Toronto International Film Festival (TIFF)

The 2015 Toronto International Film Festival Wavelengths program will present 54 films, videos and installations by some of the world’s most influential auteurs and artists who challenge conventional expression and seek to redefine the art of cinema. Curated by Andréa Picard, with contributions from members of TIFF’s international programming team, Wavelengths comprises experimental film and video art, category-defying feature-length films — many of which flout the traditional fact-fiction boundaries and opt instead for cinema at its most expansive — and immersive, captivating installations, which redefine the potential for moving image art. The 2015 edition features a seductive mix of master filmmakers, award-winning artists and emerging, new talent. Some of the highlights include the critical hit of this year’s Cannes, Miguel Gomes’ breathtakingly inventive, three-part Arabian Nights; disarmingly intimate dialogue-portraits by iconic and iconoclastic auteurs Chantal Akerman and Tsai Ming-liang, respectively; a major new montage film by Ukrainian master, Sergei Loznitsa; World Premieres by Nicolás Pereda, Pablo Agüero, and Mark Lewis; and two important works from a new Italian cinema, Pietro Marcello’s exquisite Bella e perduta, and Roberto Minervini’s powerful and all-too prescient The Other Side. “This year’s Wavelengths is marked by a certain youthful exuberance — one that is caught up in the contradiction of exhibiting energy, inventiveness and ample daring, while taking stock of the world’s various states of emergency, on large levels and intimate scales,” said Picard.“With renewed faith in the image — abstract ones, even frail ones, and those stemming from reality, remembrance or imagination — the filmmakers and artists in this year’s program are actively proving cinema’s singular ability to engage with collective, individual, social and political memory.” Additional highlights of this year’s program include a new short and feature-length film by British filmmaker and artist Ben Rivers; the Festival’s first appearance by this year’s Baloise Art Prize winners, UK artist Beatrice Gibson and French artist Mathieu Kleyebe Abonnenc; the Abraaj Art Prize winner Yto Barrada; new works by emerging filmmaking talents, Lois Patiño and Nelson Carlo de los Santos Arias; a record number of Canadian (and Toronto) contributions, including the World Premiere of a major new film by Montreal-based experimental filmmaker Daïchi Saïto and two recent discoveries presented in restored archival prints of films by Paul Sharits and by Philippe Garrel. New to Wavelengths this year, works outside the cinema include the latest installation by Indian-American filmmaker Shambhavi Kaul; a lecture-performance by Toronto-based artist Annie MacDonell and French artist Maïder Fortuné originally commissioned by Le Centre Pompidou’s Hors Pistes festival; and TIFF’s first collaboration with the Art Gallery of Ontario to present lauded Thai filmmaker and artist, Apichatpong Weerasethakul’s installation, Fireworks (Archives), as well as a new work by Corin Sworn and Tony Romano. Wavelengths 1: Fire in the Brain Like a fire in the brain that lights up perceptive powers, this programme is a seductively surreal visual exploration of the relationship between image, sound, and movement. 3D Movie Paul Sharits, USA (restored archival print courtesy of Anthology Film Archives) Fugue Kerstin Schroedinger, Canada/Germany Prima Materia Charlotte Pryce, USA The Fire in My Brain That Separates Us Benjamin Ramírez Pérez, Germany Something Horizontal Blake Williams, Canada/USA The Exquisite Corpus Peter Tscherkassky, Austria Wavelengths 2: YOLO Subjective experience is channeled through artistic collaborations in this programme, which offers YOLO-infused reflections on identity and contemporary dislocation. A Distant Episode Ben Rivers, UK An Old Dog’s Diary Shai Heredia and Shumona Goel, India The Reminder Behrouz Rae, USA Solo for Rich Man Beatrice Gibson, UK YOLO Ben Russell, USA/South Africa Analysis of Emotions and Vexations Wojcieck Bąkowski, Poland Bunte Kuh Parastoo Anoushahpour, Faraz Anoushahpour and Ryan Ferko, Canada/Germany Wavelengths 3: Light Space Modulator This program explores ways of recording and reshaping space with light, of measuring and mapping our bodily presence and impact vis-à-vis regional, global and abstracted cartographies. Navigator Björn Kämmerer, Austria/Germany Théodolitique David K. Ross, Canada Office Space Modulation Terrarea (Janis Demkiw, Emily Hogg, Olia Mishchenko) Canada Palms Mary Helena Clark, Canada/USA Occidente Ana Vaz, France/Portugal Terrestrial Calum Walter, USA Tarlabaşı Cynthia Madansky,Turkey Wavelengths 4: Psychic Driving Is now a time for outrage? This program of political statements and personal inquiries breathes new life into the politics of the image. Actua1 Philippe Garrel, France (restored archival print courtesy of La Cinémathèque française) Time for Outrage! Friedl vom Gröller, Austria Untitled Behrouz Rae, USA Many Thousands Gone Ephraim Asili, Brazil/USA Neither God nor Santa Maria Samuel M. Delgado and Helena Girón, Spain Psychic Driving William E. Jones, USA UNcirCling John Creson and Adam Rosen, Canada Engram of Returning Daïchi Saïto, Canada PAIRINGS Night without distance (Noite Sem Distância) Lois Patiño, Spain/Portugal North American Premiere An instant in the memory of a landscape: the smuggling that for centuries crossed the line between Portugal and Galicia. The Gerês Mountains knows no borders, and rocks cross from one country to another with insolence. Smugglers also disobey this separation. The rocks, river, and trees: silent witnesses to help them to hide. Night without distance precedes previously announced feature-film, Minotaur by Nicolás Pereda. Santa Teresa and Other Stories (Santa Teresa y Otras Historias) Nelson Carlo de los Santos Arias Mexico/Dominican Republic/USA North American Premiere Dominican filmmaker Nelson Carlo de los Santos Arias radically extrapolates from Roberto Bolaño’s unfinished, posthumous novel 2666, to produce a baroque fictionalized account of Ciudad Juárez. This noir-tinged tale soon begins to dovetail and intersect with a host of other stories recounted by a chorus of disembodied voices, creating a narrative palimpsest that blurs the line between factual documentation, lyrical observation, and fictional imagination. Preceded by: Paradox of Praxis 5 Francis Alÿs, Mexico International Premiere The latest in Belgian-born, Mexico City-based contemporary artist Francis Alÿs’ series of performative videos that politicize absurd or seemingly futile gestures, Paradox of Praxis 5 documents the artist’s nocturnal perambulations through Juárez as he kicks a ball of fire along the city’s desolate streets. Transcending metaphor, the eerie, mobile conflagration traces out an imaginary map of a devastated city. Sector IX B (Secteur IX B) Mathieu Kleyebe Abonnenc, France/Senegal North American Premiere Taking inspiration from L’Afrique fantôme — the controversial diary by surrealist writer Michel Leiris recounting his participation in the ambitious French ethnographic expedition of the 1930s to Dakar and Djibouti — Mathieu Kleyebe Abonnenc’s arresting first feature reflects on identity, cultural appropriation, and the transference of memory though objects. Preceded by: Faux Départ (False Start) Yto Barrada, Morocco/USA North American Premiere The latest film by French-Moroccan artist Yto Barrada observes the elaborate fossil industry in Morocco. Paying homage to the “preparators” in the arid region between the Atlas Mountains and the Sahara Desert, whose intrepid work is fueling a thriving trade in artifacts real, faux and hybrid, False Start is a rebuke to the fetishistic thirst for foreign objects, a sly meditation on authenticity, and a paean to creativity. Previously announced was the pairing of Isiah Medina’s 88:88 preceded by Denis Côté’s short film May We Sleep Soundly. FEATURES Afternoon (Na ri xia wu) Tsai Ming-liang, Taiwan North American Premiere A disarmingly candid, insightful and ultimately very moving conversation between Taiwanese auteur Tsai Ming-liang and his muse, actor Lee Kang-sheng, whose storied relationship represents one of the great collaborations in cinema history. Arabian Nights: The Restless One Miguel Gomes, Portugal/France/Germany/Switzerland North American Premiere A major hit at this year’s Cannes, this epic, three-part contemporary fable by Portuguese auteur Miguel Gomes (Tabu) adopts the structure from the Arabian Nights texts in order to explore Portugal’s plunge into austerity. The first volume of this thrillingly inventive and wildly ambitious triptych includes appearances by cunning wasps, virgin mermaids, an exploding whale, erection-inducing potions and a talking rooster. Arabian Nights: The Desolate One Miguel Gomes, Portugal/France/Germany/Switzerland North American Premiere Part Two of Portuguese auteur Miguel Gomes’ majestic, mutating modern-day folk tale relates how desolation has invaded humanity through stories involving a distressed judge on a night of three moons, a runaway, a teleporting murderer, a wounded cow, a sad, chain-smoking couple in a concrete apartment block, and a ghost dog named Dixie. Arabian Nights: The Enchanted One Miguel Gomes, Portugal/France/Germany/Switzerland North American Premiere The third and concluding volume of Portuguese auteur Miguel Gomes’ Scheherazadean triptych brings this epic to a close with the sound of birdsong and the promise of the ineffable. Eva Doesn’t Sleep Pablo Agüero, France/Argentina/Spain World Premiere One of Argentina’s most visionary and politically engaged cinematic voices, director Pablo Agüero takes the unbelievable story of the transport of the embalmed body of beloved First Lady Eva Perón, and transforms it into a strangely riveting cinema experience, with a supremely creepy performance from Gael García Bernal. The Event Sergei Loznitsa, Netherlands/Belgium North American Premiere Ukrainian filmmaker Sergei Loznitsa follows his monumental documentary Maïdan with this found-footage epic about the failed coup of August 1991 that signaled the fall of the Soviet Union. Lost and Beautiful (Bella e perduta) Pietro Marcello, Italy North American Premiere (pictured in main image above) Part fable, part documentary, part film poem, the latest exquisite feature by Pietro Marcello (La bocca del lupo) pays homage to a humble shepherd who became a symbol of hope and generosity for a struggling and conflicted Italy. No Home Movie Chantal Akerman, Belgium North American Premiere Shuttling between fiction, adaptation, documentary and essay film, Belgian filmmaker Chantal Akerman has created one of the most original, daring and influential oeuvres in film history. No Home Movie is a sober, profoundly moving portrait of Akerman’s mother in the months leading up to her death, when she was mostly confined to her Brussels apartment. A Polish Jew who survived Auschwitz, her mother suffered from chronic anxiety, an affliction that shaped Akerman’s thematic preoccupations with gender, sex, cultural identity, existential ennui, solitude and mania. The Other Side Roberto Minervini, France/Italy North American Premiere In turns tender and disturbing, Italian filmmaker Roberto Minervini produces a powerful hybrid docu-fiction film, profiling drug addicts and private militia in Louisiana, who live on the fringes of society. The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers Ben Rivers, United Kingdom North American Premiere Partially inspired by Paul Bowles’ short story A Distant Episode, the latest feature by British filmmaker Ben Rivers (Two Years at Sea, A Spell to Ward Off the Darkness) charts a mysterious transformation from observational making-of to inventive adaptation shot against a staggering Moroccan landscape. Previously announced feature films include Mark Lewis’ Invention, and Evan Johnson and Guy Maddin’s The Forbidden Room. INSTALLATIONS Fallen Objects Shambhavi Kaul, USA/India World Premiere Presented in partnership with Scrap Metal Gallery from September 10-20, this new installation by Indian-American artist-filmmaker Shambhavi Kaul is comprised of a large projected video loop composed of seven shots that continuously rearrange themselves based on an internal code, and floorbound sculptures in the form of scraps of cloth — the “fallen objects” of the title. Stripping away the narrative potential of its genre cinema-derived source material, Fallen Objects considers cinematic space outside the cinema and imagines humans inside it. Fireworks (Archives) Apichatpong Weerasethakul, Thailand/Mexico Canadian Premiere Presented in partnership with the Art Gallery of Ontario from September 10-27 (Closed on Mondays), the new installation from Palme d’Or-winning Thai filmmaker and contemporary artist Apichatpong Weerasethakul fuses the artist’s exploration of memory, ephemeral elements like light and phantoms, and the malleable nature of history and storytelling while exhuming Thailand’s political legacy through an ingenious use of pyrotechnics. Previously announced programming includes the lecture-performance, Stories Are Meaning-Making Machines by Annie MacDonell and Maïder Fortuné; and film installations La Giubba by Corin Sworn and Tony Romano; The Forbidden Room – A Living Poster by Galen Johnson; and Bring me the Head of Tim Horton by Guy Maddin, Evan Johnson and Galen Johnson. The 40th Toronto International Film Festival runs September 10 to 20, 2015.

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60 films from countries across the globe were announced today in the 2015 Toronto International Film Festival Contemporary World Cinema program. Spotlighting work from some of the world’s finest international filmmakers, the lineup delivers an array of compelling films for Festival audiences to savor, journeying through unique and universal stories told on film. Included in the lineup is the latest from directors Christian Zübert, Nabil Ayouch, Rúnar Rúnarsson, Alexandra-Therese Keining, Grímur Hákonarson, Erik Matti, Oliver Hermanus, Rabah Ameur-Zaimeche, Federico Veiroj, Eric Khoo, Sion Sono, Danielle Arbid, Emin Alper, and Jeremy Sims. For the fourth year, The Toronto International Film Festival® partners with the University of Toronto’s Munk School of Global Affairs on the Contemporary World Speakers series. This initiative pairs six films in the Contemporary World Cinema program with expert scholars from the Munk School. Audiences will have the opportunity to interact with filmmakers and scholars in extended discussions, following each film’s second public screening. Speakers include Stephen J. Toope, Ron Levi, Dan Brenznitz, Robert Steiner, Janice Stein, and Robert Austin. The Contemporary World Speakers series is programmed in conjunction with the TIFF Adult Learning department. Films screening as part of the Contemporary World Cinema program include: 25 April Leanne Pooley, New Zealand World Premiere Award-winning filmmaker Leanne Pooley utilizes the letters and memoirs of New Zealand soldiers and nurses along with state of the art animation to tell the true story of the 1915 battle of Gallipoli. Dramatic, moving, sometimes humorous and often thrilling, the film explores an event whose resonance continues for Australians and New Zealanders to the present day. 3000 Nights (3000 Layla) Mai Masri, Palestine/France/Jordan/Lebanon/United Arab Emirates/Qatar World Premiere After Layal, a newlywed Palestinian schoolteacher gives birth to a baby boy in an Israeli prison, the chief warden threatens to take her baby away unless she agrees to spy on the other prisoners who are planning a major strike. 3000 Nights makes a prison into a metaphor for Palestine under occupation, exploring the complicated interplay of resilience, empathy, and psychological manipulation between women. Layal fights to survive and maintain hope. An Naomi Kawase, Japan/France/Germany North American Premiere Sentaro runs a small bakery that serves dorayakis — pastries filled with sweet red bean paste (“an”). When an old lady, Tokue, offers to help in the kitchen, he reluctantly accepts. But Tokue proves to have magic in her hands when it comes to making “an”. Thanks to her secret recipe, the little business soon flourishes. And with time, Sentaro and Tokue will open their hearts to reveal old wounds. The Apostate (El Apóstata) Federico Veiroj, Spain/France/Uruguay World Premiere A young man finds himself navigating the baffling, labyrinthine bureaucracy of the Catholic Church when he attempts to formally renounce his faith, in this gently absurdist comedy from Uruguay’s Federico Veiroj (A Useful Life). As I Open My Eyes (A peine j’ouvre les yeux) Leyla Bouzid, Tunisia/France/Belgium North American Premiere Tunis, summer 2010, a few months before the Revolution. Eighteen-year-old Farah is at a crossroads: to fulfill her mother’s wish and enroll in medical school or follow her passion for music. She has joined a subversive rock band, “Joujma”. As it becomes more and more visible, she does not suspect the danger of a regime that watches and infiltrates her privacy. Baba Joon Yuval Delshad, Israel World Premiere Set in northern Israel, the film tells the story of three generations of strong-willed men: Baba Joon, the patriarch who emigrated to Israel from Persia years ago; his son Yitzhak who maintains the family farm; and young Moti, who doesn’t feel beholden to Baba Joon or his father for anything. Box Florin Șerban, Romania/Germany/France North American Premiere The story by acclaimed Romanian director Florin Șerban (If I Want to Whistle, I Whistle) follows talented 19-year-old boxer Rafael, for whom a session in the ring is everything; and Cristina, an attractive 30-something mother who finds herself at a critical moment in her life. Two characters with their own secrets, two journeys, two outlooks and an intense drama that penetrates to the core. Campo Grande Sandra Kogut, Brazil/France World Premiere Eight-year-old Ygor and six-year-old Rayane were abandoned by their mother, who left them on Regina’s doorstep in Rio de Janeiro’s Ipanema neighborhood. The sudden and unexpected arrival of these children in Regina’s life and the search for their mother changes their lives. Chevalier Athina Rachel Tsangari, Greece North American Premiere (pictured above) In the middle of the Aegean Sea, on a luxury yacht, six men on a fishing trip have decided to play a game. Things will be measured, blood will be tested. The man who wins will be the best man, and he will wear upon his littlest finger the victorious signet ring: the “Chevalier”. A Copy of My Mind Joko Anwar, Indonesia/South Korea North American Premiere She gives facials in a cheap beauty salon. He makes subtitles for pirated DVDs. They find a soulmate in each other. But their love is threatened to a tragic end when she stumbles upon evidence of a corruption case linked to a presidential candidate’s closest aides. Cuckold Charlie Vundla, South Africa World Premiere Smanga is a successful assistant professor whose life suddenly unravels when his wife leaves him. He spirals into an alcohol, marijuana and sex-fuelled tail spin that places the status of his sanity, career and house in jeopardy. However, with the emergence of a long lost former classmate Jon, he finds the support to fix his life. Embrace of the Serpent (El Abrazo de la Serpiente) Ciro Guerra, Colombia/Venezuela/Argentina North American Premiere A tale of the first encounter, approach, betrayal and life-transcending friendship between an Amazonian shaman, last survivor of his people, and two explorers that become the first men to travel the Northwest Amazon in search of ancestral knowledge. The Endless River (La Rivière sans fin) Oliver Hermanus, South Africa/France North American Premiere A fierce crime drama set against an unforgiving landscape, The Endless River is a story about morality, love, revenge and forgiveness. The Fear (La Peur) Damien Odoul, France World Premiere Gabriel, an introverted young man, finds terror and appalling carnage in the hell-on-earth of the trenches between 1914 and 1918. At the end of his horrifying interior journey through the conflict — full of sound, fury and blood — he will discover his own humanity Frenzy (Abluka) Emin Alper, Turkey/France North American Premiere In the new film from award-winning Turkish writer-director Emin Alper, an ex-con, just released after serving a 15-year sentence, is recruited as a police informant as political violence grips Istanbul. *Stephen J. Toope, Director of the Munk School of Global Affairs and an officer of the Order of Canada, is an international scholar on law, human rights, and global affairs. He will speak about Frenzy in a Q&A session following the second public screening of the film. Girls Lost Alexandra-Therese Keining, Sweden World Premiere Kim, Bella and Momo, three bullied teenage girls, are going through the throes of finding themselves. Surrounded by a dark world of teenage violence, marginalization and sexual confusion, the girls have only each other. They come across a curious magical plant that, when consumed, transforms the girls temporarily into boys. Not only does their gender change, the world around them, and their response to it, is altered. Granny’s Dancing on the Table Hanna Sköld, Sweden World Premiere Thirteen-year-old Eini grows up isolated from society with her violent father, a man afraid of the world, who keeps her very close. The brutality that Eini is exposed to pushes her to almost lose her sense of self — but through the power of her own imagination she is able to create a world from which she can draw strength to survive. A Heavy Heart (Herbert) Thomas Stuber, Germany World Premiere Director Thomas Stuber (winner of the Student Academy Award) tells the story of an aging boxer from the former East who learns he has limited time to try to rectify the mistakes of his past. Homesick (De nærmeste) Anne Sewitsky, Norway Canadian Premiere When Charlotte, 27, meets her half-brother Henrik, 35, for the first time as an adult, it becomes an encounter without boundaries, between two people who don’t know what a normal family is. How does sibling love manifest itself if you have never experienced it before? Homesick is an unusual family drama about seeking a family, and breaking every rule to be one. Hong Kong Trilogy: Preschooled Preoccupied Preposterous Christopher Doyle, Hong Kong World Premiere This is a story of Hong Kong told by three generations. The voices you hear onscreen come from real life interviews. The film is a dream as well as a document, as each generation wonders how to live, here and now. Honor Thy Father Erik Matti, Philippines World Premiere An idyllic family’s life crumbles when the couple, Edgar and Kaye, discover that the investment scheme Kaye runs is one big scam. With friends turning against them and murderous big-time investors at their heels, Edgar is forced to return to his dark roots to save his family. Imbisibol (Invisible) Lawrence Fajardo, Philippines/Japan International Premiere Invisible essays the story of four Filipino migrant workers in Japan, in a crucial encounter that mirrors the difficult challenges that confront the “Pinoy” diaspora. The main characters in the film include Linda, a mail-to-order-bride who married a Japanese “salaryman”; Benjie, an illegal migrant worker who has been jumping from one odd job to another in the last 17 years; Manuel, an overstayer who now works as a male entertainer in a bar in the red light district; and Rodel, a newcomer who works as a day laborer in a logging company. In the Room Eric Khoo, Hong Kong/Singapore World Premiere In The Room deals with love, life and lust. Eric Khoo’s latest film is a tapestry of stories, all of which unfold in a hotel room over several decades. The common thread is sex. That hotel room is Room 27 at the Singapura Hotel, which started out as a ritzy establishment in the 1940s but has, over the decades, lost its sheen of respectability. For some, Room 27 is a nameless numbered room, a place which provides a cloak of anonymity, where one could indulge in indiscretions and the forbidden, where their trespasses will be forgiven once they return the key and sign the bill. Incident Light (La Luz Incidente) Ariel Rotter, Argentina/France/Uruguay World Premiere Since the car accident where both her husband and brother died, Luisa has not been able to put her life back together, until she meets a seductive stranger who forcefully proposes starting over. The new man’s overwhelming energy may be hiding warning signs about his character. But Luisa is confused, and the desire she feels for the new man merges with the absence of the man she lost — the possibility of rebuilding a family blurring with her own inability to accept her husband’s death. Ivy (Sarmaşik) Tolga Karaçelik, Turkey Canadian Premiere Trapped at anchor due to a legal dispute, the skeleton crew of a cargo ship come into potentially deadly conflict with one another, in this slow-burning psychological thriller from Turkish writer-director Tolga Karaçelik. Jack Elisabeth Scharang, Austria North American Premiere One winter’s night a girl freezes to death after suffering brutal injuries. Jack is convicted of her murder. When he is released from prison 15 years later, he goes from being a jailbird poet to a real ladykiller and darling of Vienna’s society. Can a man change so fundamentally? Or is it a case of once a murderer, always a murderer? Journey to the Shore (Kishibe no tabi), Kiyoshi Kurosawa, Japan/France North American Premiere Mizuki’s husband drowned at sea three years ago. When he suddenly comes back home, she is not that surprised. Instead, Mizuki is wondering what took him so long. She agrees to let him take her on a journey. A touching ghost story from Japanese master Kiyoshi Kurosawa (Tokyo Sonata, Pulse). The Kind Words (Hamilim Hatovot) Shemi Zarhin, Israel/Canada International Premiere At the death of their mother, three siblings are shocked to discover that their “real” father may not be their biological father, and he in turn may be an Algerian Muslim. The Kind Words is a warm, sometimes humourous, and often dramatic story about identity and love. *Dan Breznitz, Director of Research and Professor at the Munk School of Global Affairs, is an expert on innovation-based growth and how we respond to global changes. He will speak about The Kind Words in a Q&A session following the second public screening of the film. Koza Ivan Ostrochovský, Slovakia/Czech Republic North American Premiere This subtle fusion of documentary and fiction follows a young Roma boxer as he embarks on a tragicomic return to the ring in order to pay for his girlfriend’s abortion. Koza features Peter Baláž, who competed at the 1996 Olympic Games in Atlanta, and Ján Franek, Olympic medallist from Moscow 1980, as his coach. Featuring the outstanding performances of non-professional actors and blurring the lines between representation and presence, Koza is a powerful and haunting challenge to the concept of authenticity. Lamb Yared Zeleke, Ethiopia/France/Germany/Norway North American Premiere After his mother dies and draught hits his village, Ephraïm, a young Ethiopian boy, has to go live with relatives at the other end of the country. He takes his mother’s lamb with him, it is his only source of comfort. One day, his uncle announces that he will have to sacrifice the lamb for the upcoming religious feast, but Ephraïm is ready to do anything to save his only friend and return home. Last Cab to Darwin Jeremy Sims, Australia International Premiere Rex drives a cab and has never left Broken Hill in his life. When he discovers he doesn’t have long to live, he decides to drive across the heart of the country to Darwin, where he’s heard he will be able to die on his own terms; but along the way he discovers that before you can end your life you’ve got to live it, and to live it you’ve got to learn to share it. *Robert Steiner, Director of the Fellowships in Global Journalism Program, is a writer and award-winning former foreign correspondent now teaching journalism at the Munk School. He will speak about Last Cab To Darwin in a Q&A session following the second public screening of the film. Let Them Come (Maintenant ils peuvent venir) Salem Brahimi, France/Algeria World Premiere Algeria, at the end of the 1980s: against the background of mounting violence from a radical Islamist opposition repressed by the army, compelled by his mother, Noureddine marries Yasmina. As the conflict becomes more pronounced, he and his family have to defend themselves from the onslaught of pervasive barbarity. A chilling foray into a very contemporary drama, and remarkable adaptation from the novel with the same title by Arezki Mellal. *Janice Stein, founding Director of the Munk School of Global Affairs and member of the Order of Canada, is an internationally renowned expert on conflict management. She will speak about Let Them Come (Maintenant ils peuvent venir) in a Q&A session following the second public screening of the film. Magallanes Salvador del Solar, Peru/Argentina/Colombia/Spain International Premiere While driving his cab, Magallanes unexpectedly meets Celina, a woman he first met more than 20 years ago, under completely different circumstances. In what would turn out to be a personal quest for redemption, Magallanes will do everything within his power to help her overcome her difficulties, only to find out that Celina would much rather give up everything she owns than accept his help. Mekko Sterlin Harjo, USA International Premiere Mekko, starring Rod Rondeaux and Zahn McClarnon, tells the story of a homeless Native American parolee who discovers a chaotic yet beautiful community living on the streets of Tulsa. He also uncovers an old-world darkness that threatens to destroy them from within, one he must fight before it’s too late. A Month of Sundays Matthew Saville, Australia World Premiere Real estate agent Frank Mollard won’t admit it, but he can’t move on. Divorced but still attached, he can’t sell a house in a property boom — much less connect with his teenage son. One night Frank gets a phone call from his mother. Nothing out of the ordinary. Apart from the fact that she died a year ago. A Month of Sundays is about parents, children, regrets, mourning, moments of joy, houses, homes, love, work, television, Shakespeare and jazz fusion; about ordinary people and improbable salvation — because everyone deserves a second chance. Much Loved Nabil Ayouch, Morocco/France North American Premiere The heat of Marrakesh’s night, money flows freely to the rhythms of lusts satiated and humiliations suffered. Noha, Randa, Soukaina, and Hlima sell pleasures of the flesh. They share an apartment and form a makeshift family, united in their womanhood, full of light, dignity and joy, they manage to keep their spirits and dreams alive. Their families depend on them, and as they move from one embrace to the other, they always go home loveless. A hard-hitting but luminous drama from Moroccan director Nabil Ayouch. *Ron Levi, Deputy Director of the Munk School and Director of the Master of Global Affairs Degree, is an expert on how people respond to crime and violence in a global context. He will speak about Much Loved in an extended Q&A session following the second public screening of the film. Murmur of the Hearts Sylvia Chang, Taiwan/Hong Kong North American Premiere Legendary Taiwanese actress and filmmaker Sylvia Chang directs this magical story of estranged siblings whose shared memories of their mother’s fairy tales begin to draw their lives together once again. One Breath (Ein Atem) Christian Zübert, Germany World Premiere One Breath is the story of two women from different backgrounds but with the same desire: happiness. Elena, young, well-educated and with no perspective in her home country, Greece, is trying to pursue a better life. And Tessa, a 30-something mother and successful manager in Germany, is torn between happiness as an individual and a mother. These two women meet and their encounter changes both their lives forever. *Robert Austin, Associate Professor at the Munk School’s Centre for European, Russian, and Eurasian Studies, is an expert on East Central and Southeastern Europe and coordinates the Hellenic Studies Program. He will speak about One Breath in a Q&A session following the second public screening of the film. One Floor Below (Un Etaj mai Jos) Radu Muntean, Romania/France/Germany/Sweden North American Premiere After being the sole unfortunate witness to a domestic quarrel that ends up in a murder, Sandu finds himself at odds with two very close neighbors. One is the bizarre murderer, the other is his very own conscience. Parisienne (Peur de rien) Danielle Arbid, France World Premiere The new film from Lebanese director Danielle Arbid follows a young Arab immigrant in Paris, whose encounters with three men reveal different facets of her new country, and of herself. Paths of the Soul (Kang Rinpoche) Zhang Yang, China World Premiere Director Zhang Yang blurs documentary and fiction in this account of a band of pilgrims who make a 2,000-kilometre journey on foot to Lhasa, the holy capital of Tibet and beyond. THE PEOPLE vs. FRITZ BAUER (Der Staat gegen Fritz Bauer) Lars Kraume, Germany North American Premiere Germany, 1957. Attorney general Fritz Bauer receives crucial evidence on the whereabouts of SS-Obersturmbannführer Adolf Eichmann, the man responsible for the mass deportation of the Jews. Because of his distrust in the German justice system, Bauer contacts the Israeli secret service Mossad, thereby committing treason. Price of Love Hermon Hailay, Ethiopia North American Premiere A young Addis Ababa taxi driver’s cab is stolen when he gets caught up in the dark side of love. He finds himself stuck in a relationship with a prostitute, making him confront his past and discover the price of love. Rams (Hrútar) Grímur Hákonarson, Iceland Canadian Premiere Winner of the Un Certain Regard prize at this year’s Cannes festival, Grímur Hákonarson’s stunningly shot drama focuses on two Icelandic sheep farmers whose decades-long feud comes to a head when disaster strikes their flocks. Schneider vs. Bax Alex van Warmerdam, Netherlands/Belgium North American Premiere Schneider, a hit-man, is given a task: before the night has passed he must kill the writer Ramon Bax. Song of Songs (Pesn pesney) Eva Neymann, Ukraine North American Premiere 1905. A Jewish Shtetl. Shimek and Buzya are two 10-year-olds. Of course, she is a princess and he is a prince. They live in the same yard, in neighbouring palaces. Years later Shimek begins to understand what Buzya really means to him when he receives the news that she is about to be married. Sparrows Rúnar Rúnarsson, Iceland/Denmark World Premiere Sparrows is a coming-of-age story about 16-year-old Ari, who has been living with his mother in Reykjavik and is suddenly sent back to the remote Westfjords to live with his father Gunnar. There, he has to navigate a difficult relationship with his father, and he finds his childhood friends changed. In these hopeless and declining surroundings, Ari has to step up and find his way. Starve Your Dog Hicham Lasri, Morocco World Premiere Fifteen years after he was dismissed of his functions, the former Minister of Interior during Morocco’s sinister decade of repression steps out of the shadows to make his confessions and disclose the monarchy’s dark secrets. He calls a filmmaker, famous for her daring documentaries during the time when he was in power, before the change of reign. She reunites the technical crew that was once her professional family — and while nothing seems to fall into place, she risks missing the confessions. The Steps Andrew Currie, Canada World Premiere An uptight New Yorker and his party girl sister visit their dad at his lake house to meet his new wife and her rough-around-the-edges kids. When the parents announce they’re adopting a child to bring the family closer together, it has the opposite effect. Starring Jason Ritter, Emmanuelle Chriqui, James Brolin and Christine Lahti. Story of Judas (Histoire de Judas) Rabah Ameur-Zaïmeche, France North American Premiere Rabah Ameur-Zaimeche’s bold re-imagining the story of the Biblical figure of Judas Iscariot proposes that he is not a traitor, but rather Jesus’ most loyal and trusted disciple and steward. As Jesus’ teachings astound more and more crowds, he attracts the attention of resistance groups, high priests and the Roman authorities. When he drives the merchants from the Temple, Judas shows himself to be the guardian of the words of the master. Stranger (Zhat) Yermek Tursunov, Kazakhstan World Premiere Stranger is a film about freedom, with one man’s fate in focus. The times are hard: 1930s to 1940s Kazakhstan. A Kazakh steppe is scourged by famine, wasteland, collectivization and war. Having lost his father, a 9-year-old boy gathers his belongings and disappears. He lives alone in the mountain cave. Years pass by and returning to his village seems almost impossible. Te prometo anarquía (I Promise You Anarchy ) Julio Hernández Cordón, Mexico/Germany North American Premiere Childhood friends Miguel and Johnny are dedicated to skating and having fun. To earn easy money and continue skating they secretly sell their blood. Business is good, until a large transaction turns out to be not as they imagined. Thank You for Bombing Barbara Eder, Austria World Premiere Three international TV correspondents — Ewald (Erwin Steinhauer), Lana (Manon Kahle) and Cal (Raphael von Bargen) — cross paths while waiting for a war that has already begun long ago in their own lives. The Treasure (Comoara) Corneliu Porumboiu, Romania/France North American Premiere Two neighbours set out to unearth a buried treasure in their own backyard, in this delightful fusion of contemporary fairy tale and political parable from Romanian New Wave master Corneliu Porumboiu (Police, Adjective). Truman Cesc Gay, Spain/Argentina World Premiere After being diagnosed with terminal cancer, a Madrid man resolves to spend his last days putting his affairs in order, in this delicate and intimate drama from Spanish director Cesc Gay. A humorous and honest portrait of the courage it takes to accept that death is just another part of life. The Whispering Star (Hiso Hiso Boshi) Sion Sono, Japan World Premiere Sion Sono wrote the screenplay and drew the accompanying storyboards in 1990, and 25 years later they’ve materialized into this black and white science fiction movie. Previously announced Canadian titles in the Contemporary World Cinema programme include Kazik Radwanski’s How Heavy this Hammer, Anne Émond’s Les êtres chers, Philippe Falardeau’s My Internship in Canada and Igor Drljača’s The Waiting Room. The 40th Toronto International Film Festival runs September 10 to 20, 2015.

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The 2015 Toronto International Film Festival In Conversation With … invites audiences to four unique, intimate sessions with preeminent stars from the film and television worlds. Offering compelling, in-depth exchanges and revealing personal experiences from their latest projects, this year’s lineup of special guests includes Julianne Moore, Salma Hayek, Sarah Silverman, and Matthew Weiner. “Our In Conversation With… events always offer something unexpected. Whether it’s a personal anecdote, a surprising fact, or an industry tidbit, audiences will be enchanted by this year’s lineup of prestigious guests,” said Cameron Bailey, Artistic Director, Toronto International Film Festival. “Festivalgoers will have the exclusive opportunity to hear from the top talent of the film and television industries in a candid and intimate environment.” In Conversation With… replaces the Festival’s former Mavericks program. In Conversation With… Julianne Moore Among her numerous accolades throughout her career in film, television, on stage and as a NY-Times Bestselling author, Academy Award® and Emmy®-winning actress Julianne Moore is the ninth person in Academy history to receive two Oscar nominations in the same year and the only American actress to be awarded top acting prizes at the Cannes, Berlin and Venice film festivals. Having appeared in more than 60 feature films, she will next be seen this October in Freeheld – part of the Festival’s official selection – opposite Ellen Page and Michael Shannon, and in November as President Coin in Francis Lawrence’s upcoming Hunger Games sequel Mockingjay: Part 2. Julianne is an Artist Ambassador for Save the Children U.S. Programs, is on the Advisory Council of The Children’s Health Fund, and is a supporter of Planned Parenthood and the Tuberous Sclerosis Alliance. Moore will hit the stage for a special conversation on the occasion of the premiere of her highly anticipated new film. In Conversation With… Salma Hayek Academy Award-nominee and Emmy winner Salma Hayek has proven herself as a prolific actress, producer and director in both film and television. Hayek has several films set for release this year and next, including the Festival selection Septembers of Shiraz alongside Adrien Brody, Tale of Tales by acclaimed Italian director Matteo Garrone, and as the voice “Teresa Taco” in Seth Rogen’s upcoming animated feature Sausage Party. She was nominated for an Academy Award, Golden Globe®, Screen Actors Guild and a BAFTA award for her leading role in Julie Taymor’s Frida. Noted for her acting career, Hayek has also dedicated much of her time to social activism, previously serving as spokesperson for the Pampers/UNICEF partnership worldwide and the Avon Foundation’s Speak Out Against Domestic Violence program. In November 2005, she served as co-host, alongside Julianne Moore, at the Nobel Peace Prize Concert in Oslo. She was also part of the One campaign that singer and activist Bono created, as well as a member of Global Green, and Youth Aids. Born and raised in Coatzacoalcos, Mexico, Hayek studied International Relations in college in Mexico. Hayek takes the stage to discuss her remarkable career to date. In Conversation With… Sarah Silverman Two-time Emmy winner Sarah Silverman is a versatile performer with a repertoire that includes everything from film and television to stand-up comedy and iconic videos. Silverman next stars in the lead role of drama I Smile Back – in the Festival’s official selection – and in Ashby. She recently wrapped production on the ‘Top Secret Untitled Lonely Island Project,’ as well as a comedy pilot for HBO which she executive produced and in which she stars. Last year she was awarded an Emmy for Outstanding Writing for a Variety Special for her comedy special We Are Miracles. Other credits include Wreck-It Ralph, Take This Waltz and her concert film Sarah Silverman: Jesus is Magic. Silverman’s sharp sense of humour is sure to entertain audiences as she discusses her varied career. In Conversation With… Matthew Weiner Matthew Weiner serves as creator, Executive Producer, writer and director on the critically acclaimed drama Mad Men. This exclusive on-stage conversation is sure to delight fans and will include a screening of the final episode of Season 1, “The Wheel,” which Weiner wrote and directed, accompanied by his engaging and entertaining live commentary, as well as a discussion about Weiner’s career to date. Mad Men is nominated for 11 Emmy nominations this year including Outstanding Drama Series and two writing nominations for Weiner including the finale of the series which he also directed. Since the series premiere in 2007, Mad Men has become one of television’s most honored shows joining an elite group in 2011 when it became only the fourth drama to be awarded four consecutive Emmy Awards for Outstanding Drama Series. Additional honors for the series include: three Golden Globe Awards for Best Television Drama Series; a Peabody Award; three Producers Guild Awards; four Writers Guild Awards; two BAFTA Awards; five Television Critics Association Awards, including Program of the Year; and being named seven years running to AFI’s Top 10 Outstanding Television Programs. Weiner’s additional credits include serving as an Executive Producer and writer on The Sopranos, and writer on various television comedy series including The Naked Truth, Becker, and Andy Richter Controls the Universe. In addition to his television credits, Weiner wrote and directed the feature film, Are You Here, featuring performances from Owen Wilson, Zack Galifianakis and Amy Poehler. Weiner currently lives in Los Angeles with his wife, architect Linda Brettler, and their four sons.

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