas Dhont (Belgium, 1991) will also present his first feature in San Sebastian, Girl, winner of the Caméra d’Or for Best First Film in Cannes and Fipresci Prize in Un Certain Regard. Dhont tells the story of a young girl born as a boy and who dreamt of becoming a ballerina.
Ciro Guerra (Río de Oro, Colombia, 1981) shares the helm of Pájaros de verano (Birds of Passage) with Cristina Gallego (Bogotá, 1978), producer of his earlier films. Guerra started his career in Films in Progress, where he won a prize in 2003 for his first work, La sombra del caminante. His third film, El abrazo de la serpiente (Embrace of the Serpent) screened in Horizontes Latinos, was nominated for Best Foreign Language Film Academy Award. In Pájaros de verano, which premiered at the Cannes Directors’ Fortnight, he uses a true story to explain the origins of drug trafficking in Colombia.
The first animated film to compete in San Sebastian’s Official Selection was Bakemono no ko / The Boy and the Beast (2015), by Mamoru Hosoda (Nakaniikawa, Japan, 1967). The author of Toki wo kakeru shojo (The Girl Who Leapt Through Time, 2006) and Okami Kodomo no Ame to Yuki (Wolf Children, 2012) now presents in San Sebastian Mirai, which premiered at the Cannes Directors’ Fortnight.
The participations of Nadine Labaki (Beirut, 1974) in San Sebastian are counted in awards. In 2007, with her directorial debut Sukkar banat / Caramel, she landed the Audience and Youth Awards, and in 2011, with her second film, Et maintenant on va où? / Where Do We Go Now?, she earned the spectators’ vote as Best European Film. With Capharnaüm, winner of the Jury Prize in Cannes, she once again competes for the City of Donostia / San Sebastian Audience Award.
Although his films have been programmed in different retrospectives –When the Levees Broke: A Requiem in Four Acts in .doc – New paths of non-fiction and Summer of Sam in American Way of Death: American Film Noir 1990-2010– and the collective film Ten Minutes Older – The Trumpet screened as part of the Zabaltegi-Specials selection, this is the first time that Spike Lee (Atlanta, USA, 1957) will have competed for an award in San Sebastian. The author of Malcolm X, winner of honorary Academy and César awards, will compete for the Audience Award with BlacKkKlansman, a dramatic comedy about an Afro-American policeman who infiltrates the Ku Klux Klan, winner of the Jury Grand Prix at Cannes and the Audience Award at Locarno.
Jia Zhangke (Fenyang, China, 1970), however, has enjoyed wide presence at the Festival in recent years. In 2013 he won the Best Screenplay Award at Cannes for Tian zhu ding / A Touch of Sin (2013), screened as part of Perlak, the same section which saw the selection in 2015 of Shan he gu ren (Mountains May Depart), winner of the Audience Award for Best European Production. His short film The Hedonists was screened in Zabaltegi-Tabakalera in 2016, the same year as he sat on the official jury presided by Bille August, which gave the Golden Shell to Wo bu shi pan jinlian / I Am Not Madame Bovary by Xiaogang Feng. Now he will endeavour to win the spectators’ award for a second time with Ash is Purest White, a film selected for the Cannes official competition, in which he describes the changes transforming his country through a violent love story.
These films join those already announced in Perlak: El ángel (Luis Ortega), Petra (Jaime Rosales), Leto / Summer (Kirill Serebrennikov), Zimna wojna / Cold War (Pawel Pawlikowski), Un día más con vida / Another Day of Life (Raúl de la Fuente and Damian Nenow), Netemo Sametemo / Asako I & II (Ryusuke Hamaguchi) and 3 Rokh / Three Faces (Jafar Panahi).
A STAR IS BORN
BRADLEY COOPER (USA)
Cast: Bradley Cooper, Lady Gaga, Andrew Dice Clay, Dave Chappelle, Sam Elliott
CLOSING NIGHT FILM
Not in competition
In this new take on the tragic love story, a seasoned musician discovers—and falls in love with— a struggling artist. She has just about given up on her dream to make it big as a singer… until Jack coaxes her into the spotlight. But even as Ally’s career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.
ASH IS PUREST WHITE
JIA ZHANGKE (CHINA – FRANCE – JAPAN)
Cast: Zhao Tao, Liao Fan
Qiao is in love with Bin, a local mobster. During a fight between rival gangs, she fires a gun to protect him. Qiao gets five years in prison for this act of loyalty. Upon her release, she goes looking for Bin to pick up where they left off. A story of love, betrayal and loyalty set in China’s underworld.
BLACKKKLANSMAN
SPIKE LEE (USA)
Cast: John David Washington, Adam Driver, Topher Grace, Laura Harrier
Spike Lee helms the true story of the first Afro-American cop to infiltrate the Ku Klux Klan at its highest levels in the ‘60s, with the help of a colleague who passed himself off as a radical racist.
CAPHARNAÜM
NADINE LABAKI (LEBANON)
Cast: Zain Al Rafeea, Yordanos Shiferaw, Boluwatife Treasure Bankole, Kawthar Al Haddad, Fadi Kamel Youssef, Cedra Izam, Alaa Chouchnieh, Nadine Labaki
International Courtroom
Zain, a 12 year-old boy, faces the judge.
Judge: Why are you suing your own parents?
Zain: For giving me life.
FIRST MAN
DAMIEN CHAZELLE (USA)
Cast: Ryan Gosling, Claire Foy, Jason Clarke
The film tells the story of the most dangerous mission in the history of Humanity to date. A tale of how NASA sent Neil Armstrong to the Moon and the sacrifices and the cost it represented for many.
GIRL
LUKAS DHONT (BELGIUM – NETHERLANDS)
Cast: Victor Polster, Arieh Worthalter, Katelijne Damen, Valentijn Dhaenens
Lara, aged 15, dreams of becoming a ballerina. With her father’s help, she pushes herself to the limit in the interminable endeavour. But her body doesn’t lend itself easily to the discipline imposed upon it, because in fact she was born a boy.
MIRAI
MAMORU HOSODA (JAPAN)
A spoiled and pampered little 4 year-old who finds himself being ignored on the birth of his little sister Mirai. Kun struggles to cope with the new situations thrown at him in his home. But suddenly the teenage version of his sister travels back in time from the future to share with Kun an extraordinary adventure of unimaginable proportions.
PÁJAROS DE VERANO
CIRO GUERRA, CRISTINA GALLEGO (COLOMBIA)
Cast: Carmiña Martínez, Jose Acosta, Natalia Reyes, Jhon Narváez, José Vicente Cote, Juan Bautista Martínez, Greider Meza
Based on a true story explaining the origin of drug trafficking in Colombia, the film takes place in the ‘70s when North American youths are embracing the hippie culture and, with it, marijuana. The upshot is that the local farmers almost instantly morph into “entrepreneurs”. In the Guajira desert, a Wayuu Native American family finds itself forced to assume a role of leadership in this new enterprise. Wealth and power combine with a war between brothers which will seriously endanger their family, their lives and their ancestral traditions.
ROMA
ALFONSO CUARÓN (MEXICO)
Cast: Yalitza Aparicio, Marina de Tavira
The most personal project to date from Academy Award®-winning director and writer Alfonso Cuarón (Gravity, Children of Men, Y Tu Mamá Tambien), Roma follows Cleo, a young domestic worker for a family in the middle-class neighborhood of Roma in Mexico City. Delivering an artful love letter to the women who raised him, Cuarón draws on his own childhood to create a vivid and emotional portrait of domestic strife and social hierarchy amidst political turmoil of the 1970s.
THE SISTERS BROTHERS
JACQUES AUDIARD (FRANCE – BELGIUM – ROMANIA – SPAIN)
Cast: John C. Reily, Joaquin Phoenix, Jake Gyllenhaal, Riz Ahmed
Charlie and Eli Sisters live in a wild and hostile world. They have blood on their hands: the blood of criminals and innocent people alike… They have no scruples about killing. It’s their job. Charlie, the younger brother, was born to kill. Eli, however, dreams of living a normal life. They are hired by the Commodore to find and kill a man. From Oregon to California, a ruthless hunt begins, an initiatory journey that will test this insane bond between the two brothers. A path that leads to their humanity?
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12 Latin American Films to Compete for Horizontes Award at 2018 San Sebastian International Film Festival
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Florianópolis Dream (Sueño Florianópolis)[/caption]
Twelve films produced, directed or set in Latin America will compete for the Horizontes Award at the 2018 San Sebastian International Film Festival.
Las herederas (Marcelo Martinessi), opening film of the section, Familia sumergida (Immersed Family, María Alché), La noche de 12 años (A Twelve-Year-Night, Álvaro Brechner), Figuras (Figures, Eugenio Canevari), Cómprame un revólver (Buy Me a Gun, Julio Hernández Cordón), Enigma (Ignacio Juricic Merillán), Sueño Florianópolis (Ana Katz), Ferrugem / Rust (Aly Muritiba), Nuestro tiempo (Our Time, Carlos Reygadas), Marilyn (Martín Rodríguez Redondo), Los silencios (Beatriz Seigner) and El motoarrebatador (The Snatch Thief, Agustín Toscano) make up the Horizontes Latinos selection at the 66th edition of the San Sebastian Festival.
Films in Horizontes Latinos at 66th San Sebastian Festival
LAS HEREDERAS MARCELO MARTINESSI (PARAGUAY – GERMANY – BRAZIL – URUGUAY – NORWAY – FRANCE ) Cast: Ana Brun, Margarita Irún, Ana Ivanova, Nilda Gonzalez, María Martins, Alicia Guerra, Yverá Zayas OPENING NIGHT FILM For more than 30 years, Chela and Martina have lived together, like the daughters of families in a well-placed social position: they had inherited enough money to live comfortably with no need to work. But now, when both are over 60, the money has run out. When Martina is sent to prison for being unable to pay her debts, Chela starts providing older women from well-off families with a taxi service which helps her to get by. That’s how she meets Josefina, a glamorous woman 20 years younger than herself, with whom she immediately hits it off. The connection changes the relationship Chela has with herself and with those around her, triggering an internal revolution. CÓMPRAME UN REVÓLVER (BUY ME A GUN ) JULIO HERNÁNDEZ CORDÓN (MEXICO) Cast: Matilde Hernández Guinea, Rogelio Sosa Mexico, sometime in a near future… Women are disappearing and a girl called Huck wears a mask to hide her gender. She helps her dad, a tormented addict, to take care of an abandoned baseball camp where the narcos gather to play. The father tries to protect her as he can. With the help of her friends, a group of lost boys who have the power of camouflaging themselves in the windy desert, Huck has to fight to overcome her reality and to defeat the local capo. EL MOTOARREBATADOR (THE SNATCH THIEF) AGUSTÍN TOSCANO (ARGENTINA – URUGUAY – FRANCE) Cast: Sergio Prina, Liliana Juárez, León Zelarrayán, Daniel Elías, Camila Plaate, Pilar Benítez Vibart, Mirella Pascual IV Europe-Latin America Co-production Forum In the Argentinian city of Tucumán, Miguel is making a living as a “motochorro”, a thief who snatches people’s belongings from his motorbike. When he steals the purse of Elena, an old woman, he ends up hurting her badly. After the brutal incident, Miguel is plagued by guilt and unable to forget about his victim. In an attempt to make things right, he conceals his true identity from the old woman and starts to take care of the injured and unsuspecting Elena. The closer he gets to her the more he becomes entangled in his own lies. Afraid of telling Elena the truth, Miguel continues to be haunted by his past and is unable to find true redemption. ENIGMA IGNACIO JURICIC MERILLÁN (CHILE) Cast: Roxana Campos, Rodrigo Pérez, Paula Zúñiga, Claudia Cabezas Films in Progress 33 Nancy receives the offer from a TV programme on unsolved mysteries to participate in the episode telling the story of her daughter, a young lesbian beaten to death, a crime for which no-one has been declared guilty eight years after it was committed. Nancy confronts her family and each one’s version of the events, as she decides whether or not to participate in the space and learn more about the person her daughter was. FAMILIA SUMERGIDA (IMMERSED FAMILY) MARIA ALCHÉ (ARGENTINA – BRAZIL – GERMANY – NORWAY) Cast: Mercedes Morán, Esteban Bigliardi, Marcelo Subiotto, Ia Arteta, Laila Maltz, Federico Sack Films in Progress 32 It’s summertime in an empty and heated Buenos Aires. Marcela’s world is shaken as her sister passes away, and it becomes estranged and unfamiliar. While still grieving, she will have to deal with clearing out her sister’s apartment. Willing to help out, Nacho, a young friend of her daughter’s, bursts in. His presence gives way to shared road trips and adventures. During these confusing days, people and conversations from another time will get intertwined, leading her to some self-questioning, as the imminence of everyday life pushes in. FERRUGEM / RUST ALY MURITIBA (BRAZIL) Cast: Tifanny Dopke, Giovanni Di Lorenzi, Pedro Inoue, Enrique Diaz, Clarissa Kiste, Dudah Azevedo Films in Progress 32 Tati is a 16-year-old girl, joyful and lively, who likes to share her happiest moments on social networks. She eagerly looks forward to a weekend trip with her school friends. She knows this may be a good opportunity to get to know Renet better, her mysterious classmate. Renet belongs to a family where things are not openly spoken, merely suggested, and most often in silence. The current unspoken matter between father and son is the departure of Renet’s mother, who left David, her ex-husband, caring alone for the boy. David is a teacher at the same school where Tati and Renet study. The hot topic at school is a video shared among the students in which the girl appears in a compromising situation. FIGURAS (FIGURES) EUGENIO CANEVARI (SPAIN – ARGENTINA) Cast: Stella Maris Santo, Francisco Dominguez, Valeria Ballerini Stella, an argentinian immigrant living in Spain, suffers from Amyotrophic lateral sclerosis (ALS) and needs constant attention. Paco, her longtime partner, helps her to move, eat, and communicate. Valeria, Stella’s daughter, visits them sporadically and, anguished by the visible deterioration of her mother, finds a manner of escape by going out to parties. While they wait for an answer about an opportunity for subsidized housing, they attempt to cope with the situation through humor and love. A real family performing in a real story. LA NOCHE DE 12 AÑOS (A TWELVE-YEAR-NIGHT) ÁLVARO BRECHNER (SPAIN – ARGENTINA – FRANCE – URUGUAY) Cast: Antonio de la Torre, Chino Darín, Alfonso Tort IV Europe-Latin America Co-production Forum September 1973. Uruguay is under the control of military dictatorship. The Tupamaros guerrilla movement has been crushed and out of action for a year. Its members imprisoned and tortured. One autumn night, three Tupamaros prisoners are taken from their prison cells in a secret military operation that will last for twelve years. From then on they will be hauled around different camps all over the country, subject to a macabre experiment; a new kind of torture aiming to break the limits of their mental resistance. The military order is clear: “since we couldn’t kill them, we’re going to drive them insane”. For more than a decade, the prisoners will be kept in isolation in tiny cells where they spend most of their time with hoods on, tied up, deprived of their basic needs, with hardly any food, and seeing how their senses are reduced to a minimum. With their bodies and minds pushed beyond the limits, La noche de 12 años (A Twelve-year Night) tells us how they managed to survive. LOS SILENCIOS BEATRIZ SEIGNER (BRAZIL – FRANCE – COLOMBIA) Cast: Marleyda Soto, Enrique Diaz, Maria Paula Tabares Peña, Adolfo Savilvino Films in Progress 33 Nuria, Fabio and their mother Amparo arrive in a small island in the middle of Amazonia, at the border of Brazil, Colombia and Peru. They ran away from the Colombian armed conflict in which their father disappeared. One day, he reappears in their new house. The family is haunted by this strange secret and discovers the island is peopled with ghosts. MARILYN MARTÍN RODRÍGUEZ REDONDO (ARGENTINA – CHILE) Cast: Walter Rodríguez, Catalina Saavedra, Germán de Silva, Ignacio Giménez, Germán Baudino, Andrew Bargsted, Rodolfo García Werner, Josefina Paredes III Europe-Latin America Co-production Forum Films in Progress 31 Marcos, a 17 year-old farmhand, discovers his sexuality in a hostile atmosphere. Nicknamed “Marilyn” by the other village teenagers, he becomes an object of desire and discrimination. Marcos feels increasingly more penned in. NUESTRO TIEMPO (OUR TIME) CARLOS REYGADAS (MEXICO – FRANCE – ALEMANIA – DENMARK – SWEDEN) Cast: Carlos Reygadas, Natalia López, Eleazar Reygadas, Rut Reygadas, Phil Burgers A family lives in the Mexican countryside raising fighting bulls. Esther is in charge of running the ranch, while her husband Juan, a world-renowned poet, raises and selects the beasts. When Esther becomes infatuated with a horse trainer, named Phil, the couple struggles to stride through the emotional crisis. SUEÑO FLORIANÓPOLIS (FLORIANÓPOLIS DREAM) ANA KATZ (ARGENTINA – BRAZIL – FRANCE) Cast: Mercedes Morán, Gustavo Garzón, Marco Ricca, Andréa Beltrão Couple Pedro and Lucrecia travel to Brazil with their teenage children. They have recently decided to separate, but to spend the holidays together as planned all the same. Marco, the Brazilian renting their summer house to the family, and Larissa, his ex-girlfriend, befriend Pedro and Lucrecia. On the beaches, among the waves, karaoke and water excursions, overlapping romances emerge together with an attraction that will rub off on the children on all sides. Parents and siblings have fun as they test the “Brazilian happiness”. While endless samba awakens the tourists from their lethargy, they separate to indulge in the passion and exploration, in the mirror, of more liberal and unexpected versions of themselves.
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Argentine Film AN UNEXPECTED LOVE to Open 2018 San Sebastian Festival
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An Unexpected Love (El amor menos pensado)[/caption]
The Argentine film El amor menos pensado (An Unexpected Love) directed by Pablo Trapero, will open the 66th edition of the San Sebastian Festival. The film, a candidate for the Golden Shell, focusses on a couple who, after 25 years of marriage, are going through a crisis which drives them to separation and prompts them to question themselves about love, desire and the passing of time.
An Unexpected Love represents the moviemaking debut of the screenwriter and producer Juan Vera. Co-producer of Zama, helmed by Lucrecia Martel, Elefante blanco and Carancho, directed by Pablo Trapero, Vera has as the stars of his first work Mercedes Morán and Donostia Award-winner Ricardo Darín, who was also involved as a producer together with his son, Chino Darín.
Mercedes Morán (Villa Dolores, Argentina, 1955) has worked with some of the big-name Latin American filmmakers: Lucrecia Martel, Juan José Campanella, Walter Salles, Ana Katz (Los Marziano, Official Selection 2011) and Pablo Larraín. Her work in Sueño Florianópolis landed her this year’s Best Actress Award at the Karlovy Vary Festival. At this year’s Un Certain Regard, she also premiered El ángel, to be screened in Perlak.
Ricardo Darín (Buenos Aires, 1957), one of the most prestigious Latin American actors, received last year’s Donostia Award in recognition of a career which has seen him work with moviemakers including Adolfo Aristarain, Campanella, Fabián Bielinsky, Fernando Trueba, Trapero, Cesc Gay and Santiago Mitre. His films have enjoyed strong presence in San Sebastian over the last two decades: he has competed in the Official Selection four times, he was a member of the official jury in 2012, and he has harvested, as well as the Donostia Award (with screening of La cordillera [The Summit]), the Best Actor Silver Shell ex aequo with Javier Cámara for Truman and the Audience Award for Best European Film for Relatos Salvajes (Wild Tales).
AN UNEXPECTED LOVE (EL AMOR MENOS PENSADO)
JUAN VERA (ARGENTINA)
Cast: Ricardo Darín, Mercedes Morán, Claudia Fontán, Luis Rubio, Andrea Pietra, Jean Pierre Noher, Claudia Lapacó, Chico Novarro, Andrea Politti, Gabriel Corrado, Andrés Gil, Mariú Fernández, Norman Briski, Juan Minujín
After 25 years of marriage, Marcos and Ana question themselves deeply on the subject of love, the nature of desire and fidelity, taking a decision that will change their lives forever.
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Films by Claire Denis, Simon Jaquemet, Kim Jee-woon and More to Compete for Golden Shell at 66th San Sebastián Film Festival
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The Black Book (Le cahier noir)[/caption]
The latest films by Claire Denis, Simon Jaquemet, Kim Jee-woon, Naomi Kawase, Benjamín Naishtat, Valeria Sarmiento and Markus Schleinzer are the first films confirmed to be competing for the Golden Shell at the 66th San Sebastián Film Festival.
Claire Denis (Paris, 1946), the director of Beau travail or White Material, will be competing for the first time for the Golden Shell with High Life. In this science-fiction film, Denis is working once again with Juliette Binoche, after Un beau soleil intérieur (Let the Sun Shine In) -which won the SACD Award in the Directors’ Fortnight at Cannes ex aequo last year with Philippe Garrel- and Robert Pattinson.
For Naomi Kawase (Nara, Japan, 1969) this will be her second time in the Official Section, after she presented Genpin, which won the Fipresci Award, in 2010. Now, after taking part in Un Certain Regard and in the Official Competition at Cannes with her last two films, An / Sweet Bean and Hikari / Radiance, respectively, she will be coming to San Sebastián with Vision, shot in her native province. The film also stars the French actress Juliette Binoche and the Japanese actor, Masatoshi Nagase (An, Hikari, Paterson).
Kim Jee-woon (Seúl, 1964) will also be competing for the Golden Shell for the second time. After presenting Ang-ma-reul bo-at-da / I Saw the Devil in San Sebastián in 2010, the South Korean director will be taking part withIllang: The Wolf Brigade, the Korean remake of Jin-Roh, the anime written by Mamoru Oshii (Ghost in the Shell) about the Keberos Panzer Cops, a violent police force.
This is also the second time that Valeria Sarmiento (Valparaíso, Chile, 1948) will be competing as a director in the Official Section, after presenting Elle more than two decades ago, in 1995. But Sarmiento’s links to the Festival go back to a previous decade, at the beginning of her career, when she won the Grand Prix Donostia for Best New Director in 1984 with Notre mariage, her first fictional feature film. The last time that she took part in the Festival was in Zabaltegi, where her film As Linhas de Torres / Lines of Wellington was programmed in 2012. The French/Portuguese coproduction Le cahier noir / The Black Book is inspired by the novel Livro Negro de Padre Dinis, by Camilo Castelo Branco, who also wrote Mistérios de Lisboa, which was edited by Sarmiento and which won Raúl Ruiz the Silver Shell for best director in San Sebastián (2010). El Livro Negro de Padre Dinis can be considered to be a prequel of the character that also appears in Mistérios de Lisboa.
Rojo is the third feature by Benjamín Naishtat (Buenos Aires, 1986), whose debut film, Historia del miedo (History of Fear), was one of the films chosen in Films in Progress 24, competed in Berlin in 2014 and was also screened in Horizontes Latinos. With his second film, El movimiento (The Movement, 2015), he formed part of the official section in Locarno. Rojo, with a cast including Darío Grandinetti, Andrea Frigerio and Alfredo Castro, is set in Argentina in the 1970s, on the eve of the military dictatorship.
Markus Schleinzer (Vienna, 1971), who competed in the official section at Cannes with his debut film, Michael, will be presenting his second feature film, Angelo, in San Sebastián. Schleinzer, who wrote together with the director, Michael Sturminger, the screenplay for Casanova Variations, which competed for the Golden Shell in 2014, now focuses on the story of an African who is Europeanised by force in a story starring Makita Samba, Alba Rohrwacher and Larisa Faber.
In 2014 Simon Jaquemet (Zurich, 1978) premiered his award-winning first film, Chrieg / War, in the New Directors section at the Festival. With his second film, Der unschuldige / The Innocent, he is back in San Sebastián in the Official Section, with the portrait of a woman trapped by her past in a religious community.
The other films that make up the Official Section will be announced in the next few weeks.
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ANGELO[/caption]
ANGELO
MARKUS SCHLEINZER (AUSTRIA – LUXEMBOURG)
Cast: Makita Samba, Alba Rohrwacher, Larisa Faber
The story of Angelo, an African born in the 18th century, who is brought to Europe at the age of 10. Becoming a servant at the court of enlightened nobility, he is able to use his otherness to be an appreciated guest and attraction for the members of high society. Being close to the emperor he decides to marry Magdalena, a young maidservant, with whom he falls in love. Doing so, Angelo inevitably suffers from the rejection from the court. On the height of his prestige, he has to realize, that his otherness will never be erased. He will never know a normal life, and he will always remain an outsider. Based on true events.
DER UNSCHULDIGE / THE INNOCENT
SIMON JAQUEMET (SWITZERLAND – GERMANY)
Cast: Judith Hofman, Christian Kaiser, Thomas Schüpbach, Urs-Peter Wolters
Ruth works in a neuroscience research lab, as much as she’s part of an extreme traditionalist and conservative Christian family. She suddenly finds herself facing her own past when her former lover reemerges after disappearing twenty years in jail, putting into question her feelings, her life and soon her faith.
HIGH LIFE
CLAIRE DENIS (FRANCE – GERMANY – UK – POLAND – USA)
Cast: Robert Pattinson, Juliette Binoche, André Benjamin, Mia Goth
Deep space. Beyond our solar system. Monte and his infant daughter Willow live together aboard a spacecraft, in complete isolation. A solitary man, whose strict self-discipline is a protection against desire –his own and that of others– Monte fathered the girl against his will. His sperm was used to inseminate Boyse, the young woman who gave birth to her. They were members of a crew of prisoners: space convicts, death row inmates. Guinea pigs sent on a mission to the black hole closest to Earth. Now only Monte and Willow remain. And Monte is changed. Through his daughter, for the first time, he experiences the birth of an all-powerful love. Willow grows, becoming a young girl, then a young woman.
ILLANG: THE WOLF BRIGADE
KIM JEE-WOON (SOUTH KOREA)
Cast: GANG Dong-won, HAN Hyo-Joo, JUNG Woo-sung, KIM Mu-Yeol, HAN Ye-ri, CHOI Min-ho, HEO Joon-ho
In 2029, after the governments of North and South Korea announce a 5-year plan to reunify the country, strong sanctions by the world’s powerful nations cripple the economy and lead to a hellish period of chaos. With the appearance of an armed anti-government terrorist group called The Sect which opposes reunification, the President creates a new police division called the Special Unit which amasses significant political power. However the intelligence service Public Security, which sees its own influence drop, hatches a plot to annihilate the Special Unit. Amidst this bloody struggle between two ultra-powerful institutions, rumors emerge of a secret ‘Wolf Brigade’ being formed within the Special Unit. The human weapons who are called wolves, ‘Illang’ (The Wolf Brigade).
LE CAHIER NOIR / THE BLACK BOOK
VALERIA SARMIENTO (FRANCE – PORTUGAL)
Cast: Lou de Laâge, Stanislas Merhar, Niels Schneider, Jenna Thiam, Fleur Fitoussi, David Caracol, Vasco Varela da Silva, Tiago Varela da Silva
The story of the adventures, in the twilight of the eighteenth century, of a singular couple formed by a little orphan with mysterious origins and his young Italian nurse of a similarly uncertain birth. They lead us in their wake, from Rome to Paris, from Lisbon to London, from Parma to Venice. Always followed in the shadows, for obscure reasons, by a suspicious-looking Calabrian and a troubling cardinal, they make us explore the dark intrigues of the Vatican, the pangs of a fatal passion, a gruesome duel, banter at the court of Versailles and the convulsions of the French Revolution.
ROJO
BENJAMIN NAISHTAT (ARGENTINA – FRANCE – NETHERLANDS – BRAZIL – FRANCE)
Cast: Dario Grandinetti, Andrea Frigerio, Alfredo Castro
In the mid-1970s a stranger arrives in a quiet provincial town. At a restaurant, for no apparent reason he starts to assault Claudio, a well-known lawyer. The community supports the lawyer and the stranger is humiliated and gets thrown out. Later on the way home, Claudio and his wife Susana are intercepted by the stranger who is determined to take terrible revenge on him. The lawyer then starts out on a road of no-return, of death, secrets and silences.
VISION
NAOMI KAWASE (JAPAN – FRANCE)
Cast: Juliette Binoche, Masatoshi Nagase
Jeanne, a French journalist, comes to Japan in search of ‘Vision’, a rare medicinal herb said to strip away all spiritual anguish and weaknesses in human beings. She knows that ‘Vision’ only appears once every 997 years under special conditions and that time is near. Aki, a wise villager who knows the forest well, prophesies the arrival of the mysterious ‘One’ and then disappears. Tomo, who was devoted to Aki, works as a keeper of the forests and is beginning to sense, instinctively, recent changes in the mountains. Is there a connection between the disappearance of Aki and the changes taking place in the forest? Will Jeanne succeed in finding the phantom herb Vision? A millennial event is taking place in the Yoshino mountains of Nara, opening a door to the One and the true potential of human existence.
