Interviews
Three Emerson College students had an idea to start a film festival as a way to showcase student filmmakers around the Boston area. When coronavirus forced everyone into quarantine, they had a choice to either let their months of prepping go in vain or to find a way to make it happen; they chose the latter
“If you have ever looked up at the night sky and wondered what is out there, this is the film for you.” Director Paul Hildebrandt puts into perspective the danger and detachment of America’s growing apathy for astronomy in his documentary Fight for Space.
In addition to the grueling physical and emotional strength it takes to be a firefighter, Brooke Guinan bore the weight of judgment and the weight of hormonal changes to carry out both her desire to be a firefighter and her destiny to transition from male to female.
In a world where instant gratification and quick fixes are king, alternative approaches to healing are commonly dismissed. Director Michael Galinsky explores the world of psychosomatic pain in All the Rage ( Saved by Dr. Sarno)
In what might be one of the most important and uplifting documentaries premiering at DOC NYC, City of Joy follows a community for women survivors of violence in the Eastern Democratic Republic of Congo.
After what some might call a post-apocalyptic week, Scott’s Pizza Tours might just be the documentary to remind you that you can have fun again. The documentary follows the life of Scott Wiener, pizza enthusiast and New York’s slice-spirit guide
Though stories of treasure hunts are often reserved for the fiction genre, director Tomas Leach is captivating audiences by documenting the hunt for eccentric millionaire Forrest Fenn’s buried treasure in The Lure.
Following in the footsteps of Bong Joon-Ho, Gael García Bernal, Carlos Diegues and Nicole Garcia, French actress Sabine Azéma will preside over the Caméra d’or Jury at this year’s 2015 Cannes Film Festival. She will be accompanied by the director Delphine Gleize, the actor Melvil Poupaud, Claude Garnier representing the AFC (French Association for Cinematographers), Didier Huck, representing the FICAM (Federation of Cinema, Audiovisual and Multimedia Industries), Yann Gonzalez, representing the SRF (Society of Film […]
Award-winning indie filmmaker Sharon Greytak’s ARCHAEOLOGY OF A WOMAN, starring Oscar nominated/Golden Globe winner Sally Kirkland is playing at Village East Cinema Sept. 12-18. ARCHAEOLOGY OF A WOMAN, is described as a gripping drama of a woman’s fierce determination to save her mind from spiraling into delusion as she attempts to keep a chilling secret from her past buried.
We recently sat down with director Sharon Greytak, one of the only disabled filmmakers directing, writing and producing from a motorized wheelchair, and Sally Kirkland, sporting a bandaged knee, the result of knee surgery. Earlier this year Sally fell, breaking her leg in two places while attending the Studio City Film Festival to receive an award for Best Actress.
For indie filmmakers, getting your first feature film made is already a hurdle that oftentimes can seem insurmountable. But if you manage to run the gauntlet that is raising funds, finding the right cast, and shooting and editing the whole thing, how do you get people to actually see your pride and joy? Asking someone to click on a short YouTube video is easy, but convincing people to watch a much longer film – especially if they have to go to a theater – is tougher.
The filmmakers behind the indie comedy Wander My Friends are well on their way to overcoming that hurdle too. The movie recently had its first screening at the SENE Festival in Providence, Rhode Island to an overwhelming positive response. Written and directed by Raz Cunningham and produced by Mel Hardy (who also co-developed the story with Cunningham and star Josh Krebs), Wander My Friends is about three creators of a successful indie comic book who find themselves concerned that they will have to choose between making money from their creation and maintaining their artistic vision. In a lot of ways, it speaks to all creative types who have dreams of success but at the same time fear about losing control of their work.
THE SQUARE, a riveting documentary nominated for an Oscar this year, actually takes the audience into the turbulent, vibrant center of the Egyptian Revolution. THE SQUARE, directed by Jehane Noujaim, is an astonishing document of Egypt’s uprising, and a remarkable exercise in the power of witness.
The film begins in 2011 with the very first protests in the streets of Cairo and in Tahrir Square, and focuses on three unlikely comrades in arms: Khalid Abdalla is an Egyptian movie star, famous both in the US and abroad (he starred in such films as The Kite Runner), who gave up his busy actor’s life in London to join in the Revolution, becoming its unofficial spokesperson in the process; Ahmed Hassan -a smiling, self-deprecating young man- filled with both committed enthusiasm and undisguised joy at being a part of something much larger than himself; and Magdy Ashour , who is both conflicted by and compelled by the Revolution: A man who is “with” the Muslim Brotherhood, only to flip sides in 2011 and siding with those in Tahrir Square. His journey, as he mustmake decisions based on both his faith and the financial care of his family, only highlight the extraordinary complexities which currently plague so muchofMiddle Eastern politics today.
Godfrey Reggio
It is so amazing to come across and be exposed to an artist who is not only a true original, but one who seems to be operating from a truly higher conscious. The director Godfrey Reggio certainly qualifies as one of those rare artists who seem to aim high, as in, the collective third eye, or, the global consciousness. Although he insists that art should have no purpose, his powerful, devastating and poetically gorgeous Qatsi trilogy of films, which he is most well-known for, and which includes KOYAANISQATSI, POWAQQATSI, and NAQOYQATSI, beg to differ. Scored by Phillip Glass and filling the screen with image after image of various stages of global community, searing beauty, eco-devastation, commerce and industry- assaulting us with the most vivid, the most poignant global imagery.